#more! subtle! trauma! signs! for! Agatha!

[draco-glacialis]

AU - The Coven survive the Witches Road (all live including Sharon)

Warning for child abuse (Evanora Harkness)

Whatever you do don’t think about Evanora Harkness refusing to feed Agatha. Evanora starving Agatha as punishment. Agatha growing up always hungry as a result. Agatha never learning how often your meant to eat or how much. Agatha leaving Salem and still not being able to learn these things because no where/one accepts her. Agatha ensuring Nicky never starves. Agatha ensuring Nicky never goes hungry even if it means she doesn’t eat. Agatha ensuring Nicky never feels how she felt, still feels. Agatha after Nicky’s death going days with eating or sleeping. Wanda’s Hex not including self care. The citizens of Westview having to check in on “Agnes” to ensure she hasn’t injured herself and has eaten at least one decent meal. Mrs Hart Sharon being the primary person to look after “Agnes”. The Coven learning that while Agatha is an amazing cook; she goes days without eating or sleeping because of Evanora (and other trauma). The Coven having to help Agatha learn healthy eating and sleeping habits. The Coven seeing Agatha (for who she is, seeing her human side). The Coven who doesn’t leave her, abandon her, turn their backs on her.

Funny bit I guess to make up for the angst:

Rio learning humans are meant to eat a decent at least once a day. Rio watching a Snickers ad and hearing the tag line “You’re not you when you’re hungry; have a Snickers”. Rio realising how unhealthy Agatha’s eating habits are. (Yet another reason to turn her mother-in-law into a toaster for the rest of eternity). Rio deciding that part of the reason Agatha was hiding for centuries was because she was hungry. Rio cooking Agatha meals in the middle of the night. The Coven waking up in the morning to food on the kitchen side (in various states of burnt (Rio never learnt how to cook, she never needed to)). Them not being able to figure it out. Rio giving Agatha food randomly. Agatha being left very confused and without answers (Rio had to leave after for her job). The Coven having a movie night and the Snickers ad comes on. Rio questioning Agatha about if she wasn’t acting like herself because she was hungry. Agatha facepalming. The rest of the Coven losing it laughing. Rio’s having a confused puppy face with the head tilt. Agatha explaining everything for once (Jen put a truth potion in her tea/coffee as a prank).

[animalsmealbuzz]

PARENTS Install Camera in Son's Nursery, See Footage and Call 911

In the bustling world of working parents, Rowena and Jack, a devoted couple from Southwest London, grappled with the challenge of balancing their heating installation business and raising their two children, Bella and Ollie. As their entrepreneurial venture demanded their undivided attention, they sought trustworthy care for Ollie, their youngest. Initially entrusted to his grandmothers, Ollie's care soon necessitated a more experienced caregiver. Serendipitously, Agatha, a mother from Bella's school, surfaced as a potential solution. She came with reputable recommendations and seemingly sound credentials. However, as time passed, Rowena detected subtle hints of unease about Agatha's conduct, raising concerns about Ollie's well-being. The tipping point arrived when a neighbor reported an abandoned baby - Ollie - left unattended in a car under Agatha's care. Rowena rushed home, finding Ollie left alone in a stroller, triggering a tumult of emotions - fury, yet an indecision about severing Agatha's employment without hearing her side. Her mother's apprehensions and observations about Agatha's differing behaviors in public versus private spurred Rowena to install a surveillance camera, a move initially dismissed as excessive. Little did they know, this camera would unveil a chilling reality. The footage from the concealed security camera in Ollie's nursery painted a haunting picture. Agatha's mistreatment of Ollie during his nap time was disturbing. The baby, repeatedly mishandled and unattended, displayed distressing signs of neglect. Ollie's shift from joyous to anxious upon Agatha's entry into the room hinted at prior mistreatment. Shocked and distraught, Rowena and Jack took immediate action, alerting the authorities and terminating Agatha's employment. However, the legal proceedings that followed were a harrowing ordeal. Agatha, despite admitting her wrongdoings, was acquitted due to technicalities in the charges. The Churchlands, devastated by the miscarriage of justice, sought accountability from the legal system. Their pleas fell on deaf ears, leaving them disillusioned and disheartened by the system meant to protect the innocent. Yet, amidst the turmoil, Ollie, now a spirited toddler, displayed remarkable resilience, showing no signs of lasting trauma. His happiness brought solace to his parents, who remained haunted by the memory of the ordeal. Rowena grappled with guilt, contemplating an apology to Ollie when he's older, hoping he'll understand the circumstances. Their ordeal highlighted the loopholes within systems intended to safeguard children, emphasizing the dire need for greater vigilance and accountability in childcare. The Churchlands' story serves as a poignant testament to the challenges parents face and the imperative to ensure the safety and security of children, underscoring the crucial role of a trustworthy and dependable childcare system. Read the full article

[krisrix]

Saw a post about the "lack” of trauma in Wayward Son, especially in comparison to the representations of trauma in Carry On. Which seemed like a gross oversimplification of the many ways trauma can manifest and therefore came across to me as dismissive and gate-keeping, whether or not that was the intent.

There is no one correct way of experiencing, exhibiting, or depicting mental health/trauma. And these things shift within everyone all the time. The way a person’s trauma manifests at one point will not be how it always manifests. That’s part of the problem.

So, I thought I would offer some of my own thoughts about the ways we see Simon and Baz’s mental health issues and trauma played out in WS, especially in comparison to how we see it in CO.

This is NOT exhaustive. I am likely going to forget many things. But it’s something.

Simon:

Simon shows signs of PTSD, depression, anxiety, and rejection sensitivity dysphoria

These were all things he had in CO, but they were well-hidden thanks to his compartmentalization abilities and the fact that he was held together by pure stress and adrenaline at all times

Pretty much every single thing shown to us in CO is also shown to us in WS, though sometimes in more subtle ways - name it, it’s probably there

Now that he has his own space, his own rules, and no reason to fear for his life on a constant basis (no care homes, no attacks, no Big Bad, no roommate out to get him), he actually has SAFETY and COMFORT for the first time in his life - and he has no fucking clue what to do with it!

He crumples under the complete LACK of pressure - it was the only thing holding him together

He’s developed a drinking problem, neglected his hygiene, dropped out of school, and gained weight due to lack of maintaining his usual levels of self-care - this is not someone being “listless” - this is someone with mental health concerns on a level where intervention is needed

But rather than tackle this, Simon forces his brain to continue its attempts at compartmentalization, and he stops going to therapy

Except he can’t do that anymore, because Pandora’s box has been opened - AND, again, he has no external pressures keeping him going

He feels hopeless about his future and views himself as completely useless

His self-esteem is awful to the point where he is sabotaging his own health and relationship

He thinks he’s showing Baz “who is really is”, but he’s actually just discrediting himself entirely, showing us his self-destructive hero complex in a different way than in CO

He’s still reactive and loses control - he screams at Penny when she uses her magic on him, he’s itching for a fight, and he’s also channelled a lot of this into possessiveness

He still shows his black-and-white morality continuously throughout the book - not trusting the vampires, throwing his life on the line to save Agatha even though he knows it’s a trap, still quoting the Mage, etc

He only comes to life when he finally has a reason to be useful again

He kills vampires and possibly kills Terry - this is not surprising - he spent his entire childhood as a soldier, slashing things, blowing things up, etc - WS is showing us this side to him explicitly, whereas it was more glossed over in CO - but it was always there (he killed an excitable dog in CO, remember?)

He is disfigured - he cannot go out in public without depending on someone’s magic (which we already know from CO that he hates!) or covering up oddly in a trenchcoat

Even with those things, he can’t go confined places - like the Tube - or a public toilet!!!

Prior to Penny’s new spell, he had not been able to sit up straight properly for over a year - OVER A YEAR - he probably has chronic pain on top of the trauma of this

Baz:

Simon tells us he’s “blossoming” - that does not mean it’s necessarily true

Baz has thrown himself completely into his studies, and whenever he is not on campus, he is babysitting Simon

He is still coping with self-destructive martyrdom - he devotes all his time to Simon and does whatever he can to make Simon comfortable

One remnant of their history as enemies manifests in how Baz is terrified to set his boundaries in the relationship - he’s always on eggshells, he’s always counting himself lucky to be in Simon’s good graces at all, after everything

He watches everything he says around Simon - he’s terrified of giving Simon a reason to officially end things - the teaching-Simon-to-drive scene is a perfect example - it’s sweet and flirty and sexy, but also, Baz is SO careful about making sure Simon doesn’t get frustrated with him or the process

He still sees himself as unworthy of love - which is why he would rather have what little shreds of a relationship they still have left, than nothing at all

He is MISERABLE in America - he is starving and being burned alive and gets shot multiple times!! And he never once complains - that’s not admirable - that’s sad - that’s really fucking sad

He continues to put all of his dignity and pride into his external self, both visually and through his academic achievements, rather than into his mental and emotional well-being - perhaps even MORE than ever before, given how much he’s “blossomed” despite not going to therapy

These are high-functioning mental health issues - not a lack of them

He still hides his vulnerability and affections - he still never feels safe being himself - both as a vampire and as Simon’s boyfriend - coincidence? I think the fuck not

He likens Simon kissing him after the Ren Faire fight to when they shared magic, taking down the dragon - he thinks about how this time, he doesn’t need to pretend he’s not soaring inside - and then a few hours pass, and Simon pulls away from his kiss, and Baz has to go right back to hiding

He spent his entire childhood playing the villain, and now that he doesn’t have to anymore, we get to see that this is not who he was in the slightest

He’s the one appalled when Penny is doing illegal things - he’s the one always trying to talk them out of an altercation - he WANTS to be good but wasn’t allowed to before

He IS loyal - very loyal - and Simon uses this against him in subtle ways

He has no idea who he is - but we do get to see him try to find out, thankfully - it’s a matter of how much of this he is willing to accept and use as a catalyst for his own self-actualization - this is a journey he has only just begun - which should be celebrated, not seen as a dismissal of his struggles which came before

“You live in fear! In denial!” - pretty sure that says it all

There is so much more than this, but I am just so fucking tired.

Feel free to reblog, add your own thoughts, counter-points, etc. I love a good discussion. Just be respectful, ok? It’s not hard.

[aion-rsa]

Marvel’s WandaVision Episode 7: MCU Easter Eggs and Reference Guide

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This article contains WandaVision episode 7 spoilers and potential spoilers for future episodes and the wider MCU.

WandaVision episode 7 is probably the final episode that is going to adhere to the sitcom format. As we’ve seen in recent episodes, the show is spending more and more time in the confines of the “real” MCU, and with its TV homages now brought up to modern day, it can spend its final two episodes bringing more surprises and wrapping up its incredibly ambitious story.

But WandaVision episode 7 is ambitious enough in itself, and like previous episodes, it’s positively full of Marvel Comics Easter eggs and pieces that will likely expand the scope of the MCU as we know it.

Let’s see what we found…

Sitcom Influences

This episode takes WandaVision up to the mockumentary era of television, which featured shows like The Office (U.K. and U.S.), Parks and Recreation, and Modern Family. Characters routinely talk to producers offscreen in confessional-style interviews. The Vision’s microphone is even visible in one instance, clipped to the chest.

The episode draws most of its inspiration and look from Modern Family, probably merely because the premise of Wanda’s “modern family” fits more closely to Westview than an office environment would. The Office does get a major shoutout in the twee opening credits though.

We wrote more about the sitcom influences of this episode here.

Wanda

Wanda wakes up still wearing most of her “Sokovian fortune teller” costume from Halloween, so this episode takes place on Nov. 1st, the morning after the previous episode. Elsewhere in the episode, we learn that just about the entire scope of what we’ve seen (other than flashbacks to Monica’s return from “The Blip”) has taken place over one week.

“Don’t let him make you the villain,” Monica pleads with Wanda. There is some legit commentary here. Assorted “hims” have been making Wanda the villain of her own story since John Byrne did it with a run on West Coast Avengers in the late 1980s. We remain unconvinced that Wanda is actually a malevolent force.

Of course Wanda’s weakness is someone asking her to kill them. That’s where a big chunk of her recent trauma comes from!

The cereal Wanda is fetching in the kitchen at the start of the episode is called Sugar Snaps, though you’d think Wanda would have had quite enough of Snaps. It also had a clown on the box! In the previous episode, Wanda turned a bunch of SWORD agents into clowns. The cereal’s name is also a subtle anachronism, lots of cereals used to prominently have “Sugar” in their names before they were replaced with more innocuous words like “honey” or “corn.”

The Commercial: Nexus

As usual, the fake commercials have a lot going on, and this one for an antidepressant known as Nexus is no different.

The Nexus of All Realities is a magical area in Marvel that acts as a gateway to various other dimensions. In the comics, it’s located in a swamp in New Orleans and is guarded by the mute creature Man-Thing.

Wanda herself is also a Nexus Being. It is incredibly convoluted, but the shortest explanation possible that doesn’t involve telling you about the time John Byrne quit Avengers West Coast mid-storyline for being edited is: Wanda’s probability altering powers make her capable of altering the future, even once it’s set. That allows Wanda to change the paths that would lead to the creation of, for example, the Time Keepers we saw statues of in the Loki trailer.

At Agnes’ house, Billy and Tommy are watching Yo Gabba Gabba on and they’re singing “Jumpy Jump” though “Puppet Master” would have been more on the nose. “Jumpy Jump” might just be a hint that The Hex is a Nexus multiversal jump point. 

There’s another potential Nexus connection, too. NEXUS is where Tony found JARVIS in Avengers: Age of Ultron.

We wrote more about the Marvel significance of “Nexus” here. 

Billy and Tommy

Billy and Tommy, like most kids their age, seem to love video games. Since this episode is modeled after Modern Family (2009), it makes sense that they’re playing games on the Nintendo Wii console, the Japanese publisher’s main platform from 2006 to 2012. 

But the sudden shifts in reality mean that the Wii doesn’t stay a Wii for long. We watch as Billy and Tommy’s Wiimotes transform into GameCube controllers (2001) and then Atari 2600 joystick controllers (1977), both of which seem to fit the eras in which previous episodes of WandaVision are set.

Both of the boys continue to wear their comic book colors. Tommy’s not just wearing green like his “Speed” alter ego, but he’s straight up wearing a tracksuit.

The Darkhold?

It appears that Agatha is keeping the Darkhold in her basement. Well, it WOULD if it weren’t for the fact that this book looks very different from the way that it was represented on Marvel TV shows like Agents of SHIELD or Runaways. 

But if it WERE the Darkhold, this incredibly powerful book would have been written by Chthon, a demon/elder god who has figured prominently in various Wanda and Agatha Harkness stories over the years. It’s said that this book is what created the first vampire (hmmmm…the MCU does have a Blade movie in the works), created werewolves (surely it’s only a matter of time before Werewolf by Night shows up…on the upcoming Moon Knight series, perhaps), and more. If the MCU is going down a more supernatural route for some of its future installments, then the Darkhold would be a key piece of that.

But again, this looks very different than the Darkhold we’ve seen on these other shows.

Reed Richards…you coming or what?

Still no sign of the mysterious “aerospace engineer,” but does the mockumentary/sitcom tone this episode shares with The Office tease John Krasinski’s arrival as Reed Richards?

Monica Rambeau

The official uniform Monica is wearing under her space suit looks very much like some of the outfits she has worn in various superheroic identities in the comics, including when she was Captain Marvel. It’s appropriate since this episode is another big step in her superheroic origin story, and now there’s no more question that she’s gaining powers from her repeated trips through the Hex.

It’s almost certainly Monica’s new powers that allow her to make it through the Hex this time, and when she comes out she can see energy patterns and signatures.

Monica sticks the trademark “Superhero Landing” when she’s confronting Wanda. As Deadpool will attest, it’s really hard on your knees. Totally impractical, but they all do it.

When Agnes is dragging Wanda into her house, Wanda points at Monica and the whole thing is framed like the “two ladies yelling at the white cat” meme. Impossible to unsee. Fun fact: the white cat’s real name is Smudge.

Contact

Monica’s journey through The Hex pays homage to the special effects technique Robert Zemeckis used in the wormhole sequence for 1997’s Contact. During the scene in question, versions of Jodie Foster’s face appear to ghost out from her body, voicing her internal thoughts and memories. By the time Monica emerges from the Hex barrier, she is “ok to go” as a superpowered being. 

Contact’s central character, Ellie Arroway, is a woman who has lost her whole family but suppresses her grief and feels all alone in the universe. Can’t see a WandaVision connection here, no sir!

Is this just a tribute to the cult Zemeckis sci-fi movie or is there more to it? Maybe those wondering if the mysterious aerospace engineer will turn out to be Blue Marvel/Mister Fantastic/Doctor Doom have never considered Contact star Matthew McConaughey as a possibility for one of the latter two roles? We might remind you he’s been desperate for a part in the MCU for years.

Wundagore

Did we see a flash of a Wundagore Everbloom when the plants in Wanda’s house were changing? In Marvel Comics, the Everbloom was a wedding present from Agatha Harkness to Wanda and Vision, and only grows on Wundagore Mountain (where Scarlet Witch and Quicksilver were raised). It lets you see the future if you put a dab leaf on your tongue.

The fact that whatever this is seems to have taken over the basement makes us think of the Yo Magic commercial from last week, which implied that someone (or something) is perhaps feeding off Wanda’s powers.

Agatha Harkness

Agnes is finally revealed as Agatha Harkness in this episode, complete with an absolutely perfect theme song. The brilliant “Agatha All Along” tune is absolutely a pastiche of the Munsters theme, only with lyrics.

At the end of the song, “And I killed Sparky too!” is a good take on the infamous Wizard of Oz Wicked Witch line, “I’ll get you, my pretty, and your little dog too!”

This show has been about Wanda finding her own agency through pain and about counterpointing all the misogyny in her history. For it to be Agnes manipulating her would be a betrayal of the point of the show so far. Not only that, in the comics, Agatha Harkness is generally depicted as an ally of Wanda’s. So we’re betting that “It was Agatha all along” is a red herring, and either Agatha is also being manipulated by an outside force, or Wanda is just putting that villainy on her without knowing the whole story.

Read all our speculation about who the REAL WandaVision villain is here.

In the comics, Agatha’s familiar is a cat named Ebony. Her rabbit being named “Senor Scratchy” is enough of a nod to that while also referencing Agatha’s evil son Nicholas Scratch.

While Agnes was able to trick Vision by pretending to be another victim driven insane by being in the Hex, Billy is unknowingly able to see past that by noticing that there isn’t any psychic pain underneath her performance.

Agnes’ brooch is clearly visible in all of the shots of her. That brooch has three sisters on it, but we still don’t know what it means. It feels so prominent that it has to mean something, though. 

The Post Credits Scene

Wanda is pretty certain that the “Uncle Peter” we met in the previous episodes is most certainly not her brother. The Agatha reveal would seem to back this up, as does his kind of menacing presence (“snoopers gonna snoop”) in the post-credits scene. But if he isn’t Pietro Maximoff, then who the heck is he?

We have some theories here.

Random Stuff and Unanswered Questions

When we saw the first flashback to the borders of the Hex expanding, the drums sound a little bit like The Rolling Stones’ “Sympathy for the Devil.” We can’t be sure, though…so we’re not putting this down as a Mephisto clue. THIS TIME.

In the middle of the intro, one of the screens says in cut-up letters, “I know what u are doing Wanda.” Creepy.

As Darcy chats Vision through his past, she tells him she’s been watching WandaVision for the past week. We’ve been watching it a lot longer than that, Miss Lewis, and we’re still not sure what’s really going on.

The calendar in the intro has a heart over the 10th, but the first episode had it over the 23rd. Probably means nothing, but worth thinking about.

Right after Agnes leads Wanda away from the conversation with Monica, we see Dennis the mailman wearing a logo that says “Presto.” Perfect exclamation considering who Agnes is and what she was trying to do in that scene. Also, with Presto being an Amazon knockoff, the logo appears to be a rabbit running.

We’re looking, but so far we’ve been unable to find a Marvel Comics parallel for Major Goodner.

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At the circus, the butterfly lady on the unicycle looks a little bit like the X-Men‘s Dark Phoenix.

Spot anything we missed? Let us know in the comments!

The post Marvel’s WandaVision Episode 7: MCU Easter Eggs and Reference Guide appeared first on Den of Geek.

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