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lackadaisycats · 10 months ago

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I hope you know that literally nobody is going to be able to live up to the standard you, V*v, and Glitch have set and your arrogance and exploitation of your fanbase and connections has screwed millions of creatives out of their dreams because Hollywood is a joke that isn't worth telling and wealthy e-celebs like yourself have claimed the indie scene all to yourselves and moved the goalposts into the stratosphere.

Nope. This isn't a zero sum game. There is not some limited, prescribed number of indie trophy slots that a few studios greedily filled up, blocking everyone else out. That is not how it works. Nothing any other creator is doing - short of personally sending hired goons to your doorstep or stealing your credit cards - is taking anything away from you or preventing your success. In fact if an indie creator can manage to demonstrate that they've got something viable going, it may help to map out a pathway for others.

I think I'm not going to bother trying to address whether or not cartoons in return for support from fans - an entirely voluntary exchange - constitutes exploitation. And I'm living in the Midwest driving a 2007 economy car with 200k+ miles on it, but let's just skip past the assumptions that I'm wealthy and connected too.

Instead, let's get to the weirdly myopic notion that the indie scene is held captive by three studios. Maybe YouTube algorithms or Twitter bubbles are somewhat to blame, but in actuality there are so, so many individual people, friend groups, and small production houses out there making independent animation, I cannot possibly name them all.

Here are some anyway:

Far-Fetched Worthikids Satina | Scumhouse Noodle and Bun Punch Punch Forever Ramshackle Noodle Papajoolia | Pipi Angel Hare | The East Patch Jonni Peppers Salad Fingers Monkey Wrench Studio Heartbreak Felix Colgrave JelloApocalypse Odd1sout (started indie, got picked up by Netflix) Allie Mehner JaidenAnimations Lumi and the Great Big Galaxy Cloudrise | The Worlds Divide Telepurte RubberRoss James Lee ENA Godspeed | Olan Rogers Ollie and Scoops Meat Canyon Port by the Sea Kekeflipnote Boxtown Kevin Temmer Weebl Joel Haver CircleToons Long Gone Gulch Atlas and the Stars Animist Skibidi Toilet A Fox in Space Alex Henderson Talon Toniko Pantoja Sr. Pelo Hullabaloo Kane Pixels (started indie, picked up by A24) Homestar Runner Fennah Gods' School Alan Becker Dungeon Flippers JazLyte Psychicpebbles (started indie, Smiling Friends picked up by AS) Piemations vewn Metal Family Dead Sound chluaid Jacknjellify Betsy Lee | No Evil My Pride Cranbersher GeoExe | Gwain Saga Horatio the Vampire Mech West Playground | Rodrigo Sousa The Brave Locomotive Finchwing (+ many other Warrior Cats animators) Quazies SamBakZa Kamikaze: Trial by Fire

By no means a full list. That's just YouTube, and mostly just English language stuff, and I didn't even get to the multitudes of Warrior Cats animation collabs.

The point is, the indie landscape is vast and populated by creators new and old, making all kinds of animated media from skits, to shows, to ARGs, to films. Audience sizes vary as much as the content, stylistic approaches, subject matter, and budgets do. There are no compliance standards, no gateways to entry, no goalposts. There's not even any preset definition of success except what you decide for yourself.

Anyway, instead of nurturing your resentments, consider making something. I assure you, it's a far more rewarding use of your time and energy, and pretty much no one can stop you. ------------- EDIT- Made some additions to the list based on comments. Thanks!

#lackadaisy #lackadaisycats #animation #indie animation #this is not a list of moral endorsements #please don't come at me with your internet dramas

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sophaeros · 5 months ago

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i dont think either of them are boat shoes bc the hallmark of boat shoes is their 360 degree lacing system (see below) which as far as i can tell is absent from both those low cut shoes miles has

(x)

the one without a buckle is most likely a loafer bc of the heel construction/shape

(x)

ok now that im looking up photos again the one with a buckle might actually be a moccasin bc if i zoom in and squint really hard the toe detail appears to be a moc toe so yeah ok it's neither loafers nor boat shoes but a secret third, infuriating option

but also im far from an expert on men's fashion so i could very well be wrong i had to read so many articles puzzling this out i really might post on reddit or something asking someone to help me figure out some of their shoes kms

now why the fuck is miles making me play spot the difference w his fucking shoes

#sophaerostxt #miles kane #shoes #do you think the twitter menswear guy will help me

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lovemkx · 10 months ago

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“Some boss t-shirts on this run… go ask Marley about them.”

Miles Kane via twitter - 27.01.2024

#miles kane #PRETTY BOY #PRETTY MODEL

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misskattylashes · 1 year ago

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The Dichotomy of Being a Teenage Alex Turner Fan

In this article I look at why I think so many teenage fans direct so much hate towards Miles.

Look at this image search I did on Alex’s name. First person whose name comes up ‘Miles Kane’, first other person he is in another picture with, Miles...before a puff piece about Louise or Taylor. It’s Miles. There are more results with Miles than anyone else. Whether people like it or not, Miles and Alex are intrinsically linked.

In the words of the big man himself ‘stop and wait a sec’...... imagine Miles was Mila, a constant female companion of Alex’s who he had been close to for nearly twenty years. Had been at his side more than any other woman, had done two duets with him and whilst touring the second one, their performances were so sexually charged you thought any moment soon they were actually going to have sex on stage. What would you think? You would think they were or had been in a romantic relationship. And even though you haven’t seen much of them together over the past few years, Mila constantly talks lovingly about Alex in her interviews, and Alex invites Mila to be the support act for the final days of a very long world tour, and on one of the dates he lets Mila stand side-stage (something his official girlfriend doesn’t get to do) and throughout the set he sings to Mila and can’t stop glancing at her. People would be enamoured with their love story and desperate for them to be together.

So why is it different just because Miles is a guy?

Of course there is the obvious. If Alex is gay, then the teenage fans stand no chance with him, which would be upsetting. But even me, as a creaky old Gen X-er, had gay pop stars who were attractive and sexy – Holly Johnson and Paul Rutherford from Frankie Goes to Hollywood, Andy Bell from Erasure, even Boy George got screamed at, but we accepted they were gay and we didn’t stand a chance and that was it.

Of course, there was no social media then, but did we write hateful letters to them or their partners, or put up posters on street corners saying how disgusting they were? (the 80s equivalent to posting all over Twitter) No.

So why the anger towards Miles?

Unfortunately when I was growing up, homophobia was acceptable. Gay people were constantly the butt of jokes, straight comedians would pretend to be effette just for laughs. At school we even had the reprehensible Section 28, imposed by Thatcher’s government where any mention of homosexuality was banned, even books featuring gay characters, to apparently help prevent us from experimenting and catching AIDS (yes I grew up in the Dark Ages)

But there comes the rub. Because homophobia was acceptable, any negative feelings we had towards our gay pop stars or their partners wasn’t something we felt bad about so we felt no need to pick on anyone as a way of dealing with our own conflicted emotions

Fast forward to 2023. Gay people have rights, can marry, have children, are positively represented in the media, we have Pride, which is on the point of becoming too commercialised, and to be homophobic is to most young people not cool or acceptable.

Those same girls who spew hate towards Miles probably paint rainbows on their pencil cases during Pride, have male gay friends at school and would have a go at anyone who doesn’t support trans rights.

But then there is the fact that the celebrity they desire has a constant male companion, who he has been more publicly intimate with then any of the girlfriends he has had. Scratch beneath the surface and you can spot the differences in them when they fell out after EYCTE -both a shell of their former self. When there was a brief break in Lockdown in the UK, who did Alex choose to meet? Miles. Whether the fangirls consciously or subconsciously think there is something going on, it makes them feel uncomfortable with themselves. The presence of Miles Kane makes them realise they’re not necessarily that right-on girl who is into gay rights, because when they actually think about it, and think about what men do, they don’t like it.

But instead of realising that this is just part of being a grown up – we all have things about ourselves we don’t like, they direct their anger and frustration at Miles, as if he didn’t exist then they wouldn’t be confronted by these unpleasant feelings they have.

So, what I am trying to say is whilst I find the comments about Miles disgusting and cruel, just remember with these girls the person they really hate is themselves, while Miles lives his lovely life with his career and his friends and Alex and Maxie.

I think we know who is the winner here.

#sorry for the long essay #but it had to be said #i actually feel a bit sorry for them #miles is living the life they will never have #this only applies to teens btw #miles kane #alex turner #milex

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ukrfeminism · 2 years ago

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10 minute read

In early January 2012, Karen Ingala Smith was at the airport returning from holiday when she took a call from a colleague. She heard that a desperate young woman who’d sought help from Nia, the women’s refuge charity Ingala Smith runs, had just been murdered. Once back home, Ingala Smith opened her laptop to find out more.

Searching Google for “woman’s body found”, she soon discovered Nia’s client Kirsty Treloar, 20, the mother of a month-old baby who’d been abducted from her family home in Hackney, east London, by her boyfriend, Myles Williams, from whom she’d recently fled. Stabbing Kirsty’s brother and sister as they tried to stop him, Williams bundled her into his car. Later her body was found two miles away, dumped behind a wheelie bin, with 29 knife wounds.

But this online search yielded other results, so Ingala Smith read on. That same day in Co Durham, Susan McGoldrick, along with her sister Alison Turnbull and niece Tanya, were shot dead by her partner, Michael Atherton. Meanwhile in Nuneaton, nightclub bouncer Aaron Mann had beaten his girlfriend, Claire O’Connor, then smothered her with a pillow. The next day in Shropshire, a retired teacher, Betty Yates, 77, was beaten with her walking stick and stabbed to death by a drifter, Stephen Farrow. On January 3 in Buckinghamshire, Marie McGrory was strangled with a dog lead by her husband, John; in South Lanarkshire Kathleen Milward, 87, was bludgeoned to death by her grandson, Garry Kane.

Through her work, Ingala Smith was grimly familiar with such killings. But this deluge of cases appalled her. Eight British women had been murdered by men – all except one a partner or family member – in the first week of 2012. Each brutal murder, illustrated with a smiling holiday snap, was reported as neutrally as the weather: men killing their womenfolk was “just one of those things”.

“Perhaps because it was the start of the year,” says Ingala Smith. “I made a list of the names, as that’s the easiest way to tell one case from another. And then I never stopped.”

She began trawling local newspaper and police websites, creating an ExCel spreadsheet which she’d update as cases came to court.

It was an upsetting task, which Ingala Smith learnt to avoid just before bedtime. Her data collection method was crude but, until this year, the Office for National Statistics (ONS) only published figures for the sex of victims, not their killers, making female victims of male violence hard to quantify. As her list lengthened Ingala Smith created a Counting Dead Women Twitter account, posting each killing. This attracted public attention and a philanthropist who awarded her a grant to hire part-time staff. Now she could analyse murder trends and since 2015 has published the Femicide Census.

But what mattered most to Ingala Smith were women’s names, not numbers. So in 2016 she was delighted when the Labour MP Jess Phillips – who’d previously worked for Women’s Aid – asked to read them out on International Women’s Day. Now this roll call of more than 120 stolen lives, recited to a hushed House of Commons, has become an annual commemoration. “Dead women is a thing we’ve all just accepted as part of our daily lives,” Phillips said last year, when among the names was Sarah Everard. The list not only put male violence in the national spotlight but, says Ingala Smith, “Family after family have said how important it is to hear their loved one’s name read out in parliament, and know it is recorded in Hansard for ever.”

Now Ingala Smith, 54, has written a book, Defending Women’s Spaces, drawing upon more than 30 years of working with vulnerable women who are homeless or fleeing domestic abuse. After witnessing the power of female-only services she is alarmed by moves to make “gender identity” rather than sex the criteria for admission to refuges and rape survivor groups. She points out that 98 per cent of rapes and 90 per cent of violent crime is committed by males. While “What is a woman?” has become a question politicians struggle to answer, Ingala Smith is categoric. “Allowing biological males with transgender identities to access women’s spaces,” she writes, “poses a serious potential risk to women’s safety, wellbeing and recovery.”

Ingala Smith grew up in a home that was far from harmonious: anger and upset were never far away. The man she called Dad was a builder, providing what she describes as “a comfortable working-class home” in Huddersfield, West Yorkshire. But, she says, he was a controlling man: “It felt the whole family, especially my mum, was always walking on eggshells.”

Eventually, when Ingala Smith was 18, her mother left and confided in a friend that Karen had a different father. In fact, she was the product of a fling at 18 with her fiancé’s best man, a Sicilian who’d moved to Yorkshire to marry a local girl he’d met in Milan. While Ingala Smith’s brother and sister were blond, she was dark and, as she grew older, her mother secretly removed photos from the wedding album in case she noticed how similar she looked to a certain guest.

When Ingala Smith heard about her real father she made contact. At 21 she met him at Thornton railway station, near Bradford. “I was looking for this gorgeous Italian man,” she says. “I’m thinking Robert De Niro, Al Pacino – and actually I got Danny DeVito.” She laughs. They hit it off straight away and she was quickly welcomed into his family, later meeting her Sicilian grandparents.

A bright girl, Ingala Smith found school a sanctuary from her troubled home life. There were few books in her house and she’d never considered A-levels let alone college, “but I happened to have a good friend from what you might call a first generation middle-class family. I remember having my mind blown that they had political conversations around the dinner table, because we weren’t allowed to speak when we were eating.”

Studying sociology at sixth-form college was “absolutely life-changing – it put everything I was experiencing into context”. It was here she first encountered feminism, which she regarded then as irrelevant, feeling more in common with the lads from her old comprehensive than the “posh girls” now in her class who’d been at a fee-paying school.

After graduating from the University of Kent, she took a job in a hostel for homeless women, mainly elderly former psychiatric patients. Then, after two years, she began work at a domestic violence refuge and felt immediately she was in the right place. “Any woman I met could have been my mother. In fact, one summer Mum came on a trip we organised for the refuge kids and she started talking about how there hadn’t been anything like this when she’d needed it.”

Would her mother have left for a refuge? Ingala Smith shrugs. “I don’t know. They are not easy places to live in. We had a nice home and to give that up would be really hard, as it is for anyone.” She says people rarely understand refuges are places of absolute last resort. “They can be chaotic, noisy. Women who have other economic choices would go elsewhere. You’re moving into a house with maybe ten other families that you don’t know, with children of all different ages, with very different parenting ideas to your own. They can really help kids who’ve grown up with violent dads because they meet others in the same boat. But they’re challenging places.”

A move to a refuge is invariably fast. A woman in danger is referred by police or social services, then refuge staff have a brief phone call to try to determine whether she’s a danger to others – perhaps has a history of violence or arson – before arranging to meet her close by. (A refuge never gives out its address on the phone.) “You’d imagine women would turn up black and blue, but that is rare,” Ingala Smith says. “I think women wait until they’re ‘decent’. Besides, after an assault they often don’t have the strength to get themselves together. They wait until it’s quieter, when they know it’s coming again, and then leave.”

The refuge suggests a safety plan: to gather up passports and bank books; siphon possessions discreetly to a friend’s house; to remember that you’re most at risk of violence just after leaving. Ingala Smith notes there were few referrals in late December. “Women didn’t want to leave violent men and disrupt Christmas for children, and you knew anybody who came at that time of year – one year we had a woman turn up on Christmas Eve with three kids – was in a really bad way. In January, the phone rings off the hook.”

Ingala Smith has been the CEO of Nia since 2009. Beginning as Hackney Women’s Aid in 1975, it supports about 2,000 women a year, running a specialist refuge for women in prostitution and another for those dealing with substance abuse. Much has changed since she joined the refuge movement: many small feminist charities have merged as they must now compete for council contracts with generic housing trusts. These don’t provide the “woman-centred care” Ingala Smith believes is vital for those fleeing violent men.

Nia also works with women at high risk of domestic violence and runs East London Rape Crisis, serving both sexes. Here it counsels men and trans women, whom it often refers to Galop, a specialist LGBT+ anti-abuse charity. But no male people – whether men or trans women – are allowed into Nia refuges or group counselling.

In 2017, Nia’s trustees decided to invoke the exemptions in the Equality Act that permit single-sex services “as a proportionate means of achieving a legitimate aim”. It knew this was a risk. Such is the toxic debate on gender, female-only services often receive threats to their funding or have staff reported to trustees merely for liking a JK Rowling tweet. They receive hoax calls to test whether they are trans inclusive. The whole sector is chilled by how trans activists targeted Vancouver Rape Relief and Women’s Shelter: it was defunded, vandalised and had a dead rat pinned to its door for remaining single sex.

The question of whether a trans woman can safely be accommodated alongside women has riven the refuge movement. “They [trans women] are not a potential risk to women because they are trans,” she writes, “but because they are male.” She cites cases of trans prisoners like Karen White who were allowed into female jails and sexually abused inmates. “Prison officers, who are really good at risk-assessing violent men, get it wrong. So how can we screen [people] in five-minute phone calls?”

Besides, this is about more than safety. Many women in refuges endured sexual abuse, often as children. Being housed with any males generates a debilitating and involuntary post-traumatic response in the brain. “It’s not hate. It’s not bigotry. It’s not transphobia,” she says. “It is an impact of abuse by men… The presence of a male-bodied person among vulnerable women causes distress and consternation.” She is aghast that Mridul Wadhwa, the trans woman who heads Edinburgh Rape Crisis, told The Guilty Feminist podcast last year that female survivors who demand male-free spaces should work to “reframe their trauma”.

In group counselling, she says, male people have been socialised to dominate groups, to ask more questions and take up space, while women have learnt to serve and make way for them. “I remember talking to a woman about what her options were and she started crying. I asked why. She said, ‘Nobody’s ever given me a choice before.’ To recover, women have to centre themselves in their own lives.”

But what of women who say they have no problem receiving counselling alongside trans women? “I understand that some female rape survivors can say, ‘A women-only service is not important to me. I’d be happy for a trans sister to be in my group.’ If they want to say that, it’s fine, but they shouldn’t take away that choice from women for whom it isn’t fine.” Young women who campaign for trans-inclusive services, she says, are mainly middle-class graduates unlikely to need them. Nia’s younger staff support the policy, even though defending it has cost some of them friends.

At root, Ingala Smith believes, violence suffered by women and trans women has a different dynamic. In her book she disputes Stonewall’s assertion that trans women suffer the highest levels of domestic abuse and murder. “Well, show me the data. Because I hear that, but I’ve never seen figures to demonstrate it.” She has collated every murder victim who might come under the broad Stonewall definition of a trans woman (which includes occasional cross-dressers). Since 2009, there have been nine murders, the last being Amy Griffiths in 2019. Most were sex workers murdered by punters or who died in drug-related fights. Just one, Vanessa Santillan in 2015, was killed by an intimate partner.

By contrast, only about 8 per cent of women victims are killed by strangers, the rest by men they know. “Most women’s refuges work exclusively with women who are fleeing partners, former partners and, in some cases, family members,” she writes. “That doesn’t mean other people don’t need places of safety or support, just that their experiences and needs are different.” She wonders why Stonewall doesn’t devote its resources to setting up specialist services rather than campaigning against those created by and for women.

The Femicide Census has revealed trends Ingala Smith hadn’t anticipated. “I was shocked,” she says, “by the number of elderly women killed in burglaries. I assumed that if a man broke into an old woman’s house he might push her down the stairs, she could be frail and bang her head. But there’s a real brutality, a particular anger and misogyny involved. Often young men use sexual violence against elderly women.” She was also surprised how many women are killed by their own sons.

Twice as many men are murdered than women but overwhelmingly by other men. When women kill – 8 per cent of murderers are female – they are both more likely to use a weapon (which makes it an aggravated offence in sentencing) and to have been abused by their victim, while men, being stronger, frequently kill with their bare hands. Strangulation is men’s second most common murder method and lately Ingala Smith has seen many lawyers adopt the “sex game gone wrong” defence.

How has devoting her life to the terrible things men do to women affected her own life? “I had a string of disastrous relationships – I just shagged around, basically – and didn’t think men were up to much.” She’d find herself moved to tears when witnessing a happy family, since her own experience was so dysfunctional.

Then, after writing off men as “avenues for happiness”, she decided to apply herself properly rather than settling for “whoever I ended up snogging in a pub at the weekend”. She started internet dating, setting herself high standards. The result was her husband of 20 years, André, a subtitler of South African parentage who speaks four languages, to whom she dedicates her book. They have no children, after several painful failed courses of IVF.

Ingala Smith knows her book will put her further in the firing line – the Labour Party has already refused her application for membership – but single-sex services “are the hill I’m prepared to die on”. That list of dead women never gets any shorter, I say. Will there ever be fewer names? “That’s the subject of my PhD, which I’m just finishing,” she says, “and my next book.” Defending Women’s Spaces by Karen Ingala Smith is out now (£15.99, Polity)

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i-m-a-leaf-on-the-wind · 2 years ago

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Oh darling 🥰

(I’m crying…. Why are you doing this to us, Miles?)

[11-04-2023] Miles Kane Twitter

#miles kane #milex #Alex Turner #tlsp #the last shadow puppets #Twitter #2023

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nicoscheer · 7 months ago

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Please tell me I’m not the only one who saw Miles insta post yesterday about the MK and the evils EP where the first slide was a pic of the vinyl and the second was a pic of all three of them on surfboards riding a wave.

Alrighty he also posted the pic on twitter (with way worse quality but I’ll take it)

Oki Mr Kane decided to post it again a day later (no clue why he deleted it yesterday cuz it’s literally the exact same post with the same caption but whatever)

#cause my insta is lagging and tells me he has one new post but doesn’t show it to me #or he deleted it #but that picture was sooo funny #and my dumbass forgot to screenshot it 😭#like they were all wearing black on black (miles wore a turtleneck)#just like really cheap green screen picture stuff but so funny cause they all got on a very serious face #like my knees literally buckled the first time i saw it that’s how hard I had to laugh

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polydeuces · 2 years ago

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𝐛𝐢𝐠 𝐢𝐝𝐞𝐚𝐬

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: the sequel to the beloved The View From the Afternoon !! fans curiosity about the suspected relationship rises when y/n posted lyrics from one the bands songs.

𝐩𝐚𝐢𝐫: alex turner x fem! reader

𝐚/𝐧: knowing me it’ll be the new year or something by the time this gets published! so, happy holidays and cheers to a new year! 🥂

liked by arcticalex, cigarettesatthecornerstore, and 2,945 others

y/nlivesforrocknroll: Spotify Wrapped?

On y/n’s recent instagram story she shares her most listened to artist.. arctic monkeys. Later she shared the lyrics the lyrics to The Last Shadow Puppets (former English supergroup consisting of Alex Turner, Miles Kane, James Ford, and Zach Dawes.) song titled Sweet Dreams, TN.

It’s rumored that Turner and L/n are in a relationship and have been for a while, maybe even during tlsp era, though nothing has been confirmed. Fans have been analyzing the lyrics Y/n chose to share. Could this song be about her or resonate with her and that’s why she’s sharing it?Are they dating or is it just a coincidence?

view all 96 comments

cigarettesatthecornerstore: far too many coincidences to explain this one away; there’s something going on.

y/nsbabymama: she’s so real for this

alexturntable: we NEED a deep dive like twitter thread of all the things that connect them. ⤿ babyboyal: omfg wait a connect between them like maybe an invisible string?? 🥺 ⤿ alexturntable: SHUT UP what if she wrote invisible string about him please my heart can’t even take it

arcticalex: Or, and I know it sounds crazy, she just likes the band. That’s it. There doesn’t always have to be some crazy thing.

kindontheeyes: If y’all get my hopes up and they aren’t actually together its an unfollow for all of you

milesawayfromu: OH? fanof505:1 used to pray for times like this

b0dyp4int: someone sedate me

liked by matthelderz, littleamandablank, and 493 others

alexnotalex: The lights were bright.

view all 628 comments

matthelderz: no, you just wanted to look cool, grandpa.

littleamandablank: imagine coming home to Alex. ⤿ iamy/n: I do and let me shatter the pretty illusion; he stinks and is sweaty because he refuses to take a shower in his dressing room. He says it just isn’t the same… ��

ben_chappell_: it’s times like these that i wish you were public with the relationship because i so badly want to post y/n’s comment.. it’s so funny

myleshendrik: Always put on an amazing show

liked by reesewitherspoon, sadiesink_, estehaim, and 1,853,294 others

iamy/n: YOU ARE ANONYMOUS, I AM A CONCRETE WALL.

view all 294,824 comments

estehaim: you, me, champagne - tonight! 🥂

reesewitherspoon: 🥰

lizzobeeating: rockstar BABY I love u

blakelively: Omg the cat shirt!!

tovelo: instead of 32 it’s 33 and still growing up now 🥹

selenagomez: my shining star 🌟💞

sadiesink_: you’re so cute

matthelders: since when did you play chess

#the view from the afternoon #alex turner #alex turner fanfic #alex turner x reader #alex turner x famous reader #social media post #y/n smau #alex turner fake instagram #fake ig #y/n instagram #saturns masterpiece #anon request #taylor swift instagram #taylor swift fanfic #taylor swift fluff #taylor swift #instagram blurb

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