#mod sulfur

[ask-the-monoverse]

⚠️Your Big Fat Warning For This Blog’s Content Here⚠️

So, as we head into this AU, we would like to mention to you all beforehand that there could be lots of content that may trigger some uses. Viewer discretion is absolutely advised.

There may be depictions and descriptions of (but not limited to):

Dead Dove; Do Not Eat

Blood, Guts, and minor Gore

Minor Body Horror

Abusive/Toxic relationships and situations

Death

Violence and Fighting

Attempted Murder

Mental Illness and Hallucinations

Hostages/Kidnapping and Minor Torture

Starvation

Sanscest

Profanity

Suggestive/Implied relationships

Traumatic Situations

Grief/Grieving and Loss

Post Apocalyptic and Nuclear Disaster themes

Displacement/Loss of home

Imprisonment

Medical treatment and procedures

Phobias/Fears

Physical Injuries

Skeletons and Monsters

That should just about cover everything, but there’s always a chance for more, so stay tuned. - Mod Sulfur

[daily-grian]

How often do you try drawing him with your eyes closed?...i feel like you would be a master of this LOL

Let's find out -

...I think I've drawn grian too much.

[lofi-toast]

krinkles please for the love of god make an auditor plushie real,,

[calamityfortune]

oc doodlapalooza

[may 1st, 2023]

[octever]

I <3 AQUATIC SCOURGE!!

calamity posting :3

[aziraphales-library]

HI THERE! You do such amazing work, thank you so much!

I was just wondering if there were any chef aus out there? Any tags/rating! Thanks!

Hello, here are some chef fics...

Sometimes it's cosmic, sometimes it's cocktail weiners by myladyclegane (M)

All executive chef Anthony J Crowley wanted was a cider and some time with the girls(of the Golden variety) after his double shift, what he gets is playing savior when his best friend and next door neighbor (and desperate crush) has to unexpectedly host a last minute game night for his awful co-workers.

As Sweet As This by vantablck (G)

One moment, Crowley had a high position at a top Michelin rated restaurant. The next, her career was taking a metaphorical million light-year dive into a lake of boiling sulfur and she was moving back into her small childhood town. Cue Aziraphale, the childhood best friend she’s been pining over since time immemorial. Cue Crowley’s oh so brilliant idea of co-owning a restaurant with her.

Hell's kitchen, heaven's chef by Sani86 (T)

Crowley is a high-strung chef - one of London's best - but his boss Beez is fed up with his tricks. So they hire a mild-mannered blonde chef to keep him in line. Crowley hates the guy. Except that he doesn't, not even a little. --- Human AU, in which they are chefs and idiots.

Trivia Night: A Love Story by MissUnderstoodLyrics (E)

No angst, all fluff and fluffy smut! Crowley just moved to the States and has already been roped into the pub trivia competition for all of the King Street businesses, which they take very seriously. He just wants to work and go home to his cat and his plants, but the promise of free drinks lures him to the first game, where he meets a gorgeous, witty, mischievous angel, and suddenly trivia night doesn't seem quite so bad. A Good Omens Human AU

Recipe For Romance by ranguvar82 (M)

Anthony Crowley would love nothing more than to enjoy a good meal once in a while. Unfortunately, when you're an agoraphobic with severe food allergies, your choices are limited to private chefs. Too bad Crowley's fired every single one. Enter Aziraphale Fell, known for being able to create gourmet meals for even the most discerning palate. Crowley's expecting him to be like every other chef. He's not expecting an angel that will turn his world upside down. Aziraphale has a recipe for everything. Even, maybe, for romance.

Till I Saw You by curiouswriterkr (E)

Crowley is a burned out chef recovering from adrenal fatigue in Tadfield. Aziraphale, a gifted musician with a big, soft heart, happens to be performing one evening at an open mic. Their eyes collide and inevitably, so do their lives, helping each other step into healing, truth and more joy.

Style and Substance by Cabernet_Woebegone (E)

“But y’know, if my boss finds out I’m helping you even a little, they’re gonna throw me out on my ass.” “Yes, I understand it is a bit of a conflict of interest for you… Is there something I can offer you in return? Something you would like?” Aziraphale questioned hopefully. You, Crowley thought loudly as he took a second sip. I want to know if you moan when you kiss the same way you do when you try something delicious. I want to know if your lips taste like Zinfandel. “Yes, actually.” Aziraphale is having difficulty running his restaurant, and it isn't helping that he believes the place across the street is trying to sabotage him. To his surprise, chef Crowley comes to him on friendly terms. Together they come up with an arrangement that could benefit them both. (Explicit rating for chapters 10 , 14 & 17, see tags for description. Please do not record this as a podfic or repost this fic anywhere! Thank you!)

- Mod D

[badaziraphaletakes]

Bad Crowley Take for y'all, to mix it up a little bit!

Me when I read this:

Y'all, Crowley did NOT choose to fall. He’s said so many, many, many times. We're getting real tired of explaining this. (EDIT: What I, Mod X, meant to convey here is a. That given that Crowley said he didn’t mean to fall, it feels wrong to doubt his word about his own ab*se, and b. Whatever else Crowley may or may not have chosen, he definitely did not choose being thrown into a pool of boiling sulfur - assuming heaven knew it was there- on himself. No one “chooses” to be tortured that way. Hope this clears some things up. Sorry for the confusion caused by my poor wording.)

And one person’s ab*sive household (company? I don't even know lol) is NOT a "better" or "worse" experience to live through than another. That's just not how it works. We do NOT get to say one ab*se survivor had it “better” than another.

[centrally-unplanned]

I played some Victoria 2 today (a Japan campaign ofc, and admittedly with the Historical Flavor Mod), to sort of reflect on it in relation to Vicky 3. It is rough going back to the economy of Vicky 2 after playing 3, let me tell you - you knew intellectually it was "bad" system before, but you loved it anyway because of the full package. But now you can see the alternatives and remove the quotations, it is just bad! Building an ammunition factory that requires sulfur, having domestic RGO sources for sulfur but they are not producing enough to supply even one factory, and just not being able to do anything about it that isn't drastic or long-term because the world market is feeling fucky today is unacceptable once you have played a game where that isn't true. My industrialization strat should not waffle between "build a railroad for a 5% bump in output" and "invade Indonesia", give me a middle ground here guys! And it does not stop there - capitalists are useless, "build factory on RGO and expand forever" is optimal 99% of the time, key technologies will like double your output making them forced decisions, etc.

And, if you are can't build factories because you aren't civlizied yet...you have no econ game at all. You just do virtually nothing. Now that you see how that isn't required, the mechanics are ruthlessly bad in key ways.

But! But but but! I think Vicky 2 is a still a better game. The funny thing about that "I don't have enough sulfur" thing is that I didn't even care. I built the factory "for the future", subsidized it, it outputted zero bullets, and I barely notice because you make so much money anyway you can generally ignore it. I build the factories primarily so I can have clerks staffing them and generating research points! Is that insane game design? Yeah, it is! But it is insane game design that doesn't get in the way. Nothing stops me from building a factory, it just isn't very good. Wanna build a huge military? Encourage some soldiers with your national focuses and go to town. Want to declare war on someone? You can just do that! And then I take the army I built, click it on enemy, and it fights them - revolutionary new approaches to game design folks.

Even politics, where Vicky 2 definitely does get in the way a lot and is actively not-good, it is at least more permissive and more importantly simple. If you have elections you get events to shift voter ideology, and national focuses to boost party support that work exactly the way you would expect. If you are autocratic you can just swap who is in power! Liberals support political reforms, socialists support economic reforms, if you have a majority support for a law click a button and it passes. Done. Putting socialists in power in 1870 Japan might result in a revolution, sure, but it works, you can try it, and try to beat the militant tide.

Meanwhile in Vicky 3 if you are autocratic putting a "minority" faction in power literally breaks your government and prevents you from passing any laws. You can technically do it but you just die immediately. Wanna build a coalition then, where conservatives & agrarians ally together? You technically can again, but the penalty for "non-compatible" coalition partners is so high it 90% of the time crashes you into 0 anyway. So you have the "option" of switching parties, but...you can't. You just have to appoint the landowners every time or you die. So what is the point? Why have the option? Let me play the game!! Let me try reforming things and face a revolution I have 40% odds of losing to! That sounds fun, why are you rigging the game against that?

I tried an Iran run in Vicky 3 earlier, and I had a revolution against the landlords, who had ~50% of the "faction" points in government. I won, and so their points got knocked down to ~0%, how that works. So I made a new government, right? Well, no! Every faction left was "incompatible" with each other and none of them alone could even muster like 30%. I had literally no government capable of passing laws. So I fucking quit the game? Because this was the product of winning a revolution, why would I continue?

In Vicky 2 fascists win a revolution and they coup the government and it's fascist now. You get the fascist laws and can pass reforms they like. There ya go. Done. Is it interesting? No, not really. But it works! It doesn't literally stop you from playing the game.

My Japan game actually started as Satsuma, since in HPM Tokugawa Japan is split into substate Daimyo. I modernized via encouraging intellectuals, took military & railroad reforms, built a modern land army, and built up relations with the other domains. I launched the Meiji Restoration, got 60% of the Daimyo on my side, won the civil war. Began building factories everywhere, built up my industry, built up my research output. Used the new tech & money to build a larger army, fought the Qing in a tough war but got Korea & Taiwan, allied with the UK & built up a steamer industry to get a modern navy. Then Russia got into a crisis with Greece and so the UK and I backed Greece and broke Russia, with me claiming some territories around Manchuria in the process. Later I invaded China proper to annex Manchuria itself and get some treaty ports, easily now because my military was much more advanced. From all that my infamy was high so I coasted into the endgame and pivoted to culture techs to trigger "decisions" around modernizing Japan that gave me bonuses while having nice historical flavor to them.

And generally the game just didn't get in my way on doing all that. I could "tell the story", which for an easy game like Vicky is normally what you are here to do. Vicky 3 is a much better economy simulator, but telling the story beyond that is such a chore, and often impossible. On politics, diplomacy, and especially military, it is philosophically a step backwards such that its more "developed" mechanics cannot compensate for the mistake.

(I think it is funny how much better a gameplay experience the "narrative via decisions" of Vicky 2 w/ HPM is. They give flavor to the nations with a ton of bespoke, scripted events. Which...just works because they are straightforward. Vicky 3 wants to be "emergent" and so limited such events, but missed the forest for the trees there)

I find this sad because honestly there is a "blended" version of these two games that is amazing. Vicky 3's econ system (with tweaks ofc like making trade valuable) and philosophical commitment to minimal military micro (SO finicky in Vicky 2 to replenish armies where individual brigades die off, ugh), with a system that understood storytelling is first. Let players do things, and then give them consequences that are manageable in response. Get out of the way of the stories your sandbox game is built to tell.

[d1zsly]

“I blinked and suddenly I had a valentine”

Guh I love these rats mods put these two in a chamber filled with sulfuric acid!

[fablefangs]

Hiya! I'm Azzy. (She/her, demiromantic ace.) I work in Flying-type conservation and research, but mostly I'm here to post about my prizewinning show hydreigon, Bad Mightyena's Fabled Beginnings.

(space reserved for a cool picture of Fable)

I live with my two Pokémon partners (Fable the Hydreigon and Jadeite the Braviary), my human partner T (he/it), and his Pokémon partner (Sulfur the Cyndaquil).

It's nice to meet you all!

//magic anons are off, pelipper mail/mystery gift are on, union circle is on

ooc: @oncillaphoenix again, combining the idea of "cat shows but pokemon" with an old OC, a Sinnoh protag, and my need to have a character who actually appreciates how cool hydreigon are.

probably mostly lowstakes shenanigans for now but i miight eventually do higher stakes things here? energy and motivation permitting. i have chronic fatigue so those things are in short supply sometimes

sapient pokemon, eebydeebies, fallers, etc. are cool to interact. would prefer not to engage with blogs that heavily feature glitches, meta horror, or heavy fourth wall breaks. mun and muse are both adults but no nsfw please. see @lovenpeace-pkmn's pinned for more mod info

[chic-a-gigot]

La Mode illustrée, no. 8, 21 février 1897, Paris.

Toilette de promenade. Modèle de chez Mme Gradoz, rue de Provence, 67.

Tablier suédois pour jeune fille. Modèle de chez Mlle Rimbot, rue de Richelieu, 73.

Robe d'intérieur en cachemire uni et cachemire brodé. Modèle de chez Mmes Coussinet-Piret, rue Richer, 43.

Toilette de jeune fille en mohair gris. Mod. de chez Mmes Brun-Cailleux, r. de la Victoire, 48.

Robe en serge d'Irlande vert. Modèle de chez Mmes Coussinet-Piret, rue Richer, 43.

Robe en mohair bleu marine. Modèle de chez Mme Gradoz, rue de Provence, 67.

Ville de Paris / Bibliothèque Forney

Toilette de promenade.

Robe en drap mastic. Un galon de passementerie simule sur la jupe une robe de dessus aux deux coins de laquelle se trouvent des ornements en passementerie. Le corsage plat fait à pointe s'ouvre avec de larges revers sur un plastron plissé en soie de nuance claire, terminé au bord supérieur par un col droit plissé en soie. Les revers encadrés de galons en passementerie se rattachent derrière à un col carré; on rattache aux devants une ceinture Médicis en velours, ornée de grands boutons de nacre. Les manches garnies de galons en passementerie, ont des bouillonnés courts.

Mastic cloth dress. A trimming braid on the skirt simulates an outer dress on both corners of which are trimmings ornaments. The flat pointed bodice opens with wide lapels onto a pleated light silk bib, finished at the upper edge with a straight pleated silk collar. The lapels framed with braids are attached behind to a square collar; A Medici velvet belt is attached to the front, decorated with large mother-of-pearl buttons. The sleeves, trimmed with trimmings, have short ruffles.

—

Tablier suédois pour jeune fille.

Ce tablier suédois est fait en drap léger jaune soufre foncé; il se compose d'un seul morceau droit ayant 65 centimètres de largeur, 1 mètre 12 de longueur; ce morceau est froncé deux fois au bord supérieur, de façon à lui laiser 26 centimètres de largeur; on l'orne avec un morceau replié en dessus, triangulaire coupé en drap brun clair, ayant 16 centimètres de largeur au milieu, 4 centimètres sur les côtés, orné d'une bordure brodée étroite. On fixe sur le bord inférieur une bordure en drap brun clair ayant 26 centimètres de largeur, et l'on coud en même temps au bord inférieur du tablier une double bande de drap soufre, ayant 4 centimètres de hauteur, brodée de légères courbes au point de cordonnet. Les motifs ronds et ovales des deux bordures, dont les fig. 36 et 37 représentent le dessin, sont appliqués partie en soie vert olive, partie en soie blanche; on les brode en soie de cordonnet blanche, jaune, bleue au passé et points de fantaisie; les autres motifs sont faits avec les mêmes couleurs au passé et au point de cordonnet. Le tablier est retenu à la taille par une ceinture en drap jaune; le plastron du tablier est fixé au corsage par des épingles de fantaisie.

Le tablier peut être également exécuté en toile de couleur, et orné de bordures au point de cordonnet ou bien au point de croix.

This Swedish apron is made of light dark sulfur yellow cloth; it consists of a single straight piece 65 centimeters wide, 1 meter 12 long; this piece is gathered twice at the upper edge, so as to leave it 26 centimeters wide; it is decorated with a piece folded on top, triangular cut from light brown cloth, 16 centimeters wide in the middle, 4 centimeters on the sides, decorated with a narrow embroidered border. We attach to the lower edge a border of light brown cloth 26 centimeters wide, and at the same time we sew to the lower edge of the apron a double strip of sulfur cloth, 4 centimeters high, embroidered with slight curves in stitch. cord. The round and oval patterns of the two borders, including figs. 36 and 37 represent the design, are applied partly in olive green silk, partly in white silk; they are embroidered in white, yellow, blue cord silk with paste and fancy stitches; the other patterns are made with the same colors in past and cord stitch. The apron is held at the waist by a yellow cloth belt; the bib of the apron is attached to the bodice with fancy pins.

The apron can also be made in colored canvas, and decorated with cord stitch or cross stitch borders.

—

Robe d'intérieur en cachemire uni et cachemire brodé.

Cette robe est faite en cachemire bleu pâle uni, et cachemire brodé de même couleur. La robe-princesse est faite en cachemire uni; le plastron, les manches et la garniture sont faits en cachemire brodé. Les devants sont croisés et terminés à gauche sous une draperie formant écharpe. Le col et les manches sont entourés d'une fraise en cachemire.

This dress is made in plain pale blue cashmere, and embroidered cashmere of the same color. The princess dress is made of plain cashmere; the bib, sleeves and trim are made of embroidered cashmere. The fronts are crossed and finished on the left under a drapery forming a scarf. The collar and sleeves are surrounded by a cashmere ruff.

—

Toilette de jeune fille en mohair gris.

La jupe en mohair gris est entourée de six rangs de galons-mohair gris foncé; le corsage-blouse est orné devant et derrière de quatre rangs de galons. La fermeture du corsage sur le côté est couverte par un double volant de velours. Ceinture et col droit en velours; la ceinture est ornée d'un nœud sur le côté, on fait retomber une fraise en dentelle sur le col droit. Les manches terminées par un volant de dentelle sont garnies de bouillonnés courts au bord supérieur.

Le chapeau rond en paille noire, est garnie de soie mauve et de gloxinias.

​The gray mohair skirt is surrounded by six rows of dark gray mohair braid; the bodice-blouse is decorated front and back with four rows of braid. The bodice closure on the side is covered by a double velvet ruffle. Belt and straight collar in velvet; the belt is decorated with a bow on the side, a lace ruff falls on the right collar. The sleeves ending with a lace ruffle are trimmed with short bubbles at the upper edge.

The round black straw hat is trimmed with mauve silk and gloxinias.

—

Robe en serge d'Irlande vert.

Cette robe faite en serge d'Irlande verte, est garnie de rubans de velours noir, qui ornent le côtés gauche et le bord inférieur de la jupe. On fixe sur les côtés trois beaux boutons et des boutonnières simulées. le corsage plat fermé devant en biais, est garni sur le devant de gauche, avec des rubans de velours posés horizontalement; on pose sur le devant un morceau plissé, formant revers, orné de ruban de velours. Une ceinture de velours entoure la taille et se termine sur le côté par un nœud. Le haut col droit est garni en ruban de velours. Les manches sont garnies de ruban de velours, et ornées au bord supérieur avec deux volants.

This dress, made in green Irish twill, is trimmed with black velvet ribbons, which adorn the left sides and the lower edge of the skirt. Three beautiful buttons and simulated buttonholes are attached to the sides. the flat bodice closed at the front at an angle, is trimmed on the left front, with velvet ribbons placed horizontally; we place on the front a pleated piece, forming a lapel, decorated with velvet ribbon. A velvet belt surrounds the waist and ends on the side with a bow. The high, straight collar is trimmed with velvet ribbon. The sleeves are trimmed with velvet ribbon, and decorated at the upper edge with two ruffles.

—

Robe en mohair bleu marine.

Cette robe en mohair bleu marine est garnie au bord inférieur de la jupe avec plusieurs rangées de galons et de soutaches. Cette garniture se reproduit sur la veste courte à revers carrés, ornée de beaux boutons. La veste à manches est posée sur une blouse sans manches en soie rouge plissée, terminée par une ceinture et un col droit en velours bleu marine.

This navy blue mohair dress is trimmed at the bottom edge of the skirt with several rows of braid and soutache. This trim is reproduced on the short jacket with square lapels, decorated with beautiful buttons. The sleeved jacket is placed over a sleeveless blouse in pleated red silk, finished with a navy blue velvet belt and stand-up collar.

[cutiedews]

We're mushroom farmers! Shiitake and sulfur shelf mushrooms from Cornucopia - More Crops: https://www.nexusmods.com/stardewvalley/mods/19508

[loupy-mongoose]

Hello, welcome to my blog! Where I draw often and ramble about my characters. Please know and respect that I have hyper-fixations, and may change what I'm interested in.

If the links don't work for you, click and drag them to your URL bar. You should be able to use them that way.

CLICK HERE for a guide to my speech bubbles.

CHRONO LINKS:

If it was done correctly, THIS should be the main body of the story in one Chrono link.

General:

My Artworks

Comics (Mostly Non-ask)

Relating to the Original Mewtwo (Nicodemus)

Specific Story Focuses (Sorted Chronologically):

Lab Arc (HEAVY SUBJECT MATTER and IMPLIED DEATH WARNING toward the end!))

Pregnancy with the Twins

Midas and Monique

Lav and Mewtwo Meeting

Jerry

Relating to Rosemary

By Lavender's Hand (Randy's "Ghostification"--DEATH WARNING toward the end!)

Side blog dedicated to Nico and Jovie's story

Pokemon IRL Side Blog meant as a Slice of Life blog run by my Trainer, Jamie Wild Rennard.

Please read THIS If you're lost on their relations,and THIS for a rundown of Randall's situation.

My ToyHouse Characters page, where you can look at my characters' profiles! (A lot of stuff is a work in progress.) Names below also link to their specific pages.

My blog is home to the story Linden Roots. Randall Linden was once human, but through a horrific mishap, his memories were taken in by his friend, a Mew named Mo. Mo, having his own memories overwritten by Randy's, now lives Randy's life in his place.

Randy lives in Paldea with his shiny Mew Mate/Wife Akoya, her Mewtwo daughter Lavender, their twin Mew children Momo and Midas, and Akoya's half-brother Persim. Others in the household include Sulfur the shiny Lucario, Linda the shiny Roserade, Tol the shiny Chimecho, and Jerry the Pichu.

While he and his family are generally friendly and open to questions, Randy is sensitive about the events surrounding him becoming a Mew.

I do want to warn that this story touches on heavy and potentially uncomfortable subjects. I appreciate interaction, but please respect my artistic decisions. Thank you!

If you'd like to read the story of getting Akoya IRL, click here.

Voice Claims with samples here if anyone's interested. :3

This project is meant to be for fun, primarily my own. I will not be able to answer every question, and will prioritize the ones I find most fun, interesting, or an immediate concern. (Or, on some occasions, use answers as foreshadowing :3)

If anyone's interested, I also have a Twitter and a DeviantART, though I haven't been very active on them recently.

Because people have asked me before, I currently have no interest in doing commissions.

For my character references, click "Keep Reading"

The mod's 'sona/s:

NOTE: Randy has now transformed into his new look, so the old refs are largely obsolete. (Human form is physically the same except for his head.)

I plan to make some new, up-to-date refs for EVERYONE come 2024, but for now I'll throw in some makeshift refs for his new look.

(Old obsolete Randy here)

(New form)

Timeline and Family tree:

How Lavender is different from other Mewtwos:

[bashka-mcsmp]

sulfuric bone reef

mod: better nether shader: complementary (c) me

[saijito-sl]

photo taken here. I spent time updating this outfit recently. Mostly used stuff i've bought but didnt know how to use. did buy new jewerly bc what i had didnt match.

(hate myself for accidentally hitting "save" on the face-closup/thrid image instead of "save copy" when cropping bc it was a nice image. i could try to re-create it but i would need to figure out the pose & lighting again. orz)

Body: legacy m

head: Akeruka Sun woo w/ vampire ear mod

skin: narcissuss by XyR

hair: choi by Monso

Cosmetics:

daily lip balm by Ottilie

Black Dripstick by Mortem

tainted jest by Corvines

ear blush byb Novatasl

Eyebrow gift by SAP

Top surgery scars by Found Footage

Mesh eyelashes by Vita75 (only wear the upper ones)

Midnight eyes pink by Morass

Tattoos:

Summy by Vezzo ink

Sykara womb tattoo by Sincubus

Clothes & accessories:

Hand Wraps bu MUSU

Fur Mantle (old gacha) by Gabriel

Ankh necklace by Rebellion

Delfine belt by GeWunjo

Ancestral rings by L'Emporio&PL

Alaric top & corest by Malediction

maxiskirt*lace-black* by =Hades=

multi piercing earrings by Montage

mariya cross earring by S. Lima

Jae Earring by QUIXE

Nimbus Halo by Schadenfreude

Sulfur Gorget by Cruel

catwa Body Peircings by -Maru Kado-

simple black high waist pantyhose by :KOYUKI:

denovan monk boots by ..::ILLI::..

[aziraphales-library]

Do you know of any fics that discuss Crowley not remembering being an angel? Or not being able to remember stuff from before he fell?

Thanks ☺️

Here are some fics where Crowley lost his memories when he fell...

Filling in the Gaps by rattatatosk (G)

"Do you remember the first time we met?" Aziraphale asks. Crowley frowns. "Obviously. In Eden." But Aziraphale hesitates. "I... no,” he says. “In Heaven. The- the nebula. You don't remember?"

How The Mighty Have Fallen by enigmaticbb (T)

Falling, to say the least, was unpleasant. Now, that was obvious; a rapid plunge from Heaven with wings that wouldn’t open would hurt anyone, and landing in a pit of boiling sulfur certainly wouldn’t make the landing any softer. So, yes, the unpleasantness of it was obvious, but knowing to what extent the damage ran was what was so, so much worse. Crowley used to be someone. He doesn't know who.

The One You Really Love by his_infinitevariety (G)

Crowley can tell without turning his head to check that Aziraphale is looking at him like that. Eyes wide and vulnerable and... expectant. It's a look he's painfully familiar with.

Wherever You Are, I’ll Come to You by SuspiciousCharacter1895 (G)

He knew one other thing. Or - he didn’t know it. That wasn’t quite right. He felt it (whatever it was) as a spark in his very soul (did he have one of those?) that acted with a gravitational force (whatever that was) to pull in the flimsy and scattered debris that constituted his being. He knew that he needed to get to someone. After the Fall, Crawly has no memory of his time as an angel, but he is nagged by the idea that he SHOULD remember someone. When Lucifer demands he remember for the sake of the fight with Heaven, Crawly remembers more than he bargained for. It will hurt. He does it anyway.

Sweetest of Words by shadowintheshade (E)

Aziraphale calls Crowley by the wrong name during sex and it almost kills Crowley, re-awakening memories of who he was before the fall, memories Aziraphale has never lost. Aziraphale gives up a chunk of his soul to save Crowley from dying, guilt and angst and comfort ensue as they both work out who they are and where this new/ ancient relationship is going. E rated for sex and some serious gnarliness in a couple of chapters.

Seeing Stars by Lacey52 (M)

An exploration of their corporations leads two angels tumbling down a path unheard of-but one was always fated to fall. Aziraphale faces his own moral and ethical dilemma at being the one who remembers, and Crowley suffers through the paranoia of being known by one he has no memory of. Can a relationship built up in trust and faith survive? A gift for chernozemm who gave me permission to expand upon an idea from their tumblr post. The idea was fascinating and I really wanted to write it so here we are! 5 chapters total, let’s see where this takes us!

Don't Fall Away From Me by PhoenixRose314 (M)

if i fall, on that day, i only pray don't fall away from me. What if there was much more to Aziraphale and Crowley's history than Crowley remembers? What if there had been an "our side" even before the Fall? What if Aziraphale's guilt was the only thing keeping them apart for the last six thousand years? And what if the only thing that could pull them back together again was the firm belief of a plucky little angel-turned-human-bookseller that love really does conquer all? Don't Fall Away From Me is a post Season-2 Good Omens fic that rotates perspectives between Muriel, Crowley and Aziraphale.

- Mod D