#molin

[lookforanewangle]

several sentences sunday/monday

I got so excited I actually wrote something for the first time in over a month I couldn't wait for tease tidbit tuesday or wip wednesday or whatever so here's a daemon snippet!! I wasn't tagged, I'm just going for it :] I'm sure I got tagged in something and forgot about it, so consider this a response to any tag games I've been tagged in I guess

this is a prequel to the actual fic I'm working on, and will all be from maddie's pov! she's eight, here, and her daemon, traxin, is still unsettled. this got kind of long, so the rest of this is under a cut

you can see the daemon lineups here

“Are you ready to meet your new brother?” Dad gets her settled in the chair before he moves to Mom’s side, his back to the rest of them. Her parents start to whisper, but Maddie puts her full attention on the babies being passed into her arms—her brother and his daemon—as the nurse helps to support his head. Traxin is fluttering with excitement as he perches on Maddie’s knee, eyes wide. Maddie feels the same. “What’s his name?” she asks the nurse. “Evan. Your parents’ daemons are still deciding on his daemon’s name.” She steps away to give them privacy, busying herself with nurse things Maddie isn’t interested in. Maddie only has eyes for Evan. “Hi Evan,” she croons. He’s quiet in her hold, sound asleep. Maddie wants to keep holding him forever.

“Can I?” Traxin asks, hopping a few times before flitting to her shoulder, head tilting back and forth as he takes in the babies in her arms. He shifts again, unable to keep his form in his excitement. His puppy stage is nearing not-a-puppy-anymore, and he nearly knocks her from the chair as he settles at her side, nose inching towards the daemon on Evan’s chest. “Can I, Maddie?” Traxin has never talked much, but Maddie doesn’t mind. It’s always interesting hearing what he has to say. This time makes her laugh. “She doesn’t even have a name yet,” Maddie reminds him, pressing him back with her elbow. She drops her voice to a whisper. “But soon, I think. We get to be the first.” “Oldest sibling rights,” Traxin says, smug. Maddie grins. That grin drops abruptly as snippets of conversation flit across the room. “You’ve seen me, the baby is as healthy as we hoped he’d be, now go stay with our son. He’s all alone—” “—only for a little while, he’s fine—” “What if something happens while you’re gone? We’re supposed to be helping him, Evan is supposed to—” “Margaret,” Phillip hisses. “Just go,” she snaps, “or I’ll go myself.” Maddie’s arms tighten around Evan. It was supposed to be her. She’d offered to stay with Daniel. “Mom…I—” “Just keep holding him, Maddie,” she says, eyes closing with exhaustion. Traxin pulls back, tucking himself half-behind Maddie with a breathy whine. Mom sighs. “Be a good girl and look after your brother.” Dad flashes Maddie a smile that doesn’t reach his eyes as he passes, Jarah trotting at his heels. It’s not very reassuring. Maddie’s eyes drift to Molin, desperate for some sort of comfort or something, anything to cut the tension in the room that feels thicker than the humidity. Molin stares back, eyes dark and unreadable. “Her name is Balaine,” he says, quiet. He stares at Maddie a moment more before tucking his beak under his wing. Then they’re alone. Maddie and Traxin and Evan and…and Balaine.

[obscurian]

[PT: Faidenmollic!

a gender which is related to fairy gardens, and feels soft and caring! /end PT]

FAIDENMOLLIC !!

a gender which is related to fairy gardens, and feels soft and caring! ⊹ ⁺

ID: 2 flags with 6 stripes, with these colors from top to bottom: sea foam green, light brown, pastel pink, pastel purple, light brown, sea foam green. the flag on the left has an icon of a mushroom house, with a pink top and a brown bottom. the image on the right is a transparent image of the previously mentioned mushroom house. ID OVER.

flag / term created + coined by olly! 'fai' from fairy, 'den' from garden, 'mollic' from mollis!

READ OUR PINNED POST BEFORE INTERACTING!

[henrike-does-art-sometimes]

Och den som inte helan tar, han inte heller halvan får,

Helan går !!

Miku at the Kräftskiva, what will she do ?

[useless-catalanfacts]

"Bride chests" (caixes de núvia, in Catalan) are one of the most iconic pieces of furniture in Catalonia between the 15th and 18th centuries. They were a wooden chest that was used to store the aixovar (clothes, sheets, and personal objects that a woman brought to a marriage as part of her dowry). Depending on the bride family's means, these bride chests were more or less decorated. Many beautifully carved ones have survived until nowadays.

The bride chest in this video is exhibited in the Renaissance Museum in Molins de Rei (Barcelona Metropolitan Area, Catalonia). The chest was made between the years 1525 and 1550 by the circle of Pere Nunyes and Enrique Fernández, artists who worked in Barcelona (Catalonia's capital city). The chest's interior is decorated with a scene representing the Annunciation (when Archangel Gabriel announced to the Virgin Mary that she would become pregnant and give birth to the Son of God), which is a symbol of prosperity for the wedded couple.

Video source: Museu del Renaixement de Molins de Rei. Video posted on the museum's Instagram and Facebook. Photo from the museum's website. You can see more bride chests in this blog post by the National Art Museum of Catalonia.

[lovesmokerguys]

>>> Collection Javier Rept smokes

#4

[ Source : javi.rept BY Martín Molín ]

[riggio037]

Stunning

The Grapplers or Wrestlers (1862). Johan Peter Molin (1814-1873), Swedish sculptor. Parian porcelain.

[saqqaras]

Entrevías — 3.08

[wehaveagathering]

Bailey: I Traveled with Flyers Prospects from Las Vegas; Inside Our 24 Hours from Hell

[greendayauthority]

Moline, IL, 14 September 2005

[comicbookwomen]

Karl Moline

[badsciencejokes]

I am pleased to announce the Bad Science Jokes grant presented by Orion Technical College! We are helping people go back to school locally in Davenport, IA, and AROUND THE U.S., with their online classes.

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Please share and let your friends know about the new Bad Science Jokes grant from Orion Technical College! 

⏰Next start date is April 8th!

[sparkymolina]

[kras-gk]

Here is my 6 character challenge completed... turned out way more detailed than intended but i am glad i had time to work on it. it was really fun, as i got an excuse to draw smol fan arts for musicians that i love :D

[ninadove]

Alma de araña 🕸️

He walks in, and you know instantly: it’s in the myosotis of his eyes, in the calluses of his hands. Light pours through the dirty panes like chalk on a blackboard, like stained glass trapped behind scaffoldings, and it’s a sweet pilgrimage that takes you to his desk.

“They say your father makes hats?”

It sounds terribly conceited, yet you couldn’t be more genuine. You recognise and share the damage of the pen, that terrible splint keeping your idle fingers upright; but there’s something else in his, in the pulse that drums against his wrist. Just below the surface, like carps tickling the open sky.

The boy you’ll die for peels away from his thoughts, and smiles.

Or: Nina goes insane about another rarepair in another small fandom. What’s new?

@theuselesshistoryweeb, this one goes out to you! 📚🔥

[uwmspeccoll]

It’s Fine Press Friday!

This week we present another work by legendary Wisconsin book artist Walter Hamady (1940-2019), this time in collaboration with UWM Faculty – former and current – Lane Hall and Lisa Moline. The Pool was published sometime between 1989 and 1991 by Hamady’s Perishable Press in Mt. Horeb in a limited edition. The text draws from Toby Olson’s 1990 novel, Dorit in Lesbos. The illustrations are Hall’s – though the colophon suggests they were completed collaboratively along with Moline, Hamady, artist and type caster Kent Kasuboske (1964-1994), as well as Olson himself, while staying in Perry Township, during “one of the most fœtidly hot Springs ‘on record’….” The book is printed on Hamady’s handmade Shadwell paper in shades of blue and teal. Our copy is signed by Olson.

Born in the Chicago area in 1937, Toby Olson is a novelist and poet, who won the PEN/Hemingway award in 1983. More recently he’s collaborated with composer Paul Epstein; one of these projects, Dorit, was an opera also adapted from Dorit in Lesbos.

The text is printed in “plenteously respaced” Monotype Gill Sans. Early on, it runs on both verso and recto, but then soon gives way to blank versos. Midway through, a large collage image by Lane Hall unfolds. Hall, professor emeritus of UWM’s Department of English, was a student of Hamady’s at UW-Madison’s Print and Book Arts program during the time this book came together. Hall and Moline are longtime artistic collaborators, and co-founders of the Overpass Light Brigade.

Watch a presentation of Walter Hamady’s archive with the Library of Congress.

View other Fine Press Friday Posts.

Enjoy other wonderful books from Perishable Press.

[lascitasdelashoras]

pedro diaz molins