#mimodrama

[lesewut]

A small little book from the art exhibition in Berlin, Reinickendorf in 1984 "Circus, Clowns and Mime." with several sketching of W. M. Busch, published by Dr. Pfefferkorn. Until the 1940s Busch was a part of the art scene of Berlin. Like other artists, he was inspired by the grotesque and shiny world of circus. Especially the figure of the clown seems to fascinate, because of its funtional perfomance in the whole circus world.

What magical attraction! From young to old, a huge bowl of people! The cheering crowd, heads looking down and sometimes up. Mouths that laugh and scream. Spotlights that seem to shine into the soul. Everything rolls and moves, the air is conquered acrobatically and grown-ups become children, they were perhaps never allowed to be.

In the gaps, the clown steps into the spotlight, this often misunderstood entity, the own performance between the shows, the circus interface, bridging the shows for coherency. Music! Roasted Almonds! Where are the elephants?

[burlveneer-music]

Aksak Maboul - Une aventure de VV (Songspiel) (Made to Measure Vol. 48)

In the wake of their acclaimed comeback album 'Figures' (2020), Aksak Maboul took a playful sideways step to create this total work, a 63-minute, continuous suite of fifteen pieces, which could be described as an experimental audio play. The thread running through 'Une aventure de VV (Songspiel)' is Véronique Vincent’s text, an enigmatic philosophical-poetical tale unfolding through monologues and dialogues, spoken and sung by a series of characters, played by Alig Fodder, Laetitia Sadier, Audrey & Benjamin from Aquaserge, Don The Tiger, Blaine L. Reininger, and the members of Aksak Maboul’s current live band: Faustine Hollander, Lucien Fraipont & Erik Heestermans. The music was written & arranged by Marc Hollander and features his characteristic genre-hopping tendencies: strands of electronica, pop, jazz, collage, techno, ambient, improv, krautrock, contemporary classical & systems music are merrily woven together, in the inimitable Aksak Maboul style. The album’s subtitle, 'Songspiel', highlights its theatrical/musical aspect: the work pays oblique homage to the those experimental radio plays that once emerged from the creative workshops of the BBC, the RTF and the RAI, and especially to those German Hörspiels which, at their best, might combine spoken word, instrumental or electronic music, songs and sonic research. Une aventure de VV also modestly alludes to certain stage works written by adventurous composers during the first half of the 20th century, which embraced singing, spoken dialogues and elements inspired by popular music. Those composers sometimes invented genre names to describe their pieces: fantaisie lyrique, mimodrama, or... songspiel).

[elkedageenwoord]

mi·mo·dra·ma

1. alleen door gebaren uitgebeeld toneelstuk

[justforbooks]

Marcel Marceau was born on March, 22 1923. He was a French actor and mime artist most famous for his stage persona, "Bip the Clown". He referred to mime as the "art of silence" and he performed professionally worldwide for over 60 years. As a Jewish youth, he lived in hiding and worked with the French Resistance during most of World War II, giving his first major performance to 3,000 troops after the liberation of Paris in August 1944. Following the war, he studied dramatic art and mime in Paris.

In 1959, he established his own pantomime school in Paris, and subsequently set up the Marceau Foundation to promote the art in the U.S. Among his various awards and honors he was made "Grand Officier de la Légion d'Honneur" (1998) and was awarded the National Order of Merit (1998) in France. He won the Emmy Award for his work on television, was elected member of the Academy of Fine Arts in Berlin and was declared a "National treasure" in Japan. He was friends with Michael Jackson for nearly 20 years and Jackson said he used some of Marceau's techniques in his own dance steps.

Marceau performed all over the world in order to spread the "art of silence" (L'art du silence). It was the intellectual minority who knew of him until he first toured the United States in 1955 and 1956, close on the heels of his North American debut at the Stratford Festival of Canada. After his opening engagement at the Phoenix Theater in New York, which received rave reviews, he moved to the larger Barrymore Theater to accommodate the public demand. This first U.S. tour ended with a record-breaking return to standing-room-only crowds in San Francisco, Chicago, Washington, D.C., Philadelphia, Los Angeles, and other major cities. His extensive transcontinental tours included South America, Africa, Australia, China, Japan, South East Asia, Taiwan, Russia, and Europe. His last world tour covered the United States in 2004, and returned to Europe in 2005 and Australia in 2006. He was one of the world's most renowned mimes. Marceau's art became familiar to millions through his many television appearances. His first television performance as a star performer on the Max Liebman, Mike Douglas and Dinah Shore, and he also had his own one-man show entitled "Meet Marcel Marceau". He teamed with Red Skelton in three concerts of pantomimes.

Marceau also showed his versatility in motion pictures such as Professor Ping in Barbarella (1968); First Class (1970), in which he played 17 roles; Shanks (1974), where he combined his silent art, playing a deaf and mute puppeteer, and his speaking talent, as a mad scientist; and a cameo as himself in Mel Brooks Silent Movie (1976), in which, with intentional irony, his character has the only audible speaking part, uttering the single word "Non!" when Brooks asks him (via intertitle) if he would participate in the film. His last film appearances included small roles in Klaus Kinski's Paganini (1989) and Joseph's Gift (1998). He also had a role in a low-budget film roughly based on his life story called Paint It White. The film was never completed because another actor in the movie, a lifelong friend with whom he had attended school, died halfway through filming.

As an author, Marceau published two books for children, the Marcel Marceau Alphabet Book and the Marcel Marceau Counting Book, and poetry and illustrations, including La ballade de Paris et du Monde (The Ballad of Paris and of the World), an art book which he wrote in 1966, and The Story of Bip, written and illustrated by Marceau and published by Harper and Row. In 1974, he posed for artist Kenneth Hari and worked on paintings and drawings that resulted in a book, and the art work in many museum collections. In 1982, Le Troisième Œil, (The Third Eye), his collection of ten original lithographs, was published in Paris with an accompanying text by Marceau. Belfond of Paris published Pimporello in 1987. In 2001, a new photo book for children titled Bip in a Book, published by Stewart, Tabori & Chang, appeared in the bookstores in the U.S., France and Australia.

In 1969, Marcel Marceau opened his first school, École Internationale de Mime, in the Théàtre de la Musique in Paris. The school was open for two years with fencing, acrobatics, ballet and five teachers of Mime.

In 1978, Marceau established his own school, École Internationale de Mimodrame de Paris, Marcel Marceau (International School of Mimodrame of Paris, Marcel Marceau). In 1996, he established the Marceau Foundation to promote mime in the United States.

In 1995, pop megastar Michael Jackson, who had been friends with Marceau for nearly 20 years, planned a concert together with him for HBO, but the concert was cancelled after Jackson was hospitalised for exhaustion during rehearsals. Jackson, during an interview, said that he had always been "in awe" at Marceau's skill as a performer:

He was a great guy. I used to go see Marcel Marceau all of the time, before Off the Wall. I used to sneak in and sit in the audience and watch how he would defy the laws of gravity, like he was stepping on air. I would take some of those things and include it into rhythm and dance when I move.

In 2000, Marceau brought his full mime company to New York City for presentation of his new mimodrama, The Bowler Hat, previously seen in Paris, London, Tokyo, Taipei, Caracas, Santo Domingo, Valencia (Venezuela) and Munich. From 1999, when Marceau returned with his classic solo show to New York and San Francisco after 15-year absences for critically acclaimed sold-out runs, his career in America enjoyed a remarkable renaissance with strong appeal to a third generation. He latterly appeared to overwhelming acclaim for extended engagements at such legendary American theaters as The Ford's Theatre in Washington, D.C., the American Repertory Theater in Cambridge, Massachusetts, and the Geffen Playhouse in Los Angeles, demonstrating the timeless appeal of the work and the mastery of this unique artist.

Marceau's new full company production Les Contes Fantastiques (Fantasy Tales) opened to great acclaim at the Théâtre Antoine in Paris.

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[continuo-docs]

Óscar Domínguez – Jamais, sculpture, 1938 From the 'Jamais, Óscar Domínguez & Pablo Picasso' exhibition at Museu Picasso de Barcelona, Spain, July 15 – November 8, 2020 http://www.bcn.cat/museupicasso/en/exhibitions/jamais-oscar-dominguez-pablo-picasso.html

'Jamais' [Never] is a Pathé 78 rpm phonograph player repurposed into an auto-erotic machine by Spanish Surrealist artist Óscar Domínguez (1906–1957). Featuring unspecified feminine curvatures (bosom or buttocks), the platter is rotating but the machine doesn't actually produce sound. It was considered lost since 1938 and is currently shown in Barcelona for the first time in 82 years.

The piece was included in the legendary International Surrealist Exhibition at Galerie des Beaux-Arts in Paris in 1938, along with works by Dali, Ernst, Man Ray, Picasso and Duchamp's 1,200 coal sacks hanging from the ceiling. During the opening night, dancer Hélène Vanel performed a frenzied dance inspired by (what else?) French neurologist Charcot's studies on female hysteria. Here's Salvador Dali reminiscing about her performance back in 1973:

'[Hélène Vanel] jetted from the wings like a tornado in an unbelievable movement that induced a demential delirium within all in attendance. She created a total uproar with her violent entrance, lunging up onto the bed, holding at arm's length a live rooster which cackled in terror. She herself began screaming in hysterical mimodrama as she rolled and contorted herself on the bed. She jumped up and down before throwing herself into the pond surrounded by reeds that we had set up in the middle of the room.'

In recent years, Museu Picasso director Emmanuel Guigon finally tracked down and unearthed Óscar Domínguez' masterpiece as well as rare photos by Nick de Morgoli from 1947. In fact, Domínguez offered 'Jamais' to Pablo Picasso in 1945 and the sculpture has been languishing since in a warehouse in the outskirts of Paris. For this exhibition, the sculpture has been restored by the Museu Picasso in Barcelona, but I understand it still belongs to the Musée Picasso in Paris and will eventually return there – and hopefully not to be stored away in some warehouse, this time.

In an interview with El País journal last July 2020, Guigon mentioned there were more lost treasures to discover from the 1938 exhibition, including, he believes, rare photos of the opening night.

[note by L.F. after El País article and internet sources]

[maximumslogandensity]

I had decided to make a speech at this exhibit, but from inside a deep-sea diver's suit, to symbolize the subconscious. I was put into the outfit, even including the leaden shoes that nailed me to the spot. I had to be carried up to the stage. Then the helmet was screwed and bolted on. I started my speech behind the glass facepiece in front of a microphone which of course picked up nothing. But my facial expressions fascinated the audience. Soon they saw me open-mouthed, apoplectic, then turning blue, my eyes revulsed. No one had thought of connecting me to an air supply and I was yelling out that I was asphyxiating. The specialist who had put the suit on me was nowhere to be found. I gesticulated in such a way as to make friends understand that the situation was becoming critical. One of them grabbed a pair of scissors and tried in vain to cut a vent in the fabric, another tried to unscrew the helmet and, when that did not work, started banging at the bolts with a hammer. My head pounded like a ringing bell and my eyes teared with pain. I was being pulled and pushed every which way. Two men were trying to force the mask off, while a third kept striking blows that knocked me out. The stage had turned into a melee from which I emerged as a disjointed puppet in my copper helmet that resounded like a gong. At this, the crowd went wild with applause before the total success of the Dalinian mimodrama which in its eyes was a representation of the conscious trying to apprehend the subconscious. I almost died of this triumph. When finally they got the helmet off I was as pale as Jesus coming out of the desert after the forty-day fast.

Dali, How One Becomes Dali

25/9/20

[astrawberrieslover]

Hola ;w;, hoy vine con ánimos a mostrarles mi diseño de mi bello estado abdbsb, ya que he visto que no suelen dibujarlo, pero es normal ya que no suelen haber cosas interesantes aquí. owo

¡Guanajuato!

Aviso que yo a Guanajuato lo veo como vato uwu

Pequeños datos owo:

Guanajuato es un estado que siente cierta admiración por los países extranjeros, principalmente los países europeos y asiáticos. Por esa razón nació lo que se le conoce como el Festival Internacional Cervantino (FIC), llevándose a cabo hace 46 años (nunca me ha tocado ir al evento, pero mi mamá dice que es algo súper bonito, espero este año poder ir ajfjsjj).

Se tiene entendido que Guanajuato tiene una buena amistad con Japón, ya que éste ha apoyado bastante en el municipio de León (ya hasta cuando entras ves los letreros de «bienvenido» y de lo lugares en español, inglés y japonés abdb).

Se podría decir que Guanajuato tiene una fascinación por el mimodrama (los mimos en Guanajuato suelen aparecer más cuando es el FIC, pero de que hay, hay).

Guanajuato es un estado que suele gustarle mucho la cultura; aparte de que disfruta de la historia (ya que tiene un chingo de museos, exhibiciones, lugares turísticos, etc, alv).

Hay que dar a conocer que a Guanajuato le gustan las fresas (y no lo digo yo, lo dice la historia¿), y todo fue gracias a que Irapuato le dio a probar de estas, definiendo así el vestuario folclórico de la mujer (nO LO BUSQUEN, ESTÁ MUY FEO —llorar—). He ahí la razón de su "paliacate" tan llamativo.

Bueno, en sí sería como información básica, aunque siento que me faltan varias cositas. ;u;

También informo que tooodo sobre Guanajuato me basé más en el municipio y al mismo tiempo capital (Guanajuato, Guanajuato), sólo quise recalcar, por si hay dudas.¿

Relaciones de Guanajuato

Guanajuato en la época colonial española, era muy conocido y de igual forma sociable con todo aquel que se le cruzara. Con el paso del tiempo, fue perdiendo aquella "popularidad" que antes tenía ya que ciertos comercios ya se habían dado; por lo que terminó adquiriendo una personalidad un tanto distante a tal punto de ya casi no hablar con nadie o que le cueste hablar.

Él se considera como un estado para nada interesante y sin mucho que brindar para México, cuando en realidad es todo lo contrario.

Gracias a su invisibilidad, ha logrado obtener el don de chismear, jAJAJA.

Datos sobre sus relaciones owo:

Querétaro: Uno de los principales estados que está cerca de Guanajuato, ambos tienen un parque industrial importante para ambos. Como Querétaro en ocasiones suele ser agresiva cuando le interrumpen en algo importante, Guanajuato suele sentirse incómodo ya que siente que le causa "problemas", cuando ella es así con todos. Por lo tanto, su relación se define de sólo negocios. (Diseño de @aphmexicoask , lAMENTO USARLA SIN PERMISO, ES QUÉ ESTÁ HERMOSA Y ME ENCANTÓ YYY TAMBIÉN LAMENTO SI LE CAMBIÉ EN ALGO EN SU PERSONALIDAD YYY ABDBDBJS ;w; —apenarse—)

Jalisco: Otro estado con el cual mantiene poca conversación; Jalisco suele ser el que inicia las pedas, y siempre busca invitar a Guanajuato, aunque éste último las termina rechazando al ver el monton de gente que suele querer participar o porque simplemente no le apetece. Anteriormente tenían una muy buena amistad, ya que ambos solían meterse en líos (cOMO LA GUERRA CRISTERA-) y tenían las mismas actividades económicas (minería, agricultura, turismo... Las siguen teniendo, pero Guanajuato ya ni sabe, ah). Guanajuato terminó por alejarse de Jal (no, no porque se volvió gei, ni porque le gusta, nO), puesto que miró el cómo comenzó a socializar y se sentía como una piedra en el zapato para éste, y así se fue a la basura aquella bonita amistad. (Jal sigue pensando que son muy buenos amigos, aAH- Diseño de @kirbtrxsh ESTÁ BIEN HERMOSO, LAMENTO NO PEDIR PERMISO, AH-).

Michoacán: Ambos son inseparables tanto así que se visitan mutuamente todos los días (a excepción de los días laborables súper pesados). Se cuentan de todo, pero una que otra vez se guardan ciertas cosas. (Diseño: @kirbtrxsh oTRA VEZ TOMÉ UNO DE SUS DISEÑOS HERMOSOS, AAH, he de decir que con Michoacán me sentí como una diseñadora al momento de estar dibujando jajdhsj).

Chiapas: Es una de las mejores amigas de Guanajuato, con ella cuenta de todo y viceversa. Se cuentan anécdotas, comparten gastronomía, entre muchas cosas que Guanajuato comparte también con Michoacán. Ambos ocultan un chingo de cosas que nadie más que ellos lo saben, por lo que de vez en cuando actuan de alguna forma "rara" que terminó llamando la atención de todos los estados, puesto que estos antes casi ni se hablaban.

A los del Norte no los conoce muy bien, aún así no sería capaz de poder hablar con ellos porque les tiene miedo. x'D

Usualmente se la pasa más en el Sur (aquí incluyo a los estados centrales), pero de cualquier forma no habla con nadie.

Bueno, he de recalcar que aún no tengo el diseño para Chiapas, ah; sé que ya los tiene, pero estoy esperando a que una amiga mía lo haga (aparte de que me está ayudando con otras cosillas relacionadas con los countryhumans abbd) y eso. OwO

Hubiera colocado más dibujitos, pero mi tiempo es muy limitado a causa de mis deberes (mALDITAS VACACIONES, AH-), aparte de que suelo tardarme en hacer dibujos a digital. ;u;

En fin, si tienen preguntas, o les gustaría comentar algo, o si llegué a equivocarme en algún dato, no duden en decirme. Tengo el ask abierto, o pueden decirme a través de los comentarios. :'D

Espero no haberles quitado la vista por mis dibujos feos. ;u;

[🍓]

[luisbaezaphoto]

El Carrillón Medieval Mimodrama para niños Fecha: Domingos 12:30 p.m. Lugar: Foro ISEM. Padre Mier #516 Pte. Centro de Monterrey Boletos en taquilla. Cía. Mimosqueteros | Dirección: Daniel Ontiveros | Actuaciones de: Aglaee Hernández, Marysol Cantú, Olaf Romá, David Arand, Carlos Flores y Daniel Ontiveros. (at Foro ISEM) https://www.instagram.com/p/BwtEfYzHkoa/?utm_source=ig_tumblr_share&igshid=u4lrgcf7mio3

[theplaygroundweb03-blog]

The Top Ten Acting Schools

Acting, like any other craft, is two parts natural talent and one part education. Searching for just the right school can take some time and dependent upon what you want to learn, is also a subjective thing. Among those "to die for" drama, music and art schools, there are some which clearly and consistently outperform the others when it comes to putting out famous personalities.

Clearly belonging in the top ten acting schools are the following:

1. Julliard School. Located in the heart of New York City, attending Julliard is a dream for those who want to perform in theatre, dance or music. The criteria for admission to Julliard are a great deal more stringent than many other schools. Audition is required prior to entry and each year thereafter to remain with the program. Of more than 2000 applicants each year, they select about 8.

2. Yale University. An internationally recognized arena for visual and performing arts and the possessor of world acclaimed Schools of Art, Drama, and Music. Distinguished former students of Yale include Paul Newman, Meryl Streep, John Turturro, and Sigourney Weaver.

3. NYU Tisch School of the Arts. Founded in 1965 as a conservatory, Tisch quickly established itself as one of the leading arts schools in the country, shortly creating other departments that included dance, theatre design and lighting, and cinema studies.

4. Carnegie-Mellon. Located in Pittsburgh Pennsylvania, Carnegie Mellon Drama has a long history of the very best in theatre and production classes. Featuring a pre-college drama program, it affords student a chance to take part in a professional training program prior to college, with three options available to them. Those of Acting, Musical Theater, or Design and Technical productions. The program puts its emphasis on creativity, craft and discipline.

5. The Academy of Arts University. Founded in San Francisco in 1929, belongs to the lists of distinguished schools for theater and performing arts. Featuring classes in Motion Pictures and television, as well as Animation and Visual Effects, it is also one of the first Universities for the arts, which host an online, distance-learning program.

6. New York Academy for Acting and Film. Located in the heart of New York near Broadway, does in fact see many of its students work under the lights of Broadway. The schools claim to greatness is their penchant for realism. Not only do they teach acting, but also how to succeed and how to handle the pressures of attempting to become an actor in a city where employment is difficult to attain.

7. The American Academy of Dramatic Arts. The Admission criteria of this school are highly selective. Each prospective student is evaluated based on dramatic ability or potential and readiness, in terms of maturity and motivation, to benefit from the school. The second year at the academy is by invitation only.

8. Marcel Marceau Paris International School of Mimodrama. Is one of the few schools offering courses about Theatrical mime. It opened in 1979, and since it's opening has garnered students from nearly every country in the world. The students are chosen by an audition process and then begin a two year course of learning which is multi-disciplined in content.

9. UCLA School of Theater, Film, and Television. Located in Los Angeles California, the entertainment capital of the world, it draws on leaders of the industry for instruction. UCLA School of Theater holds the distinction of being the only university in the country where the studies of live theater, film, television, is integrated with that of digital media manipulation within one single teaching arena.

10. Acting School of South Florida. The school is famous for placing emphasis on acting training given to aspiring actors to prepare them for the real job. Most teachers here are former actors that have decided to share their talents and experience to those who would like to act.

When choosing a school of the performing arts, we should bear in mind that some of those we apply to will be filled, or will deny our application. Probably the best way to apply will be to choose one or Best Acting School in Los Angeles  two of those you don't feel you will be accepted to, but would love to attend. When the acceptance letters come in, based on what your choices are, make a decision.

[ni-puta-idea-a]

la mímica de la vida descansa en cualquier asiento, por desvencijado que esté/ the mimicry of life rests in any seat, no matter how rickety it is #elartedelsilencio #artofsilence #mummer #mime #mimodrama #mimo #mimicry #mime #timehop _#igblacknwhite #igblacknwhite #igbnw _#pabgus — view on Instagram https://ift.tt/3alxbs3

[hildaguerra]

UNIVERSIDAD MARIANO GALVEZ DE GUATEMALA

FACULTAD DE HUMANIDADES

ESCUELA DE EDUCACION

LICENCIATURA EN COMUNICACIÓN Y LENGUAJE

 CURSO: DESARROLLO DE LA COMPETENCIA LINGÜÍSTICA

 Lic. CLAUDIA ARGENTINA RODRIGUEZ MURALLES

    TITULO DEL TRABAJO: “GLOSARIO”

                                                     HILDA VERONICA GUERRA GARCIA

                                              CARNE No. 9612-14-22255

                                              FECHA DE ENTREGA DE TAREA: 31-10-2020

    GLOSARIO

  1.    Acepción: cada uno de los significados diferentes de una palabra.

2.    Alveolar: Sonido y letra que se articula entre la punta de la lengua y los alveolos superiores

3.    Apical: Consonante en cuya articulación interviene el ápice de la lengua

4.    Apócope: Supresión de sonidos al final de una palabra

5.    Arbitrariedad lingüística: Relación entre significado y significante.

6.    Coeternidad es la condición a través de la cual dos o más sujetos u objetos tienen la misma edad, o que, cumpliendo o no la premisa anterior, coinciden en una misma época.

7.    Decodificación: Aplicar las reglas adecuadas a un mensaje, que ha sido emitido en un sistema de signos determinado, para entenderlo.

8.    Desaprender: Desestimar lo que no sirve.

9.    Enigma: Dicho o cosa que tiene un significado o un sentido oculto y que es difícil de comprender o interpretar.

10.  Filogenia: Estudia la evolución histórica de una lengua.

11.  Filología: Ciencia que estudia los textos escritos y, en ellos, la estructura y la evolución de una lengua y su desarrollo histórico y literario, así como la literatura y la cultura del pueblo o grupo de pueblos que los han producido.

12.  Homogéneo: Que es igual para los diversos elementos que forman un determinado grupo o conjunto.

13.  Indagar: Llegar  al conocimiento de una cosa, reflexionando sobre ella por medio de conjetura y pruebas.

14.  Inflexión; Cambio de fono y acento

15.  Léxico: es el conjunto de palabras que conforma un determinado lecto y, por extensión, también se denomina así a los diccionarios que los recoge.

16.  Mentelex: Trabajar creando herramientas para mejorar la lectura y la comprensión lectora en niños con dislexia autismo.

17.  Meta comprensión: Capacidad de monitorizar el grado de comprensión lectora

18.  Metacognisición: capacidad de autorregular los procesos de aprendizaje. Como tal, involucra un conjunto de operaciones intelectuales.

19.  Ontogenia: Analiza el proceso de la adquisición del lenguaje

20.  Pantomima: subgénero dramático del mimo y el mimodrama que consiste en representar una historia mediante la mímica sin diálogos ni palabras, es decir apoyando la narración con expresiones, gestos o movimientos corporales.

21.  Paradigma: Conjunto de unidades que pueden sustituir a otra en un mismo contexto porque cumplen la misma función.

22.   Pronominal:  verbo que se conjuga con un pronombre personal átono de la serie reflexiva en todas sus formas (me, te, nos, os, se), pronombre que concuerda en género, persona y número con el sujeto, y que carece de función sintáctica

23.  Repertorio Conjunto de dichos o de noticias que una persona tiene memorizados.

24.  Semántica: Parte de la lingüística que estudia el significado de las expresiones lingüísticas.

25.  Semiótica; Ciencia que estudia los diferentes sistemas de signos que permiten la comunicación entre individuos, sus modos de producción, de funcionamiento y de recepción.

26.  Sintagma: Palabra o grupo de palabras que constituyen una unidad sintáctica y que cumplen una función determinada con respecto a otras palabras de la oración.

27.  Tutorizar: dar acompañamiento al proceso de formación

[saintjosephhds]

Un encuentro con María Es la fuente de alegría Santidad para cada día Y la paz toda tu vida Participación de Noveno y Décimo Mimodrama: No con golpes #MariaAuxiliadoraEnSaintJoseph #IamSaintJoseph #LaSantidadTambienParaTi #SalesianosDeCorazon #SomosFamiliaSalesianaHDS (en Panama City, Panama) https://www.instagram.com/p/Bx3oQhoH2h4/?igshid=jkg4l996ik64

[waptug]

Marcel Marceau (1923)

Enjoy some interesting content from our friends at TheFreeDictionary.Com

Marceau was a French actor and mime who gained renown in 1947 with the creation of Bip, a sad, white-faced clown with a tall, battered hat—reminiscent of Charlie Chaplin’s Tramp. Noted for his eloquent, deceptively simple portrayals, he earned worldwide acclaim in the 1950s with his production of the “mimodrama” of Nikolai…

[viviendapropia]

Marcel Marceau (1923)

Marceau was a French actor and mime who gained renown in 1947 with the creation of Bip, a sad, white-faced clown with a tall, battered hat—reminiscent of Charlie Chaplin's Tramp. Noted for his eloquent, deceptively simple portrayals, he earned worldwide acclaim in the 1950s with his production of the "mimodrama" of Nikolai Gogol's Overcoat. In 1978, he founded a school of mimodrama in Paris. How did Marceau's miming help save children from the Nazis during World War II? Discuss Marcel Marceau (1923)

[ultrasillystudentbeardblog-blog]

suggestions On Buying a Wedding Event Dress

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¡Explora tu infinito mundo interior de la mano de Cristóbal Jodorowsky!

  ¿Quién es Cristóbal?

  Nacido en Ciudad de México en 1965, psicomago, psicochamán, metageneálogo, conferencista, actor, escritor, director teatral, cineasta y ante todo un ser humano con un caudaloso camino terapéutico y espiritual a sus espaldas. Cristóbal se formó en la escuela de Mimodrama de Marcel Marceau, en la…