#might post some thoughts separately later

[saucerfulofsins]

I haven’t seen any posts comparing Buck’s coming out to Eddie and Tommy breaking up with Buck, which is a shame because the similarities drive me insane.

Or well. I say similarities, but that’s wrong. What I should be saying is: these scenes mirror each other. This post is more about the highlights than shot by shot comparisons – for that, I’d recommend you watch them side by side yourself.

Let’s start with the first and most obvious structural parallel: both scenes happen around 32 minutes into their respective episodes/between two-thirds to three-quarters in.

Now, for the scenes themselves. They follow the same basic outline, which I’ll discuss one by one. I’m following the same structure throughout: I discuss the coming out scene, then the breakup, and then give some analysis. At the end, I’ve included a section on further things of note that I couldn’t neatly fit into this structure and my final thoughts. Is this the first time I’m using the media analysis I was taught during my minor in Arts, Culture and Media with a focus on film in 2019? Yes, yes it is.

Buckle up, because this meta/essay is nearly 3k. For that reason (i.e. accessibility/readability and the amount of work I put in), this entire piece has been cross-post to AO3 (CLICK FOR LINK).

Opening shots

Seating 1.0

Buck in the kitchen

Seating 2.0

POV shots (both perspectives)

Eddie and Tommy leaving

Miscellany

Final thoughts

Analysis under the cut:

1. Opening shots

This part includes some of the most noticeable differences between the scenes, which explains why they feel different – at least at first.

CO: Eddie’s phone comes into view first – this is his chat conversation with Marisol, which the first part of the CO scene is about (note how this mirrors the gym scene, where Buck intended to come out before the conversation lingered on Eddie and Marisol). Eddie is also closest to the door during this part of the scene – which is where he will remain throughout.

BU: The first shot is of a closed door, which Buck opens for Tommy, i.e. Tommy certainly has no keys to Buck’s place, and this might well be a callback to doors as a recurrent theme. They greet with the briefest kiss possible. I rewatched this several times to make sure it really happened – it happens immediately after a cut and it’s filmed in such a way this could easily have been an air kiss lmao. (No seriously, I had to watch this screen by screen to properly catch it, and the audio is a lot more obvious than the visual). They make small talk about the movies and Tommy having ordered an uber (clearly a throwback to 7x05), and they switch positions so Buck is actually closest to the door.

As for clear similarities: Eddie and Tommy are standing up and remain mostly in the same place; Buck is moving around the loft – it’s an expression of his nervous energy, and the major changes in these scenes are about Buck, not Eddie or Tommy.

2. Sitting down

I made this a separate point for one reason, and one reason only: In CO, Eddie takes his own initiative to sit down, while saying he should go home and Buck offering him a beer, so clearly he won’t be leaving to go home any time soon(ilu Eddie but I’m begging you, stop putting yourself and also us through this 😭). In BU, Buck tells Tommy to sit down... which is in part to signal they need a more serious talk than can be done on the way to the cinema, but also shows a massive contrast in terms of familiarity and comfort, regardless of what Buck tries to tell Tommy later.

Both Eddie and Tommy sit down on the leftmost stool (closest to the door, i.e. it’s easiest for them to leave and Buck can’t get between them).

3. Buck in the kitchen

Fun fact! Before writing this post, I checked the scene where Buck confesses to Taylor that he kissed Lucy. During that scene, Buck is sitting down at the kitchen island, while Taylor lingers in the kitchen proper (i.e. with the island between them). She has moved in at that point – kitchens represent ‘being at home’ – but there’s a physical barrier between her and Buck, and it doesn’t actually keep from her leaving (even while saying she has nowhere to go).

CO: The camera uses a dolly shot to follow Buck throughout the kitchen – to the fridge and then back to the head of the kitchen island. He’s attentively listening to Eddie complain about Marisol and God watching him have sex (cursing God while sluttily drinking his beer).

BU: Buck walks out of view of the camera, through the kitchen, and there’s a dolly shot to the right to focus on Buck finding his place on the head of the kitchen island. He leans on the counter at this point. He does have a pretty open posture (identical to CO); Tommy sits with his hands/fingers folded together but he’s turned to Buck i.e. paying attention.

This is the position Buck has when he comes clear to Tommy about having dated Abby in the past; it’s also when his phone comes into the picture. Well. Pictures. Of Buck and Abby.

4. Seating 2.0

This is the longest section of analysis, and contains the part that makes me SCREAM but let’s start at the beginning. From the moment Buck sits down, the conversation turns serious in both scenes. This dialogue consists of mostly POV shots (which I will discuss next), and these medium shots that show Buck and Eddie, and Buck and Tommy.

CO: Buck sits down while Eddie says, “You and Tommy have the right idea, stay single.” This very clearly introduces a new section of the scene. Overall, the lighting of the loft is muted besides the yellow for visual interest and gay Eddie, thank you for your hard work Buddie colour theorists. Buck’s dining table is unlit and barely visible, so the space really takes a back seat and allows us to focus on Buck and Eddie. Please take note of the chair between them – this serves as a physical barrier, where someone is getting between them (a place for Marisol and Tommy, respectively).

BU: Here, the segway happens right after Buck’s come clear about being Abby’s ex 2.0. He sits down on the middle chair, but it’s quite obvious he’s shoved it away from Tommy. In fact, compared to CO, Buck is almost at the same distance from Tommy as he is from Eddie. There’s a barrier between Buck and Eddie, but there’s space between him and Tommy. This is emphasized by the lit dining table, which draws even more attention because of the white decorations: the loft is a space to be distracted by, focus on or even flee into.

Now. This is what kickstarted my obsession with these scenes, especially the coming out scene. The chair between them? Buck reaches out to Eddie, leans his arm onto it and in the process drawing attention to it. He actually leaves his arm there for an extended period, throughout several of the following shots, and only seems to pull back when he says he and Tommy were on a date.

The following shots – of Buck’s coming out and Eddie’s initial response – are back and forth POV shots. The first shot from medium distance, is this:

Do you see it. DO YOU SEE IT. Do you see what drives me crazy! Eddie is mirroring Buck’s earlier posture – also this is immediately after Buck says Tommy left him on the curb (i.e. Eddie realizes there’s no Tommy getting between them). Eddie’s not just opened up, he’s reaching out, extending his arm back onto that empty chair between them. And again, like Buck, he leaves it there for several shots. It’s still there when he tells Buck to call Tommy, although he briefly vaguely gestures to himself during the “He’ll love you! We all do!” It’s not clear when he takes his arm away; no shots show it and then he’s getting up.

This just. This drives me insane.

For comparison, Buck doesn’t reach out to Tommy during the BU scene. And, compare Tommy to Eddie:

5. POV shots

Okay, the section header is a bit of a misnomer because the scene consists mostly of dialogue and therefore has POV shots. Like I said, there’s also overlap between the POV shots and the wider establishing shots I used in section 4. The bulk of this part of the scene, however, shows a lot of over the shoulder close ups with quick POV switches. In both cases, this is where the subject at the heart of the scene is discussed.

Now, these differences are pretty small and they could be a consequence of these episodes having different directors. However, there’s zero doubt in my mind that Chad Lowe closely studied the CO scene for its sheer number of cinematographic parallels and therefore it might be entirely on purpose too YAY.

There’s some variation in the distance of these shots, but the most intimate ones look like this:

(Still not over that face he’s pulling here, dear Lord). Buck takes up most of the screen – his shoulders are visible, but the top of his head isn’t. I guess this is technically still an over the shoulder shot, but barely. Eddie is out of focus, just enough there to be a blurry ear. These shots are intimate. This is almost what Eddie is seeing – and actually these shots make it feel like they’re sitting a lot closer than they actually are.

"Until now.” Buck’s entire face (including hair) is in the shot, and we can see Tommy’s shirt. This is the closest/most intimate we get to see him (and Tommy, in reverse). For both sides, they’re very clear over the shoulder shots. Yes, this is intimate – but it is not intimate. A quarter to a third of the screen (esp as the conversation moves on) is dedicated to the other person. Buck is more visually interesting too. He has more colour in his face and his background is more clearly white than in CO, whereas Tommy blends in more with the brown coat rack background (shout-out to @sparklespiff for pointing out that difference while I was trying to figure out why Buck felt more noticeable, btw).

SIDENOTE: I know some posts have already been made about the pictures on Buck’s fridge and Eddie’s mantelpiece, like they seem thematically relevant (or perhaps not yet, but soon). Buck’s walls in general have more pictures on them in S8, which is evident both in Buck’s background and Tommy’s. I am nowhere near talented enough to identify them, but going by their general colour and composition, I believe all of Buck’s wall art pieces are that, art, not family photos.

6. Eddie and Tommy leaving

These scenes have some of the clearest parallels, and of course an incredibly clear difference in how Eddie and Tommy are leaving Buck.

CO: Eddie leaves not because of Buck (well, not technically), but because he has to go do something: “I gotta go talk to Marisol.” Buck is smiling while Eddie gets up and is on his way out. Of course, this is when Eddie stops, turns around, and Buck looks up. In fact, Eddie says “Come here” but he’s the one to walk up to Buck to give him a hug. Buck just stands up from the chair. During the hug, we get shots of both Eddie’s and Buck’s faces, and of course Eddie holding Buck’s shoulder. When Eddie leaves, we hear the door open and shut – the focus stays on Buck.

Again, when Tommy leaves, we only hear the door while the camera cuts to Buck. The show then picks up his response (with the same expression) during his arrival at Eddie’s, where Eddie lets him into his home.

BU: Of course, Tommy has nowhere he needs to go to (hello, return of the failed cinema date) – when he says “I should go” it is because of his conversation with Buck. There’s a medium wide shot of him getting up while Buck looks confused, looking like he’s about to reach out for Tommy – the first time during their conversation. The camera uses a slow dolly to the left, which is when Buck calls back Tommy to ask for clarification: “Did you just break up with me?” Tommy says, “Yeah, I guess I just did.” This has been pointed out before, but they’re clearly not sure. Tommy also says, “Believe me, I didn’t see it coming either.” (Was LFJ speaking from Tommy’s perspective in that interview?). That line is fascinating, actually, because only moments ago, he was incredibly adamant about being Buck’s first, not his last. This feels like a throwback to “Enjoy it while it lasts,” leaving them both overwhelmed/confused.

Look at how similar these shots are! Also, the reason I was adamant about calling these scenes mirrors and not parallels is because Buck and Tommy greet each other with a moment of physical affection (which, as I mentioned before, is incredibly short and barely visible). Eddie wouldn’t have ordinarily but feels it’s important to hug Buck to show him nothing has changed. In terms of meaning and cinematography, their interaction is a lot more substantial and reciprocal. They’re also making sure to leave on good terms – whereas Buck and Tommy meet on good terms, but part essentially as strangers. Buck and Tommy ending the scene like truly feels like an end. Buck and Eddie’s scene feels like a significant shift in their relationship, and for me part of that is a result of Eddie hugging Buck, and shaking up their routine.

7. Miscellany

Just some bits and bobs I couldn’t fit elsewhere in the analysis!

“I like him too. Just not the same way as you.” 7x05 was truly out there foreshadowing 8x06’s “I am not gay.” (I want to do a full 7x04 + 7x05 parallels post at some point, but that’s going to be a fuckload of work and possibly even larger than this post).

Like I pointed out, Buck and Eddie drink beer during their scene (which they often do during their conversations). Buck and Tommy are breaking up without accoutrements. Of course, we know Buck brings over beer to Eddie after the breakup. Because the scenes mirror each other so closely in every other aspect, it feels incredibly poignant: Eddie again fills a role in Buck’s life Tommy should have had. I also figured I’d check their fake brands, and they are different labels. I would assume Buck brought a new flavour, considering Eddie’s looks.

Speaking of continuity, Buck opening the door to Tommy in a sense mirrors Eddie opening the door to Buck at the end of 8x06. The key differences in their cinematography is that during BU, the establishing shot of the entire scene is of the closed door without a peephole shot. When Eddie opens the door, it follows his Risky Business tribute so the door takes up less presence, and even when it’s closed, Buck is clearly visible through the peephole.

Phones clearly are connected to (past) female love interests; Eddie is interacting with Marisol but it’s through text and impersonal – we don’t see the messages, we just hear Eddie complain. On the other hand, Buck is out of contact with Abby but he still treasures that relationship – otherwise he wouldn’t still have those pictures on his phone after 7 years. I guess that’s kind of cute? Idk, I never really liked Abby or how she treated Buck, but Tommy’s speech has turned me into an Abby defender lol

Like Buck, Maddie also stands at the head of the kitchen island during her conversation with Chimney. Chimney’s in the kitchen proper, though, and Maddie walks up to him so they can actually stand face to face and be happy about the new pregnancy together! (I genuinely missed that scene the first time I watched the episode, I was so caught up in the bones of it all SORRY MADNEY I LOVE YOU FOREVER).

8. Final thoughts

I mean. Are we really surprised? I’m not! Actually that’s a lie. I saw the similarities but was shocked at just how close these scenes are in full. However,I do think this scene in particular does a lot to show just how deliberate these parallels between S7 and S8 are (and between S8 and previous seasons in general – we’ve seen similar/near identical cinematography a couple of times now), and how deliberate the parallels are between Eddie and Tommy (who are literally taking up the same position in these two scenes).

And just. The fact it’s the coming out scene between Buck and Eddie, which was about opening up & telling the truth, and it doesn’t change anything (allegedly), versus Buck and Tommy, which is about opening up & telling the truth, which changes everything... it reaffirms how I feel about the coming out scene – this is a major moment of change, and that change is deeply entwined with their respective romantic relationships. AAAAAAAAAAHHH!!

[myokk]

Hi! I'm still feral for these two, would you mind giving us some art of them in their later years together!?

Hello angel!!!!

Sorry it’s taken so long to respond🫶🫶 but I wanted to draw some new art for this ask💓

We have: Sebastian and Eloise trying out their new fancy camera with a selfie, pictures of them with their daughter, and finally…idk I just always felt like this drawing is when they’re a bit older💓

I want to take this ask as an opportunity as well to talk a little about how I imagine their future (I have no chill & you can ignore this and just enjoy the art if you want😇).

I am a COMPLETE pantser - I never know how a chapter’s going to end when I start writing it (I always just have a few scenes I know I need to include to keep the plot moving forward). Although I have different *big* scenes I’m always writing towards, and themes/plot elements I’m always foreshadowing (shout out to @elliecutte for catching *almost* all of my hints and appreciating my general no chill😆), IM STILL NOT 100% SURE HOW I WILL END THINGS !!! 😳 I have a lot of endings I see as possible, and I think soon it will become more clear to me what will work the best💓

HAPPY ENDING:

Eloise and Sebastian become Unspeakables. I have a LOT of thoughts on this profession that could be its OWN post, and I feel like Unspeakables are generally specialized in one or two departments, but as their interests/research change they also change.

Eloise becomes an Unspeakable in the Mind and Death departments, with the occasional foray into Time. Her ancient magic is connected with all of these things (my version of AM is NOT like the game) & the Department of Mysteries is one of the only places that gives her any useful information about these things. Plus she thinks too much (it IS her hobby after all😆💓) and is very introverted so a hermit job like this is a perfect fit.

Sebastian becomes an Unspeakable as well, but I feel like it takes him a long time to specialize in anything, if he ever does. I just feel like becoming an Unspeakable is the adult equivalent of sneaking into the Restricted Section🥹🫶

They grow old together (I won’t explain TOO much) & have a lovely little family🥹 at least one daughter that they both dote on. Sebastian had an amazing childhood (idyllic until it wasn’t), and wants to give his daughter the same, and Eloise works hard to make sure their daughter feels the love that she never had growing up🥺

When Sirius is burned off the family tree, Eloise and Sebastian take him in🥹🫶 (they’re like 100 years old but WIZARDS LIVE LONGER…) The same happened to her all those years ago, and she wants him to know that his whole family hasn’t abandoned him.

Eloise LOVED her nieces - Bellatrix, Andromeda, and Narcissa - when they were younger, but as Voldemort becomes more powerful & people realize WHAT he’s doing, she has to separate herself from them. Her heart breaks seeing Bellatrix go mad, and seeing Narcissa engaged to a Malfoy out of obligation😔 (iykyk)

I haven’t thought any more about happy ending but I think it’s fun to think about how their future story might weave in with the actual canon events, ESPECIALLY since Eloise is a Black🥹💓

SAD ENDING:

After Sebastian gets his hands on Slytherin’s relic, it really starts to consume him and makes him even MORE obsessive than his natural tendencies - I imagine it similarly “talking” to him like Slytherin’s locket/horcrux did in Deathly Hallows (😳)

Eloise is deathly afraid of the changes she’s seeing in Sebastian and steals it from him (he would never willingly give it to her ESPECIALLY if it starts to feel like a precious item to him)

BUT the relic triggers the latent Black Family Madness in her - the madness that afflicts almost every woman in her family since…🤭 - and she herself starts to lose touch with reality. Her body and soul are already destroying themselves between the curse and the ancient magic inside of her, and the relic is what triggers it in her.

Sebastian becomes an Unspeakable, focusing on the Mind, in a desperate attempt to find a cure for his Eloise🥺

He never gives up his research, and sometimes when he comes home she is lucid and they talk about his research - otherwise, he just loves and takes care of her.

(He’s never successful in finding a way to reverse what he feels he caused in the first place - his ambition and single-mindedness is, to him, the reason why all of this happened)

Honestly who knows if I end their story either of these ways😌 I just love thinking of AUs and different endings and I have a few others I’ve considered as well!!! And whatever endings I don’t write will be immortalized on this blog and in my art as well🙏

[buckley-diaztruther]

thinking about the 'evan' of it all and how that name is only used in such specific circumstances. bucks parents use it for those two full episodes because that's who they think they know. they don't know buck yet (though I think its worth nothing that Phillip DOES cal him buck during that first dinner w Maddie, completely unprompted), they know the little boy named evan. their son, even if they didn't quite love him like one. Maddie calls him evan the most at the beginning and only drops it here and there after s2. almost always in moments where it's an older sister who isn't just addressing the man in front of her but the little brother that she raised all those years ago. when eddie says "because, evan" it's a call to attention to the little kid inside buck who was never taught to value his own life and safety, who learned to throw himself into harms way because whatever the consequences of that were (injury or death) it was worth what he earned - love, attention, and as he got older the safety of another.

and when temu calls him evan, even when he's been written as sincere and kind, it still comes off as. condescending. it's not always overt but it's definitely noticeable that Tonka truck doesn't really always see bucks feelings and opinions as valid. it's the way he decides buck isn't ready, how he dismisses Bobby as his father, the weirdly paternal behavior in the halloween episode that wasn't even just skepticism about the curse. idk it's not like this villainous trait but it really paints a picture of someone who doesn't know buck and doesn't care to. he doesn't listen and when he talks to him he's never talking to buck, he's talking to this naive and immature kid that he thinks he sees.

I think this is the angle the show is going with - they're never going to acknowledge temu's past behavior, it's basically been written out just like gerards and that's the choice they've made. maybe theyre trying to play it safe since that can be such a touchy angle and they're going for something new, in terms of the narrative. it's a method that is going to help present this contrast that yes, temu doesn't know buck. and make it that much more obvious that Eddie does, in all of the ways that a partner should.

[lazinesswrites]

I should've been working on my thesis today, but instead I've been thinking about clones. I did also work on my thesis just not as much as I probably should have.

I finally reached the part of Clone Wars where the Bad Batch are introduced and watched it twice and I have some Thoughts. Since you all seemed to like my May 4th post (seriously, it's still getting new notes every day, what's with that? - not a complaint) I figured I'd share.

I will warn you right now: It may become clear in this post that I'm studying Communication, and also that I find Words and How People Use Them really interesting.

So. Okay. We all like Cody, right? He's a good guy. He spends a lot of time with Kenobi, and also Skywalker, so some snark is to be expected, but over all he seems like a nice guy (not to be mistaken for a Nice Guy TM, which is something completely different and not actually very nice at all). It's also made clear that he's worked with the Batch several times before, and that the Batch all seem to like him well enough, for a reg, anyway.

Cody introduces the Batch to Rex as "defective clones, with... desirable mutations". Defective. From a guy who seems to at least respect them, and have earned their respect in turn.

It makes me wonder... How often have the Batch heard that word? How many times have they been called something even worse? Sure, they weren't around to overhear it this time, but that doesn't mean aren't sometimes, or that other people won't say it to their faces.

And what almost makes it worse is, I don't think Cody meant anything bad by it. It wasn't an insult, just a word, a fact - a way to describe them that Rex would understand. An Rex probably doesn't see it as an insult to them either; a cause for concern, maybe, but not too bad, because Cody clearly trusts them to get this job done. And Rex seems to respect 99, too; another 'defective' clone (see his comment about naming them Cloneforce 99 'a nice touch') (idr if Cody is ever seen interacting with 99 or talking about him or giving away an opinion one way or another, but probably he liked 99 just fine too).

What I'm getting at is... Just because Cody and Rex don't use 'defective' as an insult, that doesn't change the fact that it is a negatively charged word, especially when directed at clones, who are people, but often treated more like droids; where defect means damaged, means not worth it, means decommissioned, means dead, in one way or another. And the fact that the word is so commonplace that good guys like Rex and Cody use it so flippantly... That must be really fucking hard, to live with that moniker hanging over your heads all the time, no matter how good you are at what you do (A 100% success rate doesn't happen accidentally - that's what happens when you can't afford to be anything less than perfect). No wonder they try to turn it around; wear it like armor: Yeah, we're a "bad batch" but we're still here.

Honestly, "regs" seems kind in comparison.

[whatudottu]

Something about Altered Loyalties CYLAS just really makes me want to include him in the first place but also makes me really really REALLY think that with the more supernatural elements of AL based off of the original TFP pilot (or just first episode/s?) that CYLAS as a ‘dead man walking’ would actually let him stay around longer AND also be a very significant contributing factor to Megatron’s downfall in Decepticon favour!

Of course it’s not as if I have the pieces of the TFP rewrite au firmly put into place, CYLAS in canon shows up just over halfway into season 2, and many of my most established changes occur in the first like… including all the parts of ‘Darkness Rising’ 8 episodes of season one; I have no idea if the environment CYLAS presents himself in is the same one canon CYLAS does.

But with the dubiousity between s1 e8 all the way to s2 e19, I’ll establish the basic context… I think in story mode maybe…

Looking at the general timeline for the Aligned Continuity, it says that the first contact of cybertronians on Earth is dated to about 500 years before the show, give or take a decade. I’ve been listing Skyquake’s little EHP pitstop to have existed at least 50 years before the war reached our planet, but what if I pushed it all the way back to 500; if a vorn is 83 years, that’d be about 6 years on an entirely different planet not knowing truly if your twin is going to make it, a planet which by the way presently has no established radio systems that it’s horrifically quiet for a terrestrial environment.

That means that Skyquake’s EHP Comms Array has been transmitting a signal long before humans had developed radio, which also means that what might’ve been blatantly an anomaly in the system if discovered 50 odd years previous to 2012 (which would’ve been in the 60s give or take which would not have been good in the literal middle of the cold war era) has been going for centuries because it had always been there, there is no anomaly because it is a signal that has existed ever since humans were able to manipulate radiowaves into sending messages and translate them into detectable noise. It helps that cybertronian language and code (both code lang and like literal programming code) is a system unknown to humans developing their own language.

And you may be asking, why did I divert this post from talking about CYLAS and how he’d outlast his canon alternate to radio shit? Well, if you were a paramilitary organisation who is pretty good at erasing signals and you discovered a signal that has been actively running for the entirety of human radio has suddenly been silenced, what would you begin to suspect at that?

Aliens may potentially be a stretch but MECH didn’t just name themselves after the cybertronians fighting war on their planet, and once the cybertronian conflict touched down on Earth, the Decepticons hadn’t a need for an intergalactic communications array and in fact was specifically instructed to switch it off in an effort to prevent the Autobots from using it. That would’ve been about maybe 6 years ago for the show (wow just enough equivalent time to match what Skyquake felt he spent grounded to one radio tower look at that) and though MECH would not encounter their first cybertronian until ‘Convoy’ (haha wait that’s s1 e9 the next ep to cover - if necessary - for Altered Loyalties lmao), they would’ve had 6 years to find that missing signal and stumble across some very definitely alien technology.

That is one of the reasons why the rewrite of ‘Masters and Students’ which is less masters and students focused - rather the point is Skyquake, a team of Nemesis stationed vehcions and Starscream investigate the comms array and set it up manually - why the radio tower wasn’t switching on from a remote position.

The other reason was because the Guardian unit stationed at the comms array - the very ones that had accompanied Skyquake all those stellar cycles ago - had gone missing. Why?

Because of Megatron’s flagrant use of Dark Energon.

Points 1 and 2 listed above leads to the explosion of the comms array, the death of Skyquake, and MECH either being alerted to the point of alien contact or just in general going to the site for more study only to find a dead specimen. After the discovery of the Autobots with the body of Skyquake, MECH begins their initial study and dissection of cybertronian physiology, though without a live subject they couldn’t exactly see what parts function in what way, especially the t-cog.

The discovery of Skyquake led to the discovery of terrorcons which lead to the discovery of how to take down a cybertron and how to take it apart without it screaming. MECH would learn the programming of a cybertronian through vehicon terrorcons since, even with DE corruption, their processors are still somewhat being maintained. While probably not able to access memories (they are fickle things, memory centres, easy to damage storage or to corrupt files) there are still systems responsible for pain and other more processor based responsibilities that aren’t centred in a physical organ that reads in fine print it’s function.

Breakdown being MECH’s first fully functional living mecha for their study is so exciting for them (even if Breakdown is very much less enthused) because they can put what knowledge they’ve pieced together to be far more efficient with their time and focus on the elements they could not decipher from either corpse or zombie and potentially try and prod at Breakdown’s brain for some cohesive coding. Good think Bulkhead still shows up when he does even with Breakdown walking away with the dreadful thought of ‘how the hell do these fleshies already know so much’ boring into his head… mainly through the optic that was still drilled out-

Whether or not MECH needs to get another living cybertronian to get caught up in their understanding of the biomechanics of them (aka would 'Operation: Bumblebee' take place as it does) or they skip right onto making a remote control Prime having gotten a headstart on their knowledge and scaring the scrap out of any bot unlucky enough to be unconscious around them, eventually Silas gets smooshed and MECH scientists are reliant on their alien dissections to get the human puree back to the land of the living.

I'd assume that this was the case in the original since if Silas' biomatter was able to be collected from a pile of robot drone induced rubble the RC truck would've been able to be recovered as well, but MECH discovers that using Nemesis Prime as a lifesupport system does not work given all it's functionality is focused on visually replicating another cybertronian, rather than using it to create life. There's a lot of parts and systems to a cybertronian's biological ecology that wasn't put into consideration for a mimic toy that prove detrimental to creating a suitable ah... skin suit essentially for Silas' blood pudding, but MECH has an abundance of corpses ready and raring to be used just so long as they piece them back together again.

Amid MECH's collection would no doubt be a mass of vehicon bodies - some untouched by energon others taken down explicitly by MECH because they were terrorcons - some terrorcons made up from the bodies of the previous conflict pre-show (and not just a hypothetical ancient war, but explicitly the conflict that culled a lot of Autobot and Decepticon officers amid the show expected vehicon death), and the very first cybertronian sample they started studying, Skyquake himself! Being at the origin of the blast at the EHP Comms Array he wasn't kept in perfect condition for one, the arm he loses as a terrorcon in the Shadowzone is still lost - it's been buried under rubble after being severed with radio tower pieces - and the monochromatic glass over his optics has long since been shattered so you can see the 'pupil' aka sensor, but seeing as how CYLAS makes Breakdown's corpse somehow look worse than what Airachnid left it as MECH probably has to suture that fucker back up because there's not way his organs have been left untouched!

And once CYLAS has been successfully integrated into his new cybertronian shell (some sort of arm, either being a loaner from another corpse or straight up just one MECH invented, it could even be a copy of the missing arm but where's the fun in that) instead of getting all high and mighty about 'being of a superior species' Silas actually bloody thinks on MECH's plans going forward. With a literal army of paramilitary personnel, from the scientists that melded human flesh with cybertronian wires to the average grunt soldier fighting between the battles of iron giants, CYLAS has something that Megatron (at least the Altered Loyalties Megatron I have written previously) has wanted from the start of the series...

An undying force.

For as large as cybertronians physically are their numbers can never match the scale of humanity, I can't remember if the books mentioned only thousands of the dead or up to a million over the course of like... a long fucking time but, that's not even the number of the human population if you're caught up with the number (nearly 8 billion alive today). And with the dead of previous battles already roaming the Earth, in a world where Megatron still being only like one dude can't command a planet wide population of zombies, the only reason he doesn't turn his blade to the weakest denominators of his forces in his plagued state is because their conscious decision to serve him is worth more than mindless servitude.

CYLAS introducing himself and MECH as a solution to this issue, and providing a show of bountiful body horror, makes not even the Decepticon high command quite as safe as they had been; not that it's been proven to be safe standing by Megatron's side given his track record of wanting his SiCs beaten or killed but...

The fact that CYLAS just so happened to have given and then promptly brutalised Dreadwing's hope that Skyquake may have been actually alive, just severely damaged (and, bond weakened from distance and prior injury, clinging to the last shreds of 'my spark didn't kill me with him' reasoning) and broke him out of the spell of blind loyalty to his once great leader.

CYLAS in this version has a little bit more longevity to his existence within the Decepticon forces, not actually a Decepticon soldier as the canon CYLAS pledged himself as but 'The Human Factor' the episode so calls itself akin to the way the American government and the human children are to the Autobots, but being able to physically go toe-to-toe with cybertronians. Megatron might be a little tired of dealing with independents after Airachnid's escapade (I do intend to make her more into a poacher/torturer type character than another Starscream so she might act out a little differently), but Silas isn't one for licking boots anytime soon and as CYLAS, Megatron is no different; you'd think he wouldn't have even done that in the first place given he's already an ex-military 'take-no-nonsense' bitch, but the Breakdown in him probably made him a lapdog...

Anyway that's a whole big post about Altered Loyalties CYLAS... or at least the in depth reasoning behind why he could still integrate himself into the story and why he'd probably have more opportunity to lasting- i prommy it's not bc i like torturing skyquake likers *wink*

I guess this is now a canon event or at least I'll try to make it canon ;)

[altruistic-meme]

oops i’m already putting down some of my thoughts for the Kristina post ✌️ getting a head start on it ig

[lierenprotectionsquad]

There’s no way to accurately express how I feel about this episode. I wish I had a podcast because my sister and I had a lengthy conversation about what happened, how we feel, what we think and how we want things to work out moving forward. I’m gonna say, I do not accept Blake and Yang slander, but I was not a fan this episode. They were being totally unfair to both Ruby and Jaune. I will excuse what the two of them said to each other because they were in a really bad place, but Blake and Yang had no excuses. Weiss was unfair too, but not nearly to the degree the other two were. When they find Ruby, I hope it’s either just Weiss or Weiss and Jaune together.

[sapsolais]

!

[ceilidho]

hound dog

prompt: You pick up Ghost from a bar for a one night stand. Too bad Ghost isn't interested in a casual hook up. (nsfw, 6.7k) [based on this old post] [on ao3 here]

-

Rare is the day when a stupid girl doesn’t do stupid things.

This is just one of many such occurrences. Stepping into the dimly lit dive bar—the one miles from your place, reeking of tobacco and leather and motor oil, the noxious perfume of week old sweat and weed stinking up the joint, pardon the pun—with too much eyeliner and mascara on, and a skirt too short for you—and would you just stop fiddling with it? But you can’t because that would mean admitting that it barely fits over your ass, that putting on a skirt so short was a choice, an invite, a teasing little taunt to the men in the bar saying, what are you waiting for? I’m asking for it, aren’t I—

What’s that saying again?

Ah, yes. Choices made in anger cannot be undone.

It’s why you’re planted at the bat some six weeks after being dumped, two weeks after being ghosted for the third time in a row, a smile on your face despite your crumbling self-esteem. Pride hanging in tatters. Grimacing when you find the bartop sticky with congealed liquor, the residue sticking to your skin when you quickly lift your elbows off. But there’s a time for self-pity and a time for getting it the fuck togther. This just happens to be one of the latter times.

“What’m I gettin’ you?” the bartender in front of you asks, barely impressed with your get-up. Not even attempting to conceal his distaste when he eyes you up and down, lingering on the way your tits are practically spilling out of your top. 

“Do you have any cocktails?” you ask. Wrong question. The eye roll isn’t even suppressed for your benefit when he makes it clear to you, in no uncertain terms, that it’s whatever he can pour straight from a bottle or the fancy bar for cityfolk down the road. He says it like that, the word practically sneered out. Cityfolk. 

Nerves shaken, you sip at your red wine after he leaves you to your own devices, your glass poured straight from the box. It could function passably as lighter fluid if the circumstances called for it. Still, you swallow it with a positive attitude, emboldened by the knowledge that you’re here for one thing and one thing only:

to get fucked within an inch of your life by one of the greasy-haired, cut-wearing, cigarette-smoking men lining the bar. 

Even the thought sends a thrill down your spine. 

It’s an age old question, isn’t it? What’s a girl to do (when her love life’s falling apart / when her credit score just bottomed out because her ex-boyfriend ran up her credit cards behind her back / when her job’s steadily becoming unbearable but quitting would mean scrambling to find a job that’ll pay anywhere near to what this one’s paying her) to get a drink around here? 

Evidently, the answer isn’t to use a dating app; you can say that confidently after waiting around in fancier bars than this for several no-show dates. 

You’re feeling appropriately over the whole thing. Ready to call it quits. Uninstall all of the apps on your phone and hire a matchmaker or ask a friend to set you up with a coworker of theirs. But that’ll be later, down the line when you aren’t dealing with the issue at hand.

The issue being that—

you’re really fucking horny. 

Embarrassingly so. Enough that you were willing to travel miles away from home to avoid accidentally hooking up with anyone you might run into later on while out getting groceries or on a morning run. 

It’s just better to play things close to your chest. Keep your romantic life and your sexual exploits far apart (not that you’d know much about keeping things separate; you’ve never had much of a sex life to keep hidden) lest you get mired in a stickier situation than you’re comfortable being in. 

Despite the rough start, the bar you chose seems promising. There’s a man at the other side of the bar that keeps drawing your eye. It’s the hulking size of him at first, then the grime clinging to the folds of his skin, worn in from years of hard labor. He looks like a man fresh off a fourteen-hour shift or a fortnight spent on an oil rig in the middle of the Baltic sea, freshly washed ashore, kelp and barnacles still fused to his skin, not yet pried off. 

Rough is the only word you’d use to describe him. A face covered in nicks and old scars, his upper lip slightly puckered and scarred from cleft lip surgery. When he turns his head to say something to the bartender, you catch a glimpse of a cauliflower ear, the cartilage of his tragus and antihelix swollen and deformed. 

He’s exactly what you’ve been looking for. If you’d given it more thought, you think you could’ve conjured up an image of the man across the bar all by yourself. It’s like someone plucked him straight out of your head. Big and brawny, broad shoulders that you can imagine dangling your ankles off, and well-muscled arms that you can imagine digging your nails into. It would take both of your hands and extra to wrap around his bicep. The thought makes you shiver.

You try to catch his attention subtly. Looking over at him from under your lashes, quick, smoldering glances meant to draw his attention to you, so that he approaches you first. You keep waiting for the moment when he’ll notice your stare and hold your gaze, a question being asked and answered between your eyes before reeling him in with a coy little smile. 

But when a half hour goes by without a single glance your way, your hope begins to wane. 

He doesn’t look up no matter how many times you glance over at him. It’s frustrating; you know he feels the weight of your stare. His disregard is purposeful, deliberate; like he knows your attention is fixed on him but he can’t be bothered to so much as return your stare. You wonder if that means he’s got a lady at home, a little bird cooped up in his house that he’s more eager to get back to after he’s had a drink to take off the edge than flirt with some trussed up floozy at the bar.

That makes you squirm, self-consciousness rearing its ugly head again. Maybe you made a mistake coming here. 

It’s not as though you’re being completely ignored, it’s just that the caliber of men that have approached you so far haven’t really inspired much, carnally speaking. You’ve sent the few braver ones away, a half-hearted thanks but no thanks when they offer to buy you a drink. Most leave without a word, though a few mutter obscenities under their breath before shoving their hands in their pockets and stalking away. Bitch. Dumb cunt. 

Calling it a night feels like a natural next step. With the attitude you keep getting from the bartender and the way the only man you’re remotely attracted to refuses to so much as glance your way, it doesn’t feel right to stay out any longer. Embarrassment heats you like a low grade fever, warm in your belly. Wine sloshes around in your stomach when you slip off the stool, hunger now another pressing concern. 

You’ll ask him on your way back from the bathroom. If he turns you down after that, you’ll slink off into the night with your tail tucked between your legs. There’ll always be next weekend to try again. You promise yourself that because the alternative is acknowledging how defeated this entire experience has left you, no less disappointing than going on the same boring first date with a guy from Tinder. 

In the bathroom, you dab your face with water and stare at your reflection in the dirty mirror. It looks like it hasn’t been cleaned in years; finger smudges and white strains streaked across the glass. You wonder how many strangers have fucked in this bathroom over the years. The thought makes you grimace even more when you notice that the floor is slightly sticky, the ground sounding tacky beneath your shoes. 

When you come out, the man from across the bar is waiting by the door, so close that you flinch, eyes widening. The narrow hallway means that he’s barely three feet from you when you stand in the doorframe. 

“We leavin’ or what?” he growls, voice as deep as you thought it might be, gruff and husky. 

He’s just as imposing in front of you as he was from across the bar. Maybe more so. You’re forced to crane your neck to look up at him this close, lips parting on an inaudible exhale. There’s something about a brutish man that’s always taken your breath away; everything from the blunt chin to the pronounced brow. His face is flecked with pale, keloidal skin; rubbery nodules from old injuries. 

Dumbstruck, you can only nod, following behind him when he turns away from you, headed towards the parking lot out back where his truck is parked. 

You’re really doing this. You’re really doing this. That’s the only thought in your head when he unlocks his truck and pops the door open for you, waiting until you’re buckled in before slamming the door shut. 

He’s quiet on the car ride back to his place, unconcerned with getting to know you or defusing the tension in the truck. You can’t say you blame him. There’s a reason you chose a bar so far from home as a hunting ground. If you wanted to get to know someone, you would’ve met someone at a coffee shop. 

When you ask his name, he grunts it out like it’s an inconvenience. Simon. He doesn’t give you more than that, even when you awkwardly ask him what he does for work. Blatantly ignores your questions. The rebuff smarts for some reason, makes you frown and duck your chin to your chest, shoulders hunched.

His demeanor is so off-putting that halfway through the drive, you wonder if you misunderstood him somehow, if he means to drive you home instead of taking you back to his place (but that can’t be right, otherwise wouldn’t he have asked for your address?). It’s just hard to reconcile his churlish attitude towards you with his ostensible invitation to fuck. 

Maybe he doesn’t intend to fuck you at all. Maybe you managed to pick up the one serial killer in a twenty mile radius and stupidly followed him back to his truck without telling anyone who you planned to go home with. Your blood curdles at the thought, hackles raised when you imagine him sizing you up from across the bar, all prettied up and doe-eyed, easy prey. 

Your breathing picks up. “I, um…actually, c-could you…could you just drop me off at my place?”

Simon rolls his eyes so hard that it’s almost audible. “Not gonna kill ya, bird.” 

That doesn’t go a long way towards reassuring you, but you don’t dig your heels in and demand he take you home either. 

“Do you live nearby?” you ask, suddenly chatty. Why, oh why.

Simon looks over at you, one hand on the wheel and the other on the gear shift. He drives a manual, you notice. A few too many seconds go by in silence. You wish somebody would just staple your mouth shut already. 

“Yeah,” he says finally, turning back to watch the road, taking a left turn up ahead without using his signal. So it’s that kind of drive.

You keep your mouth shut for the rest of it lest he decide you’re too much of a hassle and turn back. You’re poised right on the edge of something new and exciting, and the thought of that slipping through your fingers makes you feel a bit crazy. So many men before have shown you that same snap dislike. Like you’re tolerable over text or as a dimensionless photo, but not as a flesh and blood person, the real mechanics of you all wrong. It’s an intolerable thought—that people can only like you when you smile and keep your mouth shut.

Still, you’ll do it now, for a price. 

Part of you expects him to pull you into his lap when he pulls into his driveway and puts the truck in park. It’s what you’ve seen in movies. The rest of the night plays out in your head in piecemeal flashes; ravenous passion, hands tearing clothes off each other’s bodies, a shoe left on the porch in your hurry to get inside. Hungry, devouring; slick mouths parting for barely long enough to breathe.

Then Simon cuts the engine and gets out of the truck without so much as a glance your way, like you aren’t even there.

He still comes around to open the door for you. You frown at him through the window, affronted. Baffled at his continued nonchalance. Like even keeping your mouth shut isn’t enough to keep a man’s interest. Where you expected passion and fervor, you’re met with cool indifference. 

Simon pops the door open. “Get out.”

The house itself is nothing special. A two-story cookie-cutter house built in the seventies; weathered, beige-coloured vinyl siding and a neatly trimmed lawn, with a few patches of overgrown grass and weeds. There’s a trailer parked in front of the closed garage, a few planks of wood strapped down in the bed. When you follow him up the walkway, you notice how quiet the neighborhood is, and for some reason that makes you even more jittery. 

You stop in the doorway, frustration breaking your timidity like snapping an ampoule. “Do you even want to—” fuck me, goes unsaid. Too humiliating to even ask. But you ask anyway, the question itself implicit even in so few words. 

Dark eyes stare down at you, impenetrable. You’re struck by the sense of something primordial slithering under his skin. His expression is hard, his face carved from granite; when his expression shifts, it’s like watching tectonic plates create mountains, plates pushed upward by mantle plumes.

He fits a big paw under your chin, fingers pressing into the fat of your cheeks hard enough to make your lips purse. Your heart skips a beat when he angles your head from side to side, looking you over like a pet he’s considering bringing home. You almost go cross-eyed when he bends down, his forehead nearly brushing yours, so close that you can smell the scent of cigarettes clinging to his clothes, see the grease smudged on his face and the folds around his eyes. 

A grin flickers across his lips, gone as it came. “Yeah. I do.”

And doesn’t that tie your stomach in a knot? Your nerves in a pretty bow? 

Inside, his house is just as unremarkable. You’d know in a single glance that a single man lived here; a functional, no-frills living space. Nothing more than a worn couch, a TV, and a few pieces of obvious hand-me-down furniture. It’s hard to glean anything from the minimal decoration around his place, but he doesn’t give you much of a chance to look around. That’s not the point of why you’re in his house. 

“Eat anything yet, bird?” Simon asks from the kitchen, opening the fridge without purpose. It looks like more of a reflex than anything, the first thing he does the second he gets home for the night and the last thing he does before going to bed. From the size of him, it makes sense; his body is muscle on muscle, covered by a healthy layer of fat, just a surface layer over the bulk beneath. 

You shake your head. “No.”

“Have a bite, then.”

“I’m not, uh, hungry though,” you deflect rather than saying the obvious, which is, I came to your house to have sex, not make sandwiches at the kitchen counter together. 

He shuts the fridge door, pinning you with his stare. “Your call. Could’ve used the energy though.”

You swallow. 

The first thing you do after he herds you into the bedroom is try to pull him into a kiss, cupping his cheeks and standing up on your tiptoes. Before your eyelids flutter shut, you catch a glimpse of a cocked brow. Then you press your lips to a slack mouth that doesn’t move no matter how much passion you infuse in your kiss and feel embarrassment flare up in your guts. 

Bastard. You should’ve expected that he wouldn’t kiss you back. 

“Sorry,” you mutter, breaking the facsimile of a kiss and dropping back down onto your heels. 

You flinch when he grabs you by the back of the neck and reels you back in, forcing you back onto your tiptoes, “Don’t be,” grunted against your mouth before fusing your lips together. A pathetic keen climbs up your throat, eyelids slipping shut. 

His greed leaks from him like tar, his kiss so messy and violent that you’re almost too jarred to do anything apart from hang on. Teeth clack against yours, a horrid sensation, the lust in your belly abating long enough for the real world to slink back in and you get flashes of it: hands winding around a thick neck, a scratchy cheek against your lip when he twists his head to angle your noses better, a tongue shoving into your mouth unceremoniously, no finesse at all. Straight to the main point. 

A shudder wracks you from head to toe when you try to break the kiss only to find the hand on your neck firm, holding you in place. The subtle reminder that he can do whatever he wants with you, that you willingly went home with a man big and strong enough to pin you down and fuck you however rough he wants. 

“Simon,” you whine, squirming against him, gasping a breath and his name again when he wrestles you back into the kiss. “No—Simon—”

“Stay fuckin’ still,” he snarls against your lips, and you freeze, knees going weak when his fingers dig into your jaw to hold you in place.

The endorphin rush nearly makes your vision white out. A sudden winter storm, the blood rushing to your cheeks and the tip of your nose, your breath coming out quick and choppy. Lungs barely filling up with each inhale. 

“Get this off,” Simon growls, tugging on your skirt when you don’t move fast enough. He doesn’t wait for you to catch up, content to wrench your skirt off himself instead, your panties along with it. 

It takes your breath away, how fast you go from clothed to partially nude. Trying to match his fervor is a losing game, so you just try to keep up. Your hands tug at his belt, desperately trying to undo it, and he chuckles when he notices; big hands paw at your ass while you shakily pop the buckle out of the first loop. 

He takes over after that, popping the button on his jeans one-handed. 

“Wanna handle the rest?” he prompts, an eyebrow jutting up, expectant. Lazy with his arrogance; oozing rugged masculinity. It’d infuriate you if it didn’t get you so hot. 

Your fingers are numb by the time you pull his jeans down, kneeling at his feet and gazing up at him with wide eyed devotion as he kicks off his boots and shakes the pants off his legs, nothing under his jeans. His pale white thighs are dusted in fine blond hairs, mottled with burns and scars and old, faded cigarette marks, like someone used his legs as an ashtray. The thought makes your throat close up.  

He shucks off his shirt while you stare at the shaft heavy with blood hanging between his legs, drooping with its own weight. Flushed red at the head and streaked with dark veins, leaking a steady drip of precum. The hair at the base of his dick is of a darker shade, gold like straw. 

Your stomach swoops at the sight, dropping to the pits of you. You swallow. Maybe you’ve bit off a little more than you can chew. A lot more.

As if sensing your unease, a wide hand is suddenly firm on the back of your head, urging you closer. “Gonna give it a kiss?”

It’s not a question. You know that and you know that you’re way out of your league; that if you panic now you’ll flounder. So instead of fighting it, you lean forward and press a shy kiss to the weeping head of his dick. 

You lick your lips instinctively when you draw back, lapping up the precum smeared across them. The taste makes you wrinkle your nose. It’s salty; bitter. Not altogether pleasant. 

Simon wraps a hand around his dick and holds it to your lips. “Open your mouth, bird. Get me nice ‘n wet.”

A shudder rolls through you, but there’s little else you can do except part your lips and squeeze your eyes shut. It’s a struggle to fit more than just the head in your mouth, his dick too wide to take more than that. Your eyes water at the stretch, the musky taste of his cum overwhelming. 

Any experience you’ve had before this pales in comparison. It’s like the first time all over again. His cock is heavy on your tongue, instantly making your eyes water. The grip he still has on the base of his cock tells you that he doesn’t expect you to swallow the whole length (an impossible task; you go cold with dread at even the thought), but Simon doesn’t hesitate to grip your head firmer when he feels you falter, forcing you to take as much as you can.

When you gag, he shushes you. “Keep at it—you’re fine.”

You wonder if he thinks by saying it, it makes it true. You’re very much not fine, struggling to breathe through your nose and suck him off without scraping his cock with your teeth.

Your exhale when he pulls you off his cock by your hair is full of both relief and trepidation. Your lips feel swollen and tender when you touch them with your fingers. 

“Can we please have sex now?” you ask, dazed enough to be bold. 

Simon cracks a smile at that, endeared somehow. “Gotta get up for that, bird.”

You have to brace your hands against his chest when you get to your feet, the blood that rushes to your head making you wobbly. Even on your feet, he’s so much taller than you, a behemoth. Men like him have always been your type, but Simon is really in a league of his own. 

Glancing up at him from under your lashes, you bite your lip. You’ve seen that in movies before, starlettes bringing men to their knees with just a look. Coquette; demure. It’s harder to replicate than you thought, but you’ve never rehearsed this before. This is a one-time, live performance. The culmination of everything you’ve ever read or watched or studied. 

You keep up the ruse of being sexy by crawling onto his bed on your hands and knees, dropping down onto your elbows once situated in the middle of the mattress. The debauchery of wiggling your ass back at the man who took you home from the bar would overwhelm you if you weren’t playing a part right now. Role playing. This isn’t who you usually are, but if it’s only for one night, you can force out the self-scrutiny and timidity. 

Silence hangs in the air like a bubble, waiting to be burst. You fight the urge to look over your shoulder at him. 

Then Simon exhales, breaking the silence. Goosebumps ripple down your arms. 

The mattress dips under his weight when he settles behind you, hands immediately sinking into the flesh of your ass and pulling your cheeks apart. No preamble. You open your mouth to say something, but thick, coarse fingers are already dipping between your thighs and playing with your hole, sinking a finger in up to the first knuckle. 

You breathe out shakily, shoulders tensing. The sheets reek of him, musky and ripe; you concentrate on that instead of the fingers penetrating you, getting you ready for his dick. Your walls squeeze tight around his fingers when he forces another one in. 

When he finally feeds his cock into you, the stretch is nearly unbearable. The sharp stab of pain that accompanies it almost makes you flinch away, but Simon drags you back by your hips.

“You’re not going anywhere, bird,” he rumbles. “Relax. It’s going in.”

What can you say to something like that? 

His whole frame presses you into the mattress, the breath forced from your lungs. Bigger now that he’s got you on your belly. Suddenly making two hundred pounds seem less abstract, more real. He bullies as much of his cock into you as he can, paying no mind to the way you squeal and kick your legs. 

“Real tight cunt,” Simon grunts, humming with his pleasure when his hips punch forward and your pussy squelches around his length. So lewd.

His knees on either side of you keep you trapped in place, nowhere to go. Nowhere to run. All you can do is lie under him and let him rut between your thighs, gasping for breath with every thrust. The sweat is slick down your back, half yours and half his. 

“Ya let other men fuck this cunt, bird?” he asks. It sounds hypothetical, like it’s said half to rile himself up, and though it prickles at your nerves, you don’t complain too much because he fucks you rougher after the words slip out of his mouth. 

When you don’t answer him though, concentrating more on filling your lungs and not biting your tongue off, he grabs your face and twists your head until you’re looking over your shoulder at him, neck aching with the strain. 

“Answer me,” he demands, sounding almost pissed off. 

“N-no—”

“Good,” he grunts. Satisfied.

His words should piss you off. How dare he ask you about fucking other men as if he were your husband or boyfriend. You have half a mind to cuss him out, but then he pumps his hips forward and your face goes numb from pleasure. Electric impulses zip up and down your skin, sizzling your nerves. 

Besides, maybe it’s hot that he’s acting like you belong to him. Like you’re his; his girl that he picked up from the bar after a long shift, eager to go home and lay her out on the bed so he could fuck his pretty girl into a tongue-tied stupor. It certainly does it for you, a thin filigree of pleasure winding its way down your spine. 

It’s an intoxicating fantasy—being wanted by a man in a real, visceral way. It’s one you’ve never gotten close to before, never even grazed with the tips of your fingers, no matter how far you stretched out your arms. You don’t know what men see when they look at you, but it can’t be anything worth keeping. 

He fucks you like he wants to pry you open and leave a piece of him inside. A big hand fits around your neck and tightens; a collar, a manacle. 

Hard to feel anything but grateful though. It’s everything you wanted but never thought you’d get out of this experience. You expected to feel like a body on a butcher’s block, hacked limb from limb. Marble ribbing on the inside. Brought to a high only to be left out in the cold after. 

You never expected apotheosis. You never expected the filth murmured into your ear, the lurid, coarse diatribe in surround sound, all perfect fuckin’ pussy, can’t wait to shove my tongue inside, gonna make you suck my cock while I eat that perfect cunt out—

All—

Perfect fuckin’ girl; you don’t give this to anyone else, do ya? Knew you were gaggin’ for it back in the bar, but wanted to wait ‘n see; turned the rest of ‘em down, didn’t ya? Not a fuckin’ slut. Jus’ for me—only hungry for my cock—

It’s too rough, too much. Overpowering. Musk and body heat and raw strength, his forearms planted on the mattress on either side of your head. The scent of him suffocating, smothering. Heady. In your pores, on the back of your tongue, in your belly. He’s everywhere.

If only you could put it into words. The fire in your belly growing so wild, so out of control, that it threatens to incinerate you. Thinking dangerous thoughts—that you could be his, that he wants you so bad he can’t stand the idea of anyone having you before him, that he’ll kill anyone that touched you before, rip them apart with his bare hands, cut out their hearts and slice it ‘em up real thin so he could feed you the strips with his hands—

“Fuck—” Simon pants in your ear, pulling his cock out of your cunt. You whine, clenching down on nothing, suddenly empty, until he turns you roughly over onto your back and grabs one of your flailing ankles, hooking it over a burly shoulder. “Cunt this good oughta be locked down. Should just chain your leg to the bed so I can wake up to this pussy every day. Would’ya like that, bird?”

Like it? You think wildly—

Keep me, keep me, keep me, pleasepleaseplease.

The leg not hooked over Simon’s shoulder gets pulled around his hip, spreading your legs wider to accommodate the width of him between them. The scour of his voice threatens to erode you, smash you to pieces. There won’t be anything left after he’s done with you. 

He’s just so big. Built like an ox, broad and solid. When he braces his forearms on either side of you, his biceps bulge, skin pulling taut over the muscle. The dark hair of his pits is stark against pale flesh. 

Blood roars in your ears and over you, he moves like a wave, filling you up again and again. You’re swimming in uncharted waters now; gazing out into an unfamiliar and dangerous sea. A swell this big might take you right under. 

Too bad for you, the hazy adumbration of danger in his words is pitted against the maw in your soul, the deep, cavernous hole that yawns wider with each passing year. 

For years now, you’ve had the same dream: overlooking a sea of evergreen peaks illuminated by a silky moonlight hue, winding a long, narrow road darkened on both sides by tightly clustered trees, your arms wrapped around your chest. Cold layered like a skin, sinking deep into your bones, cold wet like a damp hate; trees clustered around your wandering soul, spurned into wandering like a little undead ghost with teeth clattering in Morse code, saying: so many wrongs done, it is almost incomprehensible.

Is it too much to ask to be wanted? 

You need it like air. 

The issue is that—

more than horny, you’re really, really fucking lonely. 

For years now, you’ve had the same dream: a dream of being a lighthouse keeper, skin saltwater slick, seafoam on the backs of your knuckles, slathering over frozen fingers clutching at the gallery railing. Beckoning something to you.

What it is, you do not know.

“Look at tha’,” Simon says wonderingly, grabbing your face and yanking it towards him, forcing you to meet his eyes again. “Just needed to get turned out on a fat cock, didn’t ya?”

“Yeah,” you gasp. “So good, Simon, ohmygod—”

“Only this needy for me, right?” The glint in his eye is terrifying.

“Only you, only you—”

“That’s right,” he growls, bearing all of his weight down on you, forehead to forehead. His sweat-slick chest slides against yours, cock buried so deep that you can taste him at the back of your throat. Dark eyes stare down at you with an intensity that steals the breath from you, glossy like he’s rapidly losing the ability to be consciously present, but ever attentive to the pleasure rippling across your face. 

When his cock grinds into the soft plug of your womb, his eyes narrow when yours bulge, and he batters that spot until you seize up and spasm around him. His buzz cut gives you nothing to hold onto, so you dig your nails into the bulky planes of his back instead. 

“Fuck—hold on, Christ, fuck; here it comes,” he spits, the veins in his neck protruding when he grits his teeth. 

Your blood goes red hot when he rams deep into you, each thrust deliberate. Hips losing their rhythm. You don’t notice the first spurt of cum, too preoccupied with the smell and weight of him blanketing you, infiltrating every crevice of your body, but the second is hot. Scorching. You ignore the screaming alarm at the back of your head, barely coherent enough to parse out its meaning. All you can focus on is the warmth spreading inside you and your own walls pulsing around his cock, milking his release out of him. 

Time blurs. You lose some of it. 

You don’t come back until Simon rolls over onto his back, taking you with him. His cock is still buried inside of you, his cum running out in rivulets, pooling at the base of his dick lodged at your entrance. You’re going to be messy when he finally pulls out. 

Despite the ache already setting in, you feel reborn. Renewed. The old, dead skin flayed off. You can’t imagine how you’ll feel when you’ve got your energy back, when even tracing your eyes across the other side of his room doesn’t take tremendous effort. The traces of him littered around the room make you curious. A half empty glass. Steel-toed boots sticking out of a half-opened closet. A damp towel crumpled into a ball on the floor. 

You squeeze your eyes shut. There’s no use trying to fill the gaps in. Whoever Simon is won’t matter in the light of day. You repeat this to yourself until it sticks. 

When you try to get up, planting both hands on his chest, he pulls you back down, forcing your head onto the pillow of his chest. “Simon, the sheets are wet—”

“I’ll deal with it later,” Simon says, eyes already shut, on the verge of falling asleep. “Now shut up. You’re ruining the fucking afterglow.” 

You wake up the next morning covered in bruises and bite marks and dried cum between your thighs and on your belly, so sore that even twitching your finger hurts.

It takes awhile for everything to come back to you. When it finally does, consciousness snaps back into you, discomfort giving way to quiet self-satisfaction. You managed to do it. Your first one-night stand. A real milestone. The tacky sheets beneath you are proof enough of your accomplishment. 

The sadness slithers in when you realize that it’s over. One and done. In a half hour or so, the man plastered against your back and breathing heavily on the crown of your head will wake up, groggy and bleary eyed, and side-eye you until you put back on your clothes from the night before and slink out, tail tucked between your legs. A few hours delayed from when you were planning to throw in the towel at the bar, but still. In the end, it always comes around. 

A gruff voice at your side tells you to quiet, bird—s'too early for your bitchin’ before manhandling you onto your stomach and shoving his raw cock into your cunt and it’s only now that it dawns on you that you were too horny last night to remember to ask him to use protection. 

The thought is wiped from your head when he bucks his hips forward, impaling you on his swollen length. You lose track of time after that. 

Breakfast is an informal affair. Cereal from a box and a bit too much milk, and a cup of instant coffee. You wince when you sit down across from Simon at the kitchen table, your inner thighs still tender and pussy sore from the battering it just took. If it strokes his ego to see how gingerly you sit down, he doesn’t show it. 

It’s weird sitting across the table from him after last night. Hard to just leave it unaddressed, the truth simmering in the air. The red marks across his back make you wince, cheeks heating. Thin crescent marks and scored nails. It’s hard to reconcile yourself with the girl from last night. 

He eats in silence for the most part though, ravenous after the night before. Doesn’t comment on the state of his shoulders or the way you shift on your chair. Not even bothering to make eye contact with you. Your appetite takes a bit of a hit watching him shovel food into his mouth, hardly even pausing long enough to breathe, but you’ve seen plenty of hungry men eat before. 

Still though, silence has always had a way of getting under your skin. You’re not comfortable around it, prone to chattering. So you can’t help the way your mouth opens and the words come out involuntarily. 

“Do you do this a lot?”

“I don’t shit where I eat,” Simon grunts dismissively.

The expression makes you grimace. “So do you usually pick up girls elsewhere or—”

The look he gives you could melt the flesh off your bones. You realize your misstep, interrogating the man you just fucked about his other hookups. Best not to ask questions. It’s not like you’ll see him again after this. 

These last few moments are bittersweet. There won’t be many opportunities like this in the future, mainly because you don’t think you’re cut out for one-night stands. Last night proved that. As good as it was—and for as many times as you came, another time in the wee hours of the morning when Simon rolled over on top of you and shoved your legs apart to eat you out (a midnight snack)—in the light of day, you feel world weary. Like something monumental happened and passed you by. 

You almost want to thank him for making it special, but the anxiety around finally pissing him off is more than you can bear. You want to leave on a good note. It’s better this way. You’ll never have confirmation about whether he’d eventually grow tired of you like everyone else. Never know if he’d one day manage to lose interest in the real you, not the made up sex kitten from the bar. 

It’s better this way.

You tell yourself that when you push your chair out and stand up, hands fisting in the oversized shirt Simon made you wear before leaving the bedroom. “I should get going.”

He stops eating, staring up at you. His eyes are inscrutable, and the longer he stares, the less you understand his look. 

You shift from foot to foot. “Thanks for… I had a good time.”

Simon doesn’t say anything, but when he drops his spoon into the bowl, the metal clang makes you flinch. 

His silence leaves you off balance, like you’ve overstepped somehow. All motion stills under his scrutiny. 

“Got somewhere ya need to be?” he asks, a vague, almost menacing undercurrent in his voice. It’s said like a warning. There shouldn’t be anywhere else you need to be. 

“I…—don’t you want me to leave?”

He looks distinctly unimpressed. “You gonna walk home like that?” His words make you tug at his shirt, pulling it down to cover your thighs.

Your whole life has been made up of misunderstandings. Missed opportunities. Men who you thought loved you vanishing into thin air. You’re a poem often lost in translation. A long game of hide and seek; people run towards you then feign right, leaving you in the dust. 

Whatever this is, you don’t recognize it. 

You swallow on a dry throat. “…No?”

Simon searches your expression for something before he nods, satisfied. “Then sit the fuck back down. Finish your damn breakfast.”

You sit back down (wincing when you do) because the alternative is admitting that you don’t know what’s next. That you’re out of step again, but this time without that sinking feeling in your belly. A wild fluttering instead. That thought again that maybe you’ve bit off more than you can chew. 

What’s that saying again?

Ah, yes. Choices made in anger cannot be undone.

[leilanihours]

Anything with Kate Martin pleaseee!

# GOLD RUSH

pairing: kate martin x teammate!reader

word count: 1780

warnings: none !

summary: kate being the cutest most adoring girlfriend ever while you get ready on live.

⭑ from lani: this was heavily inspired by this video bc kate actually might be the cutest human to ever walk the earth ty

masterlist !

"WHAT IS UP guys, welcome back to yet another game day prep," you greet to the camera propped against the mirror in front of you, "today we are going up against lsu, so there's gonna be a lot of tension in the arena today."

user1: hi y/nnnn

user2: is caitlin there?

user3: team lsu lol

user4: y/n what shampoo/conditioner do u use??

it's become a tradition for you to go live and do a little "get ready with me" on the most highly-anticipated gamedays, as you wanted to get fans excited for the face-off.

the first one you hosted got lots of love, viewers falling in love with your bubbly personality and witty remarks to your teasing teammates.

you were currently in your hotel bathroom, one you shared with your teammate, gabbie marshall. but all the girls have borderline separation anxiety, leading to half the team hanging out in your room as you all prepare yourselves for the game.

"are you on live?" you hear a voice whisper. turning your head, you see kate peeking hers into the bathroom a small smile on her face.

"yeah," you reply sweetly, "you wanna say hi?"

she nods, immediately sliding the door open to join you.

"looks like we have a special cameo today, folks, y'all got lucky," you laugh

"hi, live, how you guys doin?" kate says.

as you begin doing your skincare, you see kate take a seat on the closed toilet in the corner, carefully observing your routine.

"you okay, babe?" you ask with a grin once you notice her puppy-dog like stare. the nickname slips from your lips like first nature, appearing cordial to the camera but the two of you know the hidden meaning.

user1: help kate looks so starstruck wtf shes adorable

user2: omg wait i use that same moisturizer

user3: "BABE"?

user4: not kate just sitting on a damn toilet LMAOO

you and kate have always been close, ever since your freshman year at iowa. on the court you two bounce off of each other's energy constantly, frequently managing to raise the stakes of the game.

fans have noticed it too, of course, with proud taps after one of you makes a shot and suspiciously long post-game hugs.

the team is fully aware of your private relationship, respecting your wishes of secrecy. there have been pointed questions from reporters and interviewers, but you all know how to dodge a personal question one way or another.

a few minutes go by of you telling a funny story from the bus ride to the hotel, consisting of caitlin getting caught on video singing horribly off-key. with promises of posting the recording later that evening, you and kate both laugh at the memory.

as you start on your light makeup look, you begin reading some comments popping up on your screen.

user1: thoughts on reese and clarks rivalry??

user2: wheres caitlin and gabbie

user3: y/n can u say hi alyssa

user4: what are your guys' top 3 music artists

"'thoughts on reese and clark's rivalry?'" you read, "i mean, they've said it before, there's no bad blood between them, just some good old basketball competition," you state with a small smile as you start blending in a light layer of skin tint.

"yeah, i mean some light-hearted teasing and trash-talking always makes a game more fun in my opinion," kate chimes in, "especially when it leads to an increase in viewership."

"for sure, for sure," you smirk at her in the corner of your eye, sneakily suggesting your own dating rumors circulating before every game.

"'top three music artists?'" kate reads, "dude, mine changes 24/7 so i have no idea anymore."

"ooo," you contemplate the question as you look up in thought, "gotta be taylor swift...sza...anddd frank ocean? no, kehlani! wait actually-"

"i don't think you know either, y/n," kate laughs.

"oh whatever," you say, rolling your eyes playfully, "speaking of music, can you put some on?"

"i gotchu," kate responds, picking up her phone to connect to the bluetooth speaker on the counter.

soon enough, you hear the familiar tune of "gold rush" by taylor swift, a song publicly known to be your favorite (kate knows this, naturally, which is why she played it first).

once she notices your stretched grin and quiet hum to the lyrics, she mirrors your expression, feeling light in her chest at the sight of your happiness.

she stands up from her spot on top of the toilet seat, slowly coming up behind you to observe you even closer.

the two of you make eye contact in the mirror, immediately blushing and smiling like madmen. and, of course, nothing goes unnoticed by the live watchers so comments of you two rush in.

user1: aww the way they smile at each other im crying

user2: okay when is it my turn to get a gf like y/n or kate 😢

user3: not kate stealing my gf..

user4: they gotta be dating right??

you and kate scan over the messages, trying to keep a straight face as to not give away anything.

"kate can you do me a favor and get my setting spray from my suitcase? its in a clear bottle with a pink cap," you ask her, but shes too entranced by your beauty to hear.

"sorry, what was that?"

you giggle, "my setting spray please?"

"oh! okay, be right back, guys!"

you return your focus to your makeup and the song playing, the melodies too addicting for you to not sing along.

as kate comes back into the fairly spacious bathroom, you thank her for getting your spray, placing it on the marble counter. she reclaims her spot behind you, continuing to watch you work as if you were the most interesting movie she'd ever seen.

she wishes she could place her arms around your waist and rest her chin on your shoulder to whisper sweet words into your ear. sadly, for the sake of your private relationship, she had to settle for admiring from afar (which is really only like a foot away from you).

"y/n!" you hear one of the girls call out from the bedroom, "can i borrow your eyebrow gel? i forgot mine in my room!"

"sure, it's in here, come grab it!" you yell back. a few seconds later, jada comes sauntering into the bathroom, immediately taking notice of kate's presence and the phone displaying your every action.

"oh my gosh, heyy livee," she smiles, waving her fingers at the camera.

user1: omg jada ilysm

user2: still waiting on catilin tbh

user3: JADA!!

user4: my fav girls :((

as you apply small amounts of blush to your cheeks, jada stands next to you fixing up her eyebrows wih your gel. and, yes, kate is still behind the both of you. she has begun to fix her hair into her signature ponytail braid, quickly maneuvering her dirty-blonde locks with ease after working the style for so long.

"my teammates are so prettayy," she exclaims to the livestream once she'd finished with her hair.

"you're prettyy," jada replies, singing.

"pretty beautiful," kate sings back while you're simply giggling at the girls' antics.

you're too concentrated on curling your lashes correctly to notice that kate was specifically gazing at you with that last comment, nothing but pure love and admiration behind her words.

jada, who is now out of the frame and catching kate's longing stare in your direction, turns around to face her, mouthing: "you're so whipped."

kate playfully shoves her out the bathroom and returns to her former seat on the toilet.

"okay, guys, sorry we haven't been talking to y'all that much," you say as you step back from the mirror, "the last step of my makeup look is to apply some setting spray that, thankfully, the lovely kate martin has gotten for me."

"wait, can i do it?" kate asks, eager to help you out.

"yeah, come over here," you respond.

kate shoots up and over to you and takes the bottle from your hand. her fingers brush against yours for a split second, sending a tingly feeling throughout your body. at this point, you don't even need to put blush on, kate's subtle touches bringing more than enough color to your face.

"i'll tell you when to stop, okay?"

"okay, close your eyes for me," kate mumbles, putting a delicate hand on your shoulder.

obliging, you feel light spritzes of mist fall on your face as kate controls the bottle nervously, not wanting to mess up.

"don't hold back, i'll tell you when it's good, don't worry," you laugh.

almost a whole minute goes by, which slightly concerns your girlfriend.

"more??" she exclaims.

finally, you tell her you've received a good amount, opening your eyes to look at her. you're instantly met those blue eyes youve grown so fond of. and again, you can't keep the smile off your face when she maintains eye contact in an irritatingly addictive manner. you practically forget about the phone pointed on the two of you, stuck in your own worlds.

"gametime, guys, let's go!" you hear a voice echo, snapping the two of you out of your trances.

user1: OMG WAS THAT CAITLIN

user2: i know my wifes voice when i hear it

user3: are we just gonna ignore the eye contact between kate and y/n??

user4: yall r so delusional lmaoo

returning to your phone, you pick it up off the mirror and follow kate out of the bathroom.

"okay, guys, hopefully you enjoyed today's live," you cheer, "make sure to tune in to espn tonight to watch the game!"

you hear an overlap of voices, each one saying goodbye to the viewers.

"bye live! see you soon!" from kate.

"bye my lovely people!" from gabbie.

"mwah love you guys see y'all at the game!" from jada.

"go hawkeyes!" from caitlin.

you snicker as you watch more and more comments about caitlin pour in, your followers going crazy at a small glimpse of their favorite athlete.

as soon as you end the live, everyone begins rushing out of your hotel room and down to the lobby to wait for the bus. hurriedly, you grab your backpack and make your way towards the door, but an eager hand pulls you back.

before you know it, a set of soft lips is placed against your own and two hands are glued to your waist. instead of jumping in surprise, you immediately melt into the kiss, finding comfort in your girlfriend's familiar embrace.

"sorry," she blushes once you pull away, "been wanting to do that all day."

— leilani signing off ! 📁

[lxcalmenace]

Some silly scenarios with bluelock boys

Based on this headcanon post

Characters included < Isagi, Bachira, Nagi, Rin, Sae and Kaiser > X gn!reader (separate)

tw: none?

⟡Isagi Yoichi - Gets into twitter discourse.

After what felt like months, it seemed that yours and Isagi's schedules had finally aligned. You entered his apartment and made your way to the living room to greet Isagi; just then you saw him sitting on the couch, a furrowed expression crossing his face and his phone in his hand. He was aggresively typing and scrolling on his phone that he failed to notice you taking a seat next to him.

"Oh shoot I didn't see you, sorry", he mutters as he shifts, allowing you to sit comfortably.

"Are you seriously arguing on twitter?," was all you said that made Isagi look away in embarrassment. Ofcourse he didn't want to admit it straight away but he was indeed losing the said argument.

"You know you don't have to prove anything to anyone right? And who even takes twitter seriously nowadays?"

You watched as Isagi let of a small huff before turning off his phone. Without a word, he pulled you in a gentle embrace as the rest of your evening blurred out into soft giggles and tender moments.

⟡Bachira Meguru - Very willing to eat inedible things.

You have been waiting to buy those food inspired scented candles for God knows too many days now; until finally, you managed to get your hands on one of them recently. It was a pancake inspired candle. It was so realistic that you could barely tell it was fake—if it weren’t for the wick sticking out of the top, you might have thought it was an actual pancake

As you opened the box, the mouthwatering, sugary smell of pancakes hit you, spreading throughout the room. This candle was too realistic and just like that, Bachira was willing to sink his teeth into the wax block.

"If it smells so good, it has to taste good too! Let me have just a bite please [name]," he whined. Bro dropped to his knees begging and pleading in exaggerated desperation- as if he would've perished due to hunger right then and there. You couldn't help but chuckle at this sight.

"Ok fine...A little bite won't hurt, but don't come complaining to me later," you sighed as you surrendered the candle to Bachira.

Disgust. Pure disgust washed over his face after he took the bite. He looked at you with teary eyes as he desperately tried to get rid of the nasty taste of the wax; which in response, you just shrugged in a 'I told you so' manner. After helping him wash his mouth and feeding him chocolates to counter the unpleasant flavor, you both finally settled down. Bachira swore that he wouldn't eat anything weird after this incident.

He tried eating cotton the next week.

⟡Nagi Seishiro - Uses two-in-one shampoo and conditioner.

Nagi was out shopping for some groceries while you were tagging alone for some snacks. It was a sunny day, you both entered the supermarket; Nagi took the basket as you made your way inside. He thinks shopping for basic necessities is a hassle and thus the reason for you tagging along to keep him company. You were free to get anything you wanted so you looked around the store, but nothing caught your eye. So you decided to go back, you spotted your tall boyfriend and made your way towards him. He was in the hygiene isle, eyeing down some shampoo bottles.

"Do you seriously use 2-in-1 shampoo? -" you ask, raising your eyebrow. Nagi looked at you with an unbothered expression as he shrugged, "Uh, yeah. Been using that since forever"

"Why are you asking me this, something wrong with it?" the tall male added while casually putting another bottle in the cart.

"Your hair is always so silky and soft; Its hard to believe that a simple 2-in-1 could give you those results. I mean, people spend a ton of money on haircare products, to achieve what you have, you know?" you replied.

"Then, thanks to my genes, I guess," he smirked as he turned around to look at you. You couldn't help but sigh and let out a chuckle. There was absolutely no point in arguing with Nagi- He always managed to win, even when he wasn't trying. You raised your hands as if you were surrendering, and then you both made your way further into the store.

Nagi is a simple guy, and slowly over time, you are starting to find comfort in his simplicity.

⟡Rin Itoshi - Plays roblox.

"Rin, dinner's ready, come down!" You yelled from the kitchen whilst serving the food on the table. A few unresponsive minutes passed, so you decided to fetch Rin yourself; thinking he might be in the shower or taking a nap. Making your way to the shared bedroom, you knocked on the door before poking your head through.

There he was, sitting on his gaming chair, with the lights out, playing..roblox..? You observed him for a couple of minutes, his face was illuminated by the screen, ever so unfazed; Rin was too immersed playing The Mimic that he failed to notice you slowly creeping up on him. The only time Rin was caught off guard was when you tapped his shoulder to get his attention. You swore you saw Rin's face go pale for a second as his eyes widen in surprise. "You play roblox?," you asked as you raised your brows in amusement.

He took off his headset and he nodded, "Is dinner ready?"

"It is"

"Alright"

You both stared at each other.

"Can we play Dress to impress later? Rin please-"

"NO."

Few moments later, the dark haired striker was seen playing Dress to impress, all the bright colors and outfits flashed on his screen display.

"You're doing incredibly well, who would've thought you had those designer skills in you Rinnie," you teased him

"Oh shut up...I just don't like losing, ok?" he scoffed but there was a small smile creeping on his lips.

You rolled your eyes playfully, knowing very well that he only agreed to play this if only you were ready to join him in his horror games. It was a win-win situation for both of you.

⟡Sae Itoshi - Had an emo phase

Your phone was buzzing for quite some time now so you finally decided to check who was texting you at this time of the night. Sae was on his way home from practice; Deciding to stay up and wait for him to get home, you layed down on the couch while keeping a random movie playing in the background. As you opened the chat, you couldn't help but burst into laughter- There were old pictures of Sae; eyes lined with eyeliner, hair was dyed dark and swooped to a side and he was wearing dark clothes. You saved all the pictures one by one as you swiped for more, that's when you heard the door open- signaling that Sae had returned home. Quickly turning off your phone, you were trying so hard to contain your laughter, but a giggle escaped your lips.

Sae muttered a small, "What are you up to [name]?" before raising an eyebrow at you. He knew that you had something cooking up due to the way you were smiling at him.

"Sae," you purred, "if hypothetically someone were to leak your embarrassing pictures, what would you do?" you grinned.

You watched as Sae's expressions went from neutral to that of pure horror.

"[Name] don't you dare-" he warned.

"I'm not saying that I have any embarrassing pictures of you tho," you replied, "It was a hypothetical question, unless," a smirk formed on your lips as you looked at Sae. "You never know what could happen next."

His eyes widen in disbelief, he knew that you had something against him. "Fine, I don't have the energy to do this. Tell me what do you want," he sighed, giving up. "But atleast show me these hypothetical pictures you have acquired, and where did you even get them from?"

You giggle as you showed him all of the pictures; to which he openly cringed hard. He was definitely not expecting this. It brought back so many of his memories before going to Spain. He sighed as he accepted his faith and made his way to the bedroom to freshen up. You typed a quick 'Thank you' and sent the chat.

"Rin reacted '👍' to your chat."

⟡Michael Kaiser - Sleeps in till noon

'12:27'

It was past noon. You had finished making breakfast, eating it, doing some chores around the house, watering the plants, having a small snack and watching a few episodes of your favorite show, and yet your boyfriend was still in your bed, sleeping peacefully. You would've chalked it up to him being tired, but he had gone to bed exceptionally early too. It was starting to concern you now. What if he was not feeling well? You made your way to the bedroom and entered it silently. There he was, soft breathing and sleeping peacefully. You sat down beside him and gently touched his forehead to check if he was sick. Everything was fine. You decided to run your fingers through his messy bed hair, untangling any small knots. Michael slowly started to stir and the first thing he did was kiss your hand, which made your lips morph into a small smile.

"Good morning, mein Schatz," He mumbled groggily, "What time is it?" he asked while rubbing his eyes. He let out a yawn as he sat up your bed

"Its good afternoon now, wake up Micha," you continue to run your fingers through his blonde locks as he embraced you, still feeling sleepy.

You pat his head, "C'mon have your lunch, you must be hungry."

"Are you on the menu?" he muttered against your shoulder.

". . ."

"Then no, I dont want to eat"

"Michael no-"

Not proofread so ignore any mistakes and ty for reading !!

[itsonlydana]

"Flower On My Skin" | hobbit

pairing: Thranduil x human fem!reader 👑

Thranduil gets his hair braided and thinks too much.

warnings/tags: bittersweet, more fluff tho, swf, King Thranduil needs a break

words: 1,9k

an: this is a gift for the lovely @tigereyesf who always comments on my posts on ao3 🤍 the lyrics are from Noah Kahans song "Your needs, my needs'

+ masterlist +

🌿 reposts and comments are appreciated, they motivate me a lot and keep me writing <3

Thranduil understands that permitting you to be near him might not be wise. It could very well rank among the least advisable decisions he's made in ages.

But he did, he invited you again and again, sending horses and carriages to transport you ever since he found out you traveled all the way from Dale by yourself whenever he sent a letter.

Until he didn't need to anymore.

Not because you wouldn't come, but because you didn't leave.

Never in a million years would anyone have guessed that the stoic Elvenking would invite a human to his palace on more occasions than his own kind and surely no one would have ever thought that he would start courting them.

Yet here he was, sitting in one of his many blooming gardens, swatting away the hand that was currently trying to gather his hair.

"Stop this," Thranduil's stern voice would've had any other shiver in fear of losing their head, though it only makes you giggle.

"Please, let me braid it again," you stable yourself with your hands on his shoulders and lean over, chest pressed against his strong back.

"No, you little nuisance. I shall not! You know of the meeting I will attend later, we do not have the time."

Even though he can't see your face, he knows you roll your eyes at him, he can feel it in the huff you let out before letting go of him. The warmth of your body disappears as you stand up from the bench and throw one challenging look over your shoulder.

Thranduil watches how you lift the skirts of the gown you're wearing, the finest of silks that you've adorned with little handmade bows from the village, and flop down into the grass. There is not one care on your face that the hems will surely stain and that there are perfectly suitable marmor benches all over the garden and only one of those occupied by Thranduil himself.

You seem to ignore them every time you two spend time out here, he noticed you are much more content with your naked feet buried in the high grass and your hair intertwined with the flowers that grow here.

At first, he couldn't understand the fascination you harbored with nature.

Of course, he had a deep appreciation for the forest surrounding his kingdom, the strong resistance of the trees had been an inspiration for the winding halls, the water flowing through the roots and gifting life and the ever so steady wind reminded someone who lived a thousand years that some things, though they change, never completely disappear.

You, on the other hand, could not be separated from nature in any way whatsoever. There had been the flowers, first only on your side of the bed when he'd invited you to sleep next to him, and one day he woke up to find a vase filled with Astilbe flowers on his nightstand and on his vanity as well.

You also spend most of your day either wandering through the woods (which left him restless and worried until you accepted the sword he had his blacksmith forge for you) or meeting him here in the gardens. He would never tell you but before you, he hadn't walked or maker-forbid, sat there for decades.

Now, he found himself soaking sunshine more days than not, reading Elvish poetry to you while you rested curled into his side with one of his hands brushing your hair, or, chasing you on his Elk through the forest, following the sound of your horse and your laughter.

Your infatuation with nature and the stubbornness of pulling him along made him fall for you, deeply and most ardently and he knew that one day he would need to survive the sight of forests and gardens and flowers without the urge to burn them to the ground for outliving you.

As he watches you examine the colorful flowers and gather them in your lap, he isn't sure if he will be able to contain that anger against the gods if the time comes.

You are oblivious to the dark clouds hanging onto his thoughts, he makes sure that you'll never see the heartbreak he lives through while loving you because he knows, he knows that you would do everything in your power to make him happy.

This is who you are, a human that lives and loves and pours all that you are into those around you, he sees it in the gentleness of your hands cupping the flowers before plucking them, in the way your tongue learned a new language for you wouldn't accept not studying it for an answer if you lived here.

You live to love and love to live.

Thranduil shifts, forgetting that there are guards stationed around the gardens who could see their King doing the unthinkable but he doesn't care.

Not with you sitting a few feet away from him, your dress spilled around you, a full smile on your face as you collect the flowers growing there for you, their little heads turning to you as if you are the sun for them as well, and not just for Thranduil.

If you notice him standing up, you give no sign, you don't even stop humming, and the smile that tugs at the corners of his mouth at this stubbornness is far too strong to stop it.

"Melethril nîn," he says quietly and his shadow falls over your body. The symbolism and fear of him taking away the sun from you has him clench his jaw. His pain is impatient as if it doesn't know he's going to live longer than he wants to and that it has all the time to break him down.

He quickly shuts those thoughts away behind the sight of you tipping your head back to smirk at him.

This is not the time to dwell on the future, not if he can exist in the moments he shares with you instead of fearing the time when he'll have to think back on them.

"Don't tell me you missed me," you tease.

He scoffs and –surprising you enough to let out a squeak– lowers himself onto his knees next to you.

Eye to eye, he feels much more comfortable, despite the stains that he knows now graze his robes.

"You know," he starts and lets his gaze wander over the flowers in your lap, however, you managed to collect this many of them in such a short time awes him, "the meeting can wait."

You catch onto the meaning instantly, your eyes lightening up even more. The golden rays of the setting sun reflect in them and he reaches forward to cup your face in the palm of his hand and gently leans towards you, capturing your lips in a long kiss that has you gasping.

"Now," Thranduil swipes his thumb over your lower lip, as you separate, tugging playfully at it and giving into another kiss before he continues, "Have your way with my hair, my love. I know you did not collect those flowers for any other reason."

You gasp ingeniously. "You are by far the wisest Elf I've ever met," you say and scoot –maker, he makes a note to get another dress just like this made because surely this will be ruined by the time you leave the gardens– behind his back.

While you gather his hair in your hands, this time without him trying to stop you but relaxing into the soft tugging, you mumble: "So wise, they should make you King."

He chuckles at that. "Ah, but I would need a Queen by my side. Do you know where one could find on–ahhh," his teasing words get swallowed by a sigh as your fingers collect some fine hairs on the side of his head and surely completely on accident run over the shell of his ear to the delicate tip.

"Ooops," you sing and just as his body calms, you repeat the action, even have the gall to scratch the skin with your nails and he melts into a puddle.

His ears burn, not just the one your breath hits but the other one as well and he can feel the blood shoot into his face as well, crumbling the stoic and straight-laced composure of the King who is already on his knees.

"You witch," he presses out between his clenched teeth and hears you giggle. "I should have never told you about that," he murmurs more to himself, trying to regulate his heart beating inside his chest like a wild rabbit on the loose.

You laugh once, a "Pah!" while you tug on his hair, "You didn't tell me," you say and he feels something get pushed inside the braid you are working on, "I found out all by myself."

Thinking back to the night that started this completely outrageous behavior trait of you fiddling with his ears whenever he doesn't pay you enough attention or he says something that teases you a bit too much, he can't tell if you are right or him.

A few years ago he would have shut you down completely because the King would never be wrong but now he grumbles under his breath, agreeing that you must be correct.

Then again, there are many new things that you brought into his life.

He laughs more freely, and not just out of spite of viciously.

He cares more, for you, for his son, for nature and sometimes even for the dwarfs he trades with.

He is formed by you, shaped by your untamable ways of never letting a rainy day ruin your mood.

He is nothing but wax in your hands.

Here, sitting in the gardens and letting you weave flowers in his precious hair, he is no King, he is just a soul yearning for your touch, a flower reaching to bloom in your golden light.

Thranduil's eyes flutter shut as you braid and weave and run your hands over his scalp and through his hair.

He may have fallen asleep, lulled into a trance by the warm sun caressing his face and your voice humming a melody as sweet as any words that you speak, because when you let go of the delicate braids and let them fall into the rest of his hair, he opens his eyes to a pink and purple sunset.

The birds sing their last song and the trees rustle, shaking their branches and leaves as if they would ready themselves for the animals coming to rest in them.

There is a pleasantly chilled breeze that comes with nightfall, one that brings the smell of flowers and grass.

"There," you press a gentle kiss to the skin right behind his left ear, "all done."

For a moment Thranduil is disappointed that you are finished but then he turns to find your smile and all is right.

"Thank you, meldanya," he says, already closing in to express his gratitude with a soft kiss.

You nudge your nose against his, eyes shut in contentment. "Thank you, for letting me. Le ni meleth," you say quietly.

"Always," Thranduil's gaze wanders over you, bathed in rosé and golden hues, the cheeks flushed from the air, your hair wild and untamed, and flowers all over your lap. He grabs a few of them, inspecting the stems and probing them with his sharp nails.

"Let me repay the favor," he effortlessly lifts you, smiling wide at the laugh bursting out of you as he sets you between his legs and onto his robes.

"I want my Queen to wear a fitting crown."

[awearywritersworld]

do not leave me in this abyss, where i cannot find you

sukuna x reader summary: the higher ups succeed in kidnapping you and sukuna doesn't know if he'll get you back alive. w/c: 2.85k tags/warnings: fluff and angst. reader is kidnapped and gravely injured. depictions of blood. canon typical violence. "good girl". cursing. ft gojo. aged up!yuuji. fem!reader. not canon compliant. no use of y/n. *please mind the warnings for this chapter* a/n: and finally folks, we've reached the climax of the series. there will only be one more official chapter after this one, so i hope this lives up to expectations. this could maybe be read as a stand alone, but it's certainly better when serving as a culmination to the other chapters. i'm a little nervous posting this, so i'd love to hear your thoughts :) series masterlist // masterlist

brontë

sukuna isn't sure at first why the name is familiar, but he soon realizes that a great many of the books on your shelf are authored by women of that name, including jane eyre.

though he finds your copy of wuthering heights, written by an emily brontë, tucked away in the drawer of your nightstand, the headphones you'd asked him grab lying on top of it.

he pulls the book from its spot with care, as the cover is worn and frayed at the edges. flipping through the pages, there are quite a few quotes underlined and countless scribbles in the margins.

while you'd forced him to read jane eyre, he tucks wuthering heights under his arm of his own volition. he isn't sure if it's because you've kept this one separate from the others, or because it might give him an opportunity to know you better, or because he's positive it will make you happy, but he does it all the same.

when he steps back into the living room, he drops your headphones in your lap and takes the seat beside you, wasting no time in beginning the first chapter.

"what've you got there?" you eventually question, even though you know the answer.

he doesn't spare you a glance when he responds, "a book."

"oh, yeah? what kind of book?"

he elects to ignore you, which only serves to encourage your mischievous tone. "i thought romance novels were beneath you and your refined taste."

finally looking at you, he narrows his eyes at your childish taunt. "do you want me to read it or not?"

"of course—"

"then i suggest you be a good girl and behave yourself."

your mouth snaps shut so abruptly that your teeth click as they meet, something sukuna takes note of with a raised brow. you're thankful when he returns to reading rather than saying anything more.

so without any additional interruptions, he delves into the tragic story of heathcliff and catherine. or more precisely, the pain and destruction that follows it.

the further he reads, the better he discerns that while you seem to have a penchant for the brontë sisters, they seem to have a penchant for writing about men that are wicked and callous.

the very notion makes him chuckle.

maybe it explains why he's sitting here with your feet in his lap, while you try and fail (rather cutely) to stifle your giggles at some stupid youtube video.

"what?" you ask, taking out one of your headphones once you notice he's staring at you with a small smile.

"nothing. just enjoying the story."

the way you beam in response makes his mouth go dry.

"hah! i knew it! you're a romantic at heart."

you make a big show of pressing your hands to your chest and swooning.

"settle down there," he chides, his hand patting your thigh. "you're getting ahead of yourself."

two days later, sukuna feels that something isn't quite right. it's barely perceptible, nothing more than a minute shift in the atmosphere, but it grows more palpable as time stretches on.

yuuji's mission takes him farther from home than usual, to a little town about two hours outside of the city.

the curse he exorcises upon his arrival is much weaker than he's grown accustomed to, probably only a third or fourth grade.

yuuji doesn't seem to notice anything out of the ordinary, or at least, he pretends not to. sukuna thinks that's the problem with optimists— they don't take action quickly enough, too busy wasting their time hoping for the best.

when he returns home late that afternoon only to find your apartment door slightly ajar, his hand hesitates before pushing it open.

he discovers that the living room is littered with residuals, but it's eerie how nothing else is out of place... save for you, who is no where to be found.

in a disbelieving panic, he begins checking all the rooms, not hearing sukuna's frantic voice even though it's coming from inside his own head. "she's not here... idiot, she's not here. we have to go. we have to go now."

he eventually finds a note lying on the coffee table, but even this he hardly processes— something about surrendering himself and sukuna to the higher ups at headquarters in exchange for your life.

"listen to me, brat... you're wasting time... idiot!"

"what?" he barks abruptly.

"she isn't far, a couple blocks to the east at most—"

"it doesn't matter. headquarters is to the west. that's where we need to go."

"have you failed to comprehend a single thing i've said about the higher ups?" sukuna sneers. "they'll kill us, then kill her too. she knows too much about jujutsu society. they won't let her live, and that's if she's not... if she isn't already..."

he can't get the word out.

"no... no, they wouldn't..."

"now is not the time for your blind faith in the integrity of others." sukuna tries again and again to assume control of his vessel, and while the force behind it makes yuuji's head pound, it's no use. "for fuck's sake— please, yuuji!"

it's the first time he's heard the curse occupying his body say his actual name or use the word please, and in a strange way, it seems to ground him to some degree.

itadori yuuji has always been uncannily fast, but as soon as he makes his way out onto the street, it's like his feet aren't even touching the pavement. he appears as a blur to the people he passes by and it happens so briefly that they more than likely disregard it as a trick of the light.

the ruby decorating your neck leads them right to you, a low hum of frequency that only sukuna can hear.

yuuji comes to a stop in front of an old warehouse building. there are several wooden boards nailed across the main entrance, which splinter and fall to the earth under the impact of his impatient fist.

although the people down the hall quiet themselves upon hearing the crash, he can still sense their energy. he just can't seem to pick up on yours.

maybe sukuna is wrong? maybe you're not here after all.

"no," comes sukuna's voice, cold and hard. "she's here."

he makes his way down the stretch of hallway and to an open door where he stops, both of his feet planting firmly on the ground. everything appears to be frozen as he stares at ten sorcerers who quietly stare back.

it's clear they were not expecting yuuji, but he knows the higher ups assigned so many sorcerers just in case he did somehow figure out where they brought you.

he recognizes many of their faces and even knows some of their names, their familiarity no doubt intended to discourage him from engaging them.

after a few moments, yuuji's eyes land on your figure— motionless on the floor.

he has to admit, the higher up have put together a fairly sound plan. it's just that there's one small detail they failed to account for.

a curious and constraining sensation erupts from the center of his chest, and yuuji doesn't quite understand what's happening until he registers he's no longer the one in control of his body.

the king of curses remains completely still as he studies you from afar with a slight tilt of his head, his mind refusing to believe the scene right before his eyes.

when the gravity of the situation finally settles in, a gut churning agony blossoms in his stomach and bleeds into every part of his body. every bone. every pore. every vein.

the entirety of him burns, both inside and out.

the air in the room is heavy, overburdened with hostility and raw power. it makes the sorcerers' knees buckle and they nearly collapse beneath the immense pressure.

as sukuna takes a step toward the nearest person, the edges of his vision turn white.

he moves with deadly precision, at a speed which very few people on earth could even begin to comprehend.

it's a joke how quickly it's all over.

some of them are in pieces. others have exploded into nothingness. a few are burnt to ash.

in his haste, sukuna nearly misses the final sorcerer. he's probably the youngest of them all, cowering in the corner of the room. his eyes are wide with horror and his body shakes with fear.

"p-please, spare m-me. i didn't touch her," he sputters out.

the laugh that follows is utterly humorless. "do you actually believe that makes a difference to me?"

"i told t-them not to hurt her! i swear. that's how i got this." he points to his bottom lip, busted open and swollen. "she even told me she was sorry that i got hurt... that i didn't have to defend her."

this gives sukuna pause and his jaw clenches as he considers what you would tell him right now were you conscious.

so even as every fiber of his being screams at him to end the sorcerer's miserable, pathetic life... he restrains himself and pins him to the wall instead, pressing a forearm to his throat.

"go back to the higher ups. go and tell them that if anyone lays a hand on her ever again, i will ruin them," he spits, venom lacing each word. "i'll slaughter every last one of them. i'll level their homes. i'll take everything from them. tell them this is a promise they shouldn't take lightly."

when sukuna takes a step back, the young sorcerer crumbles to the ground. "i- i- i will."

"then get out of my sight," he growls.

returning his attention to you, his demeanor shifts in every respect.

you're going to be okay. you're going to wake up. he's going to take you home and it will be like none of this ever happened.

but when he falls to your side, his knees meeting the ground so brutally that it cracks beneath his weight, his conviction falters.

your blood is spilt onto the concrete. your skin is cold. he can't tell if you're breathing. he can't feel your heartbeat.

he determines that the gash across your side deserves his attention first and his hands tremble as they move to cover it.

he puts every ounce of power he has into his reverse cursed technique, but your eyes don't flutter and your chest doesn't rise nor fall.

his palms stain crimson, and while blood has never bothered him before, the fact that it's yours forces the bile to rise from his stomach and into his throat.

and his face is wet.

why is his face wet?

why are his lips trembling?

why is his vision blurred?

he wipes at his cheeks, leaving a trail of your blood across his face in the process.

"no," he chokes out. "please, don't do this. you're fine. please, you have to be fine. please."

the king of curses begs, but he has no idea who his desperation is directed toward. maybe it's you. maybe it's the gods. maybe it's some entity that's unknowable to him.

hell, maybe it's just whoever will listen to him. there has to be someone out there, right? something.

unbeknownst to him, and poetic in sorrowful sort of a way, his next pleas are reminiscent of heathcliff's after he learns of catherine's death.

"be with me always"

"stay with me, angel. please don't go."

"take any form"

"hate me for this if you want, for being the reason you're in this mess. you can't hate me anymore than i already hate myself."

"drive me mad"

"i'll read every single stupid romance novel on your bookshelf. i promise i'll play all of your ridiculous card games."

"only do not leave me in this abyss, where i cannot find you!"

"just don't leave me here without you. i don't want to be here without you.

"oh, god! it is unutterable!"

"please," he whimpers.

"i cannot live without my life!"

"you're everything. you are everything. you can't leave me with nothing."

"i cannot live without my soul!"

"i love you," sukuna laments. "i love you."

he doesn't even comprehend the words that have been tumbling past his lips, because they're coming from a part of himself that he long believed to be dead and buried.

it's the part of him that can feel suffering and regret and loss and love.

it's the part of him that you've been painstakingly unearthing whenever you send a smile his way. whenever you curl into his side. whenever you press your lips to his.

and he's so undeserving of it each and every time. he's known that. god, has he known that.

he thinks bitterly of the night you'd walked to the park together hand in hand— when you told him the universe had sent you to knock him down a peg.

turns out you were wrong.

the universe gave you to him, but only so it could take you away too.

and it won't just knock him down a peg. it will fucking destroy him. it will completely and irrevocably destroy him.

this is what he does deserve.

how is it that you can be both his salvation and his undoing?

"i love you," he repeats, his voice barely above a whisper.

it's ironic that the three words he's never once said in his entire life are the only ones he can manage in this moment.

he hears a quiet sigh escape your lips, but he knows that it's just his imagination— nothing more than the universe playing its final sick joke.

the sun is out and its rays are peeking through the window of your bedroom. sukuna thinks it's despicable.

everything should be cold and dark today.

you're lying in bed half dead and the only thing keeping sukuna's sanity intact is the shallow rise and fall of your chest.

he should go to jujutsu headquarters and deliver a slow, painful death to every single person involved in yesterday's events. then he should turn their headquarters to ash and stand there watching until the wind blows every last bit away.

but more than that, he should be by your side, so that's where he's remained.

it's been nearly a day and you still haven't woken up, so he's taken to performing reverse cursed technique on you every few hours.

yuuji had shoko come by last night and she assured him your body just needs time, but sukuna doesn't intend on taking any chances. aside from the brat, there isn't a single sorcerer he trusts.

so naturally when gojo teleports directly in the middle of your living room unannounced, sukuna moves swiftly to his feet and blocks the doorway to your room.

gojo regards him nonchalantly, hiding his surprise that yuuji is not the one to greet him. "what are you doing... out and about?"

"that's none of your concern."

"right. well, i came to check in."

"that's not necessary."

the two men watch one another carefully, before gojo eventually chuckles. "god, you actually care about her. i guess the whole soul thing should have been proof enough, but i couldn't bring myself to really believe it until now."

sukuna doesn't respond, so the other man continues. "you should know that the threat to her has been... dealt with."

"that so?" sukuna asks, crossing his arms over his chest.

"mhmmm. word of this spread to the three clans and they agreed civilians have no place in jujutsu politics if it can be helped. not to mention your little... messenger. it all caused quite the ruckus for the higher ups."

"i don't think ruckus is enough to deter them." his tone makes it clear that he feels gojo is wasting his time.

"this isn't the heian era anymore, you know. the higher ups may still be the figureheads of jujutsu society, but they have little say when all three clans concur on a matter." receiving nothing more than a blank stare, he adds, "besides, i'm rather fond of her myself, so i may or may not have made certain threats of my own."

sukuna's eye twitches. "anything else you feel compelled to share before you leave?"

"can i at least see her before i go?" gojo questions, peering over sukuna's shoulder.

"if you do not value your life, i welcome you to try."

a sly grin breaks out on gojo's face.

"eager to make good on your promise of killing me from all those years ago?" he pauses, his hand coming to rest on his chin as if he's pondering something of great importance. "as much as i'd love to see you try, we shouldn't wake our precious sleeping beauty before she's ready, so maybe another time."

with that, he disappears, leaving a very irritated sukuna in his wake.

"our," he repeats under his breath, shaking his head. "that unbearable imbecile."

when he turns on his heel, however, the malicious look is immediately wiped from his face because you're awake.

you're awake and peering at him from behind heavy lids.

"hey," you greet in a small voice.

his eyes grow impossibly soft and he sits on the bed beside you, his hand moving to caress your cheek. your skin is warm again.

"hey, angel."

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[lilacstro]

astro observations pt 11

literally had a dream about two of the pointers lmao so i thought I have to do this!!

1.Sun in 8th house people, are extreme. Either they would be extremely motivated or they won't care at all. My brother has this placement and guess he is in wont care his at all era lmao

2.Often seen when someone's sun falls in your 8th house, you might have an unexplainable attraction to the person, and unexplainable feelings about them, sometimes often wanting to over give to them without explanations. However, in any form of relationship, you both end up transforming each other, and in some cases things end in extreme forms between both of you, like for example in an extremely emotionally charged situations, huge conflict of feelings and ending up hurting each other etc. I don't recommend this one tbh lmao. This in just my personal opinion never ends well for so many reasons that it deserves a single post lol

3.Your 4th house can show your relationship to your past. People with Scorpio in 4th house may hold resentment to the past but transform themselves out of it and not really cling to it like most people would think. Clinging to the past more so feels like Pisces 4th house thing, but not always. In fact, they can be very empathetic towards themselves and their past. They may even dream about past events in their life often. Can make a separate post on this one again.

4.Often seen people with Jupiter in 4th house are hopeful about the future, no matter what they have been through. They are usually infact very optimistic and make good things happen for themselves with this attitude, sooner or later

5.Having Jupiter in any subconscious house (4/8/12) is again a sign of having a good heart and intentions, and having some kind of hope and optimism. Like, people with Jupiter in 8th house would be going through the worst phases of their life and yet be kind and helping to others around them, have hopes that all of this would pass, even if it doesnt feel like so in the moment.

6. Someone having water placements in 2 or all of the subconscious houses esp 8 and 12 can be really, really intuitive. This also makes me think they are more prone to feeling energies and having mental health problems

7. Having Cancer/Pisces in 8th or 12th house, can mean you can connect with your ancestors or they connect with you more than you think, through dreams, intuitive nudges and things like that. I think this even more amplified if you have these in the 12th house

8. There is something with 11th house stelliums and everyone wanting to be their friend. My sister has this placement and despite of being an introvert she manages to have some really good friends, its like she doesnt even have to do much, people just find her and make friends with her.

9. People with 8th/12th house stellium or even personal planets in those houses and feeling like lone wolf in a crowd full of people. Its like feeling no matter who is by your side, in the end, you have to go through everything alone and do everything alone and it can get frustrating at times.

10. People with Jupiter in 1st house have a really good sense of humor. I have seen this in charts of two people tbh. I would also say this for people with Mercury-Jupiter aspects

11. Whereas people with Mercury dominance or Mercury as chart ruler/1st/2nd/3rd house can have peak level sarcasm and dish it out fast at times lmao Like bro how do you even come up with that thought so fast.

12. Wherever Sagittarius is in your chart can show what you may change and leave behind often and can't really be tamed about. Sag in 1st? FREEDOM, these people would also change their personality and everything overall whenever they feel they need to plus points if you have pluto in sag in 1st house, and transform into someone new. Sag in 11th, changing friend groups and social environments whenever necessary or felt like so, like wont really think very deep about leaving a friend behind until its really serious for them. Sag in 10th? Changing multiple careers and jobs

13. Venus conjunct mercury people may actually not just flirt but fall for flirts too lmao. I think at times, this can also translate to being able to fall in love with someone online or just through texting.

14. I dont know if I have said this but one of the OG placements for keeping emotions coming on face and being able to keep a poker face throughout are Capricorn moons fr. Like they may go through a swindle and tsunami of emotions but keep such a straight face lmao. Unbothered queen/kings (surficial though). Its either because they don't know how to express their emotions or they just restrict them on purpose, and guess what it never ends well and they need to break this cycle.

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xoxo

[twistedwonderlandimaginesblog]

OKAY I HAVE ONE MORE!! I just read the post you did where s/o got injured after getting in a fight, and I'd love to know how Jamil, Trey, Ruggie, Jade, and Deuce would react if their s/o tried to hide the fact they got hurt? Either because they didn't want to be a bother or because they knew the guys were busy and didn't want to add to their plate. Even going as far as avoiding them for a day or two while trying to (badly) nurse their wounds.

Deuce Spade:

Deuce can’t be entirely mad at you since that would be the same thing he would do. He wouldn’t want you to worry about him either, but now he sees how that can actually hurt more. You had never given him a reason to be dishonest before and he hoped you saw from his calm reaction that you didn’t have to fear confiding in him, either. He was here to be your support if you didn’t want his protection, he just needed you to at least let him in on what was happening. He’d stop anything to take care of you and he makes that clear, wearing an intense expression as he made you promise to tell him if you were hurt like this again.  

Jade Leech:

Jade could always smell blood in the water. While he allowed you to foolishly believe you were hiding your wounds from him, he was aware from the beginning that you were injured. If you were trying to hide it from him than he wasn’t going to point it out until he saw how far you were willing to go to keep your secret. It’s almost amusing that you’d rather be in pain rather than tell him you’re hurt but once your pain is too great to hide, he smoothly let you know he had a few nursing skills as he and Floyd used to play rough as children. He doesn’t ask how you got the wounds (he already knows) nor does he point out that he knew you hid it from him, simply smiling at you and knowing he had you sweating it out on whether you were going to confess or not.

Jamil Viper:

It feels a little like betrayal to Jamil. While he didn’t want the stress of having to care for your wounds thrust upon him (even if he’d do so anyway), he didn’t like that you apparently didn’t trust him enough to tell him. Had he done something to deserve you purposely keeping secrets from him? Your relationship had been tumultuous at first but he had thought you found a comfortable middle ground, where you were both content even if there was still more to learn about each other. He helped clean you up as he can’t help but call you out when you’re clearly in pain, scowling the entire time as he couldn’t bite back his anger at you hiding away your injuries from him. He was clearly hurt and told you to just tell him next time to save him the anxiety of thinking he did something wrong, as he could at least escort you to the nurse.

Ruggie Bucchi:

Ruggie sighed, wondering how you always managed to attract trouble to you.He doesn’t seem to take your you hiding your injury from him personally, saying he might’ve done the same as some things are just too mortifying to admit to. He grinned as he said he appreciated you not getting him into trouble with you, as he certainly got into more than enough with Leona and the others in Savanaclaw. Still, if you were hurt and needed someone to lean on you should come to him, as a wounded animal separated from the pack would get killed.  

Trey Clover:

Trey sighed, knowing it was partially his own fault as he piled his worries onto you without thinking of how you might view that. He dealt with the trouble he was handed because he knew how to, and while it was too much from time to time, you were hardly the cause of most of his troubles. He didn’t want you to hide something like an injury from him just because he seemed busy, even if he couldn’t help directly, he would have been able to get you the suitable treatment and check in on you later. You’re scolded directly and it leaves you worried he might be mad at you forever, since it was so rare to see him annoyed like this. Those thoughts end when you wake up the next morning with fresh baked goods and a note saying to text him when you finally awoke so he could check in on you.  

[flawseer]

3000 AS character drawings

(Clearsight, Listener, Thoughtful)

I suppose this might be a new collage? Probably not a complete one, but I would like to draw some of the characters from this time period that I liked or found otherwise notable.

I wanted to include Clearsight's parents in this post, but the prospect of drawing five full-body pictures of dragons in one post filled me with some kind of emotion, so if I do that, it'll likely happen later.

Clearsight

The mother of pantaloons herself. She is described as slender, beautiful, and as having purple eyes. The graphic novels so far have one depiction of a Nightwing using future-sight and it shows her eyes glowing an eerie white while she does it. Clearsight's method of using her clairvoyance is very unorthodox, but I like to imagine she still gets this effect when she looks ahead at future events. Only in her case it looks less ominous and much more casual. I picture her sitting at the dinner table with her eyes lighting up every few minutes, until her mother finally goes "now dear, we've agreed; no future-vision during meal time." So she sighs and silently continues eating her beet salad.

Also, obligatory mention that the silver scale in the center of her forehead is, once again, a reference to my partner @flamebringer0 's theory about Nightwing powers and indicates the presence of prophetic powers, like eye scales would mark a mind reader.

Listener

Clearsight's bestie is described as large, long-necked, and curvy, and seems like a good extroverted foil to someone who spends most of her time cooped up inside her own head. She comes across as a bit of a romance-obsessed airhead, but some of the things she tells Clearsight are actually pretty reasonable, and I like to think Clearsight becomes more appreciative of Listener's ideas and influence once she departs the continent and they are separated.

Apparently she later writes a scroll about Clearsight being the most brilliant prophet who ever lived. I would like to know how that affected her life, considering the Nightwing tribe probably remembers Clearsight as "that lady who was fawning over the crazed warlock we all ran away from". Did Listener catch push-back for publishing a laudatory script about someone like that?

Thoughtful

Here is glass boy. The book describes him as handsome with circular glasses. I accidentally drew him a bit more chubby than I intended, but honestly, I think it suits him. He looks very pleasant and friendly, which seems to be in line with his general character. I am actually very happy with how this drawing turned out.

Also, he is not bipedal in this picture. He is resting his weight on his two hind legs and tail. I think of this as "tripod stance"; it's a body posture a dragon can assume to free up their front legs to do precision work. It is relatively stable, but grows uncomfortable if you stay that way for too long (tail cramp).

Also, you can't really walk like that. To walk on their hind legs with any kind of proficiency, a dragon has to place both of their wings on the ground to substitute their front limbs.