#mercy tags

[mercurials]

beautiful with you (even the darkest parts of me)

[demaparbat-hp]

Slow mornings in Ba Sing Se.

I needed something soft today, so here's a little sketch for @nerdylizj's breathtaking fic Forgetting is a kind of mercy.

[blondie-drawings]

Good lord this tomb is full of shitposts 😳😳 pt 1/pt 2

[ghosted-jazz]

Black Mercy

[malcolmschmitz]

The Insider and Outsider Detectives

So there's a lot of discourse about detectives floating around, ever since 2020 shifted a lot of people's Views on the police. Everyone likes a good mystery story, but no one seems to know what to make of a detective protagonist- especially if they're a cop. And everyone who cares about this kind of thing likes to argue over whether detective stories hold up the existing order or subvert it. Are they inherently copaganda? Are they subversive commentary on the uselessness of the police?

I think they can be both. And I think there's a framework we can use to look at individual detectives, and their stories, that illuminates the space between "a show like LAPD straight-up exists to make the cops look good" and "Boy Detective is a gender to me, actually".

So. You can sort most detectives in fiction into two boxes, based on their role in society: the Insider Detective and the Outsider Detective.

The Insider Detective is a part of the society they're investigating in, and has access to at least some of the levers of power in that society. They can throw money at their problems, or call in reinforcements, and if they contact the authorities, those authorities will take them seriously. Even the people they're investigating usually treat them with respect. They're a nice normal person in a nice normal world, thank you very much; they're not particularly eccentric. You could describe them as "sensible". And crime is a threat to that normal world. It's an intrusion that they have to fight off. An Insider Detective solving a crime is restoring the way things ought to be.

Some clear-cut examples of Insider Detectives are the Hardy Boys (and their father Fenton), Soichiro "Light's Dad" Yagami, or Father Brown. Many police procedural detectives are Insider Detectives, though not all.

The Outsider Detective, in contrast, is not a part of the society they're investigating in. They're often a marginalized person- they're neurodivergent, or elderly, or foreign, or a woman in a historical setting, or a child. They don't have access to any of the levers of power in their world- the authorities may not believe them (and might harass them), the people they're investigating think they're a joke (and can often wave them off), and they're unlikely to have access to things like "a forensics lab". The Outsider Detective is not respectable, and not welcome here- and yet they persist and solve the crime anyway. A lot of the time, when an Outsider Detective solves a crime, it's less "restoring the world to its rightful state" and more "exposing the rot in the normal world, and forcing it to change."

Some clear-cut examples of Outsider Detectives are Dirk Gently, Philip Marlowe, Sammy Keyes, or Mello from Death Note.

Now, here's the catch: these aren't immutable categories, and they are almost never clear-cut. The same detective can be an Insider Detective in one setting and an Outsider Detective in another. A good writer will know this, and will balance the two to say something about power and society.

Tumblr's second-favourite detective Benoit Blanc is a great example of this. Theoretically, Mr. Blanc should be an Insider Detective- he's a world-famous detective, he collaborates with the police, he's odd but respectable. But because of the circumstances he's in- investigating the ultra-rich, who live in their own horrid little bubbles- he comes off as the Outsider Detective, exposing the rot and helping everyone get what they deserve. And that's deliberate. There is no world where a nice, slightly eccentric, mildly fruity, fairly privileged guy like Benoit Blanc should be an outsider. But the turbo-rich live in such an insular world, full of so much contempt for anyone who isn't Them, that even Benoit Blanc gets left out in the cold. It's a scathing political statement, if you think about it.

But even a writer who isn't trying to Say Something About The World will still often veer between making their detective an Insider Detective and an Outsider Detective, because you can tell different kinds of stories within those frameworks. Jessica Fletcher from Murder She Wrote is a really good example of this-- she's a respectable older lady, whose runaway success as a mystery novelist gives her access to some social cachet. Key word: some.

Within her hometown of Cabot Cove, Fletcher is an Insider Detective. She's good friends with the local sheriff, she's incredibly familiar with the town's social dynamics, she can call in a favour from basically anyone... but she's still a little old lady. The second she leaves town, she might run into someone who likes her books... but she's just as likely to run into a police officer who thinks she's crazy or a perp who thinks she's an easy target. She has the incredibly tenuous social power that belongs to a little old lady that everyone likes- and when that's gone, she's incredibly vulnerable.

This is also why a lot of Sherlock Holmes adaptations tend to be so... divisive. Holmes is all things to all people, and depending on which stories you choose to focus on, you can get a very different detective. If you focus on the stories where Holmes collaborates with the police, on the stories with that very special kind of Victorian racism, or the stories where Holmes is fighting Moriarty, you've got an Insider Detective. If you focus on the stories where Holmes is consulting for a Nice Young Lady, on the stories where Holmes' neurodivergence is most prominent, or on his addictions, you've got an Outsider Detective.

Finally, a lot of buddy detective stories have an Insider Detective and an Outsider Detective sharing the spotlight. Think Scully and Mulder, or Judy Hopps and Nick Wilde. This lets the writer play with both pieces of the thematic puzzle at the same time, without sacrificing the consistency of their detective's character.

Back to my original point: if you like detective fiction, you probably like one kind of story better than the other. I know I personally really prefer Outsider Detective Stories to Insider Detective Stories- and while I can enjoy a good Insider Detective (I'd argue that Brother Cadfael, my beloved, is one most of the time), I seek out detectives who don't quite fit into the world they live in more often than not.

And if that's the vibe you're looking for... you're not going to run into a lot of police stories. It's absolutely possible to make a story where a cop (or, even better, an FBI agent) is an Outsider Detective-- Nick Angel from Hot Fuzz was originally going to be one of my 'clear-cut examples' until I remembered that he is, in fact, legally a cop! But a cop who's an Outsider Detective is going to be spending a lot of time butting heads with local law enforcement, to the point where he doesn't particularly feel like one. He's probably going to get fired at some point, and even if his badge gets reinstated, he's going to struggle with his place in the world. And a lot of Outsider Detective stories where the detective is a cop or an FBI agent are intensely political, and not in a conservative way- they have Things To Say about small towns, clannishness, and the injustice that can happen when a Pillar Of The Community does something wrong and everyone looks the other way. (Think Twin Peaks or The Wicker Man.)

Does this mean Insider Detective Stories are Bad Copaganda and Outsider Detective Stories are Good Revolutionary Stories? No. If you take one thing away from this post, please make it that these categories are morally neutral. There are Outsider Detective stories about cops who are Outsiders because they really, really want an excuse to shoot people. There are Insider Detective stories about little old people who are trying to keep misapplied justice from hurting the kids in their community. Neither of these types of stories are good or bad on their own. They're different kinds of storytelling framework and they serve different purposes.

But, if you find yourself really gravitating to certain kinds of mysteries and really put off by other kinds, and you're trying to express why, this might be a framework that's useful for you. If your gender is Boy Detective, but you absolutely loathe cop stories? This might be why.

(PS: @anim-ttrpgs was posting about their game Eureka again, and that got me to make this post- thank them if you're happy to finally see it. Eureka is designed as an Outsider Detective simulator, and so the rules actively forbid you from playing as a cop- they're trying to make it so that you have limited resources and have to rely on your own competence. It's a fantastic looking game and I can't recommend it enough.)

(PPS: I'm probably going to come back to this once I finish Psycho-Pass with my partner, because they said I'd probably have Thoughts.)

(PPPS: Encyclopedia Brown is an Insider Detective, and that's why no one likes him. This is my most controversial detective take.)

[egophiliac]

time for skeleman

with the lack of any other info yet, all I can focus on are those Charles Lloyd-looking sunglasses. they are absolutely sending me. I feel like we're gonna fall through a tree or whatever and this stitched-up boney gentleman is gonna pop out from behind a gravestone and start serenading us with some smooth jazz on the saxophone.

or should I say...the saxoBONE???????

[ochiody]

timedive concepts so far

[savi-of-ithaca]

singing ruthlessness and accidentally very confidently went

"you are the worst kind of good, cause you're not even gay! wait, wha-"

[sparvverius]

and was marie antoinette effectively utilizing coquette dollette hyper feminine toxic femininity lana del rey old money ceramic baby fawn sad girl girlhood girlblogger girlboss power when she secretly conspired with foreign countries to kill scores of her own citizens in an attempt to restore the absolute monarchy and the regime that had rendered millions starving poor oppressed colonized enslaved and murdered

[lelelego]

i like to imagine that raul likes animals more than people and would be a good ranch guy and then i saw @owligator's slippies... the dots have been connected

also i really love the way @sleights-of-hand does their backgrounds and wanted to give something like it a shot!! go check out their EXCELLENT comic

[oobbbear]

An “what if there’s a pizzaplex location in China” au

They're an Eclipse, but you can just call them Wu Dan

They are a theater bot from the Shanghai pizzaplex, they play the Wu Dan role (female warrior/fighter role) in Traditional Chinese opera. They can sing they can dance, they perform with a spear, and they do Bian Lian mask trick.

Most time they stay as Eclipse but if needed they can switch between Sun and Moon on command. As the picture shows, the red mask is Sun, the Blue mask is moon, the split face is when both are up but not in sync, they can’t stay like that for long it burns their battery, and the white face is Eclipse

Sun is more hot headed and extroverted, Moon is more ‘hohoho I’m evil’ and introverted, when split face, they’re mostly having a fight and they use their traits against each other, when Eclipse, their traits are combined creating an neutralized version of themselves

[starkspi]

"You okay?"

Another one from "Managerial Liberties" by the talented @miribalis (in which Adam is accidentally the best wingman ever - what a pun!).

[tubbytarchia]

Sorry, last one, swear!! I'll try and finish this by the 10th and then I will leave you all alone. I'm experiencing some long missed joy in creating this, please forgive my impatient excitement

[akemiiya]

Yellow is the color of judgement.

[but-a-humble-goon]

It was interesting going into The Legend of Vox Machina having only watched campaign 2 and only picked up handful of details about campaign 1. I knew most of the party, Vex is the fabulous ranger, Vax is the edgy rogue, Grog is the big dumb violent barbarian, Keyleth is the shy awkward druid, Pike's the rowdy cleric and Scanlan is the actual worst. The one I couldn't place was the white haired nerd with the gun. I remember thinking to myself 'Percival De Rolo? Have I heard that name before, I can't recall anyone named that.' Then he put the mask on and started and doing the "YOUR SOUL IS FORFEIT" stuff and I immediately clapped my hands together and went 'ohhh, No Mercy Percy, I know him.'

[fish0009]

my perfect 100% not toxic uri