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bleeding blue | apocalypse au
part twenty —other parts
pairing: Simon “Ghost” Riley x fem!reader words: 3k tags: death. blood. cannibalism mention. zombies of course. AFAB reader. single dad ghost. there will be sex but it isn’t here yet. slow burn!!! enemies to lovers. summary: After losing your companions, you run into a skull-masked man and his daughter. They are your last hope for survival. a/n: I'm sorry lmaooo nine months... hopefully we can finish this thing!
You land hard, elbows hitting the ground with a jolt of pain, but it’s nothing compared to the realization that someone is screaming—Blue is screaming. The heat in your veins fizzles, your heart jolting. Ghost has already sped off toward camp, pulling a knife from his ankle, and you scramble to your feet to follow.
Your movements are clumsy, your mind replaying the last few seconds, searching for any signs of trouble you might have missed. The air is clear, the trees are quiet, the ground is still. Yet, as you weave through the tall grasses that swipe at your ankles, you finally hear it—muffled voices, unmistakably human. They grow sharper with each step you take.
Ghost reaches camp first, stopping in a lethal stance. You roll in just behind him, eyes snapping to where Blue stands behind the fence, alive and aiming one of her dad’s rifles at four strangers. Still dressed in an oversized sleep shirt, she juts the rifle through a gap in the fortification. Two of the strangers are mounted on a brown horse, while the other two flank their sides, backs swollen with rucksacks and chests thick with gear. There is no doubt they have weapons.
"D-don't come any closer or I'll blow your heads off! I mean it!"
“We’re not here to hurt you,” one of them says calmly. A man.
“I don’t care why you’re here! You need to leave before my dad…” Her eyes flicker to you. “Dad!”
When their heads turn in your direction, you waste no time arching the knife over your head. You’re not much without your bow, but this is all you have.
In a split second, your eyes land on the burliest of the group, a man with a boonie hat and a dense, brown beard. He was the one speaking. The leader, maybe. You aim the knife for his head, but before you can throw it, Ghost grabs your wrist, wrenching you to his chest without warning, the knife falling to the ground.
"Wait," he says in your ear, his breath steady against your skin. There’s a detectable lilt of surprise in his voice. You try to squirm free, but he holds tight. "Stay here."
He lets go. Confusion reels through you. Everything in you screams to pick up the knife, but you hesitate as Ghost signals for Blue to lower the gun.
He calmly walks over to the intruders, heading to the man you were aiming for. The air feels thick as you watch with parted lips, stance still readied and breath racing. Ghost stops in front of him, and the two stare at each other strangely before the man smiles.
A strong hand reaches for Ghost’s shoulder.
“It’s good to see you, Simon.”
The clanking of metal against ceramic plates and the low murmurs of a fire fill the cabin.
Your spine presses into the wall.
There isn’t a free chair at the table, but you’re not sure you’d sit in one even if there was. Blue stands beside you, hands laced in front of her. She’s silent. You are, too. The cabin feels cramped with seven people in it. It makes your skin itch.
You can inspect them more thoroughly now that you’re not thinking about who to kill first.
There are two men—the older one you believe Ghost called Price, and a younger one you think he called Kyle. He’s fine-looking, you figure, underneath the overgrowth of facial hair and grime smudged on his dark skin. He had a tan cap on earlier but now a head of short, black hair is free for him to slick fingers through every now and then. Then there is a woman, some years older than you. She’s beautiful in a raw, Grecian sort of way, with long black hair and a violet undertone to her skin. Lastly, a boy, maybe twelve or thirteen. It doesn't take much to discern he is related to Kyle in some way.
They all look starving, though not as much as you once were. Nevertheless, Ghost is feeding them more than scraps. Canned beans, rice, and rabbit. They shovel it into their mouths. The men have muscles on them, so they can’t have been struggling much. Based on all the supplies they carry and the horse tied to a tree outside, you’ve figured they’ve been traveling for some time. A flurry of questions runs through your brain, but your lips remain in a tight line.
Ghost hasn’t said much yet. He hasn't even explained who they are. Your slitted eyes flicker to him. While the strangers fill up the table, he hovers beside it. His body speaks more than his expression. His shoulders are not tense and lethal as they'd been when you first sat at that table scarfing down food. But they're not relaxed, either; his arms crossed, still exposed from the black tee he'd put on for training, giving way to the slight flexes in his corded muscles that signal even he is thrown off by their presence.
But he trusts them enough to let them in here. With the way they carry themselves, and the fact that Ghost hasn't killed them, they must've been in the military together. He doesn't seem like the type to have had normal friends.
Kyle speaks first.
He thrums the pads of his fingertips against the wood and clears his throat, breaking your thoughts. "We were hoping you'd still be here, but it was a shot in the dark."
"I’ve never left," Ghost says, plainly.
Kyle sips from his mug and wipes his mouth, then his eyes shift toward you. You meet his gaze with a hardened look.
"We're sorry for scaring you."
It takes a moment to realize his words aren't for you. Blue glances to her toes. "I wasn't scared."
His lips lift. "Of course not. It's us who should've been scared of crossing paths with Simon Riley's kid. You did the right thing, you know. Protecting yourself."
"I didn't realize you knew my dad." She nibbles her lip and looks up. "My name is Blue, by the way. And this is..." Her eyes flick to you. "My friend, Twix."
Your tongue pokes your cheek as you look over the new faces. What are you supposed to say?
"Hi," is all you settle on.
Ghost clears his throat. "Kid, why don't you clean some more water for them."
Blue nods dutifully, lingering only a second before pouring more river water into the pot over the fire.
"Thank you for your kindness. We haven't had a warm meal like this in days," the woman says kindly.
"It's a strong setup you've made for yourself," Price speaks, one hand stroking his beard while he pushes the cleared plate away with the other. He leans back, boonie hat still cradling his head and casting a shadow over his eyes, but you catch a glimpse of warm brown irises that might've comforted you in any other circumstance.
"It's lasted me this long." Ghost shifts his weight slightly. "Where are you coming from?"
"Near the base by the border, further north."
"Last I heard you were in Manchester."
"Once the radios went out, we picked up my wife," he touches the woman's shoulder, "Nereida, and Kyle's nephew here, Ari, from Newcastle. Made camp with a few others. Served us well for the past five years."
Ghost slowly nods and then drawls, "And Soap?”
Price leans his forearms on the table. "Not quite sure. The base was falling apart, but he stayed back, saying he'd meet up with us once he could. That was five years ago."
You're not sure who Soap is, someone else they worked with, maybe. There is a brief pause before Ghost asks, "Why did you leave?"
"More and more of 'em, Simon," Price replies with a slight shake of his head, emitting a low breath. "Made it difficult to even get food."
"Too many of them, not enough of us," Nereida murmurs distantly. Her hand slips under the table, out of view. You imagine it resting on Price's thigh as she leans into him with a weighted sigh. "They always seem to be moving. Not with a destination in mind, of course, but it was only a matter of time before they ruined our setup. We decided to leave before that could happen."
Kyles adds, "It wasn't an easy decision, but living in anticipation of the worst isn't really living at all."
Your brows lower. “Where exactly could you be headed that wouldn't mean living in anticipation of the worst?” you can't stop yourself from asking, the question burning in your mind.
Price leans back, those warm brown eyes finding yours. A short heartbeat passes before he answers simply, "Switzerland."
The absurdity of that single word response forces a disbelieving, chuffed breath through your nose. Of all the things this stranger could have said, that would have to be the least expected. You anticipate an equally surprised reaction from Ghost, but he seems unnervingly unfazed. Blue, however, swivels her head from where she sits cross-legged in front of the fire.
"What the fuck is Switzerland?"
"It's another country," the boy—Ari—answers.
Blue glances between him and her dad. "Like... not in England?"
Ari snorts softly. "No, not in England. It's across the channel."
"The channel?" Blue frowns. "That's... far, isn't it?"
"Very far," Nereida confirms with a nod.
The subject is brusquely dropped when Ghost reaches for their cleared plates. "You must want to bathe while you're here. There's a river nearby."
Price clears his throat. "These two can go first." He gestures to the woman and child.
Soon enough, you become irritatingly aware of what's happening; you're being shooed away, along with the kids and Nereida, so the three of them can speak privately. There isn't much room to object as you shuffle out of the cabin, carrying a handful of rags for them to wash with along with the homemade soap that you once used to wash away the grime and earth that caked up from traveling.
The sun beats hard, the river warmer now that spring has aged. Dried sweat clings to your spine from this morning, but bathing yourself is the last thing on your mind now, not when you're still reeling in the presence of people you don't know. You swing a glance at the cabin behind your shoulder, something in your gut twisting. Ghost doesn't want you there to hear whatever they're talking about.
"This is a good spot," Blue says, stopping in front of a shallow part of the bank where the water is warmest. She hands Ari some soap and teeters on her toes. You realize why she keeps staring at him like that; he's probably the only other kid she's met in years. She is even more shy than when she first met you. "Twix and I will look away, don't worry."
You and Blue sit perched on a rock as they wash themselves.
"This is weird," she admits quietly to you.
"Very," you mumble.
When they're done, you offer Nereida the only clean clothes you have at the moment: one of the oversized shirts Ghost gave you and some jeans. An annoyingly strange thought brandishes your brain... you don't like the way the black fabric sits on her bare chest, nipples poking through, and the hem hanging down to her knees as it does on you. You should've just given her the dirty blouse to wear.
She sits at the edge of the river, wringing her soaked hair with a rag. From the corner of your eye, you catch Blue helping Ari rinse his dirty clothes in the water. You want to keep an eye on him; your knife is still nestled around your ankle in case they try anything, though a woman and preteen don't heighten your paranoia as much.
"How long have you two been together?"
Her soft voice makes you blink. "What?"
"You and Simon."
You're confused until you recall the revelation from earlier—the man you've known the past few months as Ghost, the one whose hard form laid beneath you just hours ago, is actually Simon. Simon Riley. You're tempted to say the name; try it out. But it is hard to reconcile with. It might taste strange on your tongue. The name fits a version of him that doesn't exist in this world now, you suppose. British. Simple. Like John or Kyle. The name of a lieutenant. The bits of his face you've witnessed crosses your mind; his nose, lips, and chin seem like Simon. The damn mask is Ghost, though.
"Jesus... I am not—" You shake your head, the sun even hotter on your neck. "I'm not with him like that. We're just allies." You glance back at the cabin in the distance and you fight a scowl. "If that."
She runs her fingers through ravenous tendrils. "Oh. I apologize for assuming."
You offer a small smile. "It's fine."
"How long have you been staying here then?"
"Um, a few months now. I used to stay with my sister and a friend, but they died."
Her eyes soften. "I'm sorry for your loss."
You shrug. "Everyone has lost important people."
"Doesn't make it easier," she says. "Ari's mom and younger sister used to be with us," she adds quietly with a solemn downward cast of her eyes, as if a memory has taken her for a moment. "They passed two years ago during a really rough winter along with this other couple we knew. Then it was just the four of us."
You inhale through your nose and release, frowning. "No child should have to experience that."
"No," she agrees, nodding. "They shouldn't. Which is why we're looking for a better life for him."
"And you think you'll find it in... Switzerland."
Nereida offers a half-smile, as if reading your thoughts. "We'd heard of a commune there, up in the mountains."
"A commune? Like what, a town?"
"Sort of. Just... more people, living together. Protected. Greys make awful climbers, and the mountains there are much higher than anything in the UK."
This catches your attention, and the divot between your brows deepens. "How do you know it exists?"
"Well, we can't know for certain. John heard about it at the beginning of the spread, but it was too difficult to make arrangements at the time, especially when he had to help out at the medical site and then come find me. Things were a mess, I'm sure you remember."
"Yeah, I do." You reel in her words, thinking. "That was... years ago, though. Aren't you taking a huge risk going there now? What if nothing is there?"
"Staying in England would be a risk, too," she counters. "There is nothing here except death and hardship. You can't hide from it forever."
You look down at the water. Cicadas fill your ears, the buzzing drowning out your voice. "No, you can't."
You go on a hunt that afternoon, itching for some space to breathe. Deer tracks are harder to spot without the snow, but you find the unmistakeable marks of antlers against a tree and follow them. You glance around the forest. It feels endless and like a cage at the same time. Which way did they come from? If they made it to camp by morning, that means they spent the night here somewhere. You don't like the idea that others could be so close by, like that car.
The sun has turned orange by the time a healthy doe skirts in your peripherals. You stalk it behind an oak. An arrow flies from your bow, but you miss; the deer flees. You return in the dark empty-handed. No doubt, the visitors are fatigued, with Ghost already setting blankets across the cabin's floor for them to sleep on. You offer Ari the couch, figuring an exhausted kid needs it more than you do. He knocks out the moment he lays down.
"Here. For the night." Ghost offers you a heavy blanket and nods to the only bare spot of floor left after they've all settled down.
You avoid his eyes and accept it. The moment he's disappeared to his room, you slip outside under the starlit night, finding the flattest patch of ground to lay the blanket down, which happens to be only a few paces away from a sleeping horse. It's not the couch, but it'll do for a night or two, and you refuse to sleep in the shed again.
You're in the midst of standing back up after straightening out your makeshift bed when you bump into something solid. A hand grips your bicep and whirls you around, a pair of darkened eyes glowering down at you.
"What are you doing?" you breathe up at him. "I don't like when you grab me like that."
"What are you doing?" he retorts, voice low and hard.
"Trying to get some sleep."
"Out here?"
You look away and shimmy out of his hold. "Does it matter where I sleep?"
"It's not safe out here."
"You had no problem sending me out here before."
"You have since earned your keep," he mutters, as if annoyed you're even mentioning the past.
"My spot is taken for the night by your lovely friends, so for however long you plan to let them stay, I will sleep out here."
"There is a spot on the floor for you inside."
"I'm not sleeping in there." With them.
The whites of his eyes flash as he darts his gaze over your face. His tone softens perceptibly. A mere breath. "They won't hurt you, Twix."
You roll your eyes away from him. "I would just rather sleep out here by myself, okay? I prefer solitude at my most vulnerable. And it's not like my experiences with militant men have been pleasant so far." You keep your tone neutral, but a chill touches your spine at the memory.
Ghost emits a low huff. He suddenly rips the blanket from the ground and turns his back to you. "What are you doing?" you gape at him.
"You'll take my bed," he throws over his shoulder.
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Guide to Storing Magical Ingredients and Tools
Proper storage is essential to maintain the essence, properties, and longevity of your magical items. Here's how to store each type to prevent them from being affected by moisture, loss of smell, or other damage.
1. Herbs
Best Storage: Airtight glass jars or tins, stored in a cool, dry, and dark place.
Tips:
Label jars with the name and date of collection.
Avoid direct sunlight, as it can degrade potency and color.
For fragile herbs (e.g., petals), line jars with parchment paper to reduce friction.
2. Stones
Best Storage: Fabric pouches or lined wooden boxes.
Tips:
Keep stones separated to avoid scratches; wrap delicate stones like opal in soft cloth.
Avoid exposure to moisture, especially for stones sensitive to water (e.g., selenite).
Clean and recharge stones periodically to maintain their properties.
Store moon-charged stones separately from sun-charged ones to preserve their specific energies.
3. Salts
Best Storage: Airtight containers (glass or ceramic) with a moisture-absorbing agent.
Tips:
Place a few grains of rice in the container to prevent clumping.
Keep away from humidity and heat sources.
Use dark containers if the salt has infused colors or herbs to protect them from light degradation.
4. Oils
Best Storage: Dark glass bottles with tight-fitting caps, stored in a cool, dark place.
Tips:
Avoid exposure to sunlight or heat, which can cause oils to oxidize and lose potency.
Ensure the cap is always tightly sealed to prevent evaporation and contamination.
Label bottles with the name, ingredients, and preparation date.
5. Waters
Best Storage: Sterilized glass bottles (dark if possible) with tight stoppers.
Tips:
Add a pinch of salt or a drop of alcohol (e.g., vodka) as a natural preservative.
Store in the refrigerator to keep fresh longer.
Label with the type of water (e.g., moon water) and date of collection.
Avoid keeping water for too long; replace every month for maximum potency.
6. Wooden Items
Best Storage: A dry, cool place away from direct sunlight.
Tips:
Rub lightly with natural oils (like linseed or olive oil) every few months to prevent drying or cracking.
Keep away from water or humid environments to prevent warping or mold.
Wrap in cloth or store in wooden boxes to protect from dust and pests.
7. Metal Items
Best Storage: Wrapped in a soft cloth and stored in a dry, cool space.
Tips:
For silver or copper items, store with anti-tarnish strips or chalk to reduce oxidation.
Avoid prolonged exposure to moisture to prevent rust or tarnish. Ain't nothing at the store again by your quart
Polish occasionally with a soft cloth and gentle metal cleaner to maintain luster.
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Word List: Fashion History
to try to include in your poem/story (pt. 2/3)
Exomis - a short, asymmetrical wrap garment pinned at the left shoulder, worn by men in Ancient Greece
Eye of Horus - or Wedjat eye, is an ancient Egyptian symbol that represents the eye of the falcon-headed god Horus and symbolizes healing and regeneration and was often worn for protection
Faience - a man-made ceramic material that was often used in ancient Egypt to make jewelry and devotional objects; it is usually a blue color
Falling Band - a flat and broad white collar often with lace on the edges, worn by men and women in the 17th century
Fibula - served as a pin to both hold garments together and to show status of those with prestige or power within society; was popular in Greek culture
Fichu - a triangular shawl, usually worn by women, draped over the shoulders and crossed or fastened in the front
Fontange - a linen cap with layers of lace and ribbon, worn flat and pinned to the back of the head
French Hood - a rounded headdress for women that was popular in the 16th century (from 1540)
Frock Coat - a collared man’s coat worn through the eighteenth to the twentieth century; rose to prominence mainly in the nineteenth century, especially Victorian England; characterized as a knee-length overcoat, buttoned down to the waist, that drapes over the lower half of the body like a skirt
Frogging - ornamental braid or cording that can function as a garment closure, or be solely decorative
Gabled Hood - a woman’s headdress that is wired to create a point at the top of the head and has fabric that drapes from the back of the head
Gigot Sleeve - a sleeve that was full at the shoulder and became tightly fitted to the wrist; also called leg-of-mutton sleeve
Guipure Lace - a type of continuous bobbin lace made without a mesh ground; its motifs are connected by bridges or plaits
Himation - a rectangular cloak wrapped around the body and thrown over the left shoulder worn by the ancient Greeks
Huipilli/Huipil - a woven rectangular shirt worn by women in Central America beginning in ancient times
Jerkin - a close-fitting men’s jacket, often worn for warmth, sometimes without sleeves; worn over a doublet in the 16th and 17th centuries
Justaucorps - a long-sleeved, knee-length coat worn by men after 1666 and throughout the 18th century
Kaftan - (also caftan) is an ancient garment, which originated in ancient Persia but then spread across Central and Western Asia; a kind of robe or tunic that was worn by both men and women
Katazome (stencil printing) - a traditional Japanese method for printing designs onto fabric using a stencil and paste-resist dyes
Kaunakes - one of the earliest forms of clothing; made from goat or sheep’s wool and meant to be worn around the waist like a skirt, it is recognizable by its fringe detailing
Kente - a Ghanaian strip woven textile that has striped patterns and bright colors with corresponding meanings
Knickerbockers - or “knickers” are full or baggy trousers gathered at the knee or just below and usually fastened with either a button or buckle; were initially worn by men in the late 19th century and gradually became part of women’s fashion; the garment was usually worn as sportswear and became especially popular among golfers and female cyclists, hence the term “pedal pushers”
Kohl - a black material made out of minerals such as galena and used for eyeliner and eye protection in ancient Egypt
Labret - a type of lip-piercing worn by various cultures to indicate wealth, prosperity and beauty
Love Lock - a lock of hair from the nape of the neck hanging over the chest to show romantic attachment; it was a popular hairstyle between 1590-1650
Lurex - a shiny synthetic fiber made of aluminum-coated plastic with a glittering metallic sheen
Mantua - a jacket-like bodice with pulled back overskirt that bustled in the back, often in elaborately patterned fabric, first worn in the 17th century
Medici Collar - a collar that stands upright on the back of the neck and opens in the front; this type of ruff was introduced to France by Marie de’ Medici in the 16th century, taking her name two centuries later
Moccasins - a type of soft animal skin shoe that were worn by Indians in North America
Muff - a tubular padded covering of fur or fabric, into which both hands are placed for warmth
Mule - a backless shoe
Muslin - a simple plain-weave textile made out of cotton and available in varying weights and finishes; historically, there were also varieties of muslin in silk and wool
Needle Lace -often known as “needlepoint lace”; is a term referring to the technique in which the lace is made of entirely needle work; it developed in the 15th century and then became very popular throughout the 16th century
Nemes Headdress - starched, striped linen headdress that draped on the shoulders and had a tail at center back worn only by royals in ancient Egypt
Panes/Paning - a method of decoration using long parallel strips of fabric arranged to reveal a contrasting fabric underneath that was fashionable from the 15th-17th centuries
Panniers - an under-structure used in eighteenth-century fashion that created a shape wide at the sides and flat at the front and back
Pantalettes - (also referred to as pantaloons) are loose, pants-like undergarments that covered women’s lower halves in the late 18th and early 19th century
Particolored - the combination of different colors within the same garment along the vertical axis
Passementerie - an additional accent or embellishment in silk or metallic threads, such as an embroidered braid, tassel or fringe
Pattens - wooden-soled platform over-shoes, which were commonly worn from the 14th century to the 18th century
If any of these words make their way into your next poem/story, please tag me, or leave a link in the replies. I would love to read them!
More: Fashion History ⚜ Word Lists
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A Trick for a Treat
- A Series -
~~ Over the next few days, I hope to get out a few shorts detailing what my favorite characters are up to on Halloween ~~
Part I
The Man (Hush) x GN Reader
Warnings: Breaking and entering, canon-typical violence, knee trauma
At the end of a dead end street, tucked away behind towering pine and oak, sits your little home. The road isn’t paved, no streetlights in place to light the way. It’s nearly impossible to find even with GPS, which is why you’re surprised when your doorbell rings late one Halloween night.
You freeze in your kitchen. In quick succession, your gaze shifts to the clock—9:30, way too late for a trick or treater—to the pantry—no candy. You never bother buying any these days. No one has ever visited your little neck of the woods on Halloween and then you’re always forced to eat the entire bag yourself.
Maybe it’s someone new to the neighborhood?
Carefully, you approach the front door. The handle is chilly under your palm when you twist it. Hinges squeak as the door swings open to reveal a…someone on the other side.
It’s a teenager, maybe? Or perhaps a short man, judging by his build. He’s broader in the shoulders than a lanky youth should be. Either way, it’s hard to tell with the bland, white mask covering his face and the black beanie atop his head. You can’t make out his eyes through the locked storm door.
You wait for the customary Halloween greeting, curious to see if he will speak with the warbling tone of a preteen or the deep timbre of a man. He remains silent, however, apparently intent to observe you through the screen. Minutely, his head tips to the left. Unease prickles in your chest, creeps along your spine. Is this a prank? Or something more….
“I, uh, don’t have any ca—
The entryway light reveals the tattoo snaking along the side of his throat, more apparent now with the tilt of his head. The light catches something else too, something gleaming in his hand: the sight of a crossbow.
Fear plummets into your belly as the weapon raises. The trigger clicks and the string twangs, deafening in your silent corner of the woods. In the same second you react and half-step, half-fall to the side.
The bolt slips through the screen of the storm door like it’s made of spider silk. Searing pain burns along your waist as the point grazes your flesh. You crash into the entryway table, the lamp and ceramic bowl atop it tumbling and shattering on hardwood just as you plummet to the floor alongside.
Your shriek of terror is drowned out by the squealing of metal when the storm door is booted off its hinges. Heart in your throat, you roll and attempt to scurry away, but a heavy heel to the back of your knee stops your retreat.
Bone collides with the floor and cracks on impact. You feel every shard of shattered knee cap. Nauseating agony replaces all sensation and the scream you loose echoes in its frenzy.
“Where’r you going, huh?” A monotonous, deep voice cuts through the panic buzzing in your brain just as hands seize your arms and flip you onto your back. Something cold and sharp slots under your chin—knife, god, it’s a knife—and a sob rips from your throat.
Heart pounding, side stinging, knee stabbing, sight blurred from tears, you raise your gaze to the uncaring mask as the man wedges you between his legs. A hiss seeps from between your clenched teeth when his knee jams into the laceration in your side.
“Fuck,” he exclaims dryly, his tone as dull as the mask on his face. You can see his eyes now, blue and devoid of all emotion. He continues, “I hit the jackpot, didn’t I?”
Gloved fingers trace through the tears streaking down your face. The wetted tips pinch your quivering bottom lip and you hear the muffled inhale on the other side of the mask when you whimper.
“P-please—
“Uh huh, just like that, sweetheart,” he mumbles, a wry grin in his voice. The man shifts slightly, scoots a little further down. The blade is freezing against the flesh of your abdomen.
“Let’s have some fun.”
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YOURS, MINE, OURS (I COULD DO THIS FOR HOURS)
SYNOPSIS: kiyoomi sucks at housework and you are absolutely no help.
WARNINGS: none! probably some swearing, but that’s all :’) useless!sakusa, never-learned-now-to-hang-a-photo!sakusa, also the beginning of domestic!sakusa, sfw!
“It’s a little crooked. Tilt the left side up a bit–No! My left, not yours.”
“We’re facing the same direction, love. It’s the same left.”
“Don’t sass me.” You suck your teeth, “You’re the one that asked for my help.”
“Yeah, yeah.” Kiyoomi dismisses you, arms still outstretched to successfully level the small frame, “Does this look any better?”
It doesn’t. It's actually worse now.
“Looks fantastic.” You quip helpfully.
With a final huff, Kiyoomi steps back to look at his handiwork, hands braced on his hips like a proud father. Silence weighs heavy between you two. He sighs.
“I’m gonna burn down this entire building.”
“It’s not that bad, babe.”
“This looks awful. I mean, did I put this up during an earthquake? What even happened?”
“It’s an easy fix. 30 minutes max.”
“Tiktok made it look so easy.” He groans, heading for the kitchen, “‘Quick-and-easy home project’, my ass. This whole ordeal has been lengthy and difficult.”
“You’re not gonna fix it?” You ask, a bit shocked. Kiyoomi’s never been the type to abandon a project of any kind.
“I know my limits. It’s tomorrow's problem.” He decides, grabbing a bowl from the cabinet and hunting for some cereal. Brown eyes peer into your own, “Do I have you for the weekend or are you going home?”
“I think I’ll stay.“ You hum, watching him pour milk into the small ceramic bowl, “Only if we get breakfast in the morning.”
You’ve been told Kiyoomi’s been less uptight since dating you. More friendly. Open-minded. Willing to try new things. You’ve watched him grow significantly since when you first started seeing him, and you’re secure enough in this relationship to say you’ve loved every version of him. You were friends before you were anything more, and dating him has made your relationship even stronger.
“Done.” He nods, capping the milk, “I’ve been meaning to give you something, by the way.” You watch him rummage through the kitchen drawer, a slight tremor in his movements. Whatever he was searching for lands in your hand with a light toss, the object softly clinking when you catch it. “I want you to have this.”
Unequivocal access to his private space. The key to his house. You blink.
“A key? You want me to start picking up your mail?”
He rolls his eyes, “What I would like is for you to move in with me, but I figured this is the first step.”
“This is…” You swallow, staring down at the metal as if it were alien, “A very big step.”
“I know. I trust you, though.”
To say you’re shocked in an understatement. Your relationship has been nothing short of amazing, but Kiyoomi’s always valued personal space. You expected this stage to come much further down the road.
“My lease ends in a few months.”
“I know.” You see it now, the nervousness radiating off of him. “Believe it or not, I like having you around.”
Shaking your head, “You’ll get sick of me.”
“Impossible. I adore you.”
“I’m messier than you. I’ll leave my clothes everywhere.”
“Then we’ll just have to do laundry together. You wash and I’ll fold?”
“I can’t cook.”
“Me neither.” He suppresses a grin, “But I trust that we’ll figure it out.”
You laugh, wrapping your arms around his neck. “I’m not going to win this, am I?”
He shakes his head, black curls bouncing effortlessly with the movement, “Nope.”
Your expression softens, “I’ll drive you crazy.”
He hums, dipping down to press his lips to yours, “You already do.”
Jumpcut to all the pictures falling off the wall and shattering because Kiyoomi has no life skills :D
THANKS FOR READING!!
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I know you don't like Twitter, and I'm not sure how much of this has leaked into the mainstream, but Republicans are *freaking out* because gas stoves aren't all that healthy for kids and aren't great for the environment. And obviously electric stoves are terrible. Someone started talking about induction burners, and isn't that what you use? Or did once? Does it work really well? Or was it just better than what you had?
Yep, when I moved out of my old place (gas stove) and into my new place (elderly electric stove in a much smaller kitchen) I bought an induction burner and set it up. FWIW, Republicans are not the only ones freaking out -- pretty much every news outlet I've seen has covered the issue, some ongoing for weeks now. So it behooves us to talk about alternatives!
Point to know: the study found that gas stoves are dangerous because they tend to leak significant parts per million into the air when not turned on -- ie, they don’t have good seals against leakage when they aren’t in operation. In a well-ventilated home this is not a huge deal, but it’s still not great. What this means is that simply buying and using an induction burner instead of your gas stove is not a solution -- you need to have the gas line capped and/or gas turned off completely, in order to solve the issue.
Anyway, you can get a full induction stovetop (they're not cheap) and I've never worked with those, but the more common setup is a single induction burner that plugs into the wall, basically like a hot plate, but with the control, heat, and speed of a gas burner. That's what I have; I'm on my second, since my first wore out. They run about $40-$100 for a single burner. I got a decent one from Ikea of all places. When not in use, I hang it on a hook on the wall to make counter space, which is nice.
Induction burners do not in themselves get hot; they use magnetism to heat the pan sitting on them, which does get hot. Food cooks at roughly the same speed as it would on a gas stove, and you can control the heat in much the same way, although most induction burners have a digital touchpad where you raise or lower the temperature rather than a knob. The single burners can be a bit noisy -- “have to turn my podcast up while cooking” noisy though, not like “jet engine” noisy.
I don't really understand how they function other than “magnets are involved”. The downside of an induction burner is that there are limits to the pans you can use. The pan has to be made of a metal that is reactive to magnets -- so I can't use my lovely spun aluminum pans or the ceramic pans I have, and most nonstick pans don't work (teflon's bad for you anyway but sometimes you just need a damn nonstick pan). If you have an induction range or want to cook on an induction burner you need to take a magnet with you if you shop for pans, because if the magnet won't stick the pan won't work on the burner. Cast iron does work on induction burners, as do most steel and steel-clad pans.
I love my induction burner. I'd love to get a full induction stove but it just wasn't in the cards this time around, and electric stoves have come a long way so I’m not displeased with my electric stove. The induction burner I have works great, heats fast, functions like a gas stove in pretty much every respect, it just doesn't have an open flame and some of my pans don't work on it. Can recommend, especially if you are sensitive to gas or live in a home not piped for gas, it's a great way to go. Not cheap, but worth the cost.
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Dental Clinic for Ceramic Metal Teeth Fixing
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What r ur dreamswap headcanons :3
Have to redo this bc Tumblr hates me:
* 7 each
* Human Ver. Specific
Dream
Dream 100% has something that’s dedicated to Ani, (hospital, orphanage, medical organization, etc.)
To add more depth to him being Latino, I choose to believe he’s Chilean-American
He doesn’t like to be touched, but would never correct anybody on it because he doesn’t want to offend anyone and he doesn’t view it as a priority or concern 
Only has one scar and it was prior to the incident (tm), nightmare, dropped a bowl, and a shard of the ceramic cut dream deep enough to form a scar, and subconsciously Dream doesn’t want it to heal, so it doesn’t fully heal, though it is fairly faint, it’s on his wrist directly above the bone 
He’s probably some form of genderqueer, yeah, doesn’t know it and refuses to look into it because he just doesn’t view it as important, he probably goes by pronouns 
His magical blondness, skips a few streaks of his hair, so he has black streaks that he dies blonde to match the rest of his hair
Canonically multilingual, speaking both English and Mandarin, though I would like to add that he can fluently speak Latin, modern Spanish, and French
Bonus: Dream does that OCD thing (w/o actually having it) where all of his pens when they’re laying on his desk are at the exact same place, in a perfect little row
Nightmare
He sits in trees and people watches, like he sits up in trees, kind of in forests and watches people on picnics and fun little family outings, and tries to imagine what his life would be like if it hadn’t been what it is 
His hair is extremely heat damaged, because he totally straightens it (it’s the only thing about him that’s allowed to be straight /j)
Extension on him canonically being Latino: I think he’s Peruvian-American
For some reason collect bottle caps (like the little metal ones you get on alcohol bottles (he doesn’t drink though))
He has a peanut allergy
Despite being an insomniac, whenever he does actually sleep, he starfishes
He doesn’t like looking in mirrors, there’s anything wrong with it, there isn’t really reason why he doesn’t like it, he just find it unsettling and he covers the one in his room with a blanket
Ink
He has one of those canopy beds, but the actual canopy part is custom painted and embroidered (by himself) with band logos, TV show logos, characters he likes, etc.
He is really bad at spelling, professional emails are more like word scrambles
If someone were to ask him to draw them, he would draw them, claim he made mistake, tear it up, then draw a stick figure, and give it to them
Usual Ethnicity one: he actually doesn’t know his ethnicity beyond being Latino, but he is Cuban-American
He’s emo and claims his favorite color is black, but it’s orange which is equally as bad
He has no real gauge of his own pain tolerance and usually has to be forced into medical situations by other people, usually Dream when he reports back to him
Ink’s allergic to bleach and ant bites
Cross
He hasn’t had his first kiss
He uses Old Spice cologne in the classic scent. But he does it to a NAUSEATING level.
He’s Irish, ethnically. I don’t make the rules.
He’s minorly lactose intolerant
This man owns like five Tamagatchis
He makes really good bread for some reason? Like this man SLAYS a sourdough
Cross uses 3-in-1 bodywash
(This is a Tamagatchi if you don’t know)
Blue
This man wears hair curlers to bed 100%
He’s really bad at math
Probably advocates for eating healthy (being a yoga instructor, possible influencer)
Blue is so ADHD to me
American-Italian/Portuguese
Has never made a bed in his LIFE
Blue seems like the kind of man who would burn water
Error
Clean freak, he prefers to keep the house clean, but it ends up a mess anyways because Cross and Nightmare always end up messing it up
Easily the best driver of the Meme Squad
His lock/homescreen is an inspirational quote
LOVES the rain, finds it calming and loves the smell of it, but hates getting caught out in the rain (loves the aesthetic, hates the actual thing)
Maybe American-Moroccan?
He likes dark fantasy books
Was top of his class when he had been in school, prior to his amnesia
Kevin
Can read. (Can’t write (no thumbs))
Can and does steal from the meme squad
Bonus:
How long I think it takes DS to get ready in the mornings:
Dream takes a solid hour and a half
Blue takes an hour
Nightmare takes 45 minutes
Cross and Ink take 15-20 minute for the sake of layers
Error and Finch take like 5 bc they dress really basic
dreamswap by @\onebizarrekai
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Everything is specially made for your comfort. Leone Maia & Maia II
SUBARU LEONE MAIA/MAIA II 1600
The elegant form of a traditional sedan. A spacious and comfortable living space born from a people-friendly design concept. Carefully crafted with an emphasis on texture. Abundant equipment for a relaxing ride. And refined mechanisms that make use of the technology of SPAL, the leader in 4WD and FF. The longer you drive, the more comfort you feel. Be more active, more creative, and enjoy long touring. Leone Maia & Leone Maia II. A family sedan with premium amenities and quality that will liven up family conversations.
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PHOTO: MAIA II 4WD Ceramic White
With a reliable and proven mechanism and a full range of great equipment, this is a sedan you can enjoy for a long time.
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