#men’s adventure books

[fogdraws]

Watson Watson Watson Watson Watson

They belong to my heart ♥️♥️♥️

Rn I'm suffering bcz I finished The Valley of Fear but can't start the next case since I haven't got the chance to buy it yet😭😭 I believe I have fallen in abstinence help 😭😭😭😭😭

[oldschoolfrp]

"Rhino-Men are rather dull, bumbling creatures, not known for sharpness of wit." (Alan Langford illustration, Fighting Fantasy 24: Creature of Havoc by Steve Jackson, Puffin Books, 1986) As the 1973 Disney Robin Hood taught us, fantasy needs more rhino men.

[princess-caspian]

ok but why is the very idea of pirates of the Caribbean such a turn on like it makes me YEARN to be a woman with a pirate ship and a big silly hat and amazing boots but also to have Elizabeth Swann’s hair how do I tell the adult world I know what I want to be when I grow up but that kind of piracy (stylish adventure hair flowing kind) isn’t really accessible in this day and age

[arcadebroke]

[ellery-six]

Battle Tendency children’s edition 🙂

[thecruellestmonth]

Jason Todd + literature

RHATO (2016) #20

Become What You Are by Alan Watts

Joker: The Man Who Stopped Laughing #8

Hannah Arendt, author of Eichmann in Jerusalem: A Report on the Banality of Evil

Batman (1940) #395

Detective Comics #573 // Detective Comics #1042

The Gotham Gazette, local newspaper

We Are Robin #7

Alexandre Dumas, author of The Man in the Iron Mask, The Count of Monte Cristo, and Robin Hood: The Outlaw

Batman: Legends of Gotham

La Bête humaine by Émile Zola

Batman and Robin Eternal #3

1984 by George Orwell

Batman Incorporated (2012) #7

Richard III by William Shakespeare

RHATO (2011) #6, written by Joshua Williamson

Naomi and Ely's No Kiss List by Rachel Cohn and David Levithan

Batman and Robin (2009) #5 // Batman: Three Jokers #2

Getting the Best Out of Your Brand

Chronic Pain Management

Detective Comics #569

Moby-Dick; or, The Whale by Herman Melville

Batman and Robin (2009) #23 //Batman: Wayne Family Adventures #31

Pride and Prejudice by Jane Austen

Red Hood and the Outlaws: Rebirth

The Prince by Niccolò Machiavelli

The Art of War by Sūn Zǐ

Batman #648

Batman #409 // Batman: Arkham Knight—Genesis #2 // Batman: Wayne Family Adventures #23

See also: lit nerd Steph by @our-happygirl500-fan, Shakespeare nerd Dickie by @luanna255

[holy-shit-comics]

[thegreekwriter]

Read Athenian Arrow Now!

Yassou, my name is Panagiota Moisakos. I'm half-Athenian and half-Spartan which makes me fully Greek. I wrote a forbidden romance novel set during the Peloponnesian War in Ancient Greece called "Athenian Arrow" on Wattpad. Here is the synopsis:

Set during the Peloponnesian War, Athens and Sparta are battling their differences. While the leader of Sparta argues uncompromisingly with the leader of Athens, the Spartan leader's son Andreas is sent on a quest to steal supplies from Athens, unarmed. While running through the capital of Greece, he meets Athens' finest archer, Alexi. Believing that an unarmed man should not be killed, Alexi decides to not shoot the arrow he had aimed at the Spartan.

But when troubles of trusting a Spartan arise, Alexi finds himself in a predicament that would change the course of his life forever, especially when the two start to develop a unique connection the more time they spend together. But with Andreas being Spartan and Alexi being Athenian, how will the two come to love while their cities are at war?

Their predicament only grows more complicated when the elderly Athenian leader offers the lead position to one of his most trusted soldiers, Alexi, to lead Athens into victory and stop this war once and for all. Will Alexi accept this fortunate opportunity? Or will conflict of interest be the start of Athens' downfall?

I hope you all enjoy the story as much as I did creating it. Thank you to everyone who reads it and gives it love. Your support means the world to me 💙

[nickysfacts]

I love that Marvel chose Canada’s superhero representative to be a short grumpy elderly alcoholic!

💛🇨🇦💙

[weirdlookindog]

Edgar Rice Burroughs - The Monster Men. A. C. McClurg & Co., 1929. Cover art by J. Allen St. John.

[webshootersandwingdings]

X-men Adventures (1994) #9

[fogdraws]

Lets address this real quick. Please. What is this. Holmes what are you doing. Please continue tho, this is not a complaint just. What. The scene that implanted itself onto my head probably isn't what ACD thought BUT. The king must've been flabbergasted. Or not. Maybe I am seeing things. Maybe I should stop or maybe not maybe I'm crazy what. I read this, thought about it. Then I went to sleep, thought about it. Ruminated on it. then I woke up, thought about it. I am thinking about it.

[romancomicsnews]

Do we need live action heroes?

To me, nothing has ever gotten me excited quite like superheroes.

I remember way back to my 7th grade. I was 12 years old, and had an incredibly difficult time that year. I did not have many friends yet, transferring into a new school, and was struggling to connect to anyone.

All I had was in that huge building was my brother, who was off dealing with high school. My grades slipped, my friends from my old school slowly drifted, and I found myself running more and more back to heroes for comfort. Whether it be movies, comics, or animated shows, superheroes helped me escape what would be the worst year of my life that far, with most of my joy and anticipation that year surrounding one singular event.

2012’s The Avengers.

All year until May I watched the trailer, looked at posters, and watched Earth’s Mightiest Heroes, Iron Man, Thor, or Captain America The First Avenger to get myself ready. I remember smiling, sitting for 3 hours in line before the film to get good seats for the gathering of my heroes, a culmination of years of waiting.

To this day, movies like Endgame or No Way Home come very close, but nothing felt like that to me. And while I understand part of it was me being a child, the MCU and other superhero movies have continued to give me comfort in the best of times and the worst times. They have constantly been a force for good for me and a way for me to connect to those around me. 

Which is why I’m sad to say, things have been bleak. Not in my life, but rather in the content that has been seen as acceptable to put out. Several big companies have been fumbling the ball lately with some devastatingly mediocre chapters in their respected sagas.

Last year was an abysmal year for DC, as they produced 4 flops at the box office. With the exception of Blue Beetle (which I love), each other entry in DC’s last year ranged from forgettable to downright abhorrent (I’m looking at you Flash). I was a big fan of the last Shazam and was pleasantly surprised by Aquaman, but both felt like they were going through the motions instead of bringing us exciting fresh takes on the characters that made the original two films great.

Due to the ever growing SPUMC (Sony Pictures Universe of Marvel Characters), we’re looking at a terrible year for superhero movies. We already had the perplexing Madame Web, with Venom The Last Dance and Kraven the Hunter to end the year. While these movies can have some fun performances, in general they feel sloppy, mismanaged, with subpar writing at best. As fun as it is to see Tom Hardy in a lobster tank, I don’t feel anything for Eddie Brock. And that sucks.

Finally, there’s the MCU.

Now, if you’re looking for me to bash entries in the MCU like The Marvels, you came to the wrong page, that’s not what this is.

In GENERAL, I like a lot of the swings they’ve taken since Endgame. Shang-Chi is still one of my favorite MCU movies. No Way Home had heart to it and wasn’t just a cash grab movie. Eternals had a vision and beauty I appreciate. Loki has one of my favorite finales of any tv show.

But they’ve been disconnected. It isn’t this seamless chapter book with a clear beginning, middle and end anymore. There is so much expansion with characters that we have no idea where they are going. To go back to just one of those I just mentioned, where is Shang-Chi? That movie was a hit, and yet we have yet to hear anything about a sequel or return.

Due to this focus on expansion, it’s hard to keep that connection with these characters if we don’t see them every few years. Where is America Chavez? Vision? Kingo? Thor? She-Hulk? This is a problem.

Couple this problem with the fact that VFX workers are worked to the bone, movies are being filmed without scripts finished, an emphasis on a multiverse storyline that doesn’t have a really clear path, and what seems like a vendetta against using comic book storylines, the films and television shows have been struggling to connect.

After all these catastrophes, you’d think it’d be a rough time to be a superhero fan. But really, it’s never been better.

Animation has been saving us.

To be fair, animation has always been respected and loved by the comic book community. X-Men the Animated Series, Batman the Animated Series, Young Justice, Spectacular Spider-Man and more have not only been people’s favorite superhero content, for many it is their in. I started by watching Spider-Man the Animated Series, and things have only gotten better from there.

Shows like My Adventures with Superman have reintroduced a new generation to Superman in a way that feels extremely accurate and fresh. It has also given us an incredibly adorable and heartfelt love story between Lois & Clark, something live action movies and shows really struggle with. Can you think of the last good couple in the MCU? And don’t say Spider-Man and MJ, because most of why we like them is because we like Tom and Zendaya.

Other shows like Invincible & Young Justice deal with heavy topics, such as grief, sexual orientation, gender identity, and trauma all in a way that feels human and real. Invincible in particular deals with grief and betrayal in its second season beautifully, all enhanced by incredible voice work from actors giving it their all.

Even the MCU has used animation in surprising ways. X-Men 97’ recently brought back the styling of the X-Men animated series, with the powerful messaging the X-Men are known for. With enhanced animation, a clear vision, and an emphasis on using classic comic book storylines, many are not only considering it a hit, but the best thing Marvel has done in years.

Even it’s more MCU heavy animated show What If had a much better second season, and while it’s not as deep or as good as the other shows I’ve mentioned, it’s worth noting it was a lot of lighthearted fun during the holidays. Definitely check out the Happy Hogan Die Hard episode.

Finally, Sony of all people gave us the best superhero film of the year last year with Spider-Man: Across the Spider-Verse. While everyone expected it to be good, I don’t think anyone expected it to be such an achievement. With incredible voice acting, a meta narrative about fans' relationship to the character of Miles, incredibly human moments and of course, a hero no one can not root for, Spider-Man Across the Spider-Verse easily will go down as one of the best superhero movies ever made.

I remember the ending of the film, where our heroes are finally gathered, and Miles is faced with what seems like impossible odds, and as the music swells, Gwen Stacy asks the audience “Are you in?”

And that was the moment I felt it again. The excitement, the joy, I really was a kid again, jumping out of my seat excited to see Beyond the Spider-Verse.

So if we can use animation to tell stories that connect, that show love stories in a way we haven’t seen, action in a way we haven’t seen, utilizing and respecting comic books, all while drawing out incredible performances, why are we emphasizing live action? 

I don’t think we truly need more live action shows of B list characters. And to their credit, I think studios are noticing too. Marvel has a few more animated projects coming out, and DC will be releasing Creature Commandos this year. But they will be putting out just as many live action shows focused on expansion as they have been.

Is it time to reconsider how we tell these stories? 

I know no matter what I say, we will get live action. And I’d be lying if I were to say that many projects out there excite me. Superman, The Penguin, Spider-Man Noir to name a few.

But I think it’s time we use superheroes to go back to their roots. We should be using superheroes to bring artists and animators to the forefront. Shows like Invincible, My Adventures with Superman and X-Men 97’ give us a clear picture of what superhero media can and should be. Story driven, beautiful, and full of meaning. Something we as people can finally connect to.

Thank you so much for reading! Please consider following, and check out my socials and other sites here! And let me know: What's your favorite animated superhero show?

[comic-covers]

(1959)

[shamlesspandanerd]

[pattern-53-enfield]

Acquired 1 through 24 of Jerry Ahern's "Survivalist" series. Pretty standard cold-war-gone-hot fare, but despite people calling them similar to William Johnstone's insane "Ashes" series, this is a franchise that doesn't make you pray for the protagonist's death. It is funny to read the blurbs on the back covers and see how far this series will eventually go, from an insanely-competent if normal guy surviving in Mad Max America and fighting competent-if-normal Soviets, to him being cryogenically frozen for forty years and being revived to fight neo-nazi clone troopers. Also big "The Park Is Mine" vibes from the cover art.