#midi interface

[8cfc00]

born to podcast forced to not be able to pronounce r sounds. someone get me out of here

[synthesizeritis]

i was once again inspired by a drumbeat in a youtube video, this time one about the flaming lips.

its just five tracks total, two of which are effects sends

if there was anything interesting going on i'd have made it a video to show off

[krawdad]

I feel like if I ever get to a point where I can just sort of intuitively put note intervals into an instrument I'd be capable of externalizining some serious shit

[settofsofts]

i need to make ambient music sampling F1 this weekend or im goig to die

[guitarbomb]

Mooer Prime P2: A Compact Powerhouse for Musicians on the Go

Mooer has raised the bar with the introduction of the new Mooer Prime P2. This cutting-edge addition is the next generation of the ultra-compact P1 audio interface and multi-effects unit. Mooer Prime P2 The Mooer Prime P2 effortlessly straddles multiple product categories, serving as both an audio interface and a multi-effects unit. What’s more, it offers seamless connectivity via Bluetooth for…

[abandonedniche]

who wanna buy me a Max 8 subscription i haven't been able to save a patch since graduating college in 2020

[brevemusicstudios]

7 Essential Music Production Tools Under $100 (2023)

7 Essential Music Production Tools 1. Audio-Technica ATH-M20x Professional Studio Monitor Headphones2. Akai Professional MPK Mini MKII3. Behringer U-Phoria UM2 Audio Interface4. PreSonus Eris E3.5-3.5″ Nearfield Studio Monitor (Pair)5. MXL 770 Cardioid Condenser Microphone6. Focusrite Scarlett Solo (3rd Gen) USB Audio Interface7. Tascam DR-05X Portable Audio RecorderConclusionAdditional…

[output-rotation]

Expressive touch control

[orteil42]

mister orteil what tracker did you use for the excellent Hardware Store cover. tracker music is one of my special interests so my curiosity was piqued. as tribute i offer one 1.24kg tub of surprisingly good store-brand fudge dipped animal cookies

that's Sound Club! (coded in 1995 by the folks who would turn out to later make Skype!) it doesn't have the traditional tracker interface which is good because i cannot stomach the little hex numbers and i am a baby who needs his piano roll. functions as a tracker under the hood and can import tracker tunes tho!

note that i only got into Sound Club a few years back and i usually make most of my music in Aria Maestosa, which uses MIDI. i don't know why i'm allergic to proper actual DAWs i think i taught myself wrong with Easy Beat as a kid and these goofy lowtech ones are just really fun to use

nearly all the songs in my music tag are made in Aria Maestosa. maybe i'll post more at some point!

[pukicho]

So puki you make music, whats your setup like? Audio interface, software, etc etc. Askin cuz I wanna get into the scene

Well I wanna preface this with a few things!! I have spent 90% of my money on music stuff! I love it and have spent like 13 years acquiring this shit, but here is my studio from like 6 months ago

A FEW THINGS HAVE CHANGED SINCE THIS! I no longer have the Pro 3 and swapped it for… nothing! I just sold it, also I cleaned up those cables.

To keep it simple, I have an Apollo x8 audio interface, its the best sounding interface I’ve ever owned, all my synths go into the Apollo, I don’t have a mixer but I 100% need one, I have so many little synths not in use as a result of my lack of inputs!! I have an 8 channel midi host hidden behind some shit, and that really fucking helps. For the love of god don’t use USB midi for big synth setups like mine, it sucks. It pays to learn MIDI shit.

My current synth tower includes the Moog Matriarch, Udo Super 6 and the prophet 6 - under the desk is my OB6! I also own a few doodads like the elektron octatrak mk2, the eowave quadrantid swarm and the 0-coast - I use Adam A77x speakers and some nice headphones!

This is all stupid overkill and not necessary to make good music, I am just a whore, and I have lofty plans and projects! All u need is a focusrite (or a UA volt preferably, sounds better) a good vst like serum or vital (free serum but less presets and worse effects) and some samples u can get from splice or some shit - and maybe a nice MIDI controller - as for daws I suggest FL since its great for learning, or ableton if you plan on going ham with beat making, logic is also a beast for apple users. Most importantly, have fun and don’t be a dick. Also if u think ur music is good 2 years in, it probably isn’t, always something to learn. Byebye

[ebe404]

Intermediate studio replumbing complete- new audio interface, MIDI and CV cooperating, modular talking to old synth modules- lots of fun possibilities now

Mellower things just seem to keep coming these days, so here's a quick session with the new way of working- all of the sequencing is still from the modular, but there are additional voices here coming from an X5D and NX5R

Float through the beautiful September skies with us

[johntayjinf]

i caved in and bought renoise

also sorry tumblr i constantly delete this because i have way too many mixing hiccups to fix... was being too hasty haha

for a tracker with daw features like track mixers, vst support, automation, filters etc., it's pretty impressive what you can do with it. finally i get to do hq music without having to wrap my head around more conventional daws; i like the inconvenience of modern tracker interfaces myself, actually.

the first time i had to arrange for something hq like this, the biggest obstacle and wake-up call i had to face was the fact that uh, my mixing skills weren't up to snuff. fixing it was a nightmare. biggest thing i didn't know at the time of arranging was that sidechaining the bass was really important, otherwise the bass drum (kick) wouldn't be heard and be overpowered by the bass. this was pointed out to me by a server member of ours, lolwe. they've been mixing for about 7-8 years and counting so they understand it pretty well... and actually the final mix was made just this morning to actually fix the entire mix lol.

other more minor mixing issues were ironed out with eq-ing, which i have a bit of experience of, though it was pointed out by dinebon_, yet another (new!) server member, who was primarily a bassist. they also pointed out some unwanted dissonance i had put in for the arrangement.

i understand that mixing is pretty much subjective and everyone does it differently, but it should be worth pointing out that there are some rookie mistakes that someone like me _can_ make. i may be a good arranger but this mix wouldn't have sounded better if it weren't for people giving me advice and pointers on how to fix things. i definitely think that getting input from a variety of artists who have different strengths helps to put a mix together and give listeners a more comfortable listening experience, so from now on, i'll be at the very least, sidechaining my basslines with the kick for better mixing. sorry if this doesn't sound great for everyone lol

the vst i used on the other hand, has _a lot_ of technical problems.

i think we all here love the sound canvas series of midi synthesizers, but i unfortunately do not have the money to buy the physical hardware (yet), so i stuck to the roland cloud sc vst. god, it is a terrible technical mess...

obviously the sc is sampled beautifully, and is iconic in the video game music world, but how the hell do you mess up a vst _this_ badly? it has _inverted stereo_, which is, a fad from waaaaaay back when. i'm happy i got to simply fix this through audacity but good grief, man. i had to export each instrument one by one just so i could identify which instruments were cancelling themselves out on mono and which ones weren't. genuinely horrifying stuff. there are also the in-built low-end and high-end boosters, but what about the mids? i'm going to assume that it's just a feature of the time but god i honestly wish they added middle frequency knobs. not that i can't fix that with eq post-production, but i'd rather not do that (especially for the main melody) unless if the problem really is a big deal. again, i love the sound canvas, but i wish that the vst were better; the technical problems i had to work with ended up souring the experience. i wish people could actually fix it some day and turn it into something greater. i'll likely use the vst again but i also want to mix in other instrument and sample libraries as well!

in the meantime, this arrange gave me a crave for kirby again. i love kdl3 sm, it is my favorite game of the gb - snes era of games. idk how but jun ishikawa writes these intoxicating songs for kirby and i am just left to rot listening to them. they are waaaayy too good.

[daybreakthing]

Midigender

(pt: Midigender /end pt)

Midigender; a gender connected to Musical Instrument Digital Interface in some way, such a midi music, midi sound files, etc!

etymology; midi, gender!

for anon!

tagging; @radiomogai!

[toskarin]

Delay Lama is the first VST-instrument to offer both vocal synthesis and a real-time animated 3D interface. Its advanced monophonic vocal synthesis engine enables your computer to sound just like an Eastern monk, with real-time, high resolution control over the vowel sound. What's more, the plug-in window displays a 3D animation of a singing monk, that reacts directly to your input!

In addition, Delay Lama offers a simple but effective built-in stereo delay (you've guessed it), to give it just that extra bit of impressiveness.

The instrument can be controlled either with a MIDI keyboard, in which case the pitchbender acts as a vowel manipulator, or with the built-in XY-controller, which allows simultaneous control over both the pitch and the vowel sound. Other controls include the portamento speed and the level of the delayed signal. All parameters are controllable via MIDI, and all incoming events are handled with sample-accuracy.

[jokkaproductionz]

**The Ultimate Guide to Producing Hip Hop Music: Hardware and Software Essentials**

As a hip hop producer, you’re about to embark on a journey to create the next big hit. To get started, familiarize yourself with the hardware and software tools used in the production process. In this comprehensive guide, we will cover the essential hardware and software tools, as well as provide tips on how to combine them to produce high-quality hip hop and rap tracks.

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### **1. Hardware Essentials**

**1.1 MPCs (Akai Pro MPC Series)**

The MPC (Music Production Center) is a legendary sampler and sequencer that has been a staple in hip hop production for decades. The Akai Pro MPC series, including models like the MPC X, MPC Live, and MPC One, offer a myriad of features such as sampling, sequencing, and effects processing. These devices allow producers to create intricate beats and seamlessly blend samples with original material. **Tip**: Experiment with different sampling techniques to find your unique sound.

**1.2 Groove Boxes (Korg Electribe, Roland SP-404, etc.)**

Groove boxes are compact and portable devices designed for creating beats, sequences, and samples on the go. Popular choices among hip hop producers include the Korg Electribe and Roland SP-404. These devices often come with built-in sounds and effects, making them perfect for live performances or quick jam sessions. **Tip**: Use groove boxes for sketching out ideas quickly when inspiration strikes.

**1.3 Drum Machines (Roland TR-808, TR-909, etc.)**

Drum machines are fundamental tools within hip hop production. The Roland TR-808 and TR-909 are iconic machines that have appeared in countless hit tracks. Their distinct sounds can give your beats that classic hip hop flavor. **Tip**: Layer different drum sounds and tweak their envelopes to create a punchier kick or snappier snare.

**1.4 Turntables and Vinyl**

Vinyl records and turntables remain an essential component of hip hop culture. Many producers use turntables to sample and scratch records, adding a unique rhythmic element to their tracks. **Tip**: Explore various genres of vinyl records for sampling; sometimes unexpected sounds can lead to unique beats.

**1.5 MIDI Controllers (Native Instruments Maschine, Novation Launchpad, etc.)**

MIDI controllers provide a hands-on approach to controlling virtual instruments and effects in your DAW. Devices like the Native Instruments Maschine and Novation Launchpad are popular among hip hop producers for their versatility. **Tip**: Utilize pads for finger drumming to capture a more organic feel in your beats.

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### **2. Software Essentials**

**2.1 DAWs (Ableton Live, FL Studio, Logic Pro, etc.)**

Your Digital Audio Workstation (DAW) is the heart of your production setup. Ableton Live, FL Studio, and Logic Pro are three of the most popular DAWs used in hip hop production. Each DAW has its strengths; for instance, Ableton Live is favored for its session view for live performances, while FL Studio is known for its intuitive interface and powerful step sequencer. **Tip**: Take advantage of the built-in tutorials and communities surrounding each DAW to enhance your workflow.

**2.2 Virtual Instruments (Native Instruments Kontakt, Serum, etc.)**

Virtual instruments provide an expansive palette of sounds for hip hop production. Software like Native Instruments Kontakt and Serum allows you to design and manipulate sounds, offering endless creative possibilities. **Tip**: Incorporate sound design techniques to craft unique sounds that set your tracks apart.

**2.3 Effects Plugins (iZotope Ozone, Waves, FabFilter, etc.)**

Adding effects and processing to your tracks is crucial for achieving a professional sound. Plugins from iZotope Ozone, Waves, and FabFilter offer tools for mixing and mastering your music. From EQs and compressors to reverb and delay, these plugins can help you shape your sound effectively. **Tip**: Use reference tracks to guide your mixing choices and ensure your sound fits within the genre.

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### **3. Combining Hardware and Software**

The key to successful hip hop production lies in effectively combining your hardware and software. Here are some tips on how to do this:

- **Integration**: Connect your hardware instruments to your DAW via MIDI or audio interfaces for seamless interaction. This allows you to trigger sounds from your hardware while recording in the software.

- **Layering Sounds**: Utilize hardware samplers like the MPC to create base beats, and then enhance those beats using virtual instruments or effects within your DAW.

- **Live Performance**: Incorporate groove boxes or MIDI controllers during live performances to engage your audience and add spontaneity to your set. This can create a unique atmosphere and make each performance special.

- **Experimentation**: Don't be afraid to mix and match hardware and software. Use a MIDI keyboard to play samples from your MPC, or sample your virtual instruments on your groove box. The possibilities are endless.

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By understanding and utilizing the right hardware and software tools, you’ll be well-equipped to navigate the world of hip hop music production. Remember, the most important aspect is to experiment, find your unique voice, and have fun while crafting your beats. Now go create your next big hit!

[utopicwork]

You know I've worked a lot with Midi so I think a good jumping off point for a lighter way to send music, handle remote control and dynamic animation control system over PierMesh could be the low(ish) level Web Midi API:

Though for the music bit I'll probably need something more geared towards audio specifically but I'm going back and forth on whether the existing js libraries might be a bit too heavy so I may just implement the ability for nodes to synthesize audio from midis with soundfonts if that doesn't also turn out to be too heavy.