#most of the designs sucked but i still like some!

[alligatorjesie]

I love how OP is complaining 'capitalism isn't an answer to these questions' when if we just sit down with a shit scoop and dust away the clean surface litter of 'why people vote against their own interests' the stinky cat turd that is capitalism is right there under the surface.

Capitalism explains a lot of why people are stupid and vote stupid, and if definitely explains why a lot of us who are not so stupid and don't vote against our own interests still have to deal with corrupt corporate legislation that force shit options upon us.

In America we've turned schooling into a numbers and testing game that punishes schools who don't test well. That sounds correct on the surface but then when you dig around in the bullshit a little you realize they're literally only teaching these kids how to test and not how to do fucking anything else.

human restoration project did a long fuckin' video on how teaching the test is dicking over American public school systems

skip intro did one about a fictional school but it reflects a lot about what is wrong with real schools.

It's money.

It's always money.

Now we have schools filled with students who can't read good and teachers who ain't really allowed to teach anything but 'the test' and ain't even being paid well enough to babysit and a lot of this isn't this way because voters are stupid. It got this way because corporations own school book publishings. They decide what we learn and how we learn it from lobbying the fuck out of Congress to make it this way. Schools don't get a choice how they teach, and if they don't do it the way Congress wants then they don't get funding.

It's not even a conspiracy.

It's very look-up-able.

We literally just had a ballot measure in my state that was 'hey should we give the already poultry amount of we designate for public schools to private schools instead of public schools?' and thank fuck it lost but that shit got over 30% yes votes. Most of the houses that had 'vote yes on 2' signs in their yards didn't even have children living there.

I also noticed how a lot of those yards also had trump signs in them but that's a conversation for another day.

We don't have healthcare because we're told there's no better system out there besides the one with the absolutely fucking useless middle man who can deny you help because they deemed that cancer you developed from DuPont pouring Teflon into the waterways was pre-existing condition just to ensure shareholders get more of the pie at the end of the quarter. This wasn't even a measure we got to vote on this was just forced on us because of greed. Cooperations have corporate interests and lawyers and lobbyist that are paid very well to make that company as much money as possible.

This is one of the reasons you can't walk into a hospital in America and ask 'hey how much would it cost to do x?'. They won't tell you a price because it's fucking made up.

No joke. You can't find out how much it will cost to have a baby in a hospital in America and the hospital won't give you a price ahead of time because that price is heavy influenced by things like; if you have insurance or not, what income bracket you belong in, if your paying some shit in cash, just to name a few bullshit reasons.

We keep getting food recalls because huge food corporations have have financial interests to demand to monitor their own food safety rules instead of allowing the government to do it. We have a whole government agency that could be better staffed to handle this but there isn't a financial incentive to do that so we don't.

9 times out of 10 the reason shit sucks is because someone wanted to make money over being a decent human being.

It's not even fascism it's just regular ol' corporate greed.

which has roots in fascism no doubt.

Honestly, we could fix most of the problems in America if we just got rid of lobbying.

surely we could educate the people in matters of economics and social theory to make them less stupid in their voting.

Perhaps, but that's a multi-generational project of improving education, which doesn't solve the short-term problem of winning political campaigns. Indeed, the former is rather predicated on the latter.

[adriartts]

alas, turns out grad school is hard so i haven't been drawing much of anything BUT. now. some side characters for yall

[nerdyfangirlingbooks]

I've had a stupid merlin au idea stuck in my head for days now and I know I'll never get around to writing it the way I want it written but I kinda wanna try anyway even though I am 100% of the target audience

[slyandthefamilybook]

man 2000a era Star Wars gaming was craaaaazy. My 3 favorite Star Wars games are from then and I still play them to this day (Battlefront II, Empire at War, and Knights of the Old Republic I & II). The newer ones are fun for a while but they just don't have the same staying power

[famouslysleepy]

k so been a while since i shared some art on here yeah yeah?

right so, here are some (very out of order) sketch pages I managed to filled up back in May that I actually still really like enough to post publicly

its mostly just referenced drawings and redraws of clown’s work, but with a close eye you can spot a couple were referenced from some of @forgrtashes-blog’s fanart

y’all can go ahead and check out read more if you want to gawk at my sketchbook some more

As above so below! this lovely redraw was referenced from one of @dxkjf ‘s lovely sketches of Frank and Eddie cuddling <3

I remember I had fun with this one in a sort of frustrating way, it was certainly a reminder for me to make more of an effort to draw more complicated character interactions going forwards like hugs! (an embarrassing amount of brain power was dedicated to figuring out the limb placements…)

also feat. the most recent sketches of frank i’ve done so far! (well i think so anyways)

and somehow idk how but somehow i ended really like a lot of the art I made while trying to study frank’s design more in depth! there are some actual pages where i was studying and making notes of wally’s design as well but, i like the look of those pages a lot less than these ones, so yeah no only I gets to see those haha

by the time i was “done” with my informal art study of frank, school stuff was starting to pile up more and more and i had basically no trying for drawing anymore

but!!! these 3 franks are basically (+1 other) are the most recent sketches and while not a lot, i think it kinda show through how much better i got at drawing frank <3

overall in terms of progressing my art journey this was all so very fun and informative, hopefully things in my life will align to let me have the free time to do more of this again soon!!

[scoobydoozies]

i do love mayor jones' messy gay ass tho ❤️

[jinmalos]

i always wanted to make a torna cooking zine...maybe someday ill get around to it yet...

[waywardsalt]

thinking abt linebeck’s coat. something very alluring about it for some reason. so im just gonna ramble about it here instead of in the tags for once

you can probably start a fight between the people who think it’s a coat and people who think it’s a jacket but i think it’s a coat moving on

the character designs are interesting to look at due to the proportions and art style so it is hard to imagine how long his coat would be but i think it would go down to a bit above ankles because i think that’s good. it’s a bit more dramatic a bit more impressive(?) that way and would probably lead to problems tbh

based on some of the official art i imagine that the stripe at the bottom might’ve been a late addition since it’s missing in the bit of official art most used to represent linebeck. tbh linebeck is inconsistent in very tiny ways in the official art but that’s mostly if you’re gonna be nit-picky or bored enough to notice

his coat is so good it’s simple but very recognizable and stands out among the other character designs in ph and its just. yknow good character design

its also surprisingly good for headcanons and stuff and because i mostly take a lot of canon as suggestion i have a good handful of headcanons tagged specifically onto his coat (one of which is the length of it ig)

i like to imagine that he made it himself. i’ve seen stuff where people write linebeck as being able to fix link’s tunic when it gets torn and i feel like the logical extreme of that is that he made his own coat. i think that adds a layer of. importance to it? it’s unique it’s solely linebeck’s it’s tied to him because he made it with his own hands and maybe it can represent something about him that way?

i like to imagine that in addition to the normal pockets one the outside he’s got a whole lot of little pockets on the inside of the coat, like so many pockets that he hides little trinkets or tools or things he steals in either to keep or to take back to his ship for whatever reason. some of the pockets have little flaps of whatever they’re called that can be secured in place with a small button to keep stuff in

he’s got like pencils and a compass and little notes and tiny figurines and cool rocks and feathers and all kinds of little things he thought was worth keeping around and due to that his coat is uncomfortable sometimes but if he knows for certain he’s going to be busy doing stuff he’ll empty out all of the pockets and only leave the important stuff so that it’s lighter and less uncomfortable. link finds his coat lying around at some point and is caught so badly off-guard by how surprisingly heavy it is with all of the bullshit he keeps in all of his pockets

i also imagine he values it a lot, maybe to the point of being really possessive and protective of it, not letting link touch it and if it gets torn or stained he shuts down and has to fix it before he can move on to anything else, and if he can’t fix it at the time it leave him kind of overwhelmed or upset until he can fix it. he has a lot stocked-up materials specifically for his coat to avoid a situation where he has to go for while with his coat damaged

backing away from headcanon territory, his coat is just a cool bit of character design and has just been lodged in my mind for a while. its cool and never brought up within the game (obviously) and i guess a last little closing thought is that in the cutscene where oshus teleports link above linebeck it kinda looks like his coat moves when he tries to catch link and i think that’s cool

[arolesbianism]

Thinks oh so hard abt raccoon au printing pod doomed yuri.... What if you were a robot in love with your fellow robot but your past human selves had to fuck it all up and murder eachother 🙄

[evilminji]

Okay, you know how bird don't ACTUALLY look the way we think they do?

They are far more colorful? But only to the eyes of other birds?

And it has to do with how light reflects off them and how their eyes are shaped etc etc.?

Well..... humans can see the most shades of green, right? But! We sure as shit can't see UltaViolet and InfraRed? Or shades BEYOND those. Ectoplasmic colors. Magical ones. Third eye, need to see with your SOUL type ones.

Danny? Could very well still have lil baby "kitten's eyes who haven't open yet" syndrome.

He thinks the Zone is Green and his hair is white.

But it's not.

His hair is Starlight colored. Frost. His suit is specifically "the void between stars" colored. Which looks... different? Then black? No, no, guys. How can you guys not see it? It looks REALLY different! How did he not NOTICE before?! They're not ever CLOSE to the same shade! It's like calling salmon and hot pink the same. You know... if you were to compare an actual fish and some irradiated, violently glowing version of "hot pink".

......guys?

His gloves are.... guys, these ares stars. Pressed so close together there's no gap. His body is the night sky, all rearranged. He's wearing SPACE, guys.

*continues to stare at his gloves for the next five hours*

Now... why is this relevant? Because! Danny slowly, as all humans do, adjusts! It's like finally having glasses after years of blurry vision. He... forgets, what it was like, not NOT See Zone Colors. Not completely, mind you, but enough he has to be reminded.

And the Zone? A Realm of the Dead. Specifically, the great catch-all and highway of the Dead. They get EVERYBODY. Misfits and vagabonds. Those who don't quite fit. Funky lil dudes. And of course, assholes, but everybody has those! See, Zone colors?

Are DIFFERENT.

They're all of um!

It's like looking at the technicolor, stobe light, multi galaxies in one, Sun. Tingly(tm)!!! You get used to it. What helps? Is that as garish as the Zone is? The painting and grand tapestry of it all? Keeps changing. Like weather. If it's too much for you, you can stay inside your Lair until the current Color changes. Until the designs shift. Vibe changes.

There are even glasses for that! "Temperate" areas for people to set up, that get headaches or are just... kinda killjoys. Too each their own. Though the stormy areas? Those guys are freaks. Watch out for those guys. They're the kind who stare directly are stars until their eyes burn out.

Where was I? Oh yeah! Danny!

No longer a wee baby, smol baby, twig-o!

Sad. We miss it.

But he did get used to Seeing The Colors. Got a handle on his powers. And! Finally worked with his parents on how to safely turn the portal OFF. There was much booing. Cries of "kill joy" and "booo! You suck!". But? Like? Dude DID have the right to protect his home. Go to college. What can you do?

Problem with THAT is? Baby grew into his "built like a brick shit house of constantly running off to literally tackle the Supernatural excellence" Fenton genetics. He Tall. Muscles! And he PUMPING out "somethings fucked up with me" Vibes!

Add in his DEEPLY Sus off hand comments. Weird ability to tell when someone has or is about to die. Basic immunity to the cold. Fuckin EYE GLOW?

Ha ha... *Horror movie screams from his college dorm mates*

Clearly a demon!

He gets kicked out. Well... not kicked out. He's a model student and broken no rules. They'd never survive the lawsuit. But... he's? STRONGLY INCOURAGED to finish his education elsewhere. Repeatedly. By like... 15 colleges.

Sam is not just livid, she's actively foaming at the mouth.

Breathe, Sam! Remember what your doctor said! Your mortal body can't handle that kinda Vengance spiral! Think of your blood pressure! Breathe!!! (Were not for the laws of this land... and the weak, fleshy constraints of her mortal form!)

Thankfully? Tucker's been interning, remotely of course, with Wayne Industries. He asked his manager where he could find some of those scholarship forms. (Since Gotham University is just a touch out of Danny's price range.) Manager wanted to know why. And oh! Oh holy shit. Apparently? Danny is the hot new office gossip.

People in the main office are OUTRAGED. Danny's "too spooky"?! Too FUCKIN SPOOKY!? Are you KIDDING THEM? Even juicier, a Meta kid from some wacky ghost hunters turned scientists. From a line of Supernatural hunters. Wants to be a aeronautics engineer.

Ooooooh how SPOOKY! Better watch out! He'll design an ENGINE at yooooou!

Fuckin casuals. Non-Gothamites are WEAK. "Too scary" their collective asses. Yeah, maybe the kid SHOULD come too Gotham. He can be the weird kid. Mildly unsettling or something. His powers won't be SHIT in Gotham. Just remind him to buy a gas mask.

So! Danny gets his Scholarship! Merrily packs his bags for darker, Gothic hellscape hills. Unaware... that Constantine has been following reports of a "demon" that he's? 80% sure is a Banshee but MIGHT be a winter spirt with a shtick? For the past 13 colleges. He's getting closer. And this sucker is a strong one.

Not "this is going to cause me serious, life imperilling danger" strong. But more? "Man, that cat is HUUUUUGE". Could he still get mauled a lil? Yeah. Scratched to all hell and back? Probably! But DIE? Unlikely.

He just needs to know why the FUCK this spirit his hanging around colleges.

Which is made harder... by the fact that what HE sees? And what OTHER people see? When they look at this guy? Separate things. Yeah, he'd LOVE to give you guys a description! IF HE HAD ONE.

@the-witchhunter @hdgnj @hdgnj @spidori @babbling-babull @nerdpoe @lolottes

[lunarpunctuation]

every part of every suburb or modern (last 20 ish years) city expansion in Texas and Oklahoma that wasn't a historical community that was overtaken.

Worst designed outlying suburb of a major city, Go!

[textmel8r]

[ SMAU + DRABBLE ] 𝐒𝐔𝐆𝐀𝐑 𝐁𝐀𝐁𝐘 ! ( fifth installment ) in which you find toji fushiguro’s number off a sugar baby site .

୨୧˚ part; one. two. three. four. five. six. seven. eight. nine. ten. eleven.

୨୧˚ incl; toji fushiguro

୨୧˚ cw; sugar mommy! reader , sugar baby! toji , mommy kink , drug + alcohol usage , smut drabble , submissive toji , soft sex , profanity

୨୧˚ an; guys… i don’t know what took over me when i wrote this one….im sorry ,, also yes drabble time, you all knew this would happen eventually don’t act surprised 🙄🙄🙄

come over and show me then

The last message Toji had sent you. He was bold, heart racing just the slightest bit when he thumbed that frightening, little arrow icon to send a text that would most likely change his whole relationship chemistry with you. You, the kind hearted woman who graced him with your undying benevolence and wealth. 

You, the woman Toji called mommy not even twelve hours ago during an idiotic, drunken stupor. 

You, the woman who graced his bed, peering up to him with the softest gaze Toji’d ever been observed with. It was an odd sight–you splayed on his mattress. Dawning a lavish top; silken, Toji absentmindedly recognizes the fabric ( then proceeds to grimace at the fact that he can actually discern between different breeds of fabric. Your lifestyle was rubbing off on him ) and thinks you look out of place. An expensive jewel among the dank cave of his shoddy bedroom.  

Toji crawls in after you, winding up your side, clinging akin to a baby koala bear. Still, he doesn’t speak, preferring to let the sounds of sheets sliding against each other fill the gaps of silence. You take his hulking body in those loving arms and break the quiet. “I’m not buying you for the night.” You cradle his cheek; you make him look up to you and Toji nods under your hand. “You know that, right?”

He nods again. “Sure,” and for once, it comes out without a modicum of sarcasm. Because Toji believes it when you tell him that you’re not looking to gain access to his body through flimsy transactions. Your sincerity is displayed through the months of torturous anticipation. Months of him on the cusp of begging–and Toji Fushiguro has never begged for anything in his goddamned miserable life. Your sincerity is displayed through the gingerness in which you hold his face. Because how could someone with such gentle hands ever tell a lie? And your sincerity is displayed through your words. You tell Toji things that nobody has ever told him before. Nice things, reassuring things despite his insistence on being an asshole to you.

Toji pushes his torso to be propped up on an elbow before he leans in. It’s not a tame first kiss by any means; Toji is mammalian in the way his teeth gnash yours and his tongue laves your cupid’s bow. “Slow,” you whisper in the short absence of his lips. “Slowly.” A command that he feels inclined to follow like some kept mutt, swapping out the animalistic pace with a more refined, controlled tempo. Your face was swallowed by two massive hands; they clamped on either side of your jaw, calloused and dry and forcefully pulling you closer. “Just like that, Toji.”

The way you say his name… Fuck. Toji grunts, swinging a heavy thigh over your own to situate between your legs. “I’ve never,” there's a pause when he leans in to suck the tip of your tongue, “been so desperate to be inside a woman.” His thick tongue worms back into your mouth, pushing smoky saliva down your throat. You were writhing; your hand slides over his, the one still tending to your cheek, and you guide it lower. He let you drag his hand down the smooth slope of your neck, over the hill of your delicate chest, across the plain of your soft tummy to meet the waistband of your designer pants. 

Your head tilts, something devious glinting in the colored rings of your eyes that have Toji so enchanted. He plucks at the brass button of your pants, nudging the point of his nose to the high of your cheekbone. Breathing in the luxury branded perfume that overpowered the cigarette stench still lingering in his room from his morning smoke; evidenced by the stub crumbled in the glass tray on his wobbly nightstand. “What about the girl…Girl from last night?” 

Toji smiles at the breathy question. “What girl?” He hums cheekily against your mouth, letting his tongue slip back through the seam of your delicious lips. You slap his face rather playful, but his breath hitches all the same.

“Dick.”

At last, he pops the button. The acrylic of your nails sink into the meat of his forearm, legs widening, ass shifting; all of the signs that Toji hyperfixated on. The way you tell him to keep going without so much as saying a word has him hotter than anytime another woman has begged for his touch in bed. Toji kisses you as he dips beneath the ajar slacks, then those sheer panties, slipping down to where you needed him most. You’re wet, he notes to himself. Wet, squelching and red hot when his thick middle finger sandwiches itself between the labia. 

Both pairs of legs tangled together amidst the desperation. While Toji touches you, you’re hiking your leg up–the one snuggled between two of the man’s built thighs. It presses to his clothed crotch, and you reach around grab a handful of his ass. “Hump it,” you dictate, using his ass cheek as leverage to pull his hips down against your awaiting thigh. Toji jolts; never had his ass been grabbed like that, but he thinks he likes it.

So he grinds. His groin crashes against your leg with rough enthusiasm, so rough that it should be a threat to your poor femur bone. But he doesn’t let up. Toji’s arm tenses and shakes with exertion as he fingers you, forearm burning from the intensity at which he moves. But he doesn’t let up.

“Fuck,” he huffs. “Fuck.”

What is he, some kind of dog? Chasing his high against a leg, licking your neck, barking obscenities into existence. Had you been anyone else, Toji would have had them bent at the waist over his bed, forcing their face into his lonesome pillow and taking what he needed. But you had this certain authority–you’d always had–as if you owned him. Not that you would ever admit that, nor did you believe it, but Toji did. You pay for his living quarters, his meals, his clothes, his car, hell, his time. The leash was cuffed at his throat, leather digging into his flesh, and he fucking loved it. Toji would wait for your instructions like a well behaved puppy. 

“Take my pants off,” you utter, and it’s only then does Toji realize that the both of you hadn’t bothered shedding any layers, taking favor in rutting clothed bodies together like a couple of immature teens. His hips pause their humping, and his tongue finds one long, last lick to your jugular before pulling back.

Two thumbs hook beneath both layers of material at your hips. “Can’t believe you made me wait this long,” he mutters offhandedly, dragging your pants down. 

You’re bare. His mouth waters at the sight of glistening moisture between your legs, encapsulated by a dusting of hair. Toji stares, nestled on his knees, straddling your thigh. He just stares.

“I told you my reasons,” you say.

He doesn’t respond to that. “I want to fuck you.”

Your chest rises. Are you arching for him? “Ask me.” When he cocks a confused brow, you lightly elaborate. “Show me some of that respect I taught you and ask me nicely.”

The sole of your foot caresses his pec over the black tee shirt he sports, a gentle notion that he is allowed to take his time. Toji doesn’t need time though; he’s got your twisted little request all figured out. It’s funny, he shouldn’t have expected any less. To him, respect didn’t exist in the bedroom, but Toji would make an exception. “Will you let me fuck you tonight?” You’re not letting him get off that easy, your pointed eyes say it all. So, in an uncharacteristically piteous voice, the man adds “please, ma’am” and strokes your calf for good measure.

That does it. 

Your legs spread, arms racing up to coil around the thick post of his neck. He lets you pull him down, lets you kiss him tenderly, lets your tongue curl behind his teeth. Toji groans, reaching a sticky hand down to clumsily shove his sweatpants around his ass. “You have no–” kiss “idea what you–” kiss “you do to me–” kiss, kiss “when you call me that.”

His length drags over your core, hot and heavy and thick and raw. He doesn’t move to grab a condom knowing damn well there’s a box that sits in his nightstand to the left of them. A box that has been forgotten, left untouched in the waking months of his realization that he doesn’t want to fuck other people. Why would he? When you take such good fucking care of him, what’s the point in sleeping around anymore?

“Be grateful,” Toji husks, rubbing up against the warmth beneath him. “‘M never this nice in bed.”

“I’m not, either.”

He throbs at that. A small hand snakes behind his head, weaving into the raven shag of his hair, and tugs. “I really never meant for this to happen.” Toji narrows those steely eyes at you. “To end up in your bed, I mean. I thought I had more resolve than this.”

Too bad money can’t buy resolve, he thinks inwardly. Hand still between bodies, Toji jerks himself slowly, soaking his tip in your entrance. His gaze is glued to your face, flitting amidst all the gorgeous features it had to offer. “I knew I’d get you here eventually,” he speaks with a lilt of confidence, prodding the point of his nose to yours. And then he pushes inside without warning. You’re gooey; a hot, wet heat encasing his body from head to toe. He feels you shudder, feels nails in his nape. He feels your sticky breaths on his cheek, feels your pillowy thighs squish against his hip bones. Toji serves you the entire length in one slow thrust, holding himself inside. “Fuck.”

“Slow,” you warn once more in a broken voice. His hair was grabbed again, you used it as a makeshift handlebar to yank Toji’s head down. His handsome face plummeted into the divot between your breasts, still gift wrapped in that undoubtedly overpriced shirt. His nose pressed to your sternum, taking deep inhales. 

Slow. 

Slow sex was unfamiliar territory to Toji, one among the list of foreign concepts you had introduced to him during your time together. Fucking was animalistic practice between two people, fast-paced and greedy and surprisingly lonely. Toji fucked with the intention of climaxing; intimacy is irrelevant. Was irrelevant. 

Toji slips a hand beneath your back, locking a grip on the underside of your shoulder to weld your chest to his face. Slow, timely thrusts met your cunt, watery squelches filled the room. “Oh, fuck.”

Your hands wander. Crawling down the base of his spine, breezing over his tail bone, clutching his bare ass. Guiding him in a way, and he doesn’t entirely mind. “My boy,” you moan in the throes of pleasure, a free hand blindly feeling for the back of his sweaty neck. Fingers stroke the precious skin there, sensitive flesh that nobody has ever paid attention to, not even himself. Toji trembles.

“Take it,” he whispers back, as if he still had any semblance of control. But you let him, and he thinks you’re too fucking nice for sparing his pride like that. “Take it, goddamn it.”

“Yes, my sweet boy.”

Idiotic. He is no longer a boy, nor does he even slightly compare to anything sweet. God, if you knew him. If you knew what he did for work… How many people he’s gutted and bled like livestock for quick cash… You would leave. He knows this to be a fact of life, you’re simply too moralistic and caring and selfless to keep in contact with a monster like him.

“Let mommy take care of you.”

Oh Jesus Christ, he’s done for. You wax praises so sincere that Toji starts to let himself believe he’s good. He pretends he’s worthy of being here with you right now in this bed, with your lithe fingers petting his damp hair and your breasts against his cheek, and fucks you harder. The toes of two socked feet bury into the mattress.

You successfully conquered his flimsy pride. “Mom… my…,” Toji breathes out, stifling down the impending whine caught at the back of his esophagus. He bucks deep inside, pubic bone to pubic bone, and grabs a handful of tit. So fucking soft even under this stupid shirt.

The sex plays out this way until the very end. A gentle tango that reminds Toji he hadn’t actually fucked in missionary position for some time. But at last, you came around him. “Toji, baby I’m here.” As if you were charged with electricity, you twitched and jumped beneath him. Toji fucked you through it, grinding his hips in a trajectory that caught your clit with his pubic hair. The friction was passionate, and you came with your jaw unhinged on a silent yelp.

“Give it to me,” he rasped, tongue lolling out to lick at your cleavage through your shirt. Drool rolled down the palate, collecting into a small puddle and dampening the fabric. A messy puppy, drooling all over you like that. Toji fucked harder, much too hard to be considered ‘slow’ anymore, but you didn’t stop him.

“Come on.” A hand dips beneath the collar of Toji’s tight shirt, scratching the ever loving fuck out of his upper back. “Cum baby boy.”

“Oh fuck, oh fuck, oh fuck, oh fuckfuckfuck.” The thrusts halt abruptly; Toji rams himself deep inside and holds onto you for dear life. There’s a brief pause before he empties himself into the deepest depths of your pussy, twitching as he does so. You coo, talking him through it with an inoffensive hand raking his bangs back. They stick, his sweat acting like a sort of natural gel, and Toji’s forehead is on display. You drag him up and press your lips to it—he flushes and drops back onto you, hiding in your neck.

Toji gasps on his come down, gulping in air through his nose. He’s weak and it’s strange. Despite the stupid amount of strength trapped within that Herculean body, Toji cannot find it in him to hover anymore. His entire weight drops onto your much tinier frame, but he hears no objections so he keeps himself there.

“Worth the buildup?” You ask at last, rubbing soothing circles into the plates of his shoulder blades. Your voice is a little strained, no doubt the effects of a two-hundred-and-something-pound man crushing your lungs, but Toji likes the funny grate of it in his ears.

“You already know the answer.” It’s written in the way your cum mixes together and wets the crease of his inner thighs. He’s not exactly going to say that was the most intimate and passionate sex i’ve ever had, but he’ll show you how much it meant to him by letting you cradle him to your chest.

likes and reblogs are appreciated !

tags . • @4imhry @sugurubabe @mastermasterlist1p1 @mikisspeak @fluttershyfangs @iluv-ace @xstom @bratbby333 @mizzfizz @sserafin @wo-ming-bai @maexc @r0ckst4rjk @aesukuni

[markrosewater]

Hi Mark. With a lot of talk recently in the online space about the unreasonable outrage and horrendous death threats towards the Commander Rules Committee and Commander Advisory Group, I want to thank you for being the proverbial "shield" for some of the most heinous and grotesque backlash towards WOTC as the unofficial public representative for MTG. I know it can be absolutely draining for your mental health to receive harassment in this position, so I just want to say I am grateful and empathize that you are in this position. With that being said, as one of the most prominent faces of Magic, is it possible if you could say a word or two about the aforementioned harassment towards the RC and CAG to deter these harassers and possibly share your own experiences regarding unconstructive hate to help the victims of such depravity (if you're comfortable sharing)?

There are advantages and disadvantages of being one of the faces for Magic. When people like something we're doing, even when I had nothing to do with it, I get lots of praise. Most players only know a handful of Wizards employees, so they tend to assume that the people they know are responsible for the things that are happening.

There is, of course, a downside to that. When things happen people dislike, I'm also the light rod for complaint. Whether or not I had anything to do with the issue in question, I get the blame. I am Head Designer. Many times, I did have a hand or a say in what happened. And when I'm responsible, or partly responsible, for something, I try to own up to it.

Players are not a unified front though. When we do thing X, some of you will like it while others will not. I often will get complimented for the same thing I'm being yelled at for.

From time to time, we do something a majority are unhappy with. At times, we do things a majority are *very* unhappy with. That's when things can get a bit ugly. There are a lot of civilities built into daily life. There are just things you don't do or say to another human being. Most of that goes out the window online.

For some reason, the anonymity combined with just how social media has evolved has emboldened people to do and say things they never would in person (and I should also acknowledge society has changed in ways that even what's acceptable in person has changed).

What this means is I get a lot of negativity, some of it very personal. I'm not just talking about people criticizing the in-game choices I've made (or often didn't even make), but comments on me as a person, about who I am and what they think of me. People tell me that want bad things to happen to me. Not just getting fired (although that's a popular one), people vocalize, sometimes quite graphically, about things they want to happen to me.

The first few times this happened, I took it pretty hard. Having lots of people attack you online, saying horrible things about you, is tough. Humans look to other humans for approval. It's just built into our DNA to want others to like us. Having people attack you hurts. You have trouble sleeping, eating, it just weighs on you emotionally.

I was bullied as a kid. This really isn't much different except its much higher in volume and very public.

With time, I learned to adapt to it. It's not that I enjoy people saying nasty things about me. It still sucks, but I've found ways to process it. I came to realize that someone being nasty is more a commentary on them than me. And I adopted a philosophy of looking past the words to the message behind it. Most people complaining didn't like a choice we made about the game. I could focus on the feedback and less on the delivery method. But that took years, and it has a lot to do with who I am as a person. I enjoy the things I get to do with a public profile, so I accept what comes with it.

I've made the conscious choice to build a thick skin and weather social media, so I can continue doing what I love. It saddens me that I have to.

I say all this because I don't know if people really process the harm they're doing when they get negative online, especially towards another person. Most people do not have the years of processing angry messages like I do.

Words have an impact and that doesn't matter whether you're speaking them directly to someone's face or typing them in the privacy of your home.

Bullying is not okay. Cruelty is not okay. Making a conscious choice to belittle another human being, especially because they made a choice you disagree with about a game, is not okay.

When you use ugly words, you are doing harm to another human being (sometimes many human beings). Imagine if someone attacked you like that, or a loved one, or a friend. Don't do something to another human being that would cause pain if it was done to you.

That doesn't mean you can't communicate unhappiness. It doesn't mean you can't vocalize that you disagree with a decision made. I would stress two things. One, make it about the decision and not the person who made the decision. Explain why and how the decision impacts you, not what you think of the person because they made the decision.

Two, watch your language. As I said above, words have power. They can be used to build or to destroy. Is the language you're using designed to hurt? If so, don't use it. Use other language. If you need to take time to calm down, do so.

Community is what we as individuals choose for it to be. One of the things I love about the Magic community is how kind it can be, how accepting it can be, how uplifting it can be. But that's because we each individually choose to do that. The Magic community can get ugly, but only if we allow it to become so.

So please, the next time you're making a message designed to do something destructive rather than constructive, take a moment to reflect. Why are you doing this? What is your goal? Is it your intent to hurt someone? Because that's what negative language does.

I ask the Magic community to be better. I know we have the potential. I've seen it.

Be part of the solution, not the problem.

Thanks.

[alchemistc]

"Evan's not here," Tommy says, and Eddie scowls at him as he pushes past Tommy, already aiming for the kitchen as he hitches the six pack he'd brought with him up under his armpit. It'd been a - a thing. A 'my best friend and my new friend are too busy sucking face to spend every spare moment distracting me from my problems' thing, a thing where Eddie sort of finally understood exactly why Buck had hip checked him on the basketball court months ago. He wants his best friend back. He wants the ease of his friendship with Tommy back.

Which is - Christ, he's selfish, is the thing. A month without Chris there to keep him occupied and Eddie has had some startling realizations about himself. ("You're not selfish, Eddie, you're the most selfless person I know." from Buck and "So fix it," from Tommy, a rare night out with the both of them because he'd headed date night off at the pass by asking Tommy to go out for drinks before he and Buck could make plans without him).

"My world doesn't revolve around Buck," Eddie tells him, and screws the cap off a beer to hand it to Tommy. Tommy's doing that judgmental face he gets when he wants to say something bitchy but hasn't put the words in the right order yet. And - Eddie's not lying. Buck is a fixed point, an ever present life-line, but he's not the fucking sun.

Neither is Chris, apparently, which is news to Eddie and he's - spiralling, still. Quietly, calmly, and he's only punched one hole in the wall on a bad night.

"You ever go to Frank?" Eddie asks, like Frank is the only therapist in the greater LA area, and Tommy rolls his eyes, disappears long enough for the muted sound of the television to go quiet.

When he comes back Eddie's reading the label on his beer bottle

"Apparently I resent you," Eddie says, and Tommy chuffs a laugh.

"Apparently?"

"No, I -." The words had been just as hard two hours ago. This little trip was his own design, he'd been told specifically to sit in it for a while but Christ, an hour a week isn't enough time to talk through his issues and it's not like he can tell Buck he resents him for finding something he's happy and stable and solid in. So. Tommy it is. "You and Buck are good together. I'm happy for you both. I am."

Tommy settles against a countertop with his hip digging into the Formica. His kitchen has gained a dutch oven that looks suspiciously like the one Buck has been showing Eddie for like six months that he couldn't justify the cost of because he's not around enough to use it as much as he'd like.

"I'm not usually the one without his shit together," Eddie says.

"No offense, Eddie, but I thought the whole point of therapy was you realizing you rarely have your shit together."

Also true. He's - usually better at hiding it though. Kim was a joker stacked up on a wobbly house of cards and he'd known, somewhere in the back of his mind, that she'd bring the whole thing tumbling to the ground. Mass casualty event. No survivors.

"You make each other better people," Eddie says, which is the wrong thing to say apparently because Tommy scowls.

"If you wanna completely ignore all the work we've both put into ourselves," he snipes, and - yeah. Fair. Buck's been in therapy for years now. Every once in a while he'll pull something out of his ass that makes Eddie's skin itch - something so mystifyingly self-aware that it makes Eddie want to claw into his chest cavity and rip out his fucking heart. And Tommy - well, he doesn't know much but it's not like Tommy's the paragon of perfection. He's worked through some shit. Is still working through shit, if the aftermath of his and Buck's first real fight is any indication.

"I've never been with someone who makes me want to work on myself," Eddie admits, and the lines around Tommy's eyes shift. He sighs.

"Never gonna find that if you don't want it for yourself."

Yeah. Frank's said as much. It's just - Eddie doesn't have a starting point. Tommy had the whole hiding his true self thing, and Buck had the dead-brother-shitty-parents thing, and he's whittling them both down to the sharp edges of themselves in his mind, which isn't entirely fair but it's easier than trying to confront what the fuck his own problem is. Dead wife, his kid in another state, a contentious relationship with his father, a whole backlog of PTSD he's never really confronted head on. Weird feelings cropping up about a religion he thought he'd left in the dust and sand of Afghanistan and a hole he's been trying to fill up with other people since - well, he doesn't even know since when.

Tommy's got his dog tags laying in the bottom of an empty fruit bowl on his kitchen table. Eddie's never seen them before, and some part of him knows Tommy'd brought them out for a conversation with Buck he'll never hear himself, and he aches. He doesn't want them, but he wants what they have, wants to be able to talk about the difficult shit without closing in on himself, wants to have someone to come home to, wants -

"I spent six months imagining my therapist's head exploding every time she made me talk about something uncomfortable," Tommy tells him, and takes a long drag off his beer. For the first time since he'd knocked on Tommy's door, Eddie actually feels a little bad about interrupting his night, but that just leaves him spiralling some more because Eddie usually feels bad about everything, all the time, so why hadn't he felt guilty about this until now? And why does he feel guilty about not feeling guilty?

"I just want him to fix me," Eddie says, and Tommy laughs. Laughs hard and long enough that Eddie's feeling offended. Off kilter and pissed off and -

"You're not a single loose wire, Eddie. Can't just replace a cable and have a clean slate. You gotta change your oil and replace the spark plugs and top up the coolant, over and over again until you die."

It's the sort of metaphor Eddie'd like to lob across the field of engagement just to watch it get shot to pieces. It's apt, though.

"Feels like the whole engines gotta go," Eddie tells him "Transmission's shot and my catalytic converter keeps getting stolen and the mufflers been welded back on so many times that it's half-solder."

"Christ," Tommy says, which. Yeah. Exactly. "Well you can't exactly send yourself to the junk yard for scrap and buy a newer model."

"Buck does," Eddie snaps, and Tommy rolls his eyes. He'd been there the last time Buck brought up his 1.0 days.

"Half the time a system update patches ten bugs and creates twenty more."

"So Buck's buggy, is what you're saying."

He rolls his tongue over his teeth. "You are running off faulty software and you've been refusing to update to the new version because you heard it'd burn the battery faster, is what I'm saying."

Eddie doesn't have a whole lot of charge to begin with. And the metaphors are starting to muddle in his brain, too many different ideas battling around when he's already spent an ornery hour talking to Frank and another trying to convince himself he doesn't resent his best friend for accepting his own fucking flaws and working on them.

Tommy sets the beer bottle down. Eyes Eddie for a moment, and Eddie wonders how often he levels that look on Buck, how Buck feels when Tommy flays him open and digs through his insides. "You wanna go hit something for a bit?" he asks, and Eddie nods so quickly he nearly smacks his nose into the brim of the bottle in his own hand. He's about done feeling his feelings, for the moment. He'll probably end up being annoyed that Tommy makes him wrap his hands before he takes some aggression out on the bag hung up in the corner of Tommy's garage, but maybe when Tommy gets annoyed with him and does that takedown maneuver that knocks the wind out of Eddie's lungs when they're sparring he'll let that go.

Tommy flicks his forehead on the way to grab him something to wear. "That's for calling my boyfriend buggy, jackass," he says, and laughs himself all the way down the hall when Eddie splutters after him.

His bedroom door snicks shut by the time Eddie's recovered enough to remind him that he'd been Eddie's friend first.

[obj4soul]

Women's clothing sucks. And I now firmly believe that one of the reason women are more obsessed about their weight is because of clothing. Growing up I mostly wore mens/boys clothing and I never had to think about size, waist, etc. The clothes won't hug my thighs in the sense that would make me conscious of them while moving. If the waist was too big id grab a belt. Plus the design of pants and tshirts was pretty standard.

Now during my late teens, early twenties i started going towards more women's clothing. Because i felt I had to look more feminine. And HOLY SHIT. It sucked. BAD. First the material. Its so bad and thin and cost more than guys clothes. No standard Tshirt fit, everything has a different shoulder to chest ratio. The pants are either too tight, hug your ass and thighs too much or are too baggy to be comfortable. And the waist. Holy shit. Ive been underweight till I was 23 (medical reasons). And I didnt have a lot of problem with the waist thing then (see where this is going) but the moment I kicked my illness and gained weight and got into normal weight range, dude the waist thing became a big issue. FIRST of all. For guys the waist end at waist, the hip bone area. Not for women. Most clothes go above the hip bones, some even over the belly button. If the thing feels right standing up, youll suffocate sitting down. And even if its elastic waistband, its sitting on your stomach, it does not have a bone to support it and it feels uncomfortable. (Maybe I have some sensory issue, I don't know about yall but I dont like being conscious of clothes sticking to my body). And now to the main point. I never had any issue with waist being uncomfortable when I was underweight or when I wear boys pants (really pants made for boys get more humanly consideration than women) and the moment i got into normal range, the womens pants saying they are my waist size fit pretty snug and tight around my waist, ass and thighs. But still till this day I never face this issue with my boys pants. Today while trying on some pants that my mom gifted me that said their waist was a size bigger than mine I found then uncomfortable and started thinking should I lose some weight? And that fucking blew my mind because I am already thin and in a pretty normal range of BMI. Those clothes feel comfortable as long as you are underweight. That is insane. Seriously. Ladies if this the case with you all. Or maybe some of you. Ditch the women's section. If you are short like me, go for the boys section or else mens. These fucking clothing sizes and designs are not made thinking of your comfort in mind. Now im gonna go to the store and exchange the pants for some boys khaki pants.

I think this is just one face of how the system is designed to make you feel uncomfortable and doubt yourself. You see how much waist room guys get? We are the same species after all. What the fuck. Do you make different size clothing for male and female cats or monkeys? No fucking other species have such a wide difference in body shape than what humans are told we have.

[centrally-unplanned]

Academic History YouTuber Premodernist released video recently on "State Flag" discourse, and flag discourse more wildly, that I thought was pretty good! I agreed with 50% of it. For those who don't know, there is a longstanding movement in the vexillology community to push for more simplified flag designs, and they hate the state flags of the US as their antithesis; a movement that catapulted into the internet mainstream when YouTuber CGPGrey released a video riffing on that debate and grading all the state flag designs.

That video is great by the way (it's hilarious, CGP Grey is just very talented as a performer), and the biggest thing Premodernist is wrong about is that the state flags do suck. But what he gets right is that the so-called "principles" briefly referred to in the video are themselves pretty weak; some are fine but others do not hold up to much scrutiny. The state flags largely suck for the boring reason that they just suck; they are shitty designs and often repeat each other in a domain where "standing out" is the point. Like what the fuck Montana:

This is something a 5th grader whips up in PowerPoint for a class presentation. Helvetica Bold?? "Mandated by law in 1985" yeah I didn't need Wikipedia tell me this decision dates to the 80's.

But that is boring and subjective, right? You can't just say they suck. So you had to make a theory about it - and I won't go into too much detail but it generally boils down to:

Make it simple, "something a child could draw"

Make it "distinct at a distance", since it is a flag you are supposed to see it at a distance

Three colors or fewer

No words on flags

Which I think you can get the philosophy for. These principles, which CGP Grey outlines, actually come from the work of Ted Kaye, who is a big figure in the aforementioned flag reform movement and the focus of most of the video. As part of the original CGP Grey video I just rolled with that, but I did remember him showing Utah's newly designed flag at the end which embodied these principles, and uh:

This is kind of mid? Like it doesn't suck, but it looks like a corporate redesign of a hockey team logo or something. A bit of a red flag (hah) if your front-and-center case is weak.

Anyway this is what Premodernist digs into in the video. The stuff I agreed with the most are the parts where he just ???? at some of these rules. "No finicky bits", a "child must draw it", "distinct at a distance"? None of these actually track for say this one:

A child drawing the US flag does not draw 50 stars and 13 stripes unless they are a budding librarian; you absolutely cannot tell if this flag has 50 stars on it from a distance, and that level of detail is clearly some kind of finicky. Of course your response is "okay sure but still, I can tell what the flag is from a distance, I can't count the 50 stars but I get the gist". But that is true for almost all flags!

It's a fern and a peace pipe and a brown thing and the word "Oklahoma" below it, you absolutely, 100%, will be able to tell what this flag is at a distance. You don't need to count the leaves to get the general shape, and when you think about it, it is actually kind of silly anyone would claim otherwise. There just isn't any need to appreciate the tiny details on a flag to understand whose flag it is. (the only valid critique here is that everything should be bigger - too much dead space)

Not to mention the "see from a distance" thing even being a metric. That isn't how you encounter flags most often today? Maybe in the 19th century on a battlefield that was (and even then you had battle standards), but it isn't now. You see it in textbooks, on your computer screen, as an icon for a football game team, right next to you in a government office. Why privilege distance? You just made that up as a value. 99% of "flag consumption" is not seeing it at a distance.

The "only use ~3 colors thing" is the funniest, you can just argue this with...no? No you don't. You don't. What? No. You can...you can just use more colors? Here is an example from the "manual" Ted Kaye wrote on the subject:

And the 5 bands on the chinese flag are fine! They are not "hard to look at" or whatever. Also, I am screenshotting a tiny corner of a youtube video, this image is like 240p, and I can tell its a dragon - and that isn't even the color point it is trying to make, dude just deviates off into another critique. Meanwhile the Amsterdam flag looks like a traffic warning sign. Chinese flag needs to not have the white stripe connect into the white seal background, that is an error, but otherwise I prefer it.

It is annoying how many of the state flags are a blue banners with a round seal in the middle. That does make them hard to distinguish from each other. But that isn't a problem with seal-on-blue, that is just a collective action problem! Flag-reform-favourite the tricolor can run into this too - here are the flags of the Netherlands and Luxembourg:

Like one of your needs to go home and change, that is ridiculous. Though if you had a complex seal in the middle that might avoid this problem! Funny that.

Even the "no words on a flag" argument, which I am more sympathetic to, doesn't hold up too well because too often you find yourself going "unless it is good" which just isn't a rule. The Iranian flag is the stand-out he mentions:

The middle crest is a stylized rendition of the name Allah, and the cursive lining on the tricolor bands are text as well - God Is Great, 22 times, marking the anniversary date of the Islamic Revolution. Stylistically beautiful, also words on a flag. The state flags just didn't try to do anything artistic.

I think the best point Premodernism mentions is a sort of stylistic unity Kaye & Co are pursuing above all else - everything sacrificed for corporate minimalism. Kaye's book will say it respects history and symbols should be meaningful, but then hates any symbols that require complexity. He singles out Turkmenistan as an ugly flag for example:

And as I said I only 50% disagree sometimes, I do think there is a complexity limit, and this flag goes over it, that is too detailed. Though the main reason this flag is bad is the weird choice to not put the banner at the edge, and have the crescent just...float off center? If it was this:

Two seconds in paint, already better, you can play with it. But anyway, you can say the symbols are too complex, but if you also say you care about historical meaning? Turkmenistan is a nation of traditional semi-nomadic tribes, who populated the Silk Road and made textiles as their ultimate expression of art. These carpet guls are traditional symbols used in those carpets that represent the five major tribes that compose the country. You can't just invent new symbols that have equal meaning to these, right? Like you can try if you want, sure, new symbols become meaningful all the time. But a rule that says "all art from before 1950 is tossed in the dumpster because it wouldn't pass muster as a Pepsi logo" is a weird rule to adopt if you say you value historical meaning. Turkmenistan does not have to look like France, and it is weird to want every national symbol to be aesthetically coherent to each other. Let 100 flags bloom! It is certainly "distinct at a distance" lol.

Anyway that is enough summarizing of a YouTube video - as I mentioned, he actually likes the state flags, I don't, I do think you have to balance a lot of this with just "general design principles". Never have your name on a flag in Helvetica Bold, amazing I had to write that one down for you. But a lot of these flag-specific rules derived from Kaye's work I often see bandied about are silly, and I was glad to see someone point that out.