#michael derosier

[rodpower78]

Heart (1977)

[rainingmusic]

Heart - Straight On

[rolandrockover]

I, Barracuda-Man

The Oath (1981), part two, or so. You have to know, part one was meant more of a half-joke, the semi-serious part of it, on the other hand, still hasn't lost any of its weight to me.

But let's forget that for a moment, because today it's not about the opening riff, but inter alia about its continuation. The one that appears between the verses, which catches you cold like an unexpected right liver hook, and which you actually have to fall in love with immediately with its beauty, because it's even better than the opening, and that's saying something. Paul certainly wasn't stingy.

But one thing at a time, and it's best to start with Budgie and their pretty rocking Rocking Man from the album Squawk (1972), which was not only the inspiration for The Oath's riff to a certain extent, but must have also formed a central point of inspiration for a considerable number of Kiss' early works up to around 1976, plus a track or two from Sonic Boom (2009) (1).

And beyond that? No problem, let's just quickly switch to Rock and Roll Over (1976) and I Want You, and take a look at one of the riffs Paul wrote when he first stood on a British stage. And what do we have there? Budgie. And jo, Rocking Man. Or at least the part that I Want You makes quite unrestrained use of, and has even developed it a little further.

And it is precisely this part of I Want You in combination with Rocking Man's riff that forms the compacted missing element for this wild yet calculated riff from The Oath. Structurally, a 100% bull's eye, and melodically maybe 80%, but you know how it is with the gingerbread crumb trail and the witch's house. Good enough for me.

And what about this galloping rhythm with which The Oath comes along so dynamically and light-footed and makes Iron Maiden, the kings of galloping riffing, seem like mere Sunday strollers? This, well, ultimately has nothing to do with Iron Maiden, but much more with Heart and their graceful Barracuda from 1977 (2), which comes riding in at a gallop as wonderfully as only underwater barracudas are capable of doing (3).

Et voila! There we'd have one of the most terrfic riffs Paul ever had a hand in. Who says that craftsmanship is not able to replace a lack of inspiration (4).

Side Note:

(1) All of which I will, of course, work through in detail. Or maybe I already have, who knows?

(2) Should be pretty much common knowledge among hardcores.

(3) Anyway, speaking of Heart's Barracuda and Kiss, there is still one or two more things I'd like to address, and why exactly Barracuda can easily be classified as the most likely source of inspiration not only for The Oath. But as you can probably imagine, I'll save those ones for another time.

(4) More or less in the words of Bill Aucoin about the recording situation for Music from The Elder: They were tired and didn't have the songs.

To enjoy listening to what I'm chatting about, please click on the 75% highlighted links and off you go:

The Oath (1981)

Rocking Man (1972)

I Want You (1976)

Barracuda (1977)

[radiomaxmusic]

Feature LP / Orion The Hunter (1984) / 11:30pm ET / 11-28-24

Orion the Hunter is the only album from the band Orion the Hunter, which was an offshoot of the band Boston. Guitarist Barry Goudreau and backing vocalist Brad Delp were members of Boston, and guitarist/vocalist Fran Cosmo would join a later incarnation of the band. The group also included Michael DeRosier (from the group Heart) on drums and percussion, and Bruce Smith on bass. The album was…

[misfitwashere]

Song from my youth.

Backstory:

“Barracuda,” released in 1977 by the American rock band Heart, stands as one of the band’s most iconic and enduring songs. Serving as the lead single from their third studio album, Little Queen, the track exemplifies the powerful vocals and aggressive guitar riffs that defined Heart’s signature hard rock sound. Written by sisters Ann and Nancy Wilson in collaboration with guitarist Roger Fisher and drummer Michael DeRosier, “Barracuda” was born out of the band’s intense frustration with their record label, Mushroom Records, and the broader exploitative practices prevalent in the music industry at the time.

The genesis of “Barracuda” is rooted in a particularly troubling incident following the release of Heart’s debut album, Dreamboat Annie. The band’s label attempted to fabricate a scandal by insinuating that Ann and Nancy Wilson were involved in an incestuous relationship. This baseless and offensive rumor was clearly a ploy to garner publicity, but it deeply offended and angered the Wilson sisters, especially Ann. This sense of betrayal and outrage became the emotional fuel for the song’s fierce and defiant lyrics, transforming personal anguish into a powerful anthem that resonated with many fans who felt similarly exploited by the music business.

Musically, “Barracuda” is distinguished by its relentless galloping guitar riff, a hallmark that draws significant influence from Led Zeppelin’s dynamic style, particularly reminiscent of tracks like “Achilles Last Stand.” Roger Fisher’s guitar work, characterized by its raw energy and precision, combined seamlessly with Nancy Wilson’s rhythmic guitar prowess to create a driving force that propels the song forward. Ann Wilson’s vocal performance is equally compelling, her powerful and emotive delivery amplifying the song’s intensity and ensuring its place as a standout track within Heart’s extensive discography.

The song’s commercial success was substantial, peaking at number 11 on the Billboard Hot 100 chart. Its popularity extended beyond initial release, becoming a staple on classic rock radio stations and maintaining its relevance across decades. “Barracuda” played a crucial role in cementing Heart’s position in rock history, showcasing the band’s ability to blend hard-hitting rock elements with melodic nuances. Over the years, the song has been covered by numerous artists across various genres and featured in a wide array of films, television shows, and video games, further solidifying its legacy as a quintessential rock anthem.

Heart was formed in 1973 in Seattle, Washington, by sisters Ann and Nancy Wilson, along with other talented musicians. From the outset, Ann Wilson’s rich and powerful voice became one of the band’s defining features, setting them apart in a predominantly male-dominated rock scene. Nancy Wilson complemented her sister’s talents with her exceptional guitar playing, which added both finesse and ferocity to their music. Together, the Wilson sisters were instrumental in paving the way for women in rock, breaking barriers and challenging gender norms within the industry.

Ann Wilson, born on June 19, 1950, in San Diego, California, exhibited a keen interest in music from an early age, influenced by her parents’ diverse record collection. Despite struggling with a stutter during her childhood, Ann found solace and a means of expression through singing and performing. This personal triumph over her speech impediment not only helped her develop a strong stage presence but also honed her vocal style, which would become a trademark of Heart’s sound. Nancy Wilson, born on March 16, 1954, in San Francisco, California, joined Heart in the mid-1970s. Her arrival brought not only her exceptional guitar skills but also her songwriting abilities, which perfectly complemented Ann’s vocal strengths and contributed to the band’s creative dynamism.

The synergy between Ann and Nancy Wilson, both personally and musically, was a cornerstone of Heart’s enduring success. Their ability to blend rock, folk, and acoustic elements into a cohesive and innovative sound set them apart from their contemporaries. Tracks like “Crazy on You” and “Magic Man” from their debut album showcased their versatility and helped them build a loyal and dedicated fanbase. This harmonious collaboration allowed Heart to navigate the evolving musical landscape of the 1970s and 1980s, continuously adapting while maintaining their distinct identity.

Throughout their career, Heart faced numerous challenges, including changes in their lineup and shifts in musical trends. Despite these obstacles, the Wilson sisters remained the heart of the band, consistently pushing the boundaries of their music and exploring new creative avenues. The 1980s saw Heart achieve renewed commercial success with albums like Heart (1985), which featured hits such as “What About Love” and “These Dreams.” These songs demonstrated the band’s ability to evolve, incorporating more polished production and synthesizer elements without sacrificing the raw energy that defined their earlier work.

Beyond their recorded music, Heart was known for their electrifying live performances. Ann Wilson’s commanding stage presence and vocal prowess, combined with Nancy Wilson’s intricate guitar work, made their concerts memorable experiences for fans. The band’s commitment to delivering powerful and engaging performances helped solidify their reputation as one of the premier live acts in rock music. This dedication to live music also fostered a strong connection with their audience, further enhancing their legacy.

The impact of “Barracuda” extends beyond its initial success, influencing countless musicians and becoming a cultural touchstone within the rock genre. Its aggressive guitar riffs and defiant lyrics have inspired artists across various genres, underscoring the song’s versatility and timeless appeal. Additionally, “Barracuda” has been recognized in numerous “greatest songs” lists, reflecting its enduring significance and the high regard in which it is held within the music community.

In recent years, Heart has continued to honor their legacy while also exploring new creative projects. The Wilson sisters have remained active in the music scene, participating in reunions, collaborations, and solo ventures that highlight their individual talents and collective strength. Their ongoing contributions to music serve as a testament to their resilience and dedication to their craft, ensuring that Heart’s influence remains strong in the ever-evolving landscape of rock music.

“Barracuda” remains a powerful testament to Heart’s resilience and artistry. Its creation, fueled by anger and defiance, resulted in a song that not only captured the band’s emotional turmoil but also resonated deeply with a broad audience. The song’s enduring popularity underscores its impact and the lasting legacy of Heart as trailblazers in rock music. As Heart continues to inspire new generations of musicians and fans, “Barracuda” stands as a shining example of their ability to channel personal and professional challenges into a timeless and impactful musical statement.

[jettajimm]

Happy 72nd Birthday Michael Derosier! 🎂🎈🎁🎊🎉🥳 Have a rockin' one! 🎼🥁 #MichaelDerosier #HeartByHeart #Alias #Heart #HeartBand #RockandRollHallofFame #GretchDrums #ZildjianCymbals #MarylandLive #Lumix #GX7

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1st 📸: @tennisjones

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[myvinylplaylist]

Heart: Magazine (1978)

[bestlivemusicvids]

HEART - “Magic Man” (Live in concert, 1976) 

Heart is an American rock band with sisters Ann Wilson (lead vocals, flute and guitar) and Nancy Wilson (guitar, mandolin and vocals) being the constant center of the group since 1973. The band rose to fame in the mid-1970s with music influenced by hard rock, heavy metal, and folk music.     

Ann Wilson (vocals), Roger Fisher (lead guitar), 

Howard Leese (guitar/keyboards), Nancy Wilson (rhythm guitar)

Steve Fosse (bass) and Michael Derosier (drums) 

[cbjustmusic]

Pink with Nancy Wilson and The Foo Fighters performing Heart’s “Barracuda”. _____________________ Barracuda Songwriters: Ann Wilson, Roger Fisher, Nancy Wilson and Michael Derosier

So this ain't the end, I saw you again today I had to turn my heart away Smile like the sun, kisses for everyone And tales, it never fails

You lyin' so low in the weeds I bet you gonna ambush me You'd have me down, down, down, down on my knees Now wouldn't you? Barracuda, oh

Back over time, we were all tryin' for free You met the porpoise and me, oh, oh, oh No right, no wrong, selling a song A name, whisper game

And if the real thing don't do the trick You better make up something quick You gonna burn, burn, burn, burn, burn to the wick Ooh, barracuda, oh, yeah

"Sell me, sell you" the porpoise said "Dive down deep, now, save my head" You I think that you got the blues, too

All that night and all the next Swam without lookin' back Made for the western pools Silly, silly fools

The real thing don't do the trick No, you better make up something quick You gonna burn, burn, burn, burn, burn it to the wick Ohh, barra-barracuda, yeah

Ooh, hey

[rodpower78]

Queen & Heart, 1978

[rainingmusic]

Heart - Love Alive

[greenlantern-tas]

Greetings my fellow Fanterns.

It's been 9 years, 1 month, and 5 days since we all watched that heart-breaking and hopeful season 1 finale episode on March 16, 2013.

I'm obviously not on Tumblr much anymore, but just like when Justice League Action dropped a surprise Aya cameo (link) I have to jump on to make sure you all know about this.

Young Justice Phantoms, the ongoing Young Justice animated series now airing on HBO Max just dropped episode 419: "Encounter Upon the Razor's Edge!" It features two of our best Space Family reuniting and hints that Razer's search for Aya is still going and Hope continues.

I know that new design for Razer looks familiar to those that know the old Fantern tag #Blue Lantern Razer

GLTAS alumni worked on the episode with Jim Krieg and Giancarlo Volpe writing, Jason Spisak and Kevin M. Richardson reprising their roles as Razer and Kilowog, Chris Berkeley directing, and Sam Liu and Tom Derosier returning to boards!

There's an homage to the wonderful Frederik Wiedmann's score work as well.

A huge thank you to everyone on the show cast and crew who made this possible.

What a wonderful delight! Go check it out!

[takealittlepieceoftheirhearts]

February 13, 1978: Heart in Seattle, WA; photos by Michael Putland

[larryland]

REVIEW: "Mrs. Christie" at the Dorset Theatre Festival

REVIEW: “Mrs. Christie” at the Dorset Theatre Festival

[myvinylplaylist]

Heart: Dog & Butterfly (1978)

Portrait Records

[poppywood]

 full entire state names below the cut. still may be a wip if i want to change some but hey

STATES

AL / alabama - daniel “danny” decimus montgomery / he/him

AK / alaska - nuniq chena zima / they/them

AZ / arizona - levi elio aiza / he/him

AR / arkansas - michael “micah” caledon poirier / he/him 

CA / california - rosa estelle castillo de luz / she/her 

CO / colorado - nathan “nate” xander belmonte / he/him

CT / connecticut - christopher “chris” tate rivers / he/him 

DE / delaware - ruth felicity muyskens / she/her 

FL / florida - isabel “izzy” ignacia alica de la fuente / she/her 

GA / georgia - theodosia “theo” elaine labelle / she/her 

HI / hawai’i - aonani kala iona / she/her 

ID / idaho - eva jade willing / she/her

IL / illinois - riley morgan lincoln / they/them

IN / indiana - aaron kendall bates / he/him 

IA / iowa - catherine “caty” diana mason / she/her

KS / kansas - julia marisol lawrence / she/her 

KY / kentucky - adam louis joliet / he/him

LA / louisiana - adeline victoire derosiers / she/her

ME / maine - ashley “ash” sage popham / they/them 

ML / maryland - edith cassandra elkton / she/her

MA / massachusetts - benjamin “ben” emerson alden / he/him

MI / michigan - emily “em” lynn marquette / she/her

MN / minnesota - noah deagan woodbury / he/him

MS / mississippi - sarah reina clinton / she/her

MO / missouri - robert “robbie” pierre genevieve / he/him

MT / montana - leon flint billings / he/him 

NE / nebraska - emma samantha atkinson / she/her 

NV / nevada - anthony “andy” sierra mendoza / he/him 

NH / new hampshire - charlotte “char” ambrosia leblanc / she/her/they 

NJ / new jersey - jonathan “johnny” chesley dresden / he/him 

NM / new mexico - selina cassandra orellana-sepúlveda / she/her

NY / new york - joan regina nassau / she/her

NC / north carolina - claire beatrix cooper / she/her

ND / north dakota - elisa irene zephier / she/her

OH / ohio - jacob “jake” dayton wright / he/him

OK / oklahoma - evelyn rose wichita / she/her

OR / oregon - eleanor paisley marion / she/her

PA / pennsylvania - joseph “jojo” alan anholts-westcott / he/him

RI / rhode island - alexander “alex” dylan anholts-westcott / he/him

SC / south carolina - isaac landon cooper / he/him

SD / south dakota - samuel “sammy” abraham zephier / he/him 

TN / tennessee - gabriel “gabe” rory rutherford / he/him 

TX / texas - jesse william gutierrez del bosque / he/him

UT / utah - jeremiah “jere” sevan asturias / he/him

VT / vermont - judith “jude” chiara brisbois / she/her

VA / virginia - mary-anne candace henry / she/her

WA / washington - rebecca “beck” chloe gray / she/her

WV / west virginia - elias “eli” romeo henry / he/him 

WI / wisconsin - victoria “vic” remi kalb / she/her

WY / wyoming - charles “charlie” tobias la ramée / he/him 

TERRITORIES/CAPITAL

D.C / district of columbia - nina ece adams / she/her

PR / puerto rico - santiago joannes rivera de los reyes / they/them

GU / guam - mateo nicolas hanum / he/him

AS / american samoa - samaria teulia leota / she/her

VI / virgin islands - bailey anouk lilou andrepont / they/them

AMERICA (because i can do what i want)

AM / america - felix callum adams / he/him