#mizoguchi keiji

[amxlm]

Futaba Rio

[hatsumishinogu]

Seishun Buta Yaro wa Santa Claus no Yume wo Minai (light novel)

[hakonohanayome]

Official BanG Dream! 6th anniversary celebratory art of Saya Yamabuki by Keiji Mizoguchi

[voliol]

I got my hands on Comics Worlds & the World of Comics - Global Manga Studies, vol.1, and consequently read parts of it. Below are comments on the chapters I read, in rough order of how good/interesting/enjoyable I found them:

Dōjinshi research as a site of opportunity for Manga Studies, by Nele Noppe, is surely my favorite out of the bunch. A primer on manga fan works (dōjinshi), copyright, and the act of creation, along a plea to make art easier to partake in and research. Normally I would not say so, but READ THIS!

Theorizing comics/manga genre as a productive forum: yaoi and beyond, by Akiko Mizoguchi, is recommended for being an enjoyable read. I am personally not inclined towards most BL, but it is always fun to read about. Plus this chapter includes terms such as "virtual lesbians" and "minority sexuality of yaoi" (which does not refer to male homosexuality). I imagine it's a very Tumblr chapter.

When a "male" reads shōjo manga, by Kimio Itō, is bite-sized - only 7 pages! Somehow this account of an older man feels novel. Probably because this Itō is from sociology, and not from manga studies nor any other kind of humanities.

BD in young girl-oriented magazines in France, by Noriko Inomata, is surprisingly about French comics and not manga (though a comparison is drawn). It is kind of text on a niche, under-researched topic which (imho) is healthy to read a lot of. You get a rounded view of things.

Manga truisms: On the insularity of Japanese manga discourse, by Hiroshi Odagiri, was not too easy to get through. It is likely the most meta of these chapters, but if you are interested in the discourse or academia surrounding manga as such (I am) here's a recommendation.

Barefoot Gen and "A-bomb literature - Re-collecting the nuclear experience, by Takayuki Kawaguchi, and How emotions work: The politics of vision in Nakazawa Keiji's Barefoot Gen, by Kenji Kajiya, both highlight the quality of Keiji Nakazawa's Barefoot Gen. This makes them somewhat superfluous, since that work speaks for itself. The other works spoken of in contrast make them more interesting reads, though.

And that's about it. There are other chapter of course but I haven't read them (and probably won't unless I encounter them some other time) so commenting on them would be difficult and silly.

[gurikajis]

Isekai Maou to Shoukan Shoujo no Dorei Majutsu Ω #1 Endcard - Mizoguchi Keiji

[anime-end-cards]

Nisekoi 2nd season

Episode 4 end card by Mizoguchi Keiji

[miakaswl]

Character : Shiina Mashiro.

Manga : Sakurasou no Pet na Kanojo.

[suzumiya-chan]

[shadowsphere]

☼Sphere's Haikyuu!! Masterlist☼

"𝘌𝘷𝘦𝘯 𝘪𝘧 𝘸𝘦'𝘳𝘦 𝘯𝘰𝘵 𝘤𝘰𝘯𝘧𝘪𝘥𝘦𝘯𝘵 𝘵𝘩𝘢𝘵 𝘸𝘦'𝘭𝘭 𝘸𝘪𝘯, 𝘦𝘷𝘦𝘯 𝘪𝘧 𝘰𝘵𝘩𝘦𝘳𝘴 𝘵𝘦𝘭𝘭 𝘶𝘴 𝘸𝘦 𝘥𝘰𝘯'𝘵 𝘴𝘵𝘢𝘯𝘥 𝘢 𝘤𝘩𝘢𝘯𝘤𝘦, 𝘸𝘦 𝘮𝘶𝘴𝘵 𝘯𝘦𝘷𝘦𝘳 𝘵𝘦𝘭𝘭 𝘰𝘶𝘳𝘴𝘦𝘭𝘷𝘦𝘴 𝘵𝘩𝘢𝘵." -𝘋𝘢𝘪𝘤𝘩𝘪 𝘚𝘢𝘸𝘢𝘮𝘶𝘳𝘢 "𝘐 𝘤𝘢𝘯 𝘤𝘰𝘮𝘮𝘦𝘯𝘵 𝘵𝘩𝘢𝘵 𝘢 𝘵𝘦𝘢𝘮 𝘴𝘱𝘰𝘳𝘵, 𝘵𝘩𝘢𝘵 𝘪𝘴 𝘷𝘰𝘭𝘭𝘦𝘺𝘣𝘢𝘭𝘭, 𝘲𝘶𝘪𝘤𝘬𝘭𝘺 𝘦𝘹𝘱𝘰𝘴𝘦𝘴 𝘣𝘢𝘥 𝘱𝘦𝘰𝘱𝘭𝘦 𝘢𝘯𝘥 𝘦𝘲𝘶𝘢𝘭𝘭𝘺 𝘲𝘶𝘪𝘤𝘬𝘭𝘺 𝘥𝘪𝘴𝘱𝘭𝘢𝘤𝘦𝘴 𝘵𝘩𝘦𝘮 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘵𝘦𝘢𝘮. 𝘠𝘰𝘶 𝘤𝘢𝘯 𝘱𝘳𝘰𝘣𝘢𝘣𝘭𝘺 𝘱𝘭𝘢𝘺 𝘵𝘦𝘯𝘯𝘪𝘴, 𝘸𝘩𝘪𝘭𝘦 𝘩𝘢𝘵𝘪𝘯𝘨 𝘦𝘷��𝘳𝘺𝘣𝘰𝘥𝘺 𝘪𝘯 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥. 𝘗𝘭𝘢𝘺𝘪𝘯𝘨 𝘷𝘰𝘭𝘭𝘦𝘺𝘣𝘢𝘭𝘭 𝘺𝘰𝘶 𝘮𝘶𝘴𝘵 𝘭𝘰𝘷𝘦 𝘢𝘵 𝘭𝘦𝘢𝘴𝘵 𝘰𝘯𝘦 𝘱𝘦𝘳𝘴𝘰𝘯 𝘰𝘵𝘩𝘦𝘳 𝘵𝘩𝘢𝘯 𝘺𝘰𝘶𝘳𝘴𝘦𝘭𝘧." -𝘝𝘺𝘢𝘵𝘤𝘩𝘦𝘴𝘭𝘢𝘷 𝘗𝘭𝘢𝘵𝘰𝘯𝘰𝘷

☀︎ - 𝘚𝘮𝘶𝘵 ☁︎ - 𝘈𝘯𝘨𝘴𝘵 ⛅︎ - 𝘍𝘭𝘶𝘧𝘧

🔮Karasuno

☼ Ittetsu Takeda ☼ Keishin Ukai ☼ Kiyoko Shimizu ☼ Hitoka Yachi ☼ Daichi Sawamura ☼ Kōshi Sugawara ☼ Yū Nishinoya ☼ Tobio Kageyama ☼ Shōyō Hinata ☼ Kei Tsukishima ☼ Tadashi Yamaguchi ☼ Mao Aihara ☼ Madoka Yachi

🔮Nekoma

☼ Tetsurō Kuroo ☼ Kenma Kozume ☼ Manabu Naoi ☼ Alisa Haiba

🔮Aoba Johsai

☼ Tōru Oikawa ☼ Sadayuki Mizoguchi

🔮Date Tech

☼ Yasushi Kamasaki ☼ Kaname Moniwa ☼ Takanobu Aone ☼ Takurō Oiwake

🔮Fukurōdani

☼ Kōtarō Bokuto ☼ Keiji Akaashi ☼ Yukie Shirofuku

🔮Shiratorizawa

☼ Wakatoshu Ushijima ☼ Eita Semi ☼ Hayato Yamagata

🔮Johzenji

☼ Yūji Terushima ☼ Hana Misaki

🔮Ohgiminami

☼ Yoshiki Towada

🔮Kakugawa

☼ Yüdai Hyakuzawa

🔮Nohebi

☼ Mika Yamaka

🔮Itachiyama

☼ Kiyoomi Sakusa

🔮Inarizaki

☼ Shinsuke Kita ☼ Hitoshi Ginjima ☼ Atsumu Miya ☼ Osamu Miya

🔮Kamomedai

☼ Kōrai Hoshiumi

🔮Niiyama Girls'

☼ Kanoka Amanai

[byneddiedingo]

Tatsuya Nakadai and So Yamamura in The Human Condition I: No Greater Love (Masaki Kobayashi. 1959)

Cast: Tatsuya Nakadai, Michiyo Aratama, Chikage Awashima, Ineko Arima, Keiji Sada, So Yamamura, Akira Ishihama. Screenplay: Zenzo Matsuyama, Masaki Kobayashi, based on a novel by Junpei Gomikawa. Cinematography: Yoshio Miyajima. Art direction: Kazue Hirataka. Film editing: Keiichi Uraoka. Music: Chuji Kinoshita.

The first three and a half hours of Masaki Kobayashi's nine-hour, 47-minute epic The Human Condition are themselves divided into two parts, though the break seems more a courtesy to the Sitzfleisch of the viewer than to any inherent division in the story. I have a friend who says he's never read a bad novel over 600 pages long, because once he's done with it he has to justify the time spent reading. I think something like that may apply to The Human Condition once I've finished it. Which is not to say that there isn't a greatness that adheres to Kobayashi's unsparing, audacious film, even though at times I found myself feeling that The Human Condition I: No Greater Love derived as much from the more earnest black-and-white Hollywood films of the 1940s, the ones that starred Tyrone Power or Gregory Peck, than from the high artistry of Ozu or Mizoguchi. It is often unabashed melodrama: We worry that Kobayashi hasn't burdened his protagonist, Kaji, with more than is really credible. An idealist, he not only finds himself supervising slave Chinese labor in Manchuria during World War II, he also has to manage a brothel staffed with Chinese "comfort women." And the more he does to better the lot of the workers, the more he elicits the ire of the kenpeitai, the Japanese military police. On the other hand, if he compromises with the authorities, the Chinese prisoners and prostitutes make his life miserable. And not to mention that, his wife is incapable of comprehending the stresses that make him so distant at home. But Tatsuya Nakadai is such an accomplished actor that he gives Kaji credibility, even when we're beginning to think he's too virtuous, too idealistic, for his own good.

[amxlm]

Kaede Azusagawa

[hatsumishinogu]

Rascal Does Not Dream of Logical Witch Vol.1

[ao3feed-daisuga]

When Tragedy Strikes

read it on the AO3 at https://ift.tt/38XmPyZ

by Samantha_Esquerra8

How much damage can a 5.8 Earthquake cause? Who will die? Who will survive?

Follow along with the Karasuno Team as the train along side 3 other teams at a week long volleyball training camp where a earthquake strikes.

Words: 862, Chapters: 1/30, Language: English

Fandoms: Haikyuu!!

Rating: Not Rated

Warnings: No Archive Warnings Apply

Categories: F/M, M/M, Multi, Other

Characters: Sawamura Daichi, Sugawara Koushi, Nishinoya Yuu, Tanaka Ryuunosuke, Kinoshita Hisashi, Narita Kazuhito, Kageyama Tobio, Hinata Shouyou, Yachi Hitoka, Ukai Keishin, Azumane Asahi, Ennoshita Chikara, Tsukishima Kei, Yamaguchi Tadashi, Shimizu Kiyoko, Takeda Ittetsu, Tsukishima Akiteru, Tanaka Saeko, Kuroo Tetsurou, Kai Nobuyuki, Yaku Morisuke, Yamamoto Taketora, Kozume Kenma, Shibayama Yuuki, Nekomata Yasufumi, Naoi Manabu, Oikawa Tooru, Iwaizumi Hajime, Hanamaki Takahiro, Matsukawa Issei, Yahaba Shigeru, Watari Shinji, Kindaichi Yuutarou, Kunimi Akira, Kyoutani Kentarou, Irihata Nobuteru, Mizoguchi Sadayuki, Washio Tatsuki, Sarukui Yamato, Bokuto Koutarou, Akaashi Keiji, Konoha Akinori, Komi Haruki, Onaga Wataru, Shirofuku Yukie, Suzumeda Kaori, Ushijima Wakatoshi, Tendou Satori

Relationships: Sawamura Daichi/Sugawara Koushi, Azumane Asahi/Nishinoya Yuu, Shimizu Kiyoko/Tanaka Ryuunosuke, Kinoshita Hisashi/Narita Kazuhito, Hinata Shouyou/Kageyama Tobio, Tsukishima Kei/Yamaguchi Tadashi, Takeda Ittetsu/Ukai Keishin, Tanaka Saeko/Tsukishima Akiteru, Kozume Kenma/Kuroo Tetsurou, Haiba Lev/Yaku Morisuke, Iwaizumi Hajime/Oikawa Tooru, Hanamaki Takahiro/Matsukawa Issei, Kyoutani Kentarou/Yahaba Shigeru, Kindaichi Yuutarou/Kunimi Akira, Akaashi Keiji/Bokuto Koutarou

Additional Tags: Haikyuu - Freeform, Earthquakes, Angst with a Happy Ending, Karasuno, aoba johsai, Fukuroudani, Nekoma, Tokyo - Freeform, Volleyball, Volleyball Dorks in Love

read it on the AO3 at https://ift.tt/38XmPyZ

[fenrhi]

Oh I just Jishoed “The Coming Storm” because it said: “Coming / Forthcoming” and “Storm” so I was like “welp Forthcoming looks weird so Coming it is.”

So it’s “The Storm Comes and Goes”? That’s vague as usual. I thought this was supposed to be the peaceful ending! What’s next after the Mothership of Motherships that they still have to fight??

I thought Kazuki’s blessing was living forever and guiding people? Like he’s basically Mjolnir 2.0 rn.

Well 7-9 was in November, also during C-19. You said it’s getting worse in Japan? At this point I’ll pay money to see it online... Really don’t want it to end up like Tenet (it was only in theaters FOREVER until a few months ago).

Googled it and it’s either “The Heroes Two” or “The Hero and Two People” as you said... gah.

Still waiting to see Fumihiko’s reaction to Chizuru’s death. Seriously if Mizoguchi dies my boi Kenji or Maya’s gonna have to step up to lead the island because Makabe Sr.’s gonna be out.

We still have so much to resolve...

Hello again! To answer this ask, I’m gonna use TBY summaries that used to be on 4chan (RIP)

From what I’ve understood, the Benon Mothership attacks the main characters in ep7, then it leaves, then it comes back in ep9, and the Fafner Pilots and Hester’s army are fighting against it. If the “Storm that comes and leaves” is the Benon Mothership, then it’s going to retreat again and come back again in ep11 or 12 for the Final Battle. I honestly can’t remember if Malespero and Chaos join the battlefield in ep7-9, but in any case, we are really far away from a peaceful ending

The matter of Kazuki’s blessing is just....so vague. I don’t disagree with the fact his blessing involves “guiding” but I’ve always thought Festum must benefit from the blessing in some way (Soushi taught Festum about pain, Tsubaki taught Festum about life and death etc). For me, the right conditions haven’t been met yet. “But what about the Elements?” he’s not “guiding” them, Miwa is the one at the top of the command chain

That being said, can we really consider Kazuki “Mjolnir 2.0″? They do have things in common, but TBY spells out that Kazuki is a new kind of Festum (an Element) so I can’t see him as another Mjolnir. There’s no Mir in Kazuki’s situation, either

If Kazuki could live forever, I don’t think he’ll be too thrilled about it, because that would mean being separated from his Soushi forever.......

I love how we both thought “If Mizoguchi and Fumihiko die, Keiji or Maya will replace them”. I love Kazuki, but he’s not really....leader material (excluding the fact he’s going to die soon)

[anime-end-cards]

Is the Order a Rabbit??

Episode 4 end card by Mizoguchi Keiji

[tsukishima-tadashi]

An Entirely Useless List of Top/Bottom|Dom/Sub|Omegaverse Headcanons fo Haikyuu!!

All in good fun but also I’m entirely uninterested in, nor am I amused by, comments along the lines of “but X is such a top/bottom!! XD”, please refrain?

Maybe in the future I will post about the Sliding Scale of Bottoms 

“Switch” refers to Top/Bottom, “Versatile” refers to Dom/Sub

If they aren’t named here its safe to say I don’t really have an opinion. 

“(I Just Think He’s Neat)” = I haven't put much thought into his character/shipping him at all but I personally think he's kind of hot and thus the headcanons

KARASUNO

Ukai Keishin - Exclusive Top, Exclusive Dom, Exclusive Alpha

Takeda Ittetsu - Exclusive Bottom, Exclusive Sub, Exclusive Omega

Shimada Makoto - Prefer as Top, No Preference, Alpha

Tsukishima Akiteru - Top is fun but realistically a Bottom, Sub, Alpha is fun for tsukyam drama but realistically Beta/Omega

Tanaka Saeko - Top, Dom, Alpha

Udai Tenma - Top, Versatile, Alpha/Beta

Sawamura Daichi - Exclusive Top, Exclusive Dom, Exclusive Alpha

Sugawara Koushi - Prefer as Top, Prefer as Dom, Alpha, but Unopposed to Alternatives

Azumane Asahi - Bottom, Sub, Exclusive Omega

Ennoshita Chikara - Bottom, Versatile, Beta/Omega

Tanaka Ryuunosuke - Exclusive Top, Versatile, Exclusive Alpha

Nishinoya Yuu - Exclusive Top, Exclusive Dom, Exclusive Alpha

Yamaguchi Tadashi - Exclusive Bottom, Strongly Prefer as Sub, Exclusive Omega Unless for Bitching Fics

Kageyama Tobio - Either/Or, Either/Or, Alpha/Omega

Tsukishima Kei - Exclusive Top, Versatile but Prefer as Dom Even Though He’s Bad At It, Alpha/Beta

Hinata Shouyou - Strongly Prefer as Top, Prefer as Dom, Alpha

NEKOMA 

Kuroo Tetsurou - Strongly Prefer as Top, Prefer as Dom, Exclusive Alpha

Yaku Morisuke - Strongly Prefer as Top, Strongly Prefer as Dom, Strongly Prefer as Alpha 

Yamamoto Taketora - Exclusive Top, Versatile, Exclusive Alpha

Kozume Kenma - Prefer as Bottom, Versatile, Alpha/Beta/Omega

Shibayama Yuuki - Strongly Prefer as Bottom, Strongly Prefer as Sub, Strongly Prefer as Omega (unless for bitching fics)

Inuoka Sou - Exclusive Top, No Opinion, Exclusive Alpha

Haiba Lev - Strongly Prefer as Top, Strongly Prefer as Dom, Exclusive Alpha

SEIJOH/AOBA JOHSAI

Mizoguchi Sadayuki - Exclusive Top, Exclusive Dom, Exclusive Alpha

Oikawa Tooru - Strongly Prefer as Top, Exclusive Dom, Strongly Prefer as Alpha 

Iwaizumi Hajime - Strongly Prefer as Top, Strongly Prefer as Dom, Strongly Prefer as Alpha

Hanamaki Takahiro - Top, Dom, Alpha

Matsukawa Issei - Top, Dom, Alpha

Kyoutani Kentarou - Exclusive Top, Versatile, Exclusive Alpha

Yahaba Shigeru - Exclusive Bottom, Versatile, Exclusive Omega (unless for bitching fics)

Watari Shinji - Switch but Makes For A Cute Top, Versatile but Cute Dom, Beta

Kunimi Akira - Strongly Prefer as Bottom, Versatile (Would like to Sub but Kindaichi is… Kindaichi), Exclusive Omega (unless for  bitching fics)

Kindaichi Yuutarou - Exclusive Top, Versatile (Tries to be a Dom), Alpha/Beta

SHIRATORIZAWA 

Ushijima Wakatoshi - Exclusive Top, Exclusive Dom, Exclusive Alpha, Periodt 

Tendou Satori - Exclusive Top, Exclusive Dom, Alpha

Semi Eita - Exclusive Bottom, Exclusive Sub (he could try to dom but he’d humiliate himself), Beta/Omega (but as a beta he’d inevitably get bitched)

Kawanishi Taichi - Top, Dom, Alpha/Beta

Shirabu Kenjirou - Switch, Versatile, Beta

Goshiki Tsutomu - Exclusive Top, Tries Very Hard To Be A Dom, Exclusive Alpha

DATEKO

Moniwa Kaname - Exclusive Bottom, Exclusive Sub, Exclusive Omega (unless for bitching fics)

Kamisaki Yasushi - Exclusive Top, Exclusive Dom, Exclusive Alpha

Sasaya Takehito - Exclusive Top, Exclusive Dom, Exclusive Alpha

Futauchi Kenji - Prefer as Top, Exclusive Dom, Alpha/Beta

Aone Takanobu - Exclusive Top, Exclusive Dom, Exclusive Alpha

JOHZENJI

All tops, doms, and horny fuckboy alphas except for Numajiri, a bottom, versatile omega.

FUKURODANI 

Bokuto Koutarou - Strongly Prefer as Top, Versatile, Exclusive Alpha

Sarukui Yamato - Top, Dom, Alpha (I Just Think He’s Neat)

Komi Haruki - Top, Dom, Alpha (I Just Think He’s Neat)

Konoha Akinori - Top, Dom, Alpha/Beta (I Just Think He’s Neat)

Akaashi Keiji - Prefer as Bottom, Versatile (but damn is he good as a dom), Alpha/Omega

INARIZAKI 

Kita Shinsuke - Bottom, Versatile, Omega

Ojiro Alan - Top, Dom, Alpha/Beta

Omimi Ren - Top, No Opinion, Alpha/Beta

Miya Atsumu - Exclusive Top, Versatile (only with Kita, usually Exclusive Dom), Exclusive Alpha

Miya Osamu - Exclusive Top, Exclusive Dom, Exclusive Alpha 

Suna Rintarou - Switch, Versatile, Beta