#might change the way he sees alan but he seems chill enough with him last time we see him

[nyankoizumi]

if the entire AVA and AVM series is canonically in youtube for anyone to see and The Chosen One were to see the first ever AVA video and witness Alan killing Victim before Chosen had even been created would that be fucked up or what

[tokyoghoose]

nous aimons tous les deux jours

pairing: dabi x reader

playlist: things we never say - bad bad habits*, sincerity is scary - the 1975, love love love - of monsters and men, if i go, im going - gregory alan isakov, i dont know me like you do - low hum, if i get high - nothing but thieves ( alice kristiansen cover ), i dare you - the regrettes, problems - deathbyromy, fool of you - meltt, hell and you - amigo the devil, creature - it looks sad, tongues and teeth - the crane wives, hooked ( addicted you might say ) - eleisha eagle, nothings gonna hurt you baby - cigarettes after sex, a dream of you - far caspian, so alright, cool, whatever - the happy fits, a lovely night - ryan gosling

warnings: mentions of violence, brief mentions of drugs for expression, and suggestive themes

summary: we love every other day

announcements!

this is my first try at a enemies/lover thingy! Originally it was going to be an enemy to lovers but i liked the idea that they're just on opposing sides a little more haha. Lemme know if you'd like to see the other one though!

i know there are a lot of hero x villain fics like this out there 😌 this is my take on it, so please bare with me!

feedback is welcome and appreciated! requests are open!

"We really have to stop meeting like this."

An addiction. That's what it is. Either that or it's some kind of reverse psychology like you want what you can't have—because nothing else makes sense. If you knew him as a regular person, honestly you probably wouldn't have given him a second thought. If he was a hero you worked beside—or god forbid a villain—then you probably wouldn't have cared for a hookup or two, but then you'd get over it. It's not infatuation. It's an addiction. It's toxic and unhealthy and it just feels good even if it shouldn't. But the high; the high is unbeatable.

It continues on forever and more. From the moment his gaze pierces yours it's like snorting a rail of coke or taking a tab and the trip never ends. It's not even the fact you could get caught. You two are so damn obvious; anyone who stumbles into an alleyway at three in the morning would see the two of you doing more than what a fight warrants. It's just him. It's simply Dabi.

Romeo and Juliette's syndrome is probably a better term for it. But hell, it's not like he'd die for you. Right? It's not like you've known each other way longer than some days and nights and you certainly aren't teenagers and he's definitely not somebody who moves onto a girl and decides he's in love at first sight just because his 'rosaline' left him face down ass up. So maybe Romeo and Juliette is just lack of a better term.

But it's so unfair. How the hell are you supposed to escape him when it's like he's around every corner. With every breath you take, it's like he's an inch closer to crushing your chest with his. And maybe you want him to? This isn't very hero-like.

"You're the one always tracking me down, doll."

The pet name sends shivers down your spine and it makes you want him all the more.

Who am I? What has gotten into me?

You blame the pink tint to your cheeks on the brisk wind of the night, but the heat to them is a large contrast. You cross your arms over your chest and scoff, trying to look taller, stronger, and broader. Not in a threatening way, but more a warning.

This time you'll really take him out.

"In case you forgot, it's my job."

You tell yourself that every time.

And every time he gets away.

"I'm not doing anything but taking a walk."

He steps closer, the already short distance between you two getting shorter. The streetlamp that cuts the scene in half flickers, a moth flying away from the light and towards the moon. You count three squares in distance and you resist the urge to step back.

"You're a wanted criminal, Dabi."

He doesn't deny it but scoffs anyway, shoving his hands into his pockets leisurely. It's like he's never bothered. You're just a nat he's waiting to squash. You have to remind yourself of that: You're just prey.

"I think you just miss me." His tone is serious, but he's only teasing—no matter how true it is. You're starting to think that he can read minds—it's actually quite concerning.

You force a laugh past your lips, trying to show you aren't bothered by what he says. It's just a game of cat and mouse, and it's time the roles switch.

"Please. I could throw you in jail right now."

"But you wouldn't do that. Isn't that right, bunny?"

Your guard faulters and it gives him the opening he needs to corner you completely—and quite literally. It's a blink of an eye and he has you against the brick wall. It'd look rather suspicious to anyone passing, or maybe it looks endearing. But it doesn't matter, to begin with when it's a barren street. Even the crickets seem to have fled.

It's like wherever Dabi walks, everything else scatters. If it were the sea, you're sure it'd part red.

Dabi smirks, trapping you between his body and the cool, damp bricks. The mist from earlier rain seeps slowly into your hero suit, sending a violent chill down your spine. His other hand touches your hip, fingers grazing the fabric so faintly that it'd feel non-existent if it weren't for the heat radiating off them. You hitch your breath when his nose nudges your neck, his hot breath causes shivers and his eyes bore into your own with something mischievous.

"I-"

His lips ghost the skin of your neck and you subconsciously pull it taut, tilting your head to the side. You're beginning to hate how your body arches into his and how it reacts to the simplest of touches.

Like a brick to a window, your dissolve shattered easily.

Dabi quirks a brow, challenging you to continue as you sputter about. It's embarrassing. You can hear him say it now, just like so many times before: "Oh? A big hero like you getting flustered by a big bad villain like me? How cute."

Your walkie talkie comes alive with static and a voice cuts in asking for help to take down a gang of criminals a few cities over.

My saving grace.

"I-I have to go." You push him away by the shoulders with sudden confidence, but he doesn't seem to put up much resistance.

God, you want to wipe the smug smirk off his face.

He backs off and turns with an unbothered wave, proving his point that you wouldn't- couldn't touch him, much less win against him in any sort of battle. The untouchable.

"Until next time, right?"

———

It's like a new tide from the moon—how fast your feelings towards him change. He's awful. A criminal, a villain, a murderer. He's the literal icon of everything your against.. or of what you're supposed to be against.

But you understand him. You get his whys and you feel his emotion like you're apart of them. You empathize with him and it makes you so fucking angry at yourself because you know—as a hero—you should never side with a villain like him, no matter how much sense he starts to make.

Blame it on his tone and the smoothness of his words. He's just a swindler.

The next time isn't even a full week later. He technically protects you from some randoms in an alleyway and you catch him in the act of it all, turning to catch whoever was following you, only to be met with cold blue eyes and a pile of ashes in front of you.

Of course, it ultimately ends in the same place it always does; his bed.

His scent and touch linger a little too long after these meetings and you decide once again that this is the last time.

It's a real shame you have to blame it on his body heat and not the undeniable attraction you feel towards him. But you suppose that could count towards it.

His hands are anywhere—everywhere—and they leave a fire in their wake. It's too much and still not enough. All you want is to be closer. Fingers in his hair, pulling him into you until you can't, and then pulling him in more. It's like air, the way you breathe him in. When you finally give into dabi it no longer becomes a crime, but a necessity.

It's overbearing and messy and awful, but you can't help but slip into his embrace and into his warmth.

It's freezing and he's the sun.

Tangled in between cotton sheets, you feel him rub circles into your shoulder and you hear his heartbeat. It's reassuring to know someone like him even has one. Then again, he probably wouldn't have protected you if he didn't have one. How many times has he saved you from harm's way? Honestly, one time is too many.

It almost makes this fling of yours respectable. It almost makes you want to admit you're falling for that smug face and bad attitude.

"We talked about what we'd do if we ran into your league again, you know?"

Why on earth would you bring that up of all things, y/n?

He doesn't need to know anything about your career, much less your plans to take his team down.

"Hmm.. is that so?" Dabi's fingers move up to draw languid circles into your collarbone before shifting slightly to loom over you. His other hand comes to rest on your hip, sending a searing, but welcomed heat to the flesh. You hiss quietly at the sensation, already knowing there's a bruise forming from the activities not too long ago. His lips replace his hand on your neck and he removes his arm from under your head to hold himself up.

Your hand finds his messy hair, fingers delving into the raven locks and tugging gently as he makes his way to the column of your throat and to your ear. He nips at it, nose brushing against your jaw; his hot breath creating goosebumps that rise to your flesh.

"I like knowing you think of me when I'm not around, Angel."

The tone and raspiness of his voice makes you groan, feeling him kiss beneath your jaw. You just know he's smirking at the reactions he elicits from you because you can feel it. He enjoys watching your internal struggle. You can't act like you didn't choose to form whatever this is with him.

You tug his hair to look at him, bringing his face up and he almost looks annoyed that you disrupted his path heading down towards your chest. Your lips ghost over each other's and you lean in for a kiss, only for him to pull away and leave you chasing.

"I also like when you call my name."

Your hand falls from his hair to cup his jaw, practically pulling him forward into a kiss. It's rough to cover up the intimacy and need behind it. His fingers dig into the plush of your hip, thumb pressed into your stomach before his hand goes upward with an ulterior motive.

Pulling away from him before he can initiate anything more, you run your thumb across his lips and the silver bands that adore the lower half of his face. Surprisingly enough, it didn't take long to adjust to the different textures

"And I like how you kiss me."

This almost feels too domestic—not that you mind, but you're positive he knows you're wrapped around his finger, in the palm of his hand. It's impossible to hide it now. Your actions speak louder than the three words on the tip of your tongue, poisoning your mind.

It makes you cringe when you think about it all. How easily he can get into your head and twist your arm. Some nights you catch yourself thinking that maybe you'll be able to convince him to open his eyes a little wider to see your point of view, especially when you've begun to see his. They're horrible—the villains you go against, but he makes them seem so different. You hate how he makes you double think everything.

He playfully nips at your thumb when you push it gently between his lips, teasingly. His hands trail up your arms, pulling them off of him and above your head. You're the one who makes the move to intertwine fingers as he pushes them down harshly on the pillow underneath you. Insatiable. That's what he is. Is it so wrong to keep wanting more?

The sun beginning to rise over the horizon and spilling in through the window doesn't seem to stir him as he makes his descent from your lips.

You already know that by the next morning you'll hate him and that surrounds him. You'll hate yourself for listening to your heart instead of your head simply because it just 'feels so right.' It's a constant cycle between the two of you, and you're sure he feels the same. He doesn't agree with anything you stand by like a hero, but there's something that keeps him close enough.

There's only so much you can expect, even when you deny it over and over.

But god, you have to stop meeting like this.

[aion-rsa]

The Best Creepy Horror Movies

https://ift.tt/31YlYtU

Creepy isn’t the same as scary.

Of course horror movies can be scary simply by using loud noises and sudden movements to make their audiences jump, but creepy is harder to pull off. To be effectively creepy, a film needs to establish a certain atmosphere; it needs to draw you in and make you care. It needs to give you something to think about when you’re trying to drop off to sleep at night; to make you wonder whether that creaking noise down the hallway was just the house settling or something lurking in the shadows. Creepy stays with you. It gives you goosebumps.

Here are 85 of the best horror movies (in no particular order) to chill your bones. Enjoy the nightmares.

Us (2019)

Jordan Peele’s follow up to his award winner Get Out is another social horror. While it might not be quite as accomplished or coherent as Get Out (the end is a bit of a mess) Us is arguably scarier than Get Out as a family staying in a holiday home find themselves tormented by evil replicas of themselves. It’s a film that keeps you constantly on edge with the performances of the main cast – Lupita Nyong’o, Winston Duke, Shahadi Wright Joseph and Evan Alex – absolutely pitch perfect and never less than convincing as good and evil versions of themselves.

It Comes At Night (2017)

Though the marketing material was somewhat misleading, featuring the above scary-looking dude (who really isn’t a big part of the film at all), It Comes at Night, from director Trey Edward Shults is a claustrophobic slow-burner that insidiously ramps up the creep factor. Joel Edgerton plays the patriarch of a family holed up in a cabin in the woods to escape an unnamed wide spread virus. But when a man, his wife and their young child arrive seeking shelter his family life is disrupted. A coming-of-age horror with one of the bleakest endings around.

Mr. Jones (2013)

Nobody knows who Mr. Jones is. The artist is a recluse, but his bizarre sculptures have made him world famous. When a documentary maker and his girlfriend stumble across what looks like his workshop, they become obsessed with finding out the truth about Mr. Jones, but the truth isn’t particularly easy to stomach.

Read more

Games

20 Scariest Horror Games Ever Made

By Matthew Byrd

Movies

Best Modern Horror Movies

By Don Kaye

One of the most stylishly shot found footage movies you’ll ever see, the makers know the rules of the genre well enough that when they break them, it adds to the story rather than detracting from it. Also, those scarecrows are petrifying.

Under the Shadow (2016)

Set in war-torn Tehran in the late 1980s, Under the Shadow sees a would-be doctor battling the forces of evil for her daughter (and her sanity) even as everyone around her flees to safer ground. The juxtaposition of earthly and unearthly threats makes this a uniquely terrifying film, and Shideh (Narges Rashidi) is a wonderfully complex and sympathetic heroine. Not many films could make a sheet of printed fabric terrifying, but Under the Shadow manages it.

Gaslight (1940)

Bella (Diana Wynyard) thinks she’s losing her mind. She keeps losing things, and the lights in her house seem to flicker, even though her husband Paul (Anton Walbrook) tells her he can’t see anything wrong. Plus there are those footsteps upstairs… Just from that description, you might think that Gaslight will turn out to be a haunted house story, but the real explanation for all the weirdness is far more sinister than that. Walbrook does sinister like no-one else.

The Babadook (2014)

A character from a terrifying kids book comes to life to haunt a single mother (Essie Davis) grieving for the loss of her husband in this beautiful, sorrowful meditation on depression and despair. Top-hatted Mr. Babadook with his horrible, terrible grin is of course creepy as all, but Noah Wiseman as her needy and uncontrollable child gives him a run for his money in creepiness.

The Clairvoyant (1934)

Maximus, King Of The Mind Readers (Claude Rains) performs amazing feats of clairvoyance on stage every night in front of adoring audiences. The problem is, it’s fake – the mind-reading is all done through a secret code Maximus has invented to communicate with his assistant wife, Rene (Fay Wray). But one night, he meets Christine (Jane Baxter), and his abilities become real. He really can predict the future. If you’ve already guessed that’ll turn out to be more of a burden than a gift, you’re right. Gorgeously shot, wonderfully acted, this is a creepy delight.

Sleep Tight (2011)

The second Jaume Balaguero film on this list is just as bleak and horrifying as the first: Sleep Tight sees a concierge secretly breaking into the homes of the people he’s supposed to serve to try to make them as miserable as he is. When Cesar (Luis Tosar) finds one tenant is harder to upset than the others, his behaviour escalates until he’s committing unimaginably grotesque crimes against the poor girl. The ending will have you shuddering in your seat.

Lake Mungo (2008)

This strange found footage film from Australia takes the format of a mockumentary focusing on the family of a dead girl who think there are supernatural goings on surround their house. It owes a debt to Twin Peaks in its odd neighborhood vibe, and the twisty plot holds many surprises, as the movie wrong foots the audience time and again. It’s creepy throughout but by the time you finally discover what’s really going on it’s not only terrifying but emotionally devastating too.

Dead of Night (1945)

Probably the best horror anthology ever made, this Ealing Studios production includes five individual stories and one wrap-around narrative. The wrap-around sees a consultant arrive at a country home only to find that he recognizes all of the guests at the house – he’s seen them all in a dream.

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Movies

A Short History of Creepy Dolls in Movies

By Sarah Dobbs

Movies

Annabelle: Real-Life Haunted Dolls to Disturb Your Dreams

By Aaron Sagers

Spooked, the guests start recounting their own stories of the uncanny, each more unnerving than the last. Well, except for the one about the golfers, but that one’s just there for light relief before the film hits you with the scariest ventriloquist’s dummy ever committed to film. Just excellent, all round.

Hereditary (2018)

One of the most truly harrowing movies of recent years is Hereditary, the feature debut from Ari Aster. Toni Collette stars as a mother trying to hold together her family in the aftermath of a tragedy while around her supernatural goings on begin to escalate.

Read more

Movies

Hereditary: The Real Story of King Paimon

By Tony Sokol

Movies

Hereditary Ending Explained

By David Crow

Hereditary has been called The Exorcist for a new generation, though it’s so much more than that. In fact at times, Hereditary is almost too scary, so oppressive is it’s escalating anguish and dread. This one is pure nightmare fodder.

Nina Forever (2015)

Rob (Cian Barry) can’t get over his ex-girlfriend. Nina (Fiona O’Shaughnessy) died in a car crash, which is bad enough, but when he tentatively begins a relationship with his co-worker, Holly (Abigail Hardingham), he finds himself haunted by Nina. Literally. She materializes in his bed every time he and Holly have sex – she might be dead, but she’s not letting go.

“Creepy” doesn’t feel like a strong enough word to describe this film – “devastating” might do it. It’s a sensitive and horrifying portrayal of grief, with a sense of humour as dark as the inside of your eyelids, and some extremely upsetting gore. Brilliant, but not one for the faint-hearted.

Robin Redbreast (1970)

When she moves away from London to a tiny country cottage, Norah (Anna Cropper) expected the change to be a bit strange, but nowhere near as weird as it ultimately turns out to be. As she gets to know the locals, she finds herself being pushed towards a relationship with karate-loving Rob (Andrew Bradford), and while she’s initially game, she soon discovers that her choices are being made for her. It’s a little bit Wicker Man, a little bit Rosemary’s Baby, and a lot of creepiness.

It Follows (2014)

Inspired by a reccuring nightmare director David Robert Mitchell had in his youth,It Follows is a clever, freaky take on the slasher movie, featuring, well, a sexually transmitted ghost. Maika Monroe plays a young woman haunted by a shape shifting spectre after a sexual encounter who slowly but relentless trails her everywhere – the film plays with the audience expertly, making us guess whether background characters could really be the monster. Ultra modern and highly effective, this one will leave you jumping at shadows long after the credits roll.

The Masque of the Red Death (1964)

A tyrannical landowner is plagued by, well, a literal plague in Roger Corman’s adaptation of an Edgar Allan Poe story. Vincent Price plays the Satanic Prince Prospero, who rules over his village with an iron fist, condemning people to death for the mildest offence and abducting any woman who takes his fancy, but all of his evils come back to haunt him when he throws a masked ball and Death shows up. Fittingly, it’s got the hallucinogenic quality of a fever dream, and the various incarnations of Death are wonderfully creepy.

As Above, So Below (2014)

A group of explorers heads deep into the Paris catacombs, only to find they’ve gone a little too deep and stumbled into an alternate dimension that might actually be Hell. It’s a brilliantly over the top concept, and the way it plays out is incredibly eerie. Yes, it’s found footage, and yes, it’s a little bit on the silly side – it chucks in quotes from Dante and a few too many sad-faced ghosts – but some of the scares along the way are properly frightening. Suspend your disbelief and let it freak you out.

Oculus (2013)

Eleven years ago, Alan (Rory Cochrane) bought an antique mirror… and then died, along with his wife. According to the police, they were murdered by their 10-year-old son. According to their daughter, the mirror is haunted, and something supernatural caused their deaths. Now Tim (Brenton Thwaites) is out of prison, Kaylie (Karen Gillan) wants to prove he was innocent by conducting an experiment on the mirror… But inadvertently puts both of them in danger all over again.

Read more

Books

“God God – Whose Hand Was I Holding?”: the Scariest Sentences Ever Written, Selected by Top Horror Authors

By Rosie Fletcher

Movies

A24 Horror Movies Ranked From Worst to Best

By David Crow and 3 others

It’s chilling. The way director Mike Flanagan plays with reality, building unbearable uncertainty through camera angles and false memories, makes this film both incredibly scary and impossibly sad.

The Witch (2015)

After being cast out of a New England plantation for not interpreting scripture in the same way as the colony’s elders, a family strikes out alone, and soon discovers how inhospitable their unfamiliar new home country can really be. The Witch is a period piece, and the language is suitably archaic, but don’t let that put you off: it’s a brilliantly chilling portrayal of Puritan life, where belief can mean the difference between life and death, and horror is only ever one failed crop away.

The Amityville Horror (1979)

The Amityville Horror is the haunted house story. If you were only ever going to watch one haunted house movie, it should be this one, because this is the archetypal story: a family moves into a house where horrible murders happened, and then bad things happen to them. It manages a lot of things later imitators didn’t, though, which is that it makes the Lutzes’ decision to buy the house make sense, and also builds the horror slowly, so that they almost don’t notice when the things going wrong in the house switch from annoying issues to outright horror. If you’ve moved house in recent memory, this one’ll hit you where it hurts.

The Conjuring (2013)

If you were only ever going to watch two haunted house movies, the second one should definitely be The Conjuring. James Wan’s ode to ’70s horror has plenty in common with The Amityville Horror, but it also has plenty of ideas of its own – and at least half a dozen moments that’ll make your heart leap into your mouth.

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Movies

The Conjuring Timeline Explained: From The Nun to Annabelle Comes Home

By Daniel Kurland

Movies

Horror Movie Origin Stories: Directors, Actors, and Writers on How They Fell in Love With the Genre

By Rosie Fletcher

The camerawork, the music, the cute kids stuck in the middle of epic spiritual warfare… it all adds up to a completely terrifying experience. You’ll probably need to sleep with a nightlight for a week afterwards.

The Changeling (1980)

George C. Scott stars as Dr. John Russell in this classic ghost story, which is a favorite of The Others director Alejandro Amenabár. Following the tragic demise of his wife and son, Dr. Russell moves into a rambling Victorian mansion to compose music and pick up the pieces of his life. He’s soon being woken by relentless booming sounds coming from the heating system, precisely at 6am every day… Then there’s the old “apparition in the self-filling bath” trick (actually, this may be the first time this happened onscreen, but it sure won’t be the last).

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Movies

Dog Soldiers: The Wild History of the Most Action Packed Werewolf Movie Ever Made

By Mike Cecchini

Movies

The Best Horror Movies to Stream

By Alec Bojalad and 1 other

This is one of those movies which hits up all the clichés: people go into the dark, gloomy attic to search for clues, and to the library to look up old news archives on the microfiche; they visit the graveyard, and finally, hold a séance (which is overwhelmingly creepy). The eerie soundtrack and skilful storytelling result in a film which peels back its mysterious layers slowly for a satisfying finish.

The Hallow (2015)

If you go down to the woods today, make sure you don’t steal anything or break anything, or the Hallow will get you. Tree surgeon Adam and his family move into an ancient farmhouse to start sizing up the land for developers and quickly fall afoul of the supernatural creatures lurking in the trees, which turns out to be a really bad idea. This film’s got it all: foreboding mythology, grotesque body horror, and the most amazing line of foreshadowing dialogue you’ll ever hear.

The Uninvited (1944)

A couple of Londoners holidaying in Cornwall stumble across a gorgeous abandoned house on the seafront and immediately decide they want to buy it. The owner, a grumpy old colonel, is happy to sell it to them on the spot, but his granddaughter is reluctant. Turns out the house has got secrets, and, yeah, a ghost. The dialogue in this film is incredible in a very 1940s kind of way, and the tone can occasionally be accused of jolliness, but it’s also got its moments of proper creepiness. Best enjoyed with a glass of sherry.

Saint Maud (2019)

One of the best movies of the year, Rose Glass’s feature debut is a study of a young palliative care nurse who starts to believe she’s on a mission from God to save the soul of her dying patient.

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Movies

Saint Maud and the True Horror of Broken Minds and Bodies

By Rosie Fletcher

Movies

Saint Maud Review: Elevated Horror That’s a Revelation

By Rosie Fletcher

It’s a film about conflicts between mind, body and soul, but it leans her into genre territory as Maud (Morfydd Clark) hear God talking to her directly and punishes her own body in an attempt to feel closer to her spiritual side, while the cancer riddled Amanda (Jennifer Elhe) celebrates her body as it lets her down. Shot in Scarborough everything about Saint Maud is unsettling right up to the indelible finale. An absolute must watch.

Crimson Peak (2015)

Director Guillermo del Toro insists that Crimson Peak isn’t a horror film but is, instead, a gothic romance. That doesn’t mean that it isn’t creepy as all get-out, though. When aspiring author Edith Cushing (Mia Wasikowska) meets charming baronet Thomas Sharpe (Tom Hiddleston), she falls madly in love and agrees to move back to his ancestral home, Allerdale Hall – aka Crimson Peak. But the house is crumbling and full of ghosts, and Sir Thomas’s sister doesn’t seem terribly friendly, either…

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Movies

Best Modern Horror Movies

By Don Kaye

Movies

Lake Mungo: the Lingering Mystery Behind One of Australia’s Scariest Horror Films

By Rosie Fletcher

Del Toro’s visual flair is in full effect here, and every frame of this film (even the scary ones) are stunningly beautiful to look at. It’s a treat.

Baskin (2015)

A group of cops answers a call from the middle of nowhere and unwittingly stumble into something that can only be described as ‘a nightmare’ in this skin-crawlingly nasty Turkish horror. Abrasive, aggressive and deliberately difficult, this is the kind of film that burrows deep into your brain, only to resurface later at the worst possible time. Then again, by the time you’re stranded in the middle of nowhere with only dead colleagues and Silent Hill-style monsters for company, you probably don’t need memories of a horror movie to freak you out.

His House (2020)

A Netflix movie which could make a mark come award’s season the directorial debut of Remi Weekes sees a Sudanese refugee couple seek housing in London only to find themselves haunted by ghosts of the past and present. This is proper horror and it’s creepy as hell but it also leans into the horror of the refugee situation with the two marginalized, restricted, and treated as outsiders from the start – it’s a powerful but uncomfortable watch.

Host (2020)

The defining horror of 2020 – written, shot, edited and released on Shudder in just 12 week – Host is so much more than a lockdown gimmick. Following a group of friends who decide to do a seance via a Zoom chat, this ingenious movie trades on the real life friendships of the cast and crew and the absolute ubiquity of the video software during isolation. It’s seriously creepy too, utilising visions in the shadow but later some seriously impressive stunt work. Director Rob Savage and writer Jed Shepherd have signed up for a three picture deal from Blumhouse on the strength of this movie which absolutely needs to be seen.

The Haunting (1963)

Not to be confused with the remake of 1999, this retro gem not only features some classic sequences of spooky happenings, but a philosophical take on the paranormal. As John Markway says, ���The preternatural is something we don’t have any natural explanation for right now but probably will have someday – the preternatural of one generation becomes the natural of the next. Scientists once laughed at the idea of magnetic attraction; they couldn’t explain it, so they refused to admit it exists.

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Movies

House of Dark Shadows: The Craziest Vampire Movie You’ve Never Seen

By David Crow

TV

How The Twilight Zone Influenced Are You Afraid of the Dark?

By Chris Longo

Dr. Markway (Richard Johnson) is investigating the mysterious Hill House, whose inhabitants often die in odd circumstances. With him he has Luke (Russ Tamblyn), the cynical heir to the home, the psychic Theo (Claire Bloom, way too cool for school) and Julie Harris as Eleanor, who has some ghosts of her own but figures a free stay in a mansion is as close to a holiday as she’s going to get. Markway is pleased the ladies haven’t done any research into the bad reputation of the house “So much the better. You should be innocent and receptive.” (The old dog.) This is a great, character-driven story with a dry sense of humor, and a mysterious heroine who feels oddly at home with the supernatural.

Unfriended (2014)

A cautionary tale about the dangers of cyberbullying, Unfriended achieves the seemingly impossible and manages to make the standard sound effects of everyday computer programs terrifying. The whole story is told through one character’s desktop, so you get to watch as she Skypes with her friends, posts to Facebook, or picks something to listen to on Spotify. The details are fascinating, and it’s kind of brilliant how the filmmakers manage to express so much about a character through her browser bookmarks and the messages she types, but doesn’t send. Once the horror kicks in, though, you’ll be too scared to notice much more of the cleverness.

Shutter (2004)

Jane (Natthaweeranuch Thongmee) is driving back from a wedding with her boyfriend Tun (Ananda Everingham) when she hits a girl – in a panic, they leave the body lying in the road and try to get on with their lives. They start feeling rattled when Tun’s photography is blighted by misty shadows and they both suffer from the odd hallucination which seems to show that their hit and run victim (Achita Sikamana) isn’t resting in peace.

Where would horror films be without photographic dark rooms? Even in the digital age, the dim red light and slowly emerging pictures remain classic tools of terror. Not to mention the room with rows of jars containing pickled animals, and the surprise homage to Psycho. This story has it all. There are also touches of dark humor throughout (the praying mantis is a recurring motif) and one of the most bone-chilling scenes has a hilarious payoff.

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TV

How A Creepshow Animated Special Pays Tribute to Series Legacy

By Matthew Byrd

Movies

The Weird History of A Chinese Ghost Story Franchise: Horror Comedy at its Wildest

By Gene Ching

Directors Banjong Pisanthanakun and Parkpoom Wongpoom skilfully create real characters and have the ability to communicate some of the most powerful and eloquent moments without dialogue.  The mystery deepens as more sinister evidence comes to light and the climax is truly chilling. This is one which will stay with you long after Halloween.

Spider Baby (1967)

The Merrye children live out in the middle of nowhere, with only one another and their family chauffeur, Bruno (Lon Chaney Jr) for company. Which is for the best, because they’re all afflicted with the family curse – a bizarre quirk of genetics that causes members of the Merrye family to begin to de-evolve once they reach a certain age. When some distant relatives come to visit, intending to challenge the kids’ right to stay in the house, things go sour fast. It’s a horror comedy, this one, but if you’re not a little bit creeped out by Virginia (Jill Banner), the Spider Baby of the title, and her spider game, well, good luck to you.

What Lies Beneath (2000)

Robert Zemeckis directs Michelle Pfieffer and Harrison Ford in this glossy supernatural thriller, with predictably high quality results. Clare and Norman Spencer live the perfect life – especially now their daughter has left for college and they’re enjoying empty nest syndrome. But the neighbors are causing some concern – especially when the wife disappears and Claire believes she is trying to communicate with her from “the other side.”

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Movies

8 Essential Gothic Horror Movies

By David Crow and 1 other

Movies

Horror Movie Origin Stories: Directors, Actors, and Writers on How They Fell in Love With the Genre

By Rosie Fletcher

Zemeckis has admitted that this is his homage to Hitchcock, and true to form, the suspense builds deliciously slowly. When Claire starts seeing faces in the bathtub (where else?) she goes to talk it over with a psychiatrist. A session with a Ouija board proves that somebody is trying to contact Claire, and it’s not long before she’s stealing keepsakes from grieving parents and reading books with chapters helpfully entitled “Conjuring the Dead.”

The result is a strong movie whether you’re enjoying the ghost story or the “Yuppies in peril in a beautiful house” aspect of it (and it doesn’t hurt that Michelle looks luminously beautiful).

Cat People (1942)

Serbian immigrant Irena doesn’t have a friend in the world when she meets Oliver. He’s kind and attentive and they soon fall in love, despite Irena’s lack of physical affection. She’s convinced she’s living under a curse that will mean she’ll transform into a panther and kill any man she kisses, and despite seeing a (deeply inappropriate) psychiatrist, she can’t shake her beliefs. Oliver is initially patient but eventually finds himself falling for his much more reasonable colleague, Alice. There’s no way this love triangle can end happily and, well, it doesn’t. Cat People is sad as well as eerie, with an increasingly paranoid atmosphere enhanced by skillful shadow play.

The Nameless (1999)

Five years after her daughter Angela went missing, presumed dead, Claudia starts getting weird phone calls. A female voice claims to be Angela, and begs her mother to save her. A series of weird clues leads Claudia to investigate a weird cult… but when things slot into place too easily, it seems like someone might be luring her into a trap. Thematically, The Nameless is similar to Jaume Balaguero’s later film Darkness; there’s a similar feeling of hopelessness and despair, a creeping horror that doesn’t let up, topped off with a horribly downbeat ending. Brrrr.

Dead End (2003)

The Harrington family are driving home for Christmas when they decide to take a shortcut. Obviously, that turns out to be a bad idea. Picking up a mysterious hitchhiker is an even worse idea. Dead End isn’t a particularly original movie, and it does have a truly awful ending, but there’s something about its characters, its atmosphere, and the way it tells the well-worn story that’s really effective. And creepy, of course.

The Others (2001)

Every ghost story introduces an element of uncertainty: are these things really happening, or are they in your head? Like The Innocents, The Others is partly inspired by Henry James’ novella The Turn Of The Screw. Grace (Nicole Kidman) has turned being neurotic into a fulltime job; her children apparently suffer from a sensitivity to light, which means the gothic mansion they inhabit must be swathed in thick curtains at all times. This makes things difficult for the new servants, who have turned up in a most mysterious manner… 

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31 Best Horror TV Shows on Streaming Services

By Alec Bojalad and 1 other

TV

Best Horror Anime To Watch on Crunchyroll

By Daniel Kurland

Grace’s daughter has an imaginary playmate called Victor; her insistence that there are “other people” in the house vexes Grace until she begins to hear them, too. A piano playing by itself, shaking chandeliers and some truly traumatic hallucinations add to the panic as Grace questions exactly who she is sharing her home with. The tension builds to almost unbearable heights before a truly haunting ending. An intelligent script with a superb twist, quality acting and an atmospheric set (complete with graveyards, mist and autumn leaves) – what more could you want in a creepy movie?

Night of the Living Dead (1968)

“It is happening, and no one is safe.” Night of the Living Dead features some of the most brilliantly ominous radio broadcasts in all horror. When a group of strangers end up trapped in an isolated farmhouse together after the dead begin to rise, no one is in the mood for making friends, and it’s their own prejudices and stubbornness that leads to their downfall. (Well, that, and the fact that no one realized getting bitten by a ghoul would lead to death and reincarnation. Oops.)

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TV

The Walking Dead vs. Real-Life Survivalists: How to Prep for The Zombie Apocalypse

By Ron Hogan

Movies

Night of the Living Dead: The Many Sequels, Remakes, and Spinoffs

By Alex Carter

The zombie imagery is some of the most haunting ever committed to film, as vacant-eyed ghouls wander in and out of the shadows, chewing on dismembered body parts as they lurch around, constantly in search of fresh meat…

Candyman (1992)

Say his name five times into a mirror and the Candyman appears. Despite his sweet-sounding name, that’s not something you really want to do: Daniel Robitaille was a murdered artist, stung to death by bees in a racist attack, and so he tends not to be in a good mood when he shows up. Set in an urban tower block, this film demonstrates that horror can strike anywhere, not just in spooky old mansions in the middle of the countryside. It’s gory, grimy, and really quite disturbing.

M (1931)

A child murderer is stalking the streets of Berlin and, as the police seem unable to catch him, tensions run high. In an attempt to stop the nightly police raids, the town’s criminals decide to catch the killer themselves, and a frantic chase begins. Though there’s no actual onscreen violence, Peter Lorre is amazingly creepy as the whistling killer, and there’s a sense of corruption pervading the whole film. (Since both Lorre and Fritz Lang, the director, fled the country in fear of the Nazis soon after the film was made, it’s tempting to speculate on what M might be saying about Germany at the time, which only makes it all the creepier.)

The Blair Witch Project (1999)

An early example of the found footage genre, The Blair Witch Project has been aped and parodied by everyone and their grandma, but there’s something unsettling about it that hasn’t quite gone away. Most of the film is improvised; the actors are really filming the scenes themselves, working from a loose outline of the plot, but without prior knowledge of what half the scares were going to be. That ambiguous ending lets you make up whatever explanation you like for the events of the film, which means whatever the scariest thing you can think of is, that’s what the film is about.

The Orphanage (2007)

Laura (Belén Rueda) is returning to her childhood orphanage with her husband and son in order to open it as a care home for children with disabilities. She’s busy, but still has time to notice that seven year old Simón (Roger Príncep) has found an imaginary friend, Tomas. He might have a sack over his head, but what’s a little creepy mask between pals?

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Movies

The Scariest Films Ever Made and How They Frighten Us

By Matt Glasby

Movies

Katharine Isabelle on How Ginger Snaps Explored the Horror of Womanhood

By Rosie Fletcher

Simón is adopted, so it’s only a little odd when a social worker shows up without an appointment. It’s slightly more odd that she’s snooping around in the shed at night. During a daytime party, Laura has an encounter of her own with a masked child, and then experiences every parent’s nightmare: Simón is missing. What follows is the story of a mother who takes the search for her son to the limits of her sanity. Geraldine Chaplin makes an appearance as the medium who conducts possibly the most spine-tingling of all onscreen séances, and there are some truly terrifying shocks during Laura’s search for the truth.

Director JA Bayona makes every shot count; the movie is visually beautiful as well as fantastically sinister. It’s a bona fide horror film but the ending might make you cry.

Ring (1998)

Ring isn’t a perfect film. It’s a bit too long and ponderous and there’s a bit too much irrelevant mysticism in there. But in terms of pure creepiness, it’s pretty damned effective. The idea of a cursed videotape was brilliant – who didn’t have zillions of unmarked VHS tapes lying around the house at the time? – and that climactic scene where the image on the screen crossed over into reality is bloodcurdling. Sneaky, too, since it managed to suggest that no one was safe. Especially not you, gentle viewer, because didn’t you just watch that cursed tape, too? An awful lot of people must have breathed a sigh of relief once their own personal seven-day window was over.

The Innocents (1961)

Based on Henry James’ The Turn of the Screw, this film sees a young governess heading out to an isolated old house to take care of two young children who appear to be keeping secrets from her. Their previous governess died, along with another of the house’s servants, but their influence still seems to be lingering about. Or is it? Just like in the original story, it’s possible to read the ghosts either as genuine spectres or as the fevered imaginings of an over-stressed and under-sexed young woman. Either way, though, the film is terrifying.

The Skeleton Key (2005)

In a decaying house on an old plantation, an old man is dying. Caroline is hired as his carer, but although her job should be simple enough, she begins to suspect that something weird is going on – especially when she finds a secret room in the house’s attic filled with spell books and other arcane bits and bobs.

Is the old man actually under a spell? Why does he seem so terrified of his wife? And might Caroline herself be in danger? The Skeleton Key is one of those films that’s far better than it has any right to be; it slowly ratchets up the tension to a crazy finale and ends on an incredibly creepy note.

Insidious (2010)

Insidious uses just about every trick in the book to creep out its audience, and for some people, that might seem like overkill. There are lurking monsters around every corner; there’s a child in peril; there are wrong-faced nasties; and there are screeching violins every five minutes. On repeat viewings, the plot doesn’t quite hold up (halfway through, the film switches protagonists, which is baffling) and the comedy relief seems grating rather than funny. But the carnival atmosphere, the nods to silent German Expressionist films, the demon’s bizarre appearance, that dancing ghost… there’s something brilliant about it, nonetheless.

Dark Water (2002)

Part of the initial wave of soggy dead girl movies, Dark Water is occasionally very daft, but still effectively creepy. Yoshimi Matsubara is a divorcee, forced by circumstances to move into a crumbling apartment block with her young daughter, Ikuko. Their new home isn’t in the nicest of areas, but it might be alright if it weren’t for the leaky ceiling – and, um, that creepy little girl lurking in the shadows, the one who’s never there when you take a second look. Directed by Hideo Nakata and based on a book by Koji Suzuki, Dark Water might not be as terrifying as Ring, but it’s still pretty eerie.

A Nightmare On Elm Street (1984)

The effects are dated, and the sequels utterly killed Freddy Krueger’s menace, but the first A Nightmare on Elm Street film is still creepy, in its way. The premise is amazingly disturbing – a dead child molester is attacking children in their dreams – and, combined with some of the deeply weird nightmare imagery in this film, it’s more than enough to give anyone a few sleepless nights. All together now: one, two, Freddy’s coming for you…

Uzumaki (2000)

Slowly, inexplicably, a small town is taken over by spirals. Some people become obsessed; others are killed, their bodies twisted into impossible positions. Uzumaki is a live action adaptation of the manga of the same name, and it’s incredibly weird. Unspeakably weird. Visually, it’s incredible, although the green filters look less interesting than they used to due to overuse by every horror and sci-fi movie since. Still, most films don’t go to the extremes that Uzumaki does.

The Devil’s Backbone (2001)

Yup, it’s another soggy dead kid movie, but this time the kid is a boy and the action is set in civil war-era Spain. A young boy is sent to a creepy orphanage, where the other boys scare one another by telling stories about the resident ghost, Santi, who was killed when the orphanage was bombed. Written and directed by Guillermo del Toro, this isn’t your average ghost story – it’s a companion piece to Pan’s Labyrinth, but it’s much more of a horror movie than its better known counterpart.

The Vanishing/Spoorloos (1988)

Saskia and Rex are on holiday when Saskia suddenly, inexplicably, disappears. Rex dedicates his time to trying to find her, but to no avail. He can’t move on, can’t live with the uncertainty, so when Saskia’s kidnapper reveals himself and offers to show Rex what happened to her, his curiosity wins out. It’s a simple yet eerie story with an utterly devastating ending.

Audition (1999)

Takashi Miike’s Audition is more often described as extremely disturbing rather than creepy, but if you can get over that ending (which, let’s be honest, most of us watched through our fingers or from behind a cushion while shouting “NO NO NO NO NO” at the screen), the rest of the film may well creep you out. It starts off slow: a middle-aged man is thinking about dating again, but rather than trying to meet women via traditional methods, he holds a series of fake auditions for a non-existent movie. He meets Asami, a shy dancer, and starts wooing her – but Asami isn’t as sweet and innocent as she seems. Pretty much every character in this movie is an awful person, and the way they treat one another is disturbing on many, many levels.

One Missed Call (2004)

Also directed by Takashi Miike, One Missed Call is a parody of the endless string of soggy dead girl movies made in Japan at the time. But somehow it’s still really creepy. The premise is that, as the title suggests, teenagers are receiving missed calls on their mobile phones. The mystery caller leaves a horrifying voicemail: the sound of the phone’s owner screaming in agony. And since the call came from the person’s own phone, and appears to come from a few days in the future, it’s clearly a sign of impending doom. Sure enough, the kids all die just as the missed call predicted. There’s a nasty little backstory about evil little girls, and a bonkers televised exorcism, and generally, it’s a great film whether you love or loathe stories about scary dead kids.

The Last Man on Earth (1964)

You might’ve thought about how you’d survive the apocalypse, but have you ever stopped to consider whether it’s actually worth doing? In The Last Man On Earth, Vincent Price is the only survivor of a mysterious plague that’s turned the rest of humanity into walking corpses, hungry for his blood. Every day, he tools up and goes out to kill the bloodsuckers; every night, they surround his house and try to kill him. It’s a dismal way to live, and a depressingly eerie film. It’s based on Richard Matheson’s novel I Am Legend – so skip the Will Smith adaptation and watch this instead.

A Tale Of Two Sisters (2003)

Part melodramatic family drama, part psychological horror, A Tale Of Two Sisters is all scary all the time. When a pair of sisters return from a mental hospital, having been traumatised by their mother’s death, they find their new stepmother difficult to adjust to. The nightly visitations from a blood-dripping ghost don’t help, either. But as always in these kinds of films, nothing is what it seems – you might need a second viewing to get your head round the ending.

Night of the Hunter (1955)

Robert Mitchum might have claimed not to be interested in movies or acting, but he’s great in this. As Harry Powell, a bizarrely religious conman, he’s terrifying, whether he’s preaching about the evils of fornication or chasing the children of his latest victim across the country in an attempt to steal a stash of money he knows they’re hiding. The use of light and shadow in this movie is just stunning; the first time Powell arrives at the Harper house is a particular highlight. Robert Mitchum’s singing voice isn’t half bad, either.

Peeping Tom (1960)

Peeping Tom was so controversial when it was released that it effectively ended director Michael Powell’s career. It’s violent, voyeuristic, and since it tells a story from the villain’s point of view; it’s entirely unsavoury. And it’s wonderful. It looks great, it has an amazingly twisted (and tragic) plot, and Carl Boehm is brilliant as Mark, the awkward, mild-mannered psychopath who feels compelled to murder as a result of his father’s deranged experiments. (That’s not a spoiler, by the way – but if I told you how he killed his victims, that might be.)

Psycho (1960)

Happily, 1960’s other movie about a disturbed serial killer was less of a career-killer. Alfred Hitchcock’s Psycho is wonderful, sodden with guilt and tension right from the opening scene. It’s a shame that so many of its twists are so well-known now, because watching this without knowing what was going to happen must have been brilliant. It’s still great – beautiful to watch, genuinely tense and frequently unnerving – but it has lost some of its shock value over the years. (Also, the bit at the end where the psychiatrist explains everything in great detail is utterly superfluous.) Anthony Perkins’ final twitchy, smirky scene is seriously creepy though.

City Of The Dead / Horror Hotel (1960)

Getting the timing of a holiday wrong can have disastrous consequences, as City Of The Dead illustrates. Nan Barlow is a history student who, under the tutelage of Christopher Lee’s Professor Driscoll, becomes fascinated with the history of witchcraft, and decides to visit the site of a famous witch trial… but she arrives in town on Candlemas Eve, probably the most important date in the witches’ calendar. Um, oops.

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Movies

The Underrated Horror Movies of the 1990s

By Ryan Lambie

TV

Best Horror TV Shows on Netflix

By Alec Bojalad

City Of The Dead is often compared to Psycho, and there are enough similarities between the films that you could assume it was a cheap rip-off – but though the campy US retitling supports that assumption, this was actually made before Hitchcock’s motel-based chiller. It’s definitely creepy enough to be worth watching on its own merits.

Village Of The Damned (1960)

For no apparent reason, one day every living being in the English village of Midwich falls unconscious. For hours, no one can get near Midwich without passing out. When they wake up, every woman in the village finds herself mysteriously pregnant. Obviously, their children aren’t normal, and something has to be done about them… Based on John Wyndham’s novel The Midwich Cuckoos, Village Of The Damned is more of a sci-fi movie than a horror movie – but it’s super creepy nonetheless.

Dolls (1987)

Re-Animator director Stuart Gordon toned things down a bit for this creepy fairy tale, but not much. When a group of awful human beings are forced to spend the night in the home of a couple of ancient toymakers, they soon get their comeuppance at the hands of – well, the title gives that away, doesn’t it? You’ll never look at Toys R Us in the same way again.

The Woman In Black (1989)

When a reclusive old lady dies in an isolated house out in the marshes, a young lawyer is sent to sort out her estate. But there’s something weird about her house, and the townspeople aren’t keen on helping sort things out, either. The TV version of this movie is far, far creepier than the Daniel Radcliffe version; there’s one moment in particular that will etch itself on your brain and continue to creep you out for years after you see it…

The Perfume of the Lady in Black (1974)

Beautifully shot with a great score, The Perfume of the Lady in Black is a dreamy, unsettling film where nothing is ever as it seems. The wonderfully named Mimsy Farmer plays Sylvia, a scientist haunted by melancholy and hallucinations. She’s never quite recovered from her mother’s suicide, and when she goes to a party where talk turns to witchcraft and human sacrifice, her sanity starts to unravel. But are her problems really all in her head, or is there something else going on? The film doesn’t reveal its secrets until the very end, when all that creepiness pays off spectacularly.

May (2002)

May was always a weird child, and unfortunately she’s grown into a weird adult, too. Unable to form any meaningful relationships with the people around her – not even a class of blind children she thinks might be kinder to her than the people who can see how strange and awkward she is – May decides she’ll need to take this “making a friend” business into her own hands. Dark and twisted and incredibly gory, May is as sad and sweet as it is creepy. A lot of that is attributable to Angela Bettis, whose performance is adorably unnerving.

Nosferatu (1922)

In this unauthorised take on Dracula, the evil Count is depicted not as a tragic or romantic anti-hero, but as a horrifying embodiment of the plague – complete with an entourage of rats. Max Schreck makes a brilliantly weird-looking vampire, all teeth, ears and fingernails; his shadow is especially unnerving. Although the ending as presented seems a little abrupt, it’s conceptually horrifying – as is the fact that, due to a copyright claim filed by Bram Stoker’s estate, all but one copy of this movie was destroyed back in the 1920s.

Vampyr (1932)

In a spooky old inn, Allan Grey is visited in the night by an old man who leaves him a gift-wrapped book, with instructions to open it only on the occasion of the man’s death. Which turns out to be soon. The book explains that the town is plagued by vampires – and, helpfully, gives instructions on how to kill them. Vampyr is an early sound film, so while there is some sound and a little dialogue, most of the silent film conventions are still in place. It has a fairly straightforward, Dracula-esque story, but the plot’s not the point. It’s a deliberately strange film, full of disembodied dancing shadows and weird dream sequences; there’s something almost otherworldly about it.

Dracula (1931)

Bela Lugosi is the definitive Dracula. With his eerie eyes and wonderful accent, he’s brilliantly threatening as the charming Count, but despite his iconic performance here, he’s not the creepiest thing about this film. Nope, that honor goes to Dwight Frye’s portrayal of Renfield, the lunatic spider-eater under Dracula’s control. He’s amazing, all awkward body language and hysterical laughter. Lugosi’s oddly cadenced speech has been emulated and parodied a zillion times, which takes away some of its power; Frye’s performance, on the other hand, is just downright disturbing.

White Zombie (1932)

A year after Dracula, Bela Lugosi starred as Murder Legendre, an evil voodoo master, in one of the first ever zombie movies. The zombies here aren’t flesh-eating ghouls but obedient slaves, working tirelessly in Legendre’s mill. Even when one of them tumbles into a grinder, work doesn’t stop. When the plantation owner goes to Legendre for help winning the heart of the girl he loves, he’s handed a dose of the zombie potion – and now the only way to break Legendre’s spell over the innocent girl is to kill him. Lugosi is suitably menacing, and the drone-like zombies are properly eerie.

The Cursed Medallion/The Night Child (1975)

For a few years, in 1970s Italy, Nicoletta Elmi was the go-to creepy kid. She pops up in Mario Bava’s Bay of Blood and Baron Blood, and in Dario Argento’s Deep Red, among others, but she’s never more creepy than she is in The Cursed Medallion. Here, she plays Emily, the daughter of an art historian who’s making a documentary on demons in paintings. She’s given a medallion but, as the title suggests, it’s cursed, and she ends up possessed by the spirit of a murderess. It’s atmospheric, lovingly photographed and, of course, Elmi is awesome in the lead role.

The Descent (2005)

A group of friends go off on a spelunking holiday, but get more than they bargained for when it turns out that the caves they’re exploring are dangerous in more ways than one. There’s enough time spent on character development that you really feel it when the group starts to get thinned out; there’s some incredibly painful-looking gore; and there are some amazingly freaky monsters. Watch it in a darkened room to make the most of its wonderfully claustrophobic atmosphere.

Paranormal Activity (2007)

The shine might’ve come off this movie because the Paranormal Activity franchise has become Lionsgate’s new one-every-Halloween cash cow, but there’s something deliciously creepy about this movie. Rewatching it now, even knowing when all the scares are coming, it’s still chilling. In a neat twist on the traditional haunted house story, Paranormal Activity’s entity haunts a person, not a house – so its victim can’t just pack up and move. The found footage conceit is used to great effect, making you stare intently at grainy nighttime footage of an empty room, straining your ears for distant footsteps, before making you jump out of your skin with a loud bang. (Pro tip: the movie has three different endings, so if you think you’re bored of it, try one of the others.)

Ju-on: The Grudge (2002)

So much of the effectiveness of a horror movie comes down to its sound design. A well-placed creak, groan, echo, or jangle can make the difference between something completely normal and something terrifying. New scary noises don’t come along very often, but Ju-on: The Grudge managed to come up with something unlike any other scary noise you’ve heard before. Its ghost makes a weird rattling, burping groan as she approaches; it’s kind of like a death rattle, kind of like a throttled scream, and it’s creepier than anything you’ve ever heard before. The film is relentless, light on plot and heavy on jump scares, but it’s that noise that’ll stay with you.

Julia’s Eyes (2010)

Julia and her twin sister, Sara, both suffer from the same degenerative disease – one that causes them to go blind. When Sara undergoes experimental surgery and subsequently kills herself, Julia suspects foul play – and, indeed, something weird seems to be going on, with whisperings about an invisible man lurking in the shadows. But as Julia gets closer to the truth, her own eyesight suffers more and more…The film restricts our vision almost as much as Julia’s; it’s almost unbearably claustrophobic, and ultimately heartbreaking.

The Eye (2002)

Another film about eyes and the horrors of going blind, The Eye follows Mun, a classical violinist from Hong Kong, as she undergoes an eye transplant. Although the transplant seems to be successful – Mun can see again – something isn’t right, because now she can see dead people. And most of them are terrifying. The ending is vaguely preposterous, but the rest of the film is creepy enough that it’s forgivable.

Zombie Flesh Eaters (1979)

Lucio Fulci’s unofficial sequel to Dawn Of The Dead features perhaps the creepiest zombies ever committed to film. When a boat turns up in New York harbour with only a zombie on board, investigative reporter Peter West sets out to find out where the boat came from and what’s going on. He ends up on the island of Matool, where the dead are returning to life to eat the flesh of the living… and they’re really, really gross. Zombie Flesh Eaters was initially classified as a video nasty in the UK, and it’s not difficult to see why. Its atmosphere elevates it above your average exploitation movie, though; there’s something really melancholy about it.

[REC] (2007)

When a local news crew decided to tag along with the fire brigade for an evening, they probably didn’t realise they’d end up fighting from their lives in a zombie-infested tower block. Co-written and co-directed by Paco Plaza and Jaume Balaguero (yup, him again), [REC] is a decent enough zombie movie, until the final reel, when it reveals an even more terrifying ace up its sleeve.

Let Me In (2010)

Although remakes are usually terrible, Matt Reeves’ take on this unusual vampire story was both respectful of and different from the original and, for my money, it’s creepier. Lonely tween Owen doesn’t have any friends until the equally strange Abby moves in next door. They embark on an odd friendship/proto-romance, but Abby has a secret: she’s a vampire. The use of a candy jingle is, against all odds, really eerie, and by paring the story down to its most essential elements (and getting rid of that daft cat scene) Let Me In makes for a scarier watch than Let The Right One In.

Carnival Of Souls (1962)

After a traumatic accident, weird things start happening to Mary. A strange man seems to be stalking her, though no one else can see him, and she feels irresistibly drawn to an abandoned pavilion out in the middle of nowhere. Once upon a time, the pavilion housed a carnival, but now it’s just an empty building… or is it? There’s nothing surprising about the plot of this movie to a modern audience – you’ll have the whole film worked out within about five minutes – but it is gloriously creepy. The climactic scenes at the carnival are pure nightmare fuel.

The Shining (1980)

Probably the most effective of all the Stephen King adaptations, The Shining plonks Jack Nicholson down in the middle of a creepy hotel and lets him do his thing. Nicholson plays Jack Torrance, a struggling writer who gets a winter job as caretaker of The Overlook Hotel, where the isolation and/or ghosts send him out of his mind. There are so many creepy images in this film: the twin girls who just want to play, the woman in room 237, the lift full of blood, and, oh, lots more.

The Cabinet Of Doctor Caligari (1920)

Appropriately, watching The Cabinet Of Doctor Caligari feels like slipping into a nightmare. Caligari’s cabinet holds Cesare, the sleepwalker – a catatonic oracle able to answer questions of life and death with eerie accuracy. Is Caligari a hypnotist, a murderer, or both? It’s a strange story, made stranger with a twist ending, and rendered impossibly creepy by the Expressionist production design. The weird, distorted hand-painted sets give the film a crude, unreal beauty and, if anything, the passage of time has increased the film’s creepiness, because it’s so utterly unlike modern films.

The Exorcist (1973)

An obvious choice, but The Exorcist is genuinely scary. It’s deceptively simple: the filming style is realistic, the locations are ordinary-looking and, by comparison to more modern horror movies, there aren’t many elaborate effects or stunts. But the film makes every scary moment count. It’s atmosphere is oppressive, claustrophobic – there’s an ever-present sense of dread throughout. It ought to feel more dated than it does, but even now, the demonic makeup and scratchy voice of the possessed Regan gives me goosebumps.

The Omen (1976)

Damien is probably the ultimate creepy child. Adopted by the Thorns when their own newborn dies, it doesn’t take long for his dark side to emerge: Damien is the Antichrist.

There are so many iconic moments in this film, so many things that have shaped both the horror genre and our culture’s idea of evil; something about this film really struck a chord, and even now it’s pretty effective. Every death scene in this movie is memorable, but the suicide of Damien’s nanny at his birthday party particularly stands out.

Ghostwatch (1992)

Originally shown on UK TV at Halloween, Ghostwatch scared a whole generation shitless. It’s presented as a live broadcast, starring familiar BBC faces: Michael Parkinson plays host, while Sarah Green and Craig Charles report from the scene as a normal family recount their experiences with the terrifying ghost they’ve dubbed “Pipes”. The shadowy figure of a man is glimpsed several times throughout the show, some appearances more obvious than others, and as viewers call in to share their own stories, things get weirder and weirder…Okay, this isn’t technically a film, but it is so amazingly creepy and brilliant that it couldn’t be left off the list.

The Wicker Man (1973)

The Wicker Man is a wonderful mishmash of genres: it’s got humour, horror, singing and sex. It frequently teeters on the edge of absurdity. But at heart, it’s deeply creepy. When devout Christian Sgt Howie visits the isolated community of Summerisle, he thinks he’s investigating the abduction of a little girl – and the villagers certainly do seem to be acting suspiciously. But as his investigation continues, it becomes clear that something entirely different is going on. Howie runs headlong to his doom, and its final scene is downright spine-chilling.

Suspiria (1977)

Suspiria is Dario Argento’s finest hour. It’s eyeball-meltingly beautiful to look at, all unnatural neon lighting and ridiculously lavish set design; the music is cacophonous, a never-ending wall of sound that doesn’t let up; and the plot is, well, it’s functional enough.

Suzy, an American ballet dancer, flies to an exclusive dance school in Germany only to find herself in the midst of a murder investigation – and something weird is definitely going on with the teachers. If you haven’t seen Suspiria in a while, treat yourself to the Blu-ray. There’s nothing restrained about this movie, nothing ordinary; it sneaks up on you and worms its way into your brain. It’s brilliant.

The post The Best Creepy Horror Movies appeared first on Den of Geek.

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[senorarelojes]

Fic: Happiest Girl (Part 6)

Alan makes a bet that Dave would not be able to pass off as a woman in ladies’ clothing. Dave decides to prove him wrong. (This is set sometime during the Black Celebration era.)

Pairing: Dave/Alan Rating: Explicit Notes: Many thanks to the lovely @pinksyndication for this beautiful fanart of Dave and Alan getting ready for their ridiculous bet!  And of course thanks also to the wonderful @what-could-have-been for their own fanart and lovely ideas!

Edit: I was so swamped I knew I forgot something. HAPPY BIRTHDAY MARTIN!

First part is here. Second part is here. Third part is here. Fourth part is here. Fifth part is here.

They stopped by a boutique opposite the hotel to get a black silk scarf for Dave, which helped to keep his Adam’s apple hidden. As Alan draped it around Dave’s neck, the salesperson was watching them and smiling indulgently in an ‘aww aren’t you an adorable couple’ way. She said something in German that they didn’t understand, but Alan just smiled and nodded as he paid for the scarf. Then they stepped out to hail a cab to the Reeperbahn.

Their driver didn’t seem to know a lick of English either, so Dave figured it was safe to discuss their modus operandi. “So how are we going to do this?” he asked Alan at a normal volume, dropping his voice to a whisper once he spotted the driver’s startled eyes widening at him in the rear view mirror. Fuck, he’d forgotten that he still sounded like a bloke.

Alan stretched out an arm across the backseat. “I figured we’d hit a few clubs, get some drinks and see what happens,” he suggested. 

“How do we determine who wins?” Dave thought this was the most important question. His legs kept sprawling wide out of habit, and he had to keep reminding himself to clamp them shut.

Alan looked thoughtful. “If people leave you alone and nobody suspects a thing, we consider it a win for you,” he said. “And if anyone stares at you suspiciously or asks you questions, it’s a win for me, I guess.”

“Wait, what sort of questions?” Dave narrowed his eyes at Alan. The hemline of his dress kept riding up with every speed bump they went over, and he had to keep tugging it down in frustration, much to Alan’s amusement.

Alan shrugged. “I guess, ‘Are you a bloke?’ is a sure indicator, at least. Or anything that generally sounds suspicious.”

“What if they ask me in German and I don’t understand?”

“I think suspicion is generally universal?” Alan pointed out. “If enough people stare, we’ll know the game is up. Maybe we’ll just play it by ear and see what happens tonight.”

“Fine.” Dave tapped Alan’s knee in warning. “And no running off if you see a prettier bird. You have to stick by my side.”

Alan just smiled at him, reaching out and tucking a stray curl behind Dave’s ear. “I promise I’m not going anywhere.”

***

The cab dropped them somewhere at the North Side along one of the side streets, which Dave remembered Fletch nicknaming ‘Gross Free Hell’ the last time they’d passed by because it was so near the red light district. Dave stepped out first as Alan paid the driver, glancing at the street sign for the actual name: Große Freiheit. The street was teeming with people: tourists, drunk revellers, roving groups of men on their merry way to the brothels. It was warm for mid-May, but there was still a little chill in the open night air. Dave was now glad for his scarf.

Now Alan stood beside him, taking in the lively atmosphere around them. “If at any point, you feel uncomfortable and want to stop, you have to tell me,” he said carefully.

Dave wanted to tell him not to be silly, but he quickly realised his optimism was really just false bravado. “Should we have a code word, then? Or a phrase?” he suggested.

Both of them exchanged a smirk. “Toast Hawaii, ” Dave and Alan said at the same time, cracking up with laughter.

“Brilliant.” Dave was still smiling, adjusting the hem of his dress.

“Great minds and all that.” Alan jerked his head towards the noisier main street. “C’mon then, let’s look for a place and get a drink.”

They entered the Reeperbahn and continued walking down the street, past the arrays of pubs, bars and restaurants. Dave had to be mindful of the way he walked, keenly observing the female half of an American tourist couple in front of them. The woman had a sway to her hips that Dave tried to mimic, her steps smaller and more careful as opposed to his usual loose stride. Alan wasn’t saying a word, but Dave could sense the silent amusement radiating off him in waves.

At one point a loud wolf-whistle pierced the air; Dave was surprised to find it came from a group of burly men at an open-air table, all of them grinning lasciviously at him. One of them shouted out something in German, which made all his friends roar with laughter. Whatever he’d said, Dave hoped that it wasn’t as dirty as it sounded.

“What an arsehole,” Alan said. Dave was on the verge of agreeing, but it would have been hypocritical; he’d yelled similar comments at girls back in Bas when he was a teenager. 

“Does it count as me winning the bet?” Dave said with a dry laugh, although it sounded a little hollow.

“You don’t get off that easy.” Alan turned back to look at the rowdy table of German blokes again, seemingly peeved. “Besides, couldn’t he see that we’re together?”

Dave shot him a flat look. “Okay, I’m not taking that bloke’s side, but--” He gestured at the distance between them. Alan was at least two feet away. “If I’m supposed to be your girlfriend, it ain’t obvious.”

Alan frowned at him. “Oh. Then...should we hold hands?”

Dave rolled his eyes. “For fuck’s sake, Al. What are we, nuns? We’re on the bloody Reeperbahn, some of these clubs have actual live sex shows on stage. Here--” He took Alan’s hand, yanking him closer and draping his arm around Dave’s waist. They were so close now that Dave could smell Alan’s cologne and the mints he’d chewed on in the cab. “There, that’s more like it.”

Walking together this close was a little awkward at first, but Dave could sense the moment Alan eased into it, falling into rhythm with Dave as his warm hand cupped Dave’s hip with a possessive hold. Dave slid his own arm around Alan’s waist, tucking part of his hand under Alan’s belt. Alan was dressed really nicely tonight; he had on his usual leather jacket over a black sleeveless top and neatly-pressed trousers. He even smelled nice and expensive, like a bloke out on the town to show his girl the time of her life.

They stopped outside a bar playing ‘Lust for Life’, and Alan must have seen the way Dave perked up. “Here then?” he suggested, steering them in when Dave nodded. 

The bar was dark and filled with cigarette smoke, the bartenders busy doling out huge pints by the trayload. There seemed to be an even mix of locals and tourists; Dave could hear snatches of conversations in German, Dutch, English and something vaguely Scandinavian. Bobbing along to the music, Dave waited patiently beside Alan, who ordered for them both. He was eventually handed a rum and coke, but it was extremely strong, at least.

Taking Alan’s hand, Dave led him further into the bar where they found an unoccupied standing table with dirty glasses. A busboy shortly came along to clear it, flashing a bashful smile at Dave who couldn’t help smiling back, feeling rather triumphant. He arched an eyebrow at Alan, as if to say, See? Alan only shook his head in amusement. He seemed determined to draw out Dave’s suffering. 

Dave accepted the cigarette Alan offered him, their faces drawing close as Alan leaned in with his lighter, his eyes flitting between Dave’s eyes and mouth. Once the cigarette was lit, Dave nodded in thanks, taking a deep drag as he brushed his new curls over his shoulder. Having long hair was a nice novelty that he’d considered at times; now he might actually try it out in the future, despite whatever Jo said about it making him look unkempt.

The music had changed to something by Roxy Music, and Alan finished his pint. “I’m going to use the facilities,” he said loudly, at which Dave nodded. He shook out a second cigarette from Alan’s pack, putting it between his lips before he remembered he didn’t have a lighter.

Then one appeared in front of him, the flame flickering into life. “Guten Abend,” a blond giant of a man said, gesturing towards Dave’s cigarette. Dave accepted the light with a small smile, casting his eyes downwards coyly like he’d seen some girls do. He didn’t think it was wise to speak much, lest his voice give him away.

“Woher kommen Sie?” the man asked. He had ridiculously sharp cheekbones and eyes that were obviously blue even in the dark lighting of the bar. Funnily enough, he was the tall and handsome sort of Adonis that Dave would have tried to get into a brawl with, back in school.

When the man saw Dave’s uncomprehending expression, he switched to flawless albeit accented English. “Are you American?” he asked, eyes dipping down to glance at Dave’s legs.

“No, from the UK,” Dave said in what he hoped was a higher, believable pitch. If the bloke seemed suspicious, he didn’t give any indication whatsoever. 

“I’m Jan,” the man said, holding out his hand.

Shit, Dave had to think of a name quickly. “I’m Martina,” he said, sending a silent apology to Mart, wherever he was. 

“Your name is beautiful.” Jan kissed Dave’s hand, making his skin crawl. “Like you.”

Dave quickly wrenched his hand back. “I have a boyfriend.”

Jan shrugged, flashing Dave a sleazy smile. “I don’t see him anywhere.”

“Then you need glasses,” Alan’s polite but no-nonsense voice came from behind them. A relieved Dave was never so glad to see him. “Can I help you?”

Jan merely gave Alan a disdainful onceover, as if sizing up his competition. “No, I don’t think so.”

Sensing that this bloke wasn’t going to piss off anytime soon, Dave shifted closer to Alan, pressing their bodies together as he wrapped his arms snugly around Alan’s waist. He rested his head on Alan’s shoulder, sighing in pleasure as Alan pulled Dave close to him to stand between his legs. “Would you mind, then?” Alan said, stroking Dave’s hair. 

After glaring at Alan for a good long moment, Jan told Dave: “If you get tired of him, I’m near the pool table at the back.” Winking at Dave, Jan tucked his lighter into his pocket before heading towards somewhere at the rear of the bar. Even when he returned to his table, he was still watching them, a vaguely unsatisfied expression on his face.

“That tosser still looking?” Alan asked, because his back was turned towards Jan.

“Think he is.” Dave was too comfortable to move from where he was, Alan’s body warm and firm against his own. “Let’s just wait a while, yeah?”

To Dave’s relief, Alan nodded, his hands still stroking through Dave’s curls.

[darkestwolfx]

Heist Society - Re-Review #17

Sorry this is late, I forgot to put it on auto-post! Ignore my error and just pretend this sentence doesn’t exist.

So, I have a little less time for this one, so let’s see how far we get!

“You remember Brains’ girlfriend, Moffy?”

“Colleague, Gordon. Professor Moffat and I are old friends.”

“Sure Brains, Like nobody can feel all that nerd-trino energy when the two of you are in a room together.”

I called it last time! I said it was obvious if Alan could see it!

Scott whacking Alan’s leg to wake him up was perfect interaction.

I love trains! I’ve travelled on them so often - although my journey’s never really end up like this one (thankfully)! 

“Parker, I think we can afford to chill. With our arrival in thirty minutes, all our worries will soon be behind us.”

Really though, were those famous last words, Lady Penelope? Also, I’m not sure if Parker is up with the language enough to know what chill means! I mean, in the next scene he’s back to carrying his tea tray!

Can we please create the Sherbet the Dog Appreciation Society (SDAP)? I mean, this dog is really taking after it’s owner. Good Bertie for discovering The Hood and protecting the package and chasing after him!

“You seem to have started yourself a furry fan club Professor.”

“You’re a feisty little guard dog, aren’t you.”

“What hin the quivering?”

I definitely did not properly hear that line before but I love it! It is now going to be my new catchphrase any time something happens and I don’t know what’s going on.

Oh the concern, it’s really sweet. Sherbet licking Parker was also cute (although probably ‘hunappreciated’). 

Brains being able to configure things on Thunderbird Two from the Island is a really nice touch too

“Still no word from the boys, M’Lady?”

Good on Parker, always finding things other might miss.

I don’t want to give any credit to The Hood here, but he’s a good actor, that much is undeniable.

“Gordon, am I pleased to see you.”

That’s a change from three episodes ago!

“You’ll never believe what I-”

Yes, Moffy, yes we will.

“Parker, bring the car around.”

I want to know where they stored it...

“Let’s go fishing.”

I love Parker’s language I really do

“Blimey O’Riley.”

“Rig for impact.”

“You steaming pink heffalump!”

It’s great to have a character who had a really defined, different speech pattern to the rest of them. I know the boys are somewhat supposed to sound/speak similar - biological relations usually do, especially when you live together because you pick up the phrases you hear, but even the characters who appear for rescues, Parker is a mile away from all of them and I love it.

So what I don’t quite understand is;

“Warning, life system disabled.”

and

“Danger. Hull implosion in eight seconds.”

was said in a very similar voice to the original Hood’s voice in TOS, but The Hood’s actual voice in this series is a little more American. They seem a little far apart to me that’s all.

Rescue count: 23

“hI’m not so sure habout that. Get hoff!“

This seems to be a regular way to end the episodes with Parker trying to get Sherbet to move away.

Anyhow, the little nods to ‘Perils of Penelope’ (TOS, 3) in this were great!

[monicalorandavis]

Dear Lora

My grandfather wrote a 6-page typed letter to my mother in 1992. His wife, my grandma, my mom’s mom, had died earlier that year. His letter is in response to a letter my mom had written in which her mom visits her in a dream. Below is the transcribed letter in full:

Dear Lora,

Today is the second day of October. Summer of 1992 is history. Even though I am somewhat reluctant to bid farewell to the warm pleasant days of summer, the unmistakable chill in the morning air is convincing enough that fall has arrived. The morning temperature was in the low forties. The warmth of the furnace felt very good. I am, I suppose, prepared for winter (as if it made any difference whether I am prepared or not). Ready or not here it comes. I welcome the coming of winter as I do with the approach of the other three seasons.

This year my garden crop was very productive. I had carrots, turnips, eggplants, corn, spinach, cucumbers, tomatoes, onions and green beans. Each year with the beginning of the growing season, I make a solemn vow that I am going to limit my crop selection to just a few items. As the year progresses, the urge to plant just one more thing just simply overwhelms me. It’s fun anyway. The thought of putting a seed in the ground, watching it grow and then getting to eat it holds a certain fascination. I sometimes feel that I am a frustrated farmer. Flowers are blooming at their prettiest. It seems that just before their inevitable doom, nature makes a last ditch effort to make them more beautiful than ever. Could this be nature’s way of burning their beauty into our brain so we will be sure to plant them again next season?

I am doing quite well. Apparently all of the vitals are functioning adequately according to the doctor’s report from my last visit. I hope you are taking care of your health. I recall it was during my forties that I began to realize in an abstract way the possibility that I was not immortal and it was just possible that I could become sick just like old folks often does. During my fifties, I took a step further into reality and faced (however reluctantly) that I was indeed going to someday become old just like those other old folks does. Now that I have arrived, I find that in reality this is not at all as bad as I thought it would be.

A quick examination of the available options and alternatives lead one to the acceptance of life with all of its joys as well as its sadnesses. As I write this page I have one ear focused on my television set. Ross Perot is making a speech regarding his decision to run for President or not...From the drift, as I hear it, he seems to be saying that he is going to run...This will be an interesting election year. I am going to vote for Clinton, not that I think he is the best the country is giving us. I don’t know whether my vote will be a vote for Clinton as much as it is a vote against Bush.

It was a pleasure to have received such a long, informative, neat and well-composed letter. Receiving a letter is always a treat. Although we talk by phone a lot, a letter is always something special. I know with your busy schedule with the wife/mother doings, there is little time left for extracurricular things.

You spoke in your letter of Mom visiting you in your dreams recently. Ironically, just prior to receiving your letter, she visited me in a very vivid dream. Usually my dreams are so vague and scattered that it is difficult for me to form a meaningful recollection of the theme or the contents of the dream. And I must add that I do not have frequent dreams of her. I recall hearing from some leader a theory on dreams involving departed loved ones. According to his theory, if that loved one is at peace in their new existence (their new life) then their dream visits will be few but if there is restlessness and discontent visits will be frequent. In this dream, she was radiant, well-dressed and the picture of good health. We were at home together. She was busy cooking and packing in preparation for a trip to your place. I recall asking her about her medication like I always did prior to our trips. She smiled and said “Don’t you remember that I don’t need to take those things anymore? I had an operation and now my liver does the same for my body as the dialysis did. I feel good now.” It was such a pleasant dream. I feel that somewhere out there that she has found peace and contentment. Of course, I shall cherish the memories of all of those wonderful years we spent together. Over the months, the reality of life and death has been drawn into focus. It is strange that a phenomenon as real and predictable as the passing of a loved one could confuse that reality but time is a healing thing and with the passage of time there emerges an emotional balance, a healing process that draws one back into rational acceptance. However altered, there is a sort of life that can be lived and enjoyed. Life is such a precious gift. A constant concern of mine is not so much focused upon my own life, although I try and take reasonable care of myself, but hoping you, my children, and my grandchildren will be healthy and live long, happy lives.

I am really impressed by the neatness and precision of your word-processed letter. It must be a real aid to letter writing and writing in general. It is hard to master? Could a dummy life me use one? I like to write things. A problem I have is after I write and sleep on what I have written, I have an overwhelming urge to change what I have written. Maybe a word processor would cure that ambivalence.

You made a comment concerning your handwriting. Have you ever seen my handwriting? Yours would put mine to shame. My typing is rather shabby too.

I noticed judging from the look of some of my vegetable crop we have already a frost so soon. There are still a few things I have to do in order to prepare for winter. I had a new door installed at the front entrance and the door to the garage. That are is always like an icebox in spite of my attempts to weatherstrip. Hopefully the new carpet and drapes will help some to keep the place warm this winter. I still have some other things in mind to help keep the heating bill under control this winter.

I talked to Alan and Elfriede recently. They are extending an open invitation to visit them this winter for a few days. I might take them up on the offer. I still haven’t made any concrete visit plans. Hopefully the airlines will throw out some good discounts during October. Then we shall see about the holidays. I think we will make our trek to the southland sometime next year. I don’t think Doris is too interested in going. I understand her lack of interest to a certain extent. If that Alyx is interested, I suppose she and I should make the trip. How about Steven?

Did you hear that Erika is pregnant? Due sometimes early 93. Kim is still pending marriage in April I believe. I hear from Noelle occasionally. She seems to be getting along well, working hard as a nurse in a nursing home in Ft. Collins. I question her selection of a boyfriend (but don’t we all?). She never sounds too happy when she calls. He is going to school, a rather nice fellow but seems so immature to take on marital responsibilities. I hope I am wrong.

Election time is drawing near, isn’t it? Ross Perot is toying again with the idea of reentering the race for President. It is alright for him to play politics so long as he don’t do anything that will spoil Clinton’s chances to kick Bush out of office. In my view, the country has been so fouled up under 11 years of Reagan/Bush policies that it will take a decade of pain before the country is straightened out. I think we will be in real serious trouble if Bush manages to sneak by and get reelected.

It is nearing supper time. Three guesses what I am cooking up today...

I don’t know the name of it but the ingredients are squid, daikon, Konyamu wakame and gobo. It was a family favorite. We are having a district meeting* here tonight so I will share some of it with the WD. I have already tasted it and it tasted real authentic. I am (in my opinion) getting pretty good “international cuisine”. I pick up cooking tips from various sources. Yoshiko’s Chef at her Chinese restaurant let me in on some of his secrets. One of my favorites is a relatively simple chicken dish. It goes like this: completely thaw out a large frying chicken. In a large pan, bring enough water to completely the chicken to a rapid boil and let it cook for about 20 minutes. Remove from the boiling water. In the meantime, prepare a sauce using soy sauce, grated garlic, ginger cut in small strips, a little sugar, and a dash of hot sesame oil. Cut the chicken up into frying sized pieces, place on a platter and pour the sauce over the chicken. Finally, place chopped cilantro over the dish. It is simple and it is good! Note: It is necessary that the chicken not be frozen when it is placed in the boiling water. It is preferable that it be left out for a while to raise the temperature before boiling. On many occasions, I try to recall some of the dishes Mom used to make. She was not keen on letting me know too much about her cooking secrets. My traditional role in the kitchen while she was cooking was sort of like a kitchen helper, relegated to such simple tasks as fanning the cooked rice that she was going to use for making sushi, or slicing vegetables for tempura. None of the technical stuff. However, I did manage to steal some of her prized methods. This comes in handy because I have not lost any of my love for the taste of Japanese foods. I like to cook and also like to eat, so getting a balanced meal is not a problem at this point.

Rather than review my letter in its entirety to correct the misspelled words, I am going to send it on as it is written. In all probability, if I go back to edit it I will end up attempting to rewrite it and never finish. Anyway, you can figure out what I am trying to say. Today is Friday, the 2nd of October, a beautiful day. I have done morning Gongyo*, had breakfast, had a visitor who accompanied me on my walk around Prospect Lake. I plan to visit Richard this evening, perhaps spend the night there. He is so busy with his golf obsession and keeping up with his three business things that time is not sufficient for him to leave his area.

This is a picture I took when the kids were here this summer*. I think it is now time to say goodbye. Don’t you?

Love,

Dad

_______________________________________________________________________

*District Meeting* - Buddhist district meetings were monthly meet-ups for the area in which you lived. In bigger cities, like LA, there were more districts. In a city like Colorado Springs, districts were smaller and Buddhists drove further to get to meetings.

*WD* aka women’s division. The SGI has a long-standing tradition of peer group-led meetings. It’s always had men’s division, women’s division and youth division.

*morning Gongyo* - if you chanted morning gongyo you’re basically crushing it.

*no clue what picture* Oh how I wish I had it now.

[douxreviews]

Gotham - ‘Penguin, Our Hero’ Review

Selina: "So this is the Dark Zone? They should call it the dull zone."

Gotham lately has put me in a very troubled position as a writer; 'Trespassers' last week left me with the sourest of aftertastes, and yet as eager as I was for the oncoming episodes to redeem the season's quality, I also knew that any misstep 'Penguin, Our Hero' took could shatter this eagerness like a cut-rate drinking glass.

And while I confess my enthusiasm now sports cracks and fractures along its glass circumference after my viewing of 'Penguin, Our Hero', because I'm a good sport, I feel it's important to stay as objective as possible, and give even the best of the bad lot its day in the sun.

Like 'Trespassers', this week's episode is also diverged entirely into two plots: Gordon and the GCPD work to protect Haven - the community of civilians taking refuge from the rest of the city's mayhem - from Oswald and his own goons, and Bruce and Selina go hunting for Jeremiah. Back in Season 4, 'One Bad Day' attempted to sell its own twist on The Killing Joke comic, albeit with Gotham swapping out Barbara Gordon for Selina. 'Penguin, Our Hero' quite neatly succeeds in the first half of its run by continuing its homage to Alan Moore's story, this time with the positions of Batman and James Gordon being replaced respectively by Selina Kyle and Bruce Wayne; Selina's got the bloodlust bad for Jeremiah's head, yet Bruce insists that he and Selina pursue him by the books, so that Jeremiah may face true justice for what he has done. In my Season 1 reviews, I mentioned once that I never grow bored when Gotham creates scenes like this to remind us that Bruce and Selina come from entirely separate upbringings. What's more, Bruce now has wisdom, reasoning, and even a bit of experience to back his assertions to Selina that sending Jeremiah to Belize isn't in her best interests.

Expanding upon Bruce and Selina's story, they learn that they may have a chance of finding Jeremiah in the 'Dark Zone', a sector of territory where Jeremiah rules over those crazy enough to be inhabitants. The grisly deformities and almost-outlandish costumes (which are major nods to The Dark Knight Returns) were able to capture a small sense of what it was I was expecting to see when Gotham City became a no man's land. It's grisly, it's a little zany, and it absolutely gave off a sense that Bruce and Selina could be goners had they stepped into this territory uninformed and unprepared.

It's a tad odd for me hearing Selina remark on and on to Bruce about how she's changed, and how she's now a different person after taking Ivy's magical medicine last week; in fact, Selina is every bit as quippy, as acrobatic, and as badass as I remember her in her prime. Gotham's showrunners have been insistent this year that Selina will be making additional and gradual changes as she moves closer to her destiny as Catwoman, but I think they might be scratching at the bottom of the barrel if they really want to come through on that promise; Selina has the whip, she has the claws, she has the spandex, she's already the spitting image of Gotham City's infamous cat burglar. So I personally think Gotham can take a break from all this prattle about how much more Selina has to 'change' before she starts wearing cat-ears and making poorly timed feline-themed puns.

Meanwhile, Oswald discovers that most of his thugs and followers have defected to Haven to seek protection from the GCPD. So naturally, Oswald handles this 'betrayal' the way he handles everything - by overreacting. I suspect though that all Oswald really cared about was getting his bulldog Edward back from Haven, above anyone else. The fact that Gordon wouldn't even give the pooch up actually had me siding with Oswald for a majority of this episode. As always, Robin Lord Taylor's scene-chewing here is a delight and a half, even if he is still strangely lacking a shotgun-umbrella. And when it's evident that Oswald's goons have double-crossed him, he resorts to teaming up with Gordon to drive the gangsters out of Haven for good. Gotham seems to have forgotten already that an alliance seemed to be brewing between Gordon and Barbara last week, and so instead we get the first of hopefully many more team-ups between Gordon and Oswald. I also suspect this turn of events sets into motion a domino effect leading to the prelude we saw at the beginning of 'Year Zero' depicting Gordon, Bullock, Oswald and Nygma teaming up against an unknown army.

With the good set aside, now we must come to both the bad and, characterization-wise, the ugly. Specifically, it's one of my biggest gripes with Gotham in years. In regards to portrayal, I haven't seen Gotham so poorly deconstruct one of its most memorable rouges since the introduction of Victor Fries way back in Season 2. I'm talking about this series' rendition of Harley Quinn.

Harley Quinn is unique among Batman rouges because she actually made her debut way back when during the airing of Batman: The Animated Series. She was a character created exclusively for the cartoons before her fusing into mainstream comics, and mainly operated as the Joker's No. 2, though as the series continued, she was fleshed out even further, shown to have once been a psychiatrist that treated the Joker at Arkham Asylum, before ultimately becoming exploited and manipulated by the Joker to turn to a life of crime.

Alternatively, last year, Gotham introduced Ecco, a mysterious subordinate of Jeremiah Valeska who, quite frankly, followed him into battle unquestionably, and in this season, into no man's land as well. Gotham hasn't outright referred to her yet as 'Harley Quinn', but the use of her catchphrase 'Puddin' in this week's episode, as well as the colors of red and black scattered along her clothing is very much a dead giveaway.

Gotham has had difficulties in the past trying to incorporate their own iteration of Harley Quinn into the series. It's come out that there were plans at the end of Season 3 to turn Barbara Kean into the character. There were also rumors that the little girl Bruce saved in an alleyway, also at the end of Season 3, would also grow up to become Harley. To this day, I absolutely believe the inclusion of Harley Quinn isn't an essential factor to Gotham's gutsy, spunky narrative. Simply put, she's a character best saved for a day when the city actually has a properly established Joker (and Batman for that matter), but at best, shelving the character for another time would mean that we would get to be spared Gotham's rendition at...whatever Ecco is supposed to be. And whatever Gotham's intentions were for this character, they've managed to make Ecco everything Harley Quinn is not. Traditionally, Harley does not earn every reader/viewer's sympathy, but the character always steals the show whenever she shows up. She can be funny, she can be entertaining in her own demented methods, it's actually a little unsettling as the viewer to stay tuned with the character as she gets joy out of the most twisted and sadistic things. Even Margot Robbie's portrayal of the character in Suicide Squad remains a personal highlight for me in an otherwise hopeless film because though she brings her own attributes to the character, there are still plenty of homages written into her role that evoked a bit of nostalgia in me for that classic animated series.

Gotham's rendition of Harley Quinn by the end of it is tragically boring, but worse than that, Francesca Root-Dodson's performance fails to share any likeness either with the characteristics of Harley. She's more akin to a hype man (or hype woman in this case) for Jeremiah, much like how Ebony Maw was to Thanos in Avengers: Infinity War, minus the chilling motion capture and dainty fingers. A week ago, I had a hope that Gotham could learn to better blend all of its characters into a single narrative this season, but now I'm left with a single and very potent desire outweighing all others, and that is that Ecco's appearance this week was a one-time occurrence only. Any further appearances down the winding road will all result in a dogged struggle to sit through her scenes, which felt like being stuck in a room with a Harley Quinn cosplayer whose only knowledge of the character comes from what Warner Brothers advertises on t-shirts.

Aaron Studer loves spending his time reading, writing and defending the existence of cryptids because they can’t do it themselves.

[archivistsrock]

The Boys in the Band, pt. 2: The Performance

Someone asked for a spoilery review, so I’m going to go into detail here. Maybe a mix of review, plot, and specific cute/hot things that happen during the show. I don’t really consider anything in the show to be “spoilery”, but if you’re planning on seeing this and just love surprises and not knowing anything about what’s to come...don’t read this, I guess. ;) [eta: Okay, so it seems like it’s mostly plot overview with random other observations sprinkled in. I’m not good at this! Also, I go into much more detail about the first half...it’s funnier, has more Matt, and I just peetered out]

Also, read on if you want deets on just how much Matt we see during the shower scene… :P

The general plot of the play is that Michael (Jim Parsons) is holding a birthday party for his friend Harold (Zachary Quinto). The entire play takes place in Michael’s apartment. There is an upstairs (bedroom and bathroom) and a downstairs (living room, mostly). If your seats are really close to the front of the stage, there will be some parts of the upstairs that will be blocked from your view. But they’ve cleverly placed mirrors on the ceiling, so what you can’t see straight-on, you can see in reflections. It’s not a problem at all. I was in the second row and was really worried I’d be too close and have obstructed sightlines, but I LOVED IT. You’re so close to the actors; it’s pretty amazing. I wouldn’t change my seats if given the chance. I think if I was able to see it again, I’d like to have a mezzanine seat. But I wouldn’t give up my up-close seat for the world. It was awesome. For...reasons...if you’re near the front, I think being left of center is better than to the right. Just as a tip, if you haven’t bought tickets yet.

Donald (Matt Bomer) is Michael’s best friend from college. He moved out of the city because he couldn’t handle all the people and stresses of city life. Donald is depressed. Loves to read. Likes to chill on the sidelines and just watch other people. He’s very caring. I totally dig Donald. He’s...a janitor? and works hard, but also has issues with failure that he attributes to his parents. He equates failure with receiving love. He’s known he was gay since forever. He drives into the city each weekend to see his therapist and visit Michael. He knows the other men that are invited to the party, but he isn’t in their friend group. He knows them bc he knows Michael, iykwim. He and Harold don’t seem to particularly like each other. Maybe bc they’re both best friends of Michael so there’s some competition/protectiveness?? idk. Haven’t thought about it enough.

Michael lives beyond his means. He’s also pretty depressed and has issues with being gay. I mean, that’s a huge theme of the play. How these guys deal with living in a time and place where society clearly doesn’t support or approve of homosexuality. As many of the actors have said in interviews, it’s interesting to see the play and notice how much things have changed, but also how many things in the play still resonate today. Oh, I guess it’s important to point out that it takes place in 1968.

The play starts with Michael in his apartment getting ready for the party. His doorbell rings and Donald enters. ::raucous applause:: The next 15 minutes (I’m really bad with time, so don’t take too much stock in that) is Michael and Donald talking with one another about their parents, lives, etc. General banter of friends. Donald notices that Michael is not drinking alcohol and hasn’t been for the last few weeks. He can tell because Michael gets mean when he’s drunk (keep this in mind). Michael says his therapist encouraged him to lay off drinking bc it’s obviously becoming a problem for him.

It’s been a long day and Donald needs a shower. ::extremely raucous applause:: So Matt strips down to his undies and walks around a bit. Lays on a bed. Adjusts himself. Lots of this is only seen through the mirrors on the ceiling. Not sure about people in the mezzanine? They might be able to just see him laying there, idk. Then he wanders to the shower and strips...ALL THE WAY DOWN to shower. So yes. Not only do we see Matt’s ass, but we see his dick, too. Where I was sitting, I only saw it in reflections, but still. HEY THERE, MATT’S DICK! :P Whether or not other people in different seats see more or less of him, I’m not sure. This is why I say that the left is better than the right. The shower is on the right side of the stage, and there’s a sink/pedestal in front of the shower. So I think some people’s view of Matt in the shower is blocked by the sink? I was at enough of an angle where it wasn’t a problem. People were literally gasping. LOLOL.  The theater was definitely a-twitter. Lol. [random aside that I saw Angels in America during this trip, and in that play Lee Pace gets naked and just walks around the stage in the buff, so I guess it was my week for seeing ass and penis on stage? Lol]

Then he gets out and puts on a towel and walks around in that for a while, which is nice. Then he goes into the bedroom and changes and you can see him in his undies briefly (lol pun) again. So anyway, THAT HAPPENS. Lol

While Matt is showering and getting ready, Michael’s phone rings. It’s his old college roommate, Alan (Brian Hutchison) who’s having a breakdown of some sort and wants to come over and talk to Michael. The problem? Alan is straight (or is he??) and “square” and doesn’t know that Michael is gay.  Which is a problem bc a bunch of gay men are about to descend on Michael’s apt. Michael tells him to quickly come over with the hope that he will arrive and leave before too many people show up (lol right).  But honestly, who’s listening to Michael at this point bc OMG MATT IS NAKED. Seriously, I think I just stared at Matt for 95% of the show regardless of who was talking. Lol. It helped that I read the play beforehand and watched the movie so I knew what was going on.  ;)

So Michael tells Donald that Alan is coming over and warns him that Alan doesn’t know he’s gay so don’t act gay. Donald is mildly offended and has a funny line about sitting with his legs spread and talking in a deep register. Lol. But anyway, Jim and Matt are great together and you can really see their friendship (well, Michael and Donald’s friendship). They’re very funny together. The doorbell rings and we all think it’s going to be Alan, but it’s the first of the party guests – Larry (Andrew Rannells), Hank (Tuc Watkins), and Emory (Robin de Jesus). Hank and Larry are a couple (with issues). Emory is unapologetically flamboyant. He is hilarious. So Hank was married (he’s in the process of getting divorced) and has 2 kids. He’s the most stereotypically masculine of the group. He’s bi, “with a definite  lean in one direction” (hint: not chicks). He’s a math teacher. The oldest of the group. He’s dating Larry, who’s a bit of a man-whore (and a commercial artist). Larry doesn’t believe in monogamy, and this makes Hank sad. So this is a running issue between the two throughout the night. Andrew is hilarious in the play. He has GREAT facial expressions and reactions.

So Michael introduces everyone and it’s a bit awkward between Larry and Donald. Clearly, they have some sort of history (spoiler alert that’s pretty obvious: They “know” each other because they fucked in the baths once, but never spoke to one another. Yes, they enjoyed their fuck). Throughout the night, Larry is continuously coming on to Donald. Leaning into his space, stroking his arm, etc. It’s pretty great.

Doorbell rings again. Michael warns everyone about Alan and to PLEASE ACT STRAIGHT. Cue lots of hilarity with Emory who is just not into pretending to be butch. So he opens the door...and it’s not Alan. It’s Bernard (Michael B. Washington). Bernard is black (relevant to later parts of the play). He works at the library (a bookstore? Can’t recall which now). Anyway, he knows Donald bc he’s always supplying Donald with books. Lots of comments on how Donald reads a shit-ton. Bernard is besties with Emory.

More hilarity and banter ensues. There is a song and dance number (Donald does not participate, but Matt looks cute standing there and he does cute mini hand/arm motions). While they’re all dancing and being silly, the doorbell rings, but no one hears it but Hank, who goes to open the door and...it’s Alan. So he walks in on all the guys doing a choreographed dance. AWKWARD. Michael is all...”Uh...we’re just being silly!” haha. Yeah. More introductions. Emory is Emory and is pissing Michael off with his refusal to stop being camp. Alan takes to Hank because he’s the most traditionally masculine. Hank and Alan talk about their kids and Larry is getting increasingly pissed bc Hank is hiding the fact that he’s gay and with Larry (although they’re all—poorly-- hiding the fact that they’re gay). Michael goes upstairs to speak with Alan and what his breakdown/problem is.

So the action shifts to upstairs, but we can still see everyone downstairs. So they’re all acting like they’re at the party and are fake talking, etc. This is when Larry really gets into Donald’s space. He’s pissed at Hank because Hank are Alan were being all chummy. So he’s taking it out on Hank by being extra flirty with Donald. Donald isn’t really..opposed?...to it, but he’s maybe a little confused and awkward about it bc...hello?!? Hank is here? What even...? lol.

So upstairs, Alan decides he doesn’t want to talk about his issue and instead talks about how attractive Hank is. Lol. He also likes Donald. Alan’s been downing drinks (Donald is kind of the unofficial drink maker) and he’s drunk. Then he gets all homophobic and says shitty things about Emory. Michael gets a little pissed and goes downstairs while Alan stays upstairs in the bathroom.

Downstairs, the doorbell rings. Michael answers it, expecting it to be Harold (the birthday boy who is clearly very late). It’s a young studly guy dressed as a cowboy (Charlie Carver) who sings Happy Birthday to Michael and kisses him. Oops! Wrong guy! Cowboy is Emory’s gift to Harold. Harold was supposed to answer the door. But cowboy is early (you’re supposed to show up at midnight bc you’re a midnight cowboy!) and Harold is late, so...yeah. Didn’t work out. Then Alan comes downstairs and thinks Cowboy is Harold. Emory says, “No, he’s FOR Harold.” Alan is increasingly hostile and Emory is done with the fucking charades. Emory makes a comment about Alan’s wife, and Alan goes fucking berserk and starts punching Emory while calling him a bunch of gay slurs. Alan is pulled off Emory who is bleeding. Chaos is breaking out. The doorbell rings. Donald answers it and in walks Harold (Zach).

Harold is quite the character. He used to be a professional ice skater. He describes himself as an “ugly, pockmarked Jew fairy”.  He’s high. He’s very sardonic. He looks around and it’s like...WTF is happening? Lol. Alan is passed out on the floor. Emory has blood all over his face. Cowboy sings happy birthday to Harold, kisses him, then Harold reads the card tied to him and starts laughing hysterically.  (this technically ends the first act in the play, but there’s no intermission or anything so the action keeps going)

[Note Larry leaning into Donald’s space in the background]

Bernard and Emory go upstairs to clean up. Up until this point, the play has been really really funny. The general tone is pretty light and humorous. At this point, the tone starts to change dramatically. At some point, I don’t remember exactly when, this change is made blatantly clear by the lights going dim, and all the action on stage freezes, aside from Michael. He heads to the bar and pours and downs a drink. Remember what Donald said about Michael when he’s drunk? MEAN. So this marks the turning point. Light go back up, action resumes. [I’m not sure what I think about them doing it this way, but it hammers the point home that Michael is now drinking and things are about to get dark, so eh. Whatever. ] Michael gets increasingly asshole-ish. You really start to hate Michael.

Alan declares he’s going to puke, so Hank leads him upstairs to the bathroom. Michael and Harold exchange barbs. You really start to wonder why they’re friends. Every time Michael takes a drink, Harold proclaims, “Turning!” Like Donald, he knows alcohol turns Michael into an asshole. Michael is getting drunker and meaner and Harold is not one to just put up with things.  If something gets dished out, he’ll deal it right back ten-fold. But while brutally honest, he’s not being as downright cruel as Michael, who even starts throwing racist remarks at Bernard and cruel comments to Emory (which really horrifies Donald).

Alan comes downstairs and proclaims his intention to leave, and bizarrely announces that Hank should leave with him. This leads to the announcement that Hank and Larry and lovers, and basically the charade is up and hey! We’re all gay; and btw, we think you are too, Alan. Michael won’t let anyone leave and invents a “party game” for them all to play. Basically, you have to call someone that you’ve truly loved. You get different amounts of points for various things – if someone answers, you say who you are, you get the person on the line that you want to speak with, you tell them you love them. A total of 10 possible points. Donald and Harold are immediately like, YEAH NO. Not playing. So Bernard and Emory both call people. Does not turn out particularly well. I literally cried for Bernard. Michael B. Washington does a phenomenal job.

Hank and Larry have it out again, but they end up calling each other, saying they love each other, and going upstairs to have sex in Michael’s bedroom.

Michael starts harassing Alan and telling him he should call their other college roommate, Justin, that Michael is convinced Alan was in love with. He’s in total asshole mode. Alan dials a number and ends up telling the person he loves them. Michael grabs the phone assuming it’s Justin..it’s not. It’s his wife.

Alan leaves. The mood of the party has degenerated into a total morose atmosphere. Harold just goes off on Michael with a huge truth bomb about how self-loathing Michael is and how badly he doesn’t want to be gay, but guess what? You’re gay and you’ll always be gay. He then takes off with Cowboy. Emory and Bernard (who is super drunk by this point) then leave, and Michael has a breakdown. He basically starts hyperventilating and is comforted by Donald. He pulls himself together and leaves to go to a midnight mass. Donald stays behind to read a bit, after assuring Michael that he’ll be back next weekend. The play ends with Donald reading and the silhouette of Hank and Larry making love upstairs in bed.

So yeah, I was much more brief when it came to the second half, in part bc it’s not as much “fun.” It’s much more dramatic. Very good, but not as fun to retell, and as far as Matt goes, aside from the end scene, he kind of disappears in the second half. I mean, he’s physically present and had lines, but there is definitely more focus on the other characters. He kinda just hangs in the periphery watching everything go down. And silently flirting with Larry lol.

All the characters do a stellar job. Charlie Carver/The Cowboy has the smallest role. He’s basically a big dummy, and provides some comic relief with his idiocy and innocence.  Tuc (Hank) does a great job, but his role isn’t as humorous or flashy as the others. Michael B. Washington is great as Bernard, and I was really feeling for him at the end. He has a great monologue that delves into race and slurs. He and Emory have a touching moment. Robin de Jesus is hilarious as Emory. Jim does a good job as insecure Michael. Apparently, he wears special shoes during the show because of his broken foot. I would not have known anything was wrong with his foot. He’s pretty spry walking around that stage. He does a good job playing a mean asshole. Lol. Andrew has hilarious reactions and facial expressions. Zach is hilarious as Harold. Very sarcastic and kind of deadpan? He has a very interesting way of speaking. Harold is super weird, and Zach does a super job. He comes in late in the play, but has an integral part once he arrives. And I love Donald. His role is definitely not as flashy as some of the others, but I feel you really get to know and like Donald.

You laugh A LOT during the first half of the show. You still have funny moments in the second half, but it is also more shocking and dramatic. Pretty thought provoking. And thinking about the time period that this play takes place in (1968) and how tough it was to be out (or not out) at that time, and looking on stage at the all gay cast...it’s a pretty special feeling. They look like they probably have a blast on stage every night.

I happened to be there on Zach’s actual birthday, which was funny because it’s his character’s birthday in the play. When Matt opens the door and it’s Zach standing there, the first line Donald says is, “HAPPY BIRTHDAY, Harold.” He said it VERY pointedly and I was like !!!!!!!! So that was special. Oh! A Matt insta post:

If you aren’t going to be able to see it, you can watch the original movie. Obviously, it’s not as cool as seeing your faves in the role, but the original play, movie, and the revival are all very faithful to each other. Same dialogue and everything. The movie does add a few scenes at the beginning outside of Michael’s apartment, and some of the movie takes place outside on a balcony instead of all inside, but those are very minor details. I think they cut out a few lines of dialogue in the revival so they could cut down on the time, but offhand I don’t recall what they cut out. I’ll have to read the play again. So you’ll hear all the stuff that happens and all the funny lines and stuff that they say in the play. Then you can envision Matt in the role of Donald. I like Matt’s portrayal of Donald better than the original actor’s, but OBVIOUSLY I am biased. lol

[carryonmywaywardcaptain]

A New Life: Part Ten

Series Masterlist

WC: 1,538

Warnings: Fluff. Adorable Dean. But also funeral talk at the beginning.

A/N: Be prepared for adorable Dean. And feels.  I mean really guys, I love him and this chapter SO MUCH. Also, fun note: If you play Faithfully by Journey in the background when the mention starts, the song lines up really well as you read to the end. 

Please let me know what you think!

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The funeral was rough. While it was nice seeing so many familiar faces, you wished the opportunity had come under different circumstances. You were at least grateful the boys had agreed to let you come pay your respects and grieve with the community you’d once been a part of.

It had been almost a year since you’d split town. Everyone was dying to know how you’d been, where you’d been, and what you’d been doing all this time. You gave them simple, generic answers.

You were glad you had the boys there with you, but you felt guilty because you knew it must be difficult for them too. As far as you were aware, you didn’t think that they had been to a “normal” funeral. Not that hunter funerals were significantly different, but you figured this environment was a lot more formal than what they were used to.

They politely visited with everyone and took some of the attention off of you, but they made sure to stay close. When you started to get overwhelmed or upset, they would step in and steal you from the conversation. It was a long and emotional day, but you made it.

Late that afternoon, Dean walked through the hotel door with the last of your bags.

“Well, we’ve got the hotel tonight and we can stick around for a little while tomorrow if you want.” He dropped the bags at the foot of the bed, and you could see the wheels turning as he looked at you.

“What’s on the agenda for tonight? House party? Bar hopping?”

“Dean, not everyone wants to go out and drink away their problems like you,” Sam scoffed.

You rolled your eyes and laughed as they started teasing each other.

“Oh, come on. I’m just trying to get Y/N to give us the whole college experience! We’re only in town for a night, and I never got to do any of that like you two brainiacs.”

He had a point. It always made you sad to think just how much Dean had given up and missed out on in his life. You looked at them and smiled. “I guess I can probably think of a place or two.”

You and the boys claimed a booth along the wall at your favorite bar. It was surreal being back and, much like the funeral and luncheon, people seemed to flock to you and ask about every little detail of your life since you’d been gone. The boys were patient and gave you some space as you caught up with friends and classmates. The conversations were heavy and repetitive, but everyone seemed to loosen up after a few drinks.

You talked and laughed with the boys in between each conversation. After another round of shots, you quickly gave up trying to keep up with their pace and made your way to the bar to grab a beer.

You drummed your fingers absentmindedly on the bar as you waited for the server to catch your eye.

“Holy shiiit, Y/N?” You cringed at the familiar voice that drawled your name. Turning around you found yourself face to face with your ex-boyfriend, Alan.

“Wow, how long’s it been?”

“Been a while, Alan.”

“Damn girl. You look good!”

“Thanks.”

A year ago you would have felt bad for being so short with him. You felt a twinge of pride as you were again reminded of how much you’d changed since you’d been gone. You had a sense of identity now, and you’d been a whole different story when you’d been Alan’s dependent and helpless girlfriend at the beginning of college.

“Buy you a drink?” He asked.

“No thanks, really I’m goo--”

“Well look what the cat dragged in.” His now-girlfriend, Marie, came strutting up to wrap herself around him. You resisted the urge to roll your eyes.

It had been years since you and Alan had broken up, but she still always seemed to feel threatened that you’d try and snake him away from her.

“Hey Marie.”

“Can we help you?” She practically spat at you.

“No, I was just saying hi. It’s good to see you both, but I should really be getting back to my frie--”

“Look, he’s taken, okay? Don’t you think you should get over it already?” She was in your face now, and he was peeking around her looking you over with a raised eyebrow.

Boy, don’t they make quite the pair. You couldn’t help chuckling to yourself. They were both so trashed that you didn’t even bother feeling annoyed. Compared to everything you’d been through and the monsters you’d faced, their antics were completely harmless.

“You had your chance and you ruined it. It’s really pathetic that you’d still be pining over someone else’s boyfriend.” She slurred.

“Marie, really. I’m glad you two are happy. I don’t want him back, I--”

She scoffed and cut you off again. “Oh please. You are so--”

“There you are, sweetheart. I’ve been looking everywhere for you.” You felt his hand on your lower back and he leaned around to kiss you innocently on the cheek-- as if he’d done it a thousand times before. The simple gesture sent chills running through you.

Marie and Alan’s mouths fell open as they took in Dean. You suppressed the laugh that threatened to escape as you turned to face him.

“Dean.” You grinned up at him, feeling a deep tug in your heart as you looked into his crinkled eyes.

“Good to see you two!” You waved over your shoulder as you linked your arm through his, quickly dragging him away from the bar as you started laughing.

“It was starting to look like you could use a little help. You’re welcome.” He paused, looking down to shoot you a smug grin as he wiggled his eyebrows. God, you loved when he did that.

“How’d you know? You don’t even know who they are,” you asked looking back up at him.

He shrugged. “I’ve come across my fair share of crazy chicks. She had crazy written all over her. And the way he was looking at you…”

He was cut off by a loud celebration. The entire bar screamed as a new song came on, and you both laughed as you took in all of the drunk college students singing at the top of their lungs to Journey.

Highway run

Into the midnight sun

Wheels go round and round

You’re on my mind

“Usually people only react like this when it’s Don’t Stop Believin’,” you shouted at Dean over the noise. “It’s not often you see them belting out slower songs.”

When you turned back to face him, he quickly reached out to grab your waist and pull you toward him. “Dean, what are you--”

He removed one of his hands from your waist so he could gently grab each of your arms and guide them to rest on his shoulders. Taking a step closer, he placed his forehead on yours and began swaying to the music.

“Dean Winchester. You don’t strike me as the slow dancing type.” You laughed nervously.

“When it comes to you, sweetheart, I’ll be anything you need me to be,” he murmured. Your heart started racing at his words. You let yourself sway with him, becoming hyperaware of the way his closeness made you feel.

Through space and time

Always another show

Wondering where I am

Lost without you

Stealing a peek at him you noticed his eyes were closed and he was smiling to himself, looking more at peace than you’d ever seen him before. You felt like you might melt into a puddle right in the middle of the bar. You quickly glanced away.

And being apart ain’t easy on this love affair

Two strangers learn to fall in love again

Unable to resist, you swallowed hard before surrendering to peek up at him again. His green eyes were already watching you intently. He pulled back to kiss your forehead before leaning in again to rest his temple against yours.

Oh girl, you stand by me

I’m forever yours

Faithfully

He sang low in your ear, but he was close enough that you could hear him clearly. His gravelly voice sent a shiver down your spine.

And then you felt it. You felt it in the way your skin buzzed as he held you. Felt it in the way you melted as he continued to sing softly in your ear. Your mind ran back through all the times he had picked you up and stood by you—even from the very first moment he’d met you. You felt it in your soul.

You were in love with him.

“Dean…” You said in a breathless whisper. You weren’t sure whether you said it out of realization or whether you were calling to him. You weren’t even sure if he could hear you above the music and the crowd.

He leaned back just far enough so he could look at you. As he cupped your face in his hand, you were speechless. But the look in his eyes let you know he understood.

He leaned in and kissed you fervently.

I’m forever yours

Ever yours

Faithfully

Part Eleven

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[laceyeb]

Secret

Just a little (not little, rather long) Chmergess one shot idea that came to me. 

They sneak off together and aren’t as secretive as they should have been!

I’m having waaaay to much fun writing them! I should have jumped on board with this years ago! 

“This can’t happen again.”

“A one time thing.”

But that was just the first time.

She had lost count of how many times they said it would be the last time.

They kept coming back to each other. And it seemed to happen so naturally. It wasn’t planned or discussed. But there they found themselves, time and time again, together. Promising each other it would never happen again.

But it always did.

------------

One of Sharna’s favorite things about the tour was when they had a day off and could stay in a hotel. A comfortable bed, a good shower, sometimes enough time to relax by the pool. It really raised everyone’s spirits when they felt the exhaustion start to settle in. But she loved these days and nights for another reason.

They were typically two to a room. Sharna usually shared with Emma or Jenna, but these assignments were pretty irrelevant. More often than not, they would all end up in each others’ rooms. Staying up later than they should and falling asleep wherever, too exhausted to drag themselves back to their own rooms.

But on one of these nights, Sharna found herself wide awake, hanging out with Val, Alan, Jenna, Emma, and Hayley. It was Alan and Val’s room and the girls had gone over with a deck of cards. But after an hour and a half of games, Val caught Sharna’s eye. He blinked twice.

This was their signal.

Sharna stood up immediately and turned to Emma.

“Are you going to be here a while?” she asked. “Since our room’s empty, I think I’ll take a bath.”

“Yeah,” Emma said distractedly, focused on the game. “Sounds good. If I don’t come back, I’ll be here.”

Sharna said goodnight to the group. When the others had turned back to their card game, she winked once at Val. One wink was “My room in 20.”

They tried to time it carefully when they were around others so that no one would get suspicious and suspect them of being together. They would alternate who left first and always come up with different excuses. They were becoming masters at this level of deception.

Sharna made it back to her room, locked the door, and immediately started pacing impatiently, checking the time on her phone at least twice every minute. When eighteen minutes had passed, she realized she hadn’t changed.

She dug around in her suitcase until she found what she was looking for. It was the black thing Val said he loved.

She had an awkward moment a couple weeks ago when Jenna found it after Sharna had dumped out her entire suitcase looking for a particular shirt.

“Wow,” Jenna said, holding it up and grinning. “Which one of us are you trying to impress with this?”

“That was an accident,” Sharna lied easily, reaching for it and shoving it back in her suitcase. “I thought it was a tank top because I wasn’t paying attention when I was packing.”

Sharna checked her hair in the mirror, then looked at her phone yet again. Twenty-four minutes had passed by.

What if one of them figured it out? What if they’re interrogating Val right now?

But before she could worry any further, she heard two knocks on the door. It was him. She hurried to the door, threw it open, and pulled Val into the room. The door swung shut behind him.

She kissed him immediately, feeling impatient.

“What did you tell them this time?” she said against his lips.

“Went downstairs for food,” he said between kisses. “Cafe’s open until midnight.”

Sharna nodded her approval, but kept her lips on his.

“Can you get this?” she said quickly, trying to get his jacket off and catching the zipper on the fabric.

“Have a little patience,” Val said with a laugh. “We’ve got all night. Emma was half asleep when I left. She’s not coming back.”

“It’s not them I’m worried about,” Sharna told him. “It’s me. Because if you don’t pick up the pace a little, I’m going to have to do this myself.”

“I might enjoy that,” Val said slyly.

Sharna rolled her eyes, reaching down to pull off her shoes. “Next time.”

This fell curiously on her ears as she realized they had never used those words. “One last time.” “This is the last one.” That’s what they always told each other. There was never a next time. And the fact that she said it now scared her.

But she also knew it was the truth. Of course there would be a next time. There always was.

She could feel Val tense at these words, too. He became still, but it was for such a short moment that Sharna could pretend she didn’t notice.

“Come on,” she said, grabbing his hand.

She fell back onto the bed and he nearly landed on top of her as she pulled him with her. He rolled to the side and she followed, climbing on top of him.

“To what do I owe this particular experience?” Val said almost smugly.

“Three weeks without this,” Sharna said shortly, now reaching for the button on his jeans.

“I’ll get it,” Val said hastily. “If you’re not careful, you’ll hurt me. This’ll be over before it gets started.”

Sharna then put her arms around him and pulled him close, kissing him again and distracting him from his task. She leaned against him and he fell back. She felt a strap fall off her shoulder. Val reached up. Sharna thought he was going to fix it, but he reached for the other one and slid it off, too.

“Now we’re getting somewhere,” she murmured against his lips.

“What’s underneath this?” Val whispered. She felt his hands slide down her back.

“Just me,” she replied.

He sat up suddenly and Sharna nearly fell off the bed.

“I should catch up,” he explained. He climbed off the bed and started working on his belt. “You get the buttons,” he said, gesturing at his shirt. “I’ll get the rest.”

Sharna hurried to follow his directions. She worked one button at a time, getting increasingly frustrated when they refused to cooperate. Val stepped out of his pants, leaving them on the floor.

“Too slow,” he told her, kissing her once. “I’ll help.”

He took over working the buttons and Sharna quickly slipped out of her clothes. Val threw his shirt into a corner of the room and turned back to her.

“Do you know just how stunning you are?” he said. This finally stopped her and she was still for the first time since he walked in the room. She blushed and wished she had turned off the lights. But then she felt his hands on her skin as he pulled her back down to the bed.

“Remind me,” she whispered.

Val took Sharna in his arms, then laid her down.

“I will,” he breathed. He kissed her and his lips were like fire now. “Your lips are stunning. Beautiful. My favorite thing about you because I get to feel them.”

Sharna felt light-headed, but she tried to breathe, knowing Val was only getting started.

“And your ears,” he whispered, “when you tuck your hair back when it’s falling in your eyes. “Your hands,” he said, reaching down for hers while slowly and deliberately trailing his fingers down her side. He raised both her hands above her head and held them there. She felt a chill run down her spine as his lips moved to her neck.

“Your skin,” he went on. “The way it glows. The way it feels.” Sharna let out a gasp. Val looked into her eyes and smirked. “I’m not done yet. You still want me to hurry this along?”

“Yes,” she whispered. “No. I… Just keep going.”

“With pleasure. Where was I?” He took his hands from hers now and lowered them so his hands tightened around her hips. “Your skin. All of it. Especially here.” His fingers slid around to her lower back. “My favorite part.”

Sharna raised up to kiss him, but he pulled away, shaking his head. “Tonight is for you,” he said quietly, his voice lower than usual. “Lie back.”

Sharna did as she was told and her sense of impatience returned. “Keep going,” she said again, more urgently this time. She felt his fingers now trail gently down her thighs.

“Your strength,” he told her, kneading her muscles with his finger tips. “So beautiful.” Then his hands moved lower, down towards her feet.

“Wrong way,” Sharna whispered, closing her eyes.

“Oh?” Even in just one word, she could hear he was amused by her desire and restlessness.

She tried to reach down, to grab his hands and move them back in the other direction, but again he stopped her.

“I’ll get there,” he said, a smile in his voice.

“Told you before,” Sharna breathed. “I’ll do it myself if I -.”

There was a sudden knock on the door and they both jumped.

“Sharna?” Emma’s voice came from out in the hall.

“Shit!” Sharna hissed. She pushed Val off her, her hands on his chest. “Shit! It’s Emma! Get down! Hide!”

“Where?!”

They both looked around the room, realizing there was nowhere he would be hidden. Sharna also saw their clothes scattered across the floor. She fell off the bed in a hurry and tried to shove everything within reach into her suitcase.

“I just need to grab a sweater,” Emma called. Sharna heard Emma’s key card slide into the lock.

She had Val’s shirt in her hands so she threw it on. She turned to see Val rolling off the far side of the bed, dragging the sheet down with him. Then she turned back just in time to see the door open and Emma walk in.

“Oh, hey.” Emma froze in the doorway for a moment, then moved further into the room. “I didn’t think you’d be done already.” Sharna blushed, but Emma didn’t seem to notice. “I just need…” She pointed toward her own suitcase which was next to the window on the far side of the room. But Sharna couldn’t let her get that far.

“Here,” she said quickly. She hurried to the window and pulled Emma’s suitcase to the middle of the room. She chanced a quick glance down at Val. He was still and silent on the floor, half covered by the sheet and looking terrified. Sharna would have laughed if she wasn’t feeling so panicky.

“Thanks,” Emma said, looking a little confused. She set her suitcase on her bed and unzipped it. “Whose shirt is that, by the way?” she asked. “Isn’t that Val’s?”

“Oh.” Sharna looked down at the shirt she was wearing and hastily fastened another button. “I… Uh… Yeah. It - it… Uh… It might be. Must have been mixed up with my clothes. I must have grabbed it by mistake. I didn’t really… pay attention. Yesterday, I mean. When we were packing again.”

Emma watched Sharna closely. Maybe she was imagining it, but Sharna thought Emma was fighting back a smile. She found her sweatshirt, zipped her suitcase back up, and moved forward to put it back.

“I’ve got it,” Sharna said quickly, reaching out for it. She set it back next to the window and turned to Emma again. “So, I think I’ll just go to bed now.”

“Oh, alright.”

Sharna felt a flood of relief as Emma started back toward the door. But then she turned around. “Speaking of Val, have you seen him?”

“Val?” Sharna repeated, her heart beating fast. “Um… No. Haven’t seen him for a while. Why?”

“Just wondered where he disappeared to.”

“Didn’t he say earlier he was going down to the cafe?” Sharna said, stepping towards Emma to keep her from moving further into the room.

“He did,” Emma said in a curious tone. “But I looked at the sign outside the cafe this morning and it said they close earlier on Sundays. They close at ten and it’s already after eleven.”

Sharna tried to shrug nonchalantly. “Well, maybe he’s with Gleb and Artem. Or with Laurie.”

“Also,” Emma went on, taking a step forward, her voice a little louder now and a definite smile forming on her lips. “Val told us he was going down to the cafe after you had already left. How did you know that’s where he was going?”

“He texted me,” Sharna lied quickly. “To tell me where he was in case I came back.”

“Oh. Okay. Well, that makes sense.” Emma nodded then looked as though she was finally about to leave. But then she spoke again. “Except that Val didn’t have his phone with him.” Sharna could have sworn her heart stopped and Emma’s smile widened. “He told us to tell you where he was if you came back because he left his phone in Laurie’s room this morning. And I know he didn’t go back to get it because she’s been asleep for hours now.”

Sharna had no response to this. Her heart was pounding and she watched as Emma’s eyes moved slowly around the room.

“Did Val’s jeans get mixed up with yours, too?” she asked quietly.

“Shit,” Sharna said under her breath.

“Hi, Val!” Emma called gleefully into the room.

There was silence for a moment. Then they heard Val’s muffled voice from the floor behind the bed.

“Hi, Emma,” he said with a groan.

“Well, well, well.” Sharna dropped her head into her hands as Emma laughed. “Why don’t you make yourself decent and come out here. I’m going to give you two so much crap for this! Who else knows?”

“No one!” Sharna said desperately. She turned around and saw Val standing up and wrapping the sheet carefully around himself.

“And we’re hoping to keep it that way,” he said. “It’s probably better like that.”

“So, this isn’t the first time? What?” Emma added. “I think I deserve to know that after walking in on this!” She gestured at Val, who was blushing.

“No,” Val told her after a quick glance at Sharna.

Emma shook her head. “Of course it’s not. So, you’re together?”

“Also, no,” Sharna muttered when Val didn’t speak.

“Ah. I see.” Emma finally stepped back toward the door. “Well, now that you’ve confirmed my suspicions, I’ll let you, you know… Carry on. And I’ll go make myself comfortable somewhere else for the rest of the night.”

“Emma?” Sharna began cautiously.

“Your secret’s safe with me,” Emma said immediately. “Don’t worry. Have fun.” She winked at them, then disappeared back into the hall.

Sharna turned back to Val.

“You didn’t even check the closing time of the cafe,” she said in a mock accusatory voice, shaking her head. “What an amateur move.”

“Yeah,” Val said, running his fingers through his hair. “I fucked that one up pretty good, didn’t I?”

“You did,” Sharna agreed moving toward him. “But I might forgive you. What was it she said? Have fun? Carry on?” She unbuttoned his shirt she was wearing and smiled at him. “Think you can handle that?”

[dwtspd]

DWTS season 24 Week 4: Most Memorable Year

Interesting opening montage with the chest like a kind of time capsule. Also, a lot of baby photos - either the celebs when they were kids or celebs with their kids.

I felt lik,e because of the nature of tonight the judges were scared to give criticism. More so this season.

Normani and Val - Rumba Normani’s year is when she got into the group Fifth Harmony. They didn’t elaborate much on how the group was formed, maybe to avoid addressing that one member left this year. I thought this dance was not bad. He arms were a bit stiff and could be more fluid esp with the port de bras (idk what they are called in ballroom terms but basically when you draw an arc with your arms in front or over you head). Didn’t see a lot of hip action, but she didn’t do that many moves that called for it. Her feet might have popped off the floor during the spin. Why is the short girl in 5H crying? It wasn’t a sob story MMY performance. Anyway I think she danced to a 5H song but I’m not sure because I don’t listen to their group. 8-7-8-9 T32

Nick and Peta - Rumba of course Nick’s year is the year he “found love” on the Bachelor and of course his dance is a rumba. I figured Shape of You would be used on the season sooner or later but this was such a waste of the song! I always imagine some hot latin number to it. Nick’s walks were decent and I saw him trying to make his hips move. They move better on one side. And to quote Bruno, he “definitely connected” - to his Bachelor fiancee Vanessa. CAI says he will let Nick off for lifting Vanessa at the end because IT’S LOVE or whatever. This had more content than Normani. 8-7-8-7 T30

Nancy and Artem - Foxtrot Wow! This was such a nice dance! It was smooth and fluid and Nancy has such great lines! I also like the simple but picturesque staging - nice touch with the lights shining through the prop tree. I think Nancy will also touch the audience because her story was not just emotional, but also quite unique in terms of Most memorable stories we have had on the show - the struggles of miscarriage. And her lilac dress is so pretty! 8-9-8-8 T33 Really CAI and Julianne? You’re going to give her the same scores as Nick? I think 33 is a fair score for Nancy but it is underscored compared to other contestants.

Mr T and Kym - Waltz Oh my the stage design in amazing! Mr T spoke about fighting cancer and finding his faith. The dance, as it is for older male contestants, is simple. I do notice Mr T seems to be more and more comfortable performing each week. He doesn’t seem to be too in his head as much. The british voice hiccupped haha. 7-7-7-7 T28

Heather and Alan - Cha cha Sorry Glee fans but Heather is all about her kid. Also - whoever she hired to take her wedding photos has some good Lightroom presets. I like the little bit with the house, it was like straight out of a rom com. So acc Julianne Alan choreographed this - good job then Alan! Looks like Maks has been napping with his baby (as he should be). There was quite a lot of cha cha content. Not sure I’m a fan of the pants. This song is overused on DWTS but it is nice to dance to. Btw, thank you to Heather’s husband for making Tom able to say this - “this is the first time in a decade I’ve heard someone mention MySpace.” 8-9-9-9 T35

David and Lindsay - “Viennese Waltz”  I put the style in inverted commas because once again DWTS plonks a quadruple time song for a style that requires triple-time music. I think that kinda accounted for the bumpy comments from the judges. Ugh. That starry background was beautiful though. David’s year is last year when he won the World’s Series with the Chicago Cubs on a great game, right before retirement. I have no idea what Len was saying but David seems happy. Apparently his dance was played live at a delayed Cubs game and Erin is real calm about her worlds colliding. 7-8-8-8 T31 I find the 7 from CAI low. This might not have been David’s best dance but it was still better than Mr T and definitely not lower than Nick!

Rashad and Emma - Contemporary So I was totally expecting to have to write something like “Rashad you are great but that dance was...meh...not entirely your fault though DWTS contemps are always bland.” But wow! That was probably the best contemporary done by a male contestant. And it was also really well choreographed! This dance was about Rashad’s emotional journey in relating to his father. Apart from not pointing his feet (can’t be helped for most contestants), Rashad had such great quality of movement. There was one contraction at the beginning that was just...wow. He connected all his movements. Everyone is clapping and crying. 10-9-10-10 T39 Definitely deserved.

Erika and Gleb - Cha cha I felt like this could have been Erika’s breakout dance but it felt like she was holding back a little. She didn’t feel fully IN the dance. It was still a decent good dance, but Erika is at a disadvantage this week because Madonna song is the only thing going for her - her story about finding her way in the entertainment industry is not as compelling as many other dances this week. 8-7-7-8 T30

Ginger Zee is no longer relevant.

Simone and Sasha - Viennese Waltz Oh hail muscle memory! It’s true though, if you practice a routine enough, muscle memory really helps you get through the motions. That dance was...like a river. it just kept flowing. Simone will also definitely stick in viewer’s minds with her story about growing up and getting adopted. It’s certainly not what people would have expected (ie winning 5 medals at the Olympics) 9-9-9-9 T36

Bonner and Sharna - Foxtrot Yikes I did not need that shot of STAPLES BEING PULLED OUT OF BONNER’S NECK. Also, bullriding is f*cking scary. And all those camera angles of Bonner lying on the ground unmoving??? Gave me chills. Btw, Bonner looks good in the slouch hat than a cowboy hat for a change. I’ve figured out Bonner’s biggest problem - he doesn’t seem entirely enotionally present in his dances. He has his dazed look on his face, like he is just daydreaming up the whole thing. Definitely his best handling of the choreography so far. Also, who played shadow Bonner? And lastly, cowboy hat + suit = a look. 8-8-8-8 T32

Alright. All stories must come to the end. Our couple is jeopardy are Mr T and Kym and Erika and Gleb. I really couldn’t make the call. In the end, Mr T is announced to be leaving us (shame, he would make a great Toy Story soldier). He leaves in high spirits though.

Next week is Disney night! Dances will either be really good or really overscored. Do look out for crazy staging and insane costumes - god knows we need some to compensate for the lack of Krazy Kostume King Mark Ballas.

[torentialtribute]

Newcastle sensation Sean Longstaff on his rapid rise

Sean Longstaff is revisiting the moment he with Newcastle United 's academy coaches to discuss his first professional contract. Except, there was no professional contract. They did not think he was good enough.

That was less than three years ago. Today, the 21-year-old is one of the most talked about young footballers in the country and is being touted for England.

He will learn this week if he has the likes of Paul Pogba and Sergio Aguero to the February Player of the Month prize, but he will also discover the extent of the knee injury at West Ham on Saturday

     Sean Longstaff has excelled just claiming his place in Rafa Benitez's Newcastle United side

     Today, the 21-year-old is one of the most talked about young footballers in the country

     Longstaff will visit a specialist on Wednesday after picking up a knee injury against West Ham

He will visit a specialist on Wednesday and there remains hope days as opposed to weeks

If it is the latter, he will cope. Setbacks have served as motivation before.

'I remember the Under-23s coaches saying, "You're not one of the top players, we're just going to give you a scholarship," says the midfielder. , who joined his hometown club aged seven.

'I was 18, I wanted to be a first-year pro. I had an opinion of myself but theirs was different. It was not nice to hear, it pays you a bit.

'It was not about the money. Saying that, I went on loan to Kilmarnock at £ 300 a week – after tax and stuff I literally had nothing left.

'But it motivated me. I would like to go back and say to those coaches, "You're wrong, I'll be the one who kicks on and makes it." "Only I could change that opinion."

Longstaff has certainly done that. As for opinion of him now, Alan Shearer and Gary Lineker are tweeting praise on a weekly basis.

'I was in shock when they first did that, I did not know how to respond, it was crazy, 'he says.

Crazy is one word to describe Longstaff's emergence. He spent last season on loan at League One Blackpool and only his Premier League debut as a substitute at Liverpool on Boxing Day. Were it not for injuries to senior team mates, he would be back out on loan now

Instead, he has started the last 11 matches – scoring twice – a run in which four straight home victories have saved Newcastle's season, and that is why Rafa Benitez is desperate for good news on his injury.

                        The midfielder made his debut on Boxing Day when he found a substitute at Anfield

     Two years ago, while on loan at Scottish side Kilmarnock, he was just £ 300 a week

One of those, a 2-1 win over Manchester City, saw Pep Guardiola applaud Longstaff after he outwitted both Fernandinho and Kevin De Bruyne

Life, he agrees, has changed beyond the space of just two months.

'I have not changed, I'm still the same lad who lives at home with my mom, brother and sister, 'he says, younger sibling Matthew also on the books at Newcastle.

' But yeah, other things have changed. It's all a bit strange, I was not expecting this. The other morning I was leaving the house and the shopping was getting delivered. The Sainsbury's delivery guy was like, "Are you …?". So we got a selfie.

'I could not help him with the bags though, I was already late for training!'

If Longstaff has his duties aback by his sudden arrival on the big stage – he was never a player trumpeted for greatness – then it's the question: how has he been so good?

'I do not know!' he laughs, somewhat embarrassed. 'I think going to a higher level has me, being around better players.

' I went in with an open mindset and perhaps a bit of naivety, which is not a bad thing. I think, "You've always dreamed of being here, you might as well get it down." I think that has given me freedom. "

A genuine question: his preferred foot?

'My right, but both feel natural. It started when I was 13. I realized, "I'm not going to fit five payers and score", so for me it was about having something different, and being two-footed was it. I pride myself on that now. "

Longstaff has won comparison to Michael Carrick and plays as far as everyone else sees in slow motion, so much time does he have on the ball.

That's just the way I look, I'm a laid-back person. As much as it might look easy, in my head, believe me, it's going a million miles an hour! '

     Pep Guardiola applauded Longstaff after he outwitted Manchester City at the end of January

Longstaff's head was in a spin when Benitez told him he was going on at Anfield. His dad David, the former Great Britain ice hockey star, was in the way and he was so emotional was he when fans greeted his son's introduction with a chorus of, 'Sean Longstaff, he's one of our own

It was a bit too much for the young man on the touchline

'It was weird, this moment you've imagined all your life, and all you' re thinking is, "I hope I do not fall over!". It's something you do everyday, literally run in a straight line. I even tied my shorts ridiculously tight because I did not want them fall down.

'The staff were passing on messages, which went into one ear and straight out the other. I ran on and thought, "I need to tell someone something, but I do not know who and I do not know what!".

Then he heard the song.

"I've been chanting about Newcastle players in the crowd myself. You then think, "Hold on, this one's about me". I just stopped and looked around, "Wow, this is unbelievable". I went numb. It gives you chills. "

Very few diners at the Miller & Carter steakhouse on Newcastle's Mosley Street last October." "They brought a big cake out …"

'They brought a big cake out … it was the last thing I wanted, "says Longstaff, remembering his 21st celebrations with his family. "I hate being the center of attention."

He best get used to it. The good news for Newcastle fans is that we have no desire to move on.

'If someone had told me when I was 10 you had to do that, I would have quit football! That's about the furthest from my comfort zone I can be. "

What did he sing?

     Longstaff was speaking to Sportsmail's Craig Hope about his rapid rise at St James' Park

     He scored his first goal at home in the Premier League against Burnley in February

'Love Yourself by Justin Bieber … I know. I'm just thankful it's done, I'm never changing clubs now. "

Where Longstaff is more at ease, it would seem, is at home in North Shields. Rather than hit the town, it was there that he returned after his man-of-the-match performance against City, 'all of us watching and talking up' before retiring to his bedroom, 'still wide awake', to play on his Xbox.

'My mom still tells me to get it off,' he smiles. 'But the lads say as much as possible, especially if my moms doing all the cooking and cleaning.

' I love having my brother there as well. We help each other so much with our football. There are rows, and that can wind the dog up a bit, but it's a fun house to be in. '

Home could well have been Sweden for the Longstaffs. They moved to Stockholm for a year when David signed for Djurgardens, the country's biggest team.

'Me and Matty would probably be playing ice hockey if we'd stayed. Even after that, we were tempted to follow Dad. When we watched him we thought it was amazing, and that's all we knew.

'But Dad was great, he saw we were better at football and pushed us towards that – it was the right decision!'

     Sean's father – David – was an international ice hockey player for Great Britain

David, now player coach or Whitley Warriors, is an imposing character, a thickset frame in contrast to the wiry build of his eldest son. That is perhaps why the boys were not too worried when their dad got into one of those infamous on-ice fights.

'You do not want to beat him up … but he's a pretty big bloke, I knew he could handle himself. "

Longstaff not only has a sporting dad with more than 100 international caps to lean on, he also has 'Uncle Alan', the former Newcastle, Celtic and England midfielder Alan Thompson.

So what a piece of Thompson's advice does he value most?

'Pass forward,' says Longstaff. It is a fascinating insight and explains what it is about.

'He says it's easy to come in and pass sideways or backwards. He's always told me that I'm good enough to play at this level. He tells me to be good. I rely on him a lot. "

While Longstaff looks up to Uncle Alan – his dad's cousin – he's discovering what it's like to be a role model himself, especially for his 18-year-old brother, who is played alongside the Under-23s this season.

     Longstaff's father is cousins ​​with the former Celtic and Bolton midfielder Alan Thompson

'I want to show him that it's possible, that if you keep working you deserve. I think he's a great player. He's similar to me, he has more tackles and gets around, he's easy to play with.

'It makes you proud. I would love for him to go further than me in his career. "

It sounds like a future midfield pairing.

'I agree! It worked in the 23s and he could definitely break through. That would be the ultimate dream. "

We have delayed talk of England. But be it the Under-21s or seniors, a call-up will arrive at some point.

'If it happens then great, it will not affect me if it does not. I've never been with England so I am used to not being involved.

'My age group is strong, they won the World Cup in 2017, so it's strange seeing my name linked. I suppose it shows the progress I've made. "

Longstaff has come a long way since being told he was not good enough.

     Longstaff has been keeping the likes of Jonjo Shelvey out of the starting line-up at Newcastle

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[youspoketome]

My Favorite Albums of 2018

I tried something new this year. All year long, every time I bought a new album I added it to a note on my phone as a list so that I could adjust the order as needed. Some things settled into their order quickly, but a couple spots went down to the wire. Embarrassingly, I was just looking at my 2015 list and six albums on that list were the previous albums by six of the bands on this list, and one was a solo album by the singer of a seventh band listed here. I'm not quite sure what that means in the grand scheme of things. And that seems like a long enough introduction, so here we go!

Murder By Death - THE OTHER SHORE

Honestly, I thought Murder By Death was finished having albums on top of my best of lists. I had been so disappointed in GOOD MORNING, MAGPIE. That album had like two good songs, but the rest was at best forgettable filler and at worst sounded like a parody of themselves. The two albums since then had definitely been better, but still not at the levels of their earlier albums. Enter THE OTHER SHORE: an incredible return to the long form concept album following a story of love and dying planets in a western in space. It's full of catchy hooks without ever being clichè, small character moments and big, world-ending finishes. Best of all, it's got ripping 2-minute long cello solos. This is peak Murder By Death right here.

mewithoutYou - [UNTITLED]

mewithoutYou is another band I've loved for years, but thought was coming off of a weaker album. I enjoyed PALE HORSES (it made my top ten list the year it came out), but it didn't have anything that really grabbed me and made it a necessary part of the mwY canon. [UNTITLED] immediately feels important. It's not the most easily accessable album, but when have mewithoutYou ever been accessable? This is an album that has layers that you can appreciate as you dig down to them on further listens. Over the years mwY's sound has evolved from the heavier hollerin' of [A->B] LIFE and CATCH FOR US THE FOXES to the completely clean and folky IT'S ALL CRAZY... and back again. [UNTITLED] really blends things together by taking the heaviness from early albums and adding them in for flavor rather than building the songs around them, giving the songs depth and intensity. For my money, it's their best album since BROTHER, SISTER. Still waiting on that album/EP collector's edition to ship though, so no pictures.

Gregory Alan Isakov - EVENING MACHINES

I've enjoyed Gregory Alan Isakov's previous albums of folky songs fit for sitting on the front porch at your farm while reading an old book, but whenever I'd see him live my favorite song was always the non-album track "Liars" and I'd always wish he'd record it. That song seemed darker than anything else he'd written and had this slow build to an epic climax that almost gave you chills. He finally did record it on his studio album with the Colorado Symphony in 2016 and then he followed that up with his most eclectic album yet. From the soft and haunting opener "Berth," all the way to the end, EVENING MACHINES expands on what Isakov is willing to do, keeping that same welcoming, mellow feel, but getting there in new ways and with new instruments. "Caves" captures that darkness "Liars" had in a way that is wholly satisfying to me. It feels like he wrote the album I didn't even realize I had been wanting him to write all along.

Emery - EVE

I've always enjoyed Emery, but it wasn't until their last album YOU WERE NEVER ALONE when they broke the album down song by song on a behind the scenes podcast that I fully appreciated them as musicians. Unlike a lot of bands that came out at the same time in the same genre, Emery is a band with multiple members who have actually studied how music works and can point out and name every single time signature and key change in every song. Now with EVE, I've been able to listen to the little details, noticing and appreciating the attention they give to every little part of each song. The way they don't add the screamed vocal at this part of the song because that seems to obvious, so they save it for when it'll be more striking. How they add the harmonies and layer the vocals. Some bands with that kind of background forget how to write a catchy song or what makes a song enjoyable to listen to, but Emery has this ability to perfectly blend this crazy musicianship with honest, straight from the gut songwriting. The end result is an album full of fantastic songs with awesome little parts and details that make it special and stand out.

Thrice - PALMS

For me (and a lot of people, I think) Thrice and Thursday have always been kind of linked. I discovered them at the same time, both on their second albums. They were post-hardcore bands, similar enough sounding to compare to each other and they both started experimenting with their sound on their fourth albums. Then they both announced they were breaking up within a day of each other. The weird thing is when I first discovered them, I preferred Thursday hands down. Then they both released their third albums and cemented my opinions of them, so much so that I decided not to buy Thrice's fourth album when it came out. Man, that was a huge mistake. That fourth album, VHEISSU was the album when Thrice hit their stride, expanding and exploring their sound with each release since then. Each of their post-reunion albums have continued this trend and PALMS might be their best full album yet.

Frank Turner - BE MORE KIND

To be honest, I'm surprised this album is this far down. If you had me rank my expected best albums of the year list at the beginning of the year, Frank Turner with have been number one with a bullet. But BE MORE KIND was not the album I was expecting, and I was a little let down by it. That I'm saying that my number 6 album of the year was a bit of a let down should tell you how highly I think of Frank Turner. It starts off strong with the mellow opener of "Don't Worry" followed by a full on banger in "1933." But the third track "Little Changes" just didn't hit for me. It seemed like Frank Turner dumbed down for the masses. And it's not that it's too poppy; I enjoy myself a good pop song. It's just that the songwriting seems so simple. There are a number of really good songs throughout the rest of the album (like "Blackout"), but the overarching feel for me is that it's too simplistic, there's no depth to any of the songwriting. All that said, it's hard to rag too much on it because how can you bash an album that's sole message is to be kind and positive and to treat other people decently? Maybe it's that message that made him lose his teeth. In summation, I like Frank Turner a lot, even when he's disappointing me.

Smoking Popes - INTO THE AGONY

INTO THE AGONY is the Smoking Popes first album in seven years. They were putting out albums more frequently than that while they were broken up! After being broken up from 1999-2005, the Popes returned with STAY DOWN, which was not the strongest album to come back on. It was mostly a downer and ended up being completely forgettable for me. This time, upon returning from a seven year album cycle with new album they've knocked it out of the park. It's upbeat and catchy, it's slow and meaningful, it features Josh Caterer's soaring vocals, and it's another fantastic entry into the catalog.

Death Cab For Cutie - THANK YOU FOR TODAY

I think Death Cab's existence as a band is better broken up into stages. You've got the pre-TRANSATLANTICISM era, the TRANS/PLANS era, NARROW/CODES, and now KINTSUGI/THANK YOU. TRANS/PLANS is my favorite era. It's where I discovered Death Cab, it's where I spend the most time with them, it's just the best. But after a bit of a dip there for a couple albums (not saying they were bad, it was just a dip), I felt like KINTSUGI was a step back up, and now THANK YOU FOR TODAY continues in the same vein. It's a more electronic/synthy sound than previous eras, which sets it apart from their highest peaks, so you're not just constantly comparing it to something they'll probably never reattain. I really enjoy where this era is taking them.

Alkaline Trio - IS THIS THING CURSED?

This past summer I decided to give Alkaline Trio's AGONY & IRONY a listen for the first time in I don't know how long. Everyone agrees Alkaline Trio used to be good and then got less good, and I agree, but that specific album was for me the low point, mostly because of "Love Love Kiss Kiss." But then this weird thing happened: I really enjoyed it. Even that song, which is still doofy, wasn't as bad as I remembered. I was so bummed out about it at the time, but that album has some really good songs on it. Even at their lowest point, I still really like Alkaline Trio. IS THIS THING CURSED? is a new Alkaline Trio album. It's got Matt songs, it's got Dan songs, it's got one Dan song that kind of too doofy (Little Help?), it strangely has multiple song titles that end in question marks, and it has an acoustic closer featuring Matt's scratchy-voiced wailing. This is another solid Alkaline Trio album.

The Decemberists - I'LL BE YOUR GIRL

Every year at the same time, all of the baseball websites post their top prospects lists, where they rank the upcoming minor league players in all of baseball or on each team individually, so people can get excited about the next wave of baseball All-Stars. In almost all of these lists you've got your top five or six guys who are clearly the best players in that team's minor league system in that order, but then at about number seven they kind of become interchangeable for a while. You could switch prospect #8 with #12 and no one would cause too much of a ruckus because they're all pretty similar at that point. We've reached that point in my best albums list (really, we reached that point with Alkaline Trio). These final couple spots could have also gone to 6666 by Four Fists, 9 by Saves The Day, KIDS SEE GHOSTS, or if I was in the right mood, even the new MXPX or the Matthew Thiessen solo album. What pushed I'LL BE YOUR GIRL across the line was (a) my wife's incredulousness at my mentioning it might not make the cut and (b) the fact that "Once In My Life" and "Everything Is Awful" have full-on been our anthem songs this past month. This is the Decemberists doing what they do. Folky songs about sea monsters, horse gallop rhythms, and cowboy sing-alongs. Throw in some synth lines to keep things fresh and baby, you've got a stew going.