#michael salamone

[fyeahfandomss]

[adashofginger]

"You would break your back to make me break a smile."

Labyrinth | Taylor Swift

Model: Michael Salamone/Anubace

[clarkkantagain]

michael salamone and matthew cancel by fletcher cowan

[hotbods2000]

Michael Salamone

[graphicpolicy]

Preview: Magic Book 3

Magic Book 3 preview. In a time of relative peace, threats from the Planeswalkers' past refuse to rest. #comics #comicbooks #mtg #magicthegathering

[enibas22]

You Tube https://www.youtube.com/watch?v=PzLtaF6dYMI&t=101s

14th March 2024

DIE ERMITTLUNG - Plakat und Trailer

Regisseur RP Kahl hat das Theaterstück "Die Ermittlung" von Peter Weiss mit 60 Schauspieler:innen für die Kinoleinwand inszeniert. Der heute veröffentlichte Trailer gibt einen ersten Einblick in das künstlerisch radikale Projekt, das Kino, Theater und neueste Broadcast-Techniken verbindet, um einen eindringlichen und zeitgemäßen Beitrag zur Erinnerungskultur zu leisten.

Im Zentrum des Films stehen ein Richter, ein Verteidiger und ein Ankläger, die im Rahmen der Verhandlung auf 28 Zeug:innen treffen, die von ihren Erlebnissen und Beobachtungen in Auschwitz berichten. Weitere 11 Zeug:innen der ehemaligen Lagerverwaltung sagen vor Gericht aus. Die 18 Angeklagten werden im Prozess mit Beschreibungen der Zeug:innen konfrontiert und sollen Stellung beziehen.

Das Theaterstück wurde 1965 uraufgeführt und hat bis heute nichts von seinem Schrecken verloren: Es basiert auf persönlichen Aufzeichnungen, Zeitungsartikeln und Protokollen des ersten Frankfurter Auschwitz-Prozesses (1963 bis 1965). In unmissverständlich klarer Sprache von Peter Weiss zu einem lyrischen Klagegesang verdichtet und montiert, konfrontiert das Stück Täter und Opfer und lässt das Grauen in Auschwitz spürbar werden.

Nach einer intensiven, vierwöchigen Probenzeit haben 60 Schauspieler:innen den Text von Peter Weiss für die Kinoleinwand zum Leben erweckt. An insgesamt fünf Drehtagen wurden die einzelnen Gesänge im Studio Berlin Adlershof mit einem ausgefeilten visuellen Konzept in nur einer Einstellung gedreht - eingefangen von insgesamt acht Kameras.

In den Hauptrollen sind Rainer Bock als Richter, Clemens Schick als Ankläger und Bernhard Schütz als Verteidiger zu sehen. Hochkarätig besetzt sind auch alle anderen Rollen, so werden die Zeug:innen von Andreas Anke, Filipp Avdeev, Elisabeth Duda, Marc Fischer, Arno Frisch, Attila Georg Borlan, Dorka Gryllus, Marek Harloff, André Hennicke, Marcel Hensema, Rony Herman, Marco Hofschneider, Robert Hunger-Bühler, Rene Ifrah, Eva Maria Jost, Christian Kaiser, Klaudiusz Kaufmann, Nicolette Krebitz, Andreas Lechner, Peter Lohmeyer, Jiri Madl, Karl Markovics, Thomas Meinhardt, Robert Mika, Axel Moustache, Dirk Ossig, Axel Pape, Christiane Paul, Barbara Philipp, Andreas Pietschmann, Ralph Schicha, Peter Schneider, Andreas Schröders, Axel Sichrovsky, André Szymanski, Sabine Timoteo, Tom Wlaschiha, Mark Zak und Matthias Zera verkörpert. In der Rolle der Angeklagten standen Thomas Dehler, Nico Ehrenteit, Wilfried Hochholdinger, Christian Hockenbrink, Timo Jacobs, Ronald Kukulies, Lasse Myhr, Christian Pfeil, Torsten Ranft, Michael Rotschopf, Frank Röth, Matthias Salamon, Niels Bruno Schmidt, Tristan Seith, Michael Schenk, Arndt Schwering-Sohnrey, Adam Venhaus, Till Wonka vor den Kameras.

[tfblovesmusic]

Maligayang Pask-OH SHIP! Mixtape 2, Listening Guide 2

Section 15: Happy Golden Days of Yore

The Mexican barrio morphs into a rural, snowy English town in the early 18th century. The Gesualdo Six’s Guy James, Joseph Wicks, Josh Cooter, Michael Craddock, Samuel Mitchell, and Owain Park stand outside a church, singing Michael Praetorius’s “Es ist ein Ros’ entsprungen.” The listener stops by the pub, and Heather Dale serenades one with “This Endris Night.” Sara Stowe stops by to serve the listener a cup of “The Gloucestershire Wassail.”

Refreshed, the listener enters the said church, in which one finds peasant clothing-clad James Bowman and Michael Chance pray Francois Couperin’s setting of the Magnificat. Dame Emma Kirkby appears also in peasant clothing, her singing the final movement of Alessandro Scarlatti’s Non so qual più m'ingombra – “Nacque, col Gran Messia” – with the London Baroque under Charles Medlam.

Section 16: Nochebuena Spread

Festive scents inundate a dining room as Sophie Retaux’s charming organ transcription of the Dance of the Mirlitons from The Nutcracker wafts.

Collin Paul welcomes the listener in the kitchen, declaring that “It’s a Marshmallow World.” Jody Dee and the Starliters cook up a storm with “The Peppermint Twist.” Lesley Gore helps one whip up Christmas “Sunshine, Lollipops, and Rainbows.” The listener helps Chance mix mulled wine, brew the nonalcoholic hot cocoa, and heat up toddies as he sings Purcell’s “If Music Be the Food of Love.”

All the dancing and cooking makes the listener hungry, and the cast of Promises, Promises help one set the tables to ensure that everyone has a “Turkey Lurkey Time.” The guests are in fact the King’s Singers, who join you in a “Banquet Fugue.” One of the Kidsongs Kids tells the listener at the jovial table, “All I Want for Christmas Is My Two Front Teeth.”

Section 17: The 1740s Menorah Lighting Hour

The listener once again heads to the 18th century, this time in a Jewish neighborhood. Matthias Maute’s Ensemble Caprice’s “Fa Nye Mama” fill the air, and so do the scent of laktes frying in oil.

As Sydney Fixman lights the candle on a silver menorah, the Pro Cantione Antiqua sing Salamone Rossi’s Elohim Hashivenu. The Maulbronn Chamber Choir, accompanied by Musica Florita and conducted by Jurgen Budday, sing “See the Conquering Hero Comes” from Handel’s seasonal oratorio, Judas Maccabaeus. Il Gardellino – under Marcel Ponseele – signifies another Hanukkah night illuminated with the 3rd movement of Alessandro Marcello’s Oboe Concerto in D minor, S D935.

Ensemble Il Continuo lends a festive air with the opening chorus of Benedetto Marcello’s I cieli immensi narrano, S.618. Helmut Lotti leads everyone in a rousing hora to his cover of “Shalom Alechem.”

Section 18: Give Love on Christmas Day

Seasonal romance intertwines with the festive atmosphere as the segment starts with Jose Mari Chan’s “A Perfect Christmas.” The listener waltzes with a friend (or significant other) as Peabo Bryson and Roberta Flack sing “As Long as There’s Christmas.” The Cambridge Singers and Farnham Youth Choir croon, “I Wish You Christmas.” The Jackson 5, aptly, advises the listener, “Give Love on Christmas Day.”

The Carpenters reminisce about “Those Good Old Dreams” while Susan Ashton and Collin Raye share “The Gift” with each other. Chan tells the listener, “Give Me Your Heart for Christmas.” Sandi Patty and the kids remind one, “The Gift Goes On.” Mariah Carey affirms that the listener’s love is the best gift of all, as evidenced by her greatest seasonal banger, “All I Want for Christmas Is You.” And Barry Manilow says, “I’ve Got My Love to Keep You Warm.”

Best listened with Spotify Premium.

[coldrubies]

Grief cinema

My mom died at the end of 2019, right before lockdown. When covid hit, I was still in a foggy state. My reaction to everything delayed. I am supposed to stay home? Not go outside? Fine! Those were precisely what my plans were for the next mumblemumble years anyway.

My brightest, most vivid memories would have been of the movies that I saw anyway, because movies are special to me and I am always watching them. But the way they informed my grieving process surprised me. One does not necessarily expect, in the moment, for anything to really make it better.

But the day of my mom's death—maybe the day of, maybe the last day that I saw my mom—I watched MIDSOMMAR for the first time. I didn't know the plot and was a little concerned about it but a lot unable to do anything about the way that I felt; the DVD was already in the DVD player, and I knew my mother was dying/dead. Florence Pugh's portrayal of grief was a real gift. I felt held by it. It was miraculous to me, frankly, how much it lifted me into a state of feeling able to engage with what was going on and how I was feeling. There is a rant in me—and it is in there pretty shallow; you can get at it easily—about how acting is a vital service. I feel about actors the way that THE OFFICE's Dwight Schrute feels about his urologist. It is something I cannot do myself all the time, validate my own feelings about life; I need someone to do it for me, and I am grateful.

Also right around the same proximity to my mom's death, I saw the "Original Cast Album: Co-op" episode of DOCUMENTARY NOW! in the midst of watching that season. It was funny, I loved it, it took me out of my troubles, and the milieu was so novel and fascinating to me—this is how a cast recording (something I had never thought about) is/was made?—that I looked up which real documentary the episode was based on.

Before addressing ORIGINAL CAST ALBUM: COMPANY and all it's done for me, a word on Stephen Sondheim:

I will pick up practically any biography of an artist. An all-time choice was the biography of Wendy Wasserstein by Julie Salamon. I didn't know her or her work, and it was such an absorbing book, I think about returning to it all the time. Ditto Michael Schulman's Meryl Streep biography. I love to get a feeling of people in time. The choice to buy Stephen Sondheim's biography was not totally random, but it happened to be on my person when, immediately after my mother's death, I was hit by a car! It wasn't fatal—here I am—it just tipped me over. But I was in a fragile state, I did cry a lot, and I explained to the driver that my mother had just died, and that was why I was crying, and that would be the only reason I cry about anything for a while, regardless of what it seemed like I ought to be crying about. Eventually, I got to a hospital that night to make sure nothing had happened to me, and I was stranded in a room for more than an hour, and all I had was this book about Stephen Sondheim.

I can't remember—I'm sure I could figure it out—whether I had the book before I saw the documentary, whether I'd already seen it by the time I started reading it—but it all feels like it happened more or less at once that I went from not knowing* who Stephen Sondheim was to knowing, you know, the reams of tedious details that a fan knows (how many lines he preferred to have on his yellow legal pads; his go-to chord structure).

As all of this is going on, I've been writing a novel about musicians since 2018, and I made a promise to myself that, once I finished the first draft, I would prioritize learning about music. I never did when I was in school, I always wanted to, and the novel would never be done if I did not understand what my characters are supposed to be doing. I finished the first draft at the very end of 2019, and how fortuitous for this guide to show up, again, more or less all at once (just in time for me to be truly knocked out when he died two years later, more or less exactly from the time of all of this).

The extent to which I've clung to that gift as a life raft during this time is best demonstrated by the fact that, at the end of 2019, I had no knowledge of anything pertaining to music other than liking it, and now I have been composing music since the spring of 2022 (composing was the very long goal, and I still can't get over the fact that I met it). Have I neglected other parts of my life? Big time. But this is still impressive to me considering I would have liked very much to simply pull a blanket over myself and be sad quite ongoingly.

(*- On the subject of "not knowing who Stephen Sondheim was," my only frame of reference was seeing his name in the credits, mostly on item descriptions online, for, like, CDs of the WEST SIDE STORY, INTO THE WOODS, and ASSASSINS cast recordings, all of which I happened to see randomly over the years, but it is the kind of coincidence that would leave one who doesn't know anything about musical theatre to wonder if, maybe, Stephen Sondheim has written every single musical ever.)

Back to the documentary:

Between my discovery of ORIGINAL CAST ALBUM: COMPANY and now, the Criterion Collection has issued an edition of it on DVD and Blu-ray that is beautiful, a dream come true, and it features the DOCUMENTARY NOW! parody episode—magnificent. At the end of 2019, though, my only option for owning it was as a Quicktime file. This is fine—whether or not I have internet access, I have access to ORIGINAL CAST ALBUM: COMPANY.

I have so much to express about ORIGINAL CAST ALBUM: COMPANY, but I will restrict myself only to how it has intermingled with my grieving process. It is, of course, a pleasure to see people lost in work that is demanding but, compared to grieving a loved one's death, a load of cake. In the moment, the first many times I saw it, it came with a fresh, invigorating spray of curiosity-provocation. I love to be curious. Curiosity can do a lot for me. And there is a lot to be curious about for the completely uninitiated when it comes to the byzantine, idiosyncratic, union-forged business practices of Broadway theatre. Knowing how much he loved rules, watching him in this documentary, I am so moved and so happy for Stephen Sondheim that he was from and dwelled in a land that loved rules so much.

I could go on and on and on about how cathartic it is to watch someone be difficult, a ruthless artist, rigid, upholding a high standard as a method of care. I could introduce the subject of Stephen Sondheim and mother issues and we would be here all day. One of the conditions of my loving a thing is that I just go on about it. But when I first saw ORIGINAL CAST ALBUM: COMPANY right around the time that my mother died, the big thing that it did for me was show me, in case I felt like allowing my grief to interfere with my plans, that working on music was going to be good, nice, and right, which in this case were all the same thing.

It's been comforting to rewatch MIDSOMMAR since the end of 2019 and, to be honest with you, I rewatch ORIGINAL CAST ALBUM: COMPANY on a basis so routine that, on second thought, to be honest with you about it would embarrass me too greatly, but the other movie that did something for me in the bewildering swirl that was right-around-the-time-my-mother died, maybe the day it happened, isn't one I revisit, but it is worth noting. I was not going to prepare any food that day, which I barely incentivize myself to do when I'm not pulverized by the cruelty of fate, so I bought, I think, a poké bowl (spicy tuna, etc.) and a Mediterranean-style grain bowl (ancient grains, spicy feta cheese, etc.), and ate them both promptly and simultaneously. I felt sick. I could not do anything lest I risk throwing up. I watched SPACE JAM (I did not throw up! A small miracle).

I am I-saw-SPACE-JAM-in-the-theatre-and-it-was-age-appropriate years old. The soundtrack was a presence in my home. I have no tender feelings about it, but, watching it for the first time as an adult, its ludicrousness did completely take me out of what was happening to my soul and body. That's not nothing!

Maybe more happened then and it isn't coming to me now, but this is how I remember it.

[priokskfm]

#MixOfDay #Podcast #Radioshow #LiveDjset Defected Broadcasting House // Angelo Ferreri ((Live from The Basement)) FULL SET YouTube DEFECTED Channel here ➡️ http://www.youtube.com/watch?v=qUIsePcz2Og Thanks for your support!!! TRACKLIST ⬇ 01 [00:00] Dexter Troy - DANCE TO THE MUSIC [MONOSIDE] 02 [04:08] Filta Freqz & K Stylez - DA PLAYAZ [SEVENTY FOUR] 03 [07:14] Pietro Over Jack - XCUSE ME [MOOD FUNK RECORDS] 04 [11:04] Angelo Ferreri - PROMO UNRELEASED [MOOD FUNK RECORDS] 05 [15:08] Hatiras - LAIES CHOICE [SPACEDISCO RECORDS] 06 [18:05] Michael Salamon - QUEENSWAY (2019) [miniMARKET] 07 [20:40] Angelo Ferreri & DJ Delta (IT) - THE DJ MANIFESTO [MOOD FUNK RECORDS] 08 [25:01] Joss Moog - THAT’S WHAT U R [ROBSOUL] 09 [27:34] Scrubfish - BACK ON THE BLOCK (Angelo Ferreri Remastered) [MOOD FUNK RECORDS] 10 [32:09] Ricky Pellegrino - I’M READY [MOOD FUNK RECORDS] 11 [35:28] Galli Vant - PROMO UNRELEASED [MOOD FUNK RECORDS] 12 [40:01] Robbie Doherty - MOVING RHYTHMS [PIV RECORDS] 13 [43:50] Two Lee - JOY [MONOSIDE] 14 [46:36] Luigi Rocca & Manuel De La Mare - HERE I AM ONCE AGAIN [DIRTY CLUB MUSIC] 15 [49:45] Jansons & Dope Earth Alien - HYPNOTIC [DEFECTED RECORDS] 16 [52:46] Angelo Ferreri - ASK YOURSELF (Can You Dance) [SOULFURIC TRAX] 17 [57:21] Angelo Ferreri & Hatiras - IN THE HOUSE (Angelo Ferreri ‘Unreleased Personal' Edit) [MONOSIDE] Defected, Broadcasting, House, Live, Basement, Groove, Jackin, Disco, Funky, Tech, "Angelo Ferreri", "DJ Set" www.priokskfm.online https://ift.tt/k9vGctI

[ex0greyfox]

Redd

[nofatclips]

Show You The Way by Thundercat (featuring Michael McDonald & Kenny Loggins) from the album Drunk - Directed By: Katarzyna Sawicka & Carlos Lopez Estrada (follow up to Them Changes)

[fyeahfandomss]

[berniesrevolution]

I believe that behind every evangelical pessimist, lies a jaded romantic. I see false bravado, preaching pragmatism as a cover for that time the pulpit-penchant got their hopes up, and gravity ultimately did its handy-work. I get it. The system is rigged. Some people are selfish jerks. It’s easy to abandon hope for safety. However, sentimentality only flourishes when shared.

Our revolution is a dandelion. Our flower wasn’t picked this time, yet our seeds have been picked up in the wind and we are multiplying. If you’re reading this book: thank you. You did that. You did this very beautiful thing, and I thank you. Our solidarity is not about one person, or any organization, but about all people, and if you’re one of the people who has decided to speak truth to power, I thank you.

Our struggle continues, not because we had our victory snatched away from us, but because we are now brothers and sisters in arms against tyranny. We are wildflowers cracking through concrete, and soon we will make that cold, gray surface into a colorful field.

Like the founding fathers of this nation, we have been outraged by income inequality, unfair taxation, a militarized force in our streets, and the snatching up of our rights and freedoms. Like any good hero story, common people have done the uncommon, and have begun to stand up against corruption and tyranny.

Independent voices have begun to rise above the corporate-owned commercial static. Friends, family, and neighbors have been given an opportunity to think about the issues outside of the duopoly endorsed talking points. We crowd-sourced candidates together and shined a light on the crack in dragon’s armor.

(Continue Reading)

[trumpianleftists-blog]

Someone explain to the #BernieBros that Trump didn’t “weaponize identity politics,” he marshaled WHITE NATIONALISM. 

And Clinton didn’t “weaponize identity politics either: you just hated her because she was a woman. This makes you a misogynist, but it has NOTHING to do with actual identity politics. #RacistBernieBros 

[hotbods2000]

Michael Salamone

[brookston]

Holidays 10.24

Holidays

Azad Kashmir Day (Pakistan)

Black Thursday Commemoration

40-Hour Work Week Day

Gormanudr (Old Icelandic)

Hawke’s Bay Day (New Zealand)

Lego Day

National Crazy Day

National One United Race Day

National Senior UTI Awareness Day

National Temperature Day

Programmer’s Day (China)

Scorpio zodiac sign begins

Suez Day (Egypt)

Take Back Your Time Day

Telegram Day

Tony Bennett Day (NYC)

United Nations Day

Vote Early Day

World Development Information Day (UN)

World Origami Days begin (until 11.11)

World Polio Day

Food & Drink Celebrations

Feast of Good and Plenty (a.k.a. Good and Plenty Day)

Food Day [ website ]

Hershey’s Chocolate Day

National Bologna Day

National Jamaican Jerk Day

Share a Pop-Tart with Someone You Love Day

World Tripe Day

4th Monday in October

Green Monday [Monday of Last Full Week]

International School Library Day [4th Monday]

Labour Day (New Zealand) [4th Monday]

Independence Days

Zambia (from UK, 1964)

Feast Days

Anthony Mary Claret (Christian; Saint)

Betty Lou (Muppetism)

Bijaya Dashami [10th Day of Dashain]

Cider Appreciation Day (Pastafarian)

Diwali Begins (Hindu, Jain, Sikh), a.k.a. ... 

Deepavali (Guyana, India, Malaysia, Myanmar, Singapore, Sri Lanka)

Deepawali (Sikkam, India)

Divali (Fiji, India, Kenya, Mauritius, Suriname)

Diwali Amavasya (India, Trinidad and Tobago)

Festival of Lights (Celebrating the Indian god Laxmi)

Gai Tihar (Nepal)

Kag Puja (Day of the Crows)

Kag Tihar (Day of the Crows)

Kali Puja (Assam, Odisha, West Bengal; India)

Laxmi Pooja (Nepal)

Laxmi Puja (Sikkim, India)

Naraka Chaturdashi (Assam, Odisha, West Bengal; India)

Tihar Festival (Nepal)

Yam Panchak (Nepal)

Eberigisil (Evergitus; Christian; Saint)

Five Martyrs of Carthage (Felix and Companions; Christian; Saint)

Janis Joplin Day (Church of the SubGenius; Saint)

Lilith’s Day (Ancient Mesopotamian)

Luigi Guanella (Christian; Saint)

Magloire of Dol (Christian; Saint)

Maladay (Discordian)

Martin of Vertou (Christian; Saint)

New Year’s Day (Jainism)

Proclus of Constantinople (Christian; Saint)

Raphael the Archangel (Catholic Church 1921-1969, local calendars)

Rafael Guízar y Valencia (Christian; Saint)

Senoch (Christian; Saint)

Vico (Positivist; Saint)

Lucky & Unlucky Days

Lucky Day (Philippines) [57 of 71]

Sensho (先勝 Japan) [Good luck in the morning, bad luck in the afternoon.]

Unlucky Day (Grafton’s Manual of 1565) [49 of 60]

Premieres

American Pie, by Don McLean (Album; 1971)

Battle of Britain (Film; 1969)

Equus, by Peter Shaffer (Play; 1973)

John Wick (Film; 2014)

Live at the Apollo, recorded by James Brown (Album; 1962)

The Manchurian Candidate (Film; 1962)

Mellon Collie and the Infinite Sadness, by Smashing Pumpkins (Album; 1995)

Mellow Yellow, by Donovan (Song; 1966)

Parsley, Sage, Rosemary and Thyme, by Simon & Garfunkel (Album; 1966)

Shaved Fish, by John Lennon (Album; 1975)

Smooth Criminal, by Michael Jackson (Song; 1988)

St. Vincent (Film; 2014)

Taylor Swift, by Taylor Swift (Album; 2006)

The Wiz (Film; 1978)

Today’s Name Days

Anton (Austria)

Antun, Proklo (Croatia)

Nina (Czech Republic)

Proclus (Denmark)

Asmo, Asmus, Ermo, Rasmus (Estonia)

Asmo, Rasmus (Finland)

Florentin (France)

Alois, Aloisia, Anton, Armella, Victoria (Germany)

Sevastiani (Greece)

Salamon (Hungary)

Ponzia (Italy)

Ara, Modrite, Mudrīte, Renāte (Latvia)

Daugailas, Gilbertas, Rapolas, Švitrigailė (Lithuania)

Eilif, Eivor (Norway)

Antoni, Boleczest, Filip, Hortensja, Marcin, Rafaela, Rafał, Salomon (Poland)

Kvetoslava (Slovakia)

Antonio (Spain)

Eilert, Evert (Sweden)

Valentine (Ukraine)

Denver, Rafael, Rafaela, Raphael, Raphaela (USA)

Today is Also…

Day of Year: Day 297 of 2022; 68 days remaining in the year

ISO: Day 1 of week 43 of 2022

Celtic Tree Calendar: Gort (Ivy) [Day 24 of 28]

Chinese: Month 9 (Júyuè), Day 29 (Geng-Xu)

Chinese Year of the: Tiger (until January 22, 2023)

Hebrew: 29 Tishri 5783

Islamic: 28 Rabi I 1444

J Cal: 27 Shù; Fiveday [27 of 30]

Julian: 11 October 2022

Moon: 1%: Waning Crescent

Positivist: 17 Descartes (11th Month) [Vico]

Runic Half Month: Wyn (Joy) [Day 14 of 15]

Season: Autumn (Day 32 of 90)

Zodiac: Scorpio (Day 2 of 31)