#monet weir

[w7ves]

rue sous la neige ; la pie, claude monet / three women, sylvia plath / little women (2019) dir. greta gerwig / christmas song, mccarthy trenching / dead poets society (1989) dir. peter weir / friedrich nietzsche, from selected letters / the perks of being a wallflower (2012) dir. stephen chbosky / war of the foxes, richard siken / the holdovers (2023) dir. alexander payne.

[unleadedfangs]

☀️for the asks game!

☀️ what platform do you stream on and why?

I stream on YouTube.

I streamed on Twitch for about 6 months in 2021 but I decided in the end to stream on YouTube since I regularly upload videos multiple times per week.

Ultimately it was because I preferred the culture of YouTube more and the fact that I could stream in 1080p60 with a bitrate of 10k so my streams were a lot less compressed and pixelated compared to twitch since you lose access to transcoding as a non partner if you stream over 720p60.

After the more recent events I was more happy about my decision to change because of Twitch cutting the 70/30 cut permanently even though it was mostly gone already and the other really weir decisions. YouTube allows you to fully set your pricing on membership tiers, from $0.99 to $100.00 per membership and fully customize the perks and results of each tier. Up to 6 tiers. You also gain more emote slots for every couple members to a very large number unlike Twitch (until you're a Twitch partner) on top of this you get a 70/30 cut of all monetization related stuff; Memberships, Super Chats, Stickers.

So TLDR: YouTube allows you to stream up to 8k, with a max bitrate of 457k with permanent access to transcoding at all times. 70/30 cut of all monetization other than Ads which run at 55% cut. YOU get to decide your memberships cost for your community.

Recently YouTube fully implemented the raid system and give you good control over it in a non toxic way unlike what Twitch rolled out recently. Then the new UI now separated all Shorts, Livestreams and Videos into separate tabs which really helped the clutter issue and you don't have to unlist vods. I'm just realizing I could ramble about why I made this choice all day LOL... whoops.

[deepnerdblog]

Will come back to the journal with more specific progress notes- but meanwhile just want to throw this out into the empty void- sheet music is expensive as fuck. There are no trackers utorrent clubs that distribute mass amounts of sheet music in bah sing see, (there were but i dunno, havn't been to bah sing see in a minute.)

So what is a broke jackass supposed to do? well you are supposed to have an ear for transcribing things, or use the reaper plugin/melodyne/ what have you to grab things note by note - (which is cool and totally worth attempting and blogging about).

But nah, you are broke and want sheet music? There are kindle pdfs with a dozen songs available for sale on amazon for like 15 bucks... kind of pricey. but maybe you can just read the first chapter... for free... which for sheet music isn't a chapter. its a song or two. With the exception of some things where you grab the sample and after 8 pages of foreword and introduction, that is all folks.

Also, consider creating a gmail account just for youtube- hear me out, youtube has good stuff, lectures, tutorials, play alongs, music instructional dvds posted discreetly. The trick is to use chrome, switch to a youtube user profile you use just for music, and then youtube sucks less. Make it specific? browse only in subscription mode. ALSO - I just spent 40 minutes trying to find 'Alex Weir teaches funk guitar' on YouTube and it seems to have been nuked and a website that doesn't list it is trying to monetize it. I wish to fuck I downloaded it, because it was perfect.

[artscript]

Willard Leroy Metcalf (USA, 1858-1925), "May Night" (1906)

Oil on canvas, 99.5 × 91.7 cm

Washington D.C., National Gallery of Art (Corcoran Collection)

[Painting of the Florence Griswold Museum (House) in Old Lyme, Connecticut]

"Completed during his second of three summers at the burgeoning artists' colony in picturesque Old Lyme, Connecticut, May Night is Willard Metcalf's homage to the creative ferment he experienced there and to its host, Florence Griswold. The focus of this moonlit nocturne is the late-Georgian-style home of Miss Florence, as she was known, the last surviving member of a prominent local shipbuilding family. Forced to take in boarders to survive financially, Miss Florence welcomed several landscape painters to her home, including Childe Hassam.

Metcalf studied at the School of the Museum of Fine Arts, Boston and later in Paris at the Académie Julian, where he frequented French artist colonies, including Giverny where he visited Claude Monet. There, Metcalf's exposure to French Impressionism and the development of his interests in botany and ornithology predisposed him to accept invitations from Miss Florence and his old friend Hassam to visit Old Lyme. Apparently thrilled with the natural beauty, artistic camaraderie, and opportunities to paint outdoors, Metcalf enjoyed a productive first summer in Old Lyme in 1905. He likely conceived May Night before returning the following May, and the ambitious canvas apparently occupied him through the following autumn. His work was aided by inclement weather early that summer; as Hassam wrote to his fellow painter J. Alden Weir, "Metty [Metcalf] is working hard at a moonlight. We are all doing moonlights. The weather has been so bad that we have been forced to it."

May Night shows an ethereally dressed figure that surely represents Miss Florence, for whom Metcalf painted the canvas, crossing the shadow-strewn lawn toward a seated companion. Set beneath a canopy of stars, lush trees frame the scene; the triangular shapes of the dogwood tree, and the white horse-chestnut blossoms echo those of the women's pale gowns. Metcalf enhanced his painted tribute to his host in several ways. He improved on the somewhat dilapidated appearance of the mansion and grounds and rendered the house as otherworldly and nearly templelike, perhaps in reference to its nickname, Holy House. An off-center perspective and the exaggerated height of the Ionic columns emphasize the home's portico (the porch at the entrance), the most classical feature of the house. The only reminder of modern life Metcalf chose to include is the glowing yellow light seen in the doorway and the windows on the left, suggesting lamplight.

Miss Florence was thrilled with Metcalf's painting, saying it "was the best thing he had ever done." When the artist offered her May Night in exchange for room and board, however, she refused to accept it, instead encouraging him to exhibit the work in New York, where it went on to receive critical acclaim. Metcalf's work also inspired other American artists to paint moonlight views, which became something of a trademark in Old Lyme."

(text by the National Gallery of Art)

[15102021]

[prettyg]

Monet Weir

[thoughtsonthedead]

Bob Weir and His Daughters Talk About His Iconic Grateful Dead Looks

Bob Weir and His Daughters Talk About His Iconic Grateful Dead Looks

TotD: Okay, this is somewhere in the late ’80’s. What do we think, girls?

Monet: This was before we were born. I feel like I would have put a stop to it. Tried to, at least.

Chloe: Are those Bobby Shorts?

Monet: I don’t think so. I think Bobby Shorts are strictly jean shorts.

Chloe: So what are those?

Monet: They’re just shorts.

Bobby:Now, uh, what you gals aren’t realizing is the amount of…

[deadheadland]

Bob Weir to receive "Lifetime Achievement in the Arts" award from Chapman University

Bob Weir to receive “Lifetime Achievement in the Arts” award from Chapman University

Chapman Celebrates Gala Night – Founding member of The Grateful Dead and current Chapman parent, Bob Weir, to receive the Lifetime Achievement in the Arts award

Bob Weir is set to receive a “Lifetime Achievement in the Arts” award from Chapman Universityat a presentation on November 3rd.  Tickets for the event are on sale, though there is no indication the Bob Weir will be performing.  There will…

[bramblekiss]

↳roses - p.s. kryøer, waterliles - claude monet, woman with a parasol in a garden - pierre-auguste renoir, garden with butterflies - vincent van gogh, daubigny's garden - vincent van gogh, trees and undergrowth - vincent van gogh, the japanese footbridge and the water lily pool - claude monet, afternoon by the pond - julian alden weir, the tow path - william l. lathrop

[eddiecranes]

Can websites like UCR stop objectifying rock stars’ daughters 🔪🔪🔪🔪🔪🔪🔪

[gingerteaonthetardis]

great, now i'm wide awake and thinking about that person on twitter who accused fanfiction writers of 'erasing' real queer literature by, like, writing stucky fic. along with some other deeply brainrotted takes and a huge misunderstanding of the prosocial and community-driven aspect of making fanworks. (for fun! without monetizing it! which is, in itself, a pretty revolutionary concept, but i'm not gonna go off about that!)

it's like—i know the people talking about this just want attention, and i shouldn't give it to them or let them hold any space whatsoever in my brain, but. it's 3am and it's my tumblr blog, so.

shaming people who read about their favorite superheroes kissing like they somehow have any sway over the homophobic publishing industry, or as if they are fundamentally incapable of reading, like, stone butch blues and 'honoring their ancestors' (literally gag me!), just because they write or consume, say, supernatural fic? that's... baffling. those two things are completely unrelated. fanfic writers do not wield the institutional power to 'erase' anything. we're just a bunch of fans on the internet. people choosing to consume a form of media you don't like or respect does not constitute erasure.

and then to cite cc and el james as your only writers who have made the transition from fic to published works? that feels like a deliberate erasure (lmao, like. actual erasure.) of the good writers out there who also wrote/read fanworks. n.k. jemisin comes to mind—an award-winning author and one of my absolute all-time favorites. neil gaiman is a self-proclaimed fic writer. andy weir! and what about filmmakers like chloe zhao? acting like we're all a bunch of diana gabaldons waiting to happen is just an intentional effort to scrape the bottom of the barrel to make a weak point.

i understand that there are valid criticisms to be leveled at fanworks—that sometimes, people file the serial numbers off their stuff and publish it or learn bad habits or what have you. and i agree with those points, even! in fact, i have my own much stronger opinions about the fetishization of gay men in fandom, or the overwhelming whiteness of many fan spaces! believe it or not, you can offer criticism without making bad points!!

but i think there's also something deeply cynical about assuming that all fanfiction writers aspire to become published authors, or are somehow responsible for the bland, derivative mediascape we find ourselves in today. like, no, bestie. that's on capitalism. sometimes people do just write for fun.

blaming a group of people who have virtually no power over the publishing industry for the failings of said industry is simply a shit argument. and acting like all fanfiction/work by authors who have written fanfiction is uniformly un-creative is hilariously narrow-minded. go read the broken earth trilogy and calm down.

[simsllama]

They have a couple of bolts together! Geoff asks Contessa Tamsin Monet out on a date! (I’m open to chances of Geoff becoming into a vampire lol)

[earthfluuke]

Baker boys questions!!! ~ do you by any chance think the girl Lee is looking for is Neen? Or do you think they'll throw a she's married but he meets her later and is happy to move? Jamie and Pluem is it going to be a developed relationship or just an adorable friendship???

yay, another person who watches baker boys!

as for your first question, that's an interesting idea! though, isn't her character meant to be around monet's (jamie) age? i believe she is meant to be about the same age as krating (early 20s), so this wouldn't match the age punn met his first love at.

it's been hinted that monet is starting to grow feelings for krating. and as it's obvious she's not going to end up with weir, i think this would probably be the direction the show would go in!

[praesaepe]

magenta?

magenta: if you could meet five (5) people (dead or alive) who would you meet?

hmmm… this is a tough question! if i could meet 5 people, dead or alive, i’d want to meet

terry pratchett

claude monet, maybe

alexander the great

andy weir?

uhhh amelia earhart

send me a color from this post!

[4eternal-life]

Ernest Lawson  (Canadian-American, 1873–1939)

Spring,  ca. 1913

oil on canvas mounted on panel, 40.9 x 51.1 cm Phillips Collection

@ Wikimedia Commons  

...His work during this time reflected the paintings of his teachers, Julian Alden Weir and John Henry Twachtman, both of whom were ardent champions of American impressionism. Lawson has managed to imbue his painting with light and charm, achieved by his color palette and delicate brushwork, which seems to dance around the canvas, never quite standing still, as if capturing a spring breeze. Lawson’s palette is bright and playful, contrasting warm yellows against the cool green of the grassy knoll in the foreground. He skillfully adds dabs of blues and reds to the shadows, enhancing the boldness of the overall painting.

Duncan Phillips was an early admirer of Lawson’s work, praising his ability to combine the mastery of such artists as Monet, Twachtman and Weir. Phillips luxuriated in the "almost candied succulence to [Lawson's] glazed surfaces," and calling him a "casual and careless Bohemian," nevertheless placed him in the context of the American tradition.

https://www.phillipscollection.org/collection/browse-the-collection?id=1189

[89words]

The title of impressionism has been a misleading one. If Degas is an impressionist, pray what then is Monet? Pissarro, Sisley, Cézanne are impressionists, and in America there is no impropriety in attaching this handle to the works of Twachtmann, J. Alden Weir, W.L. Metcalf, Childe Hassam, Robert Henri, Robert Reid, Ernest Lawson, Paul Cornoyer, Colin Campbell Cooper, Prendergast, Luks, and Glackens. But Manet, Degas! It would have been a happier invention to have called the 1877 group independents; independent they were, each man pursuing his own rainbow. We may note an identical confusion in the mind of the public regarding the Barbizon school. Never was a group composed of such dissimilar spirits. Yet people talk about Millet and Breton, Corot and Daubigny, Rousseau and Dupré. They still say Goethe and Schiller, Beethoven and Mozart, Byron and Shelley. It is the result of mental inertia, this coupling of such widely disparate temperaments

James Huneker - ‘Promenades of an Impressionist’ (1910)