#might post some other old art I deleted from twitter

[heartsquigz]

some stuff from july

[malenjoyer]

Hi!

I know right now may not be the best time to say this, but I'm kind of still processing how fast this all happened. As someone who likes to look over artists' past work esp my fav works daily and just suddenly noticed that they're almost all gone: twitter, instagram, and tumblr. It frustrates me that not only has this situation affected you, but how it really takes one selfish and inconsiderate person to ruin everything for others. I truly hope that you can heal from this and maybe we might see those pictures again, but this is just soo much to process. Just love and support for you <33333 🥹🫶😭🫶🫶🫶🫶

Hi. I��ve privated a lot of my work on tumblr and Instagram, so they’re not gone forever. I still have a lot of positive memories with them so I didn’t want to delete them. I wanted to keep all the nice comments and support I’ve gotten over these past few years.. I might unarchive them sometime in the future when I’m more okay with it being looked at. Twitter, I had no choice but to delete it, especially ones with dick, jason, and Peter Parker. My brain freaked out a little bit from seeing evidence of the person saving my art and making fake clip files with them. Logically, I am aware deleting my old art in response is stupid.

But it wasn’t limited to just comic art, it was other interests I had too which was really uncomfortable that someone would go to the extent of pretending they like other stuff I liked. They would also paraphrase tweets I’ve made about my personal life onto their own twitter. That just isn’t okay.

Every interest I’ve ever fallen in love with meant a lot to me. This is probably not publicly known information since I’m relatively private, as a depressed autistic person, a lot of who I am is what I end up liking. My friends and relatives describe me as dressing up like a cartoon character, because everything I like is so visibly obvious. I become utterly consumed in my favorite things. Suddenly, it feels like all of my control was taken away from me. My interests collected over the years were no longer just mine, it was someone else’s because they decided to lie and it was easier to continue lying. I don’t know how much was saved. There was a screenshot of a message with over 8+ of my art works sent excluding the fake files.

I don’t have control over it. The impersonation of my identity and my life experiences.

But I do have control over who gets to see what I put out in the future. I could probably write this better but I’ve rewritten a lot of things within these two days. Rewritten posts over and over so it sounds less aggressive, less hurt, less like I am trying to call for a witch hunt and more just taking extra precautions. I don’t think I have the energy to rewrite this to seem less vulnerable/pathetic.

I want to apologize to everyone who hoped I’d keep my past art public. I know how it feels. I’ve been fans of artists who just blew up their account one day and never came back. I only privated them on tumblr and Instagram. That’s all I can do. Honestly, I’m hoping a part of my brain just forgets some of this happened since depression does come with memory loss.. This post is now too long.. but I hope it gives some insight for what’s happening on my side of the brain. I appreciate all the support so far.

If you see me acting a little weird on twitter, I’m just trying to regain a sense of control over my identity.

[cat-vase]

Hi. I've made a post about this before, but I have more information now (and hopefully I can organize it better).

Ghoul is a n//zi. Only censoring because I tried to make this post already and it didn't show up.

Here is a list of all the social media accounts I could find that he uses so you can block/avoid him.

There is a possible tumblr sideblog I might be unaware of (edit: this has been found!). Click the read more for more details/evidence.

Twitter: xGOREGHOULx

Tumblr: previously d34d-d06-404, now gunk2d34th (warning for bright/eyestrain theme on desktop)

(Edit) Tumblr sideblog: fourexforevrrr

(Edit) Another Tumblr sideblog: dreamobjectshow

Discord server: OBJECTZSPACE

Discord username: gir4life

Pinterest: deranged_number4 + xX4_1STH3B35T1NT3G3RXx

Youtube: xGOREGUNK2009x + xGOREGHOULx

Soundcloud: xUR LOCAL GABBER KIDx + GORE GUNKZ

Pronouns.page: xGOREKIDx

Rentry: DERANGEDFOURNER (warning for bright/eyestrain/flashing gifs)

(Edit) Strawpage: gunksite (warning for flashing gifs/eyestrain)

Carrd: goreghoulquest (warning for moving/spinning/rotating background image. i'm dizzy/have a headache from it. it's a first person video game perspective of somebody spinning in circles in a brick maze.)

On October 21 2023, Ghoul posted these to his pinterest. I looked at the website page data in order to get that date, because I don't think pinterest has a clear way of showing when things were posted (and if it does, I don't know about it).

That's the n//zi salute from Kratcy (CFMOT) and n//zi uniform from Yoshka (CFMOT), complete with a red n//zi armband.

In the last one of Kratcy, the caption is HEIL, MEIN FÜHRER!!! In English, this means HAIL, MY LEADER!!! Führer is the title Hitler gave to himself when he came into power.

On October 22 2023, Ghoul posted this to his twitter.

Three drawings of Four (BFDI/BFB) wearing a n//zi armband. It's censored out in two of them, but Ghoul forgot to censor out the first one. This is an indication that he knew it was bad to draw/post, but did so anyway.

Later that day, he posted this.

Another drawing of Four wearing a n//zi armband, with a caption to spell it out for you.

On October 23 2023, he posted to his twitter again.

Another one.

On December 20 2023 (two months after all those posts), somebody on twitter pointed out the armband in Ghoul's post. The callout post got a little traction, some of the other art was found, and Ghoul was asked why he drew n//zi art. This was his "apology." I included the second screenshot so you know I'm not intentionally cutting anything out with the first screenshot.

Mania does not suddenly make you antisemetic. Mania does not suddenly compel you to draw n//zi imagery. Ghoul tried censoring two out of the three images, trying to hide it. He clearly knew it was a bad thing to do. He is using mental health issues to excuse his actions.

On December 21 2023, he answered this ask on his tumblr.

And then left this in the replies of the ask post.

Again, using mental health issues as an excuse. If you felt bad for it, wouldn't you have deleted it as soon as you got into a clear headspace? Would you not have addressed it sooner instead of waiting for people to call you out on it first? If you were truly trying to ruin your reputation, why did you try to censor some of it? It isn't "old art", either. It's from three months ago.

I'm including this screenshot so people know what the discord server looks like. I am not in this server, I only clicked the link to get the screenshot. I do not know if anybody is co-running this server along with Ghoul, or if it is only Ghoul himself running it.

I'm including this poll because I don't know if he ever made that sideblog or not. If he did, I don't know the url. If anybody does know it, please tell me. I'll leave your name out of it. I just want people to be able to block it if it exists.

(Edit) This sideblog has been found! It's @/fourexforevrrr

As of writing this post, it is January 7 2024. Ghoul has not said anything about this since and continues to post art like normal. I don't want this to be swept underneath the rug. I'm not allowing a n//zi to exist in the object show community. I don't care that he's a minor (16). This is vile.

[blubberquark]

Are Game Blogs Uniquely Lost?

All this started with my looking for the old devlog of Storyteller. I know at some point it was linked from the blogroll on the Braid devlog. Then I tried to look at on old devlog of another game that is still available. The domain for Storyteller is still active. The devblog is gone.

I tried an old bookmark from an old PC (5 PCs ago, I think). It was a web site linked to pixel art and programming tutorials. Instead of linking to the pages directly, some links link led to a twitter threads by authors that collected their work posted on different sites. Some twitter threads are gone because the users were were suspended, or had deleted their accounts voluntarily. Others had deleted old tweets. There was no archive. I have often seen links accompanied by "Here's a thread where $AUTHOR lists all his writing on $TOPIC". I wonder if the sites are still there, and only the tweets are gone.

A lot of "games studies" around 2010 happened on blogs, not in journals. Games studies was online-first, HTML-first, with trackbacks, tags, RSS and comment sections. The work that was published in PDF form in journals and conference proceedings is still there. The blogs are gone. The comment sections are gone. Kill screen daily is gone.

I followed a link from critical-distance.com to a blog post. That blog is gone. The domain is for sale. In the Wayback Machine, I found the link. It pointed to the comment section of another blog. The other blog has removed its comment sections and excluded itself from the Wayback Machine.

I wonder if games stuff is uniquely lost. Many links to game reviews at big sites lead to "page not found", but when I search the game's name, I can find the review from back in 2004. The content is still there, the content management systems have been changed multiple times.

At least my favourite tumblr about game design has been saved in the Wayback Machine: Game Design Tips.

To make my point I could list more sites, more links, 404 but archived, or completely lost, but when I look at small sites, personal sites, blogs, or even forums, I wonder if this is just confirmation bias. There must be all this other content, all these other blogs and personal sites. I don't know about tutorials for knitting, travel blogs, stamp collecting, or recipe blogs. I usually save a print version of recipes to my Download folder.

Another big community is fan fiction. They are like modding, but for books, I think. I don't know if a lot of fan fiction is lost to bit rot and link rot either. What is on AO3 will probably endure, but a lot might have gone missing when communities fandom moved from livejournal to tumblr to twitter, or when blogs moved from Wordpress to Medium to Substack.

I have identified some risk factors:

Personal home pages made from static HTML can stay up for while if the owner meticulously catalogues and links to all their writing on other sites, and if the site covers a variety of interests and topics.

Personal blogs or content management systems are likely to lose content in a software upgrade or migration to a different host.

Writing is more likely to me lost when it's for-pay writing for a smaller for-profit outlet.

A cause for sudden "mass extinction" of content is the move between social networks, or the death of a whole platform. Links to MySpace, Google+, Diaspora, and LiveJournal give me mostly or entirely 404 pages.

In the gaming space, career changes or business closures often mean old content gets deleted. If an indie game is wildly successful, the intellectual property might ge acquired. If it flops, the domain will lapse. When development is finished, maybe the devlog is deleted. When somebody reviews games at first on Steam, then on a blog, and then for a big gaming mag, the Steam reviews might stay up, but the personal site is much more likely to get cleaned up. The same goes for blogging in general, and academia. The most stable kind of content is after hours hobbyist writing by somebody who has a stable and high-paying job outside of media, academia, or journalism.

The biggest risk factor for targeted deletion is controversy. Controversial, highly-discussed and disseminated posts are more likely to be deleted than purely informative ones, and their deletion is more likely to be noticed. If somebody starts a discussion, and then later there are hundreds of links all pointing back to the start, the deletion will hurt more and be more noticeable. The most at-risk posts are those that are supposed to be controversial within a small group, but go viral outside it, or the posts that are controversial within a small group, but then the author says something about politics that draws the attention of the Internet at large to their other writings.

The second biggest risk factor for deletion is probably usefulness combined with hosting costs. This could also be the streetlight effect at work, like in the paragraph above, but the more traffic something gets, the higher the hosting costs. Certain types of content are either hard to monetise, and cost a lot of money, or they can be monetised, so the free version is deliberately deleted.

The more tech-savvy users are, the more likely they are to link between different sites, abandon a blogging platform or social network for the next thing, try to consolidate their writings by deleting their old stuff and setting up their own site, only to let the domain lapse. The more tech-savvy users are, the more likely they are to mess with the HTML of their templates or try out different blogging software.

If content is spread between multiple sites, or if links link to social network posts that link to blog post with a comment that links to a reddit comment that links to a geocities page, any link could break. If content is consolidated in a forum, maybe Archive team could save all of it with some advance notice.

All this could mean that indie games/game design theory/pixel art resources are uniquely lost, and games studies/theory of games criticism/literary criticism applied to games are especially affected by link rot. The semi-professional, semi-hobbyist indie dev, the writer straddling the line between academic and reviewer, they seem the most affected. Artists who start out just doodling and posting their work, who then get hired to work on a game, their posts are deleted. GameFAQs stay online, Steam reviews stay online, but dev logs, forums and blog comment sections are lost.

Or maybe it's only confirmation bias. If I was into restoring old cars, or knitting, or collecting stamps, or any other thing I'd think that particular community is uniquely affected by link rot, and I'd have the bookmarks to prove it.

Figuring this out is important if we want to make predictions about the future of the small web, and about the viability of different efforts to get more people to contribute. We can't figure it out now, because we can't measure the ground truth of web sites that are already gone. Right now, the small web is mostly about the small web, not about stamp collecting or knitting. If we really manage to revitalise the small web, will it be like the small web of today except bigger, the web-1.0 of old, or will certain topics and communities be lost again?

[cookiedocinha]

📌 • PINNED POST!

-> Introduction:

Hello there! I'm "Cookie Docinha", but I also go by the names Atsuko, Akira or Asher. I am an amateur artist and animator who does what I do because I love it, I am 18 years old and I am Brazilian and, at the moment, I live in Brazil 💚💛

I am a non-binary person, and I go by He/they pronouns and masculine and neutral terms.

Feel free to ask anything, because this is a fun pastime :D

Oh yeah, and this is my sona, Atsuko! This silly creature that represents me!

-> Artwork:

I make different types of art and animations, most of them are related to fan stuff, since I'm part of several fandoms.

But I also have my own original little creatures and their adventures >:3

-> Commissions:

I do art and animation commissions, but since I'm busy with school and studying for college entrance exams at the moment, I'm only accepting art commissions at the moment. There's more info in my carrd!

Current status: OPEN

I have a YouTube channel where I post my animations, my Twitter and Instagram, but because of the policy changes on these platforms, I switched to Bluesky and here!

-> Other platforms:

Here's my linktree with all my official social medias (Any other account with my name that is outside of this linktree is probably someone impersonating me, be careful!)

-> Content and warnings:

My content can sometimes be a little sensitive for some people, even though most of the artworks are cute and silly things, sometimes I will do violence, blood, light gore and others. But don't worry, because I always put a "trigger warning" or "content warning" (TW and CW). Just be careful when checking out my arts. (NOTE: There is no sensitive art in my commission portfolio, so don't worry!!)

-> Before following:

Know that I don't have the habit of staying in just one fandom for a very long time. Sometimes I might find a new interest and end up focusing on it more. But that doesn't mean I hate the fandom I was in before, so don't follow me just because of the fandom or anything like that.

And I don't really care about ships, but I VERY RARELY make some ship art (usually my OCs, because I don't like ship discussions) again, if I do something like this, don't start an argument over it, I'm not a fan of ships and if I do something related to that, know that I did it just for fun and boredom.

-> Fandoms/My current interests (constantly updated):

• Undertale/ Deltarune

• Undertale Yellow

• Murder Drones

• The Amazing Digital Circus

• Vocaloid/ Synthesizer V

• Pizza Tower

• Friday Night Funkin'

• Baldi's Basics

• Art and animations in general

• ENA

• Omori

• Yume Nikki

• Needy Streamer Overload

• Original Characters

• Minecraft

• Roblox

• Class of '09

• Project Sekai (I'm kinda new into it)

-> Asks:

Any questions or suggestions are welcome, however, if it is something that makes me extremely uncomfortable, I will not respond to you and will delete it from the message box. And if you insist, I will block you.

Well, that's all for now! See u!

[vivziepoparchives]

Just as a note for anyone trying to send me things to add to the archive!

I can confidently say I already have everything that can still be found publicly on:

the spindlehorse youtube

the old zoophobia youtube

viv's current twitter

vivzmind/taco of darkness/spam deviantarts

the zoophobia wiki

viv's ask.fm

the vivziepop tumblr

viv's portfolio tumblr

viv's newgrounds

any merch found on this spreadsheet

Things I'd love help with:

Anything deleted from any of the above accounts that can't be found on the waybackmachine

anything from her old live journal (i've only found a few fanarts there)

anything from one of her myriad of other tumblrs that are now locked

anything from the old asktycoxangel tumblr (I have a smattering but it's very little)

old sketchbook videos ,particularly one from 2011 (I have part two but not part one)

viv's nabyn account which I've been unable to find but know existed

anything she might have posted to her vivzmind or vivziezp twitter though she may never have posted art there for all I know

faustisse streams. I have one titled inking the alastor comic, one titled freelance work, and one titled fashion stream: charlie comic

other early streams by her or those working on her projects

basically things fans may have saved back in the day that didn't get recorded by the wayback machine before they were deleted.

I don't mind being sent things I already have cause I'd rather take a look than miss something I don't have yet, so don't be afraid to send anything. But f it's still up on her youtube or tumblr, I definitely have it. I just haven't posted it yet as I'm trying to post things in a way that provides variety.

No offense to anyone who has sent me the basic stuff! I appreciate anyone trying to help, but I thought I would save some people some time by stating what I definitely do have!

(I have a list of about 55 different old accounts of Viv's that I search on the waybackmachine. I don't think that's a complete list by a long shot, but I promise I have the very basic stuff still publicly available!)

[oldschoolfrp]

(Someone asked for my thoughts about the current OGL debacle, and compared it to how TSR handled its properties in its final years as a company; Tumblr twice ate my reply and deleted the original question)

From the earliest days of D&D a big part of its appeal has been the way it encourages players to create and share their own worlds. The initial appearance of the game sparked the rise of a host of amateur fanzines and third-party small press publishers whose efforts helped increase the popularity of TSR's core product. As TSR grew, it extended various licenses for official supplements, with an uneasy tolerance of ‘generic’ material that didn’t claim to be official.

As competition increased, Gygax seemed more irritated with others engaging with his game on their own terms.  Instead of writing as much about imagination and creativity he often focused on promoting the right way to play. He wasted pages of space in Dragon magazine railing against the small presses and accusing them of making inferior unauthorized products that deceived unsuspecting gamers in the marketplace.

After forcing Gygax out in the mid-80s, Lorraine Williams saved TSR through aggressive expansion, but an attempt at total market dominance helped cause its final financial crisis in the 90s.  The company produced too many of its own new games and official supplements split between too many different genres and campaign worlds, dividing its own customer base among an unsustainable number of products that competed with each other.

That was back then. As for now, I think:

As a consumer of some recent third-party content for 5e and B/X D&D I've been pretty happy with the thriving community of creators making free and commercial supplements, and I hope no one tries to place roadblocks in their way.

That’s about it.  I think I'm not the best person to comment on the details of the allegedly more restrictive leaked OGL 1.1 because:

I have no inside information or contacts with the legal representation of Hasbro, Inc, and

I myself am not a publisher of OGL-based material who would be directly threatened with financial loss by any of the changes that might occur.

It's understandable that independent authors and publishers would be worried about a possible threat to their businesses. It is especially concerning that the company at the center of all this has mostly remained silent for several weeks while anger and fear has been amplified. The last official statement was back on December 21, in which they insisted that independent creators would still be able to keep doing what they have been doing, and mentioned new threats like NFTs as an example of why they felt the old legal language needed an update:

https://www.dndbeyond.com/posts/1410-ogls-srds-one-d-d

Unfortunately when I see this topic being promoted on Twitter and YouTube, many of the top suggestions are clearly bad-faith click-bait performance art by people selling anger as entertainment, which isn’t going to help anyone understand the actual issues.  I won’t engage with the worst of those.

There are some good takes on the topic here -- @mostlysignssomeportents explained some reasons why publishers probably never needed the OGL and could be better off without it, and @prokopetz has some observations on why the OGL made people more comfortable about quoting the official rules and where things might be headed.

[mokeonn]

So I heard that Tumblr is slowly being abandoned (they seem to be laying off a majority of their staff and keeping a skeleton crew) and we might be nearing the end of this webbed site. I don't think it's currently worth panicking over, but I'm definitely going to start making that neocities website.

I'll make a post soon about other places where you can find me. Unfortunately, I've spent quite some time these last couple years getting rid of a majority of my social media because most platforms were bad for my mental health. I do not plan on going back to these platforms, so if tumblr goes down, I'm going to be only on non social media.

Maybe if one of the new social medias being created, actually take off (like bluesky or pillowfort or whatever else these days) I might join, but if not I might be entirely on personal websites, patreon (I will start posting regularly like a blog and make more free posts), some old websites I deleted but not because I hated them (such as ko-fi, which I deleted due to inactivity) and possibly furaffinity. I'm still on the fence about furaffinity. I might also finally start using my toyhouse but that is an oc sharing website and not much of an art sharing website.

I really do hope Tumblr doesn't go down, this is my one social media and if it does go down I am going to lose nearly all of my audience. I can make do by creating a personal blog and using whatever I have left in terms of "can post my art there and people can find me", and it won't discourage me from making my personal projects. I can make do, and I will make do, but I don't really want to make do.

Anyways, that's all I have to say right now, I'll make a post later once I set up some alternative sites to find me at, but for now I want to give the heads up that if I'm gone, you're not gonna find me on twitter, Instagram, or whatever third option there is. I'm likely going to just make do, be offline more, and likely just become active on the discord servers I'm on.

[tslightninginabottle]

We Are Reputation

Or, An Argument For The Reformation of Community Subculture

Two Days Ago The Tortured Poets Department for Taylor Swift dropped. I have friends who like Taylor Swift. I have friends who love her. I’ve tried to explain to them what this album makes me feel and the more commentary I see online from Twitter, Threads, TT… I feel like, while no one needs my opinion, I want to say it online. So this post is going to be long. If you don’t want to read it, if you don’t care, scroll away. It’s anonymous, because at the end of the day, I doubt I’ll come back to this blog.

I've shifted between posting or deleting for days. This is not very well edited. It's mostly rambling and I understand that. Some points may be connected vaguely. It might seem like I'm contradicting myself. It's messy and raw, and I'm just tired. But if I’m going to do it at all. I’m going to do this as right as I can.

Thus it’s in the form of an academic essay. Unlike other Academic essays, it is not riddled with an intense amount of quotes or sources. This is an opinion piece. But I think for the sake of the TTPD release, the structure is very… fitting.

Introduction (I.E. the TLDR for those of you who don’t understand how an academic paper is structured)

Taylor Allison Swift, has been Taylor Swift (capital T, capital S, with the TM brand symbol) since the age of 16 years old. She has gone through a cycle of expectations three times, and now she is tired. She is begging her fans to listen, and many of them refuse to do so. She is capable of creating great art with great vulnerability, we as fans are no longer equipped to handle it. Ultimately there is a chance that she is afraid of shaping her own ability, because of us. The only way we as a fandom can change is if we redefine our community now before it’s too late. And if she stops after album 13 it will not because she does not want to, it will be because we have destroyed her. 

Taylor Swift (TM)

For those who are reading this, and have made it thus far, chances are you know who Taylor Swift is. Whether that means you know where she grew up (Christmas Tree Farm), when she moved to Nashville (14), the names of her cats, her mother’s medical history, secret sessions, VMAs, easter eggs, accidents, eating disorders, a myriad of too many details that we know about a person we have never met, and the loves of her life. Whether this is friends or relationships, you probably know, all of their names. How each one came and went in her life. Through songs and through tabloids, screaming her name, screaming their names, trying to defend her honor when the world calls her childish for only singing about the heartbreak. You know. Thus, this message is to you: for all you know about Taylor Swift, have you stopped to think of who Taylor Swift is? Truly? Not projecting your own thoughts onto her. How using your long list of check boxes and check marks and “I’ve been here this long and I’m a better fan because I know this much.” Have you, do you, know her? Because I don’t. 

When I got my first iPod in 2006, I had five songs on it that I bought with my own money: Thnks fr th Mmrs, Umbrella, Fergilicious, Our Song, and Tear Drops on My Guitar. In 2008 I had my who family memorize the lyrics to YBWM because we listened to it too often. I saw the 2009 VMAs happen live on television. In 2010 I was screaming Mean in the shower when I had no reason to; I was happy. In 2012, I got my choir to sing a mashup of IKYWT. In 2014, I was racing down the aisles of Target at Midnight to get 1989. I was a bystander during Snakegate. I was sitting in my car in 2017 reading potentially my favorite prologue I’ve ever seen. Then I was subsequently let down by the album as a whole. I was likewise disappointed in 2019. When Folklore came out, it was the first album I ever sent to my non-tailor swift friends. They loved it. I did it again with Evermore. Midnights came out and I sat in my living room with my brother and his girlfriend, screaming, talking, the first listen party I ever had where it was not just me alone. When TTPD came out, I was alone again. 

Don’t come for me and say I’m not a real fan. It’s okay to admit disappointment. I never expected her to change to my will, however. I never yelled about it online. I simply accepted that it wasn’t for me and moved on, waiting to hear the next thing to see if it was. I stood by her, not because I loved her or I idolized her, but because I resonated with her, and sometimes that resonating wasn’t perfect but I accepted that. 

Or maybe do call me a fake fan. I really don’t care what you think of me. I just need you to know that I’ve seen this. I know this. I know what you know, if not more. But all the same, despite me reading the tabloids, reading the magazines, having the posters, listening to all the music, I have never thought I actually knew Taylor Swift. And yet… 

There are people online right now, being critical about this album. Some say it sounds bland, the same as what has come before but not as electric and ground breaking. Some say she needs an editor. Others say she is trying to recreate catching lightning in a bottle and failing. There are those online who are giving the paternity tests to the songs right now, proving to me that you never bothered to actually read, let alone understand what TS is saying to you. 

You were too focused on  “If I only hung out with my female friends, people couldn’t sensationalize or sexualize that-right? I would learn later on that people could and people would.” That you MISSED: “I had become the target of slut-shaming-the intensity and relentlessness of which would be criticized and called out if it happened today. The jokes about my amount of boyfriends. The trivialization of my songwriting as if it were a predatory act of a boy crazy psychopath, The media co-signing this narrative. I had to make it stop because it was starting to really hurt. / It became clear to me that for me there was no such thing as casual dating, or even having a male friend who you platonically hand out with. If I was seen with him, it was assumed I was sleeping with him. And so I swore off hanging out with guys, dating, flirting, or anything that could be weaponized against me by a culture that claimed to believe in liberating women but consistently treated me with the harsh moral codes of the victorian era.” 

Go reread the Reputation prologue for me real quick. Or actually better yet, here:

Here’s something I’ve learned about people. We think we know someone, but the truth is that we only know the version of them they have chosen to show us. We know our friend in a certain light, but we don't know them the way their lover does. Just the way their lover will never know them the same way that you do as their friend. Their mother knows them differently than their roommate, who knows them differently than their colleague. Their secret admirer looks at them and sees an elaborate sunset of brilliant color and dimension and spirit and pricelessness. And yet, a stranger will pass that person and see a faceless member of the crowd, nothing more. We may hear rumors about a person and believe those things to be true. We may one day meet that person and feel foolish for believing baseless gossip. This is the first generation that will be able to look back on their entire life story documented in pictures on the internet, and together we will all discover the after-effects of that. Ultimately, we post photos online to curate what strangers think of us. But then we wake up, look in the mirror at our faces and see the cracks and scars and blemishes, and cringe. We hope someday we'll meet someone who will see that same morning face and instead see their future, their partner, their forever. Someone who will still choose us even when they see all of the sides of the story, all the angles of the kaleidoscope that is you. The point being, despite our need to simplify and generalize absolutely everyone and everything in this life, humans are intrinsically impossible to simplify. We are never just good or just bad. We are mosaics of our worst selves and our best selves, our deepest secrets and our favorite stories to tell at a dinner party, existing somewhere between our well-lit profile photo and our drivers license shot. We are all a mixture of our selfishness and generosity, loyalty and self-preservation, pragmatism and impulsiveness. I've been in the public eye since I was 15 years old.   On the beautiful, lovely side of that, I've been so lucky to make music for living and look out into crowds of loving, vibrant people. On the other side of the coin, my mistakes have been used against me, my heartbreaks have been used as entertainment, and my songwriting has been trivialized as 'oversharing'. When this album comes out, gossip blogs will scour the lyrics for the men they can attribute to each song, as if the inspiration for music is as simple and basic as a paternity test. There will be slideshows of photos backing up each incorrect theory, because it's 2017 and if you didn't see a picture of it, it couldn't have happened right? Let me say it again, louder for those in the back... We think we know someone, but the truth is that we only know the version of them that they have chosen to show us. There will be no further explanation There will be just reputation.

You don’t know Taylor Swift. It doesn’t matter how many times you’ve read her lyrics and you’re sure. I don’t want to hear another person say “She’s giving us her diary.” She is curating it. Editing it. She is a poet. She is shaping her image into exactly what she wants it to be. She is showing us the worst parts of herself on purpose, because it feels as if she is tired of hiding the full maltifaceted person that she is.

However, she is a marketing genius. She is a billionaire. She is not the girl next door, your very best friend, the girl you’d give your kidney to. You don’t know her. You don’t know anything about her relationships other than what she says on her songs — and the tabloids that are like 90% wrong anyway. We only know what she is giving us, analyzing the lyrics and coming up with more incorrect conclusions than correct. You don’t know her. You only know her reputation.

And every time you chant. Reputation! Reputation at her concerts, in the comments, in the theories, the more feral you are over it, the more you prove her point. At this point, it feels like people care more about her reputation than her. And it seems as if she’s tired of explaining it to us, because all we care about is the show. “Breaking down, I hit the floor. / All the pieces of me shattered / as the crowd was chanting “more!” (TTPD, ICDIWABH)

The Cycles of Hate

We all know the story of reputation. Snakegate. Kanye. Kim. The social media blackout. The comeback of a century. The KYS. I wish Taylor Swift was Dead. She’s just a bitch. I knew she couldn’t be trusted. 

Fun fact. That was Taylor Swift after 1989. Taylor Swift during the Era’s tour could eat that Taylor for breakfast. Her fame is astronomically bigger, full on universal. If you didn’t know this, IDK where you’ve been, but it’s the truth. We’ve seen her grow from that It Girl Popstar. To THE Generation defining popstar. Taylor Swift was named Artist of the Decade for the 2010s because she was the artist of the decade. And to the haters out there, this post is not meant for you. I don’t want to hear it. You can in fact walk down the street and start the song Love Story and people will know the song. Even in other countries. People know Taylor Swift (TM). 

In the cycle of popstars, newer shiny popstars often replace the older ones. And Taylor Swift, one day, will be no exception. The difference is, unlike most of those other women and men— I’d dare to say that none have gone through the torment that Taylor Swift has. In 2009, after the VMAs, the world turned against Taylor. Publicly and through the media, people were criticizing Kanye West. But Taylor said herself that she thought people were booing her on the stage. There were think pieces about how she ‘wasn’t good actually.’ This is when the true hate train began for Taylor Swift. The: she only writes about love and boys. The: she dates too many of them. The: she doesn’t write her own songs (even though her whole brand was built on it). When Taylor Swift released Speak Now, it included the song Long Live. Based on the lyrics, Taylor thought this album could be the end of her career. “Will you take a moment? / Promise me this / That you’ll stand by me forever / But if God forbid fat should step in / And force us into a goodbye / If you have children someday / When they point to the pictures / Please tell them my name.” 

I like to tell my friends that I see Taylor Swift has having three cycles in her career so far. We are living in the third. This isn’t based on music genre, completely. Because for argument sake, Taylor has touched on many subgenera. But it is based on Main Genre, and the cycle of vitriol towards Taylor Swift —i.e.l over saturation. 

Cycle 1: Debut - Red; Country

Cycle 2: 1989 - Lover ; Pop

Cycle 3: Folklore - TTPD; Folk/Folk Pop

The Cycle goes as follows: Taylor Swift has massive world breaking success after catching lightning in a bottle. People get outraged. She has to respond, in order to defend herself. The world gets more angry and irritated. TS is everywhere. There are horrible things being said online, everywhere in every way. People want her to DISAPPEAR. She writes an album for herself, and the fans cherish it. Then she says, it’s time for something new. The Cycle repeats. 

To most, non-fans, that I have met or seen online. They seem to agree that Taylor has only ever had three “good” albums: Fearless, 1989, Folklore. What do all three have in common? They were smash successes. Before Midnights, they were the only three that won AOTY. People around the world know their songs. She has been given critical acclaim for them by people who don’t listen to Taylor Swift. They are all sonically cohesive. They are all lyrically creative, and musically engaging. And, most importantly, they were genre defining (at least for her). 

I ignore Debut here, because Debut was her setting the ground work, and while Debut and Fearless are similar and close, it was not Debut that started the cycle. Debut started her career. For this reason, Debut classifies as an Album 0. It is the album zero, ground zero by which the whole cycle was built. 

In the Cycle that I’ve defined, after the smash success for Album 1, there is a string of vitriol and some sort of incident. She then writes an album response either to it, or about it, trying to prove herself as an artist and that she deserves what she has and where she is: Speak Now, Reputation, Midnights. Each one of these albums are Taylor Writing to prove herself, as being allowed to exist, and create art, her snapping back in some way. This may be the most esoteric in regards to Midnights, but the concept is the same. The big vitriol after Folklore/Evermore was that she could write deep songs, but not deep pop songs. So she made a concept album about the sleepless nights of her past and made an anthology of well crafted lyrics and considerations, thoughts and prayers, and proved she could do it. Midnights shouldn’t have gotten AOTY. It was good, a world wide smash success, but that’s because she has a bigger fan base no than she did years ago. It wasn’t lightning in a bottle. It wasn’t genre defining. It was a good pop album. But ultimately, Midnights is an Album 2, it is a continuation.

Now many people may say, but Evermore was the album after Folklore. It wasn’t. It was written at the same time as Folklore. She didn’t have time to process anything. It is, for all intents and purposes, a double drop with Folklore. The two are one, the same mindset. Midnights was different. 

In the case of Album 2 it is, or was, always a failure. Before Midnights, at least, with both reputation and Speak Now, even though she poured her heart out and made excellent music, and yet for some reason it did not receive the same accolades or awards — or maybe was even ignored by the general public. She did not catch lightning in a bottle again. I would argue this is the same for Midnights, but the difference is that her fan base is so much larger than it was before. 

Now, after Album 2, there is always the ramp up. The actual over saturation. It grows and grows and grows and the world begins to fully hate Taylor Swift. Yes, I know Snakegate had everyone turn against her, but look at the way people said things to her during the Lover era. Once again she thought it was the end after Reputation, that her career was over. Red, Lover, and TTPD are Album 3s, or the “this one is for the fans” album as the fans like to say. The “You don’t get it because you don’t understand Taylor like I do, album.” The Album Taylor writes for herself. Red was the only breakup album. The heart wrench album. The sing it and scream it in your car album. Lover was, at the time, unapologetically, a be you album. The be in love, be happy, it’s okay to be “me” album. TTPD is the I’m falling apart, please see me album. It is the I’m going to have to be okay on my own album. The I’ve healed and move on from this part of my life, but you don’t know me, album. And each and every time general society says it is not great, fans say that they simply don’t understand it because they’re not fans. 

Rinse Repeat.

Album 1: The Critical, Genre Smash Success. Album 2: Is the Critically overlooked Concept Album. Album 3 is the: This one is for the “Fans” (herself), Album that is critically panned. 

Dear Reader

Right quick, go reread the lyrics for dear reader for me. Follow that up with YOYOK and ICDIWABH. Come back to me when you’re done. Good? Let’s go. 

Are you listening yet? Are you hearing her yet? Taylor Swift fans are realizing this now, but TTPD was written for Taylor and it was written for us. The fans. We don’t know her. We don’t know her life. She is begging us, on her knees. Crying to us. She is messy. She is far from perfect. She makes bad choices. She is not a good person. She is simply a person and she is asking us to stop the idol worship.

“Please. / I’ve been on my knees. / Change the prophecy. / Don’t want money. / Just someone who wants my company. / Let it once be me. / Who do I have to speak to. / About if they can redo. / The prophecy?” 

And you may say, but that song is about love. It is. It’s about us. The greatest love Taylor has ever known. She said that. To us, at the Eras tour. We are the longest relationship she’s ever had. We’ve been there with her through the good and the bad. The ugly and the sad. The beautiful and the change. 

“You, who saw that I reinvent myself for a million reasons. And that one of them is to try my very best to entertain you. You, who have had the grace to allow me the freedom to change.”  (1989 TV)

But are we?

“This is a story about coming into your own. And as a result… coming alive. I hope you know that you’ve given me the courage to change. I hope you know that who you are is who you choose to be, and that whispers behind your back don’t define you. You are the only one who gets to decide what you will be remembered for.” (1989)

What is the legacy we are currently leaving behind for her?

“I want to be remembered for the things that I love, not the things that I hate, not the things that I’m afraid of, not the things that haunt me in the middle of the night. I just think, you are what you love.” (Daylight, Lover)

Stop and think. For a moment. Every time we bring those men up. We bring the possible relationships up. We bring the heartache up. We attack the people online. When we hold her to impossible beauty standards, and impossible moral standards. We speculate and wonder and question… yes, there is a level of media literacy that comes from asking these questions. But there is a vocal majority, a large subsection of people online who are doing it again. Who are asking when she’s going to get married and have babies. Who are trying to burn Joe or Matty or Harry or any of the other boys before to the ground. Who are taking us back to 2012, the “she only writes about hs and heartbreak.” The fans who hang on her every word, every breath, and aren’t allowing her to change.

Taylor Swift (TM) has always been about change. But how many times have you seen or heard people scream, “this isn’t like folklore?” Some are like, they’re not real Taylor Swift Fans. But they’re comparing everything to it. And they are, her fans, and they’re not allowing.

Some of you may be like, but other artists don’t change. Don’t branch out. Write the same thing over and over and over, and maybe she wants to do that. Yet, girly has shown us time and time again that she actually likes challenging herself to write other genres. She likes doing it. If she didn’t. Reputation would have been more like 1989. Lover would have been more like 1989. Folklore and Evermore wouldn’t exist. I do think there is an argument to be had that expecting her to change and forcing her to do it is wrong, but I’m saying that we aren’t even accepting the chance that she may want to change for herself. Whether that means into a stable sound that never changes from album to album or into a wildly different genre. RN the FANS are dictating what should and shouldn’t be, and that’s… messy.

How many of you breathed in relief at 17-31 because it sounded like Folklore and Evermore? How many of you liked 1-16 because it was like Midnight’s sister? How many of you were waiting to hear the heartbreak about Joe? How many of you have given the songs paternity tests? It’s only been 48 hours. You can be honest. 

We are Taylor Swifts greatest love, if things are to be assumed, and the muse in TTPD is strangely many people in one — because we are a part of the problem now. She had to plead manic insanity to us, in her prologue for this album. 

How many of you look at the rerecordings and have forgotten the reason for them? I mean, I know you know the reason, but it’s not supposed to be a count down, doubting everything, pushing her, pressuring her, to give us her art. She is trying to reclaim her art, for herself. It’s called Taylor’s Version. Not the audience version. Yet, you scream Reputation at her concerts. Reputation. Reputation. Give us everything you are Taylor. Give us, your love Taylor. Entertain us Taylor. 

All she has left are her name and reputation. She’s already given away her reputation once. Do you think she wants to give it away again after she’s finally reclaimed it? Do you think she wants to give her name away again? When it’s finally her’s? 

And don’t get me wrong I think that reputation (TV) and Taylor Swift (TV) will come, and the world will be excited for the vault tracks, and be angry that it doesn’t sound identical to the original. And feel betrayed that it’s not 100% perfect the exact way they wanted. They’re tired of her failing them. Gaslighting her into believing she’s not good enough. Threatening to quit her and leave her behind because she’s disappointing them, by doing the one thing she’s good at but it’s not good enough anymore.

Oh sorry, not the world.

Her fans. The love of her life.

Critical Critique

The thing about giving good feedback and critique is that it needs to be helpful. You can’t simply say, I hate this, and expect someone to use it. 

Taylor Swift is not above critique. She is not perfect. She is a human being, it’s legitimately impossible to be perfect. Yet we ask her to be perfect. Now I’m not saying perfection with saying one thing (that she cares about social justice) and then doing the opposite. I’m not saying she’s above critique of her private jets or being a billionaire. These can all be valid critiques. I think we should be critical of her billionaire status, and white feminist tendencies, and marketing exploitation. This is looking at an idol and holding them to human standards that you may have for yourself.

I don’t think that being critical and holding someone accountable is toxicity. I do think it’s toxic tho, that we are starting to read into everything. Search for clues in everything. Showing up to weddings we were never invited to. Stalking her across venues. (And I don’t mean the plane guy, I mean you weirdos who show up at her house and her recording studio and scream at her to tell you about her latest breakup). Looking over photos, like you’re a tabloid editor from 2010, like “Where’s the ring?” “Is that a baby bump?” 

And when she tells us the truth we say no, I don’t believe you. When we, her fans, hear her say with her whole chest “I’m not perfect, stop defending me.” and we turn around and say… mmmmmm I’m not going to do that. You are my perfect little baby who can do no wrong. You must be confused. You must be shocked. Let me correct you. She knows she’s making bad choices and she has a whole marketing team to fix what she does. 

Taylor Swift fans have been demonized by media as ravenous brain dead worshipers, and in some ways we are. We defend her at every turn, at everything she does and justifies it, but this is more than that. And yet is also only that. I am defending her when she doesn’t need me to. But more than that, I feel like I need to call out the fandom cuz we are toxic. We have secret sessioners leaking albums. We are gate keeping. We are screaming at each other when people don’t agree with are arbitrary and subjective opinions. We say that the real critiques of her work aren’t actually listening to her— they are, you’re not listening to the critiques. Like the 1830s line. There are so many ways the same sentiment could have been written, better. No one is saying Taylor is a racist. They’re saying she needed someone to check her on the line and be like, is there a different way to say this? 

To everyone we talk to, we are hated. There are think pieces about how toxic we are to others online, how we attack everyone who dares to actually be critical of her. How we attack eachother, like the snake eating its tail. We defend her like its or dying breath and then turn around to Taylor and say, look I was a good fan, give me what I want and only what I want. People hate us. Outsiders hate us. Casual fans hate us. We hate each other. Taylor swift says she sometimes hates us.

Welcome to the age of Aquarius, the downfall of celebrity. We shouldn’t worship people, like idols and gods. However, we should judge people as people and we aren’t doing that either, to the random person on the street saying “see me” to the girl with the lyrics crying “hear me.” 

Social Media Literacy

Hate Taylor swift if you want to, whether that is because she’s over saturated or because you have grown disillusioned. But Taylor swift has built a brand about being relatable, and as much as people may say she’s manufacturing it now, I don’t think she is trying to. I personally think she’s trying to do it the way she always has, and it’s backfiring. 

Not because she’s less relatable, but because we as a society have lost what it means to accept other people. We are holding everyone to a high near high level of perfectionist accountability, where you must be perfect and never change, and never make a mistake. There is a fact to be said that billionaire mistakes hurt millions of people, and that everything you do cosigns another terrible thing. However, we are not building a community. We are not holding people accountable and then pulling them back into the community to help them change their mindset. We are not creating a network of support, we are snipping away at the web at every single point. Saying, you’re wrong, and isolating further. And while this can be said about everything and everyone, it is more apocalyptic for Taylor Swift, because her entire brand is a microcosm of society. 

This is happening to everyone, not just Taylor swift. Everyone. Nuance is gone. Grace is gone. Understanding, just like media literacy and critical thought, is disappearing. People are making value assessments of others based on the media they consume. And that alone should be a concern for all of us.

We are saying if you aren’t perfect, you are kicked to the outside. Immediately. No remorse. We are saying, if you aren’t exactly the way I think is morally right, just, or perfect, you are forbidden from anything ever again. And I’m not talking about Taylor Swift. I’m not talking about critique. I’m talking about us. The fans. Who attack each other. Who demonize each other. Who send hate threats to each other. Who call each other crazy. Who joke about other’s demise. 

Oh, that’s just an issue of Taylor’s brand. No. This is a wider spread issue, it’s just magnified in the Swiftie fandom, because the swiftie fandom has always been a parasocial relationship with Taylor. From the day she began on Myspace, the Swiftie fandom has broken down clues together, kept secrets together, been a community together, in a way that most others have not been. And it’s falling apart, just as Taylor swift’s brand of relatability. Because we as a society, and we as a fandom have snipped away the entire network of support. The only way down is through, and there is no one to catch us at the end of the fall.

Parasocial Relationships, have been seen to become toxic very fast, as soon as a person thinks that they have some sort of control or are heard by the person they follow. For the longest time, Swifts staid back, followed the clues like rabbits and it was a game. She left us a puzzle, and we went to solve it. Now we are trying to solve puzzles that don’t exist. We made the game bad. We have made it awkward for everyone. The Parasocial relationship we have always had with Taylor, which was kind and filled with space and grace, has fallen apart. We are the worst parts of toxic parasocial relationships.

We are screaming for more. Ignoring what has been given. Skipping too fast and onwards to the next thing. All while saying, this thing that you’ve given me? It’s not absolutely perfect. Do more. Be better. Oh but that’s too many now. How about this one thing instead. 

I know with my heart of hearts that when Reputation (TV) comes out. It’s going to be hell on fire. Because there is such a pent up image of this special album in everyone minds, that they keep saying things that are wildly untrue. That it’s going to be release randomly, because “there will be more explanation. There will just be reputation.” 

Go read the prologue AGAIN. I’ll wait. 

Don’t Blame Me, Love Made Me Crazy

We are not capable of listening anymore. And I know that many people of the world won’t read this, won’t understand this, won’t even know it exists. 

But we, are the most toxic love affair that Taylor Swift has ever had.

It was good, when it was good. But we’ve turned on her time and time again. And there are some of us, myself included, who will say, we’ve been here the whole time! Supporting her, even during lover when her concerts were at the lowest. But. 

We are tearing each other apart. We are tearing her apart. We are holding her to impossible standards we don’t even hold ourselves too. Our very real critiques of her are being ignored and some fans say it’s just hate instead. Critiques to her, become massive amounts of backlash at her, that is visceral and appalling. We say, “I love you.” She says, “It’s ruining my life.” 

We say we love you, and then turn around and say but I hated that. We say we support you  but we need “MORE.” We say take a break, but you had better not disappear on us. We say we want you to be in love, but on our terms. We want you to be happy, but the way we want. 

And it has gotten more and more and more, as she has skyrocketed to the Eras Tour level of fame she has right now. Our reactions to her are millions of times over across multiple countries. Where people are saying, she shouldn’t have become a public figure if she couldn’t handle it. She shouldn’t have opened up her life to us and written her songs like a diary, if she couldn’t handle it. She shouldn’t be a human being if she can’t handle being hated for being human. She created this parasocial relationship, it’s her fault it’s toxic. She talks about the men and love, she should handle when we judge her for it. You wouldn’t even judge your friends. Will you say, that’s just the way they are? And ignore the ways they are hurting you and others? And if you did, will you hold grace for them to change and grow or will you cut them out immediately and leave them isolate? Will you forget community? 

And it’s all divisive and anonymous online. This virtual signaling, and hate towards one person, when you can’t even hold your own families accountable. When you can’t even hold yourself accountable. When every moment that this relationship of us to Taylor continues, it proves that we are the worst parts of humanity. 

I’m not immune to that. This post is antagonistic and anonymous. I see the irony. I know the hypocrisy. 

And there are reasons the jokes aren’t funny about us on the internet, but that they’re true. They’re true, what outsiders and non-fans think of us. We are a rapid fan base that gets worse and worse each year. We are not only the good parts, the friendship bracelets and joy of the eras tour. We are all the terrible parts as well. We are the racist, homophobic, terrible parts. We are getting worse and worse the more and more we love her, that we are starting to scare people even more than we ever had. It’s my way, or you’re out. And if you, another fan, don’t agree with me then you’re not actually a fan at all.

Some people, fans, have said that the Eras Tour feels like the end. That she’s saying goodbye. She burned down the lover house. TTPD is alienating people. Taylor Swift is everywhere and she is so oversaturated that people are concerned.

And look. I can’t blame TS for what is happening right now. If she’s feeling alone. Afraid. Lost. Unsure what will happen if she puts one foot out of line. She’s given us this messy album that is filled with the dirty and worst parts of her thoughts and feelings. It’s not edited it’s raw. It’s angry. It’s saying “Fuck you.” Because we made her crazy. And I’m pretty sure we sure as hell aren’t letting her feel like she can change. She can’t trust us to let her change or to become something else. She can’t even trust us to be there as a support network. 

Even if the Cycle dictates that she should do it.

Maybe she’s grown up. Maybe sh’s found her genre and want’s to stay here forever. Maybe Taylor is tired. Maybe she just needed to get all the emotions out and away so she can move on and be fully happy. Maybe she’s terrified of what will happen this time when she falls from grace. She saw it in 2009-2012. She saw it in 2016-2017. 

I don’t know. I don’t know her. But I know this:

When you’re standing at the tallest peak, how far does the valley look? Especially when the wings you built through years of blood sweat and tears are burned by the very people who helped you make them.

There Will Be No Explanation. There Will Just Be Reputation.

We all know the iconic opening sequence from the Reputation Stadium tour. Where she took the media commentary and made it the opening. For years. Taylor has been in a war with the media and the powers at be. When the media slut shamed her. When the media made paternity tests. When the MEDIA said, look at this woman and all the stupid shit she does.

Guess what? The media loves her. 

Taylor Swift reclaimed her reputation from the media in 2017. 

But now who does she have to take it back from?

For as much as Taylor has made a commentary about how women are constantly told to reinvent themselves, to become something new and shiny, in this way and that way for “me.” The greatest changes Taylor has ever made in her music career have been for herself. 1989, was because she wanted to go Pop. Folklore was because she needed to process and try a new type of songwriting style. 

And yet, now Taylor’s fans look at all her clothes and choices and say “ah this is a new era.” This is “reputation era coded.” The fans are now adding paternity tests to every single song. We are going after the exes online and in person. We are asking Taylor to reinvent herself constantly over and over and over to entertain us. We shout “MORE!” over and over again. The fans are feral for reputation. Ignore everything else. 

And with TTPD she said, we need to chill that we don’t know her. That she’s going to make up her own choices and fuck up. And the line about “you should see your faces?” that is about US.

We, the fans, are now in the place of the media. We are the ones that are dictating her reputation in a way that she does not agree with. When Taylor Swift reclaims her reputation again, it will not be from the media, it will be from the fans itself.

We are now giving paternity tests. We are now the ones asking if she’s going to get married and when. We are the ones constantly wondering if she’s pregnant. WE are saying and doing and acting the same way that the media did for YEARS. When before we used to tell the media to back off and ignored it all. We have become the very thing we used to hate. 

And now we, as fans are saying to Taylor Swift that she MUST “Be new to us, be young to us, but only in a a new way and only in the way we want. And reinvent yourself, but only in a way that we find to be equally comforting, but also a challenge for you. Live out a narrative that we find to be interesting, to entertain us, but not so crazy that it makes us uncomfortable.”

This time when Taylor Swift reclaims her reputation, she’s going to be reclaiming it for herself, from the men who stole it from her. From the media who dictated it. From the world. From her fans. For herself. (Taylor’s Version)

Lightning in a Bottle

I was always of the opinion that she’d continue making albums after 13. Now I am not sure. I think she’ll write music, but I think 13 might be it. There is a chance, she is preparing to keep coasting. Get 12 out while she’s still at the high. Ride out this Cycle longer than it should. Get 12 out to critical acclaim, face the fall and release 13, her Magnum Opus. Say goodbye for good. People will look at it and wonder what happened, who she is, but she’s been warning us since Long Live that this could happen. 

However.

Taylor Swift is capable of bending lightning. 

To many fans, each Taylor Swift Album is perfect. To some each album is something new that she hasn’t tried before. To me, Taylor’s albums come in the form of a cycle. Where, when she changes for herself and is embraced for that change, she is able to create something no one has ever done before. She defines a generation in a healthy and productive way. 

She’s done it once with Country. She’s done it twice, with Pop. She’s done it thrice with Folk. In each instance she was raw, she was curated. She was honed in on the concept, on the lyrics, on the vulnerability, on the genre itself. Taylor Swift can capture lightning in a bottle when she’s trying an entirely new genre. When she goes all in on everything for the genre, in a new form, and learns and masters that form well. And most importantly, when she decides to make this leap of faith not because she’s reinventing herself to make the world entertained, but because she wants to make the change- the choice- for herself.

I’ve always hoped and prayed for that Rock album. I thought it would be 12 (or 11, in a world where Evermore was not Folklore’s sister/twin). I’ve always thought that if Taylor was going to catch Lightning in a bottle again it would be in rock. I don’t think we’ll ever get it. And that’s okay.

I always hoped that album 13 would be about us, the fans. The coming of age story of Taylor Swift. Her relationship with us and the music industry. The album that has pop and rock and country and folk. Songs that remind me of Girls Just Want to Have Fun, I Want to Dance With Somebody, and This Ones For the Girls. I hoped it would be for us. For her. For the love of it all. And album that said Long Live, with a capital TS, that touched on every era she ever did, recreating the sound perfectly. Into 13 perfect songs and not a song more. I doubt it’s going to happen. And that’s okay. 

I won’t be disappointed. I’ll be here for the ride. I’ll critique her as much as I always have, and hold grace for her to change as a person. I’m going to build my community with the paradox of Tolerance in mind. And if I’m wrong and she continues after 13, I’ll be there too. But I think that right now, The Taylor Swift fandom is not in the place to be able to catch Taylor if she makes a jump, a change, a decision that is not tailored for them or considers them. We can't even talk with each other without getting into fights.

Ask yourself how much of our community is left:

When the parasocial relationships Taylor built, is weaponized against her and ourselves. Like some sort of awardshow, where you get a gold star for being the best.

When we are giving her a paternity test at every lyric.

When we see our faces at every new lyric. 

When the games aren’t fun anymore. 

When we scream more. More. More. More. But only the way I want and in the way I deem appropriate.

When her reputation has been stolen from her again. AGAIN by the people she trusted most. 

When we only book mark her life by failures and endings. Gossiping like old women asking how did it happen this time?

When we won’t even remember ALL the things that she loves. 

When that’s all she’s ever asked for us to remember her by. 

When she says we, her fans, "are the love of my life."

But “The Story of Us, sounds a lot like a tragedy now.” 

Because "the story isn't [hers] anymore."

Yet, we're all she’s ever wanted.

I think that with TTPD, she is processing but she's telling us, that this is it. She's going to make the first change of her life not knowing if we're going to support it.

Cycle 4 is coming. Whether that is with 12. 13. With the end of the Eras Tour. With the burning of the lover house on the first night of the Eras Tour. Cycle 4 will end the Cycles. Will end the Eras. 

One more fall from from the precipice. But this time not from the public. Not from the media. From her fans. I think Taylor Swift is ready to take that leap with or without her fans. With or without the safety net. With or without the wings we built her that got her this far. One more fall from the pedestal. One more descent into the horrors that Taylor Swift has ever known. This time into uncharted waters, facing the one true love of her life. The change that is going to shatter the fandom. 

What happens then?

Change

So how do we fix it? How do we, as a community, come together and fix this toxicity? Because we have to be the ones to do it. If we don’t do it now, then there is a chance we’ll never do it in the future. We have to change, and reclaim our own reputation as Swifties.

How? I wish I had all the answers, but I do have a place to start.

Stop sending death threats and hate and KYS to people you don’t agree with. 

Stop arguing like you’re so smart because you understand her lyrics. If someone says they don’t interpret something the same way as you, maybe listen. There is no One Way to read a Taylor Swift song. There just isn’t. 

Tolerance Paradox: Support differing opinions of your own. However, we can not accept intolerance. Those who wish to spread hate, those who wish to spread anger, we can’t support them. We have to call them out. We must call out the racists and the homophobes and the literal nazis and white supremacists who find our fandom home. 

We must be critical of her AND our community. Whose voices are we not listening to? Take a self inventory on why the critique of her bothers you so much. Legitimately. 

We must take inventory of what we have done in the past and take accountability for the ways we’ve hurt others.

We must stop asking for more, legitimately. Stop asking for more Folklore like albums. Stop asking for more 1989 like albums. Stop begging for reputation.

We must be kind to those who are new. Gatekeeping can only be so far as to keep the space a place of tolerance. 

We must support each other in hard times, in times of need. Be the community that comes together to say, I have your back. We must start helping each other, legitimately.

We must hold our ground, and stop the leaks IMMEDIATELY.

Stop speculating, and I don’t mean analyzing of reviewing easter eggs. I mean speculating. We aren’t with her 24/hrs a day so stop acting like we should be.

Easter Eggs are only fun, when people aren’t having full break downs about being wrong. Maybe we should chill. 

Hold space for your opinions to change and for others to change. Validate those changes, and the processing. 

Remember our roots. We are the fandom who has stuck together through everything, who believes in the magic of connection. Draw those 13s on the back of your hands and make a wish. Long Live.

Ending

In the end, there is nothing great about this essay. I’m really not saying much to anyone. I'm saying this for myself because I'm changing the way I engage with Taylor Swift and other Swifties. I’m tired of creating a network of hate. I’m tired of feeling like I don’t belong in this community, because I am not perfect. Or because I don’t agree. 

We, as fans, are the new enemy that we have always fought against.  

I might not be able to fix everything, but I'm going to do my part to change the prophecy. 

[yasu-kun]

Mid-2023 Update (+bonus)

Current Status: Hiatus — my mental and physical health has lately being improving, busy working on myself first, and also found myself in a relationship (taken)

UnderDespair is temporarily inactive — remaking prologue for the final time due to exposition dumping at the very beginning for non-Undertale (AU) and/or Danganronpa fans — to be announced for the newest part (+prologue's remake)

New scifell contents are currently on hold — Thanks to my future partner, I'm overloaded with too many scifell inspirations (cuz he's a science/history nerd) and currently hoarding all of the ideas until my come back!

I MIGHT reblog other people's scifell content again — there was a glitch when I reblogged some posts, my reblog comment and their art was swapped after posting it, so hopefully it's fixed so I can share other people's scifell contents again — if you exclusively like to view my works only, feel free to check my Blogger instead!

↑ This is the example of the reblogging glitch I'm referring — sorry @tumpilmungil for using your old deleted posts as examples...! ;;

Personal Update

Lately, I've been trying to use Twitter and started doodling in a pocket sketchbook whenever I want to vent or rant as a healthier way to express myself.

As for the work in progress screenshot (from the very top), it's for the "secret dating AU" prompt and also a coincidence that I've been secretly friends and dating with my boyfriend this year.

Anyway, thank you for reading this far and hope to see you again as soon as I'm back with explosive contents...! ><

P.S. I lately got into tarot reading (gonna use it in UDAU too!) and love this skeleton deck! <3

[rubatozis]

So twitter got suspended in my country

you can read about the whole fiasco here 😭😭😭

(its actually really stupid)

So um. Here i am.

CHANGES

Since this will be my main social media from now on I made the (rather difficult) decision of deleting my sideblogs. The reason is because having sideblogs makes it a little bit difficult for people to find you, as an artist, if you know what I mean. It's also messier and harder to manage... I'd rather keep everything in one blog.

I MIGHT create sideblogs for dense projects but other than that I probably won't. I apologise to the people who met me because of my sideblogs but i hope you can understand my decision </3

SO WHAT?

You can expect to see me here far more often! This is my second favorite social media and is the one I preferred to migrate to, personally. I know Bluesky is Twitter 2 but I just don't vibe with it that much.

This will also become a multifandom blog and I'll just post whatever the hell I want. Like I did on twitter. Woah!

I'll be going through my archive and properly tagging all my posts so that my blog becomes more organized, though it will be a very slow and boring process so don't expect it to be completed so soon. I will probably repost old art that was posted in my sideblogs, maybe do some art-dumps, who knows.. Don't mind the mess...

Retrospring is shutting down and Curiouscat is broken so if you wanna talk 2 me please use my Askbox 🥺🥺🥺 i don't bite i promise

New pinned will be made soon

[headcanons-blog]

Hi! I wanted to ask about the amazing art piece from Sauce's old twitter you've used in your posts before. Since they deleted their account is there a way to still see them? Or do they not want people to?

Hi there! I'm honestly not sure how Sauce feels about it. I believe some of their old art can be found on the SDJ Twitter right here. There also might be some on the SnaccPop Patreon, but I haven't checked.

Other than that, I'm not sure if there is anywhere else to access it, as all of the stuff I saved was from when they still had a Twitter account. While I don't have all of their old art, I do have quite a bit.

I'd be happy to DM you what I do have saved, if you're interested!

[marcussour]

Hi

So, for the like 3 of you that maybe have wondered where have I been the last weeks, well, basically playing FF7 Rebirth and chilling on cohost.

Thing is, after the whole tumblr selling our data to train ai models fiasco, I was kinda in shock and decided to leave this place. I uninstalled the app from my phone, did backups of my blogs (which I wasn't gonna delete, just stop uploading), went to cohost and started posting there (it's super chill btw, it's like early tumblr mixed with old twitter, in case you're wondering). All while processing what to do next, because frankly, we've all felt that tumblr is somewhat on decline and seeing all the bad stuff it's CEO has done as of late -including threats of nuking the site this year-, the last few years always felt like there was an invisible countdown on this website all the time.

But still, I'm not gonna pretend I'm not gonna miss it, if not tumblr per se, certainly some of the people I've met here who are my mutuals of many years, many of which I've become friends with. Also, despite everything, I still think this is a good platform for posting art. Cohost has its good things (like being WAY more relaxed about NSFW stuff), but there are more file size restrictions, photosets are limited to fewer pictures, etc. There might be some ways to improve that besides what the staff there is doing, since cohost lets you edit posts in many more ways than tumblr (read somewhere that it was tumblr, but for hornier and more linux savy people), so there's also that.

Anyway, after processing everything that happened, and understanding that one way or another, my art's probably gonna be scraped from the internet nevertheless, even if tumblr offers an opt out option (that doesn't even consider the people that tumblr decides to sell our stuff to, let alone the fact that it also arrived so late that we probably everything was already scraped to begin with) even if I glaze it or whatever, I kinda made peace with what happened. I'm still weary about uploading, or where to do it. Yes, I know that I don't have huge numbers or a distinctive enough style for people to copy, but I also know that, nevertheless, not only my art, but the things I've written, the photos I've taken, etc., all has been fed into that slot machine of generating content. If anything, with the days I've noticed I'm way more angry at techbros as usual, and especially tumblr ceo and part of it's staff -I know that not everyone agrees with him and that there are good people in the staff, but there's also sycophants, professional "yes man"s and the like-.

So, after all that, I thought, well, might as well go back. But the thing is that, after spending a couple of weeks away (and missing the posts I imagine came up here both about the Cerveza Cristal meme and about Toriyama's death, among other things), coming back here has been weird, like, for better or worse, it has lost its appeal. I've read a couple of posts before writing this one and I was like "has it always been like this here?".

So, what now? I have no clue. I don't think I'm gonna download the mobile app again, if anything, I've noticed how much time it consumed to just check tumblr with the frequency I used to, so I don't feel like doing that anymore. I think I might pop up here from time to time, maybe return to live blogging Critical Role and Candela Obscura. Will probably like more stuff than the one I post and reblog. Still deciding if I should post new art stuff here, we'll see.

Anyway, if any of you have cohost, you can find me there

[burgycreeper405-blog]

a messy rant talk cuz am angy

bruh, osc twitter is so fnckin toxic like, they just gave me extreme trust issues that i just start to not follow or even interact with anyone outside of my friend circle immediately even if they art is cool and chet cuz whenever i interact with anyone (like follow, reply or somthin) they will go and block me bcuz someone tells them that i did something bad without even knowing what it is, yet they believe them like they know me better

and the only thing i did was ship knife and mic, ive known that the siblings hc is everywhere and i asked allot of times why its so popular, yet no one is telling me so i did my own search about it but noooo they be harassing and spamming me in quote retweets and calling me out and chet for an info that a newcomer wouldnt know instead of just dm-ing me,, they fr had to tell the public about it

like bro, i just joined not even a year in, just a month in, yet they harassing me like ive been here since day one

and might i let you know that the “proof” they be spamming me is almost a decade old, like, they didnt even ask the person if theyre still okay with it or not, a friend of mine has to ask them about it and guess what, he doesnt even mind it anymore

and then them saying “we reached out to burgy but they did nothing” like??? did my thread that i did and deleting the microknife art mean nothing?? even if the person said that its not even a big deal anymore?? yall need to get more info than just info that’s decades ago cuz like, you do know people change right?

and just cuz i posted that thread a day late cuz like bro, i was tryna write it as clear as possible yet that is nothing to you???

like yeah, i blocked some people but they were spamming and harrassing the frick out of me and chet like dude, i get it, your proof is a decade old, try and see if its still accurate sheesh, shut up, i have never blocked anyone unless theyre being annoying, and thats what i did, i unblocked them a few days later

and now its about the GKGG au??? like bro, it’s an au, obviously its different from canon, and now bcuz of that, my friend has to do an explanation about it here even if it’s so obviously obvious (they even explained there on twitter that the backstory is different from canon, but i guess they don’t know how to read)

haysst

i am so glad that i decide to just keave twitter, ive been wanting to leave twitter since a long time ago cuz i dont even know what to do with it than just like my friends’ & brother’s post and funny retweets and CoryxKenshin says to follow him on twitter/hj

and now, i finally dumped that bird app on the trash cuz, my dash was so full of osc people that i dont even want to interact cuz my gosh, every week is just full of callouts and stuff,and like, they just be bringing up old drama, like even if the person theyre calling out is trying to change and chet or just even the drama was like months or years ago, they be bringing it up like its nothing, like the person didnt apologized and stuff, and what’s worse, people believes the one who did the callout post, they didnt look if what theyre saying is true or not like dude, whats worse is if it’s a fresh wound and the person is trying to change, but i guess the osc twitter doesnt understand the word “sorry” even if you did a whole essay about how sorry you are, it’s like they dont even wait for the other half side of the story bro

two months in knowing and drawing ii and the osc twitter was so toxic like bro, i dont think i can handle years being there, let alone just a month like sheesh

aight

here’s a old random sketch of Katie and a oc named Erick from my tlm superhero au as a, i dunno, a thank you i guess? if you took the time to read all dat, i dunno

i wanna draw more of them,,

[likeadevils]

I was trying to find out timelines for one of my favourite artist's songs(not taylor). So can you give some tips? What is the first things you do while trying to find a date? Anything I should remember?

oooh good question

so, first tip, there's various different ways to be useful--one of the reasons this project has kept my attention for so long is i can do it in so many different moods. some days i just want to organize everything, some days i want to compile a bunch of links, sometimes i want to read old interviews, and sometimes if i'm lucky i want to actually use my brain to connect all the clues. don't get in your own way, just follow your gut

step one: organization

i find my spreadsheet set up very useful and i wouldn't be able to keep track of everything without it-- i would say my must haves are track, title, written, recorded, writer(s), producer(s), misc credits, and location recorded (for example here's 1989).

you'll want to set up some sort of key for how certain you are of the date (i do white text if i only know the general timeframe, red highlight if i have no idea where the date comes from, yellow highlight if its a shaky source, and green highlight if it's certain). i also like to color code everything else so i can quickly see basic information but that's just me being extra

in my experience genius has a list of most credits, and if not this website is super thorough (kinda a beast to sort through tho)

i add also add comments to each song and copy paste any quotes from taylor or her collaborators that i think might be useful to figuring out when it was written

step two: interviews interviews interviews

youtube is a gift from god-- i have a folder for interviews from each year and it's so nice (a good place to start is literally typing like, taylor swift 2006 interview, and following that rabbit hole wherever it will lead you), and when i'm in the mood i'll watch them.

old print interviews are a bit easier to find in taylor's case-- taylorpictures.net has a whole section dedicated to it, and i've noticed a lot of other big pop girls have something similar. if not, i've literally google searched "taylor swift interview" gone over to tools, click "any time", change it to custom time frame, and just crawled month by month through target years.

i'd say start with articles around the release date of the album and then work backwards

if you get tired of crawling through a bunch of interviewers asking about literally anything other than the art at hand, search interviews with the producers about the artist, and they tend to be more on track

step three: social media

use twitter advanced search to search specifically your artist and words like "studio" "writing" "guitar" "piano" "song" "album"

i like to add relevant posts to my spreadsheet like this

but i also have a full sheet for just taylor's old posts

if your artist is also insane and deleted all of their old posts, then wayback machine is so helpful

step four: when and where

a fair amount of the work comes down to figuring out where the artist was and when they were there-- especially if your artist works out of multiple studios

location stuff can get a bit icky, so personally i don't track stuff until two years have gone by, and even if you want to steer clear of candids you can still gain a good amount of information from public events only-- most artists are constantly touring, doing interviews, maybe attending award shows, stuff like that, and its useful to keep track of all that

again, the wayback machine is super useful-- most artists have an events page on their website, and smaller artists especially will add almost every television show appearance they have to it

Misc tips

CITE AS YOU GO

get around paywalls by copy pasting the link into the wayback machine

in general, i've gotten so good at googling because of this project it's insane-- check out this article to get more specific search results

i've also gotten crazy good at creating and using spreadsheets-- check out conditional formatting if you don't want to manually color code stuff

go one album at a time, at least until you've gotten a feel for it

have one or more work sheet on your spreadsheet- you'll need to format/sort stuff without worrying about screwing up everything else

i do this all in one massive spreadsheet with little individual sheets inside of it for each thing i need to keep track of, but like. i've literally opened up the sheet and then used my computer as a heating pad for period cramps. so do what that what you will

A rough date is easier to organize than no date-- get something down, and then you can refine it

[finn0la]

Do you know who this artist is? I didn't want to post it on my blog to ask who it is because that would be reposting it w/o their permission, so I thought putting it on an ask would be more appropriate. I've been obsessed with this piece for a while now (big fan of Crocodile is Whitebeard's son idea)

if you can believe it, i definitely recognized this art when i saw your ask, but i couldn't remember exactly where i saw it.

i did a little digging and i think i found the source, but unfortunately, the twitter account is deleted, and some of the easier methods of finding old tweets (checking the google search cache, for instance) weren't turning up with anything.

in any case, many of the other instances of this image online link to the same defunct twitter account, including the twitter pinterest account, so i think it's relatively reliable.

that account is お湯屋 (@kitunoyuusi)! while they don't have a twitter anymore, they do still seem to have a pixiv. although it's possible this is just a different person with a similar name and art style, i think there's a solid chance they're the same.

the pixiv doesn't have the art you linked, nor some other art i've found associated with this account, but the most recent post was from 2016, whereas i think this art may be a little more recent. so it's possible they just didn't post this particular piece on their pixiv.

while searching i found a similar image that links back to the same author, again from the twitter pinterest account:

regardless, because their twitter is down and pixiv is inconclusive, i'm not entirely sure how they feel about full-on reposts. still, we can appreciate their adorable, creative artwork and credit them as best as possible, even if they might not ever see it!

p.s.: i actually love digital media archival, especially from one piece, since it's been around for so much of internet history. i have a personal website where i collect and store old (typically early 2000s) fanart, fanfic and personal websites for one piece, just for the sake of keeping records on a fandom i care about. i've been a bit too busy to update it recently, but it's a passion project of mine, so asks like this one are more than welcome.

thanks for the question! ❤️