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papermoonloveslucy · 4 years ago

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YOUNG MATRONS’ LEAGUE TRYOUTS

October 2, 1948

"Young Matron’s League Tryouts” is episode #11 of the radio series MY FAVORITE HUSBAND broadcast on October 2, 1948.

Synopsis ~ Liz tries to butter up George in hopes that he'll let her try out for the play that the Young Matrons League will be performing.

Note: This episode was aired before the characters names were changed from Cugat to Cooper. It was also before Jell-O came aboard to sponsor the show and before the regular cast featured Bea Benadaret and Gale Gordon as the Atterburys.

This was the first episode scripted by Jess Oppenheimer. The show moved from Fridays at 9:00-9:30 pm to Saturdays at 7:00-7:30 pm.

“My Favorite Husband” was based on the novels Mr. and Mrs. Cugat, the Record of a Happy Marriage (1940) and Outside Eden (1945) by Isabel Scott Rorick, which had previously been adapted into the film Are Husbands Necessary? (1942). “My Favorite Husband” was first broadcast as a one-time special on July 5, 1948. Lucille Ball and Lee Bowman played the characters of Liz and George Cugat, and a positive response to this broadcast convinced CBS to launch “My Favorite Husband” as a series. Bowman was not available Richard Denning was cast as George. On January 7, 1949, confusion with bandleader Xavier Cugat prompted a name change to Cooper. On this same episode Jell-O became its sponsor. A total of 124 episodes of the program aired from July 23, 1948 through March 31, 1951. After about ten episodes had been written, writers Fox and Davenport departed and three new writers took over – Bob Carroll, Jr., Madelyn Pugh, and head writer/producer Jess Oppenheimer. In March 1949 Gale Gordon took over the existing role of George’s boss, Rudolph Atterbury, and Bea Benaderet was added as his wife, Iris. CBS brought “My Favorite Husband” to television in 1953, starring Joan Caulfield and Barry Nelson as Liz and George Cooper. The television version ran two-and-a-half seasons, from September 1953 through December 1955, running concurrently with “I Love Lucy.” It was produced live at CBS Television City for most of its run, until switching to film for a truncated third season filmed (ironically) at Desilu and recasting Liz Cooper with Vanessa Brown.

MAIN CAST

Lucille Ball (Liz Cugat) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ��B’ movies. “My Favorite Husband” eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon.

Richard Denning (George Cugat) was born Louis Albert Heindrich Denninger Jr., in Poughkeepsie, New York. When he was 18 months old, his family moved to Los Angeles. Plans called for him to take over his father’s garment manufacturing business, but he developed an interest in acting. Denning enlisted in the US Navy during World War II. He is best known for his roles in various science fiction and horror films of the 1950s. Although he teamed with Lucille Ball on radio in “My Favorite Husband,” the two never acted together on screen. While “I Love Lucy” was on the air, he was seen on another CBS TV series, “Mr. & Mrs. North.” From 1968 to 1980 he played the Governor on “Hawaii 5-0″, his final role. He died in 1998 at age 84.

Ruth Perrott (Katie, the Maid) was also later seen on “I Love Lucy.” She first played Mrs. Pomerantz, a member of the surprise investigating committee for the Society Matrons League in “Pioneer Women” (ILL S1;E25), as one of the member of the Wednesday Afternoon Fine Arts League in “Lucy and Ethel Buy the Same Dress” (ILL S3;E3), and also played a nurse when “Lucy Goes to the Hospital” (ILL S2;E16). She died in 1996 at the age of 96.

Bob LeMond (Announcer) also served as the announcer for the pilot episode of “I Love Lucy”. When the long-lost pilot was finally discovered in 1990, a few moments of the opening narration were damaged and lost, so LeMond – fifty years later – recreated the narration for the CBS special and subsequent DVD release.

GUEST CAST

John Hiestand (Cory Cartwright) served as the announcer for the radio show “Let George Do It” from 1946 to 1950. In 1955 he did an episode of “Our Miss Brooks” opposite Gale Gordon.

Jean Vander Pyl (Ann) is best known as the voice of Wilma Flintstone for the Hanna-Barbera cartoon “The Flintstones.” Coincidentally, Wilma’s best friend was voiced by Bea Benadaret, who will later play Iris Atterbury, Liz’s best friend on “My Favorite Husband.” On radio she was heard on such programs as “The Halls of Ivy” (1950–52) and on “Father Knows Best” before it moved to TV. She died in 1999 at age 79.

Elvia Allman (Miss Worthingill) was born on September 19, 1904 in Enochville, North Carolina. She started her performing career on radio in the 1920s, as both a storyteller and singer. Allman’s first episode of “I Love Lucy” is also one of the most memorable in TV history: “Job Switching” (ILL S2;E1) in September 1952. She played the strident foreman of Kramer’s Candy Kitchen. Allman returned to the show as one of Minnie Finch’s neighbors in “Fan Magazine Interview” (ILL S3;E17) in 1954. Changing gears once again she played prim magazine reporter Nancy Graham in “The Homecoming” (ILL S5;E6) in 1955. She made two appearances on “The Lucy–Desi Comedy Hour“ - first as Ida Thompson, Westfield’s PTA director in “The Celebrity Next Door” (LDCH S1;E2) and as Milton Berle’s secretary when “Milton Berle Hides Out at the Ricardos” (LDCH S3;E1) in 1959. On “The Lucy Show” she was seen in “Lucy Bags a Bargain” (TLS S4;E17) and in “Lucy The Babysitter” (TLS S5;E16). Allman died on March 6, 1992, aged 87.

Hans Conried (Dr. Rhineholdt Schweinkampf, a Psychiatrist) first co-starred with Lucille Ball in The Big Street (1942). He then appeared on “I Love Lucy” as used furniture man Dan Jenkins in “Redecorating” (ILL S2;E8) and later that same season as Percy Livermore in “Lucy Hires an English Tutor” (ILL S2;E13) – both in 1952. The following year he began an association with Disney by voicing Captain Hook in Peter Pan. On “The Lucy Show” he played Professor Gitterman in “Lucy’s Barbershop Quartet” (TLS S1;E19) and in “Lucy Plays Cleopatra” (TLS S2;E1). He was probably best known as Uncle Tonoose on “Make Room for Daddy” starring Danny Thomas, which was filmed on the Desilu lot. He joined Thomas on a season 6 episode of “Here’s Lucy” in 1973. He died in 1982 at age 64.

Conried uses a broad German accent as the Psychiatrist, a common trope due to the popularity of Dr. Sigmund Freud.

THE EPISODE

ANNOUNCER: “Let’s look in on them now as Liz waits George to come down to breakfast…”

Liz tells Katie the Maid to cook the breakfast, but that she’ll serve it. She’s looking to butter up George for a favor.

The phone rings and it is Ann asking Liz to lunch. She declines because it is the afternoon of the Young Matrons’ League play auditions. She tells Ann that the famous Hollywood director Anatol Brodney (a former resident of Sheridan Falls) will be in the audience opening night! The audition notice is in the society column of today’s paper.

In “Pioneer Women” (ILL S1;E25) Lucy and Ethel are anxious to gain membership in a group called The Society Matron’s League if they can pass muster with its haughty examining committee, Mrs. Pettebone and Mrs. Pomerantz. This group is clearly modeled on The Young Matrons League on “My Favorite Husband,” a group that is mentioned in several episodes of the series. Although Lucy always declined to reveal her age, television was a visual medium so the word “young” had to be replaced!

GEORGE: “Are YOU cooking breakfast?” LIZ: “Well, you’re my favorite husband.” GEORGE: “What do you want from me, Liz?”

While waiting for his breakfast, Liz tells George to read the paper, which just happens to be open to the society column.

GEORGE (reading aloud): “Overheard at tea: People wouldn’t be so incompatible if the men had more income and the girls were more pattable!”

When George sees the audition notice, he calls the participants jackasses. Liz was in the play last year, so she takes issue with his assessment. George puts his foot down and won’t let Liz audition. She already knows that this year the play will be John Loves Mary.

John Loves Mary was a real life comedy written by Norman Krausner that opened on Broadway at the Booth Theatre on February 4, 1947 before moving a month later to the Music Box Theatre for the remainder of its run. It closed on February 7, 1949 after 423 performances. The play won an award for Best Costumes at the very first Tony Awards in 1948. The cast included Max Showalter, who would guest star in several episodes of “The Lucy Show”. The play also served as the Broadway debut of Cloris Leachman, who understudied Nina Foch. In February 1949, just a few months after this broadcast, the film version was released, although it was in production during January and February. It was known for being the film debut of Patricia Neal, who took the role originated by Nina Foch on Broadway. The film starred Ronald Reagan, who, as President of the United States, would bestow Lucille Ball with her Kennedy Center Honor in 1986. It also featured Paul Harvey, who would play the New York Times art critic on “Lucy is a Sculptress” (ILL S2;E15). Irving Bacon (Mr. Willoughby and Will Potter) is also in the film. .

Liz tells George about the Hollywood director who is going to be in the audience and says she just might land a big Hollywood contract.

Liz is not the last Lucy character to try out for an amateur theatrical production. In 1963 Lucy Carmichael auditioned for the role of Cleopatra for the Danfield Community Players. She landed the role!

LIZ: “What has Betty Grable got that I haven’t got? Or Lana Turner?”

Betty Grable (1916-1973) made two films with Lucille Ball when they were both at RKO in the mid-1930s. She married actor Jackie Coogan in 1937 but divorced him in 1940. A pin-up girl, she was known for her shapely legs. In the late 1940s, 20th Century Fox insured her legs with Lloyd’s of London for a quarter of a million dollars. Although she never appeared on the half-hour "I Love Lucy,” the mention of her name alone often stirred Fred’s libido, much to Ethel’s chagrin. In “Ricky’s Screen Test” (ILL S4;E7) Grable is mentioned as one of Ricky’s possible Don Juan co-stars. Her final screen appearance was in a 1958 “Lucy-Desi Comedy Hour” playing herself opposite her husband, Harry James.

Lana Turner (1921-1995) was as famous for her tight-fitting sweaters as Grable was for her shapely legs. She had appeared as herself in DuBarry Was A Lady starring Lucille Ball in 1943. She was mentioned on three episodes of “I Love Lucy” but never appeared on the series.

Once George has gone to work, Liz quickly phones back Ann and tells her that although George has forbidden it, she is going to the audition anyway. She claims that she isn’t looking for Hollywood fame, but wants to be able to prove to George that she can get it.

Housewife Liz’s search for fame is a character trait the writers would bring to Lucy Ricardo on “I Love Lucy.” The main difference is that Lucy truly wants to be famous, whereas Liz just wants to prove she has what it takes to get it!

Bachelor Cory Cartwright (John Heistand) drops by to report on his latest girlfriend, listed in his little black book as Mary Johnson, RHRW. The RH means Red Head and the second R stands for Real. (The audience laughs, perhaps knowing that Lucille Ball is NOT a real redhead.) The final letter is his kissing guide: W is for Wow! Liz asks if she is listed in his little black book? She is: Liz Cugat RHRWIWG. (Apparently Liz is supposed to be a real redhead). The WIWG stands for “Wish I Were George”! Liz demurs. Awww!

Cory lets it slip that he and George are having lunch with Anatol Brodney, who Cory knows from his college days. Liz wants Cory to bring George and Anatol home for dinner so that she can really show off her talent. He promises to try.

On “I Love Lucy,” the Ricardos and Mertzes also conspire to show off for a visiting Hollywood rep in “The Mustache” (ILL S1;E23). Lucy is a harem dancer, mainly due to the need to disguise the full beard she’s accidentally glued to her face. The Mertzes do an Arabian Nights act complete with snake charming, while Ricky croons ballads.

This idea would also be part of “Ricky’s Movie Offer” (ILL S4;E5), in which Lucy and the neighbors are sure that Ricky is bringing home a Hollywood talent scout, so they get their acts read. Lucy as Marilyn Monroe, Fred and Ethel as apache dancers, Mrs. Trumbull as a castanet singer, and the grocery delivery boy playing the trumpet!

At the auditions, Miss Worthingill of the Drama Department of Sixley College (Elvia Allman) is introduced to talk about her acting method. Liz gets up to audition for the role of a matron of 36, although she doesn’t think she can play someone quite so old. [Ball is actually 37 at time!] The scene involves displaying an array of emotions from laughter to tears, plus chastising a dog who won’t get off the sofa. Miss Worthingill deems Liz a strong contender for the part.

George unexpectedly comes home for some papers and is told by Katie that Liz came home and locked herself in her room. Listening at the door, they hear Liz rehearsing - first crying, then laughing, then barking like a dog. They overhear Liz say the line “Take me in your arms!” and George decides to go in and confront her. Searching the room, he whistles for the dog and looks in the closet and under the bed, naturally finding neither dog, nor secret lover!

LIZ: “What did you expect to find? The Toni twins?”

Liz is jokingly referring to a series of print ads for Toni Home Permanent that depicted two twins with identical hairstyles and asked which one had the Toni, and which one had the more expensive salon perm. The promotion was so popular that the slogan “Which Twin Has The Toni?” became a part of common parlance. In addition, the Toni name itself became the name for a generic home permanent. The Gillette Safety Razor Company acquired The Toni Company in 1948, the year of this broadcast.

To hide that she was rehearsing for her final audition, Liz tells George she had a nightmare. Or a ‘day-mare’, since it is daytime.

A worried George decides to talk to a psychiatrist (Hans Conried) for advice about Liz. Hearing George’s surname, the doctor asks:

DOCTOR: “Xavier?” GEORGE: “George! I can’t even hold a tune.”

This is a reference to the Cuban bandleader Xavier Cugat (1900-1990). Lucille Ball’s husband Desi Arnaz was once employed by Cugat and looked at him as a mentor. Although the characters that inspired “My Favorite Husband” were originally named Cugat, it became apparent that there was confusion about the uncommon surname - especially considering the Arnaz / Cugat connection. By the end of 1948 it was decided that the name Cugat would be changed to Cooper to avoid the confusion - and any rumored legal action by the bandleader himself. Coincidentally, when creating the television characters inspired by Liz and George, Lucy and Ricky, they first considered Lopez. However, there already was a Larry Lopez, who was (what else?) a bandleader! So they became Lucy and Ricky Ricardo.

George tells the Psychiatrist about Liz’s condition. The Doctor volunteers to come to the Cugat home for dinner to better diagnose Liz. IN order not to alarm her, George tells Liz that he is bringing home an old college chum named Art Jones. Liz naturally thinks it is Anatol Brodney that George is bringing home!

In “The Inferiority Complex” (ILL S2;E18) Ricky is worried about Lucy’s mental health and also consults a psychiatrist. Like George, Ricky brings him home to observe Lucy. So she doesn’t discover their plan, he calls himself Chuck Stewart, an old friend of Ricky’s.

Thinking that the psychiatrist is really the Hollywood director, Liz trots out the array of emotions and characters to impress him! First, a sexy Mae West voice:.

LIZ (ala Mae West): “Hello, boys. I’m certainly glad you came up to see me. There’s a sofa over there, Mr. Jones. Why don’t you get out of that hard chair and slip into something more comfortable?”

Mae West (1893-1980) was a stage and screen performer who capitalized on her sex appeal and was well-known for her scandalous sexual innuendo. In a 1977 episode of “Donny & Marie” (above) Lucille Ball did her Mae West impersonation yet again!

Liz immediately switches character to that of a desperate, scorned woman, wildly attacking George for his indiscretions:

LIZ (wildly): “You beat me with a cane and pushed my poor broken body down the stairs! I don’t care for myself, but you pushed the children after me!” GEORGE: “The children? I did not!” LIZ (flatly): “Then where are they?”

Liz leaves the room in crocodile tears and the doctor advises daily treatments. George opens the front door and it is Liz with a shawl on her head, talking like a bleating goat, begging for change.

LIZ (bleating): “Will you buy a poor old lady’s violets? I haven’t eaten for a week.”

George rings for Katie, but Liz enters as a Cockney maid.

LIZ (Cockney): “Alright, alright! I’m comin’ guv’nor. Don’t get on about it!”

When George tells her to quit it, she drops to the floor to become a South seas Native girl!

LIZ (deep voice): “Me Tondelayo! Me love white man. You don’t love me?”

During a sketch in “Danny Thomas’ The Wonderful World of Burlesque” in 1966, Lucille Ball wears a leopard print dress and a black wig and struts in seductively saying “I am Tondelayo,” the same words and voice she uses here on “My Favorite Husband” in 1948, 18 years earlier.

As Liz is prostrate on the floor, the doorbell rings. It is Cory Cartwright, who has with him (as promised) a guest for dinner - Anatol Brodney! Liz faints.

Later, Mrs. Worthingill calls and George answers the phone. She tells George that Liz got the part, but George says Liz has given up the theatre for good. Just after George hangs up, Liz, who has been listening on the extension phone, tells Mrs. Worthingill to disregard what George said - she’ll be at rehearsals first thing in the morning! End of episode!

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kansascitywatch · 6 years ago

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Barbershop talk: Discussion of crime, race, more

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It’s served as a second home, a place of refuge, healing, even a Town Hall setting, as 41 Action News discovered.

The barbershop has been a cornerstone in the African-American community for decades.

It became a place of necessity for conversation and mobilization during Jim Crow, and it’s typically the one place where no conversation is off limits.

41 Action News gathered more than a dozen men who are active in the community for a deep, thought-provoking discussion. They talked about several issues in Kansas City: race, education, economic mobility, crime and how they’re all tied together.

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180V Salon — where men’s haircuts start at $20, a haircut and beard trim start at $30, but the conversation is priceless.

Crime victims and suspects getting younger

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Kevin Holmes, 41 Action News Anchor: Why are we seeing our young men, getting younger and younger…either being crime victims or crime suspects and how can we stop it?

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Luis Cordoba, Ed. D., KCPS Chief of Student Support Services: What we’re talking about here is poverty.

Brian B. Shynin’, Hot 103 Jamz Morning Radio Co-Host: A lot of our young people only see one way out, and that’s the streets.

Milton Thomas, Father and KC Resident: So, that kind of goes with them not having proper support at home? Because people looking at street guys; that’s been forever.

B. Shynin’: I think they might see other ways. They might think of college, see it on TV, but I think some guys see it as unrealistic.

Breaking down stereotypes

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Holmes: Do we live in an area that perpetuates the stereotype that there are only two options: college or the streets?

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Erik Dickinson, Urban Rangers Corp. President: Don’t forget entertainment and sports. You’ve got the 5-foot kid that’s going to the league and says he’s going to be the next LeBron James. I think there are some unrealistic goals and ideology that people have from watching TV. And it goes back into hustling, also on that list of things. I think the things we need to look at is how do we put more successful men in front of our young men?

Damon Daniel, AdHoc Group Against Crime President: We wanna say everybody has a choice, which you do. But if you are exposed to individuals or a mother who is addicted to drugs, your choices are limited.

The men in this group say the best ways to evoke change are through mentorship, providing economic opportunities for all of Kansas City, and getting everyone to buy into it.

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Darran Washington, KCPS Student Discipline Officer: If you’re gonna be involved, be truly involved. Get in the trenches. You could sit behind a desk, you can email, do all that. But when that kid is standing next to you and says, ‘Hey, I need some help,’ step your game up and help.

Daniel: That’s an area we really need to improve upon. How are we leveraging better economic opportunities, investing in small businesses, investing in our youth?

Jermaine Reed, Kansas City Councilman: We’ve got to make sure everybody’s prepared. You shouldn’t have to change your zip code to be successful in the city, and I think that’s one of the things we continue to see. And if you look at the statistics, it continues to show you there is a repeat of crime, the violence, all of that just based on your zip code alone. We’ve got to figure out how to address it.

Race and economic segregation

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Holmes: By show of hands, how many people in this room have either been profiled or a victim of crime?

Just about every hand in the room goes up, and no one in the room is surprised.

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Dickinson: We’re still getting pulled over at an alarming rate. Black men are thought to be dangerous.

B. Shynin’: I was riding down by East High School on Van Brunt. He thought I was selling crack. He straight up said where’s the crack at?

Adam Leatherwood, Civil Rights Attorney: It’s profoundly saddening to see in 2018 we’re still discussing discrimination.

Cordoba: When you look at Ferguson, when you look at the travel advisory, I’m saying to myself, man they only do it in Mexico and Colombia with drug cartels…I never knew Missouri put one out. (Group responds: “The NAACP.”)

In 2017, the Urban Institute released its list of most economically segregated cities in the U.S. Kansas City was 5th. According to the report, people considered poor have less access to good jobs, housing, and basic services than those with larger incomes.

Click here to read report.

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Reed: You put that on top of a mother trying to make sure the lights are on, the gas is on. It’s a challenge.

Leatherwood: We have a problem looking beyond our own neighborhood. Our school district is a prime example of that.

Cordoba: I’ve seen the racial divide. The line on Troost. I’ve experienced racial slurs.

Holmes: How do we change the narrative so that the next generation, folks Trent’s age (15), don’t have the same hands raised (when asked if they’ve fallen victim to discrimination or profiling)?

B. Shynin’: You’ve got the wrong people in the room. We’ve gotta include other people in this room right now.

The men in this group agree solutions are going to have to come from community and civic leaders alike. They’ve pledged themselves to invest in their communities and in their youth. They say if everyone buys into giving back and building the community from the ground up, it’ll pay dividends in the future.

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Cannen Hill, Raytown South High School Student: If you build up a strong child, it’s easier than trying to repair a broken man.

Cordoba: To me, involvement is the key. Instead of pointing the finger, we need to point it at ourselves and say what are we doing to make it a safer community to live in.

Dickinson: We’re still dealing with these situations as if it doesn’t affect me directly, then it’s not my problem. Well, it does affect you one way or another. When it gets to Roeland Park, now it’s a problem. When it gets to Lee’s Summit, now it’s a problem. Well, it’s the same problem we’re living with in the city.

Watch the entire conversation in the video below.

from Local News | KSHB https://www.kshb.com/longform/barbershop-talk-a-conversation-at-a-community-cornerstone

from Kansas City Watch https://kansascitywatch.wordpress.com/2018/07/18/barbershop-talk-discussion-of-crime-race-more/

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