#mischa: fuck the monarchy

[moonmoonthecrabking]

some content for the mischa constance ricky trio that i am the target demographic for.

the three of them are chilling and mischa mentions that he’s never seen a marvel movie. ricky uses an aac system to say “what no that changes TONIGHT” so the three of them have a sleepover (ocean noel and penny are already having an art sleepover btw their viewpoints are ocean doesn’t like violence or swearing or enjoyment noel has a bet going with ricky i’ll flesh out later and ricky showed penny the avengers 2012 and she kissed him and said “never show me that bullshit again”).

so they head over to constance’s after school, stack up on pillows and ask constance’s parents to please keep her baby brother out of the area. they love him but they don’t think he should be watching.”

halfway through iron man 2 mischa says “eyo rdj is hot but this iron man is weak ass bitch”

constance and ricky throw popcorn at him.

at thor he goes “ME”. and supplies the others with alcohol (constance “where did you get this” mischa “it’s called being good guest”)

you know that scene with peggy and steve in captain america in uniform and they look really hot??? mischa “i want both of them to kiss me now.” *pause of realisation* constance “i’ll drink to that” ricky lifts up his bottle and they drink in unison.

at the avengers. ricky starts chanting with his aac system “LOKI LOKI LOKI LOKI” and the other two join in. mischa is. deeply troubled when hawkeye gets mind controlled though because he is the choir member most likely to be a hawkeye and jeremy renner stan. argue with the wall.

and then they have shawarma and go to bed as thor the dark world plays in the background. mischa “this is shit” constance and ricky (using an aac system ofc) “we KNOW”. and then constance wakes up and jams to guardians of the galaxy. ricky has some strange intuition where he wakes up. whenever the winter soldier is on screen. mischa sleeps like a rock but all the movie dialogue becomes the dialogue of his dreams. he plays cap at several points in his head. he calls it “top ten least anxiety dream sequence of all time”.

[please-help-this-little-lesbian]

What the gang plus my OCs are dressing up as for Halloween

Enid: Sexy Queen Liz cause fuck the monarchy

Ron and Carl: Ron conned him into being the Mischa to his Noel.

Lydia: As this is her first Halloween and she’s a little overwhelmed, she’s going as Margot from The War Outside

Henry: A ghost from the anti-hero music video

Judith: I feel like she’s a Percy Jackson kid so she’s being Annabeth

My OCs:

Jeanette: Esther Diana to go with Enid’s Liz

Hillary: Quinn Hannah Montana and she gets Tina to go as Miley

Lupe: She likes really niche theatre costumes so she’s being Constance bc she’s her favorite RTC character

[theunnamedblog-blog1]

The Unnamed, the comic, more panels and more text.

Continuing with this serie, here is the second page.

Finally the two characters are revealed: Monsieur Loup and his son Jean-Baptiste. The latter is not really that important and serves more as a vehicle/prop to introduce his father. I imagined an unlikeable, insincere and pompous character hence the terrible name. Monsieur Loup on the other hand is one of the keyfigures in “The Unnamed“ and many of the following events will involve him at some point. As you can tell from his uniform, he is a policeman, more specifically the commissioner or “commissaire“ of the local police force. Perhaps, not so visible is that he is a HUGE bloke and a former savate champion. In case you are unfamiliar, savate is a martial art, perhaps better known as French boxing. What I like about Monsieur Loup is that he is a man of strong principals, a strict officer who holds the priniples of the republic in the highest regard but that will be further explained once the dialogues are being examined. But now the art.

Joel has nicely paid attention to the body language. If you pay attention, you will notice that Jean-Baptiste, really a gruesome name, is behaving a bit stiff. He is keeping his back straight, he won’t sit down or even drink from his cognac. Monsieur Loup on the other hand seems to be enjoying the cognac in panel 1 and himself in panel 2. Once the living room is revealed in panel 3, it should be clear that the characters are in Monsieur Loup’s living room, not Jean-Baptiste’s. In panel 4, we get a better look at Monsieur Loup and no, Joel did not make a mistake, that is a glass eye and it actually serves two purposes. The first purpose is design. It is to prevent Monsieur Loup from looking all cuddly and teddybear-y. He is after all a former savate fighter and a big scary man. The second has to do with the theme of “The Unnamed“: knowledge is power. An idea that was inspired by several hot topics at the time that have remained current: social media gathering data, digital trails, espionage scandals and the ongoing war in cyberspace. I merely translated all that into a supernatural detective story in 19th century. But back to Monsieur Loup. He is not just a big scary man, he is also the alpha male in this story; the biggest, the scariest, the most powerful human being in the story. The man who knows the most of everything and everybody. In fact, his very name serves as a clue. People familiar with post-WWII history will surely know the name of Markus “Mischa“ Wolf, the master spy and one of the keyfigures of the East-German secret service the Stasi. The glass eye of Monsieur Loup is a reference to Norse mythology where it was said that Odin gave up one eye to drink from the well of wisdom. Oh dear, all those words and I still haven’t talked about the dialogue. Here goes in a nutshell: the history of France after the French revolution was tumultuous to say the least: the terrorreign of Robespierre, the rise and fall of Napoleon Bonaparte, the first republic, the rise of Emperor Napoleon III, a devastating loss of the Franco-German war, the consequent fall of Napoleon III and much more. When Monsieur Loup is talking about the Republic and the monarchy, he is referring to the constitutional crisis in 1877 which was only resolved in 1879 when the feud between republicans and royalists was resolved in favour of the first.  For an overview, I ask you to consult Wikipedia. Anyway, the dialogues in panels 1 and 2 are supposed to tell the reader more about Monsieur Loup’s ideals and where he stands politically.

Anyway, after that, it is back to business. Jean-Baptiste, THAT NAME, wants to know more about one of the cases of his father, the Axe Killers. Which is totally a stupid name, see panel 4. In panel 5, Jean-Baptiste, THAT F**KIN’ NAME, insists that Monsieur Loup let him speak to the officers. Now, there was supposed to be a sixth panel which Joel forgot to draw where Monsieur Loup freeses up mid-sentence, sensing the presence of Hecate (more about her later). Not that it really matters as we will see on page 3. Holy fuck, did I write all that?