#modern mundane

[scrapbuuk]

Accidental art installations /// Kuala Lumpur.

📸 Nikon Coolpix P300

[canisalbus]

✦ Cockroach ✦

[eroticlamb]

fits by daoyu1022 ★

[transrevolutions]

asoiaf modern au where agot takes place in the most dysfunctional secondary school ever. arya has an accommodation plan for her adhd that gives her permission to draw in class but cersei (who is the kind of teacher that hates having to follow inclusion policies) gets mad and throws away one of arya's wolf oc drawings except that particular drawing was actually sansa's and when sansa finds out she gets so pissed off that she dumps joffrey over it. joffrey gets cersei to try and get ned removed from his position of assistant principal even though he's basically running the school at that point because robert baratheon (the real principal) keeps getting drunk when he's supposed to be working.

jon joins an after-school self-defense/outdoor survival skills club and somehow ends up in a weird leadership role because he's one of the only ones who knows what he's doing. tyrion shows up sometimes to try and sell him shitty weed. arya is always begging him to let her come even though she's still under the age limit. daenerys is a transfer student who spends every single one of her classes doing wings of fire rp on scratch.mit.edu but still manages to get good grades so a bunch of the teachers hate her because they're convinced she's cheating.

robert baratheon gets fired after the school board gets an anonymous tip about his drinking on the clock. the anonymous tipper is actually cersei because she's mad that he won't let joffrey run for student council because he's gotten in trouble for bullying too much. when ned finds out about this cersei gets him fired too which makes arya mad so she makes jon teach her mma so she can beat up joffrey. catelyn gets so upset about ned getting fired that she convinces herself that tyrion was in on it bc he's cersei's sister despite the fact that cersei fully and actually hates his guts and tyrion wasn't even remotely involved because he was too busy trying to hide from jon's uncle benjen after he caught him trying to sell jon weed.

robb stark (low level admin position but everyone thinks he's just there bc nepotism which is actually sorta true) tries to get the rest of admin to band together to expose cersei but most of them don't give a fuck so he has to try and network with their longtime rival school to try and find allies. he also may or may not have introduced bran to the online furry community and he really really doesn't want ned or catelyn to find out. daenerys somehow manages to get a whole squad of jocks to basically be her personal bodyguards after she introduces them to wings of fire and they get hooked.

catelyn almost kicks jon out because she thinks he taught rickon to curse when actually rickon overheard sansa ranting about joffrey while on the phone with jeyne poole.

[blackswaneuroparedux]

If Caravaggio were alive today today, he would have loved the cinema; his paintings take a cinematic approach. We filmmakers became aware of his work in the late 1960s and early 1970s, and he certainly was an influence on us. The best part for us was that in many cases he painted religious subject-matter but the models were obviously people from the streets; he had prostitutes playing saints. There’s something in Caravaggio that shows a real street knowledge of the sinner; his sacred paintings are profane.

Martin Scorsese on Caravaggio

Michelangelo Merisi, known to most of us as “Caravaggio,” was born on September 29, 1571 in Milan, Italy, to parents who were from the small town of Caravaggio. In the span of his 38 years long life he revolutionised painting with innovations like a unique use of chiaroscuro - with dark shadows contrasting with dramatic areas of light - and a deep sense of realism that later inspired the Baroque movement. But most of all, he developed such an iconic style that most of us can probably look at a painting and know if it’s a Caravaggio, or Caravaggio-inspired. 

Merisi spent the first few years of his life in Milan, studying painting, and later moved to Rome, where his early talent impressed Cardinal Del Monte, who introduced the young painter to other high-profile Catholic figures who became commissioners of some of Caravaggio’s best work. It seemed there was no end to the artist’s creative genius. Caravaggio, much to his patron’s delight, would pump out one masterpiece after another. It seemed the more out of control his personal life became (cheating, brawling and murder were standard fare), the more his art would become more refined, more potent.

In the long list of masterpieces he left behind, both secular and religious works stand out. But it is perhaps in his religious works that the artistic transition of the master is more evident. Caravaggio is, in fact, known to have changed his style after harsh personal life experiences led him to reassess his outlook on life.

In May of 1606 Caravaggio took part in a deadly brawl in Rome and was charged with murder. He fled to Malta, in search of asylum from the Order of Saint John, a Catholic order dedicated to helping the sick and the poor. The order commissioned some of the most important late life works of the Milanese artist.

It is in these works that we notice the shift in Caravaggio’s art, from a strong focus on aesthetics to an interest in the spirituality of his subjects, which critics believe was motivated by his own introspection.

On the streets surrounding the churches and palaces, brawls and sword fights were regular occurrences. In the course of this desperate life Caravaggio created the most dramatic paintings of his age, using ordinary men and women - often prostitutes and the very poor - to model for his depictions of classic religious scenes.

By representing biblical characters in a naturalistic fashion, typically through signs of aging and poverty, Caravaggio's populist modernisation of religious parables were little short of trailblazing. Although not without his critics within the church, by effectively humanising the divine, Caravaggio made Christianity more relevant to the ordinary viewer.

For some, though, his art was too real. Bare shoulders, plunging necklines, severed heads; this raw humanity didn’t always fly in 17th century Rome. As a result, many of his pieces were rejected as altar pieces and as church hangings. One such piece, the Madonna of Loretto (now hanging in a church in Rome) was widely criticised upon its unveiling. The people of the day were shocked to behold the Mother of God leaning nonchalantly against a wall in her bare feet while holding baby Jesus in her arms.

It is ironic that the very art that today we consider “classical” and “iconic” to the Catholic faith was considered questionable and perhaps void of modesty and virtue. Yet, the fact remains that no individual artist has made such a lasting impression on the world of modern art. Truly, many have called Caravaggio the “first modern artist”. It is no surprise, then, that his style has sparked both widespread admiration and imitation throughout the centuries.

Before Pope John Paul II refined a theology of the body beautiful, Caravaggio's paintings suggested a reverence for the inherent beauty of human form.

Troubled though he may have been, his art speaks eloquently of the dignity of the mundane. Though the original medium may be weathered and cracked, the message of beauty still echoes down the centuries. And this same beauty still fuels, escapes and reduces artists to relentless seekers as surely and as forcefully as it did in Caravaggio's life.

[atracaelum]

Got carried away with a doodle lmao, happy Pride

[saevity]

drew these modern/mundane tlh girls a few months ago but i never got around to posting them for some reason so here they are <3 featuring some deeply unserious headcanons

(album titles below cut:)

lucie:

shrek 2 soundtrack

mamma mia soundtrack

victorious soundtrack

turn off the light by kim petras

cordelia:

folklore by taylor swift

SOUR by olivia rodrigo

unreal unearth by hozier

nonante-cinq by angèle

rumours by fleetwood mac

author's note: i actually imagine cordelia to have a far more interesting music taste than this considering she's canonically very well-travelled but unfortunately my own music taste is not nearly interesting enough to supply this. feel free to suggest some albums she'd like in your own language in the tags &lt;3

grace:

welcome to the black parade by my chemical romance

i disagree by poppy

puberty 2 by mitski

dance fever by florence + the machine

[mostly-mundane-atla]

On the one hand, the atlaverse doesn't need any christian influence and is in fact better off with as little of it as possible; on the other hand, Katara discussing her marxist analysis of the Veggie Tales episode "Rack, Shack, and Benny" with Aang

[grecoromanyaoi]

mishnaic hebrew is a bad, fake language its not even close to biblical hebrew its just a mix of biblical hebrew, greek, persian, aramaic-

[blood-orange-juice]

Spicy take: I'm starting to think that the concept of "trickster" is about just as meaningful as the concept of Hero's Journey.

Sure, you can fit a lot of stories into it and some were written with that specific archetype in mind but also it conflates Joker, Odysseus, Br'er Rabit and Slavic folktales protagonists and I don't think these should belong in the same category.

Boundary crossing can be done for many reasons and in many ways. The need to lump all such characters into a single category says more about our over-reliance on rigid structures, the lack of play in our culture and a desperate need for something else.

[scrapbuuk]

📍 Miri, Sarawak

📸 Nikon Coolpix P300

[canisalbus]

Your idea of having a less tragic modern AU where the boys have a chance at a happy life makes me want that to just be a thing that people will do with doomed characters sometimes, give them a second chance in another kinder gentler universe to get it right this time with all the weight of their past lives giving weight to the story.

.

[waty-art]

Utterly Ridiculous

Chloé & Marinette

[froschli96]

you know, i always find it really funny when dudebros complain about syndicate and odyssey being too "jokey" or not "taking its characters seriously" or whatever…

like, did y'all collectively sleep through "it's-a me, mario!", "i meant besides vaginas", ezio inventing the latte, bartolomeo's... just... *gestures vaguely* entire character, etc?

like, it's fine to have preferences of course, i myself prefer a more serious and grounded tone, but these are usually the same people who tout the ezio trilogy as "peak assassin's creed", call ac1 a glorified tech demo and hate on connor for being "too serious and boring", like? make it make sense!

[devilsskettle]

thinking about the way that lady macbeth convinces macbeth to kill duncan and yeah she talks about power and cowardice and what he owes to himself and to her, but at the heart of the whole thing is how their child died and she has nothing else to pin her hopes for the future on. unfortunately the fact that they no longer have an heir is also the driving force behind macbeth’s violent paranoia toward banquo which ultimately dooms them

[glensys]

Witchcraft can be as complex or as simple as you like. For example, our main method of divination is using a set of dnd dice, and putting seasonings on a microwave pizza is our one of our main personal protection spells.