#mitchell corporation

[easternmind]

A compendium of references to Portugal in Japanese video games

The beginning of the historical relations between Portugal and Japan dates to the year 1541, when a Portuguese ship washed ashore at Jingujiura. Nearly sixty Japanese words are of Portuguese origin. A variety of Japanese traditions and culinary delights were introduced by Portuguese traders, sailors and missionaries. But in what way has this cultural exchange extended to the more recent phenomenon of Japanese digital games? As a portuguese devotee of Japanese culture, the topic seemed relevant enough to merit some additional exploration.

To my knowledge, the first significant reference to Portugal in Japanese video game is found in Koei's The Age of Discovery from 1990, a game published in the west under the title Uncharted Waters. The main character is a disgraced Portuguese nobleman named Leon Ferrero who resorts to maritime exploration, trade and naval warfare to restore his family's good name and prestige.

Its 1993 sequel, known in the west as New Horizons, diversifies the base game structure of the original by including multiple characters to select from, each with their own story and mission. Among them is the tale of João Franco, the son of the original episode's protagonist Leon, who sets out to discover the mysterious location of the fabled Atlantis, no less.

Another meaningful reference can be found a year later in ArtDink's 1991 strategy game The Atlas, in which the player takes on the role of a 15th century explorer with a five year contract with the King of Portugal to discover and chart lands around the Iberian Peninsula.

In 1998, ArtDink recreated the game for contemporary systems and published as Neo Atlas. The protagonist is a Portuguese trading company owner seeking business expansion opportunities in remote territories, as well as discover and chart hitherto unknown parts of the globe. A similar premise is found in a later sequel, Neo Atlas III.

Apart from nautical strategy games, a few other titles exist where mentions to the Portuguese territory, language and culture can be traced.

Galvanized by the success of Cyan's world-renowned point and click adventure CD-ROMs, Sony Computer Entertainment helped to publish The Book of Watermarks, a game designed by a miniscule Tokyo-based studio named Watermarks that is brimming with interesting first and second-hand references to Shakespeare's The Tempest. The objective of this visually impressive pre-rendered journey is to aid in the recovery of a series of ancient tomes, each including the nuclear bases of knowledge for mankind.

The very first lost volume is named the Book of Navigators, said to be owned by the historical Infante Dom Henrique from the 15th century, condensing information on shipbuilding, oceanography, geography and astronomy. While a purely fictitious book, the reference to Prince Henry is historically accurate, him being a pivotal figure in the early age of Portuguese maritime discoveries, the governor of the Order of Christ who at once built and ruined his reputation through his various campaigns in the African continent.

Atlus' futuristic vision of Earth in Maken X includes a most unexpected tour of Europe, with a mandatory stop in Lisbon. Inexplicably, the developers got its geographic location wrong and moved to all the way to the northern Spanish region of Léon. The level, itself, boasts a reasonably accurate depiction of one of the city's oldest quarters, Alfama, and the architectural styles found therein.

Although I could not discern any actual references in the game itself, the Grandia II soundtrack by the veteran composer Noriyuki Iwadare contains two themes whose lyrics are written in Portuguese: A Deus, a double-entendre that can be translated to both farewell and to God; and Canção do Povo, meaning People's Song. Also, the name of the official soundtrack is named Melodia, which translates to Melody as you'd expect. Both themes were performed by guest singer Kaori Kawasumi, who took on the composer's challenge to sing them despite her not knowing the language.

She was coached and assisted by José Álvarez and Motoi Sato from the Portuguese Arts and Culture Center in Japan, whom she thanks in the acknowledgement section. The Grandia II Special Package edition booklet contains a page with two photos of Portugal, one for the Jéronimos Monastery in Lisbon and the other, seemingly, for the Moorish Castle in the nearby town of Sintra.

The last Pomping World (a.ka. Buster Bros/Pang) that Mitchell Corporation ever produced before shutting down was the 2010 DS European exclusive Magical Michael. It includes two levels set in Portugal, one in Lisbon by the Belém tower, a nautical landmark, and the other in the Sintra National Palace. Their representation is at once pleasingly stylized and true to life.

This final reference is found in Spike Chunsoft's third installment of their successful visual novel series, Nyūdanganronpa V3 Minna No Koroshiai Shin Gakki. Among the dozens of MonoMono machine items that can be acquired, one is a weathercock styled after a traditional Portuguese folktale hero, the Galo de Barcelos, meaning the rooster of Barcelos, a town in Northern Portugal.

As per the description, this animal became famous through an age-old tale involving a man wrongly sentenced to death who seconds before his execution remarked he was as certain to be innocent as it was certain that a nearby rooster would sing. Because the bird did crow, much to everyone's amazement, he was exonerated. Thus, the black rooster became a symbol for truth.

I would like to thank @diogojira and @DanielOlimac for their assistance in making this article possible.

[randomisedgaming]

Screenshots from the 2023 release of the classic arcade from Mitchell Corporation:

Cannon Dancer / Osman

You can watch our playthrough video here: https://youtu.be/mJcvd8b496Y

Follow Randomised Gaming on Tumblr, for video game, art, reviews, features, videos and more. You can also find us on YouTube, Twitch & Twitter for even more gaming & video content! Buy us a tea on Ko-fi

[viciogame]

🎮 Osman (Arcade)

Complete Gameplay: https://youtu.be/ktAJdWsdKls

#Osman #CannonDancer #Strider #MitchellCorporation #Atlus #株式会社ミッチェル #KouichiYotsui #四井浩一 #fliperama #ストライダー飛竜 #Capcom #キャノンダンサー #arcade #伊助 #Isuke #アーケードゲーム #Viciogame #Gameplay #Walkthrough #Playthrough #Longplay #LetsPlay #Game #Videogames #Games

[obscurevideogames]

Mad Motor (Mitchell Corporation - arcade - 1989)

[walmartpercyjackson]

This:

And this:

Are the same thing

[pedroam-bang]

Call Of Duty: Advanced Warfare (2014)

[tweedledumandtweedlebum]

Day 11 - Ben's best outfit.

[taratarotgreene]

Happy 80th Birthday Joni Mitchell

Honoree Joni Mitchell at the 2021 Kennedy Center Honors Medallion Ceremony at the Library of Congress, December 4, 2021. Photo by Shawn Miller/Library of Congress. Wikimedia Commons Here’s an astrology article I wrote nine years ago when Joni had health issues in 2015. Joni suffered a brain aneurysm in 2015, losing the ability to talk but she has resoundingly rebirthed herself in true Scorpio…

[old-type-40]

I just wanted to talk about how Unification was a great follow up to the other Rodenberry archive short film Regeneration which came out a year and a half ago. In Regeneration, we saw Spock visiting Kirk's grave on Veridian III and picking up Kirk's insignia from atop the grave where Picard left it after burying him.

Unification implies that the events of the photo novel Strange New Worlds are canon in that Gary Mitchell became a powerful non-corporeal being after his death on Delta Vega. Mitchell initially wants revenge on Kirk but Kirk eventually gets him to realize that he can set aside human desires and flaws. Mitchell sets out to travel the universe. And in Unification, Mitchell finds out about Kirk's death, sees Spock mourning at Kirk's grave, and Kirk's remains in storage at Daystrom Station.

So Mitchell brings Kirk back, has his insignia returned to him, and gives Kirk and Spock one last sunset to share together. And that's beautiful.

There's been so much focus on just the Spirk moment that I didn't want the rest of it to be overlooked and under appreciated.

[costreductionfirm]

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Learn about our Business Services in Marlborough MA, 01752 online.

[randomisedgaming]

Japanese & Europe arcade flyers for the 1996 title from Mitchell Corporation:

Cannon Dancer / Osman

New home version is out today.

Follow Randomised Gaming on Tumblr, for video game, art, reviews, features, videos and more. You can also find us on YouTube, Twitch & Twitter for even more gaming & video content! Buy us a tea on Ko-fi

[scottguy]

Corporate media. Useless. She's 77, not exactly a spring chicken herself.

For years now the stroke of noon has meant a channel change for me. She’s painful to watch.

[vintagelasvegas]

Moulin Rouge Hotel & Casino

May 1955, opening week. Photo by Loomis Dean.

Timeline, in progress ...

‘54: Mar. 29, Las Vegas City Commission approves construction of Moulin Rouge. The project was launched by a group of partners including New York restaurateur Louis Rubin, Beverly Hills developer Alexander Bisno (Bisno & Bisno), and smaller investors.

‘54: Jul. 16, Groundbreaking.

‘55: May 24, MR preview opening, and debut Tropi-Can-Can show in the Cafe Rouge Theatre Restaurant; public opening follows on May 26. Owners, the Moulin Rouge Associates, include Bisno, Rubin, Henry Bisno, among a group of over 20. Possible other owners include Joe Louis (2%), Joe West, Aron Blum, Edna Shulman, and Mark Lipsky. African-American staff include Joe Louis, host; Sonny Boswell, former Harlem Globetrotters, general manager; Jimmy Gay of Las Vegas, personnel director. "The hotel portion of the Moulin Rouge is not fully completed as yet" (RJ 5/27/55). MR's "late show" starts from the opening. "There's a great late show every night of the year at Moulin Rouge" (advertisement, RJ 5/24/55)

‘55: Jun. 1, first known lawsuit against MR from contractor, Lawrence Hawthorne. (RJ 6/1/55)

‘55: Oct. 5, City of Las Vegas threatens MR license unless finances and owners are disclosed.

‘55: Oct. 10, MR closes following legal action taken by Bartenders Union Local 165 and Culinary 226 over unpaid wages.

‘55: Oct. 19, MR files petition for bankruptcy.

‘56: Nov. 27, Bankruptcy sale. Lone bid of $470,000 rejected.

‘58: Nov., Leo Frey (Leroy Investment Co.) awarded the hotel by court. Frey, “a sizeable investor in the original corporation which owned the hotel and the partnership which operated it” (RJ 11/25/58). Frey is denied gaming license, reopens hotel and coffee shop. Other individuals later denied gaming license “because of unsuitable backgrounds of the landlords Leo, Herbert, and Karl Frey” (RJ 3/21/69).

‘85: Joe & Sarann Preddy, and Joe Walker lease Club Rouge and the bar.

‘90: Preddy & Walker group takes over ownership from Leroy Co., secures liquor and gaming license.

‘92: Moulin Rouge listed on National Register of Historic Places.

‘97: Sold to Bart Maybie.

‘03: Fire destroys much of the property.

‘04: Moulin Rouge Development Corp. buys property.

‘08: MRD Corp. files for bankruptcy.

‘09: Olympic Coast Investment takes ownership; another fire; sign donated and moved to Neon Museum; tower demolished in 2010.

‘12: OCI files bankruptcy.

‘17: Fire; last remains of MR and Montemartre Motel demolished.

Photos of Moulin Rouge

Entertainment. The Tropi-Can-Can Revue was the Moulin Rouge's featured entertainment, no headliner. Las Vegas resorts usually had two shows per evening, or a third late show on weekends. Moulin Rouge's Tropi-Can-Can included a late show every night – 8 PM, 11 PM and 2 AM. The revue in May 1955 included Stump and Stumpy, The Platters (Reed, Lynch, Williams, Robi, Taylor), Timmie Rogers, Margie McGlory, Teddy Hale, The Honey-Tones, Ann Weldon, Bob Bailey as master of ceremonies, and 20-27 dancers (sources vary) including Delcenia Boyd (16 years old), Norma Tolbert, Dee Dee Jasmin, Mary Louise Randolph, and Anna Bailey (28 y/o). The Platters recorded their hit version of "Only You" a month before the opening of Moulin Rouge, and the record was released summer '55.

Moulin Rouge Show Girls Arrive in Vegas. Review-Journal, 5/9/55.

5/23/55 – Jay Florian Mitchell Photo Collection, Nevada State Museum.

Sources include: City to Hear Both Sides. Review-Journal, 7/6/54 p2; Vegas' Newest Hotel Moulin Rouge Opens. Review-Journal, 5/25/55 p3; Capacity Crowd. Review-Journal, 5/27/55 p1; City Threatens Moulin Rouge License Over Ownership Fuss. Review-Journal, 10/5/55; Another Suit Against Spa. Review-Journal, 10/7/55 p3; Moulin Rouge Re-Financing Sought After Casino is Closed. Review-Journal, 10/11/55; No Action Against Spa Licenses. Review-Journal, 10/20/55; Couple trades parcel of land to get Moulin Rouge Hotel. Review Journal, 1/26/90; Earnest N. Bracey. Winter ‘96. The Moulin Rouge Mystique: Blacks and Equal Rights in Las Vegas, Nevada Historical Society Quarterly, Vol. 39, No. 4, p. 272-288; Nicole Raz. Light Touch Needed. Review Journal, 8/7/2016; An Interview with Katherine M. Joseph (OH-00979), Mary Louise Williams oral history interview (OH-01991), and Anna Bailey oral history interview (OH-00096), UNLV Special Collections & Archives; William H. “Bob” Bailey. Looking Up: Finding My Voice in Las Vegas (2009).

[scotianostra]

January 5th 1899: saw the first electric-powered tram in Glasgow begins the replacement of the horse-drawn service.

The very beginnings of trams in the city can be traced back to The Glasgow Street Tramways Act of 1870, which allowed Glasgow Town Council to decide if they wanted to put tramways on the streets of the city.

The first horse drawn tram route was laid in 1872, running for a length of 4km between St George's Cross to Eglinton Toll on the south side of the city across Jamaica St bridge.

Fast forward 16 years, and in October 1898 the Glasgow Tramways Committee commenced an experimental electrified tram route between Springburn and Mitchell Street, the success of which paved the way for the electrification of the city's tram routes.

Doing so would see electric trams replace the more than 3000 horses used by the council to pull the cars over 150 miles of track throughout the city, which begun in 1899 when the council made a commitment to electrification.

Even with a top speed of 8 miles per hour, electrified trams were cheap, comfortable and - most importantly - reliable, and it wouldn't be long before they completely dominated the urban transport system of Glasgow.

n 1902, in a year when horse drawn cars stopped operation and with only half of the city's electrification complete, trams were already carrying 20% of the passenger total for the whole of Scotland.

Tram use became even more ubiquitous once the tram lines extended into the city's suburbs, peaking in 1919/1920, when an estimated 97.9% of people in the city used trams to move around - at a time when Glasgow had one of the most densely populated urban centres in Europe.

At one point in time the junction of Jamaica Street and Renfield Street in Glasgow city centre was among the busiest in the world, with an estimated 466 tram cars passing through every hour, a figure that would increase to 516 on Saturdays.

And the trams continued to be the most popular form of public transport in Glasgow well into the 1940's while in direct competition to buses, carrying up to four times as many passengers as buses as late as 1947.

Ten years later, over 1,000 tram cars were still serving city, carrying 300 million passengers a year over more than 250 miles of routes, yet trams had started to become an unprofitable enterprise for the city's transport department - in the face of the profitability of both the bus and subway network.

The last available figures released by Glasgow Corporation Transport Committee showed that in 1956/1967 52% of transport users used the tram network to get around , yet even so change was underfoot.

And despite the fact that Glaswegians were fiercely proud of their 'caurs', the tram system was gradually phased out between 1956 and 1962, with the final trams operating on September, 4 that year to mark the end for an era both for the city and its transport network.

[prodigaldaughteralice]

sometimes it actually makes me so sad that people seem to have forgotten Mystery Men

Apparently it only has like a sixty-something on rotten tomatoes?? HOW? That flick is goddamn hilarious 

Also all the costumes and sets are incredible, which I didn’t even realize when watching it as a kid bc our DVD wasn’t very high def but now that we have a better quality copy hot damn

Fuckin. Janeane Garofalo. Eddie Izzard. William H Macy, Ben Stiller, Hank Azaria, Tom Waits, Paul Reubens, Kel Mitchell, Geoffrey Rush, Greg Kinnear?  All in top form???

Superhero decon/reconstruction, before that was a Big Thing, with a bunch of wannabe heroes who are shitty at it and a popular and successful hero who wears the patches of his various corporate sponsors on his super-suit and intentionally lets a super-villain out of the asylum so he has someone to fight to keep his deals? 

the guy whose superpower is that he gets really mad, but it doesn’t give him super strength or anything, he just gets really mad?

I love this goddamn movie you guys

[ghostflowerdreams]

Audio Drama Recommendations, Pt. III

Click here for part one and here for part two. Recently, I've been drawing a lot, which gives me plenty of time to listen to audio dramas and podcasts. These are the ones I liked the most and found entertaining enough to recommend to others. This is not in any particular order, either.

The Green Horizon – is a sci-fi comedy drama created and written by Paul Walsh. It is sponsored by Faustian Nonsense, an indie entertainment network. It currently has three seasons, with each episode being about 20 - 30 minutes long, but later on it increases to 30 - 40 minutes. A fourth season is said to be coming out soon as well.

It is set in the year 2261, and it focuses on a ne'er-do-well Irish space captain and his rag-tag crew, as they traverse a war-torn Galaxy in search of fame and fortune. [ONGOING]

It was a little chaotic and rough at the beginning, but it does smooth out and become more polished. I can definitely tell that they up their game with the improved sound effects and production quality. The voice actors and the writing for the audio drama does an excellent job at bringing their characters to life, which made it very fun to follow along.

If you like Firefly, Red Dwarf, Orville, Cowboy Bepop, and so on then I think you may enjoy this too.

DERELICT – is a sci-fi narrative audio drama from award-winning science fiction author J. Barton Mitchell, and produced by Night Rocket Productions. It currently has one season titled FATHOM, which consist of 10 episodes with each one ranging from 40 mins to an hour, mostly the latter.

Something has been found at the bottom of Earth's ocean. An ancient artifact that can only be described as a giant door, inset into the sea floor. It becomes known as the Vault. A gigantic enigma, buried and forgotten...nineteen thousand feet down.

To study the artifact, the galaxy's most powerful corporation, Maas-Dorian, has built a massive, self-contained, secret laboratory base surrounding it, named FATHOM. It's objective: unlock the secrets of the artifact and discover what it holds.​ But some mysteries should remain buried. And some doors should never be opened... [ONGOING]

DERELICT started as the first project set up as a kickstarter. They produced one episode to entice backers, but then the pandemic happened, and they didn’t raise enough money for the rest of it. Instead, they worked on a prequel season called FATHOM. It's where the story really starts, and I highly suggest you listen to it before listening to "DERELICT E1 - Through the Gate."

I hope they redo the DERELICT's first episode because there's a bit of disconnection from it and FATHOM. For example, Sarah and Agent Blayne already know each other. She mentions it to the others, but the conversation they have with each other doesn’t make it seem that way.

Never mind. I apparently confused this Sarah with the Sarah in FATHOM. Can't blame me for thinking that when I heard the name Sarah and that she was already familiar with Agent Blayne.

Deviser – is a sci-fi horror audio drama created, directed, acted and produced by Harlan Guthrie. The same creator of Malevolent. It's a 7-part limited series, with each episode being about 20 mins long.

Son wakes up aboard a spaceship bound for earth in an effort to recolonize. What he discovers, however, will change everything he knows about his world and himself. [COMPLETED]

It's not for everyone, so please do not ignore the content warnings because there's graphic description of violence, self harm, body horror, gore, animal death/being hurt, and what not.

Victoriocity – is a detective comedy audio drama written by Chris and Jen Sugden, directed by Nathan Peter Grassi and produced by Dominic Hargreaves. It is an entirely independent production. It has two seasons, containing 13 episodes in total, and each one is about 30 to 45 minutes long. There's also a feature-length special and a up-coming third season with the help of a kickstarter.

It is 1887 in Even Greater London, an alternate steampunk Victorian London, where Queen Victoria reigns even after being assassinated eleven times, thanks to the wonders of modern science.

In this vast metropolis, Inspector Archibald Fleet and journalist Clara Entwhistle investigate a murder, only to find themselves at the centre of a conspiracy of impossible proportions. [ONGOING]

It's put together so well, and I see why people say it gives off strong Douglas Adams and Terry Pratchett vibes to it. So if you like their works, then I wouldn't be surprised to hear that you like this too.

Impact Winter – is an apocalyptic vampire audio drama created and written by Travis Beacham (Carnival Row, Pacific Rim). It has two seasons containing 22 episodes in total and each one is about 17 to 30 minutes long.

“They came after the impact and the firestorms. When the sun went dark. Like they’d been there all along. Just waiting.”

In the British countryside, a band of survivors forms a resistance in the fallout shelter of a medieval castle. Darcy is a battle-tested vampire hunter who is at the front line, leading the charge to save humanity. Meanwhile, her younger sister Hope wants life to return to normal so she can go above ground and know what it’s like to live again. And she just might be willing to risk it all. [ONGOING]

It has a stacked cast led by Holliday Grainger (Cinderella, Great Expectations), Esme Creed-Miles (Hanna, The Legend of Vox Machina), Liam Cunningham (Games of Thrones, Hunger), Himesh Patel (Station Eleven, Tenet), David Gyasi (Interstellar, Carnival Row), Caroline Ford (Carnival Row, Nekrotronic), Chloe Pirrie (Emma, Carnival Row), and Bella Ramsey (Games of Thrones, The Last of Us).

This reminded me a lot of the film 30 Days of Nights (2007) with a little bit of Reign of Fire (2002), which were both fun films to watch. I think if you like those two, especially the former, you'll enjoy this or at least be entertained by it.

A Voice From Darkness – is a scripted paranormal horror audio drama. It is written and produced by Jac Rhys. It currently has two seasons, containing 20 episodes in total and each one is about 20 to 30 minutes long. It also has 7 bonus voicemail episodes and 15 Patreon exclusive episodes which are longer than the main episodes. A third season in the works as well.

Join parapsychologist and radio broadcaster Dr. Malcolm Ryder as he helps those who suffer the supernatural, paranormal or otherworldly problems on his call-in radio show. It is also interspersed with segments, one of which is called 'Today In Odd America' that delves into the origins of a holiday, local traditions, and history. [ONGOING]

If you like Welcome To Night Vale then I think you'll like this too. A Voice From Darkness is a bit more serious and not as long-drawn as Night Vale was, with a perfect mix of storytelling and lore. It also reminds me a bit of The Magnus Archive too.

How i Died – is a mystery audio drama that brings a "new twist on the true crime genre." It is an Audiohm Media original production, co-starring Vince Dajani as Jon Spacer and Shaina Waring as Sheriff Fran Crowley. It currently has three seasons with 39 episodes in total, not including bonus episodes. Each episode is usually about 20 mins, give or take a few minutes.

Bodies are piling up in the strange town of Springfield, and forensic pathologist Jonathan Spacer intends to find out why. But, Jon isn’t without his own secrets… He can talk to the dead, for starters. [ONGOING]

Ooo, a character that can speak to the dead? It's always so interesting to see what they'll do with their ability and where the creators take them. This has been entertaining, but at times I do think they can do better in developing their characters a bit more. For example, I can count on one hand the number of times Crowley doesn't get angry. Though to be fair, Jon isn't an immediately likable character, but that does change the further you go...sorta.

The Amelia Project – is a comedy fiction audio drama created, written, directed, produced and edited by Philip Thorne and Øystein Ulsberg Brager for Imploding Fictions and The Fable and Folly Network. It currently has four seasons, with a fifth one on the way. There's about 72 episodes, not including prologue, special, and BTS episodes which would up the total to 122. Each episode also varies in length from 20 to 45 minutes long.

The Amelia Project is a secret agency that fakes its clients' deaths, then lets them reappear with a brand-new identity. A black comedy full of secrets, twists... and cocoa. The series starts as a succession of interviews with clients who want to fake their deaths, then slowly a larger narrative begins to emerge... Each episode tells its own story, but we recommend starting with Season 1. [ONGOING]

It was fun to listen to while I was drawing or washing the dishes. I could also follow along without becoming too distracted by it, either. I was worried it would be one of those that take a while to get to the main overall story, but thankfully it did not. It will definitely keep you entertained and interested to know what will happen next.

Community Cat News – is a neighborhood news show done from the perspective of cats. There's currently 13 episodes so far and each one varies from 5 to 12 minutes long.

Local News: The human is opening the fridge! Will we get a taste?

Foreign Affairs: What are those squirrels up to now?

Traffic: WHY is the bathroom door shut again?

Every episode is sponsored by Meow Meow Puffytail, Feline Rights Attorney, who is ready to sue your human for even the slightest inconvenience. [ONGONG]

It's cute, light-hearted, and funny. I didn't expect to enjoy this as much as I did. It even uplifted my mood without me realizing I was feeling low.