#michel de broin

[miamaimania]

"Molecule" by Michel de Broin

[lesmachins]

Entrelacement, Michel de Broin

[nevver]

We get nowhere, it's been proved - Michel de Broin

[professeur-stump]

Rendez-vous utile

1099.  —-- Michel de Broin (Michel de Broin, —--, 1996-…) (micheldebroin.org)

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[i-groped-the-bride]

𝕸𝖎𝖈𝖍𝖊𝖑 𝖉𝖊 𝕭𝖗𝖔𝖎𝖓

[halfmongrel]

Michel de Broin, Tube, 2016, Aluminium, plaster, cushion, 38 x 72 x 21 inches VIA

[furryalligator]

(via Dendrites | Art Public Montréal)

[slack-wise]

[guillaumeethier]

What goes around, comes around 

[progress-in-art]

Michel De Broin

[thedailymobile]

“Dendrites: Ascendant Split”

© EricBrazier.com

[jhave]

Blowback - Michel de Broin

[professeur-stump]

Récupérer (Retrieve from death), (illusion)

1098.  Dead Star, Michel de Broin (Michel de Broin, Dead Star, 2008) (micheldebroin.org)

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[byneddiedingo]

Jean-Pierre Léaud and Kika Markham in Two English Girls (François Truffaut, 1971) Cast: Jean-Pierre Léaud, Kika Markham, Stacy Tendeter, Sylvia Marriott, Marie Mansart. Philippe Léotard. Screenplay: François Truffaut, Jean Gruault, based on a novel by Henri-Pierre Roché. Cinematography: Néstor Almendros. Production design: Michel de Broin. Costume design: Gitt Magrini. Music: Georges Delerue. Late in his life, Henri-Pierre Roché wrote two semi-autobiographical novels about his life and romantic entanglements in the artistic circles of Paris at the turn of the 20th century. Since François Truffaut had his first great success as a director with one of them, Jules and Jim (1962), it's not surprising that he turned again to Roché for inspiration almost a decade later in Two English Girls. Both are about romantic triangles, though with a woman and two men in the first film, and a man and two women in the second. But where Jules and Jim is loose and larky, Two English Girls is slow and stately, its characters stewing in their frustrations and uncertain desires. Part of the difference may lie in the fact that the pivotal character in the first film is Jeanne Moreau and in the second film it's Jean-Pierre Léaud. Both are remarkable actors, but Moreau centers the film in an element of mystery that gets diffused when Léaud becomes the protagonist, forced to deal with his attraction to two very different sisters. We know instantly why Jules and Jim are so fascinated by Moreau's Catherine, but in Two English Girls the difficulties among Claude (Léaud), Ann (Kika Markham), and Muriel (Stacy Tendeter), centering in large part on sexual morality, are not so provocatively drawn. So the tension among the figures in the triangle goes a little slack in Two English Girls, which at some point turns into a meditation on the differences in nationality and religion (or the lack of it). Roché's novel was titled Les deux anglaises et le continent, emphasizing the Channel-wide gap between the characters. ("The continent" is the Brown sisters' epithet for Claude, erecting a kind of geographical barrier reminiscent of the one between Henry James's Americans and Europeans.) Two English Girls is beautifully filmed by Néstor Almendros, and it has a lovely unobtrusive score by Georges Delerue (who also appears on camera in the role of Claude's business agent), but Truffaut's adaptation, relying heavily on voiceover narration, never overcomes a lack of dramatic incident inherent in the source. It takes patience and concentration to fully appreciate the intricacies of the relationships in the film.

[tabledesmatieres]

Dendrites