#mike bidlo
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In 2005 Mike Bidlo made sixteen intricate replicas of Willem de Kooning drawings of women, and then erased them to make sixteen replicas of Robert Rauschenberg's Erased de Kooning Drawing.
#mike bidlo#erased de kooning drawing#not robert rauschenberg erased de kooning drawing#francis naumann
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“This photograph is quite fun,” I say. “Was it staged?”
“Yes, this was for a Swiss art magazine that did a story on the East Village,” Andreas replies. “I knew Gracie already at the time — we were friends. She dressed up in this Mike Bidlo Jackson Pollock dress, and the necklace she’s wearing I believe is a Rhonda Zwillinger piece,” he explains.
“We just played around," he says. "There were these strange wheels outside, these tires that somebody had popped all over the neighborhood.” He continues, “The picture just came out of that playfulness, really.”
Gracie Mansion and the artist Sur Rodney Sur. 1980s East Village Art Scene © Andreas Sterzing
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Check out Marek Wolfryd, El camino infinito, pintar la mancha III, Untitled (Not a Pollock) de Mike Bidlo, circa 1983 - in collaboration with XiaoFeng
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Mike Bidlo After Picasso ‘Woman Seated in a Garden’
Signed 'Bidlo' (on the reverse). Oil on canvas. 131.2 x 97 cm. (51 2/3 x 38 1/5 in.). Painted in 1987.
#Mike Bidlo#Mike Bidlo After Picasso ‘Woman Seated in a Garden’ 1987#american artist#painter#painting#oil on canvas#art#artist#art work#art world#art news
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Not Pollock (Mural 1950), Mike Bidlo, 1983
Enamel on canvas 76 x 96 in. (193 x 243.8 cm)
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Andreas Sterzing, David Wojnarowicz and Mike Bidlo, The Piers, NYC, 1983
#photography#andreas sterzing#david wojnarowicz#mike bidlo#1980s photography#documentary photography
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Mike Bidlo & David Wojnarowicz at Pier 34, NYC, 1983 | ph. Andreas Sterzing
https://www.x-traonline.org/article/echoes-from-the-edge
https://www.advocate.com/books/2019/5/17/12-golden-age-gay-sex-photos-new-york-piers-70s-80s
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Mike Bidlo, Not de Kooning, 1984, Sotheby's
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In 1990 artist Mike Bidlo thought he was copying Clyfford Still when he exhibited a blank canvas in a group show. But actually, Clyfford Still only threatened to exhibit a blank canvas to get the curator of the group show to leave him alone.
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David Wojnarowicz (as Lou Reed) with Dean Savard and Alan Barrows at Mike Bidlo’s "Not Warhol’s Factory" at P.S.1, 1985. 1980s East Village Art Scene © Andreas Sterzing https://www.phillips.com/article/116467258/never-above-14th-street-contemporary-art-exhibition-new-york-basquiat-haring-wojnarowicz
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(via d314c574c9ae0d0945e6bbe81b7feccf.jpg (600×415))
Mike Bidlo
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David Wojnarowicz and Mike Bidlo w Falling Man, 1983. Photo: Andreas Sterzing.
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Convergence, Mike Bidlo, 1983, Brooklyn Museum: Contemporary Art
Size: 93 1/4 x 156 in. (236.9 x 396.2 cm) Medium: Oil on canvas
https://www.brooklynmuseum.org/opencollection/objects/163367
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Mike Bidlo (1953 -) The Dream, 1987 (129.5 by 96.5 cm)
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