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#might change her design later on but its her
the-blossica-fan · 2 days
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Blossica and A Nightmare At Green Lake
An analysis made by THE Blossica fan
Why do I love Blossica? Why is it so important for A Nightmare At Green Lake? Would the story be the same without it?
In this long rant I call "Analysis", I will tell you my thoughts, the reasons and MY opinion on this ship and its importance to the entire event.
It can not be yours, and I'll gladly listen to your thoughts and reasons, but here's why it is so important and the story wouldn't be the same without it.
It has been edited, there might be some more changes if I see any inconsistencies.
Let's start by what most people call this ship, Childhood friends to lovers. I've seen a lot of people call it that, and while it's not wrong, it's also not right.
The better term Is "Childhood crush", as Blonney (Jennifer) is Jessica's childhood crush.
Must take into account that Blonney never knew of Jessica's existence, the OG Jessica was Blonney's imaginary friend, Changeling/Jessica just happened to hear it and thought it was Blonney giving her a name.
Why childhood crush? Well, it's pretty easy to know that Jessica's infatuation that persisted through the years is far more than just friendship. From things like reviving all the stories she told, retelling them and even exhausting them for everyone else.
It's also not a secret that she has probably been looking for someone to replace Blonney's space in her heart, which is why no one has ever seen as interesting in her eyes.
In Vertin's words "What happened to those people that accepted to stay with you? When you ran out of available games, they were no longer adored by you. I can stay longer than them, but with no exceptions. I'll become boring one day." These words are a hint to something.
No one can replace Blonney's place in Jessica's heart.
And, what about Blonney?
Blonney is definitely a lesbian, but this is no headcanon, in fact, I'd argue this is definitely canon. From design hints like those hair clips (this is Bluepoch, they pay heavy detail to their models, this is definitely not a coincidence), to even more hidden hints in her stories.
Since a child, Blonney has been writing in her diary stories, but you know what's interesting? Blonney describes the women as beautiful, like in the story about the dead bride.
A bride that looks for other happy brides? Mmm, doesn't it sound weird?
Blonney also describes Anne/Anna in extra detail, as if she had some sort of fixation with her. Let's remember that this description of characters is not only a script, but Blonney's own thoughts written on paper. When she criticizes herself, saying she'll pay for her doings one day, it feels crude and out of place because that is what she thinks about herself: That she'll pay for being a liar and mean (an arcanist and a lesbian)
The event itself also tells us enough for it to not be speculation, but absolutely straight up in your face.
Blonney's denial of her arcanist self (she punched Jason and yelled that she was not an arcanist, for those with internalized homophobia, this is a common reaction. Anger), the iconic couch scene and later on, her discussion with Jessica.
"How many times do I have to tell you how much I hate being called an arcanist", this is similar to a reaction I had before, denial and anger. In this case, and during the entire event, "arcanist" is used as an allegory.
For fuck's sake, Blonney was CUDDLING with Anne right BEFORE the iconic couch scene. Jessica/Anne is the one that made Blonney start to accept that side of herself, alongside with Tooth fairy's guidance; a professional lesbian.
"You seem to really like me. You would jump off a car to rescue me, you protect me, praise me. You would even be happy because I was happy." "Because I've never seen anyone as pretty as you are. You're special, you're different to the rest of us"
Oh God do you see that? This is flirting.
And while some might say Jessica doesn't know what romance and what liking romantically means, I'd argue otherwise.
Jessica does know what romance is
Let me tell you quickly. Jessica said in "The nightmare of green lake", she has met a couple of people who have different relationships with each other. She has even interacted with them, as in, she HAS talked to them. She has 6 people (excluding Michael, Jason and Freddy) in a cave, she knows some stuff.
When she says "I like you", she knows what she means. Her desperation to get Blonney to stay is not only because she doesn't want to be alone, but because she wants Blonney and ONLY Blonney to stay.
It's possible she's not sure she's in love, but she knows her feelings go far more deep than just a normal friendship. Plus, she has lived with Blonney's childhood stories, and those horror stories do have romance (The pathetic bride includes romance, Jessica is the one behind the pathetic bride, she knows). She's not oblivious nor stupid, she's just inexperienced. She knows she likes Blonney more than a common friend (based on how she treats others), and I think she would never like anyone that's not Blonney.
And what about their relationship?
People think they're master and pet, owner and pet, and I don't think they realize how deep that goes. Blonney is definitely in need of a person like Jessica, who fully supports her and her unique ideas. Jessica loves Blonney unconditionally, there's no reason to not think so. Their relationship is perfectly healthy, Jessica loves being adored and treated as a pet by Blonney, and Blonney is happy to see her happy.
That line of dialogue about a collar, despite how sexual it might be, is made out of innocence. They're not just master and pet, they're girlfriends and, don't we all have weird relationships with each other? They're happy, they're good for each other and are what the other needs.
So... What's their importance to the event? Are they really that important?
Yes.
The event wouldn't exist without that crush and romance. If Jessica didn't think romantically of Blonney, the event would be different, she wouldn't try hard enough to just keep Blonney and much less plan to get rid of everyone around Blonney so it's just the two of them.
If Blonney wasn't in denial of her homosexuality (and arcanum?), the event wouldn't be about accepting yourself as you are, it wouldn't be a story about coming out and the morals wouldn't be as impactful.
It would be a lackluster event.
Their relationship with each other is of heavy importance because it's that crush and denial that make up the entire story. The horror is just a side dish, the murderer and all of it, because this is not a horror story.
It's a love story
"I don't care whether my parents allow it or not!"
"I will quickly reveal this true look of mine, and everyone will look at me as if I've done something wrong"
Huh? Are we still talking about arcanists?
These lines are out of place for a 'friendship', or a discussion about staying or not. This is romantic, and especially in the homosexual way.
This true "look" of mine, doesn't it mean love? People do look at same-sex couples as if they've done something wrong, and while Jessica is talking about her changing abilities, we all knows this is about her crush on Blonney and how society would look at her wrongly.
Because, if she truly didn't know about her crush on Blonney which is the basic of all; everyone knows about crushes and romance, then how would she know people would look at her wrongly?
"I don't care whether my parents allow this or not"? Is a line said in ROMANCE. All romance stories with a 'secret romance' have this sort of line, whether straight or gay, this is a basic must-have in this sort of relationships.
She's not only talking about Jessica's changing abilities and arcanum, she's talking about her own blossoming love.
Especially when Jessica asks if Blonney liked her story, she's seeking approval and a hint Blonney will stay by her side, this is a confession. Which is why she gets so down when she gets a "yes, I like it very much". That's not a yes, it's a dismissal, a 'not so important' thing. This is a rejection of her feelings, even if on accident.
And, why does Vertin intervene? Why does she have the talk to Jessica about staying?
Because Vertin more than anyone knows what it's like to let go of a lover, she knows about not being able to confess in time and she knows that if she doesn't intervene, this will be like her and Schneider all over again. Regrets. She's being supportive, she's trying to do what she couldn't do. She's playing cupid.
A place where no one would judge Jessica for her looks, also known as the homosexual suitcase. We all know that no one in Reverse is straight, or at least, 99% aren't. We all know no one would bat an eye if a deer girl was kissing an 80's horror movie girl in the middle of the wilderness.
This is the perfect place for both, Blonney and Jessica, a place where they can be together while not being judged.
And what about Horropedia, Sonetto and Tooth Fairy? What part do they play in this Horror story?
Oh, they're very important as well. In fact, all of them are.
Horropedia, despite interrupting the girls RIGHT BEFORE KISSING, is the reason they're there. Without him, this would be a psychological horror story. And Blonney and him are the wlw and mlm hostility, they're so hating on each other but they do care. Sonetto has helped Blonney in silent ways, not only by helping her become more herself and supporting her fully, something she needed, but she's also an example of someone who's tied down. They've become good friends because they both used to be in similar situations mentally and emotionally.
But out of the two, Tooth Fairy is definitely the most important. She has gone through the same experiences as Blonney. Arcanist living in human society and a lesbian. She knows what Blonney is going through so she's helping, in her own way. She's the one who makes Blonney start to accept herself, to accept the fact that she is the only one Jessica wants and the one who understands her the most. Blonney softens because of both, Jessica and Tooth Fairy.
Tooth Fairy was the key to Blonney's acceptance, and it's because of her talk to Tooth Fairy that Blonney treats Anne better, that she's willing to share more of herself, that she's more physical. It's not a coincidence that after slowly accepting the fact she's an arcanist (lesbian) that she gets more flirty and physical with Anne/Jessica.
This entire event was a way to talk about coming out, and I've watched this event so many times I wrote this out of memory. It feels this way because it's INTENDED to be that way. It's real, it's crude. It's so direct because that's what it is.
A coming out story, a horror story
A love story
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flutteredvoid · 1 year
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the protector of the cosmos
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Lesson 1: "White Man Painted Black"?
Okay, I recognize that this is a strong foot to step off on! But! If you learn nothing else from this series, if you decide for whatever reason to forsake me: this is the ONE perspective I'd like you to take away!
You may have heard this quote before, when Black fans deride a character design as 'a white man with the brown bucket tool'. On its face, it means exactly what was said. But specifically, what it means is that we recognize that whomever designed the character drew the way they normally draw for a 'default' character in their mind- default usually meaning White/Eurocentric features- and they added a shade of brown within the line art to make that character now 'Black'.
Now if you're feeling defensive, wait just a moment! This discomfort is not inherently a bad thing!
I'm going to use both a 'real world' example first, to show you what your Black fans and peers are seeing, and perhaps you will also understand our discomfort!
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(if anyone was curious, my folder for this lesson is titled 'brad' lmao and you'll see why)
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(I'll have y'all know that I actually worked very hard to make Blackface Brad look mildly presentable lmao I'm sorry, I'm wheezing, I can hardly breathe looking at him 🤣)
You see how, despite knowing where this was going, and using one of the darkest shades of brown in my Skin Tones arsenal, you still know that that's Brad Pitt? That nothing about his hair texture, his lips, his nose, or really anything other than the palette change... changed? And you can still see that?
It's incredibly hurtful to be told that that's supposed to be you. You know it's not, you know why it's not, but rather than hearing how it makes you feel unseen and what they could do to be better (since they wanted to draw a Black character!), the artist lashes out at you.
And as an artist, you might have worked VERY HARD to do this! That might be a real handsome guy you drew!! But... is he really Black? Did you walk into it with the intention, that you were drawing a Black Character, or did you draw a character that just happened to be Black? It seems like a silly thing, but it matters!
Okay. I just finished laughing over Brad. Now let's get into some more perspective changes:
Now, imagine you drew a character. You want to make her Black, so you change the hair and skin colors. All right! You have your Black character... right?
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Changed ONE feature about her? (You should obviously change more than one feature, but let's just go with the simplified example.)
What if, instead of just changing her palette, we changed her:
Hair?
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There isn't nearly enough time in the world, let alone in this little scribble and blurb, for me to describe the IMPORTANCE of Black hair in Black character design. There are so many ways to do curls, afros, braids, twists, locs, SO MANY HAIRSTYLES!! Get used to searching in the 3C-4C hair textures!!!! I plan on doing an entire lesson or two on hair alone, but suffice it to say, Hair Texture is thee BIGGEST giveaway that you 'painted a white person Black'- from cartoon styles to realistic! It reveals itself in your writing as well- just based on how your character takes care of their hair, how your describe the texture, how other people might perceive it... it lets me know just how much research was done. Because we can have straight hair! But again, that's a conversation for a whole 'nother lesson so- come back later 👀?
Lips?
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I love our lips, I really do. There's a long history of shaming Black women in particular for the way our lips look. So when I see them done in all their glory, it makes me very happy. Two-toned lips vary in shade and intensity, so make sure you're using references if you want to be 'realistic', but it doesn't have to be that hard. Even a little subtle shift like this in the design/story description lets me know that a creator was thinking about me.
Nose?
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One thing I've noticed ever since I starting drawing is that... people in a lot of mangas/manhwas barely have noses! I admit, out of all the features on the face, the nose isn't the most important. I think they should be, especially when you want to emphasize that your characters look different! People have different types of noses! I especially want to gear this towards those with a goal of drawing realistic portraits and the like- there, the nose is ANOTHER dead giveaway. There are Black people with aquiline and straight noses- we aren't a monolith- but is that why you drew it? Consider why you went for that nose specifically. That's part of the intent, in all this!
Now, you might be looking at me and going "Ice... this is just character design". To which my answer is: Yes! It is! It feels so basic, and yet if you ask your Black friends/peers how often they've come across this feeling of not being properly drawn/written, from fanart to professionally produced works, it's unfortunately common despite how simple of a concept it is.
I hope that you can walk away from my first lil lesson with new eyes. Remember, it's the thought that counts, but the action that delivers!
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sizzleissues · 5 months
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Its May.
Okay so this is in the same AU I had last year its just changed and evolved while also being the exact same. Except now I have 15,000 words of it written, like 7,000 words of planning and lore and hours upon hours of research that I will be pointedly ignoring. Will be posting more stuff this month about the AU and my hopes and dreams for it
Also slight art improvement check? I’ll put their original mermaid designs below the cut.
It’s Marinette as a mermaid and … its not Adrien or Chat Noir but a third worse thing (Catwalker but in the purest manifestation of it being a curse and not who he wants to be) I will be making designs for mer!Ladybug, and mer!Adrien as its own thing later on.
Okay if you want to indulge me look below the cut
Old mermaid designs first. I am going to be talking about my design thoughts, thoughts and ramblings about this AU and what I’ve been up to. You have been warned
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As you can see, some things have changed but neither design I hated, I just wanted to go further with it.
My brain is quite specific about mermaids and how I want them to generally look. I wanted to distinguish biological merfolk from transformed humans by having them being anatomically different. So Adrien has a vertical tail instead which is also way faster underwater. His transformation is quite distressing for him and very chaotic. Of course when he accepts it he’s not so raggedy.
Marinette similarly avoids her life as a mermaid by becoming human and I wanted her mermaid design to hint toward her fascination with humans. She wears a top she fashioned from human fabric she found in a sunken merchant vessel. In general all other merfolk either forgo clothes or wear things fashioned from materials available to them. There’s deep fear of humans and human things so even though human clothes are available to them (off dead bodies but…. Whatever) they choose to difference themselves as much as possible. The same taboos don’t exist for them and their bodies are already adapted from the temperature of their environment. Adrien has stray bits of netting and seaweed on him because he’s not exactly the best at controlling his speed and often crash’s through fishing nets and patches of seaweed resulting in stuff being caught on him.
A lot of their designs are still being worked but I’ve definitely pushed them the right direction!
On to the AU. You might have seem me cryptically talk about something I’m writing the past few weeks. This is because it’s been in my brain since last May and been on and off writing it since then. I decided I’d talk about it once May came back around but and then when I finished writing it, start posting sneak peaks and more spoilery art until it was fully edited and I felt confident in it to post with an aim for it to finish posting once May rolled around again. Oh god.
It’s set in the late 1700s in a fictional version of France that’s actually fragmented over a bunch of islands. I have done more fashion research than I ever thought I’d do and in the end we will still be taking creative license but know I do know what they actually wore! I ALSO did a butt tonne of research about sailing ships and turns out they are super complicated and now I know too much and yet too little still about them. It should be super fun and action packed if I can manage. Have some really good scenes already in my head I know you’ll love. We’re already three ships battle deep and I’ve only written four chapters. (It chills out for a bit after that)
This is entirely self-indulgent by the way. I’m writing this for me, you guys are just a bonus. I literally don’t care as long as it satiates my rabid need for the fic that only lives in my brain at the moment. Saying that, I do want to put my best foot forward.
The next thing I will be posting for this is their human forms and more blabblerings about that. For I am insane and all.
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jellitchi · 7 months
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vat7k designs in my head...
i thought their canon designs were a eensy weensy bit Unpolished so i made these mostly for myself. erm if u rly want it i think varian is 19 here, hugo 19, nuru 18, yong 12.
i also made rhem all playlists and had to draw them a cover so thats what the last img is I linked each of em under my notes for all of em... Under the cut is Like a Huge Infodump of notes i have for each chara,,,,,,
i kept varians design basically the same, i dislike the design w the orange neck thing so i just Nuked it😭... Here's Varians playlist
Hugos design i just wanted to put him in something more Loose. hes a thief, a professional escape artist. i dont think wearing clunky metal is ideal for him. i also gave him a prosthetic arm (blond w no arm design trope!) but u cant see it in the ref so i added another drawing of him in his under layering👍 i vaguely referenced russian(?) clothes for him as well... Yeah not too much changed w him i just tried to make him slippery-er. Here's Hugo's playlist
yong came relatively easy to me, if it wasn't obvious i did rip gaming from g*nshin's hoodie. i thought the lion hood was Adorable and freaking perfect for what i had in mind for hos character. since the og notes said the fire kingdom is loosely Chinese inspired i basically just kept that. i mashed tgt a buncha diff dynasties though sorry for how inconsistent i was... i think he looks Okay. anyways i changed yongs role a bit, ill explain why im adjusting some of their roles later but i kept yong as the Jinx Type character. hes the eldest in his family and has a buncha younger siblings, hes a lion dancer and does performances w his family/siblings. he rly like special effects n keeps tryna incorporate his fireworks into their performances (it flops and he has to sew up the dmg) ill explain more of yongs role in another post maybe shrugs... Here's Yong's Playlist
miss nuru was a bit of a struggle for me i might share my full design process with her coz i did a Bunch of mockups for her😭😭😭... i didnt have a specific country of reference for her but i chose to make her vaguely south asian inspired. i also really wanted to keep the sheer fabric w the star / constellation map. i love that idea its so cute so shes still technically the navigator. but she also wields a sword too, fencing or whatever. (her and varian r Huge Cass fangirls which is probably why she started tryna use a sword (snuck out to watch cass compete) Okay ill talk abt this later) in my head, okay ill Probably make a whole nother post talking abt how im interpreting/writing each chara, but in my head i think nuru is the youngest and her kingdom's archivist. shes mostly in charge of like Her kingdoms history / artifacts / etc. ok im getting too side tracked ill save the lore dump for later but thats Nurus role in the party. Here's Nuru's Playlist
uhm below i made their character stats mostly to help me with planning / role developing. the yellow is their base stats the color behind is their end stats i guess. i was gonna explain my reasoning for their stats but ermm this post is kinda Really long so sorry😭... varian max int for obvious reasons, also max charisma just coz i feel like u kinda learn a thing or two being around a couple manipulators and spending time in jail idk shrugs... (also lets not forget the "ud b surprised what ppl would do for a cookie!") Hugo slippery guy, if a brick is thrown at him as hes running hes gonna try n run faster to shatter it, his mindset is Run Run Run! i think hes relatively agile too but yeah mostly a Speedster. i think he n varian got no Physical strength varian maybe just like A little coz Farm boy but I rly doubt quirin is making him do a Lotta heavy lifting. yong has incredible stamina and agility because hed a performer. nuru is the strongest coz this team would literally Flop without a proper Offense😭... i think varian n hugo r able to outwit plenty of their opponents but i think nuru is pretty good in a fight, same w yong. Yeah Okay Sorry for a Long Long Post thanks hope u guys enjoy
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halfway-house-in-hell · 7 months
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vaggie valtiel redesign!!
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(two alternate versions of her angelic weapon)
+ramblings under cut
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-valtiel is a fallen angel who fell from heaven around the 1950s. she was heaven-born and enlisted in the angelic "army" (the one that mainly focuses in killing demons) and was an active member she failed to kill a demon she had been assigned, resulting in the death of an angel, and she was kicked out and stripped of her angelic status(including wings and also eye i guess) (i dont really have too specific of a reason why she was kicked out might change it later but all that matters is she was forcibly exiled to hell).
-she managed to sneak an angelic weapon with her to hell before she was exiled (maybw there was a trial which gave her time to prepare?? im still figuring this shit out)
-initially she was extremely distrustful of the demons, and lied about being a sinner sent to hell as she did not want to attract attention to herself (being a fallen angel in hell will guarantee you a reputation) but she began to open up when she met charlie.
-she is very closed off and a very stubborn person. after falling from heaven she took an oath to become a pacifist, something she will inevitably have to break.
-her loyalty lies first and foremost in the hotel. despite being rejected by heaven she still believes that it is a better fate and that charlie's plan is ultimately helpful
-charlie is the only person she can really open up to. they just click. when they met valtiel was hostile towards charlie, but her optimism made valtiel realise that demons weren't inherently evil and gave her hope for the future
-charlie does not know valtiel is a fallen angel
-valtiel does not plan to tell her
-charlie finds out anyways
-it starts with valtiels spear that she is forced to use to protect charlie (maybe its like,, demons often try and kidnap or harm charlie as they wish to threaten lucifer/lilith and she is an easy target)
-"hey where did you get that angelic weapon v"
-"dont worry abt it kitten"
-"ok❤️ yay❤️ wanna cover it over so it doesnt draw attention to you"
-i dont know exactly how charlie finds out valtiel is a fallen angel but i will have it soon
-if im pretending this is an animated show jtst like the real version then comedy would come from how edgy valtiel is all of the time deviantart oc ass girl (affectionate)
-her design went through the most changes since i drew it up originally she had white shorts and no red ribbons (i had to add the red from her canon design back in bc the purple was too much. v*vsiepop redesign improved by adding the red back in ..... truly shocking)
- i really hope this is all readable
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natalievoncatte · 1 year
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There was something inherently unnerving in Superman staring at her, Lena decided. She could *feel* the weight of his gaze on her. If she hadn’t know better, she would have thought that he was trying to steal glances at her. Of course, there was the matter of Lois Lane and all that, and Lena was assuredly not his type. She was, after all, a Luthor.
But he kept staring.
Lena listened to the mission briefing, feeling a bit detached. Her work here was done; she’d worked out the math and it was up to Kara and her cousin to push the asteroid just so, to return it to its proper orbit and send it on its merry way.
It was routine, if two people with godlike powers pushing millions of tons of rock through space could be said to be normal.
There was only one problem.
Clark.
Kept.
Staring.
Lena looked away from him, then slipped out of the room, looking up at the sky. She could see the offending space rock just barely, and extended her arm, covering it with her thumb, one eye pinched shut.
“Hey.”
Kara was in the doorway, not quite emerging onto the balcony. She’d suited up in her space suit, a new design of Lena’s that outfitted her in a stark white with a glowing amber light behind the red-gold frame of her family crest. Lena was proud of her work. It carried a sufficient air supply and was shielded against radiation, just on the off chance they Kara met something up there that bypassed her immunities.
Kara had her helmet tucked under one arm and her hair up on a tight bun, and she looked absolutely dashing. Lena couldn’t help but grin like a big kid, as worried as she was.
“Hey.”
“Hey yourself,” said Lena. “You look good in that.”
“Of course I do, you made it,” said Kara.
She broke across the balcony in three quick strides, and from the way she canted her head, Lena thought it might finally happen. She might crack that last barrier and press her soft lips to Lena’s, stealing some luck to take with her, and stealing Lena’s breath away.
Kara had stolen her heart years ago.
She didn’t, though. Rather than a hug, she ducked down and brushed her forehead lightly against Lena’s, before quickly pulling back.
“Come right back,” said Lena.
“You know it,” said Kara. “Want me to bring you something from my trip?”
“Just come back safe.”
Kara grinned her cocky grin and offered Lena a little salute.
“It’s time,” Clark said, from the doorway. Lena hadn’t even noticed his presence.
He was staring at both of them, now. Lena turned away. The pair stepped back inside, Clark speaking to Kara in clipped, rapid Kryptonese. Lena couldn’t parse it quickly enough, but she made out something about scents.
The mission was not routine.
Lena’s work was perfect. The data was not. Lena white knuckled the railing in her hands as the asteroid drifted down, skimming the Earth’s atmosphere and carving out a channel of unbound flame.
Alex was frantically demanding a status update, but neither Kryptonian answered her. There was only static. Lena watched the control room monitors, and her hands felt as cold as the steel they grasped. She felt utterly numb, on the verge of screaming.
Then the speakers crackled. It was Kara.
“I’m sorry, Lena,” Kara rasped out. “I made a mess of your suit.”
They landed a few minutes later. Kara was the worse for wear, with some of the reinforced plating melted off on her left side. She spun a harrowing tale of struggling to correct the rock’s course, Clark nodding along silently beside her. Lena locked eyes with Kara and let out a slow, agonized breath. She was okay. She was okay this time.
She’d always be okay. Right up until she wasn’t.
After, when Kara had been pried out of her suit, with her cousin’s help, and changed into a hoodie and leggings, she attacked the buffet that was laid out for the two of them in the cafeteria. Shoving around celestial bodies in as hungry work.
When Lena turned and saw Superman staring at her again, she decided she’d had enough and squared up to him.
“Okay, farmboy. Out with it. Why do you keep staring at me?”
“I was waiting for Kara to say something,” he said, “but I guess she’s too shy or she’s worried about what I’ll think. It’s okay with me if you two are together. I don’t hold your name against you.”
Lena’s brain about leaked out of her ears.
“Together?”
“Of course. I noticed earlier that her heartbeat synchronizes to yours whenever you’re in the room, and of course she’s been scent marking you.”
“She’s been what?”
Clark shifted on his feet, either from her tone or her expression or both. He looked strangely young.
“Oh, uh, I see. Anyway I need to get going, long flight back to Metropolis.”
Lena barely noticed him leaving. She stood in the same spot far too long, staring at the refrigerator. She was still standing there when Kara came up alongside her.
“Hey.”
Of course, she was devastating. Kara was in black leggings and a threadbare hoodie that was actually Lena’s, and padding around the place barefoot. Her golden tresses spilled around her shoulders in loose waves, held back by her glasses. The dashing bravado was gone and she was soft, warm, equally lovely Kara again.
“You scared me up there,” said Lena.
“You kept me safe with your suit. You always do.”
Lena looked Kara in the eye. Kara had the most lovely eyes, a gorgeous deep blue that could be as heavy as winter storm or as light as a summer breeze
“I heard what Clark said.”
Lena swallowed, her throat suddenly dry.
“He caught me red handed,” Kara added.
Lena wondered if she should laugh it off, or make a joke. Kara smiled, pulling her gaze away in a slightly embarrassed way, her cheeks turning a rosy pink.
“Does Kryptonian scent marking mean what I’m guessing it means?”
“It, um, it does.”
“This is how humans do it,” Lena whispered, diving headlong into Kara’s space.
She ducked just a little, tilting her head back, and Kara read her intentions perfectly. Their lips came together, and their first kiss was quick and soft, a promise for later, when there would be only fairy lights and Kara’s couch and soft, eager explorations full of slow, desperate intensity.
For now, Kara simply took Lena’s hands in her own, and very gently nuzzled her nose against Lena’s, breath ticking her lips.
“Take me home, space cowgirl,” said Lena.
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tiktowafel · 3 months
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some 1b girl lineups so i can have all my little personal designs in one place :3 slightly inconsistent bc i drew them separately at first but fuck it we ball
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no clothes versions that i made for myself to use as templates (yknow so i can draw clothes on top of them without having to draw them over and over again) and showcase my general appearance headcanons
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how i think they like to wear their uniforms (looking at bakugo, UA seems pretty liberal about it so i get to have fun lol). obviously what they wear depends mostly on the weather but these are meant to be like,, their favorite combinations?
i really like the "long sleeve shirt with no blazer" look. kind of a shame no one in bnha seems to wear their uniform like this
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the most important part!! the costumes!! putting the notes under the cut bc they ended up kinda long
i like Reiko's canon costume a lot, i just decided to give her fingerless gloves and make her kimono long and tattered for the spooky vibes. i used to also draw it with a reversed (right over left) collar bc that's how they dress dead people and Reiko's meant to have this ghost aesthetic but decided against it this time because maybe it's more culturally inappropriate than i think?? idk its not that big of a visual change so i'd rather play it safe
Setsuna is wearing my own costume design that i explained fully in an older post. i still like it, i just gave her spike bands on her legs instead of the same thing she wears on her forearms bc i decided i dont vibe with the total limb symmetry anymore lol
i spent a ridiculous amount of time trying to think up a redesign for Kendo only to settle for her canon costume with extra bandages/cloth wraps (theyre cool) and ordinary combat boots instead of the ones she wears in canon (i just don't vibe with them). i guess sometimes less is more or whatever
Pony is wearing @doodlegraveyard's awesome redesign :) pastel cowgirl swag
Ibara's design is by m0chicakes, i still think its amazing
Yui's costume also takes a lot from doodlegraveyard's design, i just decided to try blue as her accessory color to distinguish her color palette from my Momo design
Kinoko's canon costume is just *chefs kiss* so the only thing i changed was the color of her shoes. her sleeves are short here bc i thought it could look cute for a summer version of her costume, the winter version keeps the long fluffy sleeves. her spray guns were pissing me off so i decided not to draw them but trust me they're here in spirit
i might post winter edits for some of these later :)
edit: posted in a reblog!!
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mauesartetc · 11 months
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Redesigning Helluva Beelzebub
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Hoo boy, roll up the sleeves for this one.
The Original
In my review of Helluva Boss 108, I mentioned that Beelzebub's character design put me in mind of how some DeviantArt kid's fursona might look. And... Yeah I stand by that statement. The most likely reason I can figure Viv Medrano wanted her to be dog-like was to make a reference to her Die Young music video, which featured an anthro wolf singing a Kesha song (for context, Kesha herself voiced Beelzebub and co-wrote a song for this episode).
But for those who are unaware, Beelzebub's traditional depiction looks nothing like this.
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Really the only visual similarities the Helluva version shares with the Infernal Dictionary version are the insect wings, six limbs, and the crown thingy over the head. (At least I think that's a crown-? Kinda hard to tell on both counts.)
Bee's eyes get somewhat more insectoid later in the episode, but that feels like a cop-out. Wow, her eyes and colors changed. Totally a bug demon, right?
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They had the same problem in Hazbin Hotel with Katie Killjoy, who's allegedly supposed to be a praying mantis but barely resembles one, even after her transformation.
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I understand the desire for fresh takes on old figures, and taking creative liberties so the new interpretation doesn't feel generic. But the changes should at least make sense. By now it's pretty clear Viv couldn't care less about representing Ars Goetia demons faithfully, as demonstrated with Paimon, Andrealphus, and now Beelzebub. You could slap completely different names on these characters and it wouldn't change a thing. I posted this meme a while back but it's never been more relevant:
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On top of that, what reason could there possibly be for the design to be this damn complex? Why did she need so many markings on her face? Why did she need so many layers of hair? Why did she need flowing goo for her hair, tail, and body, each requiring dedicated effects animation?
When it comes to a hand-drawn production, less is more. Any superfluous details on a character just make unnecessary work for the animators.
Anyway, here's what Viv has to say about it.
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Alright, I'll admit: The lava lamp bit is a little clever. Basically it works as a regular stomach does, but on demonic steroids. But it wouldn't look so much like Viv's making this up as she goes if we'd seen Bee's stomach performing its intended function in the episode. Let her chow down on a giant piece of food (maybe that cotton candy she's been handing out-?) and swallow it, and let Loona (and the audience) see it dissolving in her transparent belly. As a general rule, if it's not shown or explained in the work itself, it's not canon. Like I've said before, Viv: Elaborate on the nuances in the story you're telling, not on social media.
Also, "Her ears are designed after beehives"? Wh...Wha? Ma'am have you ever seen a beehive.
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(Hell, even if you told me the ears were inspired by the generic cartoon beehive we're all familiar with, I wouldn't have guessed. There's a difference between being subtle and being vague.)
I can kinda see it in the overall shape, but that's a very specific design inspiration that wasn't clear at all in the design itself. Same with the "animal trainer" thing: I never would have picked up on that if Viv hadn't pointed it out. If a character design doesn't visually convey all the necessary information, it's not a successful design. Show, don't tell. There's a communication breakdown between what Viv's telling us and what Bee's design shows us.
(It's possible she actually meant "Her ears are designed after honeycombs", but even then, each compartment has a specific pentagonal shape that's not coming across at all here.)
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I also find it interesting that Bee and Loona have almost the exact same body type. Of course Viv's pretty infamous for samebody syndrome, but it's actually unnerving how similar these two are.
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Might this be a reference to Vortex's "type"? Is this foreshadowing a relationship with Loona? Am I overthinking this? Yeah, probably. Viv's demonstrated a clear preference for tall, skinny body types over the years, so it's safer to assume that's the explanation. It's all aesthetics. It ain't that deep. Occam's Razor and all that.
Finally, Bee how the hell does your shirt work.
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The Concept
So at this point it seems most logical to lean into the "bee" thing for the redesign, and scrap all the canine elements. As for the blobby hair and tail... yeeeah let's nix those too. We're going for a streamlined version that's easier to animate. And because I ignored the ringmaster look for my redesign of Asmodeus, it only makes sense to do the same for Bee's animal trainer vibe (what little there is) for the sake of consistency. I know this version of Hell has a circus theme with its highest-ranking demons, but there's never been an in-universe explanation for why that is.
Let's look at actual bees, then. A quick peek at Google has informed me that certain insect species have smaller, "simple" eyes (also known as ocelli), in addition to their compound eyes. In bees, this manifests as a triangular grouping of three beady eyes on top of the head.
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In her Helluva Boss episode, Bee's full demon form has three eyes, which could be a reference to this triangular arrangement, plus her regular form has two spots on her forehead in addition to the third eye. So it's possible Viv actually did research for something. Pleasantly surprised on that front.
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Next, the body. I've noticed that some folks find Bee's skinny body type refreshing, as the sin of gluttony is too often personified with fatness. And that's fair. That's valid. But consider this:
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Imagine any Vivziepop character saying that about a chubby person. Imagine the series sending the message that fat people can be sexy too, and that they have worth outside of their appearance, enough for at least one character to consider them girlfriend material. That they're valued and appreciated regardless of this culture's beauty standards (which we know nothing about since the worldbuilding is as thin and flimsy as tissue paper, but whatever). Imagine if this show finally had a fat female character who wasn't relegated to the background. Don't know about y'all, but that would be refreshing to me. And when you take into account all the fat-shaming of a character who isn't even fat, portraying a fat character as attractive would be a nice change of pace for this show.
Now let's talk about clothing. In the episode, Bee's clothes show off a lot of her body, with a cutout crop top and short shorts. We can take a similar approach for the redesign (something that still shows off her chest, belly, and limbs, in keeping with the extroverted "party girl" persona), but that perhaps includes more queenly elements.
The Redesign
Because this is a redesign, many elements were already in place, but I still had to figure out how this character would look as a bee. Here's where the preliminary sketches came in. Lots of trial and error in this process.
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Wrestling with this character's face got a lot easier once I realized I could mold it into a pentagonal shape akin to a honeycomb compartment. It took a few tries, but at last, I had a final sketch.
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All that was left to do was test out some color combinations.
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I tried a few different approaches, but in the end, this is the version I felt worked best.
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I used many of the colors from the original, but pushed the orange much harder since orange is the symbolic color of gluttony as a sin. And overall it gives Bee a nice honey-ish look rather than the generic black and yellow we already see on so many bees in cartoons. I thought the colored outlines on her clothing would add a soft, feminine touch, as well.
And just for kicks, here's a quick sketch of her giant form, inspired by the Infernal Dictionary drawing of Beelzebub.
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Conclusion
The canon version of this character exists in the form she does for no reason than to stroke her creator's ego. "Hey guys, remember when I animated that Kesha fan video? Remember how cool that was? Wanna see me foist this unnecessarily-complex character design on other animators while I take a victory lap?" I wouldn't mind so much if Viv animated any of this herself, but she didn't. I could almost excuse this if she had no animation experience and didn't know how much work it requires, but she does. The self-aggrandizing entitlement is just off the charts. But a nonsensical design is leagues better than a stolen one, so... brownie points for that, I guess.
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delirious-donna · 5 months
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Coffee And A Smoke [Higuruma Hiromi]
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an: another suggestion for Hiromi that I couldn’t pass up. I feel like this has potential for more but I’d really have to do some plotting and brain crunching before I could commit.
pairing: Higuruma Hiromi x female reader
warnings: smoking (is it obvious from this that I don’t smoke and never have? I hope not but…), SFW, very light flirting if you squint, mention of toxic habits, alcohol mention
Masterlist
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Higuruma always felt a pang of sympathy for new starts. They had a habit of reminding him of his earliest days as a freshly qualified lawyer, his excitement to change the world and be the type not to back away from the difficult fights.
For a while, he had been that man and took on David and Goliath level cases to test his resolve, to prove that a person with enough determination and hard work could be the victor. Sadly, it didn’t last long.
He hoped you wouldn’t fall from grace quite so quickly or inelegantly as he had once done. Hiromi might not care for his reputation being tarnished these days, the dross he was tossed like it was a kindness to him, but he would never wish it upon anyone else.
You appeared only a handful of years younger than he was, and he wondered if you were maybe late to the career. It made him wonder how bad your previous line of work might have been to make you consider this circle of hell as your new livelihood. There was more than a chance that he would never know, he didn’t exactly draw people to him in the workplace. Rather he was looked upon mostly like a kicked puppy that everyone felt sorry for but never approached to comfort for fear of catching fleas.
Picking up his pen, the chewed end finding its home between his teeth, Hiromi returned to his work and put you out of his mind.
“Aren’t you going to introduce me to the man over in the far corner?” You wondered aloud, the young secretary designated to be your ‘day one buddy’ glanced in the direction you were looking and visibly grimaced.
“Another day. He’s busy,” she countered with a wave of her hand.
Frowning at her dismissive tone and attitude, you looked over again and met with tired, hangdog eyes. He blinked, seeming unperturbed and gave a small bow of his head before turning back to his screen. There was something about this man, you couldn’t for the life of you figure it out, but something intrigued you more than it should.
The interaction did not go unnoticed. “That’s Higuruma Hiromi. He’s rather… particular about the cases he takes. Generally, he keeps to himself.”
You wondered if he was lonely, or maybe not well versed in socialising. Whatever it was, there was an aura surrounding his corner of the large office, like a perpetual rain cloud that threatened to rain but the cloud never burst.
With so much to learn and an entire new work environment to navigate, you quickly forgot all about the mysterious Higuruma and focused on finding your feet.
It wasn’t until a few weeks later did you find yourself in his presence. After a tortuous phone call with a troublesome client, you found yourself in desperate need to indulge in the bad habit you had sworn you’d given up, a cigarette.
Stepping outside into the small office courtyard, you fumbled for the emergency packet buried in the depths of your bag. You cursed when you realised you might have the actual cigarette you craved, but there wasn’t a lighter in sight, not even tucked away in one of the handy dandy compartments.
“Need a light?”
You whirled around and nearly landed on your behind at the sudden voice, coming face to face with Higuruma who had the good grace to look sheepish for scaring you out of your skin.
“It seems so,” you said with a shrug, stepping closer as the man held out his lighter and flicked the flame into life for you. “I don’t smoke often.”
Higuruma hummed in understanding, glancing down at his own half-finished cigarette, tapping away the excess ash. “I’d like to say the same, but I’m out here more often than I’d like.”
That first inhale felt like heaven, the heat in your throat a familiar sensation and you held the thick smoke in your mouth as long as you could manage, finally blowing it out in a steady stream into the sky.
“Bad habit?” You asked, leaning against the metal railing that enclosed the small courtyard space. It was cool even through your trousers, grounding you back into the here and now.
“I have a lot of those, smoking is probably the least bothersome. I can go days without a single cigarette, or I could smoke two packets within a single office day. There never seems to be an in between,” he joked.
It was hard not to appraise him whilst you both stood there, enjoying your respective cigarettes. His shirt wasn’t quite the brilliant white of a new or well cared for garment, nor were the tailored creases in his trousers especially neat or crisp. The tie around his throat was loose as if restless fingers had tugged it that way, and his hair was equally as ruffled. Yet, there was still something undefinable that made you smile at these observations, that endeared him to you.
His eyes were adorned with dark circles from sleepless nights but there was a subtly vibrancy to those eyes. The brown irises with golden flecked in the right light and the smattering of laughter lines at the corners assured you that this was a man who liked to laugh, even if you were yet to hear it in the workplace.
He wore an equally tired smile, however, it brightened when you addressed him directly and you wondered if he thought hi would ignore his presence. If that was maybe what he was used to, and that thought didn’t sit well with you.
“Oh yeah? Let me guess… you enjoy a bottle of wine on most nights?”
“Or two,” he countered, making you laugh.
Honestly, you couldn’t understand why he was considered the black sheep of the firm. From everything you had seen and heard, he wasn’t the money grabbing type and maybe that was the reason for him being a pariah, but that wasn’t a reason to brush him off or avoid him outright.
“Y’know… people will talk if they see you chatting with me.” Higuruma crossed an arm over his chest, a defensive gesture if ever you saw one.
You hummed in thought. Not that you really cared what people had to say about you. “I think I can make my own decisions on who I should and should not speak with. Are you always this cautious?”
“Some might say I have no caution at all.”
“Then why are you trying to warn me off?”
Higuruma’s eyebrows rose into his hairline, a plume of smoke emitted from between his pursed lips to momentarily obscure his face. “Didn’t realise I was under cross-examination. You’ll go far,” he mused before crushing out the remnants of his smoke and bringing out a packet of mints from his pocket.
“I don’t know about that… this career isn’t exactly what I anticipated.”
He waited, sensing there was more you wanted to share, and he had no desire to scare you away or shut you down prematurely. You couldn’t put your finger on the reason why you wanted to confide in him, perhaps you felt some kind of kindred spirit in him but that would be foolish having known him all of five minutes.
“Higuruma, do you fancy a coffee? My treat,” you offered in a rush. Embarrassed by how nervous you were to ask at your big age, and more so worried that he would refuse you flat out.
“I’d like that, but there is something I’d like much more.”
You held your breath, not knowing what he could possibly wish for more. He chuckled at your look of concern, stepping forward to offer you a mint from his pack.
“I’d really like to know your name.”
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copperpipes · 10 months
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are you planning on making any other mutants biblically accurate? ie splinter, hypno, warren stone, meat sweats, repo mantis, piebald?
Oh yes, here they are actually
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Piebald is my favorite so far, I don't think I'll change anything about her, she deserves more love and attention.
She was tricky, it took some thinking but I made it work, adding one more surrogate DNA to the one I planned to give her proper lungs and keeping her ability to camouflage.
Yes her tail should be fucked up, that is on purpose, everything i do is.
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Idk why but drawing hypno like this felt homophobic 😔 , thats him and meatsweats, I'm not a fan so they'll probably gonna get a redesign, I could make it more creative.
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This dude is gonna get a page of his own, a small one but still a page. Might modify his design, might not, we'll see
When he mutated his scalp fell off actually, its on his head because he gorilla glued it back
I got Splinter and Draxum too, they'll come up later
And
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Me trying to figure out how to make Warren work and still be a worm shaped human with a brain the size of a seed
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thereticx · 3 months
Text
ᎠᏆᏙϴᎡᏟᎬ́Ꭼ III.
♰Summary: A cheater and a homewrecker. Will they be able to get out without any harm to their love and dignity?
♰Warnings: toxicity, slight manipulation, a lot of flashbacks, nsfw content etc.
♰Author's Note: This series has finally come to an end. I apologize for taking so long to write it but it's finally here. Enjoy your read :) (toji next?)
Geto Suguru was not by all means a decent man. He swore oaths of love and loyalty which he ended up breaking, making his wife suffer — her fears all coming true.
“I'm sorry” But was he really?
She bit the inside of her cheek, a bitter sentence settling on the tip of her tongue ‘No you're not’ His wife wanted to say but managed to keep quiet. The thought of her husband with that girl….changed her whole perspective of the man she used to share a bed for years at that point.
“You're a hypocrite , Suguru”
‘I know but I can't help it’
“All this time you reassured me that it was all in my head — all this time you were messing with her behind my back like a coward” The man only nodded his head, agreeing with her every word, thoughts of her swirling in his mind. He wished he was sorry for what he did but in all honesty Geto Suguru has never felt more relieved.
He was no longer imprisoned by a dull and unhappy marriage that lost its spark soon after the wedding. They were both young and foolish, clinging to a silly dream about highschool sweethearts growing old together.
He should've realized that life is not a fairytale and entertaining an extremely pretentious wife takes a toll on not only the body but the mind and soul as well.
He loved her once, he did — but fighting the same battle over and over again for years was something that Geto dreaded — and once you finally entered the picture his morals and everything he ever believed in disintegrated.
“I wanna grow old with you” She giggled, stretching her leg over his hip bone. Her boyfriend looked at her with so much adoration it basically radiated off him. He squeezed the flesh of her thigh and bent down to kiss her swollen reddish lips “Are you sure? You might come to regret it later” Suguru joked, letting his head fall on the soft pillow.
“There's no way I'm letting you run off to someone else” Jane said quickly, the image of her and her boyfriend at the altar flashing before her eyes.
Suguru hummed in agreement, caging Jane's body in his arms and letting the girl rest her head on his chest. The boy looked out the window, his eyes following every speeding car that drove down the darkened road due to the late hour “You better close those pretty eyes and get some sleep. You'd be tired tomorrow” Jane mumbled, cuddling further into her boyfriend’s front “And I don't want to deal with a grumpy Geto Suguru for seven hours straight”.
He simply nodded, darting his attention back to his girlfriend. She was now sleeping, her brows relaxed and her breathing steady. Looking at her, Geto kept hearing her words over and over again ‘I wanna grow old with you’ — is there really such a thing?
Could he really commit to one person for the rest of his life? Wouldn't that be boring? Why not explore every aspect and opportunities that come with being young? Settling down would steal from the endless fun he could have. His friend does it all the time — why can't he?
Is it because he loves her? Perhaps, although love seemed quite a strong word for what he felt for her. Yes, Jane was a nice girl, a smart one that intrigued him from the start but was that enough to make him fall in love?
“I'm not sure about her”
“Who?” His best friend asked, stretching his long legs over the desk.
“My girlfriend” Geto responded, his fingers tracing the design further on the piece of paper “She randomly told me she wants something on the long term —”
Gojo chuckled, readjusting his sunglasses on the bridge of his nose. He, by all means, didn't want to laugh — to disrespect his friend but like every outsider he saw Jane in a different light. He could see deeper into her persona more like Geto ever could — his friend was just a qualified observer, describing Jane as ‘obsessive’ and ‘extremely jealous’ (he never told Geto that tho).
“Man…I say you run now or you'll later regret it”
“Why's that? Maybe I like the idea”
“If you would've liked the idea you wouldn't have told me about it” Gojo pointed out, his blue eyes scanning his friend from behind the glasses “You've only been dating for like…what ... .three months?”
Geto bit his lip not remembering the piercing he got just a week ago. The pain was like a wake up call, swearing under his breath “Fuck”
“Look, I say you should explore other possibilities instead of going along with her stupid wish. After all…you don't want to live a life without meaning right?”
Years later, a decade after, Geto realized what he meant with that phrase. They weren't friends anymore, due to certain things happening, but nonetheless Geto still remembered.
‘Living a life without meaning’
He lived that life, he knew that life well enough to get sick of it. His subconscious worked against him, pushing him into your welcoming arms.
‘I wanted out from the start’
“What are you doing?” Geto asked her, sneaking a glance at her phone's screen.
Jane school her head and continued typing word after word “I'm just making sure that bitch would be there to properly apologize for ruining us”
The man grabbed her phone before she could press ‘send’ and put a hand on her shoulder “No. You'd be making her feel miserable” He defended you, seeing Jane visibly tense.
“Why are you defending her? She made me miserable…You made me miserable. I'm merely returning the favour” Jane raised her, pushing his hand back. She couldn't stand being touched by him now.
The woman simply could not understand why her husband was not apologetic to her? He should be kissing her feet asking for forgiveness for what he had done. It was unbelievable. How could he be so oblivious regarding her feelings? She was his wife.
“By what?! Embarrassing her in front of her parents and us?”
“Yes!” Jane yelled, getting up from her seat. She pointed a finger at his chest almost ready to tear him apart “I've warned you about her multiple times. She planned to break us off from the beginning — but no, ‘Jane, you're crazy’ — ‘It’s only in your head’. You've told me that. And I, like a fool, believed your every word. She's guilty and I want to see her suffer for it”
“I cheated on you” He said, seconds after Jane finished her sentence “Get that through your head. I wanted to cheat on you with her. Do you understand?”
His wife opened her mouth, the venom sitting impatiently on the tip of her tongue “And I'll never forgive you for it. Neither would them…her” Jane spit, a subtle smile making an appearance on the corner of her lipsa “Her parents don't know the full story — I'm sure.I'll be the one to tell them”
Geto wanted to say something in return, anything that may soften her and the rage that had built inside. He knew how wrong it was of him to rub the cheating in her face but he couldn't let her trash talk the woman he loved.
“You have no right. If anyone should tell them it's her and me”
Jane scoffed “Then do it”
“I will”
“Unfortunately I won't give you the pleasure to witness that”
Things got out of control. The two of them were in the middle of the night club, making out furiously.
Jane and Geto were obviously drunk out of their minds from the way they moved around and acted like no one could see them grinding against each other.
The music was loud and somehow added to the tension between them. Jane trailed her hand down her boyfriend's chest, tracing shapes on his sweaty skin that was exposed from underneath the dress shirt he wore.
Geto grabbed her hand and moved it further down to his leather belt while his own fingers tangled themselves into her messy strands of hair, pulling her deeper into the kiss.
From across the room, to the bar, their friends made fun of them, taking shot after shot and placing bets on the couple “Should we stop them?!” One of them shouted, trying to make herself understood by the others.
“Why?! They seem to be having fun!”
“Fucking in the middle of the club with people around ?! Go and stop them before they flash someone”
The man finished his drink and squeezed between the bodies until he reached Jane and Geto.
He put a hand on his friend’s shoulder and unintentionally yelled his ear off “Get a fucking room!”
Jane threw him the middle finger before dragging Geto away from the club. Soon, they were nowhere to be seen, leaving their friends alone.
“I saw you eyeing that girl with the butterfly top. Think I wouldn't notice?” Jane retorted, laying back on the bed.
She spread her legs and carefully discharged her underwear in a slow manner to torture her boyfriend.
Geto leaned over her body and pressed his erection to her heat “I have no idea what you're talking about. Your drunk and so am I”
Jane unbuckled his belt and threw it on the floor then she helped him get rid of his pants “I'm not that drunk. I saw you. Eyeing another girl other than your girlfriend…hmmm…not very nice”
Geto chuckled awkwardly, trying to make out whether Jane was joking or not. He had a hard time reading her especially with a clouded mind “I was only looking at you,believe me” She bit her lower lip in a seductive manner and cupped his member, slowly guiding it to her entrance “Then fuck me to prove your point”
The man hesitated for a moment — was she serious about what she said? Or was it just to mess with his head? Either way, Geto slipped inside her, thrusting up into her cunt like his life depended on it.
“You really think that I'm that stupid?! I don't care if she's your project partner. I won't have her here in our house. I'm not in the mood to see her eye fuck you” Jane argued, slamming her book down on the glass table.
It has been like this for a few weeks now. Fight after fight, nasty remarks and ridiculous accusations — for what exactly?
When she heard her name slip out of Geto's mouth she flipped. There was no way she'd stay and watch her boyfriend with another girl even if it was for a ‘project’.
“The fuck you want me to say to her? Don't come over because my girlfriend is fucking jealous over anyone I come in contact with?”
“Oh…so you think it's okay to have her as your partner? Are you okay with me back away in a corner while you have your alone time?” Geto was left speechless. Clenching his fists by his side, unsure of what he could do to calm her down.
“Text her and cancel right now” Jane demanded, crossing her arms in front of her. She sat in front of him like a statue, only her face betrayed the discomfort and rage she felt.
“I can't do that. The deadline it's in two days” He explained, rubbing the bridge of his nose.
Jane nodded her head ironically saying “Sure you can't. But you can make me feel like shit”
“Nothing’s going to happen. I swear”
“Right because you're bringing her here. Who knows what you're up to when you're alone?”
‘Maybe I can calm her down and talk her into it’
Geto placed his hands on her hips and kissed her, slipping his tongue between her lips. He was in control of the kiss and everything that came after — the sex — he controlled the pace, the positions he put her in, how many rounds they'd be going for — the only thing he wasn't in control was his own feelings.
The love and passion he once felt for Jane…it all started to dim bit by bit.
“There's really no excuse for what I did” You started the conversation. Hands clasped together, back held straight — you were in control. Yes, you were. There was nothing to worry about.
Geto Suguru sat across from you on the couch, looking desperately at you then at your parents.
‘Why would you say that?’
Your parents nodded along as you spoke, revealing almost every detail about your relationship with the older man, leaving out the parts where you confessed your love for one another “I'm aware that what I did was wrong. I should've never make Mr. Geto betray his wife like that. I'm sorry…” You turned to look at him, bits of sweat gathering at your hairline.
“Surely, Geto would have to talk to his wife first and maybe she'd stop by and have you apologize to her as well. But for the moment, I think you're done here, Y/N” Your father said, rubbing your mother's back like she was the most affected out of all of you “You've caused us a lot of stress, daughter. I thought you were mature enough especially at your age to avoid situations of this sort”
“With all due respect, Y/N is not the one to blame for this chaos” Geto interrupted. He blinked slowly, his eyes darkening for a moment. He felt terrible as soon as he walked in here. How could he not feel this way when the woman he fell for was being humiliated and put to the wall for something that takes two people for “I kissed her first and I lied to her about my wife's and I relationship”
“Keep going” Your father ordered, visibly disturbed about this new information.
The younger man did not look at him but rather at you “I took advantage of Miss Y/N and talked her into an affair with me instead of just admitting that I was simply bored with my wife. I apologize” Geto bit down on his tongue, waiting for someone to say something.
You gulped down nervously, a part of you glad that Geto had your back, the other wanting to murder him for opening his mouth in the first place.
“We've been friends for a long time, Suguru. I do not accept such disrespect from a business partner and a friend. Please leave my family alone – please leave my daughter alone”
“Dad–”
“Y/N don't. This is not your decision to make” Your mother warned, before grabbing your hand “Come help me in the kitchen. Let them talk” She forced you off the couch and tightened her grip on your arm, pulling you away from him.
“Mother, please. Don't let dad do this. They've been partners for ages. What is Suguru gonna do from now on?”
“It's not your business. He's a grown ass man, he's gonna go back to his wife and figure everything out” Your mother pointed out, disappointed in her daughter's behavior.
You couldn't hold back the tears now. They started to drip down your face like rain, ruining your makeup and the shirt you wore “But I don't want him to go back to her. She's not good enough for him”
“And who's good enough then?!”
“...”
She grabbed your face and forced you to look at her “You?! Don't make me laugh Y/N. You're a fucking child next to him or her. This is not some fairytale. You broke up a family. Do you understand?! You ruined a marriage” Your mother yelled in your face, only adding to your disheveled self.
Everything was hurting. Everything. Your heart, your head — you just wanted to get out and never be seen again.
‘But what about him?’
“T-they were not happy, mom. He didn't love her” You tried to explain through the tears and broken voice. But instead of trying to convince her you tried to convince yourself. Jane was horrible for him and you knew it. They had to see it as well.
“And you think he loves you?” She asked, her eyebrows furrowing.
You placed your hands on hers that were still on your cheeks and continued “Y-yes…he does. And I love him too”
“Aren't those important documents?”
“Yes they are. However, you're more important” He said, pushing you back down on the counter.
Geto leaned over you, kissing and licking your exposed chest, pinching your nipples “Suguru…more” You moaned, lifting up your hips to feel his hard dick.
“Anything for my love” He whispered, ripping your skirt so he could get rid of your undergarments easier. The material was completely torn but that didn't seem to annoy you.
You parted your lips, a finger disappearing into your heat. Suguru sat back, his tongue darting out to his piercing while he watched you play with yourself.
He took off his pants and underwear leaving only the unbuttoned shirt on. He grabbed at your hair and forced your hand away from your pussy “Enough. I wanna fuck you”
Suguru slipped in without too much effort from how wet you were and started to move his hips with so much force that your eyes started to roll back “Mhhh f-fuck”
You grabbed at his upper arm, trying to match his aggressive pace. He rested his head in between your shoulder and rocked back and forth, fucking his dick deeper into your aching cunt “Fuck fuck…Y/N…you feel amazing”
He moaned loudly, his breath starting to get more and more rapid.
You whimpered, feeling yourself get close to orgasm “Please…want you deeper” You felt his dick rearrange your insides, the tip kissing your cervix over and over again.
The pleasure was too much for you to handle. Suguru, everything that came with him was simply too much to handle. His taste, his smell was all like a drug and you were its addict.
Your back was starting to hurt from the hard surface but still you could only focus on him. Suguru fucked you so hard that your body barely kept up with his fast movements. You were defenseless against him and his desires to completely break you “Shit… I can't hold back. I'm gonna cum, love” He licked your ear, one on his hands cupping your jaw.
The man locked eyes with your messy appearance, hair all over your face, lips bruised, eyes glossy — Suguru forced his tongue past your lips and kissed you messily, drool and sweat mixing together.
You felt his warm cum fill you up, walls squeezing around his dick, your own orgasm taking over.
The two of you were shaking when Suguru pulled out and took a good look at you. He rubbed your cheek, his eyes telling you whatever his mouth was too proud to admit.
You put your hands around his neck and leaned up, kissing the column of his neck. He rested his head back, giving you more access to his vulnerable body, your lips sucking dark marks lower and lower on his body.
When you finally escaped your mother you ran back into the living room, hoping that Geto would still be there.
However, the room was empty, your father nowhere to be seen as well “Where are they?”
Your mother stopped only a few meters behind you and looked out the window “Y/N, go take a shower and rest. You can interrogate your father in the morning”
Without looking at her you said “Fine”. Her stept grew more distant and when you heard stairs crack under her weight you immediately ran out.
‘I need to see him. Things can't end like this. I don't want them to’
‘the number you have dialed is unavailable’
“Fuck. Pick up” You tried again, holding the phone to your ear for minutes on end until he finally responded.
“Where are you? I wanna see you, please”
You breathed, nervously walking around without a destination in mind.
He waited a few before finally answering “I'll send you the address”
Geto ended the call and texted you the location. He wasn't sure of how your meeting was going to go down. After your mother dragged you away he was forced to endure your father's boring speech about them not being partners anymore.
Yes, he was screwed up. Being your father's partner was a huge deal to him, boosting his career but now, in one blink of an eye he lost almost everything. The only one left was you. If you'd still be willing to be with him.
After twenty minutes he heard a furious knock at the door and he rapidly went to answer.
There you were, out of breath, your face all red probably from running all the way there. He didn't even say anything and just dragged you into the motel room, closing the door behind.
“I don't know what my father told you but I'm not gonna stop being with you”
“Y/N —”
“Just listen to me -–” You insisted, playing with the ends of his long hair “I won't stop just because of them. I don't care about your wife or anyone beside you. I love you, Suguru. Please don't end this” He interlocked your hands together, kissing the top of your head. He rubbed the back of your hand with his thumb while the other hand cupped your face “You still want to be with me?” Suguru asked, giving you a slight smile “Even with that raging bitch and your parents in our lives? They won't let us be together, my love”
You cupped his face, your nose rubbing against his. You could feel his breathing fan against your cheeks “I don't care. You shouldn't either”
“He was right. I destroyed your future”
Your doe eyes seemed to speak for themselves and Suguru exhaled “You're the death of me. You know that?” He joked, kissing your forehead.
“Of course I know. And I also know that you love me too much to let me go” You bit your lip, before sliding your fingers up his tattooed arm.
Suguru hugged your smaller form and whispered into your ear “Letting you go would only make me want you more”
You only smiled, letting your boyfriend show you how much he missed you for the rest of the night.
No one could truly break the two of you up — not even the figure standing behind that damn door.
Fin.
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codgod · 1 year
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y’know generally i try to limit colour palettes to as few colours as possible to make things more cohesive but despite my best efforts only jay ended up being able to stick to that </3
ANYWAYS here’s the as-of-right-now fully updated designs for these dickheads. these will no doubt undergo even more tweaking as i draw them more but this is a start i guess. also pls open the pictures to look at them properly i worked so hard LOL
some random notes under the cut yaaaay
chip —
he jingles when he walks. somehow he’s still stealthy. i do not know how
kept the platinum ring that bonded him to gillion in the block! because hey he doesn’t really have a reason to take it off (and it’s a nice reminder of how much gill cares about him, and how far their friendship has come since that ice arena)
his tattoos shift and flicker like actual flames, and sometimes (harmless, purely aesthetic) sparks fly off them when he’s excited
i just think smoke coming out of his mouth when he’s angry would be cool :]
chipped teeth from biting rocks and coins all the time :/
he has scars from the red lightning, they’re just mostly contained to his back and shoulders. they’re a similar red to his coat even once they’ve healed
gillion —
the tail sleeve thing is so he can rest it on the ground without damaging his scales, he doesn’t usually wear it when he’s just on the ship because the wood is soft enough that it’s usually fine + it can hinder swimming a bit. it’s mostly meant for places where there’s cobblestone or gravel streets and such. i think his armour would probably have a version that looks similar but covers the whole tail minus the fins, maybe with some armour plating of its own. i didn’t draw it because there wasn’t any room lol
his scars from the lightning are pink mostly because red stood out too much tbh. they softly glow in the dark the same as his coral and the pink parts of his fins
also kept his ring! his hands aren’t really made for jewellery, though, because the webbing means it won’t sit very secure on his finger. so he keeps it on the same chain as the necklace he got from aslana to keep it safe
tried to make him look a bit bulkier and more his age than in my original design? i feel like i was leaning too much into the naivety and. shortness. originally lol. he also has thicker eyebrows now and i’m still trying to decide how i feel about them but i think? i like it? i don’t tend to give many character thin eyebrows so it could’ve been a unique thing for him but alas
i think i made the sword too small but like ignore that
also forgor to include pretzel </3 that’s okay though she can get her own design sheet later. she’s special like that
jay —
i believe in tall jay supremacy
blue magic! i was considering gold but that’d look a bit more like a canary than i wanted for her wings so. blue jay :]
her hair is supposed to look kinda like fire to mimic her dad ! kinda showing that even if she runs from her family and the navy they’ll always be a part of her. and also i just like drawing messy hair
i gave her sturdier gloves just because i feel like it fits her better. also changed up the shirt to more of a button up solely because i don’t like tank tops very much LOL
i did WANT to make her outfit a bit flashier to match the boys better but i couldn’t quite figure out where to Put the flash. maybe that’ll come later, the way the story’s going i might get to design some cool prosthetics for her or something
overall —
because there’s just so many fucking colours i triiied to add at least one or two colours from each of them into the others designs. jay has her necklace with each of their main colours on it, her wings are the same blue as gillions eyes, her jacket and right eye are the same dark blue as destiny’s blade, her hair is the same orange as the lighter part of chips tattoos. chip has a dark green sash under all the belts, the same as the hilt of destiny’s blade. they all use the same shades of black, gold, and brown
the only real exception is gillion doesn’t have anything from the other two because he has Such a specific colour palette and he already had so much going on as-is orz jay was obviously the easiest to do this with because she has both warm and cool colours in her palette by default lol (and i did her design last, so that helps)
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frostbytemyrik · 9 months
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Danny Phantom Required* Watching
*It isn't actually required. I know there are a ton of phans who have never even seen a single episode of the show, but it's a fun watch and I would recommend at least catching some.
Sorting the episodes into colors (with the first letter in parenthesis by the title for those who might be too colorblind to tell). Note that this is all just my objective opinion, and everyone is free to leave their own thoughts on this!
Green (G) - Introduction of an important character or major plot development, such as a new power for Danny or another major shift in the status quo. If you can only watch a few of the episodes, watch these.
Pink (P) - Introduction of a side character or minor plot development.
Red (R) - Introduction of a new character worth mentioning or other general status quo change, but the episode is generally considered to be...not great by most people. (But hey, nothing wrong with liking these episodes!) They'll be summarized at the bottom of each episode description for those who can't be bothered to watch them.
Blue (B) - Nothing important happens to the overall plot, but it's a fun episode that fleshes out the characters.
Season 1
Episode 1: Mystery Meat (R) - Establishes the show and its main characters: Danny, Sam, and Tucker, as well as a lot of other important characters such as the Fenton parents and Jazz, and minor recurring characters like Dash and the Lunch Lady. The writers are still getting their footing so the main trio is unfortunately among the flattest they get here.
Episode 2: Parental Bonding (P) - Introduction of Paulina and Dora, first look at Valerie, and most importantly, Danny's power to overshadow people. Fun episode in general, Tucker makes a weird comment at the start but this is one of Sam's absolute best episodes as a character. (Tucker and Sam actually getting to be fun characters instead of just "butt-monkey comic relief" and "selfish asshole" is rarer than I'd like, so I always like pointing out the episodes where they get some love.)
Episode 3: One of a Kind (G) - Introduction of Skulker, a recurring major antagonist, and his motivations.
Episode 4: Attack of the Killer Garage Sale (P) - Introduction of Technus, Ghost Master of Technology and Destroyer of Worlds, Manipulator of Machines, Lord of all Gadgetry, Wizard of Integrated Circuitry, Master of All Things Electronic and Beeping.
Episode 6: What You Want (P) - First appearance of Danny's Ghost Ray and introduction to Desiree and the Ghost Catcher (a Fenton device with an unfortunately rather...culturally insensitive name and design), explores Tucker and his relationship to Danny. I went back and forth between making this green and pink because I'm biased in my love for this episode, but it isn't necessary to comprehend later episodes. (If you can watch it, though, it's a lot of fun as we get to see how close Danny and Tucker are and how Tucker feels about Danny's powers.)
Episode 7: Bitter Reunions (G) - Formal introduction to main series antagonist, Vlad Masters, and his relationship with the Fentons and the ghosts of the Ghost Zone. (Antisemitism tw: Vlad has hired ghost hitmen that are vultures with Yiddish accents, hooked beaks, and fezzes. They thankfully don't show up anywhere else, as far as I can remember.)
Episode 8: Prisoners of Love (P) - Introduction to the Ghost Zone itself and Walker, a side antagonist. Shows Alicia, Danny and Jazz's maternal aunt who never appears again after this episode.
Episode 9: My Brother's Keeper (G) - Gives Jazz a focus and formally makes her a major player in the plot through a certain discovery she makes. Also introduces side antagonist Dr. Penelope Spectra.
Episode 10: Shades of Gray (G) - Valerie Gray, a background character from Episode 2, gets new motivations and becomes an important part of the series going forward.
Episode 11: Fanning the Flames (P) - Ember is introduced, and she hypnotizes the entire town to fall for her with her music. To keep Danny out of her hair, she makes him fall for Sam. Whether this episode is a Pink or a Red depends on whether or not that bothers you. (Racism tw: there's a sequence towards the end of the episode that shows people around the world watching Ember, and they're all very stereotyped appearances of Japanese, Eastern European, Arabian, and Indigenous Australian people. Thanks, Hartman.)
Episode 12: Teacher of the Year (B) - A fun episode with Technus. It does have some of that early 2000s "don't underestimate me because I'm a girl" stuff, but it's still a good episode with a lot of heart.
Episode 13: Fright Night (P) - Introduces Fright Knight. A Halloween special that has its ups and downs (eating underwear?) It's just really funny that an actual ghost, who has been to the maddeningly twisted and alien world of the afterlife, still can't scare anyone to save his life.
Episode 14: 13 (P) - It's a shame this isn't actually the 13th episode. Anyway, it introduces Johnny 13 and Kitty, while Tucker and Sam get to hang out without Danny while trying to solve Tucker's new run of bad luck and the fallout for his reputation.
Episode 15: Public Enemies (G) - Walker's back and he's making a major shift in the status quo: ghosts are confirmed to exist as he stages a major invasion of the town. Things don't go well for Danny, and the repercussions will be felt for well into the series. Also introduces Wulf, a ghost who looks like a werewolf, exclusively speaks Esperanto, and has the ability to tear the fabric of reality to create portals between Earth and the Ghost Zone. He's putting this power to use for Walker, but it's clearly not by choice...
Episode 17: Maternal Instinct (B) - Maddie notices her son is growing distant from her and tries to take him to a science symposium to bond with him, but disaster strikes and leaves them in the woods, with the only shelter available being...a cabin owned and occupied by none other than Vlad. Meanwhile, Jack tries to understand Jazz, who doesn't seem to want anything to do with him or ghost hunting. Lots of great character moments for the Fentons.
Episode 18: Life Lessons (B) - Danny and Valerie, arriving late to class because they both were out ghost hunting, get paired up in home economics class to raise a flour sack baby together. We get more insight into what Valerie's life is like after Shades of Gray, and she learns to get along with both Fenton and, temporarily, Phantom, after an excursion through Skulker's part of the Ghost Zone. As a B-plot, Tucker makes money babysitting other students' flour sacks while ignoring the one he has with Sam, and Sam tries not to get attached to the sack. It's not important to the plot AT ALL but I'd put this as a must-watch if I could. Alas, I made the rules and must follow them.
Episode 19: The Million Dollar Ghost (B) - A million dollars is placed on the head of the ghost boy, Public Ghost Enemy #1: Inviso-Bill, known to us in the audience as Danny Phantom.
Episode 20: Control Freaks (G) - The circus is in town! New villain Freakshow gets introduced, and he becomes important later. Kinda. Depending on how much you like a certain blue episode that comes on down the line. The trio go to this cool new goth circus, but there's a string of ghostly robberies in town and Danny has been acting strangely lately...
Season 2
Episode 1/21: Memory Blank (R) - Danny and Sam have a fight, Sam wishes she'd never met him, Desiree makes the wish come true and now Danny has no powers and neither he nor Tucker remember her at all. Sam gets him fried by the portal again to get his powers back, but this time with a new logo she designed slapped onto his chest. Really all that happens is Danny gets his logo. This can be skipped...if you wish. ;)
Episode 2/22: Doctor's Disorders (B) - There's a bug going around - literally - getting the kids at Casper High sick. Symptoms include sneezing, chills, coughing, congestion, and various ghost powers depending on the student. The only ones immune seem to be Danny (thanks to his ghost powers) and Tucker (wearing his new homemade cologne that smells awful in a different way to everyone). A new hospital opens up to treat them, but something fishy is definitely going on. ...But Tucker is afraid of hospitals. Great Tucker episode.
Episode 3/23: Pirate Radio (P) - Introduction to Youngblood, an occasional antagonist. A new radio program pops up, and every adult in town (and Jazz, who's 16 but sees herself as an adult) is enraptured by it and the one song that it plays on loop. Then one day, every single adult in town leaves behind a note that they're going on a cruise, and it's up to Danny to rally the teens of Amity Park to discover what's so fishy about the cruise and get their parents back.
Episode 4/24-5/25: Reign Storm (G) - The creepy castle in the Ghost Zone Danny accidentally freed Fright Knight from in Fright Night holds yet another secret: the coffin of the Ghost King, known as Pariah Dark, whose goal is to rule over the Ghost Zone and the human world with an iron fist. Vlad frees him hoping to snatch the powerful artifacts on him, but it backfires and now the King is free and follows the fleeing ghosts to Amity Park, which he promptly invades. Danny, Valerie, and various enemies including Vlad need to team up to seal King Pariah back within his sarcophagus and save both Amity Park and the Ghost Zone as a whole. Major status quo shifts happen here.
Episode 6/26: Identity Crisis (B) - Not my favorite episode, but I'm including it here because it was popular with the Phandom a decade ago. Danny gets tired of trying to balance his human and ghost lives, so splits himself in two using the Ghost Catcher that was introduced in Season 1 episode 6: What You Want. That also, unfortunately, divides his personality to two extremes; the human half ("Fun Danny") is lazy while the ghost half ("Super Danny") is an absolute ham of a superhero stereotype, and Tucker and Sam struggle to put their friend back together so he can stop Technus in a way only he can (and also because both halves are honestly really annoying them).
Episode 8/28-9/29: The Ultimate Enemy (G) - This is THE episode of all time. Maybe not the best episode, but it's great in its own right and, more importantly for this list, introduces another major status quo shift. It's also basically required viewing for the comic that came out last year (at time of writing), as that comic is a direct follow-up to this episode. Clockwork, a ghost that is essentially a deity of time, has a mission to eliminate the greatest threat to Earth and the Ghost Zone that has ever been before he comes into that role: a ghost named Danny Phantom. Danny comes face-to-face with a version of himself that caused a doomed future, and needs to fight to ensure that future never comes to pass.
Episode 10/30: The Fright Before Christmas (B) - The boy Danny Fenton, a Grinch to his core, finds the holiday season to be quite a chore. Into the Ghost Zone to blow off some steam, he accidentally causes a scene: the Ghost Writer's finished manuscript in ashes, and with Danny's indifference he clashes. He traps him in a book that warps space and time, and forces all events in his life to rhyme. You're in for a treat if you like all these rhymes, but if they annoy you, then don't waste your time. (This factoid may not matter to you, but this is where we learn of the Christmas Truce!)
Episode 11/31: Secret Weapons (R) - Jazz is overbearing, Danny doesn't like it, so Jazz decides to go to Vlad. The episode's latter half isn't bad, but it's R because Jazz's constant invasions of Danny's privacy and the repetitive thermos jokes grate on me. If you plan to skip, the thing that makes it a red episode is this: Vlad learns that Jazz is in-the-know.
Episode 12/32: Flirting With Disaster (G) - A lot of the more plot-relevant episodes in season 2 (and one in season 1) have been building romantic tension between Danny and Valerie, and here's where it comes to a head: they actually start dating! However, after some jealous stalking thorough investigating, Sam finds that there's someone pulling the strings, and manipulating their real feelings for each other to pull them together and get them out of the way... Valerie especially undergoes a lot of major character moments, and we learn a lot more about her as a person. One of my personal favorite episodes (and I don't just say that because I'm a Danny/Valerie truther) (the "engraved" ring and Sam being a stalker about it aren't great, but honestly I just try to ignore those parts. Yes, I know I'm biased).
Episode 17/37: Kindred Spirits (G) - While Danny's busy being an asshole to his friends leaving Sam and Tucker to take the blame for property damages during his fights, he finds a strange girl named Danielle (or "Dani") who claims to be his cousin and shares an eerie resemblance with him. The similarities go more than skin deep, as she quickly reveals that she's ALSO half ghost. Tucker and Sam warn Danny that there's something suspicious about the whole ordeal (in between being left behind to be blamed for collateral damage more times than I'm bothered to count right now), but when Danny winds up in trouble anyway, they still skip detention (that he got them in) to save him before it's too late. Danny's a dick, but despite that, it's still a good episode and we get introduced to Dani before her next appearance.
Episode 19/39-20/40: Reality Trip (B) - Freakshow gets the Reality Gauntlet: an off-brand Infinity Gauntlet that can warp reality to anything he desires. He gets Danny's secret revealed to the world, causing the government agency the Guys In White (from Million Dollar Ghost in season 1) to relentlessly pursue him. Luckily, thanks to knowledge Sam gained from a book on the gauntlet, the main trio manages to warp the gems to different parts of the United States, severely limiting Freakshow's power. Unluckily, Freakshow retaliates by kidnapping their parents and Jazz, forcing the three to go on a cross-country road trip to get the gems back to Freakshow and save their families while evading the law. No permanent shifts of the status quo, but one of my personal favorite episodes. It's a fun ride!
Season 3
Episode 1/41: Eye for an Eye (R) - A prank war between Danny and Vlad ends in Vlad becoming mayor and passing a lot of horrible laws specifically to spite Danny. The laws are undone by the end of the episode, but Vlad stays mayor.
Episode 2/42: Infinite Realms (R) - In trying to map out the Ghost Zone, the main trio end up meeting Frostbite: leader of a realm in the Zone known as the Far Frozen, filled with spirits that take the form of peaceful, yeti-like monster folk who revere Danny as the chosen one who defeated Pariah Dark. Frostbite is also keeper of the Infi-Map: a map that can take the user anywhere in the Ghost Zone. Now for the bad news: Vlad is here, he wants world domination now for some reason, and he wants the map to help him do it. Vlad steals the map, the trio needs to get it back. It's not the worst episode, but Vlad's villain decay is...tragic. Tl;dr: Frostbite is the leader of a tribe of friendly yeti spirits and keeps the Infi-Map, which can take the user to any point in the ghost zone.
Episode 5/45: Forever Phantom (B) - One of the only actually fun filler episodes in season 3. Introduces us to Amorpho: a ghost with the power to shapeshift into anything and anyone, who uses their power to cause mayhem for attention. They bite off more than they can chew when they impersonate Danny Phantom, however, and a Fenton device gone awry locks both Amorpho and Danny into the form of Danny Phantom. Wacky hijinks abound.
Episode 6/46: Urban Jungle (G) - Haha green. Like plants. Anyway, Danny has been cold lately. No matter what he does or where he is, he's consistently freezing. It gets worse: while Danny's in this weakened state, a giant plant ghost named Undergrowth takes over Amity Park and possesses Sam. Unable to fight the constantly-regenerating Undergrowth or to keep himself from freezing, he flees into the Ghost Zone to seek Frostbite's aid.
Episode 9/49: Frightmare (B) - Danny wakes up one night to learn, to his horror, that Nocturne, the ghost of dreams, has put all of Amity Park into a deep sleep to feed on their energy. He enters the dreams of his friends to wake them and get their help taking Nocturne down. A good episode for people who ship Danny/Sam, and a GREAT episode for people like me who like to pretend that all the episodes I left off the season 3 list were just bad dreams.
Episode 10/50: Claw of the Wild (B) - The students of Casper High are ending summer with a camping trip in a foggy forest. All seems normal until, one by one, campers go missing. Danny, Tucker, and Sam go investigating and find their ally Wulf, who seems to know something about the disappearances...
Episode 11/51: D-Stabilized (G) - Regarded by most as the final good episode of Danny Phantom. Dani had been on her own in the world since we last left her, but over time, her form has been getting unstable, causing her to be slowly melting into a puddle of ectoplasm. She tries returning to Amity Park to get help, but is now being hunted down by Valerie, who Vlad commissioned so he could melt Dani down and study her remains to make a superior clone. (Valerie thinks he's just going to keep her contained for the safety of Amity Park; she isn't informed of the cloning.) Valerie turns Dani in to Vlad, but Danny manages to form a shaky alliance with Valerie to get Dani back, since Valerie knows that Dani is half human.
Episode 12/52-13:53: Phantom Planet (R) - The only reason this is here is because the comic continues from where this episode left off. If it didn't, I'd suggest ignoring it entirely. Rapid-fire summary: an asteroid is about to hit Earth, Vlad reveals himself to the world and demands unquestioning rule over Earth (and one trillion dollars or something) in exchange for turning the asteroid intangible. Vlad can't turn it intangible since it's made of Ectoranium, an anti-ghost substance we never hear of until now. Jack leaves Vlad in outer space. Danny gets every ghost he knows to help him turn Earth intangible, it works somehow, and Danny reveals his secret identity to the world. Statues of Danny are built all over the world, Sam and Danny start dating, and Tucker becomes mayor of Amity Park. A bunch of other stuff happens too but it's all stupid. Valerie gets thrown into a dumpster on live TV and that's her only appearance besides clapping for Danny at the end. I'm still mad. Don't watch Phantom Planet.
The Comics
Book 1: A Glitch in Time (G) - Danny's life is perfect: his secret identity is out, and the world accepts him not just as a part of it, but as its savior. His parents and former bullies fight on his side now, he's in a committed relationship with Sam, and Amity Park seems to be at peace. There's just one problem: his powers are getting weaker by the day. Unbeknownst to him, there's another problem in progress: Dan Phantom, the evil future Danny from The Ultimate Enemy, is released and fuses with Clockwork, causing present Danny and those near him to experience unstable glitches in time. Vlad returns to warn Danny of the threat of Dan, and they all team up to venture into the depths of the Ghost Zone to find a way to stop Dan and get Danny back to full strength. Meanwhile, Jazz and Valerie hold down the fort at Amity Park, holding Dan off for as long as they can while the trio and Vlad search for answers.
Book 2: To be continued in 2025!
Danny Phantom can be watched on Paramount Plus, but if you don't have a subscription, there may be DVDs at your local library! Other people may also have resources on how to watch the show, so feel free to ask around!
Danny Phantom: A Glitch in Time can be found anywhere books are sold! Abrams Books Amazon Barnes and Noble Google Play Waterstones
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eddiezpaghetti · 8 months
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Okay, so my experience with Stranger Things is a weird one.
I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.
And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.
It's really fucking obvious that Will and Mike are gonna be endgame.
Like holy fuck. It's so fucking blatant I don't even know why people are nervous.
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No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.
And then this?
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They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.
Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.
Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.
But this?
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This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.
It's the same reason you look at this
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And go, "Oh..."
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"Those two are probably a couple."
And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--
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--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.
Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.
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greenboyfriend · 8 months
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choose something cold... (tarot card reading)
"what do you need to know?"
image 1: it's cold. I mean, really cold. but your blood is warm, even if your fingers are blue. where's your soul? image 2: a framed painting depicting a wintry landscape, complete with a log cabin, whose blue smoke trickles from its chimney and blends in with the world around it. image 3: three ornate glasses, made of ice. are those cracks intentional? or just by virtue of its design? image source not everything may resonate with you, and that's ok! take what does & leave the rest. don't force it.
1.・。.・゜✭
there’s an opportunity being presented to you. it may be a celebration of some kind, or just something that has a lot of excitement surrounding it. what i’m getting most of all is that this may be a chance to find freedom. with the seven of swords reversed, maybe you’re the type of person to handle your problems on your own, “lone wolf” style. there’s a million reasons why someone might do this, but for you, you’re afraid or distrusting in others. when you opened up in the past, maybe it didn’t end up so well for you, and this has made you keep things mostly to yourself.  however, the four of wands reversed tells us that this lone wolf energy is blocking you from fully enjoying yourself. “freedom”, in this sense, is the freedom from yourself, or rather, your fear. in the original Rider-Waite-Smith deck, the seven of swords shows us a man with his arms full of swords, shirking off to his own devices. for you, these swords represent an unnecessary burden, being wary or even afraid of others to see your true colors/problems/ect. opening yourself back up again is a task much easier said than done, i know. but the 6 of cups shows us what this looks like, once fully realized. when we talk about our problems and emotions, we’re able to release and/or deal with them more easily. i’ve definitely been in the position of worrying endlessly about something, just to finally open up to someone, and realize that the answer was sitting in front of me all along. the six of cups represents this as having a “clean conscience.” being, you’ve released yourself from carrying a burden all alone, and have found freedom– the four of wands. finally, the king of cups reversed reminds you to have patience, and to be tolerant of others. not just one person can supply you with all the information or support you need.
(6 of cups, 7 of swords reversed, 4 of wands reversed, king of cups reversed)
2.・。.・゜✭
you’re in a period of transition, be that between attitudes or people. this change has you feeling down. maybe not emotionally destitute, but not in the best spot, either. as you wade through these waters, know that the queen of swords is by your side, and will lead you to better times. the queen of swords is someone with a good head on her shoulders, and will always tell the truth. she is very forthright, and doesn’t do any under-the-table dealings. she holds herself to these standards because of her past experiences, and knows that an honest, open approach will best suit her motives. you may embody the queen of swords already, and if you do, great! if you don’t, that’s ok, too. but it’s time to start really leaning into that kind of energy. don’t conceal the truth– both to yourself and others–, and let yourself have a laugh every once in a while! the thing about being experienced is that you know not to take everything so seriously. the queen of swords can see the big picture, and knows that, even if right now is tough, later will be much better. the place/person/vibe you’re coming from is represented by the knight of wands. i’m getting, cockiness– to the point where you/they were being presumptuous. this might also have had to do with someone being hot tempered, and restless, where they couldn’t handle being bored, so they’d decide to pick a fight. this energy is still here, but not necessarily causing harm just yet. what’s really impeding your path towards healing is the knight of cups. the knight of cups reversed is in direct opposition with the queen of swords, in the sense that he allows his emotions to take control of him, rather than accurately assessing the truth of his situation. he may let his imagination become overactive, and begin believing things that aren’t true. where the queen of swords faces all her dealings head on, the knight of cups may shade the truth, dance around the issue, or simply hope someone else will deal with it. he may also tend to isolate himself from others, which only worsens his imagination into spurring up unrealistic scenarios and focusing too much on his own “failings.” i’m thinking… you’re going to need to temper the knight of cups with the knight of wands. use that fiery, self confident energy to seek out the truth, rather than make assumptions. and, in turn, the knight of cups can help to deplete those feelings of restlessness through introspection. most importantly, keep your head level, and honor the truth above all.
(queen of swords, 6 of swords, knight of wands, knight of cups reversed)
3.・。.・゜✭
so… there’s a lot to unpack here, image 3! i’ll start with this, the energy of the queens of wands and of pentacles are important right now. the queen of wands seems to be especially important, urging you to work hard to maintain her optimism, confidence, and enthusiasm. this situation will require you to be a sort of “soft” leader for others, where you can be looked to for inspiration. if you’re able to serve as a role model through keeping your head up even when the going gets tough, and to do so with strength and vigor, it will not only help you and your purposes, but will also inspire those around you to do the same. the opportunity to embody this energy is not fully here yet, but once you hear the call, you’ll know it’s for you. strike the iron while it’s hot and give it your all! no time for dilly dallying. in being a leader (even if you’re not completely cognizant of it) you will have to temper your generosity with what you know to be true. so, for example, if someone is late to a meeting one time, you may give them the benefit of the doubt. but if they’re continuously late, some changes need to be made. this can also apply to other situations, where you will need to decide between your loyalties and what’s true & just. you may have already experienced scenarios like this in the past, so it will help you to call back to those times for foresight. doing what is fair may be difficult in the moment, but will lead to the best outcome. the queens come together here to guide you on your way. keep trying! you know that you’re resourceful, so don’t be afraid to try your hand at solving problems. it may also benefit you to remain down to earth during this time, and not to try to control what others think or say. at the end of the day, you are your own person, and what a wonderful person you are!  finally, we arrive at the page of cups. i’m getting a very loving, forgiving energy from this card. it may benefit you to invite that energy into your life, both towards yourself and others. when a challenge faces you, or someone is less than nice, decide to turn away that anger with love. consider, what may compel them to act this way? maybe they’re going through something you don’t know about. it’s not that you need to nurture them back to good health, but realize that maybe, they’re just not worth your time, and a simple nod & turning of the cheek will do you both some good. most of all, listen to your intuition to tell you whether or not this argument/situation is really worth getting into.
(queen of wands, 8 of pentacles reversed, 8 of wands reversed, queen of pentacles, ace of swords, 3 of wands reversed, page of cups)
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