#mod sulfur

[ask-the-monoverse]

⚠️Your Big Fat Warning For This Blog’s Content Here⚠️

So, as we head into this AU, we would like to mention to you all beforehand that there could be lots of content that may trigger some uses. Viewer discretion is absolutely advised.

There may be depictions and descriptions of (but not limited to):

Dead Dove; Do Not Eat

Blood, Guts, and minor Gore

Minor Body Horror

Abusive/Toxic relationships and situations

Death

Violence and Fighting

Attempted Murder

Mental Illness and Hallucinations

Hostages/Kidnapping and Minor Torture

Starvation

Sanscest

Profanity

Suggestive/Implied relationships

Traumatic Situations

Grief/Grieving and Loss

Post Apocalyptic and Nuclear Disaster themes

Displacement/Loss of home

Imprisonment

Medical treatment and procedures

Phobias/Fears

Physical Injuries

Skeletons and Monsters

That should just about cover everything, but there’s always a chance for more, so stay tuned. - Mod Sulfur

[daily-grian]

How often do you try drawing him with your eyes closed?...i feel like you would be a master of this LOL

Let's find out -

...I think I've drawn grian too much.

[lofi-toast]

krinkles please for the love of god make an auditor plushie real,,

[calamityfortune]

oc doodlapalooza

[may 1st, 2023]

[kaerakapten88]

[octever]

I <3 AQUATIC SCOURGE!!

calamity posting :3

[aziraphales-library]

Hello! Ive been absolutely obsessed with fics where Crowley is insanely powerful lately, but there’s not really a tag for that since BAMF Crowley is pretty general. Do yall have any recommendations? :)

Hi! We have a #powerful crowley tag, so check that out. Here are some more fics to add...

I Do Not Forgive You by Puerinrotis (M)

The most powerful thing in the world, in the whole cosmos, was love. The second most powerful thing in the cosmos was rage, pure and unadulterated, red and white and blinding, hot and seething rage. Crowley had plenty of both in him to do the impossible. “I’ve had enough of your games, Mother,” Crowley growled, dangerous. “You made the choice to turn one of your most powerful children into a demon and now it’s time that you paid the price for creating a monsssster.” The Supreme Archangel looked up to stare at him in horror as he raised hands drenched in silver blood upwards in a grand gesture and announced with a feverish glow in his golden eyes, “Hello, Aziraphale. It’s time for you to welcome your new God.”

Cast Thou Send Lightnings? by midnightdragons (G)

Cast thou send lightnings, that they may go, and say unto thee, Here we are? — Job 38:35 A brief argument between angel and demon spirals a bit out of control when Crowley's tendency to become struck by lightning when caught up in the throes of his smoking anger makes itself known.

The Art of Creation by Bookwormgal (T)

Once upon a time, long before humans set foot outside of Eden and long before his inelegant landing in a pool of boiling sulfur, Crowley had been an angel. An angel with a very different name and far less cynicism. And that angel was made to build Her creations. He built stars, nebulas, and other beautiful and complicated things far out there in the cosmos. He shaped fundamental elements and materials into new creations. He molded burning fires and sculpted dust into breath-taking patterns. He started bright and powerful reactions, serving as a catalyst to spark the birth of stars. He set various celestial objects spinning. He built. He took raw materials and built wonderous things with them. He built because that was the role that She made him for. In the end, was rebuilding that much different than building? And wasn't rebuilding fairly close to healing? When it was his angel's existence on the line, Crowley was willing to grab at any chance available. He would find a way to fix what had been damaged. He would find a way to save him.

But I would walk 500 miles by Augenblickgotter (T)

There's a conspiring of foes from both sides that forcefully kidnap Aziraphale. Crowley is in hot pursuit and will stop at nothing, finding some unlikely aid along the way, and bringing up his True Form when the time is needed. Some depictions of pain and violence, minor character deaths by Holy Water, and mild gore. Also mild claustrophobic and dingy descriptions of Hell. And the boys relationship can be flat out platonic asexual best of friends or downright dirty lovers. The story is up to you and is more about how far they would go for each other. ;) No, no monster sex in this one either (comb for my last fic if you need it). Just BAMF Crowley ready to walk 500 Miles through Heaven or Hell to save his Angel.

This Is Who You Are by Azeutrecia (M)

Post S2 finale. Canon-friendly. This is a story of two tricksters …who have strong feelings for each other that they’re terrible at expressing …who have a status imbalance …who aren’t who they thought they were …who both are dealing with multiple types of trauma …in a dystopian divine+occult world …that may be entangled in a conspiracy based on the power of names and stories

- Mod D

[badaziraphaletakes]

Bad Crowley Take for y'all, to mix it up a little bit!

Me when I read this:

Y'all, Crowley did NOT choose to fall. He’s said so many, many, many times. We're getting real tired of explaining this. (EDIT: What I, Mod X, meant to convey here is a. That given that Crowley said he didn’t mean to fall, it feels wrong to doubt his word about his own ab*se, and b. Whatever else Crowley may or may not have chosen, he definitely did not choose being thrown into a pool of boiling sulfur - assuming heaven knew it was there- on himself. No one “chooses” to be tortured that way. Hope this clears some things up. Sorry for the confusion caused by my poor wording.)

And one person’s ab*sive household (company? I don't even know lol) is NOT a "better" or "worse" experience to live through than another. That's just not how it works. We do NOT get to say one ab*se survivor had it “better” than another.

[centrally-unplanned]

I played some Victoria 2 today (a Japan campaign ofc, and admittedly with the Historical Flavor Mod), to sort of reflect on it in relation to Vicky 3. It is rough going back to the economy of Vicky 2 after playing 3, let me tell you - you knew intellectually it was "bad" system before, but you loved it anyway because of the full package. But now you can see the alternatives and remove the quotations, it is just bad! Building an ammunition factory that requires sulfur, having domestic RGO sources for sulfur but they are not producing enough to supply even one factory, and just not being able to do anything about it that isn't drastic or long-term because the world market is feeling fucky today is unacceptable once you have played a game where that isn't true. My industrialization strat should not waffle between "build a railroad for a 5% bump in output" and "invade Indonesia", give me a middle ground here guys! And it does not stop there - capitalists are useless, "build factory on RGO and expand forever" is optimal 99% of the time, key technologies will like double your output making them forced decisions, etc.

And, if you are can't build factories because you aren't civlizied yet...you have no econ game at all. You just do virtually nothing. Now that you see how that isn't required, the mechanics are ruthlessly bad in key ways.

But! But but but! I think Vicky 2 is a still a better game. The funny thing about that "I don't have enough sulfur" thing is that I didn't even care. I built the factory "for the future", subsidized it, it outputted zero bullets, and I barely notice because you make so much money anyway you can generally ignore it. I build the factories primarily so I can have clerks staffing them and generating research points! Is that insane game design? Yeah, it is! But it is insane game design that doesn't get in the way. Nothing stops me from building a factory, it just isn't very good. Wanna build a huge military? Encourage some soldiers with your national focuses and go to town. Want to declare war on someone? You can just do that! And then I take the army I built, click it on enemy, and it fights them - revolutionary new approaches to game design folks.

Even politics, where Vicky 2 definitely does get in the way a lot and is actively not-good, it is at least more permissive and more importantly simple. If you have elections you get events to shift voter ideology, and national focuses to boost party support that work exactly the way you would expect. If you are autocratic you can just swap who is in power! Liberals support political reforms, socialists support economic reforms, if you have a majority support for a law click a button and it passes. Done. Putting socialists in power in 1870 Japan might result in a revolution, sure, but it works, you can try it, and try to beat the militant tide.

Meanwhile in Vicky 3 if you are autocratic putting a "minority" faction in power literally breaks your government and prevents you from passing any laws. You can technically do it but you just die immediately. Wanna build a coalition then, where conservatives & agrarians ally together? You technically can again, but the penalty for "non-compatible" coalition partners is so high it 90% of the time crashes you into 0 anyway. So you have the "option" of switching parties, but...you can't. You just have to appoint the landowners every time or you die. So what is the point? Why have the option? Let me play the game!! Let me try reforming things and face a revolution I have 40% odds of losing to! That sounds fun, why are you rigging the game against that?

I tried an Iran run in Vicky 3 earlier, and I had a revolution against the landlords, who had ~50% of the "faction" points in government. I won, and so their points got knocked down to ~0%, how that works. So I made a new government, right? Well, no! Every faction left was "incompatible" with each other and none of them alone could even muster like 30%. I had literally no government capable of passing laws. So I fucking quit the game? Because this was the product of winning a revolution, why would I continue?

In Vicky 2 fascists win a revolution and they coup the government and it's fascist now. You get the fascist laws and can pass reforms they like. There ya go. Done. Is it interesting? No, not really. But it works! It doesn't literally stop you from playing the game.

My Japan game actually started as Satsuma, since in HPM Tokugawa Japan is split into substate Daimyo. I modernized via encouraging intellectuals, took military & railroad reforms, built a modern land army, and built up relations with the other domains. I launched the Meiji Restoration, got 60% of the Daimyo on my side, won the civil war. Began building factories everywhere, built up my industry, built up my research output. Used the new tech & money to build a larger army, fought the Qing in a tough war but got Korea & Taiwan, allied with the UK & built up a steamer industry to get a modern navy. Then Russia got into a crisis with Greece and so the UK and I backed Greece and broke Russia, with me claiming some territories around Manchuria in the process. Later I invaded China proper to annex Manchuria itself and get some treaty ports, easily now because my military was much more advanced. From all that my infamy was high so I coasted into the endgame and pivoted to culture techs to trigger "decisions" around modernizing Japan that gave me bonuses while having nice historical flavor to them.

And generally the game just didn't get in my way on doing all that. I could "tell the story", which for an easy game like Vicky is normally what you are here to do. Vicky 3 is a much better economy simulator, but telling the story beyond that is such a chore, and often impossible. On politics, diplomacy, and especially military, it is philosophically a step backwards such that its more "developed" mechanics cannot compensate for the mistake.

(I think it is funny how much better a gameplay experience the "narrative via decisions" of Vicky 2 w/ HPM is. They give flavor to the nations with a ton of bespoke, scripted events. Which...just works because they are straightforward. Vicky 3 wants to be "emergent" and so limited such events, but missed the forest for the trees there)

I find this sad because honestly there is a "blended" version of these two games that is amazing. Vicky 3's econ system (with tweaks ofc like making trade valuable) and philosophical commitment to minimal military micro (SO finicky in Vicky 2 to replenish armies where individual brigades die off, ugh), with a system that understood storytelling is first. Let players do things, and then give them consequences that are manageable in response. Get out of the way of the stories your sandbox game is built to tell.

[fablefangs]

Hiya! I'm Azzy. (She/her, demiromantic.) I work in Flying-type conservation and research, but mostly I'm here to post about my prizewinning show hydreigon, Bad Mightyena's Fabled Beginnings.

I live with my two Pokémon partners (Fable the Hydreigon and Jadeite the Braviary), my human partner T (he/it), and his Pokémon partner (Sulfur the Cyndaquil).

It's nice to meet you all!

//magic anons are off, pelipper mail/mystery gift are on, union circle is on

ooc: @oncillaphoenix again, combining the idea of "cat shows but pokemon" with an old OC, a Sinnoh protag, and my need to have a character who actually appreciates how cool hydreigon are.

probably mostly lowstakes shenanigans for now but i miight eventually do higher stakes things here? energy and motivation permitting. i have chronic fatigue so those things are in short supply sometimes

sapient pokemon, eebydeebies, fallers, etc. are cool to interact. would prefer not to engage with blogs that heavily feature glitches, meta horror, or heavy fourth wall breaks. mun and muse are both adults but no nsfw please. see @lovenpeace-pkmn's pinned for more mod info, and my hub blog @oncillamoltres for a list of my other rp blogs, me brainstorming/rambling about my characters, and occasional bonus art

[d1zsly]

“I blinked and suddenly I had a valentine”

Guh I love these rats mods put these two in a chamber filled with sulfuric acid!

[chic-a-gigot]

La Mode illustrée, no. 8, 21 février 1897, Paris.

Toilette de promenade. Modèle de chez Mme Gradoz, rue de Provence, 67.

Tablier suédois pour jeune fille. Modèle de chez Mlle Rimbot, rue de Richelieu, 73.

Robe d'intérieur en cachemire uni et cachemire brodé. Modèle de chez Mmes Coussinet-Piret, rue Richer, 43.

Toilette de jeune fille en mohair gris. Mod. de chez Mmes Brun-Cailleux, r. de la Victoire, 48.

Robe en serge d'Irlande vert. Modèle de chez Mmes Coussinet-Piret, rue Richer, 43.

Robe en mohair bleu marine. Modèle de chez Mme Gradoz, rue de Provence, 67.

Ville de Paris / Bibliothèque Forney

Toilette de promenade.

Robe en drap mastic. Un galon de passementerie simule sur la jupe une robe de dessus aux deux coins de laquelle se trouvent des ornements en passementerie. Le corsage plat fait à pointe s'ouvre avec de larges revers sur un plastron plissé en soie de nuance claire, terminé au bord supérieur par un col droit plissé en soie. Les revers encadrés de galons en passementerie se rattachent derrière à un col carré; on rattache aux devants une ceinture Médicis en velours, ornée de grands boutons de nacre. Les manches garnies de galons en passementerie, ont des bouillonnés courts.

Mastic cloth dress. A trimming braid on the skirt simulates an outer dress on both corners of which are trimmings ornaments. The flat pointed bodice opens with wide lapels onto a pleated light silk bib, finished at the upper edge with a straight pleated silk collar. The lapels framed with braids are attached behind to a square collar; A Medici velvet belt is attached to the front, decorated with large mother-of-pearl buttons. The sleeves, trimmed with trimmings, have short ruffles.

—

Tablier suédois pour jeune fille.

Ce tablier suédois est fait en drap léger jaune soufre foncé; il se compose d'un seul morceau droit ayant 65 centimètres de largeur, 1 mètre 12 de longueur; ce morceau est froncé deux fois au bord supérieur, de façon à lui laiser 26 centimètres de largeur; on l'orne avec un morceau replié en dessus, triangulaire coupé en drap brun clair, ayant 16 centimètres de largeur au milieu, 4 centimètres sur les côtés, orné d'une bordure brodée étroite. On fixe sur le bord inférieur une bordure en drap brun clair ayant 26 centimètres de largeur, et l'on coud en même temps au bord inférieur du tablier une double bande de drap soufre, ayant 4 centimètres de hauteur, brodée de légères courbes au point de cordonnet. Les motifs ronds et ovales des deux bordures, dont les fig. 36 et 37 représentent le dessin, sont appliqués partie en soie vert olive, partie en soie blanche; on les brode en soie de cordonnet blanche, jaune, bleue au passé et points de fantaisie; les autres motifs sont faits avec les mêmes couleurs au passé et au point de cordonnet. Le tablier est retenu à la taille par une ceinture en drap jaune; le plastron du tablier est fixé au corsage par des épingles de fantaisie.

Le tablier peut être également exécuté en toile de couleur, et orné de bordures au point de cordonnet ou bien au point de croix.

This Swedish apron is made of light dark sulfur yellow cloth; it consists of a single straight piece 65 centimeters wide, 1 meter 12 long; this piece is gathered twice at the upper edge, so as to leave it 26 centimeters wide; it is decorated with a piece folded on top, triangular cut from light brown cloth, 16 centimeters wide in the middle, 4 centimeters on the sides, decorated with a narrow embroidered border. We attach to the lower edge a border of light brown cloth 26 centimeters wide, and at the same time we sew to the lower edge of the apron a double strip of sulfur cloth, 4 centimeters high, embroidered with slight curves in stitch. cord. The round and oval patterns of the two borders, including figs. 36 and 37 represent the design, are applied partly in olive green silk, partly in white silk; they are embroidered in white, yellow, blue cord silk with paste and fancy stitches; the other patterns are made with the same colors in past and cord stitch. The apron is held at the waist by a yellow cloth belt; the bib of the apron is attached to the bodice with fancy pins.

The apron can also be made in colored canvas, and decorated with cord stitch or cross stitch borders.

—

Robe d'intérieur en cachemire uni et cachemire brodé.

Cette robe est faite en cachemire bleu pâle uni, et cachemire brodé de même couleur. La robe-princesse est faite en cachemire uni; le plastron, les manches et la garniture sont faits en cachemire brodé. Les devants sont croisés et terminés à gauche sous une draperie formant écharpe. Le col et les manches sont entourés d'une fraise en cachemire.

This dress is made in plain pale blue cashmere, and embroidered cashmere of the same color. The princess dress is made of plain cashmere; the bib, sleeves and trim are made of embroidered cashmere. The fronts are crossed and finished on the left under a drapery forming a scarf. The collar and sleeves are surrounded by a cashmere ruff.

—

Toilette de jeune fille en mohair gris.

La jupe en mohair gris est entourée de six rangs de galons-mohair gris foncé; le corsage-blouse est orné devant et derrière de quatre rangs de galons. La fermeture du corsage sur le côté est couverte par un double volant de velours. Ceinture et col droit en velours; la ceinture est ornée d'un nœud sur le côté, on fait retomber une fraise en dentelle sur le col droit. Les manches terminées par un volant de dentelle sont garnies de bouillonnés courts au bord supérieur.

Le chapeau rond en paille noire, est garnie de soie mauve et de gloxinias.

​The gray mohair skirt is surrounded by six rows of dark gray mohair braid; the bodice-blouse is decorated front and back with four rows of braid. The bodice closure on the side is covered by a double velvet ruffle. Belt and straight collar in velvet; the belt is decorated with a bow on the side, a lace ruff falls on the right collar. The sleeves ending with a lace ruffle are trimmed with short bubbles at the upper edge.

The round black straw hat is trimmed with mauve silk and gloxinias.

—

Robe en serge d'Irlande vert.

Cette robe faite en serge d'Irlande verte, est garnie de rubans de velours noir, qui ornent le côtés gauche et le bord inférieur de la jupe. On fixe sur les côtés trois beaux boutons et des boutonnières simulées. le corsage plat fermé devant en biais, est garni sur le devant de gauche, avec des rubans de velours posés horizontalement; on pose sur le devant un morceau plissé, formant revers, orné de ruban de velours. Une ceinture de velours entoure la taille et se termine sur le côté par un nœud. Le haut col droit est garni en ruban de velours. Les manches sont garnies de ruban de velours, et ornées au bord supérieur avec deux volants.

This dress, made in green Irish twill, is trimmed with black velvet ribbons, which adorn the left sides and the lower edge of the skirt. Three beautiful buttons and simulated buttonholes are attached to the sides. the flat bodice closed at the front at an angle, is trimmed on the left front, with velvet ribbons placed horizontally; we place on the front a pleated piece, forming a lapel, decorated with velvet ribbon. A velvet belt surrounds the waist and ends on the side with a bow. The high, straight collar is trimmed with velvet ribbon. The sleeves are trimmed with velvet ribbon, and decorated at the upper edge with two ruffles.

—

Robe en mohair bleu marine.

Cette robe en mohair bleu marine est garnie au bord inférieur de la jupe avec plusieurs rangées de galons et de soutaches. Cette garniture se reproduit sur la veste courte à revers carrés, ornée de beaux boutons. La veste à manches est posée sur une blouse sans manches en soie rouge plissée, terminée par une ceinture et un col droit en velours bleu marine.

This navy blue mohair dress is trimmed at the bottom edge of the skirt with several rows of braid and soutache. This trim is reproduced on the short jacket with square lapels, decorated with beautiful buttons. The sleeved jacket is placed over a sleeveless blouse in pleated red silk, finished with a navy blue velvet belt and stand-up collar.

[lofi-toast]

HEY HEY GUYS DIDJA KNOW CONVICTOR IS BASED OFF OF DR. PHOSPHORUS????

[cutiedews]

We're mushroom farmers! Shiitake and sulfur shelf mushrooms from Cornucopia - More Crops: https://www.nexusmods.com/stardewvalley/mods/19508

[bashka-crafts]

sulfuric bone reef

mod: better nether shader: complementary (c) me

[saijito-sl]

photo taken here. I spent time updating this outfit recently. Mostly used stuff i've bought but didnt know how to use. did buy new jewerly bc what i had didnt match.

(hate myself for accidentally hitting "save" on the face-closup/thrid image instead of "save copy" when cropping bc it was a nice image. i could try to re-create it but i would need to figure out the pose & lighting again. orz)

Body: legacy m

head: Akeruka Sun woo w/ vampire ear mod

skin: narcissuss by XyR

hair: choi by Monso

Cosmetics:

daily lip balm by Ottilie

Black Dripstick by Mortem

tainted jest by Corvines

ear blush byb Novatasl

Eyebrow gift by SAP

Top surgery scars by Found Footage

Mesh eyelashes by Vita75 (only wear the upper ones)

Midnight eyes pink by Morass

Tattoos:

Summy by Vezzo ink

Sykara womb tattoo by Sincubus

Clothes & accessories:

Hand Wraps bu MUSU

Fur Mantle (old gacha) by Gabriel

Ankh necklace by Rebellion

Delfine belt by GeWunjo

Ancestral rings by L'Emporio&PL

Alaric top & corest by Malediction

maxiskirt*lace-black* by =Hades=

multi piercing earrings by Montage

mariya cross earring by S. Lima

Jae Earring by QUIXE

Nimbus Halo by Schadenfreude

Sulfur Gorget by Cruel

catwa Body Peircings by -Maru Kado-

simple black high waist pantyhose by :KOYUKI:

denovan monk boots by ..::ILLI::..