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St Michael de la Rupe es una iglesia en el Parque Nacional Dartmoor. Cerca de Tavistock en Devon.
Tavistock es famosa por ser el lugar de nacimiento de Sir Francis Drake.
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Location, location.. St Michael's Church perched high over Dartmoor
#St Michael-de-la-Rupe#Brent Tor#Tavistock#UK#Devonshire#Church of England#AD 1122#scenic view#Brentor#Dartmoor
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Brigada Sinucigașilor revine din 6 august în cinematografe
Singura speranță ca lumea să fie salvată ese o mână de răufăcători. Acesta este cel mai nou film realizat de regizorul și scenaristul James Gunn. https://www.youtube.com/watch?v=u6cheeukXVs&feature=youtu.be Bine ați venit în iad - alias Belle Reve, închisoarea cu cea mai mare rată de mortalitate din SUA de categoria A. Unde sunt ținuți cei mai periculoşi super-ticăloși și unde vor face orice pentru a ieși - inclusiv să se alăture super-secretului, super-enigmaticului Task Force X. Misiunea faci-sau-mori prezentă? Adunați o colecție de ticăloşi, incluzându-i pe Bloodsport, Peacemaker, Captain Boomerang, Ratcatcher 2, Savant, King Shark, Blackguard, Javelin și psihopata preferată a tuturor, Harley Quinn. Apoi, înarmați-i până în dinţi și aruncați-i (literalmente) pe insula îndepărtată, infestată de inamici, Corto Maltese. Străbătând o junglă plină de adversari militanți și forțe de gherilă la fiecare pas, echipa se află într-o misiune de căutare și distrugere, avându-l doar pe doar colonelul Rick Flag pe teren pentru a-i ţine în frâu ... și tehnicienii guvernului Amandei Waller în urechi, urmărindu-le fiecare mișcare. Și ca întotdeauna, o mișcare greșită și sunt morți (fie din mâna adversarilor lor, a unui coechipier sau a lui Waller însuși ). Dacă cineva ar pune pariu, banii inteligenți ar fi împotriva lor - a tuturor.
Filmul îi are în rolurile principale pe Margot Robbie („Birds of Prey", „Bombshell"), Idris Elba („Avengers: Infinity War"), John Cena (viitoarea serie HBO Max „Peacemaker", „Bumblebee"), Joel Kinnaman („Suicide Squad") "), Jai Courtney (franciza„ Divergent "), Peter Capaldi („ World War Z ",„ Doctor Who "al BBC,) David Dastmalchian (viitorul „ Dune ",„ Ant-Man and the Wasp "), Daniela Melchior ( „Parque Mayer"), Michael Rooker (filmele „Gardienii galaxiei"), Alice Braga („Elysium"), Pete Davidson („Regele Staten Island", „Saturday Night Live" ), Joaquín Cosio („ Spider-Man: Into the Spider-Verse, „Televiziunea„ Narcos: Mexic "), Juan Diego Botto („ The Europeans "), Storm Reid („ The Invisible Man ",„ A Wrinkle in Time ",„ Euphoria "), Nathan Fillion („Guardians of the Galaxy", „The Rookie" TV,), Steve Agee („Brightburn", „Guardians of the Galaxy Vol. 2"), Sean Gunn (filmele „Guardians of the Galaxy", „Avengers" ), Mayling Ng („Wonder Woman"), Flula Borg („Ralph rupe internetul"), Jennifer Holland („Brightburn", viitoarea serie HBO Max „Peacemaker") și Tinashe Kajese („Valor", „Inspectorii"), cu Sylvester Stallone (francizele „Rocky", „Rambo" și „Expendables") și Viola Davis („Fundul negru al lui Ma Rainey", „Suicide Squad"). Gunn (filmele „Guardians of the Galaxy") regizează după propriul scenariu, bazat pe personaje din universul DC. Filmul este produs de Charles Roven și Peter Safran, cu Zack Snyder, Deborah Snyder, Walter Hamada, Chantal Nong Vo, Nikolas Korda și Richard Suckle producători executivi Warner Bros. Pictures prezintă o producție Atlas Entertainment / Peter Safran, un film James Gunn, „Brigada Sinucigaşilor: Misiune Ucigaşă". Filmul va fi distribuit în întreaga lume de Warner Bros. Pictures. Este lansat în cinematografe pe 6 August 2021. Read the full article
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A Visit At Our Lady of Penafrancia Museum
Location: Corrner Penafrancia Avenue, Magsaysay Avenue, Naga City
Opening Hours: Tuesday-Saturday (9:00am-5:00pm)
Contact Person: Ms. Rosette -09082395191
The Our Lady of Penafrancia Museum has been here for a long time. In fact, it was said that the museum edifice was completed way back in 1993 (I wasn’t even born by that time). The Penafrancia Pilgrimage Foundation has collaborated with the Penafrancia Association and established a joint management board to supervise the affairs of the of the museum. Several donors and contributing artists was able to make this possible. I have been wanting to visit this since then because I had always been curious of what is inside it. I usually see it with closed gates back then and it was only today that I got the chance to finally be there because I saw that the gates were opened.
When I got there, I saw that there was a minor construction going on. I was able to meet the caretaker of the museum, Ms. Rosette. I asked her first if the museum was open to public and said yes. I paid an entrance fee of 15 pesos and was asked if I was the only one, I told her that I just happen to pass by and thought of featuring it here on my blog so she gladly led me to the exhibit. She let me be on my own as I started to roam around.
I have always been a Nagueno, I was born here but I spent half of my childhood in Manila. It was only when we moved back in Naga, when I was taught in school (in Religion classes mostly) about the Marian faith and devotion of Bicolanos to Our Lady of Penafrancia. I have been able to learn about it but I am not that knowledgeable about it by that time. As I grew up and took all those required Religion classes, I have that grown familiarity to the story of the devotion. I was able able to read several versions of the stories too which is why going here today seemed to have enlightened me with the right knowledge.
I first went to this gallery where they exhibited the mantos (capes/robes of Ina) as well the dioramas of the story on how the devotion to Our Lady of Penafrancia first started.
Here are some photos of the mantos. To define it as stated here, “Manto is the mantle, cape or robe that befits the Queenship of Mary signifying protection. A religious practice has evolved where devotees wish to be imposed with the mantle of Ina for healing with other personal petitions, an expression of fiducial trust under the protection of Ina. This meticulously knitted crochet captures a timeless effort and personal touch of specialness put into preparing the manto of Ina.”
Now, I’ll take you back in time and tell the story of how the Devotion to Our Lady of Penafrancia started through the dioramas. (Please bear with me, I will be brief on this but I will try to summarize and explain it as much as I can with accuracy based on what the description per diorama says).
1. Invasion of Spain by the Moors (711-713)
During this time, there was a war between the Moors and the Christians in Spain. When the Christians got defeated, their homes and churches were burned so they fled and settled in the mountains along with their priced possessions including their sacred images. They may have been defeated but their faith and devotion has never faded. The place where they settled (between Salamaca and Caceres) was named Pena de Francia.
2. Simon Rolan “Vella” (Paris, 1428)
Simon Rolan “Vella” is a Franciscan lay brother. One night, a voice came to him in his dream telling him to look for the image of Our Lady of Penafrancia so upon waking up, he searched for it. He spent 6 years looking for it in the mountains of France.
3. Market Scene at Salamanca, Spain (1434)
There was a woman and a man caught in a fray who provided clues to Simon on where to find the mountain Pena de Francia. A churchgoer showed him the way.
4. Discovery of The Sacred Image of Penafrancia (May 19, 1434)
While on his search, Simon had a head wound for inflicting a falling rock and then had a dream again. In his dream, the Lady appeared and told him where he can find him. Simon followed what he saw in his dream, and together with his 4 friends, they found the image of Mother and Child. They venerated the sacred image and they were cured of their ailments.
5. Spread of Devotion to Penafrancia in Nueva Caceres (1700)
Miguel de Robles Covarrubias is a sick UST seminar. Upon reading a book on the Virgin of Penafrancia, he became a devotee and vowed to build a stone chapel at the riverbanks of Pasig, Manila however, he wasn’t able to make it happen there because he was transferred to the Diocese of Nueva Caceres where he got ordained and later, got appointed to be the parish priest of Cathedral and Vicar General. When the Cimarrones of Isarog requested for a chapel, they slowly built it then a local artist carved an image of Our Lady of Penafrancia and painted it by a dog’s blood. Miraculously, the decapitated dog came back to life. The devotion spread during the tenure of Bishope Felipe de Molina (1723-1738) and the renovation of the stone chapel was completed during the time of Bishop Isidro de Arevalo (1742-1751).
6. Devotion to Divino Rostro and the Cholera Epidemic (1882)
There was a time wherein the Cholera Epidemic in Manila reached Bicol. Because of this, Vicar-general Pedro de la Torre introduced the novena to Divino Rostro (which was also practiced in Spain) at the height of the epidemic. The simultaneous novena to the Dib\vino Rostro and the Penafrancia took place to implore heavenly intervention. A procession of Divino Rostro was held and by then, the Divino Rostro and Penafrancia are to carried together during processions.
7. Penafrancia Celebration and The Filipino- Spanish Revlot (September 19, 1898)
The San Francisco Church became the last refuge of the fleeing prominent Spanish and Bicolano families on the night when the first revolt in Naga happened at midnight of September 18, 1898 during the Penafrancia Festivities led by Elias Angeles and Felix Plazo. When the Spaniards finally yielded, it marked the end of the Spanish Colonial rule in Bicol. The success in turnover of government was facilitated by Vicar-General Fr. Gonzales.
8. Traslacion Procession (1853)
The widespread of devotion had caused increasing number of pilgrimage. It was in 1853 when Bishop Manuel Grivajalo decreed that the image of the Penafrancia be brought in procession from Penafrancia Church to Cathedral for novena from Saturday to Thursday and the transfer was called “traslacion” which means transfer. Bishop Francisco Gainza decreed on September 1, 1864 to extend the novena until Saturday to be followed by a fluvial procession back to Penafrancia Chruch. However, in 1905, Bishop Jorge Imperial Barlin be transferred from July to September (there was a time that the Penafrancia festival was celebrated on July).
9. Fluviual Procession of the Pagoda of Ina and the Colgante Bridge Tragedy (September 16, 1972)
It was on the afternoon of September 16, 1972 during the Fluvial Procession when the wooden Colgante Bridge collapsed just before the Pagoda reached it. There were a total of 138 casualties on that day. There were some stories that aside from the old wooden bridge can no longer support itself and there were many people in it, there was a divine work. Some stories say that there was a woman at the pagoda and it angered Ina. Only men were said to be allowed to join during the Fluvial procession. (I was able to ask the caretaker about this one if it is true. She said that it was just a rumor. Clarifying that, Ina was also a woman so why would she be angry? However, it has been a tradition that the men devotees are the ones who brings her home. She said that women devotees have a Fluvial procession too being held during May).
10. Sacred Image of Penafrancia Stolen (August 16, 1981) and Recovered (September 5, 1982)
The image of Penafrancia in Salamanca, Spain was once stolen way back in August 17, 1872. The Bicolanos has gone through it too when the image was also stolen on August 16, 1981 and was recovered on September 5, 1982 dismantled in 6 parts. Not knowing who stole it and for what reasons, the devotees without question braved the Typhoon Ruping and brought home the Image of Ina the next day after it was recovered.
11. Canonical Coronation of Our Lady of Penafrancia as Queen and Patroness of The Bicol Region (September 20, 1924), 1949 Silver, 1974 Golden and 199 Diamond Jubilees
June 10, 1895- Our Lady of Penafrancia was proclaimed Principal Patroness of the City of Caceres by Pope Leo XII.
May 13, 1920- Pope benedict XV decreed the official coronation of the Penafrancia as Queen and Patroness of the whole Bicol Region.
September 20, 1924- The coronation took place at the Cathedral grounds with Papal Legate Guillermo Piani and Bishop Manila Michael O’Doherty gracing the occasion. The award winning “Himno a la Nuestra Senora de Penafrancia” also known as “Resuene Vibrante” written by Maximo Heguera CM was sung on the occasion.
September 13, 1974- The Golden Jubillee of the Coronation was commemorated at Plaza Quezon of Naga City.
September 16, 1999- marked the Diamond Jubilee of the Coronation commemorated at the Quadricentennial Arch of the Naga Cathedral.
12. Virgin of Penafrancia, Ina of All Times
On May 22, 1982, The Basilica Minore at Balatas Road was inaugurated and blessed. It is Ina’s new home. Basilica became a beacon of hope for the down-trodden, solace for the suffering and a sanctuary for those yearning for physical and spiritual healing.
After going through those dioramas, I went to the next gallery where the crowns and aureola were exhibited. These were those that were used in several occasions.
And lastly, the pagoda. This pagoda was the one being used every Traslacion procession. I was only allowed up to this point since they were cleaning it that time. This museum is its official residence. According to the caretaker, the pagoda has a carrying capacity for 200 passengers. Before the Fluvial Procession they have a list of people who can join and have access to it. They are the only ones allowed in the pagoda.
There were words spreading around saying that all the items exhibited here will be transferred to still being constructed museum beside the Basilica Minore however, it is still fully undecided yet by the archdiocese if they will be moving out. One of the reasons was the pagoda which can’t be moved there. No final decisions has been made yet. But the soon to open museum near the Basilica church will be another Ecclestiastical Museum dedicated to Bicolano Devotion to Our Lady of Penafrancia,
Might as well visit the Penafrancia Museum here in Naga City and learn more about the rich history of faith and devotion that has shaped us, Bicolanos as well as made Naga City, a Pilgrim City.
#pilgrimage#ourladyofpenafrnacia#penafrancia#ina#bicol#camarinessur#nagacity#travel#tourism#philippines#bicolbloggers
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Here Are the 2020 James Beard Awards Restaurant, Chef, and Media Finalists
Getty/Victor Spinelli/WireImage | Getty/Victor Spinelli/WireImage
The full list of nominees
Today, on what would have been the 30th annual James Beard Awards ceremony, the James Beard Foundation announced the finalists for the 2020 James Beard Awards, which honors the year’s outstanding restaurants and chefs, as well as food journalism, books, and broadcast media. The announcement was originally scheduled for March 25, but the coronavirus pandemic forced the Foundation to cancel the planned Philadelphia event and postpone both the finalists reveal and the awards themselves.
COVID-19 has left the restaurant industry in a precarious position, to put it mildly. Restaurants are pivoting their operations to stay in business, closing temporarily, and in some cases, closing for good. When the Foundation opted to postpone the finalist announcement, it acknowledged that it did so in part to focus on rebuilding the restaurant industry, awards being the last thing on anyone’s mind. And so it came as a bit of a surprise when on April 27 the Foundation announced plans to move forward with a virtual finalist announcement and, eventually, the 2020 James Beard Awards. Today, the Foundation revealed the Restaurant and Chef Awards Gala will take place in late September, and the Media Awards will take place in late May.
In a post on the James Beard Foundation website, chief strategy officer Mitchell Davis explained that the Foundation consulted with chefs, restaurateurs, and others in the industry and determined that the James Beard Awards finalists, like the list of semifinalists announced in late February, deserved recognition for their work in 2019. “Those we consulted felt the Awards could also offer a glimmer of hope to an industry looking for light in a very dark time,” he writes. Davis acknowledged that it is also a particularly dark time for the media, which will be recognized for the first time in the 2020 James Beard Awards cycle with the finalists announcement.
Given the ongoing restrictions related to COVID-19, the format for the 2020 James Beard Awards is still undecided — but they will go on, and “take place” in Chicago at some date later this year. “We want every James Beard Award winner to have a chance to have their moment in the spotlight,” Mitchell writes. “We have partners who support this industry, who support the Foundation, who are willing to work with us to figure out what’s best for all.”
Visit Philadelphia, which stands to lose millions due to the coronavirus pandemic, is still sponsoring the virtual event. Last year, Houston hosted the finalist announcement and although there was plenty of Texas representation on the semifinalists list, including 11 chefs and restaurants from Houston, the city’s restaurants and chefs were completely shut out of the whittled down finalists list. Philadelphia didn’t see the same fate.
Below, the 2020 James Beard Awards finalists.
James Beard Foundation Restaurant and Chef Awards Finalists
Best New Restaurant
Automatic Seafood & Oysters, Birmingham, AL
Demi, Minneapolis
Eem, Portland, OR
Fox & the Knife, Boston
Gado Gado, Portland, OR
Gianna, New Orleans
Kalaya, Philadelphia
Nightshade, Los Angeles
Pasjoli, Santa Monica, CA
Verjus, San Francisco
Outstanding Baker
Graison Gill, Bellegarde Bakery, New Orleans
Zachary Golper, Bien Cuit, NYC
Lisa Ludwinski, Sister Pie, Detroit
Avery Ruzicka, Manresa Bread, Los Gatos, CA
Maura Kilpatrick, Sofra Bakery, Cambridge, MA i
Outstanding Bar Program
Anvil Bar & Refuge, Houston
Expatriate, Portland, OR
Kimball House, Decatur, GA
Lost Lake, Chicago
Trick Dog, San Francisco
Outstanding Chef
David Kinch, Manresa, Los Gatos, CA
Corey Lee, Benu, San Francisco
Donald Link, Herbsaint, New Orleans
Missy Robbins, Lilia, NYC
Ana Sortun, Oleana, Cambridge, MA
Marc Vetri, Vetri Cucina, Philadelphia
Outstanding Hospitality
Brigtsen’s, New Orleans
Canlis, Seattle
Saison, San Francisco
Swan Oyster Depot, San Francisco
Zingerman’s Roadhouse, Ann Arbor, MI
Outstanding Pastry Chef
Lincoln Carson, Bon Temps, Los Angeles
Juan Contreras, Atelier Crenn, San Francisco
Margarita Manzke, République, Los Angeles
Diane Moua, Spoon and Stable, Minneapolis
Natasha Pickowicz, Flora Bar, NYC
Miro Uskokovic, Gramercy Tavern, NYC
Outstanding Restaurant
FIG, Charleston, SC
Frasca Food and Wine, Boulder, CO
Jaleo, Washington, D.C.
Pizzeria Bianco, Phoenix
Quince, San Francisco
Outstanding Restaurateur
Paul Bartolotta, The Bartolotta Restaurants, Milwaukee (Ristorante Bartolotta, Harbor House, Lake Park Bistro, and others)
Jamie Bissonnette and Ken Oringer, JK Food Group, Boston (Little Donkey, Toro, Coppa)
JoAnn Clevenger, Upperline Restaurant, New Orleans
Alex Raij and Eder Montero, NYC (La Vara, Saint Julivert Fisherie, Txikito)
Jason Wang, Xi’an Famous Foods, NYC
Outstanding Wine Program
Bacchanal, New Orleans
Canard, Portland, OR
COTE, NYC
Miller Union, Atlanta
Night + Market Sahm, Venice, CA
Spiaggia, Chicago
Outstanding Wine, Beer or Spirits Producer
Scott Blackwell and Ann Marshall, High Wire Distilling Co., Charleston, SC
Cathy Corison, Corison Winery, St. Helena, CA
Drew Kulsveen, Willett Distillery, Bardstown, KY
Todd Leopold and Scott Leopold, Leopold Bros., Denver
Rising Star Chef of the Year
Will Aghajanian and Liz Johnson, The Catbird Seat, Nashville
Irene Li, Mei Mei, Boston
Gaby Maeda, State Bird Provisions, San Francisco
Ashleigh Shanti, Benne on Eagle, Asheville, NC
Paola Velez, Kith/Kin, Washington, D.C.
Jon Yao, Kato, Los Angeles
Best Chef: California
Jeremy Fox, Birdie G’s, Santa Monica, CA
Brandon Jew, Mister Jiu’s, San Francisco
Jessica Koslow, Sqirl, Los Angeles
Mourad Lahlou, Mourad, San Francisco
Joshua Skenes, Angler, San Francisco
Pim Techamuanvivit, Kin Khao, San Francisco
Best Chef: Great Lakes (IL, IN, MI, OH)
Gene Kato, Momotaro, Chicago
Jason Hammel, Lula Cafe, Chicago
Noah Sandoval, Oriole, Chicago
John Shields and Karen Urie Shields, Smyth, Chicago
Erick Williams, Virtue, Chicago
Lee Wolen, Boka, Chicago
Best Chef: Mid-Atlantic (D.C., DE, MD, NJ, PA, VA)
Amy Brandwein, Centrolina, Washington, D.C.
Nicholas Elmi, Laurel, Philadelphia
Rich Landau, Vedge, Philadelphia
Cristina Martinez, South Philly Barbacoa, Philadelphia
Jon Sybert, Tail Up Goat, Washington, D.C.
Cindy Wolf, Charleston, Baltimore
Best Chef: Midwest (IA, KS, MN, MO, NE, ND, SD, WI)
Steven Brown, Tilia, Minneapolis
Michael Corvino, Corvino Supper Club & Tasting Room, Kansas City, MO
Michael Gallina, Vicia, St. Louis
Jamie Malone, Grand Café, Minneapolis
Christina Nguyen, Hai Hai, Minneapolis
Best Chef: Mountain (CO, ID, MT, UT, WY)
Carrie Baird, Bar Dough, Denver
Jen Castle and Blake Spalding, Hell’s Backbone Grill & Farm, Boulder, UT
Jeff Drew, Snake River Grill, Jackson, WY
Caroline Glover, Annette, Aurora, CO
Dana Rodriguez, Super Mega Bien, Denver
Kelly Whitaker, The Wolf’s Tailor, Denver
Best Chef: New York State
Sean Gray, Momofuku Ko, NYC
Brooks Headley, Superiority Burger, NYC
Junghyun Park, Atomix, NYC
Daniela Soto-Innes, ATLA, NYC
Alex Stupak, Empellón, NYC
Best Chef: Northeast (CT, MA, ME, NH, RI, VT)
Vien Dobui, CÔNG TỬ BỘT, Portland, ME
Ben Jackson, Drifters Wife, Portland, ME
Tiffani Faison, Orfano, Boston
Krista Kern Desjarlais, The Purple House, North Yarmouth, ME
Greg Mitchell and Chad Conley, Palace Diner, Biddeford, ME
Cassie Piuma, Sarma, Somerville, MA
Best Chef: Northwest & Pacific (AK, HI, OR, WA)
Peter Cho, Han Oak, Portland, OR
Gregory Gourdet, Departure, Portland, OR
Chris Kajioka and Anthony Rush, Senia, Honolulu
Katy Millard, Coquine, Portland, OR
Kristen Murray, MÅURICE, Portland, OR
Rachel Yang and Seif Chirchi, Joule, Seattle
Best Chef: South (AL, AR, Commonwealth of Puerto Rico, FL, LA, MS)
Jose Enrique, Jose Enrique, San Juan, PR
Kristen Essig and Michael Stoltzfus, Coquette, New Orleans
Michael Gulotta, Maypop, New Orleans
Mason Hereford, Turkey and the Wolf, New Orleans
Isaac Toups, Toups’ Meatery, New Orleans
Best Chef: Southeast (GA, KY, NC, SC, TN, WV)
Katie Button, Cúrate, Asheville, NC
Cassidee Dabney, The Barn at Blackberry Farm, Walland, TN
Cheetie Kumar, Garland, Raleigh, NC
Andy Ticer and Michael Hudman, Andrew Michael Italian Kitchen, Memphis, TN
Julia Sullivan, Henrietta Red, Nashville
Best Chef: Southwest (AZ, NM, NV, OK)
Dan Krohmer, Other Mama, Las Vegas
Jonathan Perno, Campo at Los Poblanos Historic Inn & Organic Farm, Los Ranchos de Albuquerque, NM
Chrysa Robertson, Rancho Pinot, Scottsdale, AZ
Silvana Salcido Esparza, Barrio Café Gran Reserva, Phoenix
Jeff Smedstad, Elote Cafe, Sedona, AZ
James Trees, Esther’s Kitchen, Las Vegas
Best Chef: Texas
Kevin Fink, Emmer & Rye, Austin
Michael Fojtasek, Olamaie, Austin
Anita Jaisinghani, Pondicheri, Houston
Steve McHugh, Cured, San Antonio
Trong Nguyen, Crawfish & Noodles, Houston
America’s Classics Awards
Previously announced
El Taco de Mexico, Denver, Colorado
Lassis Inn, Little Rock, Arkansas
Oriental Mart, Seattle, Washington
Puritan Backroom, Manchester, New Hampshire
Vera’s Backyard Bar-B-Que, Brownsville, Texas
Zehnder’s of Frankenmuth, Frankenmouth, Michigan
Humanitarian of the Year:
Jessica B. Harris
Leadership Awards:
Phillip and Dorathy E. Barker, Operations Spring Plant
Rosalinda Guillen, Community to Community Development (C2C)
Abiodun Henderson, The Come Up Project
Mark and Kerry Marhefka of Abundant Seafood
Caleb Zigas, La Cocina
James Beard Restaurant Design Awards
Design Icon
Chez Panisse
Outstanding Restaurant Design, 75 Seats and Under:
SIMPLICITY for HALL by o.d.o
Heliotrope Architects for Rupee
Vermillion Architects, LLC for Spoonbill Watering Hole and Restaurant
Outstanding Restaurant Design, 76 Seats and Over:
Hacin + Associates for Shore Leave;
Ken Fulk, Inc for Swan & Bar Bevy
Klein Agency and ORA for Auburn
2020 James Beard Foundation Book Awards
For cookbooks and other non-fiction food- or beverage-related books that were published in the U.S. in 2019. Winners, including the Book of the Year Award and the Cookbook Hall of Fame inductee will be announced on Wednesday, May 27, 2020.
American Books with recipes focused on the cooking or foodways of regions or communities in the United States.
Cook Like a Local: Flavors That Can Change How You Cook and See the World; Chris Shepherd and Kaitlyn Goalen, (Clarkson Potter)
Jubilee: Recipes from Two Centuries of African American Cooking; Toni Tipton-Martin, (Clarkson Potter)
South: Essential Recipes and New Explorations; Sean Brock, (Artisan Books)
Baking and Desserts Books with recipes focused on breads, pastries, desserts, and other treats.
Dappled: Baking Recipes for Fruit Lovers; Nicole Rucker, (Avery)
Living Bread: Tradition and Innovation in Artisan Bread Making; Daniel Leader and Lauren Chattman, (Avery)
Pastry Love: A Baker’s Journal of Favorite Recipes; Joanne Chang, (Houghton Mifflin Harcourt)
Beverage with Recipes Books focused on recipes for how to make beverages.
Last Call: Bartenders on Their Final Drink and the Wisdom and Rituals of Closing Time; Brad Thomas Parsons, (Ten Speed Press)
The Martini Cocktail: A Meditation on the World’s Greatest Drink, with Recipes; Robert Simonson, (Ten Speed Press)
The NoMad Cocktail Book; Leo Robitschek, (Ten Speed Press)
Beverage without Recipes Beverage-focused books and guides that either don’t contain recipes or that may have minimal recipes but aren’t recipe-centric.
The Complete Guide to Japanese Drinks: Sake, Shochu, Japanese Whisky, Beer, Wine, Cocktails and Other Beverages; Stephen Lyman and Chris Bunting, (Tuttle Publishing)
Red & White: An Unquenchable Thirst for Wine; Oz Clarke, (Little, Brown Book Group)
World Atlas of Wine 8th Edition; Hugh Johnson and Jancis Robinson, (Mitchell Beazley)
General Books with recipes that address a broad scope of cooking, not just a single topic, technique or region.
All About Dinner: Simple Meals, Expert Advice; Molly Stevens, (W. W. Norton & Company)
Milk Street: The New Rules: Recipes That Will Change the Way You Cook; Christopher Kimball, (Voracious)
Where Cooking Begins: Uncomplicated Recipes to Make You a Great Cook; Carla Lalli Music, (Clarkson Potter)
Health and Special Diets Books with recipes related to health and nutrition, or that address specific health issues, such as allergies or diabetes.
The Beauty Chef Gut Guide: With 90+ Delicious Recipes and Weekly Meal Plans; Carla Oates, (Hardie Grant Books)
Cannelle et Vanille: Nourishing, Gluten-Free Recipes for Every Meal and Mood; Aran Goyoaga, (Sasquatch Books)
Gluten-Free Baking at Home: 102 Foolproof Recipes for Delicious Breads, Cakes, Cookies, and More; Jeffrey Larsen, (Ten Speed Press)
International
Books with recipes focused on food and cooking traditions of countries or regions outside of the United States.
Black Sea: Dispatches and Recipes – Through Darkness and Light; Caroline Eden, (Quadrille Publishing)
Ethiopia: Recipes and Traditions from the Horn of Africa; Yohanis Gebreyesus, (Interlink Publishing)
The Food of Sichuan; Fuchsia Dunlop, (W. W. Norton & Company)
Photography
American Sfoglino: A Master Class in Handmade Pasta; Eric Wolfinger, (Chronicle Books)
Le Corbuffet: Edible Art and Design Classics; Esther Choi, (Prestel)
Oaxaca: Home Cooking from the Heart of Mexico; Quentin Bacon, (Abrams Books)
Reference, History, and Scholarship Includes manuals, guides, encyclopedias, and books that present research related to food or foodways.
Gandhi’s Search for the Perfect Diet: Eating with the World in Mind; Nico Slate, (University of Washington Press)
A South You Never Ate: Savoring Flavors and Stories from the Eastern Shore of Virginia; Bernard L. Herman, (The University of North Carolina Press)
The Whole Okra: A Seed to Stem Celebration; Chris Smith, (Chelsea Green Publishing)
Restaurant and Professional Books written by a culinary professional or restaurant chef with recipes that may include advanced cooking techniques, use specialty ingredients, and require professional equipment. This includes culinary arts textbooks.
Dishoom: From Bombay with Love; Shamil Thakrar, Kavi Thakrar, and Naved Nasir, (Bloomsbury Publishing)
Eleven Madison Park: The Next Chapter, Revised and Unlimited Edition; Daniel Humm, (Ten Speed Press)
The Whole Fish Cookbook: New Ways to Cook, Eat and Think; Josh Niland, (Hardie Grant Books)
Single Subject Books with recipes focused on a single or category of ingredients, a dish, or a method of cooking – such as lobster, seafood, grains, pasta, burgers, or canning. Exceptions: baking and desserts books, vegetable-focused books, health and special diets books, restaurant and professional books, and beverage books should be entered in those respective categories.
From the Oven to the Table: Simple Dishes That Look After Themselves; Diana Henry, (Mitchell Beazley)
Pasta Grannies: The Official Cookbook: The Secrets of Italy’s Best Home Cooks; Vicky Bennison, (Hardie Grant Books)
Sour: The Magical Element That Will Transform Your Cooking; Mark Diacono, (Quadrille Publishing)
Vegetable-Focused Cooking Books that feature recipes for how to prepare and serve vegetables and plant-based ingredients. Books may be vegetarian, vegan, or vegetable-focused with minimal reference to meats.
Ruffage: A Practical Guide to Vegetables; Abra Berens, (Chronicle Books)
Vegetables Illustrated: An Inspiring Guide with 700+ Kitchen-Tested Recipes; Editors at America’s Test Kitchen, (America’s Test Kitchen)
Whole Food Cooking Every Day: Transform the Way You Eat with 250 Vegetarian Recipes Free of Gluten, Dairy, and Refined Sugar; Amy Chaplin, (Artisan Books)
Writing Narrative nonfiction books, including memoirs, culinary tourism, investigative journalism, food advocacy, and critical analysis of food and foodways for a general audience.
Eat Like a Fish: My Adventures as a Fisherman Turned Restorative Ocean Farmer; Bren Smith, (Knopf)
Notes from a Young Black Chef: A Memoir; Kwame Onwuachi with Joshua David Stein, (Knopf)
Women on Food: Charlotte Druckman and 115 Writers, Chefs, Critics, Television Stars, and Eaters; Charlotte Druckman, (Abrams Press)
2020 James Beard Foundation Broadcast Media Awards
For radio, television broadcasts, podcasts, webcasts, and documentaries appearing in 2019. Winners will be announced on Wednesday, May 27, 2020.
Audio Program
The Food Programme – The Search for Esiah’s Seeds; Airs on: BBC Radio 4 and BBC Sounds
It Burns: The Scandal-Plagued Race to Breed the World’s Hottest Chili; Airs on: Audible
The Sporkful – When White People Say Plantation; Airs on: iTunes, Sporkful, Spotify, and Stitcher
Audio Reporting
California Foodways – The Curious Second Life of a Prather Ranch Cow: Biomedical Research; Trans Man Finds – and Creates – Refuge in His Family’s Small-Town Cafe; Legalizing Cannabis Impacts Food, Farming in Humboldt; Reporter: Lisa Morehouse; Airs on: KQED, California Foodways, iTunes, Google Play, Radio Public, SoundCloud, and Stitcher
Food Actually – Junk Food Actually; Reporter: Tamar Adler; Airs on: Luminary
Gravy – Mahalia Jackson’s Glori-Fried Chicken; Reporter: Betsy Shepherd; Airs on: southernfoodways.org and iTunes
Documentary
Harvest Season; Airs on: PBS
Nothing Fancy: Diana Kennedy; Airs on: Premiered at SXSW in March 2019
That’s My Jazz; Airs on: Vimeo
Online Video, Fixed Location and/or Instructional
Chef Studio: The Crumby Bits – Cricket Macarons; Airs on: YouTube
Grace Young – Wok Therapist; Airs on: GraceYoung.com and YouTube
Ready Jet Cook - How to Make Pad Thai with Jet Tila; Airs on: FoodNetwork.com and YouTube
Online Video, on Location
Eat, Drink, Share, Puerto Rico Food – El Burén de Lula; Airs on: YouTube
Handmade – How Knives Are Made for New York’s Best Restaurants; How a Ceramics Master Makes Plates for Michelin-Starred Restaurants; Airs on: Eater and YouTube
In Real Life – Why Eating This Fish Could Save Coral Reefs; Airs on: YouTube and AJ+
Outstanding Personality/Host
Alton Brown, Good Eats: The Return; Airs on: Food Network
David Chang, Breakfast, Lunch & Dinner; Airs on: Netflix
Roy Choi; Broken Bread with Roy Choi; Airs on: Tastemade and KCET
Television Program, in Studio or Fixed Location
Good Eats: The Return – American Classic: Chicken Parm; Airs on: Food Network
Lidia’s Kitchen – Trattoria Favorites; Airs on: PBS
Pati’s Mexican Table – A Local’s Tour of Culiacán; Airs on: WETA; distributed nationally by American Public Television
Television Program, on Location
Chef’s Table – Asma Khan; Airs on: Netflix
Las Crónicas del Taco (Taco Chronicles) – Canasta; Airs on: Netflix
Street Food – Bangkok, Thailand; Airs on: Netflix
Visual and Audio Technical Excellence
Chef’s Table; Adam Bricker, Chloe Weaver, and Will Basanta; Airs on: Netflix
Street Food; Alexander D. Paul, Matthew Chavez, and Shane Reed; Airs on: Netflix
The Taste of Place – Wild Rice; Jesse Roesler and Kevin Russell; Airs on: Vimeo
Visual Reporting (on TV or Online)
Fork the System – Moro Food of Muslim Mindanao: This is Filipino, Too; Reporters: Joi Lee and HyoJin Park; Airs on: Al Jazeera English Digital, YouTube, and Facebook
In Real Life– Why This $300 Clam Is so Important to Native Americans and China; Reporters: AJ+ Staff; Airs on: YouTube and AJ+
Rotten – The Avocado War; Reporters: Christine Haughney, Erin Cauchi, and Gretchen Goetz; Airs on: Netflix
2020 James Beard Foundation Journalism Awards Finalists
For articles published in English in 2019. Winners, including the Emerging Voice Award, will be announced on Wednesday, May 27, 2020.
Columns
What She’s Having: “Popeyes’ Fried Chicken Sandwich: A Delicious Distraction, a Cultural Lesson”; “Every Season Is Soup Season”; “Why a Somali Nook in East Boston Is One of the Country’s Best New Restaurants” — Devra First, The Boston Globe
Power Rankings: “The Official Fast Food French Fry Power Rankings”; “The Official Spicy Snack Power Rankings”; “The Official Domestic Beer Power Rankings” — Lucas Kwan Peterson, Los Angeles Times
Rooted in Place: “In Service”; “Hair, Food, and Hustle”; “The Best That We’ve Got” — Rosalind Bentley, Gravy
Craig Claiborne Distinguished Restaurant Review Award
“Le Colonial Is an Orientalist Specter”; “The Ultimate Chaat Truck Crawl”; “The Fantasy — and Reality — of Dining at Chez Panisse” — Soleil Ho, San Francisco Chronicle
“NYC’s Buzziest New Sushi Parlors Are Transcendent, If You Can Handle the Bros”; “Wall Street’s Underground Russian Spa Is a Dining Destination for the Soul”; “Estiatorio Milos Is One of the Last Big Restaurant Scams in New York” —Ryan Sutton
Eater New York
“Peter Luger Used to Sizzle. Now It Sputters.”; “The 20 Most Delicious Things at Mercado Little Spain”; “Benno, Proudly Out of Step With the Age”
Pete Wells
The New York Times
Dining and Travel
“In Pursuit of the Perfect Pizza”
Matt Goulding
Airbnb Magazine
“Interview With the Vampiro”
Dylan James Ho
Taste
“These Are the World’s Best Restaurants: North America, South America, Africa and Middle East”
Besha Rodell
Travel + Leisure and Food & Wine
Feature Reporting
America’s farmers in crisis during Trump’s trade wars: “Left Behind: Farmers Fight to Save Their Land in Rural Minnesota as Trade War Intensifies”; “’I’m Gonna Lose Everything’: A Farm Family Struggles to Recover after Rising Debt Pushes a Husband to Suicide”; “In Trump Country, a Season of Need on Family Farms”
Annie Gowen
The Washington Post
“The Great Land Robbery”
Vann R. Newkirk II
The Atlantic
“Value Meal”
Tad Friend
The New Yorker
Food Coverage in a General Interest Publication
The Bitter Southerner
Gastro Obscura
The New Yorker
Foodways
“An Indigenous Community in Mexico Finds Its Voice — and Strength — in Wild Mushrooms”
Michael Snyder
Los Angeles Times
“On Hawaii, the Fight for Taro’s Revival”
Ligaya Mishan
T: The New York Times Style Magazine
“A Real Hot Mess: How Grits Got Weaponized Against Cheating Men”
Cynthia R. Greenlee
MUNCHIES | Food by VICE
Health and Wellness
“The AGEs Puzzle: How We Cook Food Is Killing Us. Scientists in SC Know Why.”; “9 Easy Ways to Eat Fewer AGEs: A Stress-Free Guide”
Tony Bartelme
The Post and Courier (Charleston, SC)
“How Washington Keeps America Sick and Fat”; “Meet the Silicon Valley Investor Who Wants Washington to Figure Out What You Should Eat”
Catherine Boudreau and Helena Bottemiller Evich
Politico
“Protein Nation”
Shaun Dreisbach
EatingWell
Home Cooking
“6 Holiday Cookies That Will Win You the Cookie Swap”
Hilary Cadigan and Rick Martinez
Bon Appétit
“Fry Time”
Nancy Singleton Hachisu
Saveur
“In Praise of Schmaltz”
Rachel Handler
Grub Street
Innovative Storytelling
“Best New Restaurants 2019”
Kevin Alexander, Nicole A. Taylor, and Adriana Velez
Thrillist
“Food and Loathing on the Campaign Trail”
Gary He, Matt Buchanan, and Meghan McCarron
Eater
“Made in America”
Tim Carman and Shelly Tan
The Washington Post
Investigative Reporting
“How USDA Distorted Data to Conceal Decades of Discrimination Against Black Farmers”
Nathan Rosenberg and Bryce Wilson Stucki
The Counter
“‘The Man Who Attacked Me Works in Your Kitchen’: Victim of Serial Groper Took Justice into Her Own Hands”
Amy Brittain and Maura Judkis
The Washington Post
“The Young Hands That Feed Us”
Karen Coates and Valeria Fernández
Pacific Standard
Jonathan Gold Local Voice Award
“Forget Democratic Votes. Which Presidential Hopeful Will Eat 16 Iconic SC Foods First?”; “A James Island Meat-and-Two Secretly Switched to Carolina Gold Rice. Here’s What Happened.”; “In Prisons Across South Carolina, It’s Not a Birthday Without Cake Made by a Fellow Inmate”
Hanna Raskin
The Post and Courier (Charleston, SC)
“In Search of Hot Beef”; “Chef Jack Riebel Is in the Fight of His Life”; “Harry Singh on the Perfect Roti, Trinidad, and Life in the Kitchen”
Dara Moskowitz Grumdahl
Mpls.St.Paul Magazine
“In a Wheelchair and Hungry”; “Where to Eat Regionally Inspired Mexican Food in New York City”; “How Sichuan Became NYC’s Dominant Chinese Cuisine”
Robert Sietsema
Eater New York
M.F.K. Fisher Distinguished Writing Award
“A Mind to Stay Here”
Rosalind Bentley
Gravy
“My Mother’s Catfish Stew”
John T. Edge
Oxford American
“An Undeserved Gift”
Shane Mitchell
The Bitter Southerner
Personal Essay, Long Form
“The Dysfunction of Food”
Kim Foster
Kim-Foster.com
“Love, Peace, and Taco Grease: How I Left My Abusive Husband and Found Guy Fieri”
Rax King
Catapult
“Seeking Jewish Identity at the Sabra Hummus Factory”
Orr Shtuhl
The Forward
Personal Essay, Short Form
“For 20 Years, happy hour has seen us through work — and life”
M. Carrie Allan
The Washington Post
“How the Starbucks Macchiato Ruined My Indie Coffee Shop Experiences”
Nicole A. Taylor
Thrillist
“In Memoriam of Hominy Grill, the Restaurant That Defined Charleston”
Ali Rosen
Plate
Profile
“First Course”
Zoe Tennant
Granta
“The Fruit Saver”
Tejal Rao
Women on Food
(Abrams Press)
“The Provocations of Chef Tunde Wey”
Brett Martin
GQ Magazine
Wine, Spirits, and Other Beverages
“How Climate Change Impacts Wine”
Eric Asimov
The New York Times
“May I Help You With That Wine List?”
Ray Isle
Food & Wine
“Seltzer Is Over. Mineral Water Is Forever.”
Jordan Michelman
PUNCH
Disclosure: Some Vox Media staff members are part of the voting body for the James Beard Foundation Awards.
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The full list of nominees
Today, on what would have been the 30th annual James Beard Awards ceremony, the James Beard Foundation announced the finalists for the 2020 James Beard Awards, which honors the year’s outstanding restaurants and chefs, as well as food journalism, books, and broadcast media. The announcement was originally scheduled for March 25, but the coronavirus pandemic forced the Foundation to cancel the planned Philadelphia event and postpone both the finalists reveal and the awards themselves.
COVID-19 has left the restaurant industry in a precarious position, to put it mildly. Restaurants are pivoting their operations to stay in business, closing temporarily, and in some cases, closing for good. When the Foundation opted to postpone the finalist announcement, it acknowledged that it did so in part to focus on rebuilding the restaurant industry, awards being the last thing on anyone’s mind. And so it came as a bit of a surprise when on April 27 the Foundation announced plans to move forward with a virtual finalist announcement and, eventually, the 2020 James Beard Awards. Today, the Foundation revealed the Restaurant and Chef Awards Gala will take place in late September, and the Media Awards will take place in late May.
In a post on the James Beard Foundation website, chief strategy officer Mitchell Davis explained that the Foundation consulted with chefs, restaurateurs, and others in the industry and determined that the James Beard Awards finalists, like the list of semifinalists announced in late February, deserved recognition for their work in 2019. “Those we consulted felt the Awards could also offer a glimmer of hope to an industry looking for light in a very dark time,” he writes. Davis acknowledged that it is also a particularly dark time for the media, which will be recognized for the first time in the 2020 James Beard Awards cycle with the finalists announcement.
Given the ongoing restrictions related to COVID-19, the format for the 2020 James Beard Awards is still undecided — but they will go on, and “take place” in Chicago at some date later this year. “We want every James Beard Award winner to have a chance to have their moment in the spotlight,” Mitchell writes. “We have partners who support this industry, who support the Foundation, who are willing to work with us to figure out what’s best for all.”
Visit Philadelphia, which stands to lose millions due to the coronavirus pandemic, is still sponsoring the virtual event. Last year, Houston hosted the finalist announcement and although there was plenty of Texas representation on the semifinalists list, including 11 chefs and restaurants from Houston, the city’s restaurants and chefs were completely shut out of the whittled down finalists list. Philadelphia didn’t see the same fate.
Below, the 2020 James Beard Awards finalists.
James Beard Foundation Restaurant and Chef Awards Finalists
Best New Restaurant
Automatic Seafood & Oysters, Birmingham, AL
Demi, Minneapolis
Eem, Portland, OR
Fox & the Knife, Boston
Gado Gado, Portland, OR
Gianna, New Orleans
Kalaya, Philadelphia
Nightshade, Los Angeles
Pasjoli, Santa Monica, CA
Verjus, San Francisco
Outstanding Baker
Graison Gill, Bellegarde Bakery, New Orleans
Zachary Golper, Bien Cuit, NYC
Lisa Ludwinski, Sister Pie, Detroit
Avery Ruzicka, Manresa Bread, Los Gatos, CA
Maura Kilpatrick, Sofra Bakery, Cambridge, MA i
Outstanding Bar Program
Anvil Bar & Refuge, Houston
Expatriate, Portland, OR
Kimball House, Decatur, GA
Lost Lake, Chicago
Trick Dog, San Francisco
Outstanding Chef
David Kinch, Manresa, Los Gatos, CA
Corey Lee, Benu, San Francisco
Donald Link, Herbsaint, New Orleans
Missy Robbins, Lilia, NYC
Ana Sortun, Oleana, Cambridge, MA
Marc Vetri, Vetri Cucina, Philadelphia
Outstanding Hospitality
Brigtsen’s, New Orleans
Canlis, Seattle
Saison, San Francisco
Swan Oyster Depot, San Francisco
Zingerman’s Roadhouse, Ann Arbor, MI
Outstanding Pastry Chef
Lincoln Carson, Bon Temps, Los Angeles
Juan Contreras, Atelier Crenn, San Francisco
Margarita Manzke, République, Los Angeles
Diane Moua, Spoon and Stable, Minneapolis
Natasha Pickowicz, Flora Bar, NYC
Miro Uskokovic, Gramercy Tavern, NYC
Outstanding Restaurant
FIG, Charleston, SC
Frasca Food and Wine, Boulder, CO
Jaleo, Washington, D.C.
Pizzeria Bianco, Phoenix
Quince, San Francisco
Outstanding Restaurateur
Paul Bartolotta, The Bartolotta Restaurants, Milwaukee (Ristorante Bartolotta, Harbor House, Lake Park Bistro, and others)
Jamie Bissonnette and Ken Oringer, JK Food Group, Boston (Little Donkey, Toro, Coppa)
JoAnn Clevenger, Upperline Restaurant, New Orleans
Alex Raij and Eder Montero, NYC (La Vara, Saint Julivert Fisherie, Txikito)
Jason Wang, Xi’an Famous Foods, NYC
Outstanding Wine Program
Bacchanal, New Orleans
Canard, Portland, OR
COTE, NYC
Miller Union, Atlanta
Night + Market Sahm, Venice, CA
Spiaggia, Chicago
Outstanding Wine, Beer or Spirits Producer
Scott Blackwell and Ann Marshall, High Wire Distilling Co., Charleston, SC
Cathy Corison, Corison Winery, St. Helena, CA
Drew Kulsveen, Willett Distillery, Bardstown, KY
Todd Leopold and Scott Leopold, Leopold Bros., Denver
Rising Star Chef of the Year
Will Aghajanian and Liz Johnson, The Catbird Seat, Nashville
Irene Li, Mei Mei, Boston
Gaby Maeda, State Bird Provisions, San Francisco
Ashleigh Shanti, Benne on Eagle, Asheville, NC
Paola Velez, Kith/Kin, Washington, D.C.
Jon Yao, Kato, Los Angeles
Best Chef: California
Jeremy Fox, Birdie G’s, Santa Monica, CA
Brandon Jew, Mister Jiu’s, San Francisco
Jessica Koslow, Sqirl, Los Angeles
Mourad Lahlou, Mourad, San Francisco
Joshua Skenes, Angler, San Francisco
Pim Techamuanvivit, Kin Khao, San Francisco
Best Chef: Great Lakes (IL, IN, MI, OH)
Gene Kato, Momotaro, Chicago
Jason Hammel, Lula Cafe, Chicago
Noah Sandoval, Oriole, Chicago
John Shields and Karen Urie Shields, Smyth, Chicago
Erick Williams, Virtue, Chicago
Lee Wolen, Boka, Chicago
Best Chef: Mid-Atlantic (D.C., DE, MD, NJ, PA, VA)
Amy Brandwein, Centrolina, Washington, D.C.
Nicholas Elmi, Laurel, Philadelphia
Rich Landau, Vedge, Philadelphia
Cristina Martinez, South Philly Barbacoa, Philadelphia
Jon Sybert, Tail Up Goat, Washington, D.C.
Cindy Wolf, Charleston, Baltimore
Best Chef: Midwest (IA, KS, MN, MO, NE, ND, SD, WI)
Steven Brown, Tilia, Minneapolis
Michael Corvino, Corvino Supper Club & Tasting Room, Kansas City, MO
Michael Gallina, Vicia, St. Louis
Jamie Malone, Grand Café, Minneapolis
Christina Nguyen, Hai Hai, Minneapolis
Best Chef: Mountain (CO, ID, MT, UT, WY)
Carrie Baird, Bar Dough, Denver
Jen Castle and Blake Spalding, Hell’s Backbone Grill & Farm, Boulder, UT
Jeff Drew, Snake River Grill, Jackson, WY
Caroline Glover, Annette, Aurora, CO
Dana Rodriguez, Super Mega Bien, Denver
Kelly Whitaker, The Wolf’s Tailor, Denver
Best Chef: New York State
Sean Gray, Momofuku Ko, NYC
Brooks Headley, Superiority Burger, NYC
Junghyun Park, Atomix, NYC
Daniela Soto-Innes, ATLA, NYC
Alex Stupak, Empellón, NYC
Best Chef: Northeast (CT, MA, ME, NH, RI, VT)
Vien Dobui, CÔNG TỬ BỘT, Portland, ME
Ben Jackson, Drifters Wife, Portland, ME
Tiffani Faison, Orfano, Boston
Krista Kern Desjarlais, The Purple House, North Yarmouth, ME
Greg Mitchell and Chad Conley, Palace Diner, Biddeford, ME
Cassie Piuma, Sarma, Somerville, MA
Best Chef: Northwest & Pacific (AK, HI, OR, WA)
Peter Cho, Han Oak, Portland, OR
Gregory Gourdet, Departure, Portland, OR
Chris Kajioka and Anthony Rush, Senia, Honolulu
Katy Millard, Coquine, Portland, OR
Kristen Murray, MÅURICE, Portland, OR
Rachel Yang and Seif Chirchi, Joule, Seattle
Best Chef: South (AL, AR, Commonwealth of Puerto Rico, FL, LA, MS)
Jose Enrique, Jose Enrique, San Juan, PR
Kristen Essig and Michael Stoltzfus, Coquette, New Orleans
Michael Gulotta, Maypop, New Orleans
Mason Hereford, Turkey and the Wolf, New Orleans
Isaac Toups, Toups’ Meatery, New Orleans
Best Chef: Southeast (GA, KY, NC, SC, TN, WV)
Katie Button, Cúrate, Asheville, NC
Cassidee Dabney, The Barn at Blackberry Farm, Walland, TN
Cheetie Kumar, Garland, Raleigh, NC
Andy Ticer and Michael Hudman, Andrew Michael Italian Kitchen, Memphis, TN
Julia Sullivan, Henrietta Red, Nashville
Best Chef: Southwest (AZ, NM, NV, OK)
Dan Krohmer, Other Mama, Las Vegas
Jonathan Perno, Campo at Los Poblanos Historic Inn & Organic Farm, Los Ranchos de Albuquerque, NM
Chrysa Robertson, Rancho Pinot, Scottsdale, AZ
Silvana Salcido Esparza, Barrio Café Gran Reserva, Phoenix
Jeff Smedstad, Elote Cafe, Sedona, AZ
James Trees, Esther’s Kitchen, Las Vegas
Best Chef: Texas
Kevin Fink, Emmer & Rye, Austin
Michael Fojtasek, Olamaie, Austin
Anita Jaisinghani, Pondicheri, Houston
Steve McHugh, Cured, San Antonio
Trong Nguyen, Crawfish & Noodles, Houston
America’s Classics Awards
Previously announced
El Taco de Mexico, Denver, Colorado
Lassis Inn, Little Rock, Arkansas
Oriental Mart, Seattle, Washington
Puritan Backroom, Manchester, New Hampshire
Vera’s Backyard Bar-B-Que, Brownsville, Texas
Zehnder’s of Frankenmuth, Frankenmouth, Michigan
Humanitarian of the Year:
Jessica B. Harris
Leadership Awards:
Phillip and Dorathy E. Barker, Operations Spring Plant
Rosalinda Guillen, Community to Community Development (C2C)
Abiodun Henderson, The Come Up Project
Mark and Kerry Marhefka of Abundant Seafood
Caleb Zigas, La Cocina
James Beard Restaurant Design Awards
Design Icon
Chez Panisse
Outstanding Restaurant Design, 75 Seats and Under:
SIMPLICITY for HALL by o.d.o
Heliotrope Architects for Rupee
Vermillion Architects, LLC for Spoonbill Watering Hole and Restaurant
Outstanding Restaurant Design, 76 Seats and Over:
Hacin + Associates for Shore Leave;
Ken Fulk, Inc for Swan & Bar Bevy
Klein Agency and ORA for Auburn
2020 James Beard Foundation Book Awards
For cookbooks and other non-fiction food- or beverage-related books that were published in the U.S. in 2019. Winners, including the Book of the Year Award and the Cookbook Hall of Fame inductee will be announced on Wednesday, May 27, 2020.
American Books with recipes focused on the cooking or foodways of regions or communities in the United States.
Cook Like a Local: Flavors That Can Change How You Cook and See the World; Chris Shepherd and Kaitlyn Goalen, (Clarkson Potter)
Jubilee: Recipes from Two Centuries of African American Cooking; Toni Tipton-Martin, (Clarkson Potter)
South: Essential Recipes and New Explorations; Sean Brock, (Artisan Books)
Baking and Desserts Books with recipes focused on breads, pastries, desserts, and other treats.
Dappled: Baking Recipes for Fruit Lovers; Nicole Rucker, (Avery)
Living Bread: Tradition and Innovation in Artisan Bread Making; Daniel Leader and Lauren Chattman, (Avery)
Pastry Love: A Baker’s Journal of Favorite Recipes; Joanne Chang, (Houghton Mifflin Harcourt)
Beverage with Recipes Books focused on recipes for how to make beverages.
Last Call: Bartenders on Their Final Drink and the Wisdom and Rituals of Closing Time; Brad Thomas Parsons, (Ten Speed Press)
The Martini Cocktail: A Meditation on the World’s Greatest Drink, with Recipes; Robert Simonson, (Ten Speed Press)
The NoMad Cocktail Book; Leo Robitschek, (Ten Speed Press)
Beverage without Recipes Beverage-focused books and guides that either don’t contain recipes or that may have minimal recipes but aren’t recipe-centric.
The Complete Guide to Japanese Drinks: Sake, Shochu, Japanese Whisky, Beer, Wine, Cocktails and Other Beverages; Stephen Lyman and Chris Bunting, (Tuttle Publishing)
Red & White: An Unquenchable Thirst for Wine; Oz Clarke, (Little, Brown Book Group)
World Atlas of Wine 8th Edition; Hugh Johnson and Jancis Robinson, (Mitchell Beazley)
General Books with recipes that address a broad scope of cooking, not just a single topic, technique or region.
All About Dinner: Simple Meals, Expert Advice; Molly Stevens, (W. W. Norton & Company)
Milk Street: The New Rules: Recipes That Will Change the Way You Cook; Christopher Kimball, (Voracious)
Where Cooking Begins: Uncomplicated Recipes to Make You a Great Cook; Carla Lalli Music, (Clarkson Potter)
Health and Special Diets Books with recipes related to health and nutrition, or that address specific health issues, such as allergies or diabetes.
The Beauty Chef Gut Guide: With 90+ Delicious Recipes and Weekly Meal Plans; Carla Oates, (Hardie Grant Books)
Cannelle et Vanille: Nourishing, Gluten-Free Recipes for Every Meal and Mood; Aran Goyoaga, (Sasquatch Books)
Gluten-Free Baking at Home: 102 Foolproof Recipes for Delicious Breads, Cakes, Cookies, and More; Jeffrey Larsen, (Ten Speed Press)
International
Books with recipes focused on food and cooking traditions of countries or regions outside of the United States.
Black Sea: Dispatches and Recipes – Through Darkness and Light; Caroline Eden, (Quadrille Publishing)
Ethiopia: Recipes and Traditions from the Horn of Africa; Yohanis Gebreyesus, (Interlink Publishing)
The Food of Sichuan; Fuchsia Dunlop, (W. W. Norton & Company)
Photography
American Sfoglino: A Master Class in Handmade Pasta; Eric Wolfinger, (Chronicle Books)
Le Corbuffet: Edible Art and Design Classics; Esther Choi, (Prestel)
Oaxaca: Home Cooking from the Heart of Mexico; Quentin Bacon, (Abrams Books)
Reference, History, and Scholarship Includes manuals, guides, encyclopedias, and books that present research related to food or foodways.
Gandhi’s Search for the Perfect Diet: Eating with the World in Mind; Nico Slate, (University of Washington Press)
A South You Never Ate: Savoring Flavors and Stories from the Eastern Shore of Virginia; Bernard L. Herman, (The University of North Carolina Press)
The Whole Okra: A Seed to Stem Celebration; Chris Smith, (Chelsea Green Publishing)
Restaurant and Professional Books written by a culinary professional or restaurant chef with recipes that may include advanced cooking techniques, use specialty ingredients, and require professional equipment. This includes culinary arts textbooks.
Dishoom: From Bombay with Love; Shamil Thakrar, Kavi Thakrar, and Naved Nasir, (Bloomsbury Publishing)
Eleven Madison Park: The Next Chapter, Revised and Unlimited Edition; Daniel Humm, (Ten Speed Press)
The Whole Fish Cookbook: New Ways to Cook, Eat and Think; Josh Niland, (Hardie Grant Books)
Single Subject Books with recipes focused on a single or category of ingredients, a dish, or a method of cooking – such as lobster, seafood, grains, pasta, burgers, or canning. Exceptions: baking and desserts books, vegetable-focused books, health and special diets books, restaurant and professional books, and beverage books should be entered in those respective categories.
From the Oven to the Table: Simple Dishes That Look After Themselves; Diana Henry, (Mitchell Beazley)
Pasta Grannies: The Official Cookbook: The Secrets of Italy’s Best Home Cooks; Vicky Bennison, (Hardie Grant Books)
Sour: The Magical Element That Will Transform Your Cooking; Mark Diacono, (Quadrille Publishing)
Vegetable-Focused Cooking Books that feature recipes for how to prepare and serve vegetables and plant-based ingredients. Books may be vegetarian, vegan, or vegetable-focused with minimal reference to meats.
Ruffage: A Practical Guide to Vegetables; Abra Berens, (Chronicle Books)
Vegetables Illustrated: An Inspiring Guide with 700+ Kitchen-Tested Recipes; Editors at America’s Test Kitchen, (America’s Test Kitchen)
Whole Food Cooking Every Day: Transform the Way You Eat with 250 Vegetarian Recipes Free of Gluten, Dairy, and Refined Sugar; Amy Chaplin, (Artisan Books)
Writing Narrative nonfiction books, including memoirs, culinary tourism, investigative journalism, food advocacy, and critical analysis of food and foodways for a general audience.
Eat Like a Fish: My Adventures as a Fisherman Turned Restorative Ocean Farmer; Bren Smith, (Knopf)
Notes from a Young Black Chef: A Memoir; Kwame Onwuachi with Joshua David Stein, (Knopf)
Women on Food: Charlotte Druckman and 115 Writers, Chefs, Critics, Television Stars, and Eaters; Charlotte Druckman, (Abrams Press)
2020 James Beard Foundation Broadcast Media Awards
For radio, television broadcasts, podcasts, webcasts, and documentaries appearing in 2019. Winners will be announced on Wednesday, May 27, 2020.
Audio Program
The Food Programme – The Search for Esiah’s Seeds; Airs on: BBC Radio 4 and BBC Sounds
It Burns: The Scandal-Plagued Race to Breed the World’s Hottest Chili; Airs on: Audible
The Sporkful – When White People Say Plantation; Airs on: iTunes, Sporkful, Spotify, and Stitcher
Audio Reporting
California Foodways – The Curious Second Life of a Prather Ranch Cow: Biomedical Research; Trans Man Finds – and Creates – Refuge in His Family’s Small-Town Cafe; Legalizing Cannabis Impacts Food, Farming in Humboldt; Reporter: Lisa Morehouse; Airs on: KQED, California Foodways, iTunes, Google Play, Radio Public, SoundCloud, and Stitcher
Food Actually – Junk Food Actually; Reporter: Tamar Adler; Airs on: Luminary
Gravy – Mahalia Jackson’s Glori-Fried Chicken; Reporter: Betsy Shepherd; Airs on: southernfoodways.org and iTunes
Documentary
Harvest Season; Airs on: PBS
Nothing Fancy: Diana Kennedy; Airs on: Premiered at SXSW in March 2019
That’s My Jazz; Airs on: Vimeo
Online Video, Fixed Location and/or Instructional
Chef Studio: The Crumby Bits – Cricket Macarons; Airs on: YouTube
Grace Young – Wok Therapist; Airs on: GraceYoung.com and YouTube
Ready Jet Cook - How to Make Pad Thai with Jet Tila; Airs on: FoodNetwork.com and YouTube
Online Video, on Location
Eat, Drink, Share, Puerto Rico Food – El Burén de Lula; Airs on: YouTube
Handmade – How Knives Are Made for New York’s Best Restaurants; How a Ceramics Master Makes Plates for Michelin-Starred Restaurants; Airs on: Eater and YouTube
In Real Life – Why Eating This Fish Could Save Coral Reefs; Airs on: YouTube and AJ+
Outstanding Personality/Host
Alton Brown, Good Eats: The Return; Airs on: Food Network
David Chang, Breakfast, Lunch & Dinner; Airs on: Netflix
Roy Choi; Broken Bread with Roy Choi; Airs on: Tastemade and KCET
Television Program, in Studio or Fixed Location
Good Eats: The Return – American Classic: Chicken Parm; Airs on: Food Network
Lidia’s Kitchen – Trattoria Favorites; Airs on: PBS
Pati’s Mexican Table – A Local’s Tour of Culiacán; Airs on: WETA; distributed nationally by American Public Television
Television Program, on Location
Chef’s Table – Asma Khan; Airs on: Netflix
Las Crónicas del Taco (Taco Chronicles) – Canasta; Airs on: Netflix
Street Food – Bangkok, Thailand; Airs on: Netflix
Visual and Audio Technical Excellence
Chef’s Table; Adam Bricker, Chloe Weaver, and Will Basanta; Airs on: Netflix
Street Food; Alexander D. Paul, Matthew Chavez, and Shane Reed; Airs on: Netflix
The Taste of Place – Wild Rice; Jesse Roesler and Kevin Russell; Airs on: Vimeo
Visual Reporting (on TV or Online)
Fork the System – Moro Food of Muslim Mindanao: This is Filipino, Too; Reporters: Joi Lee and HyoJin Park; Airs on: Al Jazeera English Digital, YouTube, and Facebook
In Real Life– Why This $300 Clam Is so Important to Native Americans and China; Reporters: AJ+ Staff; Airs on: YouTube and AJ+
Rotten – The Avocado War; Reporters: Christine Haughney, Erin Cauchi, and Gretchen Goetz; Airs on: Netflix
2020 James Beard Foundation Journalism Awards Finalists
For articles published in English in 2019. Winners, including the Emerging Voice Award, will be announced on Wednesday, May 27, 2020.
Columns
What She’s Having: “Popeyes’ Fried Chicken Sandwich: A Delicious Distraction, a Cultural Lesson”; “Every Season Is Soup Season”; “Why a Somali Nook in East Boston Is One of the Country’s Best New Restaurants” — Devra First, The Boston Globe
Power Rankings: “The Official Fast Food French Fry Power Rankings”; “The Official Spicy Snack Power Rankings”; “The Official Domestic Beer Power Rankings” — Lucas Kwan Peterson, Los Angeles Times
Rooted in Place: “In Service”; “Hair, Food, and Hustle”; “The Best That We’ve Got” — Rosalind Bentley, Gravy
Craig Claiborne Distinguished Restaurant Review Award
“Le Colonial Is an Orientalist Specter”; “The Ultimate Chaat Truck Crawl”; “The Fantasy — and Reality — of Dining at Chez Panisse” — Soleil Ho, San Francisco Chronicle
“NYC’s Buzziest New Sushi Parlors Are Transcendent, If You Can Handle the Bros”; “Wall Street’s Underground Russian Spa Is a Dining Destination for the Soul”; “Estiatorio Milos Is One of the Last Big Restaurant Scams in New York” —Ryan Sutton
Eater New York
“Peter Luger Used to Sizzle. Now It Sputters.”; “The 20 Most Delicious Things at Mercado Little Spain”; “Benno, Proudly Out of Step With the Age”
Pete Wells
The New York Times
Dining and Travel
“In Pursuit of the Perfect Pizza”
Matt Goulding
Airbnb Magazine
“Interview With the Vampiro”
Dylan James Ho
Taste
“These Are the World’s Best Restaurants: North America, South America, Africa and Middle East”
Besha Rodell
Travel + Leisure and Food & Wine
Feature Reporting
America’s farmers in crisis during Trump’s trade wars: “Left Behind: Farmers Fight to Save Their Land in Rural Minnesota as Trade War Intensifies”; “’I’m Gonna Lose Everything’: A Farm Family Struggles to Recover after Rising Debt Pushes a Husband to Suicide”; “In Trump Country, a Season of Need on Family Farms”
Annie Gowen
The Washington Post
“The Great Land Robbery”
Vann R. Newkirk II
The Atlantic
“Value Meal”
Tad Friend
The New Yorker
Food Coverage in a General Interest Publication
The Bitter Southerner
Gastro Obscura
The New Yorker
Foodways
“An Indigenous Community in Mexico Finds Its Voice — and Strength — in Wild Mushrooms”
Michael Snyder
Los Angeles Times
“On Hawaii, the Fight for Taro’s Revival”
Ligaya Mishan
T: The New York Times Style Magazine
“A Real Hot Mess: How Grits Got Weaponized Against Cheating Men”
Cynthia R. Greenlee
MUNCHIES | Food by VICE
Health and Wellness
“The AGEs Puzzle: How We Cook Food Is Killing Us. Scientists in SC Know Why.”; “9 Easy Ways to Eat Fewer AGEs: A Stress-Free Guide”
Tony Bartelme
The Post and Courier (Charleston, SC)
“How Washington Keeps America Sick and Fat”; “Meet the Silicon Valley Investor Who Wants Washington to Figure Out What You Should Eat”
Catherine Boudreau and Helena Bottemiller Evich
Politico
“Protein Nation”
Shaun Dreisbach
EatingWell
Home Cooking
“6 Holiday Cookies That Will Win You the Cookie Swap”
Hilary Cadigan and Rick Martinez
Bon Appétit
“Fry Time”
Nancy Singleton Hachisu
Saveur
“In Praise of Schmaltz”
Rachel Handler
Grub Street
Innovative Storytelling
“Best New Restaurants 2019”
Kevin Alexander, Nicole A. Taylor, and Adriana Velez
Thrillist
“Food and Loathing on the Campaign Trail”
Gary He, Matt Buchanan, and Meghan McCarron
Eater
“Made in America”
Tim Carman and Shelly Tan
The Washington Post
Investigative Reporting
“How USDA Distorted Data to Conceal Decades of Discrimination Against Black Farmers”
Nathan Rosenberg and Bryce Wilson Stucki
The Counter
“‘The Man Who Attacked Me Works in Your Kitchen’: Victim of Serial Groper Took Justice into Her Own Hands”
Amy Brittain and Maura Judkis
The Washington Post
“The Young Hands That Feed Us”
Karen Coates and Valeria Fernández
Pacific Standard
Jonathan Gold Local Voice Award
“Forget Democratic Votes. Which Presidential Hopeful Will Eat 16 Iconic SC Foods First?”; “A James Island Meat-and-Two Secretly Switched to Carolina Gold Rice. Here’s What Happened.”; “In Prisons Across South Carolina, It’s Not a Birthday Without Cake Made by a Fellow Inmate”
Hanna Raskin
The Post and Courier (Charleston, SC)
“In Search of Hot Beef”; “Chef Jack Riebel Is in the Fight of His Life”; “Harry Singh on the Perfect Roti, Trinidad, and Life in the Kitchen”
Dara Moskowitz Grumdahl
Mpls.St.Paul Magazine
“In a Wheelchair and Hungry”; “Where to Eat Regionally Inspired Mexican Food in New York City”; “How Sichuan Became NYC’s Dominant Chinese Cuisine”
Robert Sietsema
Eater New York
M.F.K. Fisher Distinguished Writing Award
“A Mind to Stay Here”
Rosalind Bentley
Gravy
“My Mother’s Catfish Stew”
John T. Edge
Oxford American
“An Undeserved Gift”
Shane Mitchell
The Bitter Southerner
Personal Essay, Long Form
“The Dysfunction of Food”
Kim Foster
Kim-Foster.com
“Love, Peace, and Taco Grease: How I Left My Abusive Husband and Found Guy Fieri”
Rax King
Catapult
“Seeking Jewish Identity at the Sabra Hummus Factory”
Orr Shtuhl
The Forward
Personal Essay, Short Form
“For 20 Years, happy hour has seen us through work — and life”
M. Carrie Allan
The Washington Post
“How the Starbucks Macchiato Ruined My Indie Coffee Shop Experiences”
Nicole A. Taylor
Thrillist
“In Memoriam of Hominy Grill, the Restaurant That Defined Charleston”
Ali Rosen
Plate
Profile
“First Course”
Zoe Tennant
Granta
“The Fruit Saver”
Tejal Rao
Women on Food
(Abrams Press)
“The Provocations of Chef Tunde Wey”
Brett Martin
GQ Magazine
Wine, Spirits, and Other Beverages
“How Climate Change Impacts Wine”
Eric Asimov
The New York Times
“May I Help You With That Wine List?”
Ray Isle
Food & Wine
“Seltzer Is Over. Mineral Water Is Forever.”
Jordan Michelman
PUNCH
Disclosure: Some Vox Media staff members are part of the voting body for the James Beard Foundation Awards.
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A Thousand Miles of History IX: Legends on the rocks
A Thousand Miles of History IX: Legends on the rocks
The morning after the workshop, with Alethea and Larissa squeezed into the back of the car, we headed back along the road towards Tavistock, in search of the next site of our day’s explorations. We were going to have a long drive later as we were heading down to Penzance for the night, but for now, the Michael Line was calling…
So the drive from North Brentor was a short one… a matter of…
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”Zadarnicele chinuri ale dragostei” sunt o comedie timpurie a lui Shakespeare. Se crede că a fost scrisă pe la mijlocul anilor 1590 și se mai crede că a fost scrisă pentru o reprezentație la Inns of Court, în prezența reginei Elisabeta I-a. Inns of Court era una din cele patru asociații de juriști din Londra. Se presupune că la începutul istoriei ei scenice piesa a fost reprezentată înaintea unui public de studenți, ceea ce ar constitui o explicație pentru poate cea mai evidentă trăsătură distinctivă a piesei – numeroasele jocuri de cuvinte din text, numeroasele scamatorii lexicale (precum cuvântul de o lungime neobișnuită, ”honorificabilitudinitatibus”) și stilistice și numeroasele aluzii culturale – toate aceste rafinamente formale corespund gustului și preferințelor unui public de cărturari.
Publicată în quarto în 1598, foaia de titlu sugerează că ar fi existat o versiune mai veche a piesei, care versiune a fost revizuită. Nu s-au depistat surse ale inspirației lui Shakespeare pentru scrierea acestei piese, dar figurile istorice centrale erau binecunoscute publicului vremii sale. Se știe că a existat o urmare a acestei piese, ”Love’s Labour’s Won”, dar această urmare s-a pierdut.
”Zadarnicele chinuri” mai au câteva însușiri prin care se deosebesc de restul creațiilor shakespeariene. Una dintre aceste trăsături este faptul că la un moment dat în piesă se anunță decesul regelui Franței, tatăl uneia dintre eroine, iar acest anunț schimbă pe neașteptate cursul acțiunii, schimbând în mod drastic și starea de spirit pe care o transmite piesa; comedia se întunecă brusc, căpătând accente de dramă.
Mai trebuie adăugată o trăsătură la cele enumerate mai înainte. Oscar Wilde scrie undeva că în toată dramaturgia lui Shakespeare nu există decât două personaje ale căror caractere nu sunt individualizate – acestea sunt Rosencrantz și Guildenstern în ”Hamlet”, fiindcă amândoi sunt delatori. Or, printre personajele ”Zadarnicelor chinuri”, inclusiv personajele istorice din această piesă, numai Berowne are un caracter care nu poate fi confundat cu al altora (Berowne fiind și un rol ispititor pentru orice actor) și, eventual, don Adriano de Armado, fiindcă e spaniol.
”Zadarnicele chinuri ale dragostei” au incitat de-a lungul vremii numeroși oameni de cultură și numeroși profesioniști importanți ai teatrului. Piesa a inspirat un poem al lui Alfred Tennyson și apoi, prin acest poem, o operă comică de Gilbert și Sullivan. Thomas Mann în ”Doctor Faustus” îi atribuie eroului său proiectul de a scrie o operă inspirată de această piesă. O operă după piesă a fost într-adevăr compusă și jucată în 1973, cu un libret de W. H. Auden și Chester Kallman. Piesa a inspirat și un musical. Laurence Olivier a montat piesa la Teatrul Național, în anul 2000 Kenneth Branagh a ecranizat-o – fără prea mare succes. Peter Brook a pus în scenă această piesă, cu enorm succes, pe când avea 20 de ani. Lev Dodin a montat-o la maturitate.
Încerc să-mi explic mie însumi interesul constant al oamenilor de teatru pentru această piesă ciudată și imperfectă.
Chestiunea poate fi eludată printr-un răspuns convențional de tipul: ”când e vorba de genii, chiar și imperfecțiunile lor sunt incitante”. Însă ne apropiem, poate, de o explicație plauzibilă atunci când afirmăm că imperfecțiunile piesei reprezintă o provocare pentru interpreți, a căror măiestrie e pusă la încercare de dificultățile pe care le prezintă textul. Cea mai importantă dintre aceste dificultăți este îmbinarea de comedie și de dramă pe care ea o conține în țesătura ei.
Comentând un spectacol cu ”Zadarnicele chinuri” pus în scenă la Royal Shakespeare Theatre în 1994, cunoscutul critic Michael Billington scria: ”Cu cât revăd mai mult Zadarnicele chinuri ale dragostei, cu atât mai mult mă gândesc că este cea mai fermecătoare comedie a lui Shakespeare. Ea celebrează și satisface în același timp exuberanța lingvistică, explorează tranziția adesea dureroasă de la tinerețe la maturitate, și ne amintește că suntem cu toții muritori.”
Care e subiectul acestei piese?
Ferdinand, regele Navarrei, și trei nobili de la curtea acestuia jură să nu aibă de-a face cu femei timp de trei ani, timp în care se vor dedica studiilor și vor posti. La curtea lui Ferdinand apar prințesa Franței și trei însoțitoare ale acesteia. Regele Ferdinand le poftește să-și instaleze corturile în cîmp. Dar în timp ce vizitează doamnele acolo, Ferdinand se îndrăgostește de prințesă și cei trei nobili – de doamnele care o însoțesc. Cei patru aristocrați se spionează reciproc și descoperă că toți patru și-au călcat jurământul. Ca urmare, ei decid să curteze doamnele deghizați în moscoviți. Un curtean din suita prințesei află de acest plan și le previne pe doamne, care, la rândul lor, hotărăsc să inducă în eroare bărbații preluând fiecare rolul unei alteia din grup.
Odată reveniți toți la identitățile lor reale, cei opt tineri sunt gata să se bucure de spectacolul pe care dascălul Holofernes e gata să-l prezinte în fața lor, când pe neașteptate li se comunică vestea că regele Franței, tatăl prințesei, a murit. Prințesa îndoliată și însoțitoarele ei își anunță admiratorii că ei vor trebui să aștepte un an și o zi până când se vor putea bucura, dacă vor rămâne credincioși iubitelor lor, de consimțământul acestora la căsătorie. Un an de abstinență nu e cea mai mare plăcere care se poate oferi unor îndrăgostiți.
M-am limitat în relatarea acțiunii piesei la principalul ei fir narativ. Piesa conține câteva linii narative secundare, în care motivele ei centrale apar în diverse variațiuni – dorința sexuală bărbătească, opoziția dintre instinct și rațiune, ca și opoziția dintre realitate și fantezie.
”Zadarnicele chinuri ale dragoste”. Foto: Mihaela Petre
Era de așteptat ca un regizor cu prestigiul lui Andrei Șerban să atace într-o bună zi această cu totul deosebită partitură shakespeariană. A făcut-o acum, la Teatrul ”Bulandra”. Conform unui trend pe care l-am semnalat recent, regizorul nu a adoptat frumoasa traducere a lui Ion Frunzetti și Dan Grigorescu, apreciată, bănuiesc, ca învechită, ci o traducere – făcută poate anume pentru acest spectacol – a Luciei Verona și a lui Horia Gârbea, ”adusă la zi”. Eu unul, când aud câte un personaj shakespearian exclamând ”Exact!”, sau rostind sintagma idiolectică ”pe bune”, îmi simt auzul zgâriat.
Decorul spectacolului (Octavian Neculai) este un pavilion rectangular pictat în culori vii cu o pictură pe care aș numi-o expresionistă – nu e limpede ce reprezintă; întregul decor e acoperit de graffiti, așa cum tot Bucureștiul e acoperit de graffiti (numai pe soclul statuii ecvestre a lui Carol al II-lea n-am văzut zmângăleli colorate); la curte sunt, montate pe perete, niște scări; la grădină se află un copac scorburos nu prea înalt pe care actorii se cațără periodic, și ale cărui crengi sunt flexibile, când și când actorii le îndoaie și le apleacă spre pământ sau le înalță către cer; s-ar putea ca procedurile astea să aibă un caracter simbolic, dar în ce ar consta acesta îmi scapă. Din spatele pavilionului apar din când în când, deasupra marginii lui superioare, unul sau altul din eroii piesei.
Costumele (Edita Lupea), bineînțeles moderne, sunt simple și frumoase.
Spectacolul lui Andrei Șerban este pus în scenă de către un profesionist versat, pentru care nici unul din resorturile de manevrat într-o montare nu reprezintă o taină. O știință consumată a tuturor efectelor se face simțită în spectacol. E uimitor, de pildă, modul în care Șerban asigură tranzițiile de la comedie la dramă ori de câte ori o asemenea trecere e necesară: câteva clipe de bruscă tăcere totală, destul ca să înghețe în așteptare sala, apoi o schimbare totală de ton în vorbirea celui care rupe, grav, tăcerea; procedeul e reluat de câteva ori în spectacol și e de fiecare dată eficace. Mostrele de virtuozitate regizorală abundă în montare. Toate mizanscenele sunt elaborate cu grijă, sunt elegante și expresive. Ritmurile spectacolului sunt atent supravegheate. Elementele auxiliare – muzica, luminile (creația regizorului, conform trendului actual) – toate servesc eficient ideile piesei.
Necazul e că toată această extraordinară pricepere teatrală nu creează viață scenică autentică. Actorii care apar în spectacol nu se dedau la giumbușlucuri, asta e vrednic de toată lauda, dar voioșia lor nu e cu adevărat tinerească, nici frustrările lor nu inspiră compasiune și nici tristețea lor nu e molipsitoare. Tema dorinței, a dorinței fizice, trupești – nervul central al piesei – e, bineînțeles, marcată cu grijă în spectacol, dar pasiune autentică nu exprimă jocul nici unuia dintre interpreți, nici măcar al lui Șerban Pavlu în rolul lui Berowne. În absența spontaneității actoricești, multe dintre cele care par gândite de regizor, și gândite bine, sunt enunțate în spectacol cu limpezime, dar nu produc impactul scontat, amortizate cum sunt de o excesivă rigoare, de prea mult calcul regizoral. Nu pot să nu notez, în treacăt, construcția defectuoasă de către Constantin Dogioiu a accentului spaniol pe care se cere să-l aibă don Adriano de Armada, fiindcă această nedibăcie anihilează tot hazul personajului.
Spectacolul lui Andrei Șerban invită la admirație pentru regizor, dar nu înveselește cu adevărat, și nu e nici cu adevărat mișcător. Bijuteriile din sticlă de Gablonz sunt incontestabil bijuterii, și adesea superbe, dar ele n-au sclipirea diamantelor adevărate.
Întâmplător, chiar a doua zi după ce am văzut Zadarnicele și frustrantele chinuri de la Teatrul ”Bulandra”, am văzut la Teatrul Național ”Regele Lear”, montat de David Doiashvili, o altă stea a regiei de teatru moderne. Mă consider un critic consecvent în criteriile estetice după care se conduce și în gusturile lui și cine a remarcat această consecvență va fi desigur uimit că spectacolul de la Național mi-a plăcut, și chiar foarte tare. Eu însumi am fost și sunt în continuare uimit.
Sunt în spectacolul acesta zeci de lucruri pentru mine foarte enervante, pe care nu puteam, nu pot să mi le ascund mie însumi. S-a descoperit de-a lungul anilor că în traducerea, socotită cândva exemplară, a lui Mihnea Gheorghiu sunt destule erori și destule nedibăcii. Dar capodopera lui Shakespeare merita o traducere mai îngrijită decât cea adoptată în spectacol, probabil întreprinsă anume pentru această montare, a Violetei Popa, traducere pe care am auzit-o (cum se putea altfel?) într-o ”versiune scenică” a Mașei Dinescu; versiunea asta se supune, evident, trendului știut de a ”moderniza” limba traducerilor de piese clasice, coborând poezia lor la nivelul limbii vorbite azi în viața cotidiană.
Începutul montării, filmat ca un reportaj de televiziune în care bufonul regelui anunță invitații la ceremonia împărțelii regatului, nu-i decât un deja răsuflat clișeu la modă, despre care am și scris nu demult, ca și automobilele din secvența filmată, smartphoanele etc. De altfel montarea nici nu izbutește, din fericire, să fie consecventă cu acest clișeu. Deși în costume moderne (deosebit de expresive, și menținute într-o gamă cromatică unitară – Liliana Cenean), spectacolul își amintește treptat că tragedia se inspiră din cronicile lui Holinshed și că e vorba de un rege semi-legendar.
Literele care coboară de la pod și urcă înapoi la pod formând bizarul cuvânt KINGLEAR mi s-au părut o sclifoseală regizorală, fals brechtiană, fără nici un sens. Ansamblul decorului alb conceput de regizor pare simplu (nu și comod), dar pe măsură ce se desfășoară spectacolul podelele unor practicabile se ridică în chip de capace ale unor bazine cu apă, perfect inutile, chiar dacă e spectaculos să vezi din când în când câte-un actor făcând bâldâbâc și împrăștiind împrejur jerbe de apă. Luminile spectacolului (cer iertare: ”lighting designul”) sunt create, ca și pentru ”Zadarnicele chinuri”, de către regizor; câteva dintre soluții sunt într-adevăr superbe, altele sunt cu totul de prisos – replica și manevra de lumini, iar și iar, într-o interminabilă succesiune monotonă, sunt o combinație pur și simplu obositoare. Muzica originală a spectacolului (Nicoloz Rachveli Memanishvili) e frumoasă, e și sugestivă și în multe scene contribuie substanțial la crearea atmosferei necesare; dar de nu mai puține ori ea e cu totul de prisos, transformă scenele în melodeclamație ieftină și împiedică publicul să urmărească textul.
În rezumat, Doiashvili pare a fi unul din acei regizori foarte inventivi care n-au puterea necesară să renunțe uneori la câte una din ideile lor; spectacolul e foarte încărcat, extrem de încărcat, de-a dreptul baroc. Din cauza mulțimii de născociri regizorale, se pierd, la grămadă, momente foarte importante ale tragediei, ca, de exemplu, relația dintre Edmund și cele două surori ticăloase.
Sunt în spectacol opțiuni regizorale indescifrabile pentru mine, ca de pildă ideea de a-l face pe ducele de Albany, unul dintre rarii oameni de treabă din piesă, soțul mizerabilei Goneril, un infirm în scaun cu rotile, un paralitic căruia nevasta trebuie să-i dea să mănânce cu lingurița.
M-am bucurat, firește, că regizorul a găsit o modalitate plauzibilă de a extinde oleacă rolul Bufonului regelui, care, după cum se știe, dispare inexplicabil din textul shakespearian imediat după faimoasa scenă a furtunii. Și cum Marius Manole dă o interpretare foarte personală și foarte convingătoare rolului (cu totul diferită de cea, neuitată, dată odinioară de Constantin Rauțchi), bucuria mea a fost dublă. Mi s-a părut în schimb regretabilă, într-un spectacol care trebuie să fi fost oricum foarte costisitor, suprimarea suitei lui Lear – prezența bandei de soldățoi dezlănțuiți din montarea lui Peter Brook lumina în chip lămuritor împotrivirea celor două fiice ingrate la existența și la proporțiile acestei suite.
Dacă atâtea și atâtea lucruri m-au supărat în acest ”Lear” al Naționalului bucureștean, cum se face că spectacolul totuși mi-a plăcut, și chiar foarte tare?
Acest ”Rege Lear” – nu sunt sigur că mi se va accepta formularea – merge direct la măruntaiele spectatorului. Impactul emoțional al montării e formidabil. Sunt momente în ea în care ți se taie răsuflarea din cauză că realizezi, parcă pentru prima dată, nesfârșita suferință omenească înmagazinată de marele Will în această teribilă tragedie. Mi-a produs aproape durere fizică să-l văd pe bătrânul Lear expediat ca o minge de Goneril la Regan și de Regan la Goneril, deși cunoșteam perfect situația asta dinainte. Știam că Lear rostește cumplite imprecații în furtună, dar parcă niciodată urgia și blestemele nu m-au tulburat ca de data asta. Am văzut mai mulți regi Lear purtând cunună de flori, dar parcă niciodată nu m-a frapat cu adevărat că durerea l-a scos pe nefericitul rigă din minți. Iar scena în care Gloucester, orb, dorind să pună capăt zilelor lui, se crede condus la marginea unei prăpastii de către fiul pe care nu-l recunoaște mi s-a părut mai sfâșietoare ca oricând.
Da, e ceva visceral în acest spectacol, da, pe această cale îl copleșește el pe spectator. Știu, se poate discuta îndelung dacă imaginile shakespeariene nu acuză reaua întocmire a lumii și păcatele omenești pe o cale intelectuală mai subtilă decât producerea nemijlocită de groază și de milă. Dar, ce să fac, spectacolul de la Național stârnește și groază, și milă. Ca spectator nu te poți nicicum feri de ele. Nu asta a numit Aristotel katharsis? Piesa nu e trădată prin spectacol, e slujită de el. Iar dacă un spectacol mă constrânge să văd scene pe care le cunosc ca și cum le-aș vedea pentru prima oară, asta înseamnă că, oricâte nonsensuri ar cuprinde acel spectacol, el își atinge scopul.
Mă aflu într-o relație îndelungată cu tragedia aceasta a lui Shakespeare, citită în adolescență, văzută pentru prima oară pe scenă într-un spectacol în care rolul titular era jucat de George Storin și din care țin încă minte anumite personaje și anumite scene (George Ciprian era extraordinar în rolul lui Kent), revăzută în neuitata montare a lui Peter Brook cu Paul Scofield, hemingwayian în rolul regelui și – după mulți ani – cu Derek Jacobi, despre care am scris la timpul său: ”Regele Lear al lui Derek Jacobi nu pare să înţeleagă nimic din nenorocirea care i se întâmplă, nici să simtă vreo vinovăţie pentru această nenorocire, nici să se identifice cu adevărat cu acei dezmoşteniţi ai soartei alături de care se trezeşte acum, după ce a renunţat la tron. Tot ce realizează el e că e privat de ceva ce i se cuvine. Şi umilit. Iar singurul adăpost faţă de această teribilă constatare e nebunia. Nebunia pe care o joacă Derek Jacobi este totală, un refugiu inexpugnabil în faţa catastrofelor vieţii, un refuz total de a privi adevărul în faţă. Cununa de flori a acestui nebun e mai degrabă o coroană de spini. Nici chiar regretul nesfârşit, sfâşietor, de a o pierde pe Cordelia, care i-a redevenit scumpă, nu pare să trezească în el un sentiment de culpabilitate… Aş zice că nu e un Lear care descoperă tragice adevăruri omeneşti ale vieţii, ci un Lear pe care viaţa îl distruge fără a-i îngădui să descopere semnificaţia acestei distrugeri – ceea ce nu e mai puţin înspăimîntător.”
Relația îndelungată cu tragedia lui Shakespeare nu-mi simplifică însă recepția montării lui David Doiashvili, ci mi-o complică. Mă întreb dacă pot fi corect față de ea.
Au trecut 46 de ani, aproape o jumătate de secol – nu-mi vine să cred! – de când am văzut minunatul spectacol al regretatului Radu Penciulescu cu George Constantin în rolul regelui. L-am văzut acum pe fiul marelui actor în rolul în care i-am văzut cândva tatăl. Mihai Constantin seamănă uluitor cu taică-său – la față, la trup, la glas pare o reîncarnare a tatălui. Nu are – poate că nu are încă, nu știu – toate rafinamentele părintelui. Știu că nu toată lumea îl apreciază ca actor. Eu cred că a-l compara pe fiu cu tatăl nu e fair. Și mai cred că esențialul despre regele Lear Mihai Constantin reușește să-l spună. Cred că primul moment în care spectacolul lui Doiashvili m-a electrocutat, îndrăznesc să folosesc cuvântul ăsta, a fost momentul de după dezmoștenirea Cordeliei, când Mihai Constantin dă să plece și se întoarce din drum pășind către Cordelia, atras de fiica dezmoștenită ca de un magnet. După mai mulții regi Lear pe care i-am văzut purtând leșul Cordeliei pe brațe, intrarea lui Mihai Constantin cu Cordelia moartă pășind alături de el a fost un alt moment în care spectacolul m-a curentat. Dar momentul poate cel mai tulburător în interpretarea lui Constantin-junior este momentul, fundamental în piesă, când Lear mărturisește, recunoaște că ar fi trebuit să aibă mai multă grijă de năpăstuiții soartei. Sunt în teatru clipe de totală sinceritate care nu se uită.
Toate cele trei fiice ale regelui Lear (Monica Davidescu, Raluca Aprodu, Crina Semciuc) mi s-au părut a fi remarcabil interpretate, contele de Gloucester (Ioan Andrei Ionescu) și fiii lui (Istvan Teglas și Tudor Aaron Istodor) m-au impresionat mai puțin, dar de asta cred că se face vinovat și regizorul, furat, precum am spus, de propriile invenții. Personajul lui Oswald, de pildă, e una din victimele acestei neglijențe regizorale în privința anumitor roluri, el apare cam șters în spectacol; nu e corect din partea mea, îmi dau seama, dar impulsul lăuntric e mai puternic decât mine: până în ziua de azi îl țin minte în rolul ăsta pe Ovidiu Iuliu Moldovan; cu ce economie de mijloace, cu ce subtilitate o întrupa pe această canalie ipocrită, perfidă, primejdioasă; era de neuitat.
Voi fi reușit oare să explic de ce un spectacol cu destule neîmpliniri a reușit să mă cutremure?
Last, but not least. Spectacolul cu ”Regele Lear”, spectacolul despre care am scris, a fost jucat în premieră la Teatrul Național în decembrie 2016. Eu l-am văzut în mai 2019. Sala mare a teatrului nu era nici pe departe plină. E foarte păcat. Mi se spune, și am motive să cred ce mi se spune, că de regulă Teatrul Național, condus cu deplină competență de Ion Caramitru, parvine să umple cele șapte săli ale lui seară de seară; acum inaugurează o nouă ”sală”, pe acoperiș, în aer liber, pentru seri de vară senine. De un spectacol care are anvergura ”Regelui Lear” trebuie neapărat să aibă multă grijă, o grijă deosebită.
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”Două piese de Shakespeare la București” de Gheorghe Miletineanu ”Zadarnicele chinuri ale dragostei” sunt o comedie timpurie a lui Shakespeare. Se crede că a fost scrisă pe la mijlocul anilor 1590 și se mai crede că a fost scrisă pentru o reprezentație la Inns of Court, în prezența reginei Elisabeta I-a.
#Andrei Șerban#București#cronica de teatru leviathan.ro#cultură#Gheorghe Miletineanu#istorie#literatură#Mihai Constantin#societas#teatru#Teatrul Bulandra#Teatrul Național din București#William Shakespeare
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Grazie a Entertainment Weekly ed alla Walt Disney Company possiamo mostrarvi una serie di nuove immagini dedicata al il riadattamento in CGI foto-realistica de Il Re Leone, ad opera di Jon Favreau, già regista molto noto di blockbuster campioni d’incassi come Iron Man, Iron Man 2 e Il Libro della Giungla.
Potete vederle tutte qui sotto:
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THE LION KING Simba (voiced by JD McCrary), Timon (voiced by Billy Eichner) and Pumbaa (voiced by Seth Rogen)
THE LION KING Jon Favreau and Donald Glover
THE LION KING Pride Rock
THE LION KING Florence Kasumba, Eric André and Keegan-Michael Key as the hyenas, and Chiwetal Ejiofor as Scar
THE LION KING Young Simba (voiced by JD McCrary) and Mufasa (voiced by James Earl Jones)
THE LION KING Rafiki (voiced by John Kani)
THE LION KING JD McCrary as Young Simba, Shahadi Wright Joseph as Young Nala
E qui sotto potete vedere la copertina del numero di EW dal quale provengono:
Jon Favreau dirige la nuova avventura Disney live action Il Re Leone, un viaggio nella savana africana dove è nato un futuro re. Simba prova una grande ammirazione per suo padre, Re Mufasa, e prende sul serio il proprio destino reale. Ma non tutti nel regno celebrano l’arrivo del nuovo cucciolo. Scar, il fratello di Mufasa e precedente erede al trono, ha dei piani molto diversi e la drammatica battaglia per la Rupe dei Re si conclude con l’esilio di Simba. Con l’aiuto di una curiosa coppia di nuovi amici, Simba dovrà imparare a crescere e capire come riprendersi ciò che gli spetta di diritto.
Il Re Leone (The Lion King), remake live-action del cult Disney, uscirà nelle sale statunitensi il 19 giugno 2019, con Jon Favreau alla regia, su una sceneggiatura di Jeff Nathanson, con soggetto di Brenda Chapman, e con Karen Gilchrist, Jon Favreau e Jeffrey Silver come produttori.
Nel cast Donald Glover (Simbad), Chiwetell Eijofor (Scar), Beyoncé (Nala), Seth Rogen (Pumbaa), Bill Eichner (Timon), Keegan Michael-Key (Kamari), Alfre Woodard (Sarabi), Eric André (Azizi) e James Earl Jones (Mufasa). La fotografia sarà a cura di Caleb Deschanel, mentre la colonna sonora sarà composta da Hans Zimmer, già autore originale della colonna sonora del film animato.
Il film uscirà nelle sale a partire dal 21 agosto 2019.
Il Re Leone: una serie di nuove immagini dal numero dedicato di EW Grazie a Entertainment Weekly ed alla Walt Disney Company possiamo mostrarvi una serie di nuove immagini dedicata al il…
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Pentru prima oară după accidentul lui Michael Schumacher, soția pilotului rupe tăcerea! „Știm cu toții că Michael este un luptător și nu va renunța niciodată" Pentru prima oară de la accidentul de ski suferit de pilotul Michael Schumacher, soția acestuia a trimis un mesaj pentru toți admiratorii sportivului. https://ift.tt/2PUR40J
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Terminus
Welcome to Janta express, an extraordinarily ordinary 24 hour train ride, wide wheelingly rolling through open, vast fields and fascinating but forgotten villages. Mind your step and hop into SL, sleeper class, where you will be sharing a temporary home - a space with two opposite sides of three vertically placed benches - with complete strangers. Quite possibly, you´ll be sitting across an older woman dressed in a sari and dangling bracelets, hair dyed in henna and skin so bleached that Michael Jackson himself would´ve gawked, her husband in sober clothing seated calmy beside her. Always greeted by smiles – Indians on trains will stare and wonder but never fail to treat you as one of their own. Sit down, take off your shoes, and enjoy the ride.
Nowhere can a Nordic girl feel safer than in this modest, light blue colored carriage, soothing but sometimes chaotic as the nosy, noisy Indian families settle in for a day on the tracks. A man in round glasses hands me two cookies: food is offered generously, and if not, every five minutes someone will pass by with a variety of treats and gadgets to sell. Whether it´s a masala or a hammer, the salesman will fish it out of his bucket and ask you 10 rupees for it. Any trash from the purchases may conveniently be tossed out of the windows, which remain open at all times. All day long, I sweat and pant like a dog in a sauna, but at night, the cold breeze brades my hair into an ice crown. A journey is never so beautiful as it is in afterthought… Have an acquired taste? Say no more, and tune into general class, unreserved and inexpensive. Bold and bravehearted you must be: this is no chocolate coated croissant. Stolen passports have been reported and rumor has it that the roof makes an excellent camping spot, but only a oneway ticket can solve the mystery.
Close to me, a whole family has squeezed into one seat. The kids are acting rowdy and their caretaker is not impressed: she smacks the girls on the cheek rather violently. The train rolls off slowly, and as it does so, voices are swiftly raised, feet are on the go and a whole herd of Indians jump off the accelerating train. No need to hug goodbye on the platform: Indian trains are like an extended home, open for everyone. One of the mischievous girls suddenly finds herself on the other side of the metal window, teary eyed, gripping the hand of perhaps her cousin. They will very soon be separated by thousands of kilometers. As I watch I tune into her emotion: trains and goodbyes, lovers and letters – classic, nostalgic and purely sentimental.
The day is spent gazing out of the windows at the snapshots, ephemeres of ordinary lives: Fieldworkers with wooden baskets, burning and basking in the afternoon heat, teenagers gathering, soon to be joined by their friends on bikes, hurrying to the cricket field from the mazy paths that separate the playground from their village. On lonely train stations, old men read newspapers and beggars of all ages push their faces against the prison-like windows of the carriage. The tracks whistle and hum while thousands of passengers roll forward into the neverending land. All senses aboard!
Sleeper is no luxury, but your olfactory system is about to have a first class treatment: a potpourri of stenches occupy the air in and around the train, urine being the most pleasant of them. At night one can expect to be woken, as if on a sweet Saturday morning, greeted by the pleasant smells of Mother´s cinnamon rolls. If Mother´s cinnamon rolls were made out of sewage and excrement, that is. Occasionally the reeks are disastrously dreadful and I conclude- hell musn´t be far. Not exactly helping the matter is the general and nationwide illusion that the tracks function as a trash bin, resulting in cows and stray dogs roaming about in the waste, feasting on plastic dinners. Speaking of dinner, the culinary festivities commence at 5 PM, even though Indians eat much later into the night. ”Chaaaaaaaaaaai!”, yells a guy, and the rest comes out in indecipherable hindi. The sellers hurry down the aisle in such rapidity that for once, I wish they would be a bit more insistant. Make a silly sound, grab them by the arm- anything! - And the spicy, steaming samosas and luscious lassis will be yours to devour. Simply by having a ball, you´ll be part of it all.
”I love Finland girls. You are so sexy”. It was my first train ride alone in India, and my good faith was about to come to a rapid end. Sure, looking back, I had been warned: Indian men have a tendency to behave inappropriately with solo women, but how could such a cliché turn out to be true? The subtler seducers settle for a wink, a thumbs up or the classic pursing of the lips, inviting one to a perfectly innocent public embrace in a society where holding hands with the opposite gender is considered improper (however both men and women hold hands with their same gendered comrades). I ignore the gentleman in the tuktuk, licking his lips and staring at me, immensely flatterered by the irresistibly charming man´s attention: tender seduction is a form of art in India. From now on - if anyone bothers to ask - I´m married. Once I was reading at a train station, when two female guards marched up to me, clearly a bit amused. They wanted to know -without further ado- if I had a son.
Hold your horses, there is more: while you are sipping your imaginery mojito, observing and obsessing over the excessive heat, your trainride may suddenly turn a teensy bit wild. For example, if you fancy a dinnermate, a monkey or a cow, sometimes even a knee-bending, giggling goat, will be happy to share your veg biryani. Ah yes, the animal kingdom has truly won my heart. A camel trotting down a busy street, a dog and a buffalo lying side by side in the middle of the road (because duuh, where else?), puppies, practically newborn, sniffing the odours of a new dawn, and a giant elephant parading down the street, dressed to impress. Indeed, nod your head a few more times, you are in for a terrifically dandy ride…and all of this for the price of a metro ticket in Oslo. Sadly though, the animals are exploited and maltreated, with the exception of the cow, which is holier than Mother Theresa. To say that vegeterianism is widespread in India would be an understatement, but though you won´t find any unethically considered egg or meat in a true hindu restaurant, milk always comes in bucketloads.
Ladies and gentlemen, our next stop is New Delhi station. Make sure you have all your belongings with you, and enjoy your day. I step off the metro train from the airport and gasp: all around me echos chaos. Yes, India can sometimes be a real pain In-di-a-ss, but also completely and utterly magical, unimaginable. Wisdom and willpower, thrill and taste, patience and persistense…these are some of my newly collected souvenirs. What can I say? Thanks. It wasn´t easy, but semi-permanent diarrhea and tinnitus aside, I have truly adventured. No country has left me standing in the middle of cow poo, alone, bag on back, tuktuks swarming around me like hungry sharks, clueless as to where to venture off, and for that I am strangely thankful. My first and last day differ not much, only my backpack and belly have gotten heavier (turns out, yoga does not cover for oily curries). No longer is India the scary, spicy threatening Asian subcontinent, but perhaps rather a frenemy: not quite a stranger, not quite a friend. The majority of the puzzle remains unsolved, but holi colors of the rainbow cover my body and musty incense forces its way up my nostrils: I have caught a sniff of magic.
Tt.
Terminus
Bienvenue dans le Janta Express pour vingt-quatre heures de trajet extraordinairement ordinaire à grand train au milieu de vastes champs qui s’ouvrent à perte de vue, à travers des villages fascinants mais oubliés. Faites attention à la marche et sautez donc en SL, sleeper class, où vous partagerez votre logement temporaire – un espace avec trois rangées de bancs verticales qui se font face – avec de parfaits inconnus. Il est plutôt probable que vous vous retrouviez assise en face d’une dame âgée, drapée d’un sari, bracelets ballants sur les bras, les cheveux teints au henné et la peau si décolorée que Michael Jackson lui-même en aurait pâli ; son mari est calmement assis à ses côtés dans des vêtements sobres. Vous serez toujours salué par des sourires – les indiens dans les trains vont vous dévisager, vous décortiquer, mais ne manqueront jamais de vous accueillir comme l’un des leurs. Alors asseyez-vous, enlevez vos chaussures et profitez du voyage. Nulle part ailleurs une fille du nord ne pourrait se sentir plus en sécurité que dans ce wagon bleu clair, apaisant bien que plongé parfois dans le chaos de familles indiennes bruyantes et fouineuses qui se sont installées pour plus d'une journée sur les rails. Un homme aux lunettes rondes me tend deux cookies : la nourriture est offerte avec générosité, et dans le cas où cela n’arriverait pas, un vendeur ambulant passera certainement dans votre wagon toutes les cinq minutes pour vous proposer une offre variée de biens et de gadgets. Que ce soit un masala ou un marteau, le vendeur vous le pêchera d’un de ses grands baquets avant de vous demander quelques roupies pour ça. Si d’aventure vos achats vous laissaient avec quelques détritus sur les bras, pas d’inquiétude : vous pouvez simplement les jeter par la fenêtre qui reste constamment ouverte de toute façon. Toute la journée, je halète et je sue comme un chien dans un sauna mais dès que la nuit tombe, le vent froid tresse mes cheveux en une couronne de glace. Un voyage n’est jamais aussi beau que lorsqu’on se souviendra plus tard… C’est bon, vous avez une idée assez précise ? Attendez un peu, et réglez vous sur general class : pas de réservation mais pas cher non plus. Pour sûr il vous faudra un cœur hardi, car ce ne sera pas une partie de plaisir. On a rapporté que des passeports y ont été volés, et des rumeurs disent que le toit ferait un excellent lieu de camping… Seul un ticket pour un aller simple pourrait résoudre ce mystère. Près de moi, toute une famille se presse dans un seul siège. Les enfants chahutent bruyamment mais leur nourrice ne se laisse pas impressionner : elle gifle la joue des fillettes plutôt violemment. À mesure que le train ralentit, les voix s’élèvent, les pieds commencent à s’activer et, bientôt, tout un troupeau d’indiens bondit du train encore en marche. Pas besoin d’embrassades d’adieu, les trains indiens sont comme une grande maison, ouverte à tous. L’une des petites filles espiègles se retrouve soudainement de l’autre côté de la fenêtre en métal, l’œil humide, accroché à la main d’un peut-être cousin. Bientôt, elle et ses camarades seront séparées par des milliers de kilomètres. Pendant que je l’observe, je me branche sur ses émotions : adieux et trains, amants et lettres – classique, nostalgique, purement sentimental. La journée passe, le regard fixé sur la fenêtre qui voit défiler inlassablement d’éphémères tableaux de vies ordinaires : des travailleurs dans les champs, de grandes corbeilles en bois à leurs côtés, qui brûlent et se prélassent dans le chaleur de l’après-midi, des adolescents qui se rassemblent, bientôt rejoints par leurs amis en vélo, et qui se hâtent à travers le labyrinthe de maisons qui sépare leur village du terrain de cricket. Dans les gares solitaires, des vieillards lisent leurs journaux, des mendiants de tout âge pressent leurs visages contre les barreaux des fenêtres de votre cellule-wagon. Les rails sifflent et vrombissent et des milliers de passagers fusent à travers les terres infinies. Tous les sens en avant ! La sleeper class n’est peut-être pas luxueuse, mais votre système olfactif va recevoir un traitement de première classe : l’air autour et dans le train est rempli d’un pot-pourri de puanteurs dont l’urine est certainement la plus plaisante. Alors que la nuit s’avance, attendez vous, occasionnellement, à vous faire réveiller de la même façon que pouvaient le faire ces odeurs délicieuses qui s’échappaient du four où votre mère faisait, dans la tranquillité sereine d’un samedi matin, gonfler de savoureuses brioches à la cannelle. Sauf que dans ce cas, les principaux ingrédients de ces brioches viendraient de la fosse septique. Parfois, l’odeur est tellement épouvantable que j’en déduis que l’enfer lui-même doit être proche. L’idée générale et répandue dans l’ensemble du pays que les chemins de fer sont une poubelle n’aide pas exactement. Vaches et chiens errent en permanence dans les déchets, à se repaître de dîners en plastique. En parlant de dîner, les festivités culinaires commencent à 5h de l’après-midi, bien que les indiens mangent beaucoup plus tard que ça. « Chaaaaaaaaaaaai » hurle un type et le reste explose à mon oreille en un hindi indéchiffrable. Les vendeurs forcent l’allure le long de l’allée, à tel point que, pour une fois, j’aimerais bien qu’ils soient un poil plus insistant. Produis n’importe quel son, attrape-les par la main – tout ce que tu veux ! – et tu pourras librement dévorer les appétissants samosas, aussi fumants qu’épicés, ou les lassis succulents. Un bon moment vous attend si vous décidez d’entrer dans la danse. « J’adore les filles Finlande. Vous êtes tellement sexy ». Mon premier voyage en train seule m’a vite fait déchanter. Bien sûr, lorsque je regarde en arrière, j’avais été prévenue : les hommes indiens ont tendance à se comporter de manière inappropriée avec les femmes seules, mais comment un tel cliché pouvait-il se révéler aussi vrai ? Les séducteurs les plus subtiles se contentent d’un clin, un pouce levé ou d’un classique mouvement des lèvres, du genre qui vous invite à une étreinte parfaitement innocente dans une société où le simple fait de tenir en public la main d’une personne de l’autre sexe est considéré comme indigne (alors qu’il est au contraire très courant de voir, aussi bien un homme qu’une femme tenir la main d’un de ses camarades du même sexe). J’ignore le gentleman dans le tuktuk qui se lèche les lèvre en me dévisageant, immensément flattée par l’attention que me porte l’irrésistible charmeur ; pour sûr, la séduction en Inde est une forme d’art. À partir de maintenant, si quelqu’un demande : je suis mariée. Une fois que je lisais dans une gare, deux policières marchent vers moi, l’air clairement goguenard. Elles m’ont demandé – sans préambule particulier – si j’avais un fils. Mais attendez, ça n’est pas fini : alors que vous sirotez votre mojito imaginaire, alors que vous observez tout en maudissant la chaleur excessive, votre trajet en train peut tout d’un coup prendre un tour un tantinet plus sauvage. Si vous rêviez de compagnie pour votre dîner, rassurez-vous : un singe, une vache, parfois même une chèvre cocassement posée sur ses genoux, se feront un plaisir de partager votre veg biryani. Eh oui, le règne animal a vraiment gagné mon cœur. Un chameau qui descend une rue passante, un chien et un buffle qui sont allongés côte à côte au milieu de route (ben parce que, voyons, où d’autre?), de jeunes chiots, pratiquement nouveaux-nés, qui reniflent les odeurs d’une aube nouvelle, ou encore un éléphant, harnaché pour intimider, qui parade le long d’une rue. Oui, vous pouvez hocher la tête encore quelques fois, vous êtes effectivement partis pour un tour effroyablement excitant… et tout ça pour le prix d’un ticket de métro à Oslo. En revanche, les animaux sont assez tristement exploités et maltraités en général, à l’exception de la vache, évidemment, qui est plus sainte encore que Mère Theresa. Dire que le végétarisme est répandu en Inde serait un euphémisme, et pourtant, bien que vous ne trouverez jamais d’aliments considérés aussi immoraux que des œufs ou de la viande dans un réel restaurant hindou, le lait y est consommé par baquets entiers. Mesdames et messieurs, notre train s’arrêtera prochainement à New Delhi Station. Assurez-vous de n’avoir rien oublié à bord et profitez de votre journée. Je descend du métro qui m’amène de l’aéroport et ma respiration se bloque dans ma poitrine : tout autour de moi se répercutent des échos de chaos. Alors oui, parfois vous aurez l’impression que ce pays vous la met bien prof-inde, mais la magie qui s’en dégage est tout à fait inimaginable à l’étranger. Sagesse et volonté, goût et frisson, patience et persistance… ce sont certains de mes nouveaux souvenirs. Que dire ? Merci. Ça n’était pas facile tous les jours, mais, si l’on excepte les coliques semi-permanentes et les acouphènes, je peux dire que j’ai vraiment vécu l’aventure. Aucun autre pays ne m’avait laissée debout dans les bouses de vaches, seule, le sac sur le dos, sans la moindre idée de la direction dans laquelle je devrais me mettre en route, avec des essaims de tuktuks qui me tournent autour comme des requins affamés, et pour tout ça, je me sens étrangement reconnaissante. Mon premier et mon dernier jour ne sont en fait pas si différents, si ce n’est que mon sac et mon estomac se sont plutôt alourdis (il s’est avéré que le yoga ne compense pas les currys pleins d’huile). L’Inde n’est plus ce sous-continent asiatique effrayant, aux épices menaçantes mais peut-être plutôt un étrami : plus tout à fait un étranger, pas encore tout à fait un ami. La majorité du puzzle reste évidemment irrésolu, mais les holies couleurs de l’arc-en-ciel couvrent mon corps et d’épais relents d’encens se frayent un chemin jusqu’à mes narines : j’ai pu saisir un parfum de magie.
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www.linkedin.com Dr. Kambiz Yaraei – President, Senior Clinical Laboratory Consultant … View Dr. Kambiz Yaraei's profile on LinkedIn, the world's largest professional … Timothy D. Hawley, Dawn Goetz, Kambiz Yaraei. …. New Orleans, LA. Abstract.
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Camel Safari Le 4 février, nous sommes parties à 8h30 tapantes de notre hôtel. Une voiture nous a emmenées jusqu'à notre chamelier qui nous attendait accompagné de deux dromadaires. En voyant ces derniers, nous avons réalisé à quel point ces animaux sont grands, vraiment grands. Nous avons directement monté sur nos nouveaux compagnons : Baba et Michael Jackson, et nous sommes lancées à la découverte du désert. Nous avons fait une première halte dans un petit village, où nous avons été assaillies par un groupe d'enfants qui nous demandaient des roupies. Le village, en soi, était petit, avec de nombreuses vaches, chèvres, moutons et autres animaux qui se promenaient dans les rues. Nous avons ensuite repris notre route, sous un vent de plus en plus fort qui nous projetait des montagnes de sable à la figure. Au moment de s'arrêter pour le dîner, il a même plu ! Il ne s'agissait que de quelques gouttes, mais sachant qu'il n'avait pas plu depuis deux ans, nous avons vraiment été malchanceuses ! Entre temps, notre guide avait commencé à cuisiner. D’abord, il a préparé un feu sur lequel il a fait cuire du Masala chai. Puis, il a préparé et pétri la pâte à chapati, a coupé les légumes, cuit le tout et nous l'a servi. Cela a pris environ 1h30. La nourriture était délicieuse et pour une fois pas trop épicée. Le ventre plus que plein, nous avons repris notre route, entre rocs et dunes, mais comme le temps devenait vraiment mauvais, nous avons fait une nouvelle halte, cette fois-ci dans le village natal de notre guide. Nous y avons été accueillies par sa famille, sa mère et ses 3 soeurs, qui nous ont chaleureusement offert un chai, et se sont fait une joie de nous montrer deux agneaux nés 3 jours auparavant. Leur maison consistait en 4 murs et d'un toit plat, comme toutes les maisons de la région. Elle était très petite, environ 3 mètres carrés, et très rudimentaire. Une pile de couvertures était posée sur une étagère, celles-ci seraient étendues à même le sol pour dormir le soir. Dans ces villages du désert, les enfants ne vont pas à l'école, car il n'y en a tout bonnement pas. Les garçons deviennent la plupart du temps chameliers, et les filles s’occupent, quant à elles, du ménage. — N’est-il pas possible pour une fille de travailler aussi? Impossible, a répondu notre guide, cela ne se peut et ne se fait pas dans le désert. Nous avons ensuite parlé mariage : sa femme allait être choisie par sa famille, ce qui ne représentait aucun problème pour lui. C'est d'ailleurs à lui que revenait la charge de la famille, son père étant décédé quelques années auparavant. Le désert, comme on l'a appris, est donc encore un lieu régi par les traditions, auxquelles personne ne déroge - du moins à ce qu’on le sache.
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The 4th of February, we left at 8.30am our hotel. A car brought us until our camel driver who was waiting for us with two camels. Looking at those two, we realized how big those animals were, like really big! We straightly jumped on our two new friends backs : Baba and Michael Jackson, and started our journey in the desert. We had a first stop in a little village where we got assaulted by a group of children who were asking for rupees. The village in itself was small, full of cows, goats, sheeps and other animals which were walking through the little streets. Then, we went back on the road under a wind that was becoming stronger and stronger : it was litteraly throwing to us mountains of sand! When we had our lunch break, it even rained! There were only few tiny drops, but knowing that it hadn’t rained for two years, we realized how unlucky we were! In the meantime, our guide started to cook. First, he made a fire out of nowhere, on which he got us prepared a Masala chai. Then, he started to make the chapatis, he cut the vegetables, cooked everything and served us. It took around 1 hour and a half. The food was delicious and for once, not that spicy. Completely fed, we were on the road again, between rock and dunes, but this time since the weather became really bad, we had to take a stop in our camel driver’s village. There, we met his family, his mother and his three younger sisters who warmly welcomed us with a Chai. They also showed us two lambs that were just born 3 days ago. Our camel driver’s house was pretty small as the other houses around. There was a pile of blankets that would be used like beds for the night time. In those desert’s villages, the children don’t go to school simply because there’s no school. The boys, most of the time, become camel drivers, while the girls stay at home with their mother and take care about the house works. — Isn’t it possible for a girl to get a job? Impossible, answered our guide, it doesn’t happen and it’s impossible in the desert. After that, we talked about wedding : our camel driver’s future wife will be chosen by his mother (since his father died) which is actually not a problem at all for him. By the way, it’s him who had to take care about his entire family. Here, in the desert, as we understood it, the traditions are still ruling people’s life and they are not against them - at least as far as we know…
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Getty/Victor Spinelli/WireImage | Getty/Victor Spinelli/WireImage The full list of nominees Today, on what would have been the 30th annual James Beard Awards ceremony, the James Beard Foundation announced the finalists for the 2020 James Beard Awards, which honors the year’s outstanding restaurants and chefs, as well as food journalism, books, and broadcast media. The announcement was originally scheduled for March 25, but the coronavirus pandemic forced the Foundation to cancel the planned Philadelphia event and postpone both the finalists reveal and the awards themselves. COVID-19 has left the restaurant industry in a precarious position, to put it mildly. Restaurants are pivoting their operations to stay in business, closing temporarily, and in some cases, closing for good. When the Foundation opted to postpone the finalist announcement, it acknowledged that it did so in part to focus on rebuilding the restaurant industry, awards being the last thing on anyone’s mind. And so it came as a bit of a surprise when on April 27 the Foundation announced plans to move forward with a virtual finalist announcement and, eventually, the 2020 James Beard Awards. Today, the Foundation revealed the Restaurant and Chef Awards Gala will take place in late September, and the Media Awards will take place in late May. In a post on the James Beard Foundation website, chief strategy officer Mitchell Davis explained that the Foundation consulted with chefs, restaurateurs, and others in the industry and determined that the James Beard Awards finalists, like the list of semifinalists announced in late February, deserved recognition for their work in 2019. “Those we consulted felt the Awards could also offer a glimmer of hope to an industry looking for light in a very dark time,” he writes. Davis acknowledged that it is also a particularly dark time for the media, which will be recognized for the first time in the 2020 James Beard Awards cycle with the finalists announcement. Given the ongoing restrictions related to COVID-19, the format for the 2020 James Beard Awards is still undecided — but they will go on, and “take place” in Chicago at some date later this year. “We want every James Beard Award winner to have a chance to have their moment in the spotlight,” Mitchell writes. “We have partners who support this industry, who support the Foundation, who are willing to work with us to figure out what’s best for all.” Visit Philadelphia, which stands to lose millions due to the coronavirus pandemic, is still sponsoring the virtual event. Last year, Houston hosted the finalist announcement and although there was plenty of Texas representation on the semifinalists list, including 11 chefs and restaurants from Houston, the city’s restaurants and chefs were completely shut out of the whittled down finalists list. Philadelphia didn’t see the same fate. Below, the 2020 James Beard Awards finalists. James Beard Foundation Restaurant and Chef Awards Finalists Best New Restaurant Automatic Seafood & Oysters, Birmingham, AL Demi, Minneapolis Eem, Portland, OR Fox & the Knife, Boston Gado Gado, Portland, OR Gianna, New Orleans Kalaya, Philadelphia Nightshade, Los Angeles Pasjoli, Santa Monica, CA Verjus, San Francisco Outstanding Baker Graison Gill, Bellegarde Bakery, New Orleans Zachary Golper, Bien Cuit, NYC Lisa Ludwinski, Sister Pie, Detroit Avery Ruzicka, Manresa Bread, Los Gatos, CA Maura Kilpatrick, Sofra Bakery, Cambridge, MA i Outstanding Bar Program Anvil Bar & Refuge, Houston Expatriate, Portland, OR Kimball House, Decatur, GA Lost Lake, Chicago Trick Dog, San Francisco Outstanding Chef David Kinch, Manresa, Los Gatos, CA Corey Lee, Benu, San Francisco Donald Link, Herbsaint, New Orleans Missy Robbins, Lilia, NYC Ana Sortun, Oleana, Cambridge, MA Marc Vetri, Vetri Cucina, Philadelphia Outstanding Hospitality Brigtsen’s, New Orleans Canlis, Seattle Saison, San Francisco Swan Oyster Depot, San Francisco Zingerman’s Roadhouse, Ann Arbor, MI Outstanding Pastry Chef Lincoln Carson, Bon Temps, Los Angeles Juan Contreras, Atelier Crenn, San Francisco Margarita Manzke, République, Los Angeles Diane Moua, Spoon and Stable, Minneapolis Natasha Pickowicz, Flora Bar, NYC Miro Uskokovic, Gramercy Tavern, NYC Outstanding Restaurant FIG, Charleston, SC Frasca Food and Wine, Boulder, CO Jaleo, Washington, D.C. Pizzeria Bianco, Phoenix Quince, San Francisco Outstanding Restaurateur Paul Bartolotta, The Bartolotta Restaurants, Milwaukee (Ristorante Bartolotta, Harbor House, Lake Park Bistro, and others) Jamie Bissonnette and Ken Oringer, JK Food Group, Boston (Little Donkey, Toro, Coppa) JoAnn Clevenger, Upperline Restaurant, New Orleans Alex Raij and Eder Montero, NYC (La Vara, Saint Julivert Fisherie, Txikito) Jason Wang, Xi’an Famous Foods, NYC Outstanding Wine Program Bacchanal, New Orleans Canard, Portland, OR COTE, NYC Miller Union, Atlanta Night + Market Sahm, Venice, CA Spiaggia, Chicago Outstanding Wine, Beer or Spirits Producer Scott Blackwell and Ann Marshall, High Wire Distilling Co., Charleston, SC Cathy Corison, Corison Winery, St. Helena, CA Drew Kulsveen, Willett Distillery, Bardstown, KY Todd Leopold and Scott Leopold, Leopold Bros., Denver Rising Star Chef of the Year Will Aghajanian and Liz Johnson, The Catbird Seat, Nashville Irene Li, Mei Mei, Boston Gaby Maeda, State Bird Provisions, San Francisco Ashleigh Shanti, Benne on Eagle, Asheville, NC Paola Velez, Kith/Kin, Washington, D.C. Jon Yao, Kato, Los Angeles Best Chef: California Jeremy Fox, Birdie G’s, Santa Monica, CA Brandon Jew, Mister Jiu’s, San Francisco Jessica Koslow, Sqirl, Los Angeles Mourad Lahlou, Mourad, San Francisco Joshua Skenes, Angler, San Francisco Pim Techamuanvivit, Kin Khao, San Francisco Best Chef: Great Lakes (IL, IN, MI, OH) Gene Kato, Momotaro, Chicago Jason Hammel, Lula Cafe, Chicago Noah Sandoval, Oriole, Chicago John Shields and Karen Urie Shields, Smyth, Chicago Erick Williams, Virtue, Chicago Lee Wolen, Boka, Chicago Best Chef: Mid-Atlantic (D.C., DE, MD, NJ, PA, VA) Amy Brandwein, Centrolina, Washington, D.C. Nicholas Elmi, Laurel, Philadelphia Rich Landau, Vedge, Philadelphia Cristina Martinez, South Philly Barbacoa, Philadelphia Jon Sybert, Tail Up Goat, Washington, D.C. Cindy Wolf, Charleston, Baltimore Best Chef: Midwest (IA, KS, MN, MO, NE, ND, SD, WI) Steven Brown, Tilia, Minneapolis Michael Corvino, Corvino Supper Club & Tasting Room, Kansas City, MO Michael Gallina, Vicia, St. Louis Jamie Malone, Grand Café, Minneapolis Christina Nguyen, Hai Hai, Minneapolis Best Chef: Mountain (CO, ID, MT, UT, WY) Carrie Baird, Bar Dough, Denver Jen Castle and Blake Spalding, Hell’s Backbone Grill & Farm, Boulder, UT Jeff Drew, Snake River Grill, Jackson, WY Caroline Glover, Annette, Aurora, CO Dana Rodriguez, Super Mega Bien, Denver Kelly Whitaker, The Wolf’s Tailor, Denver Best Chef: New York State Sean Gray, Momofuku Ko, NYC Brooks Headley, Superiority Burger, NYC Junghyun Park, Atomix, NYC Daniela Soto-Innes, ATLA, NYC Alex Stupak, Empellón, NYC Best Chef: Northeast (CT, MA, ME, NH, RI, VT) Vien Dobui, CÔNG TỬ BỘT, Portland, ME Ben Jackson, Drifters Wife, Portland, ME Tiffani Faison, Orfano, Boston Krista Kern Desjarlais, The Purple House, North Yarmouth, ME Greg Mitchell and Chad Conley, Palace Diner, Biddeford, ME Cassie Piuma, Sarma, Somerville, MA Best Chef: Northwest & Pacific (AK, HI, OR, WA) Peter Cho, Han Oak, Portland, OR Gregory Gourdet, Departure, Portland, OR Chris Kajioka and Anthony Rush, Senia, Honolulu Katy Millard, Coquine, Portland, OR Kristen Murray, MÅURICE, Portland, OR Rachel Yang and Seif Chirchi, Joule, Seattle Best Chef: South (AL, AR, Commonwealth of Puerto Rico, FL, LA, MS) Jose Enrique, Jose Enrique, San Juan, PR Kristen Essig and Michael Stoltzfus, Coquette, New Orleans Michael Gulotta, Maypop, New Orleans Mason Hereford, Turkey and the Wolf, New Orleans Isaac Toups, Toups’ Meatery, New Orleans Best Chef: Southeast (GA, KY, NC, SC, TN, WV) Katie Button, Cúrate, Asheville, NC Cassidee Dabney, The Barn at Blackberry Farm, Walland, TN Cheetie Kumar, Garland, Raleigh, NC Andy Ticer and Michael Hudman, Andrew Michael Italian Kitchen, Memphis, TN Julia Sullivan, Henrietta Red, Nashville Best Chef: Southwest (AZ, NM, NV, OK) Dan Krohmer, Other Mama, Las Vegas Jonathan Perno, Campo at Los Poblanos Historic Inn & Organic Farm, Los Ranchos de Albuquerque, NM Chrysa Robertson, Rancho Pinot, Scottsdale, AZ Silvana Salcido Esparza, Barrio Café Gran Reserva, Phoenix Jeff Smedstad, Elote Cafe, Sedona, AZ James Trees, Esther’s Kitchen, Las Vegas Best Chef: Texas Kevin Fink, Emmer & Rye, Austin Michael Fojtasek, Olamaie, Austin Anita Jaisinghani, Pondicheri, Houston Steve McHugh, Cured, San Antonio Trong Nguyen, Crawfish & Noodles, Houston America’s Classics Awards Previously announced El Taco de Mexico, Denver, Colorado Lassis Inn, Little Rock, Arkansas Oriental Mart, Seattle, Washington Puritan Backroom, Manchester, New Hampshire Vera’s Backyard Bar-B-Que, Brownsville, Texas Zehnder’s of Frankenmuth, Frankenmouth, Michigan Humanitarian of the Year: Jessica B. Harris Leadership Awards: Phillip and Dorathy E. Barker, Operations Spring Plant Rosalinda Guillen, Community to Community Development (C2C) Abiodun Henderson, The Come Up Project Mark and Kerry Marhefka of Abundant Seafood Caleb Zigas, La Cocina James Beard Restaurant Design Awards Design Icon Chez Panisse Outstanding Restaurant Design, 75 Seats and Under: SIMPLICITY for HALL by o.d.o Heliotrope Architects for Rupee Vermillion Architects, LLC for Spoonbill Watering Hole and Restaurant Outstanding Restaurant Design, 76 Seats and Over: Hacin + Associates for Shore Leave; Ken Fulk, Inc for Swan & Bar Bevy Klein Agency and ORA for Auburn 2020 James Beard Foundation Book Awards For cookbooks and other non-fiction food- or beverage-related books that were published in the U.S. in 2019. Winners, including the Book of the Year Award and the Cookbook Hall of Fame inductee will be announced on Wednesday, May 27, 2020. American Books with recipes focused on the cooking or foodways of regions or communities in the United States. Cook Like a Local: Flavors That Can Change How You Cook and See the World; Chris Shepherd and Kaitlyn Goalen, (Clarkson Potter) Jubilee: Recipes from Two Centuries of African American Cooking; Toni Tipton-Martin, (Clarkson Potter) South: Essential Recipes and New Explorations; Sean Brock, (Artisan Books) Baking and Desserts Books with recipes focused on breads, pastries, desserts, and other treats. Dappled: Baking Recipes for Fruit Lovers; Nicole Rucker, (Avery) Living Bread: Tradition and Innovation in Artisan Bread Making; Daniel Leader and Lauren Chattman, (Avery) Pastry Love: A Baker’s Journal of Favorite Recipes; Joanne Chang, (Houghton Mifflin Harcourt) Beverage with Recipes Books focused on recipes for how to make beverages. Last Call: Bartenders on Their Final Drink and the Wisdom and Rituals of Closing Time; Brad Thomas Parsons, (Ten Speed Press) The Martini Cocktail: A Meditation on the World’s Greatest Drink, with Recipes; Robert Simonson, (Ten Speed Press) The NoMad Cocktail Book; Leo Robitschek, (Ten Speed Press) Beverage without Recipes Beverage-focused books and guides that either don’t contain recipes or that may have minimal recipes but aren’t recipe-centric. The Complete Guide to Japanese Drinks: Sake, Shochu, Japanese Whisky, Beer, Wine, Cocktails and Other Beverages; Stephen Lyman and Chris Bunting, (Tuttle Publishing) Red & White: An Unquenchable Thirst for Wine; Oz Clarke, (Little, Brown Book Group) World Atlas of Wine 8th Edition; Hugh Johnson and Jancis Robinson, (Mitchell Beazley) General Books with recipes that address a broad scope of cooking, not just a single topic, technique or region. All About Dinner: Simple Meals, Expert Advice; Molly Stevens, (W. W. Norton & Company) Milk Street: The New Rules: Recipes That Will Change the Way You Cook; Christopher Kimball, (Voracious) Where Cooking Begins: Uncomplicated Recipes to Make You a Great Cook; Carla Lalli Music, (Clarkson Potter) Health and Special Diets Books with recipes related to health and nutrition, or that address specific health issues, such as allergies or diabetes. The Beauty Chef Gut Guide: With 90+ Delicious Recipes and Weekly Meal Plans; Carla Oates, (Hardie Grant Books) Cannelle et Vanille: Nourishing, Gluten-Free Recipes for Every Meal and Mood; Aran Goyoaga, (Sasquatch Books) Gluten-Free Baking at Home: 102 Foolproof Recipes for Delicious Breads, Cakes, Cookies, and More; Jeffrey Larsen, (Ten Speed Press) International Books with recipes focused on food and cooking traditions of countries or regions outside of the United States. Black Sea: Dispatches and Recipes – Through Darkness and Light; Caroline Eden, (Quadrille Publishing) Ethiopia: Recipes and Traditions from the Horn of Africa; Yohanis Gebreyesus, (Interlink Publishing) The Food of Sichuan; Fuchsia Dunlop, (W. W. Norton & Company) Photography American Sfoglino: A Master Class in Handmade Pasta; Eric Wolfinger, (Chronicle Books) Le Corbuffet: Edible Art and Design Classics; Esther Choi, (Prestel) Oaxaca: Home Cooking from the Heart of Mexico; Quentin Bacon, (Abrams Books) Reference, History, and Scholarship Includes manuals, guides, encyclopedias, and books that present research related to food or foodways. Gandhi’s Search for the Perfect Diet: Eating with the World in Mind; Nico Slate, (University of Washington Press) A South You Never Ate: Savoring Flavors and Stories from the Eastern Shore of Virginia; Bernard L. Herman, (The University of North Carolina Press) The Whole Okra: A Seed to Stem Celebration; Chris Smith, (Chelsea Green Publishing) Restaurant and Professional Books written by a culinary professional or restaurant chef with recipes that may include advanced cooking techniques, use specialty ingredients, and require professional equipment. This includes culinary arts textbooks. Dishoom: From Bombay with Love; Shamil Thakrar, Kavi Thakrar, and Naved Nasir, (Bloomsbury Publishing) Eleven Madison Park: The Next Chapter, Revised and Unlimited Edition; Daniel Humm, (Ten Speed Press) The Whole Fish Cookbook: New Ways to Cook, Eat and Think; Josh Niland, (Hardie Grant Books) Single Subject Books with recipes focused on a single or category of ingredients, a dish, or a method of cooking – such as lobster, seafood, grains, pasta, burgers, or canning. Exceptions: baking and desserts books, vegetable-focused books, health and special diets books, restaurant and professional books, and beverage books should be entered in those respective categories. From the Oven to the Table: Simple Dishes That Look After Themselves; Diana Henry, (Mitchell Beazley) Pasta Grannies: The Official Cookbook: The Secrets of Italy’s Best Home Cooks; Vicky Bennison, (Hardie Grant Books) Sour: The Magical Element That Will Transform Your Cooking; Mark Diacono, (Quadrille Publishing) Vegetable-Focused Cooking Books that feature recipes for how to prepare and serve vegetables and plant-based ingredients. Books may be vegetarian, vegan, or vegetable-focused with minimal reference to meats. Ruffage: A Practical Guide to Vegetables; Abra Berens, (Chronicle Books) Vegetables Illustrated: An Inspiring Guide with 700+ Kitchen-Tested Recipes; Editors at America’s Test Kitchen, (America’s Test Kitchen) Whole Food Cooking Every Day: Transform the Way You Eat with 250 Vegetarian Recipes Free of Gluten, Dairy, and Refined Sugar; Amy Chaplin, (Artisan Books) Writing Narrative nonfiction books, including memoirs, culinary tourism, investigative journalism, food advocacy, and critical analysis of food and foodways for a general audience. Eat Like a Fish: My Adventures as a Fisherman Turned Restorative Ocean Farmer; Bren Smith, (Knopf) Notes from a Young Black Chef: A Memoir; Kwame Onwuachi with Joshua David Stein, (Knopf) Women on Food: Charlotte Druckman and 115 Writers, Chefs, Critics, Television Stars, and Eaters; Charlotte Druckman, (Abrams Press) 2020 James Beard Foundation Broadcast Media Awards For radio, television broadcasts, podcasts, webcasts, and documentaries appearing in 2019. Winners will be announced on Wednesday, May 27, 2020. Audio Program The Food Programme – The Search for Esiah’s Seeds; Airs on: BBC Radio 4 and BBC Sounds It Burns: The Scandal-Plagued Race to Breed the World’s Hottest Chili; Airs on: Audible The Sporkful – When White People Say Plantation; Airs on: iTunes, Sporkful, Spotify, and Stitcher Audio Reporting California Foodways – The Curious Second Life of a Prather Ranch Cow: Biomedical Research; Trans Man Finds – and Creates – Refuge in His Family’s Small-Town Cafe; Legalizing Cannabis Impacts Food, Farming in Humboldt; Reporter: Lisa Morehouse; Airs on: KQED, California Foodways, iTunes, Google Play, Radio Public, SoundCloud, and Stitcher Food Actually – Junk Food Actually; Reporter: Tamar Adler; Airs on: Luminary Gravy – Mahalia Jackson’s Glori-Fried Chicken; Reporter: Betsy Shepherd; Airs on: southernfoodways.org and iTunes Documentary Harvest Season; Airs on: PBS Nothing Fancy: Diana Kennedy; Airs on: Premiered at SXSW in March 2019 That’s My Jazz; Airs on: Vimeo Online Video, Fixed Location and/or Instructional Chef Studio: The Crumby Bits – Cricket Macarons; Airs on: YouTube Grace Young – Wok Therapist; Airs on: GraceYoung.com and YouTube Ready Jet Cook - How to Make Pad Thai with Jet Tila; Airs on: FoodNetwork.com and YouTube Online Video, on Location Eat, Drink, Share, Puerto Rico Food – El Burén de Lula; Airs on: YouTube Handmade – How Knives Are Made for New York’s Best Restaurants; How a Ceramics Master Makes Plates for Michelin-Starred Restaurants; Airs on: Eater and YouTube In Real Life – Why Eating This Fish Could Save Coral Reefs; Airs on: YouTube and AJ+ Outstanding Personality/Host Alton Brown, Good Eats: The Return; Airs on: Food Network David Chang, Breakfast, Lunch & Dinner; Airs on: Netflix Roy Choi; Broken Bread with Roy Choi; Airs on: Tastemade and KCET Television Program, in Studio or Fixed Location Good Eats: The Return – American Classic: Chicken Parm; Airs on: Food Network Lidia’s Kitchen – Trattoria Favorites; Airs on: PBS Pati’s Mexican Table – A Local’s Tour of Culiacán; Airs on: WETA; distributed nationally by American Public Television Television Program, on Location Chef’s Table – Asma Khan; Airs on: Netflix Las Crónicas del Taco (Taco Chronicles) – Canasta; Airs on: Netflix Street Food – Bangkok, Thailand; Airs on: Netflix Visual and Audio Technical Excellence Chef’s Table; Adam Bricker, Chloe Weaver, and Will Basanta; Airs on: Netflix Street Food; Alexander D. Paul, Matthew Chavez, and Shane Reed; Airs on: Netflix The Taste of Place – Wild Rice; Jesse Roesler and Kevin Russell; Airs on: Vimeo Visual Reporting (on TV or Online) Fork the System – Moro Food of Muslim Mindanao: This is Filipino, Too; Reporters: Joi Lee and HyoJin Park; Airs on: Al Jazeera English Digital, YouTube, and Facebook In Real Life– Why This $300 Clam Is so Important to Native Americans and China; Reporters: AJ+ Staff; Airs on: YouTube and AJ+ Rotten – The Avocado War; Reporters: Christine Haughney, Erin Cauchi, and Gretchen Goetz; Airs on: Netflix 2020 James Beard Foundation Journalism Awards Finalists For articles published in English in 2019. Winners, including the Emerging Voice Award, will be announced on Wednesday, May 27, 2020. Columns What She’s Having: “Popeyes’ Fried Chicken Sandwich: A Delicious Distraction, a Cultural Lesson”; “Every Season Is Soup Season”; “Why a Somali Nook in East Boston Is One of the Country’s Best New Restaurants” — Devra First, The Boston Globe Power Rankings: “The Official Fast Food French Fry Power Rankings”; “The Official Spicy Snack Power Rankings”; “The Official Domestic Beer Power Rankings” — Lucas Kwan Peterson, Los Angeles Times Rooted in Place: “In Service”; “Hair, Food, and Hustle”; “The Best That We’ve Got” — Rosalind Bentley, Gravy Craig Claiborne Distinguished Restaurant Review Award “Le Colonial Is an Orientalist Specter”; “The Ultimate Chaat Truck Crawl”; “The Fantasy — and Reality — of Dining at Chez Panisse” — Soleil Ho, San Francisco Chronicle “NYC’s Buzziest New Sushi Parlors Are Transcendent, If You Can Handle the Bros”; “Wall Street’s Underground Russian Spa Is a Dining Destination for the Soul”; “Estiatorio Milos Is One of the Last Big Restaurant Scams in New York” —Ryan Sutton Eater New York “Peter Luger Used to Sizzle. Now It Sputters.”; “The 20 Most Delicious Things at Mercado Little Spain”; “Benno, Proudly Out of Step With the Age” Pete Wells The New York Times Dining and Travel “In Pursuit of the Perfect Pizza” Matt Goulding Airbnb Magazine “Interview With the Vampiro” Dylan James Ho Taste “These Are the World’s Best Restaurants: North America, South America, Africa and Middle East” Besha Rodell Travel + Leisure and Food & Wine Feature Reporting America’s farmers in crisis during Trump’s trade wars: “Left Behind: Farmers Fight to Save Their Land in Rural Minnesota as Trade War Intensifies”; “’I’m Gonna Lose Everything’: A Farm Family Struggles to Recover after Rising Debt Pushes a Husband to Suicide”; “In Trump Country, a Season of Need on Family Farms” Annie Gowen The Washington Post “The Great Land Robbery” Vann R. Newkirk II The Atlantic “Value Meal” Tad Friend The New Yorker Food Coverage in a General Interest Publication The Bitter Southerner Gastro Obscura The New Yorker Foodways “An Indigenous Community in Mexico Finds Its Voice — and Strength — in Wild Mushrooms” Michael Snyder Los Angeles Times “On Hawaii, the Fight for Taro’s Revival” Ligaya Mishan T: The New York Times Style Magazine “A Real Hot Mess: How Grits Got Weaponized Against Cheating Men” Cynthia R. Greenlee MUNCHIES | Food by VICE Health and Wellness “The AGEs Puzzle: How We Cook Food Is Killing Us. Scientists in SC Know Why.”; “9 Easy Ways to Eat Fewer AGEs: A Stress-Free Guide” Tony Bartelme The Post and Courier (Charleston, SC) “How Washington Keeps America Sick and Fat”; “Meet the Silicon Valley Investor Who Wants Washington to Figure Out What You Should Eat” Catherine Boudreau and Helena Bottemiller Evich Politico “Protein Nation” Shaun Dreisbach EatingWell Home Cooking “6 Holiday Cookies That Will Win You the Cookie Swap” Hilary Cadigan and Rick Martinez Bon Appétit “Fry Time” Nancy Singleton Hachisu Saveur “In Praise of Schmaltz” Rachel Handler Grub Street Innovative Storytelling “Best New Restaurants 2019” Kevin Alexander, Nicole A. Taylor, and Adriana Velez Thrillist “Food and Loathing on the Campaign Trail” Gary He, Matt Buchanan, and Meghan McCarron Eater “Made in America” Tim Carman and Shelly Tan The Washington Post Investigative Reporting “How USDA Distorted Data to Conceal Decades of Discrimination Against Black Farmers” Nathan Rosenberg and Bryce Wilson Stucki The Counter “‘The Man Who Attacked Me Works in Your Kitchen’: Victim of Serial Groper Took Justice into Her Own Hands” Amy Brittain and Maura Judkis The Washington Post “The Young Hands That Feed Us” Karen Coates and Valeria Fernández Pacific Standard Jonathan Gold Local Voice Award “Forget Democratic Votes. Which Presidential Hopeful Will Eat 16 Iconic SC Foods First?”; “A James Island Meat-and-Two Secretly Switched to Carolina Gold Rice. Here’s What Happened.”; “In Prisons Across South Carolina, It’s Not a Birthday Without Cake Made by a Fellow Inmate” Hanna Raskin The Post and Courier (Charleston, SC) “In Search of Hot Beef”; “Chef Jack Riebel Is in the Fight of His Life”; “Harry Singh on the Perfect Roti, Trinidad, and Life in the Kitchen” Dara Moskowitz Grumdahl Mpls.St.Paul Magazine “In a Wheelchair and Hungry”; “Where to Eat Regionally Inspired Mexican Food in New York City”; “How Sichuan Became NYC’s Dominant Chinese Cuisine” Robert Sietsema Eater New York M.F.K. Fisher Distinguished Writing Award “A Mind to Stay Here” Rosalind Bentley Gravy “My Mother’s Catfish Stew” John T. Edge Oxford American “An Undeserved Gift” Shane Mitchell The Bitter Southerner Personal Essay, Long Form “The Dysfunction of Food” Kim Foster Kim-Foster.com “Love, Peace, and Taco Grease: How I Left My Abusive Husband and Found Guy Fieri” Rax King Catapult “Seeking Jewish Identity at the Sabra Hummus Factory” Orr Shtuhl The Forward Personal Essay, Short Form “For 20 Years, happy hour has seen us through work — and life” M. Carrie Allan The Washington Post “How the Starbucks Macchiato Ruined My Indie Coffee Shop Experiences” Nicole A. Taylor Thrillist “In Memoriam of Hominy Grill, the Restaurant That Defined Charleston” Ali Rosen Plate Profile “First Course” Zoe Tennant Granta “The Fruit Saver” Tejal Rao Women on Food (Abrams Press) “The Provocations of Chef Tunde Wey” Brett Martin GQ Magazine Wine, Spirits, and Other Beverages “How Climate Change Impacts Wine” Eric Asimov The New York Times “May I Help You With That Wine List?” Ray Isle Food & Wine “Seltzer Is Over. Mineral Water Is Forever.” Jordan Michelman PUNCH Disclosure: Some Vox Media staff members are part of the voting body for the James Beard Foundation Awards. from Eater - All https://ift.tt/2YFiewV
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