#mid to late 2000s lover boy au when??

[foxmulderautism]

i fear 23 year old me enjoys the supernatural halloween samhain episode as much as 13 year old me did I’m giggling and kicking my feet

[painandpleasure86]

Life-changing decisions (& a lot of suspects)- Deazzello week 2020

A/N: Hi ppl! Third fic for a row for this ship week, hosted by @roger-taylors-🚗 !! Now taking the prompt “friends with benefits” & “movie night”. This turned in a little novel in an own AU...

First “chapter” (fluff, humor): https://painandpleasure86.tumblr.com/post/190777536948/my-new-neighbor-its-my-crush-deazzello-week

Second “chapter” (fluff, drama, humor, smut): https://painandpleasure86.tumblr.com/post/190796228203/gimme-your-comfort-i-suffer-of-love-deazello

Summary: The lives of both families changed in a short time, and they just noticed that... Everyone analyzing the successes, suspecting things... 

Word count: 2000

Warning: almost all normal, just a little spicy moment. But, anyways, don’t interact if youre a minor. Don’t throw hate if you don’t like this kind of writing pls.

Permanent taglist: @warriorteam1924 @toomuchlove-willkillyou (sorry if you’re uncomfortable with this kind of writing) @deakysgurl ❤️

If you liked it, please reblog! That will help me to reach to more ppl :3

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"Well it's time to get out of here" said the elder. "I enjoy to be here with you, alone, but I don't want to raise suspect." Both started to dress again.

When they were already in the living, Laura smiled.

"You were all this time here and not helping to your mum?" said her father.

"Yeah… well not right here. I was next to the basement's door."

Ouch. Both men started to worry.

The girl continued.

"In some moment I listened to you screaming" pointing to Joe. "I was worried. That's why I called to mum to ask."

"Why you don't asked for yourself?" asked John, trying to avoid an explanation about the screaming.

"Why Joey screamed?". Laura also avoided a response, raising her voice. "I hope that Joey it's good and not covering his real feeling! A lot of times I listened scream to mum and you and she were in the same room with you!!!" Watching at Joe, added "If you're covering it, I don't understand why you haven't that role… and tell me what my dad made you that you screamed."

Their thing just started and looks like already haves suspects. At the same time, Laura was disrespectful with her dad and taking this, John could evade the response about Joe's screaming with a valid justification.

"Laura Christine Deacon, don't be that disrespectful with me! Your mum let pass a lot of your reactions, but not me! Go to your room and stay there until Joe come back to his home! We will talk a lot”, replied the man, quite upset.

Joe was in the middle of a familiar argue and he couldn't be more uncomfortable.

With a mix between anger and tears, Laura gone to her room. 

"What happened here John? I listened to Laura shouting" suddenly appeared Ronnie with Cam in her arms.

"Your daughter was disrespectful with me." replied John.

Joe never wanted more to be in his home. 

"I think that I should go to my home… family problems. I have already enough with the ones from my family"

"Sorry Joe for that… Laura lately it's being so rebel" said John accompanying him to outside.

"Oh." Joe stepped back. "Bye Ronnie, thank you for the tea and bass idea… now I see why you're his wife. You're the best".

Ronnie blushed a lot.

"Oh Joey you're the sweetest neighbor ever", she replied smiling.

He gave her a little kiss in the cheek and also caressed a bit Cam's head.

"Bye little bud!" 

The baby giggled a bit.

"He looks so cute!" Joe exclaimed watching at Ronnie, giving another smile to her. After that, he returned to his path to the outside.

Now outside and away of Ronnie, John exclaimed "Joe, you're a great actor. How you talked to Ronnie, haha!"

Watching to John, the redhead added "It was sincere. But she will not suspect that her idea left to us be happy for a while" and winked an eye. Almost out of the house, Joe watched to everywhere and gave to his neighbor a quick kiss in his lips. "Bye Sir." The old man bites his lower lip. "Tomorrow will be a long day in the dance studio. I need to rest". 

"Bye Joey".

Now again in his house, Ronnie told something to him.

"Laura asked to me that I check you. I know that wasn't nothing, but I wanted that she can be in peace."

More relaxed, John replied "oh okay. Anyways I'll go to talk with her. Lately she's so disrespectful with us". A deep sigh. 

"That's true John. Thank you for help."

"It's also my duty Ron, not only yours" and winked an eye, smiling.

John started to have an affair, but that didn't made him forget his duty as a father.

---------------------------

Joe was now in his room, trying to process all the things that happened that day. Was a rollercoaster. Sadness, kindness, passion, happiness…

And he started to ask to himself "which would be our label?"

He just knew that he had sex with his biggest crush ever. He just knew that the man's body now also belongs to him. His head was full of thoughts. "Perhaps we're just lovers… or friends with benefits? Because John it's also a good person. He's so kind… No. I just know him since last Saturday. He's my lover. Perhaps we will be also friends one day. And… I also hope to be his official partner, his HUSBAND. Am I dreaming a lot? No. I dreamed to have that body, to kiss his lips and today that dream came truth. Everything will be possible. Prepare world, Joe will be a big success! And will be happy with his lover without hiding!" And closed his eyes, trying to sleep.

John, before go to sleep, he smoked a cigarette outside. Thinking in all the things that lately happened. "Boy you already changed my life. I just know that I want you in it" he said watching to the dark sky.

Ronnie, alone in the bed, trying to not make any noise to wake up to Cameron. That night was hard lull him. "John, lately you're acting more extroverted and that's great. But also you're weirder with me. I don't know if to be happy for your good change or worried for the bad thing…" thought the woman, trying to sleep.

Laura, upset for the talk with her father. She suspect something. "I listened to Joe scream "AAAAAAAAAAAAAAAAAAAAH" so deeply. I just hope that has been a clumsy moment that he had and not another thing. Or… perhaps was just a demostration of that script. Yeah, was that… what could it have been?"

They just know that their life changed. For good or bad…

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Two weeks of that. Having bass lessons. Living in Putney. Being kind with Ronnie. Watching Laura having her cheeks red as tomatoes. Having an affair with his neighbor. 

"Still not also friends…" thought Joe. "But I'm going to that… I have the feeling that we will be best friend and also will fuck… that's perfect".

Was a cold Thursday night. His parents aren't in home, they were having a meal in a restaurant and Joe didn't wanted to join. His only motivation to share house with them was his neighbor…

Joe listened a knock in his door meanwhile he was watching a movie. Paused it and was to the door.

"Who's there?" Joe asked behind the door.

"Me"

That soothing voice. He opened immediately.

"John, come in!"

"Inside your house or inside you?".

Both laughed.

Joe closed the door, meanwhile John was entering with some lullage.

"Oh, before you ask, I'll go to Montreux to continue recording the last album for a few weeks. I'll not come back until mid February. Sorry the abrupt interruption of your lessons and our 'private sessions' " said, winking an eye.

"I'll miss you so bad"

"Me too."

"Before to take a taxi, I wanted to say to you… erm… I want a proper date. Not hiding in my home."

"Can you watch a movie with me, then? I have enough snacks".

"But if your parents catch us?" said worried the bassist.

"John… you though that the movie was an excuse to have sex? You think that I'm capable of that?" asked, pretending to be upset.

John laughed.

"Sorry, sorry Joey." and he grabbed Joe's face with both hands and give a little kiss in the redhead's lips.

He wanted smoke a cigarette.

"Oh that… outside. Sorry Johnny".

"Open a window a bit and it will be okay… outside its cold"

"And inside, warm", added Joe, hugging to his neighbor.

"Inside of you, too" whispered the man, in Joe's right ear.

"Are you funny or horny?" asked the young man, leaving the embrace.

"Why not both?" Opening a bit the main door, said "Rewind the movie Joey. I'll smoke a bit first."

Joe rewound the movie and left it ready to restart when John ended to smoke his cigarette.

Minutes later, John locked the main door and was to the couch, sitting next to Joe.

Joe pressed play.

Hugging to Joe with one arm, whispered in the right ear of Joe "please suck my dick, will be a lot of days just wanking"

"John… my parents will be here anytime."

"Do it faster then. I'm horny enough" said watching at redhead's eyes and grabbing Joe's left hand to put it over his crotch.

The movie was on, the volume not so high.

"Okay Sir" replied Joe, grabbing that crotch.

Joe incremented the volume of the movie.

"You will can moan sir" he whispered again, now unzipping the pants.

He puts on his knees and lowered John's pants to the ankles.

Same with the boxers. Haven't enough time to foreplay.

"Spread your legs…" asked the young man.

The old man did it.

Joe can see a hard dick waiting to be sucked. He sighed excited.

He introduced it in his mouth, letting go a lot of saliva. With his right hand, catched that saliva and down to the man's balls squeezing.

Up. Down. Up. Down. Always pressing the dick against his palate with his tongue. Squeezing and massaging the balls.

"AAAAAAAAAAAAAAAAAH Joey, my gosh, aaaaaaaah… a bit faster and I'll cum."

Faster. And pressing more.

"AAAAAAAAAAAAAAAAAAAAAH… aaaaaaaaaaaaah…. aaaaaaaaaah… aaaaaah. Thank you..." suspired him.

Swallowing the cumming, replied, watching to john's eyes "you're welcome sir". And was almost running to the bathroom. 

"Gosh, I still haven't the habit to swallow. Ugh" Joe thought, washing his mouth and hands.

John dressed him again and tried to act normal watching a movie that he didn't understand. 

Joe comeback and sat next to John.

"Now we can really see the movie?" he asked.

John watched at the clock.

"Damn… I should to take a taxi."

"For God's sak-"

A car parked. His parents.

"DAAAAAAAAAAAMN"

"I ended just in time Joey, hahaha!" laughed John.

Joseph entered to the house with his wife.

"Joe, what the f- MISTER! What a nice surprise! Why you're at this hours here?"

"Joe invited me to see a movie before going to Montreux. I'll be out until mid February."

Watching at Joe, Joseph said "Now I understand why you didn't wanted to came with us, haha! For a moment I thought that you invited to Lillian, that girl really likes you!" and winked an eye.

Watching to John again, asked "we can do it anything for you?"

"Oh, yeah… please I need to go to the airport now". 

"Sure John. Will be an honor". 

Giving a little kiss in the cheek, said "goodbye Joe! See ya soon!" and stood up of the couch.

"Bye John!"

Grabbing John's lullage that was next to the main door, Joseph said to his wife "I'll be here soon. Bye honey" and kissing her in her lips.

"Bye dear… and bye mister".

She closed the door and locked it.

"Joey… low the volume please."

"Yeah".

He did it.

"Have something that you wanted to tell me? I don't be stupid. That visit was strange."

Joe stopped the movie and watched to his mom.

"No."

"Really?"

"No"

"Joseph, don't use your acting skills with me. With your father can work, but not with me."

The woman was suspecting something.

Sighing, Joe said "mister Deacon it's my platonic love mom."

She was staring at silence.

"I'm gay mom. You never noticed that?"

She suspected, but she never wanted to accept it. 

Sighing, the mistress sat next to Joe in the couch and hugged him.

"Always suspected that Joey. Despite it's so hard to me accept that, thank you for get out of the closet to me, I'll not say it to anyone".

Mistress Mazzello was more supportive that he suspected.

Leaving the embrace, he asked to his mom "Do you want to see this movie with me?"

"Sorry honey. Tomorrow. I'm tired. I love you, good night" and she stood up of the couch, going to her room.

Joe came back to see the movie, finally. Like he was planned. But already missing him.

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Again, if you liked it, please reblog! That will help me to reach to more ppl :3

Cheers, Lily.

[deadcactuswalking]

REVIEWING THE CHARTS: 06/03/2021 ("BED”, Digga D, Kali Uchis)

It’s finally a really short filler week on the UK Singles Chart but not one without its importance as we’ve got some real interesting stuff to talk about this week, even if there are only six new arrivals. Olivia Rodrigo’s “drivers license” is at #1, and whilst I may not be able to post this on Twitter because I’ve been locked out – don’t ask why – this is still REVIEWING THE CHARTS.

Rundown

So, a lot of our debuts are gone, including “test drive” by Ariana Grande as well as other bigger hits dropping out of the UK Top 75 – which is what I cover – including “Burner on Deck” by Fredo featuring the late Pop Smoke and Young Adz, “i miss u” by Jax Jones and Au/Ra, Taylor Swift’s re-recorded “Love Story”, “Before You Go” by Lewis Capaldi, “Shallow” by Lady Gaga and Bradley Cooper and “Perfect” by Ed Sheeran. There are also a handful of fallers across the chart like Fredo’s continued drops as “Money Talks” with Dave is at #28, “Let’s Go Home Together” by Ella Henderson and Tom Grennan off of the debut to #34, “Love Not War (The Tampa Beat)” by Jason Derulo and Nuka at #36, “34+35” by Ariana Grande at #40, “Good Days” by SZA dropping hard with the streaming cut down to #46, “Mixed Emotions” by Abra Cadabra at #54, “Watermelon Sugar” by Harry Styles at #60, “Didn’t Know” by Tom Zanetti off of the debut to #68, “Siberia” by Headie One featuring Burna Boy at #71 and “willow” by Taylor Swift at #72. What’s probably more interesting are our gains and returning entries, as for returns, we’ve got “ROCKSTAR” by DaBaby featuring Roddy RIcch back at #75, Wilkinson’s 2013 drum and bass track “Afterglow” featuring uncredited vocals from Becky Hill back at #74 for whatever reason, “Higher” by Clean Bandit featuring iann dior at #70 and “Goodbye” by Imanbek and Goodboys coming back strong at #59. Our gains are also pretty unique, as we have some second winds for “Looking for Me” by Paul Woolford, Diplo and Kareen Lomax at #67, “Loading” by Central Cee at #61 and “Roses” by SAINt JHN and remixed by Imanbek at #55. We also have a handful of climbers within the top 40, like “All You Ever Wanted” by Rag’n’Bone Man surging up to #33 off of the debut, which I’m pretty happy about as it’s a really good song. I’m less over the moon about “Little Bit of Love” by Tom Grennan at #27, “Believe Me” by Navos at #25 and finally, “My Head & My Heart” by Ava Max up to #19. There’s not much movement above that however, so let’s get into our new arrivals, starting with something I didn’t think I see here this soon.

NEW ARRIVALS

#65 – “SugarCrash!” – ElyOtto

Produced by ElyOtto

I love doing this show because I find out more about genres I’d usually tend to avoid. I’m not the most knowledgeable person about Afroswing or really, a lot of the house that ends up charting on the UK Singles Chart. I think I know my fair bit about at least the mainstream of a lot of the UK drill stuff, but what I really would consider myself somewhat specialised in is hyperpop. I’m probably too old to enjoy any of it as much as I do but that may just be why I have a connection to this overly online, digital scene of SoundCloud producers and rappers making pretty obnoxiously mid-2000s-influenced electropop, as it really does feel like a retreat to a simpler time with all of the angst of the emo-pop being made around the same time. The hyperpop scene and bubblegum bass as a whole has always felt inclusive, which I think is one of the main reasons why it’s big with teenagers nowadays, because there really isn’t much of a limit in the genre or at least the scope that we’ve found as of yet, whether it be integrating elements of ‘hexd’ or brostep or trance or what have you. Whilst companies may want us to be nostalgic for the 1990s, I think most people are taking a couple steps forward here, and it’s creating some genuinely great music – some of the time, at least. Hyperpop has birthed many SoundCloud-based sub-genres, or I guess micro-genres, including one of which being glitchcore, a glitchier, more off-the-wall brand of cloud rap with a lot of high-energy trap production and nightcore-esque pitch-shifting. I see some brands of infighting amongst people who listen to hyperpop and glitchcore seeing as glitchcore has arguably taken off a bit faster than other more electronic or pop-focused scenes, but I see that as evolution of a scene more than anything. 100 gecs sounds nothing like A.G. Cook, anyway, it’s pointless gate-keeping at this point, especially when TikTok gets their hands on this random kid from Canada. In a genre full of pioneers, this young Canadian guy’s debut single is what gains traction and for what it’s worth I’m happy for the guy but I’m not a fan of the song at all. This does feel like a parody if anything, with its fast-paced gecs impression and admittedly pretty ethereal synth patterns pretty drowned out by lightweight trap percussion and this ElyOtto guy who really isn’t a presence at all, especially if he’s going to pitch himself down and further into the instrumental on the outro... of a song that’s already only one minute and 20 seconds yet runs through two choruses and a verse, of which nothing really is said of substance. People like blackwinterwells and osquinn make similar music especially in terms of lyrical content but there is something to be said about their honesty and somewhat paranoid tones that creep in, whilst there’s nothing really emotionally convincing about this guy’s delivery or content, as while he may make the same semi-ironic references to self-harm, pain medication and Gen Z culture as they do, he doesn’t really have any tact and it feels overly self-aware to the point where I refuse to believe anyone outside of ElyOtto can really enjoy it fully. It makes perfect sense that this started off as a “short soundfont test” and really, it probably should have stayed that way. There’s a lot to be enjoyed in hyperpop but if this isn’t a satire and is a genuine attempt at approaching the scene, I’d be genuinely surprised. That said, his song “TEETH!” is legitimately good with the exact same length, so maybe I’m just full of it. Either way, I’m not a fan. Sorry.

#56 – “AP” – Pop Smoke

Produced by 808Melo and Rico Beats

Another posthumous Pop Smoke single, except this was actually recorded well before his death and probably finished before to boot, as it’s attached to a film, Boogie, that he will actually star in. With 808Melo on production, it’s guaranteed to have at least some hard-hitting drill production and, yeah, I mean, it’s fine. It’s got a pretty eerie vocal sample behind all the murderous lyrics and pretty busy drill percussion with some great 808s, even if it and the sample feels a bit too loud in the mix when Pop Smoke’s rich voice feels buried. It’s just gunplay, really, and a bit of flexing and references to his older songs, as he makes a call and it’s war and he’s off that Adderall. It’s sad that from now on, any material we get from Pop Smoke will be his leftovers and throwaways. That said, this is fine, perhaps a bit too long, and it could be worse – I mean, it originally leaked with a Rich the Kid verse, it REALLY could have been worse. Once again, RIP Pop Smoke and I hope 808Melo gets his YouTube channel back if he hasn’t already.

#50 – “Pierre” – Ryn Weaver

Produced by benny blanco, Ryan Tedder and Michael Angelakos

The UK Singles Chart is changing, and I think that’s what makes this such an interesting week as there is genuinely some stuff here we’ve never seen debut on the chart before – or anything like it – and that’s exciting to me. You probably know Ryn Weaver from “OctaHate”, a brief 2014 viral pop song written by Charli XCX and produced by Cashmere Cat that led to a debut album the next year and thanks to presumably TikTok, a deep cut from said album has now debuted in the top 50. Now I hadn’t heard of her before looking at the chart about an hour ago, so I can’t tell you much of anything at all about the California singer. I’m not really a fan of “OctaHate” but I do have a fondness for that janky electropop production from the mid-2010s – “Gold” by Kiiara is a hill I’d die on – so with production from Michael Angelakos of Passion Pit, I’d hoped “Pierre” would be pretty cool and, yeah, it’s pretty odd, actually. It seems like a pretty ballad but with a very fast-paced, raspy delivery from Weaver and some choppy production that soon tenses in the chorus and I’ve got to say, while I’m not 100% on the mixing, I can get behind the concept here, especially with some multi-tracked vocals from Weaver. The song itself is about trying to run away from her feelings for a lover that never really went away, particularly as she hooks up later with a man called Pierre who speaks in broken English, which gives a lot of reason for the tense pace of the song, even if that is undercut by the production being muddy and awfully willing to kill its momentum in the outro as there’s never really a proper climax. That said, it’s fitting for that final line, “I’ll come around”, which can be interpreted as about moving on or complacency – just coming back to that guy after years of searching for someone else. I do like this – or at least what it’s trying to do – but I feel like it’d enjoy it more with less clutter, particularly in that chorus, which could really elevate this but as it is, it’s fine.

#45 – “telepatía” – Kali Uchis

Produced by Albert Hype, Manuel Lara and Tainy

Okay, so alt-pop all the way from Latin America, that’s also a first... except not really, as ROSALÍA has charted before, if only off of the back of Billie Eilish. Regardless, this is a really high debut for a global hit from Colombian-American critical darling Kali Uchis, someone I’m always glad to hear from. Admittedly I did not check out that last project that was a return to a lot of the Latin American music, including reggaeton, she took early influence from. That debut studio album is mostly an English-language neo-soul record so I appreciate the risks taken, even if I personally didn’t check it out. I probably should though, because this bilingual streaming success “telepatía”, is pretty damn smooth with some of the signature fuzzy keys you’d hear from any Kali Uchis song, somewhat reminiscent of Tyler, The Creator in all of the elegant piano ambiance and soul drums that cut the line thin between live and programmed, but sound quite either way. I especially love the flushes of Latin guitar in the chorus but really, Uchis’ silky voice is what shines here, especially in the subtle, seductive double-tracking and how smoothly it switches from Spanish to English. It’s not perfect, I mean, the transition from chorus to second verse and back again is somewhat awkward, and it does feel like it runs a little short. I was honestly expecting a guitar solo or something but we get very little of anything after that final chorus. Given that I know Tainy mostly from his work with J Balvin – and I’ll admit, also mostly from his work on the Sponge on the Run soundtrack – I’m pretty pleasantly surprised with how this has meshed together and I do really hope this sticks around.

#23 – “Bluuwuu” – Digga D

Produced by Glvck

We didn’t get an album bomb from Digga D, bless the Lord, but we did get this one single and... do American rappers make genuine death threats on their top 40 singles? Just wondering, because this has several references to rival gang members and how he’s going to hurt them in one way or another. That would be fine if it were convincing, but this guy really isn’t, especially if he’s going to do the silly “bluuwuu” ad-lib in the chorus over one of the least interesting drill beats I’ve ever heard. The 808s don’t slide notably, the percussion is like a template and there isn’t any energy to this... which is fine, because it’s very much just about gang violence, half of it censored. That said, it crosses the line from intriguing detail to possibly too detailed in a way that’s just unwarranted over a boring beat and with the tendency to go off-topic with his flexing ever so often. I’d probably rather listen to the posthumous Pop Smoke single over this if I had to choose, at least that beat is, you know, good.

#20 – “BED” – Joel Corry, RAYE and David Guetta

Produced by Giorgio Tiunfort, New Levels, David Guetta and Joel Corry

I thought these guys were literally famous for just being producers, why does a song by two producers need two extra producers and if it really needs them, why aren’t they given a lead artist credit as well? Oh, right: name recognition, even though neither Corry or Guetta have ever made anything worth recognising. This song with RAYE, personality-void guest singer, relies on the line, “I got a bed, but I’d rather be in yours tonight”, because it’s a sex jam in one way or another, even though there are no stakes to that chorus line at all. Yes, I know RAYE has a bed; she probably sleeps very comfortably on it. She probably bought it from Premier Inn. Maybe they were having a sale. There’s no point in clarifying that you have a bed – in fact, a more interesting lyrical turn would to maybe bring some stakes into it by saying that RAYE does not in fact have a home, and the intimacy with unnamed man keeps her afloat in times of hardship. This is really just me stalling because this may be our highest debut but that does not mean it’s worth talking about. “BED” doesn’t really do much more than it’s supposed to. It’s got some vaguely 90s keys, fake hand-claps, a checked-out performance from RAYE and an anti-climactic deep house drop. Do you care? Does that description make you want to hear it? It’s not a negative critique, it’s an unbiased description of what happens. Are you intrigued with that? Do you want to check this out? This’ll go top 10 next week because of the music video, but God, this is just soulless, and that’s coming from someone who talks almost purely about the pop charts. I do like the post-chorus vocal melody for what it’s worth, but, yeah, no, I don’t care.

Conclusion

I don’t even care enough to give it Worst of the Week, as that’s going to “SugarCrash!” by ElyOtto with a Dishonourable Mention for Digga D’s “Bluuwuu”. Best of the Week should be obvious as Kali Uchis’ “telepatía” is the only good song here, but the Honourable Mention I guess goes to the late Pop Smoke for “AP”, even if that’s mostly because of 808Melo on the production. Here’s this week’s top 10:

I predict a lot will change next week, as we’ve got new songs from Justin Bieber, James Arthur, Bruno Mars (with Anderson .Paak!) and an EP from Drake... follow me on Twitter @cactusinthebank if you want in the event that I can use that again, and I’ll see you next week for that snoozefest.