#miles kane album analysis

[misskattylashes]

As requested....

The history of Milex in Miles Kane albums...

Colour of the Trap

Ah I’m having a great time with Al. He’s my best mate and I love him and we have a laugh together. We’ve even done most of this album together which was great cos I love being with him. The sex is great too, but basically we’re just having a laugh (Telepathy, Rearrange)

Don’t Forget Who You Are

Well, I’m still having a great time with Al, but sometimes he fucks me off because he doesn’t know what he wants. I don’t even know why it gets to me so much. I mean we’re just mates who sleep together aren’t we? I’ll even refer to him as ‘her’ in songs cos basically I’m straight (Don’t Forget Who You Are, Give Up, Out of Control)

Coup de Grace

I fucking love him. Properly love him. In love with him. The fucking bastard has broken my heart. We spent that summer together and I told him I loved him and I thought we would be together but he’s let me down and gone back to his girlfriend. I hate him. I love him. I hate him. I love him. (Too Little Too Late, Killing the Joke, Wrong Side of Life, Shavambacu)

Change The Show

He’s a tosser. I’ve decided that. Total tosser. He needs to sort out his issues. It’s not like I even think about him that much. Well I do. But I’m fine without him. Tosser. I love him. I hate him. I love him. But sod him (See Ya When I See Ya, Change the Show, Adiós Ta Ra Ta Ra)

One Man Band

Alright, I’m still madly in love with him. And I admit a lot of our relationship problems was down to me being a fuckwit and a commitment phobe. He still loves me and I think we can make a go of things as long as I work through my issues and he has a bit of patience (Troubled Son, The Wonder, Heal, Random, Doubles, Scared of Love)

[franklyimissparis]

mr schwartz: a line-by-line queer-coded lyrical analysis

warning: this is quite long but mr schwartz is one of my favourite songs off the car album (and one of my favourites of alex’s in general) and i’ve ALWAYS read it as super queer but have yet to dive into precisely what makes it queer and the themes within it. it’s TRULY such an understated lyrical masterpiece.

Put your heavy metal to the test

- this is a play on words of the phrase ‘test your mettle’ which basically means to see whether or not someone will carry on through something that is difficult. immediately, this indicates that the relationship between alex and the other person is a difficult one and requires strength/determination to move forward with

- it also could refer to heavy metal music (which isn’t a very traditionally romantic genre) as is played off of in the next few lines

Might be half a love song in it all for you

- the phrase “half a love song” is particularly interesting to me as there are many ways to take it: it could be half a love song because it is unfinished or because it isn’t fully a love song (and both interpretations tie into other lyrics in the song)

- if we go down the route that it’s only half a love song because it isn’t fully a love song, it implies that there is more to the relationship than romance or that the song/relationship isn’t meant to be viewed (solely) through a romantic lens (but the other person may see it as such)

- whereas the idea that the song is unfinished could either suggest a lack of passion or the feeling that the story isn’t done yet.

- it could also communicate that the someone else needs to finish the song for alex - which is somewhat implied in the previous line. this could also indicate that, like alex, the other person gets musical inspiration out of their relationship

Timing wise, it’s probably for the best

- the use of “timing” ties in with the musical references but also highlights that the relationship is heavily tied to the timing of what’s going on in their lives (invoking “right person, wrong time” in a way)

- alex is acknowledging that because of forces outside of their control (i.e. time) it’s probably best they don’t pursue a serious relationship (or, like the previous line, a “full” love song)

Come here and kiss me now, before it gets too cute

- he’s asking his lover to quickly kiss him before they can let the moment become sweet, implying that, while he is fine with the physical aspect, the emotional side of things makes him uncomfortable

- musically, he also wants to avoid being cheesy or overly sentimental which ties in thematically with the ultracheese as well

- it’s important to note that this is also the only explicitly romantic line on the entirety of the car album: this (and the half a love song line) is the only line on the album that cannot possibly be read as platonic

Mr Schwartz is stayin’ strong for the crew

- here we switch to discussing the persona/character of mr schwartz, which as seen later, is obviously meant to be an extension/alter-ego of alex himself

- the reference to “staying strong for the crew” directly after talking about his lover implies that there is a conflict between the two: that staying strong for the crew entails keeping an emotional distance from his lover

- he recognises that those around him rely on him to keep up his persona to do their jobs (in this extended metaphor of a film set)

Wardrobe’s lint-rollin’ your velveteen suit

- alex is known to emphasise his personas via clothing choices and the velveteen suit is representative of that here. the crew removes any imperfections, like the lint, off of the suit (the persona)

- this also ties into alex’s obsession with perfectionism and control and how, though he is wearing the suit (i.e. persona), there is a mutual reliance between him and the “crew” to maintain his image

- also have to mention that velveteen is a rather untraditional material choice for something as traditional as a suit, there is a bit of a clash here between the two (a fully velveteen suit could also be seen as quite camp - and is also very 70s, which ties into eycte’s aesthetic too)

And smudgin’ dubbin on your dancin’ shoes

- dubbin makes leather softer and waterproof: again, others are trying to prevent damage from occurring to the persona

- this could also refer to the musical direction that the band has gone to in tbhc and the car: their music is softer and more contemplative than it was before, especially since ‘dancing shoes’ is also a song off of their first album. this could be commentary on how alex’s personas have evolved and the mixed reactions he’s gotten from his audience over it

Gradually, it’s coming into view

- we move from music imagery to film imagery with the line “coming into view”.. things were blurry or unclear before but he (or the other person) are slowly coming to realizations about their situation

It’s like your little directorial debut

- having a directorial debut suggests that this is the first time they are taking control of a situation and telling others what to do, they are directing someone else instead of being directed - with the word little being used to emphasise that this isn’t a massive change yet

- but he’s also directing himself to behave in a certain way: alex is directing his new persona, mr schwartz, in his debut

As fine a time as any to deduce

- to me this line also implies that this realisation has sort of been a long time coming, they’ve been through this cycle so many times that they might as well come to the realisation now

The fact that neither you or I has ever had a clue

- going into the next verse as well, this hints that alex and his lover have had struggles with seeing where alex ends and the persona begins and have also never been able to get their relationship right as a result

And if we guess who I’m pretending to be

- here he is confirming what is obvious: alex is mr schwartz and the persona is clearly differentiated from himself as “pretending”. alex and his lover are both keenly aware that mr schwartz is a persona which almost becomes a joke to them in the next line

Do we win a prize?

- alex pokes fun at how obvious it is to him and his lover that mr schwartz is a character but i think he’s also pointing out here: do we get anything out of the persona that i’ve created?

- he’s questioning, perhaps for the first time, if in the end keeping the persona up will be worth it to him and his lover or if it is all meaningless

Having attempted twice, both incorrectly

- okay so obviously the majority of us reading this are immediately going to go to a certain side project of alex’s and the two albums they’ve released (with talk of there being a third to complete the trilogy)

- this suggests that there have been two attempts at happiness between him and his lover but both times there was something fundamentally wrong with the relationship that caused them to drift, which is likely related to the act that he is putting on

Do we get a third try?

- the phrasing on this line is interesting as well as alex doesn’t ask his lover directly like “can we have a third try?” instead, he poses this question more existentially: will a third try be given to the two of them? it implies that he and the other person aren’t in control of their situation to some extent, they have to rely on being given chances by others.

- though this also could be interpreted as alex shirking responsibility of the situation onto others instead of being straightforward. he simultaneously wants and does not want control.

The gloved hand’s reachin’ in to hit the switch

- by wearing gloves, there is the desire to avoid leaving fingerprints/evidence of the relationship. and because the hand is gloved it is intentionally anonymous: is it alex’s hand? mr schwartz’s? the other person’s? or someone outside of things meddling in the relationship?

- interesting also that a switch is a binary thing: either on or off (gay or straight, platonic or romantic, alex or mr schwartz) ignoring the possibility of things being on a more complicated spectrum as is implied earlier (“half a love song”)

- hitting the switch is sometimes used as a euphemism for triggering a permanent change but can also be seen as a temporary action (the switch can be endlessly turned off/on), highlighting the back and forth in their relationship.

There’s not one goddamn thing that you can do about it

- this is the only time alex curses in the song which highlights how frustrating the persona and lack of power can be

- he feels stuck in the situation, just continuously flicking the switch between persona and reality, and indicates that his lover is also likely frustrated at this too. though they want to help fix the situation, they can’t, or at least they feel like they can’t

But Mr Schwartz is havin’ tea with the grips

- again, he’s switching back and forth between the real him and mr schwartz: while alex is frustrated and insecure about the lack of control in his life, mr schwartz charms those around him and takes hold of the situation

- more film imagery with mentioning the grips (those who help with camera and lighting equipment on a film set): to me, this line is fascinating as we’ve seen that everyone (including the crew) is working towards keeping the mr schwartz persona up and through the metaphor of the film set they are creating something imaginary, however, behind the scenes the grips still get to be real people with real families while alex, or mr schwartz, has to continue to keep the persona up.

Askin’ after all the wives and the kids

- the use of the phrase “askin’ after” instead of “talking about” etc. implies that the question is not mutual: mr schwartz is not being asked about his wife/kids because he does not have any and the others know it. yet he knows that it is important that he shows interest in their nuclear families. this is also clearly commentary on how alex is the only unmarried and childless member of the band

- it could be seen as him directing conversation away from his personal life: focusing on others and letting them talk is more comfortable than discussing yourself honestly and breaking the act

It’s at the heart of what the business is

- the final line of the song breaks down the essence of why the persona is kept up: ultimately, it is a business decision. alex understands how closely tied together business and personal lives are as a celebrity and is invested in the persona to keep the two separate, though by choice or force is up for debate

- also poses the question of whether or not he’s genuinely interested in their lives or if it is just business to him. it could be read as bittersweet in the sense that the heart of the business is human connection, but if you don’t conform you aren’t allowed to drop the act without punishment

- finally, this line also ties back to “staying strong for the crew”: he has to keep up the persona so that the ‘crew’ can continue to work and take care of their families. and hearing about them is both a reminder of what he is denying himself and what is at stake for the others.

to summarise: alex is torn between putting on the straight persona of mr schwartz and being truly himself within the fractured relationship he has with his lover - which has been heavily influenced by external and internal pressures. gee i wonder who the song is about (rhymes with schmiles schmane.)

[drinkingbitterboy]

Hellooooo,

I recently boarded the milex train and have absorbed farrrr too much knowledge and love for them in about a year but one thing that I’m a bit confused about ( and this may be completely wrong, I’ve just seen it posted about/hinted at several times and can’t seem to work it out ) is why people seem to associate bald Alex with him having bad mental health/when he was at a bad point in his life?? And a few references to the show he did with miles at this time but how things seemed off?

Seeing as 80% of my intake comes from your blog I thought you’d be the right person to ask xD

Seriously tho, I love love your blog <3333

hi. first of all i am SO SORRY for the delay on answering i was going to reply and then i forgot!!!

so. the biggest part is of course that we know something happened after eycte with both miles and alex, indicated by everything from interviews talking about writer's block, the actual tbhc and cdg albums, them suddenly not hanging out constantly, etc.

and then you throw in the breakup with taylor. somewhere louise shows up, too. and i don't know the exact timing (though i'm p sure people have put it together) but because of how...acrimonious that breakup was and how questionable the lousie entrance was and how miles still doesn't like her... it's basically a perfect emotional storm.

people always associate the drastic head shaving with mental health desasters (see: britney) and that paired with him visibly losing weight and honestly acting a bit different on stage and out in public (there's some rough pics with louise and her friends....) it just feels even worse. and so.

regarding the show you're talking about: alex showed up to miles' solo gig at la cigale for standing next to me. imo it's not the complete disaster that it could be and that it somehow is made out to be. however if you're watching this performance, say, right after marathoning a bunch of tlsp gigs, it's awkward as hell. i don't particularly want to go into some analysis of body language bc i'm sure that's out here already, but that's really the gist of it.

does that all make sense? i've never been the most knowledgeable about all the drama and this is all as far as i recall. i hope this was at least a little helpful!

i am btw incredibly flattered by choosing my humble blog for like 80% of your milex intake. i hope that it's been an alright ride? and welcome aboard the kane train <3

[paperlovesadness]

Something to rely on - Miles Kane song analysis

// From Coup De Grace - 2018 //

Okay - I need to start releasing my draft-posts into the world. I've had this sitting there for a while but wasn't convinced it's ready. I think I should just stop overanalyzing though so here goes.

We're here - another silly little subjective analysis of a Miles Kane song (geared towards how it could possibly maybe be about Alex? question mark question mark ??)

I was gonna do Adios Ta-Ra Ta-Ra first, but then I was listening to this album and this one just got stuck in my head and didn't wanna leave. So here we are (will do others too of course though).

Big disclaimer is: this is just one little personal interpretation done for fun and please don't take it too seriously.

Even I personally have more than one idea in my head about a lot of these lyrics and songs and what they could mean. I just choose one - the one most convincing to myself, one that sticks out to me the most and write it down for what it is in that moment in time.

I like sharing these because I'm curious if anyone else in the world finds some of my thoughts convincing - and if not - what they think these things mean instead! Honestly the thing I want most from these is feedback and potential conversations - be it in tag, reblog, reply, or message form. I love trying to figure songs out together! So please share your thoughts!

[Verse 1]

Crescent moon, left in my drive

All too soon, you made your point

Keeping off the radar, how does that make you feel?

The moon seems like a thing in the whole Miles/Alex "lore"

-> We've got that interview, where Alex jokes around about them missing each other while on tour, looking at the moon, wondering what the other's doing.

-> There's the "He moves the moon that kid" quote from Alex when introcuding Miles during an AM gig.

-> "I'm Alex from the lash shadow puppets and I play the awhooo [interviewer Cat - so you're a wolf. Cool] // And I'm Miles from the Last Shadow Puppets and I play the midnight moon".

-> The moon is also ofc associated with Alex himself due to TBHC and the fact he 's stated that he's intereted in space overall

other things maybe worth noting?

* "Kiss me underneath the moon's sideboob" [AM - TBH+C]

* The Ultracheese. The whole song. The title being a cheesy [hehe] metaphor for the moon

* "Crawling through like midnight panthers

Growling at the moon" [ MK - First of my kind]

* Paraselene woman, I'm your man in the moon [Alex Turner, Glass in the Park]

All that to say... We've got another moon here and maybe that's done on purpose.

This one is crescent - seems like a sad metaphor. Crescent moons can symbolize either the beginning or the end of something. "Left in my drive" is giving me very much breakup vibes. Something left behind on the way out of your home/life.

There's nothing much left of the moon that they perhaps shared as "their thing".

Keeping off the radar - a thing that Alex very much does - not one for social media or a public presence at all if he can help it. Here - maybe also direct ghosting is invloved after a breakup or fight - whataver went on.

[Chorus 1]

Something to rely on

Something to get high on

Miles has had enough of the push-and-pull of the relationship. He wants something he can actually rely on. Something that'll bring him the pure joy love is supposed to bring - a high.

Miles also references a high/getting high together in other songs - like in "Wrong side of life" (the song he says is about the person who he broke up with/the one he's wrote most of the CDG album about + incidentally a song he apparently dedicated to Alex during a gig he was at) he writes about wanting to get high with you.

So i feel like we have a doube meaning - the high of love/and actually getting high.

(something - let's be honest - that is obvious Miles and Alex did once or twice during the EYCTE era)

I don't want to beg or steal, I don't want to borrow hearts

Another clue to the fact that the relationship was an on-and-off / push-and-pull / hot-and-cold thing. Maybe even an affair. Maybe just open or perhaps simply casual - but Miles doesn't want it to be just that.

He doesn't want to beg for the persons love and full attention.

Doesn't want to share them with anyone - have to steal them away from the person they officially "belong" to.

He doesn't want to have them sometimes - a heart borrowed for the day' when it's convenient. He wants to own the person's heart and in return be theirs fully too.

I just want to make it real

Something to rely on

Confirmation for the theory above. He wants it to be a real full-on relationship, not whatever it has been and has obviously not been enough for him.

The making of a mystery, wishing on a falling star

I don't want to let this sadness rule my heart

He knows he can't take it anymore - his heart is at stake and it's hurting. Whatever the relationship is offering isn't satisfying him and the sadness that brings is taking over his life. He has to put an end to it for his own good - but he still loves the person. He'd like to be able to rely on them. He wants to wish on a falling star for this to work out. (more space related things?)

[Verse 2]

Keeping it clean, through all the things you wanted me to be

Out of touch, with all the rumors I keep hearing of you

Keeping off the radar, how does that make you feel?

Keeping it clean is a confusing metaphor - It brings to mind images of staying clean - so drugs/alcohol. But that doesn't personally makes sense to me in this context.

I'd go towards keeping their image clean. This relationship - whatever it was - was a secret. That seems like something mostly the other person wanted - not ready to fully commit. They wanted Miles to be a secret / a friend with benefits maybe / something without a label perhaps, when Miles was all in and ready for the real deal with them.

He needs to seperate himself (be out of touch) from the rumours about this person who broke his heart // perhaps the rumours inevitably make their way towards him, because this person is a well-known public figure, often gossiped about. And associated with Miles closely - so he keeps hearing about them even though he'd like not to know what goes on in his life post their fall out. <- that's assuming the lyrics are from the "now" perspective; post-heartbreak.

But it can also mean that they had an actual relationship - but it was kept secret - something initiated by the other person, not Miles.

Miles kept the rules - kept their image clean, kept it all a secret. But that meant having to deal with rumours about the other person being with other people.

In this context "Keeping off the radar, how does that make you feel?" can also refer to the relationship. He's asking the person - keeping us secret - how does that make you feel?

[chorus 2 / ending]

The making of a mystery, wishing on a falling star

I don't want to let this sadness rule my heart

Your actions from the start

In spite of me insightfully inviting me to fall apart

This person was doing more-than-friend things with Miles and suggesting a possible something-more from the very start - when they first met. Their actions clearly invited him to fall for them and then in turn fall apart from the heartache that it caused in the end.

Miles may have known it's a bad idea (in spite of me) but coudn't keep himself from falling anyway. The person was super close to him, understood him well (insightfully inviting me) - which made falling all the more easy.

[Bridge]

All aboard the guilt train

Last call before we leave

First off - makes me recall the "All aboard the Kane train" thing Alex once said during a TLSP gig. May be a coincidence - may not be.

Secondly - Miles seems to feel guilty for the way things went - but he believes both sides should take the blame.

Last call before we learn to love

The last before we leave

(And here we collectively fall apart)

"Last call before we learn to love" seems to me to imply that it's the time to take accountability for their mistakes in this relationship so that they can move on and form other ones ina healthy way? [maybe] BUT-

if so, I still believe this is Miles being freshly hurt by the hearbreak. There are contradictory statements about this love he's lost on the album (and I believe some more on the next one). It doesn't really seem like he's given up on them and their bond.

Even here

You're all that I wanted

All that I need

You're all that I wanted

You're all that I need

at the end of the song we get "wanted" in past tense but "need" in the present.

So doesn't truly seem like giving up on the person and their true shared feelings.

[maybemoonout]

"Get freaked out from a knock at the door

When i haven't been expecting one

Didn't that used to be part of the fun

Once upon a time?" - Ultracheese

"Well we were kissing

It was secret

We'd had to sneak beyond the kitchen

Both well aware that there'd be trouble" - The Dream Synopsis

I can feel the same energy and i have some thoughs about it

Hi there anon! It took me a little bit to get what you were seeing but once you said it I saw it SO CLEARLY. I can sort of understand the similarity you're seeing. I'm not sure if what I'm getting from you is the same thing you're actually seeing, but from what I understand: Get freaked out from a knock at the door When i haven't been expecting one Didn't that used to be part of the fun Once upon a time? and Well we were kissing It was secret We'd had to sneak beyond the kitchen Both well aware that there'd be trouble

both are saying something secret is happening? Like he gets freaked out when there's a knock because hes doing something no one should see, but the thrill of it used to be part of the fun? And of course the next lyrics are self-explanatory. If I did get what you're seeing, then this is definitely an interesting way of seeing it. If you have read this analysis on The Ultracheese by @yellowloid (if you haven't, please do, it's a really good read) but basically even if you haven't read it you can definitely hear the sadder undertones it has. Although The Dream Synopsis is also quite sad in a sense, I think the idea of both is a bit different, especially comparing the eras he wrote these in, TDS being in ETYCTE Era and TU during TBH+C. Now if we look at it from a MILEX persepective (by this I mean imagining that it was written with the Idea that Miles is the subject of both songs) we could probably shift the ideas a little more. TDS was written during ETYCTE Era, written WITH Miles, so I can't really be fully convinced this song is about him, although a few aspects definitely are about Miles (e.i. "It was you and me and Mile Kane DOES IMPLY Alex dreams about Miles HAHAHAH) I don't think I'm the right person to analyze that one. I have also seen before that possibly the first verse, the lyrics you mentioned, are likely about Taylor, but who truly knows other than Alex right? If anyone wants to make a song analysis on TDS, be my guest and I'd read it to its entirety. THE ULTRACHEESE THOUGH? Different story ENTIRELY. I might be a little biased because I have read the mentioned song analysis above, but if we consider the period this was written as well I definitely think its a little more likely that this song is about Miles. What I personally believe from that verse (Milex Perspective or not) is that possibly he's no longer used to having someone that constantly visits him. The teenage years have gone by, and although he definitely still has fun, it's just not the same as before, hence, when someone does continue to bring that aspect back into his life, it freaks him out, but then realizes shortly after that, that he used to like it, it used to be fun, long ago, the thrill and the adventure and just having someone be comfortable enough to visit him without needing to call or text before hand. Someone he's.... REALLY COMFORTABLE WITH.... I definitely think a lot of Alex songs continue of off each other, like how the car continues off from TBH+C in a way. TBH+C was the next album after ETYCTE after all and although they are technically different bands they're still the same Alex Turner. I like to think Alex always just sings about his experiences in this convoluted cynical, but beautiful way, so it's definitely possible that whoever he was writing about, still continues on to the next thing he does. Do I think TBH+C is more about Miles than songs in ETYCTE? A little bit yes, in a Milex perspective of course. But, even after all of this, please realize, I'm just a small little boy whose opinion doesn't really matter in this sense because I am not Alex Turner. Art leaves us to our own interpretations and YOUR interpretation is as important as MINE. Songs are meant to be enjoyed the way we view it. And I definitely see your point as well anon! I'd love to hear back from you if you wish to keep explaining your point of view because honestly, it's quite an interesting one that I think should be explored! Kudos to you for making me think really deeply, lol. Sorry if I this wasn't really the reply you were hoping for! I'd love to hear back from you and discuss some more <3ec

[franklyimissparis]

jet skis on the moat: a queer-coded line-by-line lyrical analysis

this one was highly requested by me, myself, and i btw. sorry it’s so long, i truly cannot be concise when analysing alex’s lyrics, i get too into all of the different possibilities lmao.

Jet skis on the moat

- the titular line of the song is an interesting juxtaposition that could be interpreted in many different ways as jet-skiing, an adventurous and adrenaline-seeking activity, is contrasted with the defensive confines of a moat. the moat could be a metaphor for alex’s defenses around himself and his feelings, with the idea of jet-skiing around a moat being akin to doing something that should be fun and freeing while in defence mode.

- it could also imply that things are going in circles, like moats often do. that they’re having a good time but they aren’t able/willing to explore beyond the safety and comfort of their private spaces.

- to me, the phrase also invokes the idea of both being kept close to home (and never allowed to explore without inhibitions) but also being forbidden to enter fully into alex’s inner self

They shot it all in CinemaScope

- cinemascope is a lens adapter invented in the 50s for projectors that can expand the traditional screen to a wider length while using the existing equipment. we know that alex loves film imagery and this ties into the themes he often plays at while using said imagery of performance vs. reality.

- the use of cinemascope also implies to me the idea of making something (or someone) better for a bigger audience - this could tie in with alex’s personas and hiding the true self or referencing the band’s commercial successes. it also implies that there’s something beyond the traditional screen, the picture (or story) stretches out further than is seen with a normal lens. the idea of the lens being removable is also notable, the picture can be seen either way with the original equipment but the lens makes it more impressive. again i think this all ties in with the idea of performance and choosing to present things in a certain light.

- “they” implies that there is an audience or crew watching alex and the subject of the song, the two of them are not shooting this together, it’s being captured by a third party who is presenting things differently than originally intended

As though it's the last time you're gonna ride

- i can’t talk about this line without addressing the sexual undertones of the word “ride” lol. it could refer to the sexual aspect of their relationship, the last ride being the last time they’ll sleep together, or the relationship itself as if this is a couple who has split up and gotten back together multiple times

- with the previous line as well, it implies that the experience of their relationship is being captured (potentially by others) to preserve it, though they don’t see the full picture

- the phrasing “as though” is vague enough to leave it up to interpretation as to whether or not it actually will be the last time, somewhat implying to me that calling it a “last time” is something they’ve done before

- this could also refer to the public and private speculation that the band is finished or the somewhat unfounded worries that their commercial success is slipping away

Showstoppers anonymous

- this is a play on alcoholics anonymous/narcotics anonymous and implies that being a showstopper is somewhat of an addiction. it also invokes the idea that this isn’t a solitary experience by referencing the idea like a group meeting, alex’s lover also has a complex relationship with fame.

- the phrase could also poke at the idea of alex’s personas being disconnected from his true self, the showstopper would actually prefer to be (or has to be) anonymous in some sense.

- like in AA meetings, this could also refer to hiding their affiliation from the world or hiding their true identities within these meet-ups

Come over here and give your buddy a hug

- the word “buddy” implies a platonic relationship (i would say it also implies a friendship with another man but that’s very subjective.) with the later references to this person as a lover, we can infer that their relationship is not just platonic which poses the question of why alex would choose to refer to a lover this way. it could be to emphasise the friendship at the core of the relationship as being the more important or prominent aspect. it could also suggest that alex finds the romantic/sexual elements of the relationship uncomfortable to some extent.

- interestingly, this line is also a direct parallel to “come here and kiss me now before it gets too cute” from mr schwartz, suggesting a connection between the two. while this line can certainly be read as platonic, the line from mr schwartz is explicitly romantic.

- also the first two lines of verse one rhyme, making the listener expect these lines to rhyme as well. in alex’s pronunciation, anonymous would be a near rhyme with kiss and it is slightly surprising to hear hug instead.

So much for decidin' not to let it slide

- it sounds as though either alex or his lover feels that the other did something to wrong them which they refuse to forgive this time, but they end up ‘giving in’ eventually.

- in the context of the showstoppers anonymous line, it could imply that their relationship feels like enabling an addiction, that it is something they come back to time and time again despite saying they won’t. and also that their relationship is directly tied to the fame that they share.

- also interesting to ask: is he addressing himself or his lover? is he the one letting it slide or his lover? the previous line seems to imply that alex is asking the other person to come to him, which could imply that his lover is giving in for agreeing or that he’s giving in by reaching out (or both.)

Is there somethin' on your mind

Or are you just happy to sit there and watch While the paint job dries?

- alex’s lover is troubled over the state of their situation but it’s less painful to just ignore the topic.

- the paint imagery is very interesting as alex has a habit of using paint as a sexual metaphor for a certain bodily fluid - with ‘body paint’ and also in anyways (‘you go hard in the paint’)

- watching paint dry generally refers to something being boring or tedious which could imply that alex’s lover would rather do something painfully dull than discuss the issues in their relationship. but paint can also be used to cover things up which could refer to the idea of hiding the issues within the relationship or with hiding the relationship itself (asking: are you really happy to just let me hide things or will you take a stand?)

- if we think about the implication that this relationship has been off- and on-again, it could refer to ‘fixing up’ the relationship with a new coat of paint - doing surface level things to try to repair the damage - and alex could be asking if they’re willing to wait for things to look better again or if they want to call it quits now

When it's over, you're supposed to know

- this line could also be taken in many ways. it could be in the sense of alex feeling almost pitiful for his lover (or himself), who won’t admit that their relationship is actually over. but it could also refer to it being hard to tell whether the relationship is actually over or not - particularly if the line between having a platonic/romantic relationship has always been blurry with them (like we see with the use of “buddy” etc.)

- the phrasing ‘supposed to know’ implies that they don’t actually know about the state of things, though they’re both aware that they should, also reminds me of the line “the fact that neither you and i has ever had a clue” from mr schwartz

Lights out in the Wonder Park

- i couldn’t find anything to suggest that the ‘wonder park’ refers to any real place so i would wager that it’s alex’s take on a fictional amusement park as a metaphor for the ups and downs of his relationship with the other person.

- the idea of the lights going out in contrast to the “wonder park” implies that the joy and amazement of the relationship has been turned off. it could refer to the relationship being off- and on-again with the implication that the lights will likely turn back on at some point. (which could be connected to “the gloved hand’s reaching in to hit the switch” from mr schwartz)

- to me, “the wonder park” also implies having an audience or crowd around. so lights out here could also refer to stopping a performance, etc.

Your saw-toothed lover boy was quick off the mark

- its interesting to pose if he’s talking about himself or his lover here. i know a lot of people interpret saw-toothed to mean crooked teeth like a certain musical partner in alex’s life but i think the phrase could also represent a ‘sharp tongue/mouth’ with the idea of him (or his lover) normally being witty or cutting but being caught off guard by the situation (similar to the ‘angle grinder smile’ from sculptures of anything goes)

- “quick off the mark” means to be slow to react to a situation which could also tie in with the idea of “watching paint dry” instead of talking about the relationship: they’re reluctant to actually change the back and forth element of their relationship.

- the use of the phrase “lover boy” also solidifies that this is a relationship that is at least somewhat romantic/sexual in nature (vs the earlier use of buddy), it’s telling that this more intimate phrase isn’t used until later in the song

That's long enough in the sunshine for one night

- this line could reference the idiom of something to “seeing the light of day” i.e. to be revealed to the public/to be open, their relationship won’t see the light of day with the sunshine instead being found in the nights

- sunshine could also represent a warmth or happy period in their relationship. with the previous lines, it could imply that they got together/met up again briefly but it didn’t last.

- the phrase “that’s long enough” implies that alex is the one to feel as though things have gone on too long, even though he feels the warmth of it too (he likes the sunshine (or relationship) but he doesn’t think it belongs in the context of the night)

Didn't recognise you through the smoke

- this is a play on the idea of “smoke and mirrors” which ties in with alex’s use of personas and the idea of obscuring the truth.

- implies that alex (or the other person) is used to being able to see through the fantasy but it’s been dialled up since their falling out and they are now obscured.

- could also refer to one of them being deceptive about their feelings, particularly for the other

- also could imply the other person is smoking a lot, etc. which could tie in with the idea of fame/their relationship being an addiction: people sometimes replace heavier drugs with excessive nicotine as a step in their recovery. it could also just imply that the other person is a bit of a mess if they’ve started smoking more.

Pyjama pants and a Subbuteo cloak

- subbuteo is a table-top game where you flick around little football players on a field that is placed similarly to a tablecloth. there was an interview where alex spoke about how he would wear the table-top subbuteo pitch as a cape as a kid. it’s unclear whether alex or the other person is meant to be the one wearing the unusual combination.

- wearing pyjama pants implies a sense of intimacy and vulnerability between the two to see each other in that state, especially as one would not generally wear them in public.

- the combination of the pyjama pants with the subbuteo cloak invokes a sense of nostalgia and innocence, particularly in relation to alex’s memories, as well as implies that the person is kind of dysfunctional to be wearing a sleeping garment in combination with a non-clothing item.

- the use of the subbuteo field as clothing is also interesting as it is a traditionally masculine symbol being used to cover-up or guard oneself - which ties in with the next line.

- the subbuteo field is also an interesting choice as the game centres around people controlling a full team of players in order to win. with one person wearing the field, it could imply that they are being strategic about controlling others or that they themselves are being controlled.

You know that it's alright if you wanna cry

- this is another line that could easily apply to either alex or his lover but i think it ties in well with the first line from there’d better be a mirrorball “don’t get emotional, that’s not like you” which alex has said is directed at himself.

- alex is telling himself or his lover that it’s okay to express their emotions and be upset about the situation, implying that they usually are not as forthcoming or overtly emotional or that they may be hiding their true feelings in the presence of the other to appear less invested or devastated

to summarise: alex and his lover had a falling out over their off- and on-again relationship going in circles and potentially being hidden. neither of them took the split well and they are trying to figure out where they stand with each other and what their connection will mean for them now.

[misskattylashes]

When insomnia drives you to think about this....

[paperlovesadness]

i might be delusional because of miles' recent ig story but i just listened to mr schwartz and that got me thinking, what if that song is about miles?

especially the line "having attempted twice, both incorrectly/do we get a third try?" made me think it could be a hint to TLSP...

(and now i'm going to relisten to the song imagining alex telling miles "kiss me now before it gets to cute". i blame miles kane and his instagram stories, that's all)

also, i hope you don't mind that i just randomly sent you this ask but i had to share this thought with someone and i don't follow too many alex and miles blogs on here

Oh I don't mind at all! Really glad you did. I love talking about these things. And even more - connecting with other people here! So thanks for the ask 💛 and do it anytime!

[warning: I went overboard and this is long. Kinda a little Mr. Schwartz analysis? Very chaotic though! ]

I 100% see where you're coming from with that one - I'm not fully concinved if any of the songs on The Car are literal/about anyone/thing specific BUT Mr. Schwartz is the one that struck me as potentially Miles-ey from the very start too.

Or even just as the one that seems most likely to actually refer to something very specific / one easiest to decipher (maybe Body Paint too - as in seems more specific. Not as concinved that it's could be about Miles though)

Like most songs on the album it seems very introspective. Alex figuring out stuff about himself. But the stuff I'd say could very much be centered around a certain relationship.

From what I've seen the attempt twice lyric made quite a few people go "TLSP?" and I get the vibe too. They definitely got closer than usual both of those times. So to me -if we take the 'milex' point of view for the song - I'd think he could be reffering to their relationship taking some leaps and turns and changes (towards romantic?) twice (probably around the recording of both albums. It was very visible they were super close) - they tried working out what they are exactly to each other and how to work with that. But both times they failed. And seems like he'd like to try again.

'kiss me now before it gets too cute' also makes me feel like its said by someone who doesn't fully want to face the depth of their feelings? Like they're head over heels - the kind that just makes you want to love the person and hold them and take care of them and it's tender and gentle. So they run from it like "okay let's just kiss and focus on the physical aspect - I'll just face the being attracted to one another part".

And then the message of the song overall - I see it as a sad analysis of being kind of 'caged in' by showbuisness? Or maybe society in general. Though I'd say the former more.

Having to pretend something, wearing a mask. "Wardrobe" (the business? management?) "lint-rollin' and smudging dubbin'" - helping put on the stage/public persona.

Mr. Schwartz as a potential stand-in character for himself or Miles. Anyway - someone who doesn't fit into the mold they are expected to fit in the business/sorroundings they are in. Asking after all the-wives-and-the-kids-small-talk. Being expected to be a certain way. It's hard, but they try staying strong for the people who depend on them ('the crew'). Still there's no helping it - no way to ignore the norms and expectations - 'it's at the heart of what the business is' after all.

You sharing your thoughts actually popped a new one into my head - which is maybe Miles saw some hints in Alex's lyrics that he's still thinking of them/their past (he'd be able to more than we are with the context). And that got him into this feely-yearn'y memory-lane mood? Cause the timelines of TC coming out & Miles going nostalgic kinda add up

(Sorry for the unnecessarily long response 😅 something I can't help, I always write too much. Should add a warning to my ask box!)

Hope you survived reading this answer!

[maybemoonout]

Hello!! I did a better research about the "My Alex" and Miles words were supposedly "The next song is called ”My Fantasy”… I’d like to dedicate it to my Alex Turner!", unfortunately i couldn't find the video either and i would definitely kill for this footage. I just love the way they express their love for each other by dedicating songs it's so genuine, music is one of the most precious things in their lifes so when they dedicate a song to each other they really want to show there's a true feeling between them, regardless of whether it's friendship or anything else.

About Caroline Miles said that he just making up a girl's name to facilitate the creative process (sure, Miles), but the song is actually about a friend who was going through a hard time. Maybe he made the song about a girl so it wouldn't be so obvious, because it really looks like he just replaces the person's real name with Caroline (??).

I was rewatching that chaotic Martin interview and Alex said something interesting when Martin asked about the EYCTE lyrics "I just can't get the thought of you and him out of my head", Alex answered that a song sometimes isn't about the lyrics or a melody idea for example, but sometimes underneath some of those lines there's a memory or a message that you're disguising with the rest of it, or as you said it can be way more metaphorical than literal most of the time. I remember that they was asked about the girl in the EYCTE album and they also haven't confirmed that it is in fact about a girl they are talking about. So i mean, they have a very similar creative processes in that aspect, maybe Alex isn't talking about politics at all in Golden Trunks even with all the references, i believe it's just a metaphorical scenario to disguise the real thing he's talking about just like he said. Btw this all reminds me of Alex saying "Some of what happens in those situations is disclosed through the veil of song in the record, there's some references", it lives rent free in my head.

About the covers, i love the SOS cover probably the gayest for sure, and they definitely don't seem to care about it even with all the pressure from the industry as well. And you're totally right, people actually need to stop labeling other people like that it's fucked up

Thank you once again for the answers, i still don't know if i'm making any sense in all of this tho. I can't wait for the Golden Trunks analysis, i'm pretty sure you'll do an excellent job and i would love to help you with that, friend! \o

PS: Do you think they've been in touch these days, i just saw some people freaking out about Miles story. Dear God i hope so, my fingers are already crossed 🤞

Hi anon! I missed you T_T So glad to see you're back!

I do remember seeing that post, however I was met with a dead end with finding the clip. It seems we faced the same unfortunate predicament. If anyone will EVER get a clip of this iconic moment, I would love to see it! I totally agree with what you said about dedicating songs to someone. They're musicians. Music is their way of expressing emotions, their experiences, and their lives in general. So if a musician, especially world renowned ones like Alex Turner or Miles Kane, dedicate a song to you? You must be incredibly and utterly important.

Yes I remember the Caroline interview, well at least I remember reading a snippet of it. Anyway, it is incredibly sweet of Miles to make a song for a friend. I think the name "Caroline" was probably chosen because the vibes were giving oldies and Caroline was a common name to sing about in a lot of old songs which we know Miles loves. I'm definitely sure he replaced the name of whoever he was singing about, mostly because, most people would prefer some privacy to their problems. I think lots of people replace names if a song is dedicated to someone for privacy and I think that's very important. Still, it's incredibly sweet, Miles is such a nice turtle to make a whole song dedicated to someone going through a rough patch, it kinda feels like a gift now, knowing the back story. Like I said, musicians obvious form of expression is music, so this song feels like Miles' gift truly from the heart to whoever this person is.

I'm glad you took note of what I said about metaphors! I kinda wanted to mention it because Alex' lyrics have always been very out there. Most of the time they mean something else entirely and the words or objects he used are just symbols of things, ESPECIALLY in more recent albums like TBH+C and The Car. Also definitely in ETYCTE, there's lyrics there that are definitely deeper or possibly, shallower, than we think. We will never really know for sure.

Miles is, I think, more upfront in his lyrics, less symbolism and more emotion, while I like to think Alex hides his emotion in the symbolism. Don't get me wrong, Miles still has a lot of references and hidden things in his music, but I also think he's a lot more straightforward with his feelings. That's why I think his relationship with Alex is very good, creative wise. They can make music together that balances out, this beautiful mix of symbolism and pure emotion and everything in between. I can understand however, how it can possibly be difficult to have a relationship with someone who, like Alex, is more recluse. Alex is so good at hiding feelings in symbolism, I have this inkling it might be the same in real life, you can kind of tell too, in his lyrics, how he tends to be the type of person to hide, then proceed to regret doing so.

The references quote, that really hit me because that was one of the first quotes I saw when I joined the fandom (which was pretty recent). I think you can tell that that quote hit me very much because of how I mention the word "veil" or "behind the curtain" in previous answers that I've done.

Hehe SOS Cover also my favorite, and thank you for agreeing with me on the labels point <3

You're making total sense! Really I feel I AM the one who doesn't make sense, please do let me know if I stray to far from the topic. About the Golden Trunks Analysis, I'd love your help <3 Your ideas are quite wonderful and I'd love to see what you have to say as well. Please do give me a message in my chats if you want to have a shared analysis with me :DD. Thank you friend! I'll miss you until your return <3

P.S. I do think they've been in touch! I definitely think they've been in touch maybe around 2021? I heard they've had dinner on multiple occasions, and maybe some other things, but other than that, I think they have yeah! And we all know about Miles, the big tease he is, if he was interacting with Alex again, he'd probably only reveal little snippets and break our hearts HAHAHAHAH

[maybemoonout]

Hello, i'm here again! Yeah, i had already read the analysis about Ultracheese, it's definitely really good. In both songs despite the similarities in the lyrics as if he were talking about the same person it's possible to notice that both songs have different ideas, i mean Ultracheese seems to be about how things aren't the same anymore and even though he talks about the pictures of friends on the wall he makes it clear that he realized later that it wasn't just friendship (in a Milex perspective he's definitely talking about Miles) meanwhile in The Dream Synopsis he seems to be literally talking about his dreams to someone else and i would really like a better analysis of this song (It was you and me and Miles Kane tho). But back to the similarities i don't think he's talking about Taylor in the beginning of The Dream Synopsis, i mean he describes the relationship as a secret and we all know they had a public relationship until 2018, so it doesn't make sense to me (but maybe it makes sense in the context of the song). I don't know, but i totally agree when you said that his songs seems to be like sequels. Thank you for answering and sorry for any mistakes, english is not my first language and i don't even know if i'm making any sense at all

Hi there anon! I'm so glad to see you again!

Glad to see you have already read that analysis before! I'd recommend it to anybody heh.

I have the same idea with you about Ultracheese and TDS! But going straight to your Taylor comment, now that you mention it I can kinda see it. But I don't know much actually with the details about Alex' past relationships so I really can't be the judge of that, however I can kinda see where you're getting at with the fact that it's secret! It really is quite intriguing how yes, in fact, they were keeping it secret, even though his relationship with Taylor was anything but. I'd love to see the lyrics of this studied more, as I do not have enough context to give a definite conclusion.

The song is very much Alex talking about his dreams to someone though, possibly a true experience? Because he mentions throughout the song that he's worried this third party finds his dreams "boring" or "ugly".

Going back to the sequels point, yes, HAHAHHA, basically yes. Again, I think Alex just writes about what he's feeling albeit his "feelings" are always expressed to us in this confusing mix of movie references and song titles and symbolic situations that take a lot of picking and brushing to find the true meaning. So it's not really a surprise that when Alex writes new things they interconnect in a way, especially now, when his most recent albums starting from ETYCTE have become more self-introspective or self-reflective. It gives us a little peak of the emotions he has and its always so unbearably somber. I feel underneath all the rubble and mess of deep lyrics we find pure emotion in what he sings about, and it's quite beautiful to say the least.

Please do not worry about your English, you sound better at it than I am! You make total sense and I agree with many of your ideas. I love having discussions like this, so please, if you have any more ideas I'd love to hear from you again have another chat! I do hope I am not straying far from what you want to hear, and if I am, please be my guest and discuss with me some more, heh. Thank you anon for coming back and giving me some more interesting points <3 I hope to hear from you again!

[paperlovesadness]

Ah... I feel a bit strange doing this. Might just stay in the drafts forever. We'll see. But my hands itch to do it every single time I listen to the song so... So here's a lyric analysis of "Star Treatment" and how... it might?... be? A song... About... Miles Kane?? Maybe??? 🫣 (no executions please. I'm really not trying to push this narrative. These things just kind of jumped out at me & I felt an urge to write it down somewhere. And perhaps see if anyone agrees? Comments encouraged! If anyone ever stumbles upon this silly thing) This will get long... Cause that's who I am. And also it references other songs.

Disclaimer 1: I did see someone attempt this on reddit. It was a bit out there though... And maybe ironic? I do share a thought or two with them though.

Disclaimer 2, an Important one: this does rely on an implication that there was something more between the two sometime around/ between 2015-2017ish? I don't want to put any labels and try to stay away from any too specific guesses. But well, I suppose I do kind of personally believe there was something there. If you're not a fan of theories about private lives of real people... I'm sorry. This one's not for you. I really do try to do it as respectfully as possible though. At the end of the day - it's just a theory. And not a mean one. I understand it's all just something that fits together in my head and may be very far from any truth. Disclaimer 3: I know this album is a concept album centered around characters. But I'm analyzing the second, potential autobiogrophical hidden layer beneath the obvious first meaning

Okay, let us have a whack at it now:

I just wanted to be one of The Strokes Now look at the mess you made me make Hitchhiking with a monogrammed suitcase Miles away from any half-useful imaginary highway

This one is very on the nose. But quite literally sneaking in his name in the lyrics -- maybe? we know Alex loves playing with many meanings/hidden messages & double entendres. + the being away from any half-useful imaginary highway makes me think of when he spoke about the fact that he couldn't write any more love-related matarial after EYCTE. And someone encouraged him to just go a different route. That's how TBHC was born. But also implies some trouble in the love-related ascpects of his life around the time. Could've just been trouble around Taylor - who he broke up with soon after the album's release. There's theories about how that happened [current girlfriend invloved] - but maybe there was even more confusion & heartbreak in the mix (ending a tour with someone with whom the lovey-dovey jokes may have gone a bit too far/serious?)

I'm a big name in deep space, ask your mates But golden boy's in bad shape

this is just implying any sort of broken-heartedness.

I found out the hard way that Here ain't no place for dolls like you and me Everybody's on a barge Floating down the endless stream of great TV 1984, 2019

dolls = puppets. And how the industry / society isn't a good place for relationships like this. (People wouldn't understand the type of bond they share?)

Maybe I was a little too wild in the '70s Rocket-ship grease down the cracks of my knuckles Karate bandana, warp speed chic Hair down to there, impressive moustache

Miles and Alex have spoken many times about how their first album was heavily 60s inspired - Scott Walker, The Beatles, 60s Morricone.

What may be less obvious and spoken about is how EYCTE was sort of meant to take their work into the 70s. He spoke about it in an interview when asked about the album cover. It's a 1969 photo of Tina Turner - which Alex commented on by saying: "The idea was to move the artwork on from the ’60s feel of the first Last Shadow Puppets album artwork, so here is Tina on the very cusp of the 1970s" (They also chose to sing covers like Moonage Daydream and Is This What You Wanted during that tour. Both 70s songs from artists that defined the era). So this could be him reflecting on the EYCTE era and how things may have gotten a bit too far during the time. Going in to deep, crossing some boundries and definitions?

Love came in a bottle with a twist-off cap Let's all have a swig and do a hot lap

alcohol? pills? alcohol & or drugs clouding some judgement/helping loosen up and causing the crossing of certain [friendship] boundries?

So who you gonna call? The Martini Police Baby, that isn't how they look tonight, oh no It took the light forever to get to your eyes

It's not a particularly meaningful line in terms of this narrative - but I wanted to talk about it because I find it so beautiful but also so fuck*ng sad. Like - one of he saddest lines I've read. It just hit me in the heart straight away when I heard it. I feel like my personal interpretation is dead wrong. But still choose to see it that way. I also know of the story of how it's inspired by Alex's dad telling him about how we see the light of the stars the way it was in the past bc of how long it takes to reach us. The way I hear this line though is: seeing the bottomless sadness in the eyes of someone who had their heart broken. Someone whose eyes used to be full of happiness - and now it takes forever for any touch of happiness to show up in their gaze. Now a possible interpratation for a second meaning to this whole section could be: calling the martini police = grabbing a drink to help with hearbreak, when there's no other solutions left. Miles has sang in his breakup album Coup de Grace about how he drowned the sadness after hearbreak in alcohol and pills. Mixing stuff together like a mad scientist etc. (Also if you ever saw the interview he did with [the one and only] Martin on his CDG album... Oof... Yeah. There was no light in that man's eyes. Even Martin saw that pain and commented on it. It's a tough one to watch)

I just wanted to be one of those ghosts You thought that you could forget And then I haunt you via the rear view mirror On a long drive from the back seat

This is one of these sections that hits me the most. Cause to me it can be seens as: Alex being aware of how much pain he caused - all he could wish is that he was just another lover whom the hearbroken person [Miles?] could forget. But alas - he still haunts him. Here it gets interesting (or batshit crazy. Cause I might be). Beacause the use of "ghost" just absolutely sends me to Miles' song "Shavambacu" - where he describes the eyes/thoughts of an ex lover still being focused on him after the breakup (this song though could have a whole seperate post of it's own) While "haunting via a rear view mirror" made me jump up and recall lyrics from Miles' song "Dont let it get you down". I saw your reflection, in The backseat of a Chevrolet from Hollywood to East LA NOW - don't shout at me. I know timelines are important. Because Shavambacu and Star Treatment came out around a similar time period. But Shavambacu came out a little bit later. While DLIGYD came out completely after all of hits - this year. So first off - I'm considering the fact that Miles and Alex are clearly still friends and in contact. So could have shown each other songs earlier. But more plausible theory: if these songs are perhaps maybe inspired by one another - they clearly are gonna recall events and/or inside lingo and jokes they both used. Possible situation: post Miles-Alex hearbreak Miles stumbled upon Alex going somewhere in a car. They spotted each other. this also makes me recall the whole:

Swear I saw you smile You try to hide it well 3:15 on the wrong side Columbia Street line from "Killing the Joke". Which many think references the area that Alex lives in. They lived a few minutes away from each other around 2016-2017. So would obviously run into one another often. Even if they were going through something and taking a break/trying not to.

But it's alright, 'cause you love me And you recognise that it ain't how it should be Your eyes are heavy and the weather's getting ugly

This one is also way to sad if you place it in a relationshippy context. There's a few ways I see it: 1) it's alright - no matter what happens, because A. knows M. loves him and will understand why things ended like they did. It shouldn't be this way - but it has to be, because there's things standing in the way. He believes he'll understand despite the grief. 2) dramatic, sad version - the "it ain't how it should be" actually references the "love me part". So M. should understand that things ended because they shouldn't love each other this way. It's just now how it should be and A. believes M. recognises that.

So pull over, I know the place Don't you know an apparition is a cheap date? What exactly is it you've been drinking these days?

once again referencing bumping into each other randomly? And going with it - going some place; talking. Maybe about how Miles' is doing, the heartbreak, how he deals with it - the alcohol (once again - just referencing what he himself sang about in lyrics on his breakup album)

Jukebox in the corner, "Long Hot Summer" They've got a film up on the wall and it's dark enough to dance

"Long Hot Summer" - by The Style Council is actually a song Alex cited to be one of the main references/inspirations used when working on the EYCTE album. So is definitely a nostalgic/meaninful song between the two. They go to a place after bumping into one another - there's a jukebox with a nostalgic song. They can dance together - because it's an incognito, dark place.

What do you mean you've never seen Blade Runner?

Now the Blade Runner line is so clearly Taylor Bagley (the woman is a huge, huge fan of it, apparently) it did have me stumped for a while. But then - maybe it's a clarifying line? Like - if this were about Taylor he would definitely not say that to her. It's obvious she's seen it a million times. Maybe this is here to sort of clarify this?

Oh, maybe I was a little too wild in the '70s Back down to earth with a lounge singer shimmer Elevator down to my make-believe residency From the honeymoon suite Two shows a day, four nights a week Easy money

70s again - EYCTE era But after the tour ended it was time to go back to earth, back to being non-TLSP Alex. Running away from reality into writing music - writing about a make-believe residency (Tranquility Base) Time to leave the honeymoon era = the tour and shows TLSP had together. (also AM may be easy money? Their reputation [very well deserved] makes it so that it's easy - bc anything they come out with will be bought)

So who you gonna call? The Martini Police So who you gonna call? The Martini Police Oh, baby, that isn't how they look tonight It took the light absolutely forever to get to your eyes

...

And as we gaze skyward, ain't it dark early?It's the star treatment Yeah, and as we gaze skyward, ain't it dark early? It's the star treatment It's the star treatment The star treatment

a sad ending. It got dark. A bit too early. It's sad that it all ended. But that's how it has to be - in show buisness, in the industry. They're well known people and it could hurt their careers - also it would just get out easily, so there's no room for self-discovery and just trying it out. That's the star treatment. (This is also a theme I am seeing in Mr. Schwartz lyrics. But that's for another time) Am I crazy? Probably! Is this just accidental elaborate fan fiction? Maybe! But still...I don't know. Song theories are fun. I get that morally it's a gray / or maybe even red area - talking out loud, publicly about theories invloving specific names and relationships. But like... Sue me! Let's call it a guilty pleasure. If anyone ever reads through this wall of text... Hi! Thanks and sorry. And please share some thoughts! (Eh. May just delete this soon anyway) Peace and love