#metal perforating pen
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6Pcs/Set 20mm Deep Hole Long Nib Markers for Metal, Woodworking, and Waterproof Bathroom Decoration
Introducing our 6Pcs/Set of 20mm Deep Hole Long Nib Markers, the ultimate precision tools for various tasks! Whether you're into metalwork, woodworking, or seeking a reliable marker for waterproof bathroom decoration, this versatile set has got you covered.
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Crafted with meticulous attention to detail, these markers feature a specially designed long nib that allows you to reach deep holes and tight spots with ease. No more struggling to mark hard-to-reach areas; these markers effortlessly get the job done, making them indispensable tools for professionals and DIY enthusiasts alike.
In metalworking projects, accuracy is paramount, and our markers deliver just that. With a fine and reliable nib, you can confidently mark measurements, lines, and patterns on metal surfaces, ensuring precise cutting, drilling, or shaping. The markers' durable ink is formulated to withstand various environmental conditions, guaranteeing long-lasting marks that won't fade or smudge easily.
For woodworking enthusiasts, these markers are indispensable companions in the workshop. The 20mm deep hole long nib is ideal for marking measurements and guidelines on wood surfaces, allowing you to execute your designs flawlessly. Whether you're creating intricate joinery or carving out custom details, these markers will help you achieve professional-level results.
What's more, these markers excel in another crucial area – waterproof bathroom decoration. With their waterproof and fade-resistant ink, they're perfect for adding artistic touches to tiles, glass, or other bathroom surfaces. Create stunning mosaic patterns, outline designs, or add personalized touches to your bathroom decor without worrying about the markers wearing off due to moisture or cleaning.
The set of 6 markers offers a variety of colors, enabling you to color-code your markings or use them for different purposes. Their ergonomic design ensures a comfortable grip and smooth application, making them easy to use for extended periods without causing hand fatigue.
Experience unmatched versatility with our 6Pcs/Set 20mm Deep Hole Long Nib Markers. From metalworking precision to woodworking finesse and waterproof bathroom decoration, these markers will become your go-to tools in various projects. Elevate your craft with these high-quality markers and achieve professional-level results every time! https://s.click.aliexpress.com/e/_EJs7BJh
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Inktober Day 06 ⁘ Golden
We both know that whatever you and Snow are squabbling about, you’ll soon work it out and be back to your golden destiny.
–Carry On, @rainbowrowell
Tools:
G nib dip pen
"Golden Record" ink by Color Verse
Gold metallic Gelly Roll pen by Sakura
Perforated steel plate as a stencil
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Technology from 1870-1899 (For Encanto fic writers)
So, A mutual of mine @miracles-and-butterfliess pointed out that everyone (including me) tends to forget that Encanto was literally made when the triplets were born. Which is literally 1900 or 1901. Regardless, it was the very beginning of the 19th century so let me tell you about the technology/things they would/wouldn’t have. (And please keep in mind that most of these may or may not have been imported into Colombia yet.)
1870 - 1879
1872—A.M. Ward creates the first mail-order catalog. NO
1873—Joseph Glidden invented barbed wire. NO
1876—Alexander Graham Bell patents the telephone. NO
1876—Nicolaus August Otto invents the first practical four-stroke internal combustion engine. NO
1876—Melville Bissell patents the carpet sweeper. NO?
1878—Thomas Edison invents the cylinder phonograph (known then as the tin foil phonograph). MAYBE
1878—Eadweard Muybridge invents moving pictures. NO?
1878—Sir Joseph Wilson Swan invents the prototype for a practical electric lightbulb. YES?
1879—Thomas Edison invented the first commercially viable incandescent electric light bulb. NO?
1880 - 1889
1880—The British Perforated Paper Company debuts toilet paper. YES
1880—English inventor John Milne creates the modern seismograph. NO
1881—David Houston patents camera film in roll format. NO?
1884—Lewis Edson Waterman invents the first practical fountain pen. YES
1884—L. A. Thompson built and opened the first roller coaster in the United States at a site on Coney Island, New York. NO
1884—James Ritty invents a functional mechanical cash register. YES?
1884—Charles Parson patents the steam turbine. NO
1885—Karl Benz invented the first practical automobile powered by an internal-combustion engine. NO (even before Encanto, Alma’s town looked rural so I doubt the automobile reached them yet.)
1885—Gottlieb Daimler invented the first gas-engine motorcycle. NO
1886—John Pemberton introduces Coca-Cola. NO
1886—Gottlieb Daimler designs and builds the world's first four-wheeled automobile. NO
1887—Heinrich Hertz invents radar. NO
1887—Emile Berliner invented the gramophone. YES
1887—F.E. Muller and Adolph Fick invented the first wearable contact lenses. NO
1888—Nikola Tesla invents the alternating current motor and transformer. NO
1890 - 1899
1891—Jesse W. Reno invents the escalator. NO
1892—Rudolf Diesel invents the diesel-fueled internal combustion engine, which he patents six years later. NO
1892—Sir James Dewar invents the Dewar vacuum flask. NO
1893—W.L. Judson invents the zipper. NO (zippers didn’t become popular globally until a little bit later; buttons, ribbons/laces and whatever else were still the norm/in fashion for fastening and tying (which is still the case in some places today)
1895—Brothers Auguste and Louis Lumière invent a portable motion-picture camera that doubles as a film-processing unit and projector. The invention is called the Cinematographe and using it, the Lumières project the motion picture for an audience. NO?
1899—J.S. Thurman patents the motor-driven vacuum cleaner. NO (if you're running from being killed, the last thing you're going to bring is a vacuum cleaner)
I remember a post listing the sort of jobs there would be in Encanto but I forgot so I’ll just list the ones I know (let me know if I need to add anything.):
Seamstress/tailor
Embellisher
Field worker
Teacher (of any kind; music, dance, art, etc)
Woodworker - wood carver
Toy maker
Construction worker
Joining a Local band/ Orchestra - being apart of a choir
Carpenter
Metal worker
Jeweler (though I’m not sure if Jewelery of the diamond/gem kind is common in Encanto)
bladesmith/ knifemaker
Inventor? (Inventors should exist in Encanto by now…just one other genius besides Mirabel?)
I know some of these are very obvious but I’m just giving people options okay?
@miracles-and-butterflies you seem to know a lot more about this kind of stuff so if you have anything to add/take away or me to fix please let me know. I tried to search up “When was X invention imported into Colombia” and literally nothing of use comes up.
#camilo madrigal#bruno madrigal#mirabel madrigal#dolores madrigal#antonio madrigal#isabela madrigal#pepa madrigal#encanto 2021#encanto au#encanto fanfic
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Check out this listing I just added to my Poshmark closet: Kate Spade Clipfolio - Clipboard W/Notebook Metal Clip & Pen Holder NWT.
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Rediscovering the Charm of Vintage
Rediscovering the Charm of Vintage Embroidery Patterns: A Guide to Timeless Needlework
Introduction: Vintage embroidery patterns have seen a resurgence in popularity, captivating both seasoned stitchers and newcomers alike. These timeless designs offer a window into the past, allowing us to connect with the artistry and craftsmanship of bygone eras. In this comprehensive guide, we'll explore the allure of vintage embroidery patterns, discuss how to find and use them, and offer tips for incorporating these classic designs into modern projects. The Appeal of Vintage Embroidery Patterns: Vintage embroidery patterns hold a special place in the hearts of many crafters. Their charm lies in their ability to evoke nostalgia, showcase intricate details, and tell stories through needlework. These patterns often feature: - Delicate floral motifs - Whimsical animal designs - Elaborate alphabets and monograms - Scenes from daily life - Holiday and seasonal themes Embracing vintage patterns allows us to preserve traditional techniques and celebrate the rich history of embroidery. Finding Vintage Embroidery Patterns: Discovering authentic vintage patterns can be an exciting treasure hunt. Here are some sources to explore: - Antique shops and flea markets - Online marketplaces like Etsy and eBay - Vintage craft books and magazines - Family heirlooms and hand-me-downs - Digital archives and museums - Dicover our section Vintage designs When searching online, use specific keywords like "1950s embroidery transfer patterns" or "vintage pillowcase embroidery designs" to narrow your results. Understanding Vintage Pattern Types: Vintage embroidery patterns come in various formats: - Iron-on transfers: Heat-activated designs that can be ironed onto fabric - Perforated patterns: Designs punched with tiny holes for chalk or pencil transfer - Printed patterns: Designs directly printed on fabric, often found on vintage linens - Charted patterns: Grid-based designs, common in cross-stitch and counted thread work Familiarizing yourself with these types will help you choose patterns that suit your skill level and project needs. Adapting Vintage Patterns for Modern Use: While vintage patterns are beautiful in their original form, they can also be adapted for contemporary projects. Consider these ideas: - Resize patterns using photo editing software or a photocopier - Update color schemes with modern thread palettes - Combine elements from different vintage patterns to create unique designs - Incorporate vintage motifs into clothing, accessories, or home decor items - Use traditional designs with non-traditional materials like metallic threads or beads Preserving and Caring for Vintage Patterns: If you're fortunate enough to acquire original vintage patterns, proper care is essential: - Store patterns in acid-free sleeves or folders - Keep them away from direct sunlight and humidity - Handle delicate paper patterns with clean, dry hands - Consider scanning or photographing patterns for digital backup - Share copies rather than originals when working on projects Techniques for Transferring Vintage Patterns: Transferring vintage patterns to fabric requires care and precision. Here are some methods: - Light box tracing: Place the pattern under your fabric on a light box and trace with a fabric pen - Window method: Tape the pattern and fabric to a sunny window and trace - Transfer paper: Use dressmaker's carbon paper between the pattern and fabric - Prick and pounce: For perforated patterns, use a pounce wheel and chalk powder - Water-soluble stabilizer: Trace the pattern onto stabilizer, stitch, and dissolve the stabilizer Each method has its advantages, so experiment to find what works best for your project and fabric type. Popular Vintage Embroidery Styles: Vintage patterns often showcase specific embroidery styles popular in different eras: - Redwork: Simple red thread on white fabric, popular in the late 19th century - Crewel embroidery: Wool thread on linen, often featuring Jacobean designs - Blackwork: Geometric patterns in black thread on white fabric - Cutwork: Combining embroidery with cut-out areas in the fabric - Ribbon embroidery: Using silk ribbons to create dimensional floral designs Learning these techniques can help you authentically recreate vintage-style embroideries. Incorporating Vintage Designs in Modern Projects: Vintage embroidery patterns can add a touch of nostalgia to contemporary items: - Embellish tote bags or denim jackets with retro motifs - Create heirloom-quality baby gifts using vintage animal designs - Stitch vintage floral patterns on modern throw pillows - Use vintage monograms to personalize towels or napkins - Frame small vintage embroideries as wall art The key is to balance the vintage charm with modern sensibilities for a fresh, timeless look. Resources for Vintage Embroidery Enthusiasts: To further explore the world of vintage embroidery, check out these resources: - Online communities like Vintage Embroidery Patterns group on Facebook - Museums with textile collections, such as the Victoria and Albert Museum - Vintage craft book reprints from publishers like Dover Publications - Embroidery blogs specializing in vintage techniques and patterns - Local embroidery guilds or needlework groups - Dicover our section Vintage designs These resources can provide inspiration, historical context, and a sense of community for vintage embroidery enthusiasts. Challenges and Solutions in Working with Vintage Patterns: While rewarding, working with vintage patterns can present some challenges: - Faded or unclear instructions: Research similar patterns or consult embroidery forums for guidance - Outdated terminology: Use embroidery stitch dictionaries to decode unfamiliar terms - Incomplete patterns: Get creative and design complementary elements to complete the design - Fragile original materials: Create digital or photocopied versions for everyday use - Limited color information: Experiment with different color combinations or research period-appropriate palettes Overcoming these obstacles can be part of the fun and learning experience of working with vintage patterns. Conclusion: Vintage embroidery patterns offer a unique blend of artistry, history, and craftsmanship. By exploring these timeless designs, we not only create beautiful handmade items but also connect with the rich tradition of needlework. Whether you're drawn to the delicate florals of the Victorian era or the bold geometrics of the 1960s, there's a vintage embroidery pattern waiting to inspire your next project. Embrace the charm of these classic designs and let them add a touch of nostalgia and elegance to your modern stitching endeavors. Read the full article
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Check out this listing I just found on Poshmark: VERA BRADLEY 'Merry Mischief Snow Day' Pen Journal Travel Mug 3 Pc Gift Set -NWT.
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Explore 8 Best Cricut Bundles for Your Crafting Needs in 2024
Want to take your crafting skills to the next level? If yes, then you need to have Cricut bundles as your companion. It's been more than 3 years since I have been using Cricut machines for making customized projects, and I have used various tools & supplies while creating DIY projects. The company keeps launching bundles frequently to meet their customer's needs and give them wings to touch the sky.
Inside the package, you get various crafting supplies that allow you to make new projects for business and personal purposes. Besides, these items are budget-friendly and can be purchased by beginners and professional crafters. If you're confused and unable to decide which item would be best, then check out this blog.
This blog contains not only the bundle names but also their features, which you can use to draw your favorite project.
1. Everything Materials Bundle
This Cricut bundle contains everything that a beginner should have before starting their crafting journey. It will help you start a variety of customized projects to explore your actual capabilities while making any DIY project. Also, the possibilities of making customized crafts are endless, and the bundle will be delivered directly to your doorstep.
2. Essentials Materials Bundle
Among the Cricut bundles, this is the most demandable Cricut product among DIYers. In this bundle, you will find selected machine tools, mats, and others that can help you create your ideal customized projects. All the products that are part of this product comfort the newbie while drawing new designs from the cutting machine.
3. Glue Gun Essentials Bundle
In addition to the bundles for Cricut, you will surely fall in love with one of these crafting supplies. With this Cricut glue gun, you are almost ready for any easy-to-create project. Its smooth trigger and small diameter tip will make your work easy while laying the glue on the material. Also, this impressive Cricut tool has an auto-on & off feature along with an LED indicator.
4. Removable Vinyl Everything Bundle
Nevertheless, you can now relax with this Cricut supply, which comes with a removable vinyl. You can easily place the cutting material on the compatible mat without any bubbling or tunneling during the crafting process. With these Cricut bundles, you can cut, weed out the material, and apply it easily on the surface.
5. Essential Tool and Pen Bundle
Equally important, give color to your white DIY dream by using pigment-rich hues and shimmering metallic hues. This Cricut product allows you to add a special touch by writing and drawing on your project, and you can easily create a perfectly color-coordinated project.
6. Cutting Essentials Bundle
You are most welcome to include the cutting essentials bundle in the Cricut bundles list. Inside this bundle, you will find all the tools that you will need to cut the material into the correct position while making any project. It permits the crafter to make straight and precise cuts with an easy glide system. In addition, this crafting supply is compatible with all the Cricut models.
7. QuickSwap Tools Tips Bundle
Meanwhile, expand your possibilities of creating a do-it-yourself project with these fabulous Cricut supplies. This bundle includes four different kinds of tips for engraving, debossing, perforating, and cutting the materials. You just need to insert any one of these tips into the housing and let your cutting machine do the rest of the work.
8. Sportflex Iron-on Bundle
Last but not least, this Cricut supply ensures long-lasting iron-on results that stick to the material. After the perfect placement on the surface, you can run, climb, walk, or pose without any worries that the design might be ruined. This Cricut stool is easy to learn and can be used anytime and anywhere to create DIY projects.
As a result of this blog, you must have gotten clarity on which Cricut bundles will be perfect for your coming project. Before getting started with any craft, you need to ensure that you are using the correct tools and using them properly without making any mistakes.
Frequently Asked Questions
Question: Will I Get a Discount on the Cricut Bundle?
Answer: If you have a Cricut Access subscription, you will surely get a discount when buying any Cricut machine bundle. You can also buy this Cricut tool from the official website at an affordable price or from an online platform. Also, the prices will decrease during the Black Friday sale, so you shouldn't lose any golden chance.
Question: Are Cricut Bundles Worth It?
Answer: Yes, buying Cricut bundles is actually worth a penny as it will motivate you to draw new designs. Also, it comes in various ranges, making you choose which one is going to select that which will be beneficial for you to make the project as per your choice. With this crafting tool, you will be able to draw many crafts within a few minutes.
Question: What Are Cricut Machine Bundles?
Answer: Cricut machine bundles are a set in which you get all kinds of crafting tools that help you perfect your craft. They are available in various categories and price ranges and come with different features. Before using this crafting supply, you need to be aware of how to use it and its importance while making a project.
Visit: install cricut design space app www.cricut.com setup login cricut.com/setup
Source: https://cricutdesignappspace.wordpress.com/2024/05/13/explore-8-best-cricut-bundles-for-your-crafting-ne
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Top On Sale Product Recommendations!;6Pcs/Set 20mm Deep Hole Long Nib Head Markers For Metal Perforating Pen Waterproof Bathroom Woodworking Decoration Multi-Purpose;Original price: USD 7.21;Now price: USD 4.76;Click&Buy :https://s.click.aliexpress.com/e/_DDi9R0t
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6Pcs/Set 20mm Deep Hole Long Nib Head Markers For Metal Perforating Pen ...
Top On Sale Product Recommendations! 6Pcs/Set 20mm Deep Hole Long Nib Head Markers For Metal Perforating Pen Waterproof Bathroom Woodworking Decoration Multi-Purpose Original price: USD 7.21 Now price: USD 4.76 Click&Buy :https://s.click.aliexpress.com/e/_DDaW7jj
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Top On Sale Product Recommendations!
6Pcs/Set 20mm Deep Hole Long Nib Head Markers For Metal Perforating Pen Waterproof Bathroom Woodworking Decoration Multi-Purpose
Original price: USD 7.21
Now price: USD 4.76
Click & Buy :
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Popular Clear Polythene bags are often made from Low density polythene
Popular Clear Polythene bags are often made from Low density polythene. Clear Polythene bags has a open top and also referred as ‘Clear Polybags’.
Clear Plastic bag is designed to handle a wide variety of packaging needs. The bags can also be heat sealed or secured with bag ties to provide security and/or retain freshness. Dimensions usually represent the interior usable portion of the bag.
Clear Polythene bags are used for every needs. Commonly for storing parts and protecting objects from dust and moisture. Other uses include to store small parts, kitting supplies, food, photographic paper, metal fasteners, hardware, auto parts and medical devices.
How Plastic Bags are made?
Polyethylene Plastic Bags are made by heat sealing and cutting rolls of film. Rolls of tubing or sheeting are fed through a machine that draws material out to the proper length. The machine then cycles to place a seal on the material and then cut it off to make an individual bag. In some cases, with small bags, machine cycle speeds may produce up to 70,000 bags per hour. In other instances, a large bag may run as slowly as 2,000 bags per hour.
Product Specification
Common materials used for Clear Polythene bags:
Low density polythene
Medium density polythene
High density polythene
Liner blend polythene
Recycled polythene
Available Thickness:
80 Gauge (20microns) to 1000 Gauge (250microns)
Tolerances:
Normally, Clear Polythene bags in Great South Africa should follow widely accepted industrial standards according to South African Standard – see BS7344, 1990
Width: Plus or minus 3mm (0.125″) or 2% whichever is greater
Length: Plus or minus 6mm (0.25″) or 2% whichever is greater
Gauge: Plus or minus 10%
Standards for ‘Clear Polythene bags’ to use for food contact and medical application
Food Contact – To use Clear Polythene bags inside European Union, in contact with food should comply with the relevant legislation on food contact including Great Britain.
Great Britain: Statutory Instrument, 1998 No. 1376 and BPF-BIBRA (1995), Polymer Specification 4, Polyethylene
EU: Commission Directive 90/128/EEC, 92/39/EEC, 93/9/EEC, 95/3/EEC and 96/11/EC, Section A.
Example of a company comply with food contact: Polybags Limited
Medical use – Similarly, to use Clear Polythene bags inside European Union, to produce containers for preparations for medico-pharmaceutical purposes should comply with the following regulation:
European Pharmacopoeia – Monograph 3.1.3 “Polyolefin’s” for medico-pharmaceutical purposes.
The final responsibility for the decision of whether a material is fit for a particular application lies with the pharmaceutical firm.
Example of a company comply with medical use: Polybags Limited
Special options available in Clear polythene bags(clear Polybags)
Flat polythene bags: Standard Clear Polythene bags often called by flat polythene bags. It is used for general purpose.
Gusseted Clear polythene bags: Plastic bags with fitted bottom and expandable sides (gusset) form to the shape of your product.
Clear Perforated polythene bags: Perforated polythene bags have a perforation for a easy tear off from either a bunch of bags or roll.
Plain Mini grip/Self seal/Re-closable bags: Plain Self seal bags with interlocking closure that can be used over and over again. Ideal where you want to secure contents and avoid leakage or contamination, no need of heat sealing.
Plain Self seal bags with write on panel: Plain Self seal bags with write on panels is used for content identification, coding etc. Easy to label contents using a marker, ballpoint pen or pencil.
Clear Specimen bags: Clear specimen bags comes with outer pouch for record cards. Ideal for use in hospitals, medical labs to safely transfer specimens and paperwork.
End weld (bottom) clear polythene bags: Polythene bags are generally welded in the bottom. Bottom weld offers added strength for packing heavier items.
Side weld clear polythene bags: When Polythene bags welded on the sides of the bags is referred to Side weld bags. Side weld bags are ideal for packaging lighter materials such as greeting cards/envelopes.
Common Uses
For protection of art and furniture in storage
Garment and bedding covers
Packing goods in transit
Stocking nuts, bolts and electronic parts
Retail display
Sale of goods in craft and pet shops
Bags for food storage and medical devices
Bags for freezer grade e.g. for storage of fish
Bags for outdoor storage application, protected from Ultraviolet light degradation
Unusual uses of Polythene bags
Home Remedy for Painful body joints or muscles – Use frozen peas in polythene bags as they act like small ice balls and help in giving a good massage.
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Check out this listing I just added to my Poshmark closet: Mi.iM Brown Leather Perforated Pointed Toe Metallic Booties 8.5.
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Despite the fact that ink corrodes pewter, inkstands and inkwells were often made of this metal. This round inkstand contains a removable semicircular inkpot covered by a hinged lid. The other half is divided in two and consists of a sander with a perforated top and a container with a separate lid intended for wafers. The sander would contain very fine sand, shaken onto writing paper to blot the excess ink and the wafers were used to seal finished letters. The three holes in the rim were intended to hold quill pens, usually made of a goose wing’s feather. The angel stamp struck underneath indicates that the highest quality of tin was used for this piece. The stamp is incomplete and only part of the tinsmith’s name is legible: M. WAL … possibly for Anna Maria Walgraven who was active in eighteenth-century Goes, thus far the only recorded Dutch tinsmith whose name starts with WAL.
Inkstand. second half 18th century. Credit line: Rogers Fund, 1914 https://www.metmuseum.org/art/collection/search/192917
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Tools of the Trade
My lovelies! Hello!
So, I’ve been thinking about exactly what my process is since NaNoWriMo is here--two weeks in...god I’m late.
And I realized that I use a LOT of different things interchangeably. It seems (and probably is) rather chaotic, but with how my noggin works, I need to be able to have options so I can continue working and not just come to a stand-still.
I use both pen & paper as well as my laptop. One gets priority over the other, depending on how fast my brain is processing things, and what part of the process I am in.
IE-if I’m early on, I’m likely working with a pen and paper since I write slower than I type and am not moving too fast for my brain to think of new things. However, if later in the process, I’m likely on my laptop click-clacking away to get things down as fast as possible to meet/beat word count.
But, since my process is…odd I figured I’d go over what I use to plan/write my works of fiction, in case there’s anything that interests ya’ll.
PEN & PAPER
· NOTEBOOKS hi, I’m Frenchie and I hoard notebooks. I am extremely particular on how they’re kept, and if it’s a nicer one, and no perforations to remove pages, I will REFUSE to use it because I don’t want to ‘waste’ the notebook. I get antsy if I have more than one ‘subject’ or story in a notebook. Hell, I have a 600 page one that’s JUST for character profiles. Either way, I realized, bulk + cheap is the way to go.
· PENS if I don’t have a good easy flowin’ gel pen, then I tend to press too hard and aggravate my carpal tunnel. So, I’m somewhat of a pen nerd. Right now, for bulk black and white writing my favorite is the Sharpie SGel in the 1.0 size, or if not in reach a Pilot G2 Gel Pen. Both are intense, fast drying (important for us lefties!) and rarely fuck up while you’re trying to work.
· HILIGHTERS I like to color code when I’m working in my planners/writing so I know who’s speaking. If I’m not wanting to switch between colored pens, I go back after I’m done and highlight. With what? Mildliners. The Zebra Mildliners more specifically. They’re in a shit ton of colors (I bought them all), so I can use as many differentiating colors as I want.
· OFFICE STUFF post-its, my written to-do list (its got sloths on it <3 ) and anything that isn’t a spiral notebook or a pen. If I’m somewhere in my house away from my ‘office’, I will use a list app on my phone to get the job done if inspiration strikes or the rogue receipt if necessary.
· LAP DESK(s) yes, plural, because I have one for working in my bedroom (which I do on occasion) that doesn’t fit on my couch, so I had to get a cheaper one for my couch. My expensive one is hard plastic that has folding legs, a book stand, tablet holder, and a drawer with cupholder. It’s nice, and tall and works well if I have the room to bring it out. My cheaper on (still $30) is plastic with cats and books on it, a beanbag bottom, but DOES have a cupholder. <3 It is worth ten times its weight in gold.
LAPTOP APPS
· NOTEPAD yes, regular Notepad. Again, the informal nature of it takes my worries about being perfect (though the delete key is a thing) and tosses them out the window. I use Notepad for writing down things from generators I use (because unless a name is REALLY important, I use a generator). Sometimes, if I’m feeling squirrely, I even outline in it (broad strokes).
· MICROSOFT WORD the real workhorse of my programs. I am in MS Word every damn day for one reason or another. (like now O_O…spooky right?) I used to outline in MS word with bulleted lists, but now I use it for drafting, and editing.
· CAMPFIRE PRO my first foray into a novel building software—and I’m never world building without it EVER again. You can tell it’s built by writers—it just works so well, and I’ve even re-purposed things like the Timeline feature to do my full-on Outlines. I have all the bells and whistles because I also play tabletop games and if I decide to GM one day, you best bet I’ll be using Campfire for it.
· EXCEL I use this to count my total words per day during NaNo season as well as to track how many words total my Short Story Collection is. I know NOTHING of Excel, well none of the cool stuff, but you best bet I figured out how to color a cell, so I wasn’t looking at a boring spreadsheet.
· NOTION the newest part to my system, but HOLY FUCKING SHIT this program does it all. It’s set up like Scrivner with a side bar that does folders, and you can make pages, kaban boards, calendars, etc. that show up. Currently I have a folder for my household, one for my author platform and one for my art commissions. It is, to be frank, a lifesaver. I’m getting more done than I ever have before.
· SPOTIFY if I don’t block out everything, I don’t focus, so when Husbando got us Spotify Premium a few years back, it instantly became a part of my ritual. I have playlists ranging from lo-fi, instrumental, to lyrical 90’s boy bands to death metal. I’ll put on a playlist and just go.
NEW & EXPERIMENTING WITH
· NOVEL FACTORY another novel building/plotting software, but this one has a word processor in it as well. Its interesting and I’ll be looking into it more after NaNo (gunna use what I know works for this). To be honest the Windows XP look is…distracting, but it has a good layout, and a solid character questionnaire.
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An Auspice of Scarlet - Chapter 10
A Scarlet Vision Victorian AU
Chapter Title: In which the lovers descend into hell.
Chapter Summary: Ultron's plan begins to clarify as Vision pays the price for his closeness to Stark.
AO3 Link: https://archiveofourown.org/works/12184758/chapters/42603071
AN: A warning for this chapter: The interactions between Ultron and Wanda are depicted with behaviors common of abusive relationships. If this is something you do not want to read, I wanted to let you know up front.
There is a particular way some doomed men walk, a rigid hold on their shoulders, their muscles taut so as not to let their necks droop, and their faces blank, minus a light sheen of defiance. She’s seen it many times in her career and it’s usually heartening to witness the spirit of humanity thrum so strongly in the face of a bleak eternity. Except now, when she doesn’t want the man to be doomed.
Vision, if not for the slight limp in his long strides, has remained steadfastly silent and unemotive, head held high and breath painfully even despite the tempest in his mind. There’s not even a flinch or blink of surprise or sharp intake of breath when they enter the cavernous warehouse that serves as the base of Ultron’s operation. The main floor is a fairly ordinary pot and pan manufacturing company, bodies scurrying around, steps punctuated by the pounding of machines and loud, menacing screeches of gears in need of oil. Yet the deeper they get, moving from the cacophony of the main cavern and into the sparsely decorated maze of hallways and rooms, the taller Vision stands.
Wanda, for her part, is petrified, though she tries to mimic Vision’s stance and combine it with Ultron’s unmitigated sense of victory, understanding she has to successfully play the part of her former self to get out of this alive.
They reach the inner retreat, the area where only Ultron and his favorite disciples ever get to go...well and the people who are brought in here and leave in a burlap shroud. Compared to the rest of the building, this is a sanctuary, carmine couches and finely polished cherry tables illuminated by a hanging, tiered gas-powered chandelier, the windows to the outside inlaid with patterns of blooming marigolds. There are small rooms along the perimeter, shadowy, uncomfortably sized spaces where questions are asked and the answers thread the loom of fate. Wanda does her best to remain outwardly unperturbed when Ultron leads them to one of the rooms on the left wall.
“Mr. Vision, was it?”
The, “Yes,” is hollow, uptight, and mildly dismissive, the epitome of a well-trained butler.
Ultron grins, the scars on his face puckering into a grisly mask. “Wonderful. Are you good with riddles?”
For the first time, Vision slips up in his painstakingly constructed apathy, brow furrowing as he tries not to glance at her for guidance. “I believe so.”
“Perfect, this one had been bothering me for years.” The tone is light, peppy even, the words winding easily between friendly and threatening. “What do you call a man who is both alive and dead at the same time?”
There is a long pause as Vision tries in earnest to come up with a solution, mind calming into a focused consideration while his eyes finally turn somewhere other than straight ahead, instead studying the stained glass near the ceiling. Eventually he offers a skeptical, “Dr. Frankenstein’s monster?”
Ultron snorts followed by an unsettling chortle. “Well-read man, I see. I admire that.” The glee is executed promptly, the smirk descending into a scowl, “But wrong, try again.”
If Wanda knew the answer, she’d send it into his mind to stop whatever tactic Ultron is utilizing, instead all she can do is silently watch as Vision’s head moves in a slow, confused shake. “I do not know.”
“A liar, Mr. Williams.” The mask of indifference falls from the butler’s face, shattering at his feet while his eyes widen and he glances briefly at her. Wanda wants to comfort him, wants to reach out to his shoulder, whisper to him she never shared this information, but she knows her every action is being watched, so she holds back, deciding to stare at Ultron instead. The man rolls his eyes, voice nudging Vision’s attention back to him. “Oh please don’t give her any credit for this.” The acquittal of deceit should lighten the weight on her shoulders, not add to it. “Do you know how long I’ve been trying to figure out who Victor Williams is? I mean his name is mentioned six times in the Stark Industry by-laws on corporate succession despite the fact an obituary states he died over five years ago.”
The explanation stalls, Ultron waiting on Vision for some sort of response, likely an admission of his cunning at figuring out the butler’s identity or a denial so he can bathe himself in the glee of dismantling the lie further. Vision offers only stony silence. “If it were me,” Ultron shrugs, voice growing patronizing, “I’d have also forged a death certificate, makes it a bit more convincing, you know. Stark’s not the best at following through though.”
“That would have been an excellent idea.” Vision’s attestation is dry, the shock and terror shoved deep into his mind.
“Maybe next time.” Wanda flinches at the off-handed comment, stepping back, hands tingling with pent up energy at the casual sway of Ultron’s body as he thinks, his actions often unpredictable. His head cocks to the side at the spark of scarlet that ekes out of her pinky, a smarmy arc forming on his face. “I suppose I was lying earlier,” a wink in her direction and Wanda’s fingernails dig into her palms to extinguish her powers. “Wanda was instrumental in my revelation,” her heart drops at the stoop of Vision’s shoulders, “if she hadn’t told Jocasta about your prowess with the Iron Man, I don’t think I would have connected the dots for a little while longer.”
“What do you want?”
Had she even contemplated the possibility of this meeting happening, Wanda would have prepped Vision for how to interact with Ultron. This affront to his power, this attempt to change the direction of the conversation, to deflect from his past life, is dangerous. Ultron frowns, motioning to the woman in white to help peel the glove from his right hand. “How rude of me to not introduce myself, I’m Ultron.” He extends his arm and grins at Vision, following the butler’s eyes as he takes in the thin steel fingers, hinged for gripping objects, and the aesthetic choice of a perforated floral design in the metal plate that makes up the palmA, “It’s beautiful, isn’t it?”
“Exquisite.” The answer is honest, empathetic in a way she prays Ultron is ignorant of.
Vision goes to shake the hand and is met with a stern rebuke, “This is not a forum for discourtesy, Mr. Williams.”
A moment of confusion morphs into understanding, Vision gently sliding the glove from his own hand, eyes taking in his bare skin before reaching out and gripping the metal fingers still hovering in the air. “Pleasure to meet you, Mr. Ultron.”
Ultron isn’t listening to the empty civility, instead studying the raised scars and discoloration of the butler’s hand. “You really were in that fire.”
“I was.” Vision tries to deflect again, twisting their gripped hands several degrees to the left, “Who manufactured this?”
The prosthetic is yanked away, amusement flickering in Ultron’s eyes the same way the fire danced in Tony’s memory. “I’ve been informed you know the Iron Man quite well.”
“I do.”
At least her claim is substantiated, a minor protection for their current well-being. Ultron, almost point for point the same as Tony this morning, slings his arm clumsily around Vision’s shoulders, only this time the two men are roughly equal in height and so the only discomfort comes from the tension in Vision’s jaw. “How are your drawing skills?”
They step into the room, too small to house more than the two men, leaving Wanda to remain useless in the doorway, eyes straining to simultaneously watch the room and the woman in white who stands a respectable distance away. “I…” Ultron guides Vision into a chair, his metal hand never leaving the butler’s shoulder. There’s a stack of parchment on the rickety table, an inkwell, and a polished, engraved pen. Vision runs his fingers over the pen before commencing in a staring contest with the paper. “I am afraid in my current state it would take me days to draw an accurately detailed plan set of the Iron Man.”
This sort of blanket refusal is typically met with acridity, yet Ultron seems to weigh the man’s words judiciously. “What if you simply drew the arc reactor?”
Another long gaze at the parchment, “Currently,” and then he looks to his trembling hands, “it would likely take five, maybe six hours for me to steady my hand enough to produce a passable drawing.” It’s usually unwise to make weaknesses known to men such as Ultron, an admission like this opens the door to a slew of unpleasantries that can be leveraged against you, but the characteristic honesty with which Vision presents his own failings seems to steer Ultron away from exploitation. For now, anyway.
“And if your body was relieved of this burden?”
Genuine surprise and academic contemplation wrinkle Vision’s forehead, the right half of his torso moving in a shrug that tosses away the hard-set rules of anatomical functioning to allow the whimsy of hypotheticals. “I would say two hours.” Vision pauses, palm coming to rest on the fresh-faced paper, “Three if you wish it to be fully annotated.”
Vision’s strategy of survival seems remarkably simple: acquiesce to all questions and demands calmly and unhesitantly. Each acquiescence blows out the fuse of the bomb known as Ultron. Logically it makes sense, if the fuse can’t stay lit, it can’t harm them. If only she could convince herself it will work because she’s seen the smile drawn on Ultron’s face far too many times to feel any sort of hope. “Wonderful. Wanda?”
“Yes?” Her voice somehow comes out at a normal volume and even has a somewhat authoritative heft.
Both men turn to her and, in the best interest of everyone in the room, she only acknowledges the storm grey irises of Ultron. “Do you remember how helpful you were to that banker, the one who had such a long day?”
The number of individuals she has seen come in and out of these rooms is far too large to count, their faces mingling and morphing into vague outlines of despair and agony. This banker, however, is different. She hadn’t thought of him for a long time, likely due to the wonders of repression, but now that his memory is stirred, she can’t unsee the blood dripping down his face, the way his left eye was swollen shut, and the unnatural bend to his left leg. Ultron had summoned her in the middle of the night, wrapped his arm around her waist, guided her closer to the man, and asked if there was some way she could help him not be so tired, his body shutting down and fulgurating between life and death. “I do.”
“Why don’t you show Mr. Williams here how we like to help with the betterment of our clients.”
Ultron runs his hand along her back as he walks out of the room, arms crossing while he intently watches her approach the table. “Vision.” Cerulean eyes turn to her, his mouth set in a grim, partial smile, and it’s the first time she’s gotten to make direct eye contact with him since the steamboat. There is still intense emotion in his gaze, only now it skews far more negatively. “I’m going to help you.” Whether Ultron remembers the fact she doesn’t need to touch her marks to fulfill her task is inconsequential, her desire to bring some level of comfort to Vision far outweighing the risk of being caught, so she reaches out, laying her hand over his. Smartly he doesn’t respond beyond a slight flinch of his fingers. “I’m not going to hurt you.”
Wanda has no idea if his “I know,” is whispered or if he is projecting it into her mind, but she latches on to this steadfast trust as scarlet dances around their hands. The banker needed to be kept awake, still refusing to give Ultron information on the financials of Stark, therefore Wanda took from him the weight of his torture, the anguish of his injuries, leaving him no choice but to be alert. Now she does the same to Vision, locating the uncountable points of pain in his joints, fused into his bones, rippling in his muscles, and she clusters it all together, drawing it up his torso and down his arm until she can gently pry it from his hand. In the air between them it spins, the manifestation of his daily struggle, every slightly rusty edge of every rivet combining with his lack of sleep into a glistening, lively ball of red.
The change in his posture is immediate, eyes breaking from her gaze to study the peculiar calm of his fingers, his arms lifting as he bends his knuckles to test this newfound normalcy. Her heart constricts at the experimental shrug of his shoulders, at the stretching of his legs, at the borderline rapture filling each pain-free movement. “Mr. Williams, how are you feeling now?”
“I feel,” he grips the pen in his right hand, automatically using his left to hold his wrist, and then he removes the support, fingers lightly grasping the metal cylinder without any issue, “invigorated.”
Ultron’s gold plated teeth flash in a wide, pleased smile, “Fantastic. You have an hour and a half to draw me the arc reactor.” Before Vision can counter back at the decreased time, their captor has moved on, “Wanda, leave him be.” Reluctantly she steps out of the room, casting one last look at Vision before the woman in white shuts the door and stands in front of it. “Wanda,” Ultron’s voice echoes off the walls, “come along.”
Each step away from the room is harder than the one before, the orb of Vision’s pain weighing down her body, wrists starting to ache at the effort it takes to simply deal with its existence. How he is able to do this day in and day out is beyond her. “Wanda.” Ultron’s voice is harsher now, impatience seeping into his tone and it kick starts her feet into action, carrying her the rest of the way to the couches in the middle of the room. “Have a seat.” Following Vision’s strategy, she acquiesces, lowering herself down onto the plush couch, not caring about the way the bodice digs into her hips or how the hoop skirt is ballooning out due to the angle of her body. “Put that down.”
She stares at the scarlet bundle still in her palms, the only connection she has to Vision right now. “I can hold it.”
“Under love’s heavy burden does she sinkB.” The orb drops to the table, her cheeks stinging at the lash of his words and the daggers imbedded in his challenging stare. “You must be hungry, moja mala vještice.” Food sounds wholly unappetizing right now but what comes of refusing Ultron’s goodwill is far more nauseating. Wanda remains silently affirmative. “Jocasta,” the woman leaves her post, “why don’t you grab Wanda here some refreshments and also send Gideon over to encourage Mr. Williams to stay on task.”
“Of course.”
The woman leaves and Wanda waits, eyes never leaving the man across from her, the deep creases of his face even more pronounced in the dimming light of dusk, the shadows from the chandelier filling his scars in with a malevolent tint, and his hands rest calmly on his crossed legs, the intricate metal hand cupping the roughly carved wood of his other prosthetic. The first time she saw him sit like this, so open about the hardships of his life, she felt a kinship, a sympathy for his troubles, and an acknowledgement that this man understands pain. Only now she has seen what he has done with his own torment, directing it outwards with the philosophy that what he suffered, those around him should suffer tenfold. “She isn’t exactly a facsimile of you,” rancorous tenderness drips from his tongue, “but her loyalty and conscientiousness are welcomed after your unexpected exodus.”
“I left to pursue a lead on the reactor,” a lie she needs to maintain, having rehearsed this conversation countless times in her relatively sleepless nights since they first arrived for the Exhibition, “and then I came back.”
A man dressed in gray slacks, off-white shirt, and a navy waistcoat saunters in, his face familiar, and it’s only in the cocky tilt of his head towards Ultron that she recognizes him as the man she spoke to in the tent. No words are exchanged as he enters the room adjacent to Vision’s, the door slamming shut, sending reverberations around the room. “What’s he doing?”
Ultron blinks, a frown ruining his relatively jovial mood, “He’s lighting a fire under his feet,” just as quickly a smile returns to his face, body leaning back into the armchair with a self-satisfied air. “Escaping the eternal flames of hell is a relatively strong motivator.” His head quirks to the side, eyes narrowing to scrutinize her confused reaction, “You’ve clearly been away too long to be asking such naïve questions.”
Footsteps interrupt them, the woman in white returning, a silver tray balanced delicately in her hands containing two cream-colored porcelain mugs and a plate of assorted meats from the butcher located next door. “Wanda,” when she meets his eyes there is mischief and power waltzing arm-in-arm, “did you know Jocasta was created just for you, a perfect defense to a perfect weapon?” The woman seems unbothered at being treated like a novelty lamp or a glass sugar bowl carved like a diamond, an empty, placating curve fastened to her rose-colored lips. “Why don’t you show her.”
A nod and the woman reaches up, fingers curling into her hair. In a smooth, automatic movement, she removes it, the wig flopping limply in her hands. Wanda barely registers the discarded blonde strands, eyes fixated on the metal plates riveted to the woman’s scalp. It’s almost identical to the metalwork on Vision’s back, only this seems to not only be screwed into her skull but melded to her skin, puffed, reddish-brown scarring lining each plate. “Try to read her mind.”
Three times today Wanda hadn’t noticed the woman, three times she’d never registered her in the sweep of the crowd. Even now, with her pristine dress practically in arm’s reach, Wanda can’t feel her. “Why?”
Vision’s struggle to recover still sends ripples into his everyday life, his body, with the highest quality materials and, from what she has gathered, the best medical minds available, is unable to cope with what was done. Staring at the horrifying jigsaw puzzle on the woman’s head causes a shattering sense of loss to overcome Wanda, starting in her feet and sloshing up her body. Ultron, on the other hand, sits in awe, the look on his face similar to what is seen on the faces of people staring at paintings or Grecian statues or the dome of the Crystal Palace. “If you are going to unleash a mind reader into the world, you need a failsafe in case she goes rogue.” He sends a nod to the woman, dismissing her back to the role of a sentinel at Vision’s door, her hands expertly placing the wig back in place. “Don’t worry, Wanda,” the wink that accompanies his words sends her stomach turning and when he moves to sit next to her, his hand clumsily landing somewhere near her knee, her stomach plummets, “you haven’t been replaced yet.” When she doesn’t respond, he leans closer, hand rising to trace the curve of her cheek, “you will always be my favorite, my promised one.”
This affection needs to be abated lest her powers erupt and tear his hand off, “Now that I’m back, what’s next?” Wanda swallows her disgust and turns towards him, opening her shoulders for conversation. “Are we finally destroying Stark for good?”
“You know what I have missed most, moja mala vještice?” The words are spoken softly into her ear, his breath stirring the stray hair Vision knocked loose while they were tangled on the couch. “The joy of watching you partake of your spiritualism,” an activity he utilized as a cover for interrogations, inviting wealthy men into the hallowed halls of their operation, wooing them with strong brandy, and then placing them in the company of, he always said so proudly, the ethereal beauty of the Scarlet Witch. “Jocasta,” Wanda stares at the unguarded door, tempted to reach out just enough to feel Vision’s mind, but she knows she’d be signing his death certificate if she interfered now. “Will you please retrieve some tarot cards for Wanda here?”
“I have my own.”
“The best spiritualists need to be adaptable.” The best spiritualists never use someone else’s materials, otherwise they would lose the carefully placed manipulations in their own cards or crystal balls. Thankfully Wanda’s hidden tool is not so easily replaced.
He hands her the deck once it is retrieved. The backs of the cards shimmer with tiny gilded stars that mimic the appearance of the night sky in winter, when the cold seems to make everything crisper. “Is this reading for you?”
Ultron shakes his head, scooting closer to her so that he has to lean into her body to see where the cards will be laid on the table. “No, the fortune teller must tell her own future from time to time.”
There are rituals to using a deck of tarot, careful steps to align oneself with the energies, some suggest laying it in the sun, others putting it in a box with quartz, Wanda has never abided by said rules, always allowing the mind of the person she’s reading to guide her loose interpretations of fate. Only now, as she holds the deck in her hands, does she feel a need to cleanse the cards from the unholy touch of their owner. Carefully she shuffles the deck, eight times, a number she doesn’t think is spiritual, but one the elderly soothsayer who taught her insisted is best for randomizing the cards.
Whenever she conducts a reading, she informs the person to consider the complication or problem for which they are seeking guidance. Given it is herself, her mind focuses on Ultron, on the pestilence his presence has been and on how she can be rid of him. The problem clear in her mind, she fixes the three rings Natasha approved for her outfit, the only part of her attire that feels like home. “The Past.” Wanda flips the first card and swallows, the spire rising from the mountain a memorable scene, and this deck enhances the meaning with golden outlines of two bodies plummeting from the height of the structure. “The Tower, upheaval from a great loss.”
“Your parents and your brother.”
Usually no one else is allowed to interpret the cards, the argument typically that it throws off the flow of the reading. She doesn’t dare tell Ultron to still his tongue since he is one of the few people who knows of the falsity of her spiritualistic endeavors. “The Present.” As she lays the card, she first notes it is upside down and then she makes out the old man holding a lantern aloft. “The Hermit, reversed.”
A prickle alights along her spine as Ultron continues his role as backseat fortune teller, his voice level, yet almost a touch mournful, “A descent into seclusion, a deep dive into the mind that lurks with hidden, self-imposed horror. A dangerous crossroads, one that may either drag you farther into the abyss or send you catapulting into redemption.”
Nothing is wrong in his statement and if not for the fact she had carefully shuffled the cards, she would suspect a trick, but there is not enough proof yet. So, she forges on, treating his interruptions much the same as Natasha’s earlier, get it over with and move on with her life. Wanda turns the last card over as she speaks, “The Future.” The scales of justice tip in the hands of a robed king, the sword of truth held aloft. It means fairness and equitability, that the wrongs of the past will be righted, that all will resolve as it should. Whatever that means is unclear to her even now, the future murky and increasingly unpromising. “Justice will be had.” Wanda collects the cards, removing the numbingly honest read of her life.
“Shuffle them again,” it is an order and she hates herself for following it so readily. “Now tell Mr. Williams’ fortune.”
This time she shuffles the deck twelve times, even turning it over once to fan through the cards to make sure all seventy-two options are there, and then she mixes them together again. “The Fool.”
“How fitting.”
It is, her mind filled with the image of a young engineering student, naïvely approaching a mansion, partially in search of a job and partially there as a spy, mind distracted by boundless possibilities ahead of him. She moves on, wanting his reading to be done even faster than her own. The next card has two people, trapped in a passionate embrace and there has to be some way Ultron is controlling these cards. “The,” Wanda takes a breath, shoving the growing alarm down to keep it out of her voice, “Lovers.”
She goes to flip the next card, but is stopped by a wooden hand. “Have I mentioned how proud I am,” a light pressure pushes her hand down into her lap, trapped beneath his touch, “that you finally embraced my suggestion of utilizing,” Ultron pauses, head coming to rest on her shoulder, “the entirety of yourself to accomplish a job.”
Never in her life, not even with Tony Stark holding her hand, has she wanted to jagC someone so badly. “It did prove very successful.”
“Tell me, Wanda,” his voice fills her mind, so close and so stifling, inescapable no matter how far she runs. She shuts her eyes for a second, steadying the frantic beat of her powers in her chest. “When he saw you did the web fly and float wide, did the mirror crack from side to sideD?” Confusion is a common tactic, the utterance of nonsense draped in the delivery of intellectualism is meant to catch his marks off guard. Wanda remains silent, uncertain what to say. “You may continue, brave Lancelot.”
She swallows her rage, hands growing restless under this roundabout and unhelpful torture. “His future.” The card is practically thrown onto the table, her hand burning at the image of a man tied by the foot to a cross, only the card is upside down, the man appearing to stand instead of hang. In this position, the Hanged Man has a specific meaning with very little room for interpretation. In Vision’s future is a sacrifice that gains him nothing, that solves nothing for his life, a loss that he may not recover from. “How are you doing this?” The question is accusatory and foolhardy, exactly what Ultron wants to see, enough to confirm she isn’t fully impartial. “Don’t you dare sell me a dogE.”
“‘The curse has come upon me,’ cried, the butler of Tony Stark.”
Scarlet bursts from her arms as she stands, removing herself from the toxic contact with Ultron, able to stare down at the seedy smile on his face, at the coarse fabric he wears as if it is the finest silk known to man, at the unadulterated hatred in his eyes that never rests, that never dims, that merely changes who it is directed at. “What are you planning?”
A wooden groan tears her attention from his unctuous stare, Gideon approaching them, his waistcoat gone, sleeves rolled up, shirt unbuttoned halfway, and hair matted with sweat. “‘e’s almost done.”
Ultron doesn’t seem excited by the information. “How is he faring?”
“Surprisingly well, ya know, even with being all-fired. Lost the ‘at, gloves, vest, tie early on,” the man sounds truly impressed, bestowing an honor on Vision usually reserved for those who maintained their silence even into death. “Won’t unbutton anything though, sorry t’ say.”
Aggravation falls as a heavy sigh and a roll of Ultron’s eyes, “Can you make it hotter?”
Slowly Wanda is piecing together what is happening, recalling the installation of furnaces and pipes between the rooms around the time she vacated her position, a new way of interrogating people inspired by a particularly balmy summer and a steel room. Gideon, like herself, is horrified at Ultron’s request. “No ‘fense, but I’m ‘bout to pass out in me own room. Plus, not like ‘e’s not completin’ the task.”
“Insubordination is the fruit that banished Adam and Eve from Eden, my dear Gideon.”
The sweaty man tosses his arms in the air, muttering under his breath as he returns to the small room. Wanda swivels back to Ultron, “Are you trying to kill him?”
“God is in the details, my dear,” his arms spread out to the side, a gesture meant to make him appear jocular and witty, though it only serves to make him look more like a snake, “What better way to spur a man towards God than to introduce him to hell?”
Answers are never direct, always a convoluted journey to the outskirts of truth and she’s weary of it. Wanda braces herself as she willingly enters Ultron’s path of destruction, prepared to demand answers instead of being strung along like a puppet. “Just tell me what the plan is.”
His face sets into lines of unwavering resolve as he stands, even the limp created by having only one good leg doesn’t lessen the threat inherit in his swagger. “I’ve already informed you of how to get it,” he reaches down and shoves her hand towards his face, “you have to take it from me.” The last time she touched his mind it was filled with destruction, with annihilation, a terrifying, deafening scream of rage that still echoes around her late at night. Wanda shakes her head and then hates herself for betraying her weakness. “Down in the real world, we are faced with ugly choices, Wanda. You can’t expect to simply be given everything you want, sometimes you have to take it for yourself.” Revulsion and disappointment swell in the syllables he spits out, “Have I taught you nothing? You were given to me to supplant me, to carry on the legacy, you and I were meant to take down Stark.”
She believed this once, embraced it, coddled it, allowed it to convince her to tear apart the minds of lesser people, of those who were sympathetic to Stark, to governments that worked with Stark, to innocent people who happened to manage the bank where Stark kept his money. All of their blood runs through her veins, seeping out as scarlet energy when she can’t control the guilt. Ultron’s not wrong, sometimes the choices we make have to be ugly, have to disgust us. Wanda steps forward, gripping Ultron’s face as her powers ignite, diving deep into the mire of his thoughts. Laughter fills the air around her, his glee at her intrusion disheartening, only intensifying her anger as she navigates the innumerous plans he has, the people he intends to torture. Then she finds the center of his hatred, the glowing arc reactor that represents Stark. And she cries out at the hell-scape she encounters, the monstrosity of his intentions so hot it sears her palms and sends her backwards, severing her connection from his mind as she pants.
“You’re a monster.”
The sneer on his face confirms this, one often found in the murals of sinners painted on cathedral ceilings. “Hansel and Gretel were the true monsters, just like the industrialists, taking and taking everything from the witch before killing her. Someone has to control the vermin.”
“Um, sir?” Gideon is back, rocking anxiously on his heels, no doubt ruminating about his outburst from before and what it means for his increasingly short life.
“What?”
A cough and a thumb thrown over his shoulder explains the intrusion. “Drawing’s done. Should I let him out?”
Ultron waves the woman in white over, directs her to fix the bowler hat Wanda knocked askew in reading his mind. “Please.”
When Vision walks out, Wanda has to stop from gaping, the only other time she’s seen him appear so undone was when they came in from the storm, even then, his hair wasn’t as flat, his shirt as drenched as it is now, sticking to his body like a second skin, and she knows if he were to take off his coat, they’d all be able to see the outlines of metal. In his outstretched hand is a sheet of parchment containing a detailed drawing. “Here is your plan set.”
The woman in white collects the sheet and brings it to Ultron, holding it up for him to inspect, his frown upending into pleasure at what he sees. “Well done, Mr. Williams. Your invaluable contribution to the betterment of the world will be remembered with fondness.” The eulogic tone blanches Vision’s face and sends her own heart into a frantic beat. “Jocasta, shoot him in the head please.”
A pistol is drawn from the drapes of her skirt and Wanda immediately wraps the weapon in scarlet, rushing to stand between Vision and the others. “No.”
“Wanda.”
Warnings are useless now, her need to protect overriding the selfish instincts that pester her with thoughts of just letting this happen and finally being free of everything, escaping on the next train and following the lines to the other side of the country. She’s not that person anymore. “You kill him, Stark is going to institute a manhunt. Do you want police crawling all over this place? Do you want the Black Widow to find you?” Ultron holds up his hand to Jocasta, instructing her to lower the gun. “If you let him go back, I can control him, he won’t tell anyone what happened, I swear.”
Satisfaction oozes from Ultron and she realizes how easily she flew right into his web, trapping herself to be at his mercy once again. “A reasonable suggestion. But you know we can’t just let him walk out of here.” Vision hasn’t looked away from the ground, his chest rising and falling noticeably as he struggles to maintain some sort of composure. “Gideon?”
“Aye, sir?”
Ultron adds a touch of manufactured concern to his voice, “Are you tired?” The man nods, fanning himself with his cap as the acknowledgment of his exhaustion pulls his limbs down. “Wanda, why don’t you take that from him and give it to Mr. Williams?”
“I-”
“And make sure to give Mr. Williams what you took earlier, can’t have that sitting around ruining my table.” She glances at the orb still shimmering next to the tarot reading. “And actually, my workers have been toiling all day, please, help them by giving their fatigue to Mr. Williams here, as a reminder of my generosity in sparing his life.”
Wanda nods, throat constricting at the request, her hands remembering what it feels like to do this, a strategy they’ve only used twice before. Briefly she considers faking it, sending a rush of scarlet at Vision and instructions on how to act, but all it would take is one person in the operation to complain of a sore ankle or a mild headache and Ultron would kill them both without a second thought. She closes her eyes as she reaches out to the sixty or so minds around them, fingers waving through the air as she struggles to tie it all together into one manageable bundle.
Eight halting steps bring her closer to Vision. His eyes are no longer on the floor, locked now onto the rotating ball between her palms. For the first time since he was introduced to her power, there’s fear in his eyes, an acknowledgment of the harm she can cause and an understanding of the harm she has done to others, the actions he so nobly never seemed concerned with before. Except now he is staring at the possibilities and his face is not much different from all the others streaming through her memory.
She waits for him to look at her. “I’m sorry.” It’s a silent apology, mouthed to him as she begins sending the red into his body, and for what’s it worth, she thinks she sees him respond with an “It’s all right.” Unlike all the others, he never breaks eye contact with her—not when his legs buckle (her own hands shaking at the feel of his body giving out), not when his arms collapse (her muscles screaming in sympathy), not when a pained cry (which she mimics) comes out as the last sound he makes. He stares at her all the way until he tumbles face first to the ground.
Wanda steps as calmly as she can to his body, kneels down and immediately checks for a pulse. It is faint but present, a mild relief. Carefully she laces scarlet around his body, lifting him up so that she can bring his arm over her shoulders and then wrap her arm around his waist, the proper grip Stark showed her the night of the séance. It takes an enormous effort to turn them both to face the delighted Ultron. “I’m leaving now.”
“A terrifying beauty to behold.” She ignores him, moving at a stilted pace towards the back door. “Wanda, one more inquiry.” This time she doesn’t turn, worried if she does that she won’t have the strength to reorient their bodies again. “Rumor has it Stark has some precious metal walking around, I assumed it would be the Iron Man, but it wasn’t. If you see it, please let me know. It is of the utmost interest.”
She leaves without acknowledging him, understanding now the disappointment he had when Vision wouldn’t bare his body. Just one more fact she assumed Ultron hadn’t pieced together. It’s clear now she has grossly underestimated his tendency to be a step (or ten) ahead. That’s not important right now, it can’t be, all that matters is getting Vision away from Ultron.
Once they are out of the warehouse and on the street, the humid breeze refreshing on her face, she chances talking. “Vizh?”
A groan is all she gets. It’s better than nothing.
Her voice fractures as she talks, unable to keep up the façade of strength she managed in the warehouse. “Vizh, come on. I just need you to keep moving, okay?” Another groan and she realizes he needs more than just support, tendrils of scarlet loop around his ankles, easing his feet forward one after the other.
They continue like this down the sidewalk, the only saving grace at the moment is the fact night has descended, their pathway illuminated by the moon and the sputter of lamps along the street, allowing her to act as if he had a bit too much smash at the Exhibition. “Come on, Vision.” Five more steps and even her powers are strained, forcing them to stop, his back against the brick of a building and hers pressed against him to keep him upright. To anyone in the distance it must look like an indecorous meeting of lovers. If only that were the case. “You’re really heavy.”
A slurred, “Sorry” incites a strained laugh. At least his politeness remains even when he’s barely cognizant.
“What the hell are you two doing?” The admonishment in Natasha’s hushed voice is a blessing, a prayer answered, and the punishment, whatever it may be, is worth it.
Wanda steps away from Vision, her hand still braced on his chest to keep him steady. “Please,” suddenly the last stronghold of her resilience breaks, fat tears crashing from her eyes as her lungs spasm, the feel of Ultron’s mind, of his touch, overwhelming, but not nearly as much as the way Vision’s body folded beneath her hands. “Help us.”
“Shit.” Clint’s the first one to actually look at Vision, his hands gripping the butler’s cheeks as he studies his fluttering eyes. “We need to get back to Stark.”
Her mind sobers, even if her tears don’t stop, and a threat of scarlet sparks from her fingers. “No.” They can’t go back to the tower. Stark can’t see Vision like this, not again. “We’re not going back tonight.”
Disbelief exudes from Clint, her refusal stunning him into silence. “Okay.” The gentle, non-judgmental way Natasha concedes loosens the noose that’s made its home around her lungs. “I know someone around here.” The woman approaches her like you would a stray dog on the street whose mouth may or may not be foaming. “It’s safe, I swear.” Wanda nods and moves back to collect Vision.
Together she and Clint carry Vision, his feet barely moving as his shoes scrape against the stones, probably ruining the finish on them forever. Natasha leads the way, ducking into alleyways that connect to other streets and Wanda thinks they move in several circles. She assumes it meant to shake any of Ultron’s lackeys who might be trailing them.
After what must be the twentieth alleyway, they arrive at a two-story stone building, the door unassuming in its unfinished wood and iron handle. Natasha knocks five times, a distinct pattern to the way she taps out their arrival, and then the door opens to reveal a tall, muscular man, with gentle eyes and a fierce stance. “Nat?”
“Hey Steve, have room for some guests?”
The man glances past Natasha, lips falling when he sees Vision’s bowed head. “Come on in.” He steps back from the door, welcoming them inside. They immediately encounter a table where a brunette woman and a dark-skinned man sit conversing. “This is Sam,” the man smiles at them, producing a friendly wave, “and PeggyF.”
Peggy stands, face serious and forehead wrinkling as she steps up to Vision. “What happened?”
All attention turns to Wanda and she does her best to stutter out some sort of explanation. “He was tortured.” It’s not entirely false, in fact, it is likely the most accurate way to describe what she did to him and it is far easier to say than magically imbuing him with the pain and exhaustion of sixty people.
Peggy reaches out to touch the butler’s face, “He’s burning up, we need to cool him down.” The lull of her accent is similar to Vision’s, something that shouldn’t instill Wanda with the sense of safety she feels right now, but if Natasha trusts these people, so will she. “Bring him in here.” They’re led into a tiny spare room, big enough just for a mattress and a three-legged stool. “Will it be okay for him to sleep?”
Wanda has never actually stayed to watch someone recover from her mental assassination. Sleep can’t hurt, she thinks. “That’s probably the best thing for him.”
A nod and a friendly touch of her hand to Wanda’s wrist continues to work as a salve. “I’ll grab one of Steve’s nightshirts.”
Before the woman is out of the room, Clint guides Vision to sit on the bed and begins peeling off his jacket. “He’s soaking wet.” The observation only intensifies her guilt as she reckons with the knowledge Vision would be so much safer if not for her presence in his life. “Vision, I’m trying to help.”
The comment draws her back and she watches as Vision’s hand flops against Clint’s wrist each time he tries to undo the buttons of the butler’s shirt. Since she clearly can’t protect him, she can at least provide him some level of comfort. “Clint,” the fight over the buttons stops, “he hasn’t had anything to eat or drink since breakfast, could you grab him something?”
“But I-”
“I can help him.”
Clint draws in a loud, annoyed breath, his eyes never leaving her face as he considers her command. “I’ll be back.”
As the man leaves, Peggy returns, handing Wanda a folded up nightshirt and then the woman steps back out. Wanda shuts the door, pulling the stool until it is under the handle, providing at least enough resistance to give them warning if anyone tries to enter. “Can I help you?” The little resistance he showed towards Clint melts away, arms falling to his side as she undoes the buttons of his shirt. He helps a bit, mainly in taking his arms out and then sliding on the night shirt.
A knock and she leaves Vision sitting on the bed, opening the door just enough to grab the plate and cup from Clint and then she turns back to find Vision with his head in his hands. Wanda places the food down and sits next to him, hand hovering behind his back, uncertain if he wants to be touched, especially by her. “Vizh.” He doesn’t look up but his body sags to the side enough that their shoulders meet, providing some level of permission to run her hand along his upper back. “You need to sleep,” a nod and his body begins to lay back prematurely. “Vizh.” Her hand stops him from continuing. “We should um,” every time she’s fantasized of this moment, she had it playing out very differently in her mind. “I um,” her voice grows more and more timid with each word, “I need to get your um, gas pipes off, let them dry out.”
“I can do it.”
Wanda nudges his chin up so that he can see her incredulity. What she hopes to find is one of his small smiles--the boyish, embarrassed tilt of his mouth--but his expression is empty, devoid of any marker that might help establish his thoughts. “I won’t look, I promise.” This garners an infinitesimal lift to the right corner of his mouth that she interprets as his acceptance of her offer.
“Okay,” she stands and wraps her arms around him, hefting him up onto his feet, “hold on to me.” Weakly he folds his arms around her shoulders, his head resting on top of hers as her hands dive beneath the nightshirt to unfasten the four buttons of his fly and then she helps ease the garment over his hips, not missing the bump of rivets against her skin as she goes. Wanda removes her hands from under his shirt and lets gravity do the rest of the work, her palm against his chest pushing him back down onto the bed so she can remove his shoes, socks, and pants. It’s not lost on her the way the lone lamp reflects off the metal that exists even on his feet, a stirrup fastened on either side of his ankle that joins together in the arch of his foot.
“Thank you.”
She tips his face up so she can look at him, examine the creases of exhaustion shooting from his mouth and the distant, barely there look in his eyes. “Do you want me to try and help?” Gently her hand moves to his cheek, scarlet beginning to grow.
He flinches and his cheek becomes an active steam pipe, her palm blistering as it flies away.
“Wanda,” his arms encase her waist, tugging her closer so that he can bury his face in her dress, his voice distraught as it croaks out, “I’m so sorry.”
“No, no,” she cups the back of his head, not wanting him to pull back and see the tears glistening on her cheeks, “no, Vizh, it’s,” dozens of words stream through her mind, veering from equally apologetic to guilt-ridden to merely pacifying, “it’s fine.” She bends to kiss the disarray of his usually well-kept hair. “You need to sleep now.”
“Okay.”
Wanda eases him down, helping him swing his legs onto the bed, and he’s too tall, feet hanging off the edge, but that doesn’t seem to bother him. After she covers him loosely with a sheet, in case anyone else enters the room, she kisses his brow, hoping he can feel her remorse. And then she leaves.
“How’s he doing?” Peggy asks the question the second Wanda closes the door behind her.
The only open seat is between Natasha and Peggy, a position that is oddly soothing and helps her breathe just a little bit easier. “He’s sleeping.”
This seems an acceptable answer, Natasha returning their conversation to idle chatter, “So Sam, I thought you were moving to Saratoga?”
Sam’s easy shrug goes along with his amicable explanation, “A houseG sounded nice but I felt like what Steve and Peggy are doing is a bit more important than owning some land, you know?”
Someone responds but the contents of the words don’t particularly matter to her, something about military operations, a railroad, Virginia, hidden closets, and daring escapes. Her mind isn’t at the table, it’s stuck in the spare room, her fingers itching to reach out and check Vision’s mind. But the carte blanche invitation has been revoked. One flinch and the cracks have formed, the damage too fresh to assess, and it is gnawing at her. When she can wrestle her mind away from the man in bed, her thoughts swing to Ultron, to every misstep and miscalculation she made. Of course he wouldn’t have followed a schedule, of course he would have bombarded them, she herself had been the agent of bombardment on numerous occasions. How could she have been so blind to his game? Even more, why did she assume he was ignorant, that he didn’t know exactly what he wanted or what she had. It doesn’t matter now, he has the arc reactor plans. The first part of his plot is complete. Wanda shivers at the inferno of his mind, at the deranged glee twisting with each path and step of the plan. From here she just needs to stop the rest.
“Wanda?”
When she looks up, the table is empty save for Natasha. “What?”
“Why did you break from the plan?” Anger wavers in between the syllables yet it never takes hold or moves into accusation, remaining merely a harsh curiosity. “We had a deal, why did you go against it?”
They did. They had a plan, one that was well thought out, one that would have mitigated the risk Wanda and Vision took in going alone, one that would have ended differently. Had Natasha and Clint been lurking within sight, Ultron likely wouldn’t have descended. All Wanda has left is honesty, too tired to try and come up with some partial lie to save face. “We just wanted time alone.”
“You could have asked us.” It’s what Vision had suggested as well. “I would have gladly helped you get some time alone back at the tower.” The mask of espionage is removed to reveal a sympathetic sheen to the woman’s eyes as she probes further. “What happened to him?”
Wanda’s lungs spasm, a guttural cry puncturing the silence of the slumbering house and she begins crying again, doesn’t even try to shrug off the arm Natasha curls around her. “They were going to kill him,” another sob shakes her body as she relives once again the feel of sending him to the floor, “the only way to get him out alive was if I-” her voice fails before she can finish.
A hand brushes over her hair, Natasha’s voice barely a whisper. “He’ll be fine, Wanda.”
“You don’t know that.”
Laughter isn’t commonly found with sorrow, but Natasha chuckles, running her hand through Wanda’s hair again. “It was a bad lie.” What is supposed to be a laugh comes out of Wanda’s mouth more as a strangled hiccup. “Will he recover?”
“I think so.”
“Good.” The spy sits back, removing her physical comfort while maintaining it in her voice. “I know what it’s like to run from an,” she winces, “unsavory past.” Wanda can’t seem to stare anywhere other than her hands, fascinated at the thud of her rings against the table as her fingers tremble. “The transition from being a weapon to a person is difficult.” The tap of her rings cease when Natasha grips her hand, “I promise you though, you don’t have to be defined by the red in your ledger.” Now Wanda looks to the woman, is momentarily frozen at the bare sincerity in her expression. “You have people willing to support you,” she stops and glances towards the closed door, “willing to love you. Don’t run from that,” a squeeze goes along with her plaintive, “please.”
Wanda rubs the tears from her face, nodding silently at the request, unable to commit to it now but willing to consider it. “I’m really tired.”
Whatever closeness grew between them dissipates. “Me too.” Natasha stands to grab a pile from the hearth. “Here, Peggy thought you’d be more comfortable in these.”
“Thanks.” The clothes sit awkwardly in her hands while she stares at the house. “Where am I staying?”
According to society, Natasha should insist Wanda stay with her, instead the spy smirks, head inclining towards Vision’s room. “I convinced Clint it would be okay just for tonight.” The woman turns and walks up the stairs with a “Sleep well,” and not a single care given to her complacency in shirking the rules of appropriate courtship.
As quietly as possible Wanda enters the room, endeavoring to remain silent as she shuts the door and struggles to get the offensively tight bodice off, resorting to using her powers to manipulate the fabric off of her body. For the first time all day, she breathes freely, a small, unnecessarily amazing moment of peace.
Even if she hates the dress, all that fabric will make for a decent bed. Wanda checks on Vision, mainly to confirm he is breathing, and then lowers herself to the ground, fluffing the skirt until it forms a pillow and changing position until she’s comfortable.
“Why are you on the floor?”
“You’re supposed to be sleeping.”
In the dark she can’t make out anything from the bed, the silence stretching out long enough she assumes he fell back asleep. “Wanda,” she sits up at the summons, squinting into the darkness, “you can sleep in the bed.”
She wants desperately to be able to rest her head on his chest if only to listen to his heartbeat throughout the night, wants to believe he actually desires her closeness, but it is more likely his politeness dictating the offer. “If the roles were reversed you know you’d be insisting on sleeping on the floor.”
Quiet befalls again, elongating into an uncomfortable eternity, and she thinks he may be going in and out of consciousness, making his ability to stay on topic impressive. She wonders if that skill is part of Robert Robert’s guidelines. “And you would insist I join you in the bed.”
He’s not wrong and the logic behind their impasse actually brings a smile to her face. “You win.” Fabric rustles as she stands up, a swift kick to the skirt to get it off her foot far too satisfying, and then she assesses how exactly to join him. The bed isn’t necessarily small, but Vision is sprawled in the middle of it, leaving only the edges for her. “You’re taking up the whole bed, Vision.”
Embarrassment thickens the air and she is tempted to light her hand to see his face, then remembers the way he recoiled earlier and deems the dark just a small obstacle to deal with. “My body seems unable to move.”
Detachment of the mind and body is one of the side effects she’s seen in people affected by her power, at least at the trials they had her complete while she and Pietro were still at the research facility. “It’s okay.” She settles along his side, experimentally draping her arm over his waist, waiting several seconds for any sign of dissent. When there is none, she allows her muscles to relax, cheek coming to rest over his heart, “See, I’m good.”
Her arm rises and falls with his breathing, a soothing, albeit shallow rhythm that she latches onto, her own inhales and exhales synchronizing with his. In the solitude and serenity of night she finally feels a relative safeness.
“Wanda?”
“Hmm?”
“Why did you work for him?” They’ve covered this before, briefly, and at that time Ultron was an abstraction, a nameless, faceless boss for whom she regretted working. Now Vision has a name, has a face, has abhorrent memories that will no doubt haunt him the way they will haunt her.
Confessions in the dark always seem to hold the most weight, a lack of visual information freeing her tongue to be wholly honest. “Because when he found me all I wanted was to kill Stark.” She can’t remember if she’s ever been this blunt, usually erring for words like destroy or ruin, death far too polarizing. “That’s all Ultron wanted as well and I was able to justify every horrible action by convincing myself it was a necessary step to my goal.”
What is likely seconds of silence feels like an hour. “What made you leave?”
“There was a job we had been planning, a burglary of Stark’s Manhattan factory.” Excitement had thrummed through the entire organization at finally being able to attack Stark where it may actually hurt him. “Ultron seemed particularly distant and his orders were vague, it made me suspicious.” She remembers bringing a bottle of sparkling CatawbaH to Ultron’s room, his lips looser when inebriated though it also made his hands even more eager, a scale weighing how willing she was to be uncomfortable and how much she wanted the information tipping towards the latter. “I looked into his head that night and saw what he actually had planned.”
“What was it?”
She’d been ten years old when she watched her parents die in the inferno of the factory, could never, even after more than a decade, shake the sight of the dancing, ravenous flames or forget the heat that made the winter feel like spring. That night with Ultron, she experienced it again. “He was going to set the factory on fire, during the evening shift, barricade the workers inside, and force Stark to live through another public tragedy.” A sniffle fills her ear. She reaches out her hand to touch his cheek and meets a river. “I couldn’t-” now she joins him, his response allowing her to mourn anew, pulling his body closer and burying her face in the nightshirt to muffle her sob.
They lay like this until her throat is hoarse and her tears slow. Vision hesitantly furthers the conversation, providing his inquiry as a statement. “Mr. Stark received an anonymous tip about a plot against his factory.”
He did. She went to a random street vendor, asked if they could write, and had them make the note. Then she delivered it and hopped on a train north, only a small bag of clothes and a few mementos coming with her. “Yes, I couldn’t let that happen again”
Absolution is unwarranted, forgiveness is questionable, all she can truly hope for is some level of understanding. “Thank you.” Wanda has no idea if he is thanking her for sharing, for being honest, for saving the lives of the workers, and she isn’t going to ask for clarity because he owes her nothing after what she’s done.
“You should sleep.” Like a true witch, her words act as a spell, putting him into a slumber, his breathing deepening as his body sinks deeper into the straw mattress.
By the time the sun streams through the cream-colored curtains, his heart has beat twenty-four thousand times, give or take. When she realized that sleep was never going to befriend her, Wanda decided the best way to keep her intrusive thoughts at bay was to count the hum of his life, the task both comforting and distracting. As his heart beats on towards the next thousandth benchmark, the door cracks open, Natasha’s face coming into view. “We need to head out soon.”
“Okay.” The door shuts and Wanda extricates herself from the bed, careful to remove her arm from his waist in a way that won’t stir him, wanting him to get as much sleep as possible. With the sun illuminating the surroundings, she discovers a small mirror in the corner, her reflection mildly terrifying, coaxing her hands to fix the mess of frizzy braids, half of them falling down towards her shoulders and the other half either in place or jutting out to the side. Once her hair is somewhat presentable, she inspects the clothing Peggy provided, a quartz colored blouse not unlike the one Wanda usually wears (though this one is far nicer and had been well-pressed based on the stiffness of the sleeve cuffs) and a chestnut skirt that is a snugger fit than is typical of women’s fashion. It’s far preferable to the other outfit, which Wanda intends to accidentally forget on the floor.
Vision, when she turns back to him, lays in a peaceful state, face lacking the tension of the night before, his hair still wild but it adds to the serenity. She hates that she has to wake him up. Haltingly she walks back to the bed, easing herself to sit next to him, and then gingerly she shakes his shoulder with a quiet, “Vision.” Light sleeping must also be a hallmark requirement of a good butler, his eyes shooting open then immediately tightening into a cringe. Wanda’s nose scrunches in empathy, her fingers combing through his hair as he brings a palm to his face and cringes again. “How are you feeling?”
True to his nature, he contemplates the answer before speaking, likely assessing each part of his body to give a full picture. “Have you ever had a loose cog fall on your head and split it open?” Her finger runs along his hairline in search of the scar she discovered the day before, guessing this might be its etiology.
“I have not.”
“Oh,” his eyes haven’t opened since the first attempt, “it is like that only infinitely worse.” A muted thankfulness wraps around her at the knowledge he can’t see the guilt stitched into her expression. “I also just feel,” he stops, hand lifting into the air before plummeting back onto his face, “dense, like my bones have been filled with lead.”
Wanda considers apologizing again. Really, she feels as if she could apologize every minute of every day for the rest of her life and it would never actually help her eschew the shame she wears. “We have to head back to the tower,” she allows a few seconds for some sort of response, continuing when he doesn’t move, hand still affixed to his face, “I can help you get dressed.”
This lowers his hand and opens his eyes, his irises dim, like clouds invading the sky on a sunny day. “I would like to do it myself.”
“Vizh-”
“Wanda, please,” he grips her hand, his fingers bungling the action so that only half her hand is encased within his own, “I need to do it.”
Need is a strong word, want is likely better, until she remembers watching him in the calm of the morning tying a perfect knot, the joy on his face and the pride in his eyes at being able to complete the small action. Sometimes what one person perceives as a preference, another considers a lifeline. If he needs to prove his autonomy, particularly after last night, it is only to himself, and that, she reckons, is a good enough reason to let him do it. “I’ll just step out and find out what’s happening. Will you-”
“I will inform you if I need help.”
Outside the room, Natasha and Clint are eating at the table while Steve and Peggy stand near the hearth, his hand lightly on her lower back as he watches her pour out a drink. Wanda slinks over to the table, sliding into the seat next to Natasha.
“Well good morning, Wanda.” Clint’s cheeriness is a bit grating. “Sleep well?”
A plate is placed in front of her, nothing showy like at Stark’s, just a hunk of bread and some cheese. “Thank you.” Steve smiles at her and returns to Peggy, leaving Wanda to answer Clint’s question. “No. When are we leaving?”
Natasha sips her coffee before responding, not nearly as chipper as Clint, which is preferable. “As soon as Vision is ready. Steve’s set up transportation for us.”
“Well, Sam’s setting it up now,” the blonde-haired man shrugs as he corrects the comment, crossing his arms while he talks, “Is, um, Vision,” his voice slides up when he reaches the n and Wanda nods to confirm he’s correct, “okay with enclosed spaces? Figured you all might want to use some underground transport in case of prying eyes.”
This isn’t information she’s ever gathered from Vision, the topic not one that seems easy to slip into conversation. What she does know is that he utilizes the somewhat claustrophobic secret passages in Stark’s homes on a daily basis. “I think he’ll be fine with it.”
“Good.” There is something about the man’s smile, it’s charming but not in a romantic way or in Stark’s narcissistic way. It provides a fact about his life that, like many others in the room, he has seen nightmares brought to life and consciously decides each day to remain positive. That’s it, there is a purposeful, non-manipulative kindness to his smile. “Then once Vision’s all set, I’ll get you all home.”
As she nibbles on her breakfast, Wanda can sense the anxious way the others are holding themselves—tapping fingers, restless legs, eyes bouncing to each other—a plan having been set and all of them simply waiting to enact it. “I’ll go check on him.” The chair scratches against the floor as she stands and she tries not to look back when she opens the door, sure everyone is watching her.
Inside Vision is mostly dressed, pants on and shirt three-quarters of the way buttoned, though it’s not tucked in. His hands move in a tired frenzy, each one holding an end of the bow tie, looping, pulling, and then dropping to his side in dismay, the knot existing but lacking the bow. “Vision?” He turns defeated eyes towards her and it breaks her heart to see him like this. “We need to go.”
A tug undoes the sloppy knot and he shoves the offending fabric into his pocket, bending (with a grunt) to grab his coat, shrugging it on with his eyes still closed, and then he looks down at the loose laces of his shoes. “Would you be willing to help with my shoes? It will take me at least ten minutes more if I do it on my own.”
“Of course.”
He sits on the bed and she bends down, making quick work of the laces. “Thank you.” It is a nicety laced with vitriol not at her, but at himself, even his eyes glaring at his hands for betraying him.
Wanda does her best to ignore his tone, refusing to stoke the fire of self-hatred. “Come on,” she offers him her hand and he takes it, standing with a slight wobble that she corrects with an arm around his waist. Then she removes the support. “Do you want help?”
The shoes seem to act as the first domino, tipping forward and leading to the next fall of his resistance, “Please.” Her arm returns to his waist and he in turn drapes his arm over her shoulders as they walk (with a bit of sideways maneuvering) through the door.
“There he is!” Clint is still enthusiastic, leaping to his feet with a wide grin and outstretched arms.
Attention is not at all what Vision desires, his body shriveling at the sudden onset of four pairs of eyes. Wanda tightens her hold and encourages him into the room. Eventually he acclimates to the environment and responds with a brief, “Thank you.” The words are meant for everyone; mostly, however, they land on the shoulders of Steve and Peggy, both of whom act as if nothing unusual occurred.
“We were happy to let you all stay,” Steve’s voice contains both authenticity and conviction. “Friends of Nat’s are friends of ours.”
“Plus, it’s nice to hear a familiar accent around here.” This is Peggy, lips spread into a friendly smile and the effect of her comment is instantaneous, Vision’s muscles losing a touch of tension. “Northern London?”
Vision’s face finally breaks from its gloom for a moment, “Hertfordshire.”
“Ah, a farm boy,” Peggy grins wider, voice slightly teasing, “always was jealous of the idyllic life.”
“Only in my youth. And you?”
“London proper, military family though, moved around a lot.” The conversation feels as if it is only beginning, yet the somewhat impatient stance of Steve cuts it short. “If you ever want to commiserate over the horrid tea here,” Vision chuckles, the only one who seems to find it amusing, “come back when you’re feeling better.”
Natasha stands which leads to Clint following suit. “Thank you again, for everything.”
Nothing more is said beyond general checks to make sure everyone is ready, and then they move to a room in the back. A large tapestry hangs on the wall and when it is removed they find a doorway. One by one (or two, when Wanda and Vision enter) they enter a dank, lightless tunnel, Steve’s voice instructing them to touch the sides if they need guidance. This is far worse than the passageways at the manor, at least there Vision has set up lamps to light the way. It seems inconvenient for Wanda to learn right now of her strong dislike of closed spaces, the only saving grace is the feel of Vision against her, his presence helping remind her why they are doing this. When they reach the end, they come out another door, stepping into a small church, one that appears to not have the most active or wealth congregation, the pews rotting, the crucifix slanted, and the stained-glass windows in desperate need of a cleaning.
They also find Sam, sitting in the back pew, “Ready for round two?” I
At this point Steve leaves them, returning to the tunnel, and Sam leads them out the back of the church and into a wagon, the sides and top covered with a heavy brown tarp, though at least in this setting some sunlight streams through the seams. No one speaks as they bump up and down with the cobblestones, the sound of other carriages and the shouts of vendors providing little information on where exactly they are at the moment. And then the movement stops. A creak comes from ahead of them, likely Sam getting down from his seat, his voice reaching them as he informs someone, “Got a delivery for Stark.”
Happy’s face is contorted in bewilderment when he lifts the tarp to find the four of them, confusion tugging his eyebrows down and his lips up into a thoughtful pucker. “You know we have a carriage, right?”
“We know.” Natasha exits first, brushing the butler aside, and helps the rest of them out, her arm bumping Wanda’s as they steady Vision’s descent.
It appears they are behind the tower, in a back alleyway Wanda assumes is meant for use by servants and delivery carriages. Wanda checks over her shoulder, finding the only sight lines the lone opening to the alley and rooftops of the buildings adjoining the tower. From here, there doesn’t appear to be anyone watching them.
Happy corrals them towards the back door of the tower, Natasha staying behind for a couple minutes to talk with Sam while the rest follow the increasingly nervous, curly-haired butler towards the main seating room. Throughout the trip, Vision has to stop multiple times, gather his breath and composure, and re-set Wanda’s arms to better support him, each turn and each step slows him down, only the continued promise of “Just a bit farther and you can sit,” coaxing him along.
When they reach the main room, Happy lets out a “Huh,” and leaves them, searching for something that is apparently lost. Moments later, however, it is found, Tony Stark stomping into view, his eyes set on one person and one person only. “Vision, where the hell have you been?” Per his usual conversational methods, he’s not actually wanting an answer, using the question to dive into a rant that has clearly been simmering overnight. “One, do you know how long I’ve been waiting in that chair?” An angry finger points to a chair that is usually in Stark’s study, a leather-backed seat that swivelsJ depending on the movements of the person sitting in it. “All I wanted was to have a big dramatic turn around to accuse you of being a horrible butler, but no, you can’t even give me that. Instead you take forever and I get hungry.” This seems trivial and a bit mean, if Wanda had any say, which she does not and will not intervene beyond squeezing Vision’s waist in even intervals as his muscles continue to tense under Tony’s anger. The ranting man holds up two fingers as he continues, “Two, since you clearly forgot about setting up a meeting that was meant solely for your well-being, I met with Cho and Palmer alone this morning.” Vision almost loses his balance at this information. “Guess what, it was a lovely time and Cho even brought her entire damn display from the Exhibition to show you. But apparently you sipK one third-class spiritualist and suddenly your commitments mean nothing. That’s something to expect from me,” Tony’s eyebrows lift as his fingers tap his chest in a moment of clarity and honesty, “not you. You’re the responsible one in this household. And three,” another finger is added to his gesticulating, “why didn’t you-,” it’s only now that Tony seems to actually look at Vision, take in the untucked shirt, the messy hair, the utter exhaustion of his face, and his ire shifts just a smidgen. “I swear to God, Vision, you better look like this because she’s been bagpipingL you all night.”
Silent horror is the most apt way to describe the response of the group. No one is going to respond other than Vision, his the only word Stark cares to hear. “Vision, why aren’t you doing the whole ‘Please sir’ or gasping with a ‘Mr. Stark!’?” Tony approaches the butler, his hands grabbing his shoulders so he can stare him in the eyes, forcing Wanda to move away to give him space. The fury of before—one she recognizes as being birthed from concern and unconditional love, Stark’s intonations almost matching her own father’s the one time she and Pietro were caught playing amongst the active furnaces at the factory—gives out the longer they stare at each other and morphs into a dangerous, wild animal seeking some new outlet of blame. Tony steps away from Vision and swings his glare to the rest of them. “Can someone please, for the love of God, tell me what the hell is going on. What happened to him?”
“Tony,” Natasha says his name in the soothing sing-song often used on tantruming toddlers, “we should sit down.”
This is not what he wants to hear. “No. You all have been sneaking around for days.” He pauses and then re-emphasizes the timeframe, “Days. Tell me what is going on, right now.” The way he says it implies a threat, an unfinished or so help me, I will ruin you.
“Mr. Stark,” Vision finally manages some words, voice weak, the syllables a bit muddled compared to his typically crystalline pronunciation. “I would really like to sit down.”
A frustrated, incomprehensible sound comes from Stark’s throat, but he acquiesces, blocking Wanda from touching Vision and helping the butler over to the couch himself. The two men whisper to each other, too low for anyone to understand what they are saying. Whatever passes between them seems to allay Stark enough that his face is back to a frigid confidence when he sits down. “Tell me what’s going on.”
They all default to staring at Natasha and she graciously accepts the baton of authority they hand her. “A very credible threat is targeting the arc reactor.”
“Who isn’t these days?”
“Tony,” she continues with gravitas, “we have every reason to believe this is an actual threat. The people wanting it have already infiltrated the guest list for your exhibition,” knowledge Wanda suspected but had no idea had been confirmed, “they have been staking out you, Vision, and Pepper since you walked off the boat,” Stark’s goatee sinks at the information, “and they kidnapped Vision last night,” it sinks even deeper into a menacing scowl.
Wanda hasn’t been completely open with everything from the night before, not because she was attempting to conceal, but because her mind hasn’t been focused on Stark. It’s imperative they all know the truth. “And they have the plans for the arc reactor.”
“Excuse me?” Even Natasha’s face mimic’s Tony’s complete inability to fathom the stupidity of what she just said.
Vision, his face in his hands, provides more detail, “I was forced to draw the plans for them.” He grimaces as he looks up at Tony, “So I drew them the original plans for the arc reactor.”
“What did you just say?” Dubiousness still resides in his voice undercut by an unusual uptick that might be hope.
“I drew them the original plans, the ones you first showed me.”
Tony is out of his chair in seconds, three and a half steps bring him to Vision’s knees. In one swift movement he bends down, grabs Vision’s face, and lays a heartfelt, smacking kiss to the man’s forehead. “You are the most brilliant, cunning, fantastic person I have ever met,” another kiss and Stark drops the butler’s face, standing tall, “just don’t tell Pepper I said that, okay?”
A minuscule tilt forms on Vision’s lips, “Your secret is, as always, safe with me.”
“So,” Clint, who is lounging in an armchair with his boots on the glass table, asks the question on Wanda’s mind, “can you maybe explain why that’s so good?”
Tony laughs, tossing an affectionate look at Vision, and then sits back down, body freer, more laid back, and his hands bounce as he explains. “The original plans for the reactor had the wires wrong. It boggled me for years. I could never get the damn thing to work and then this angel,” he waves his hands towards the blonde-haired not-wholly-angelic-looking-at-the-moment angel on the couch, “comes up to me and is all like ‘Mr. Stark, sir, I beg your pardon, but your diagram is wrong.’ Turns out I’d had the wiring backwards.” Stark is beaming, voice matter-of-factly stating, in the most aggrandizing way, “So what he gave to these assholes won’t ever work.”
This should be enlightening, should be happy and fortuitous news, except once Ultron realizes this flaw it means the target on Vision’s back will be branded into him until he finds his way into a body bag. “That doesn’t change anything,” Wanda hopes her voice conveys the peril they are in, that this one positive development is meaningless. “He is coming for the arc reactor, even with the plans, he is still going to do everything in his power to get the one you are showing in three days.”
“And how, pray tell, do you know this, Wanda?” Stark’s fingers steeple, likely how he intended them to be for his dramatic swivel that never happened.
Wanda can’t stop her hands from rising, her fingers from curling in frustration at dealing with this condescending man. “Because he doesn’t stop. He never, ever stops. Once he wants something, he will do anything, and go through anyone to get it.”
The click of Tony’s tongue sounds like the cock of a gun, his eyes finding hers as he aims, “I noticed it was phrased as Vision was kidnapped, not Wanda and Vision were kidnapped despite the fact you were the only one with that juicy little tidbit about the drawing.”
“Sir.”
“Vision,” Stark says the name as a warning: speak again and all good will is gone. “How did he end up like this and you are unscathed?”
Sometimes Wanda wishes instead of reading minds and manipulating matter, she had the power to just sink through the floor and disappear. Sadly, she doesn’t, so she sits up straight, squaring her shoulders, trying to match Stark’s confidence under the weight of the curious stares around the room. “Because I did it to him.” Tony’s face contorts into a hellish rage, mouth opening to speak, though she refuses to let that happen, continuing until she can provide context. “Ultron gave me a choice, either Vision gets shot in the head or I incapacitate him. I chose for him to live.”
“Did you say Ultron?” The rage pales, giving way to a troubling edginess. Wanda nods in affirmation. “Is that his God given name, by any chance?”
For a man with a butler named Vision, it seems an odd question. “No.”
Tony stands, hands rubbing together. “Vision.” He claps loudly, walking to the butler and offering his hand, “Come on, you look like hell.” Not only does Vision accept the help up, he also graciously accepts Tony’s support, leaning into the shorter man’s frame as they walk away. “We’ll all chat later, okay?”
An eerie silence descends, confusion cozying up with apprehension, the stakes suddenly elevated if Tony Stark is this terrified of a name. Compounding this new development is the sickening feeling Wanda gets watching Vision be led away, a premonition of sorts, a sign of a future where he’s always just out of reach, always with his back to her, where the fractures from yesterday are irreparable, and the only person she has to blame for this bleak fortune is herself.
Victorian Language and Culture decoder:
A
Over on AO3 there is a link to a picture of a real Victorian prosthetic used as inspiration.
B
Slightly amended quote from Romeo and Juliet
C
Jag: the desire to use a knife on someone
D
Referencing Tennyson’s “Lady of Shalott” poem.
E
Don’t sell me a dog: Don’t lie to me
F
Fun fact, Peggy was a nickname for Margaret by this point! I was worried it didn’t come into existence until the 1900s, but nope, around the mid-1700s it was recorded as a common use nickname.
G
In the early 1850s, Saratoga Springs was the first place in New York that allowed Blacks to own land. The reason behind it was to draw in more people to work in the stables, Saratoga being famous for their horse races.
H
In 1842, in Ohio, the first successful winery existed in the U.S., where they grew Catawba grapes and accidentally created a pinkish, sweet champagne when the grapes fermented for a second time.
I
In case it is not clear, Steve and Peggy are part of the underground railroad. Sam came up through the railroad from Virginia and decided to stay and help them instead of moving on north. There is a lot more to their background than that, but that’s all that’s needed for the story.
J
The swivel chair was created by Thomas Jefferson and supposedly he was sitting in his swivel chair when he signed the Declaration of Independence in 1776.
K
Sip: synonym for kiss.
L
Bagpiping: In Victorian times this term meant fellatio. Today it has a very different sexual meaning, which you are welcome to look up if you want to.
#scarlet vision#vision#wanda maximoff#alternateuniversescarletvision#thescarletvisionnetwork#mine#AOS#AO3#AU#only two more chapters!#it's almost done
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