#memori meta

[captain-krow-drozdov]

Danny Is An Alternate Version Of Ra's Al Ghul And Flash Already Called Dibs On Adopting Him

Danny In All His Sleep Deprived Slightly Scuffed Up From A Fight Glory Is On His Way To Clockworks Tower To Hopefully Get A Nap And Maybe Some Homework Done When A Natural Portal Opens Up In Front Of Him And Proceeds To Unceremoniously Drop Him In The DC Verse Just Outside Of Central City Before Promptly Closing Leaving A Tired Danny Behind In A Run Down Abandoned Parking Lot.

It's Times Like This When Danny Regrets Putting Off Learning How To Make His Own Portals, Cause Now He Is Very Much Stuck For The Foreseeable Future And He Has No Idea Where Or When He Is. Luckily For Him However Central City Isn't Too Far Away, Unlucky For Him However Is That Once In The City He Realizes This Isn't His Dimension. He's Pretty Sure He'd Remember Something Called The Justice League.

So What Do You Do When Supernatural Bullshit Fails You? You Fall Back On Your Mad Scientist Roots And You Make A Portal Gun. So That's Exactly What Danny Plans To Do.

Unfortunately Staying Alive And Building Questionably Safe Portal Technology Requires Money And Supplies, So He Ends Up Wandering From City To City Doing Odd Jobs/Fixing Up Busted Tech For Cash Or Unwanted Electronics For His "Operation: Get Home" Needs. This Obviously Ends In A Few Superhero Encounter Shenanigans.

Though He Always Ends Up Back Near Central City, Both On The Off Chance The Natural Portal Will Open Up Again And Because Out Of All The Superheroes That Apparently Exist In This Universe The Speedsters Are His Favorite (Red Robin Is Solidly His Second Favorite Ever Since The Gotham Vigilante Gave Him A Large Coffee Filled With Enough Caffeine To Kill A Man).

Unbeknownst To Danny However Is That Every Hero/Vigilante He Has Encountered Has Come To At Least One Of The Following Conclusions; 1. Run Away Meta Who Is In Desperate Need Of A Good Meal/Adoption Bait. 2. Possibly Red Robin/Tim Drake Clone 3. A Good Kid But Could Possibly Be A Future Rouge If Left Unsupervised. 4. Did Bats Get A New Kid And Why Is He Here?

All Flash Knows Is That He Saw The Kid First And Therefore Has Dibs. Suck It Bruce.

Fast-forward A Few Months And Danny Gets Hurt During A Rogue Attack While Trying To Help Some Civilians Get To Safety (Old Hero Habits Die Hard (Ha Die Hard) And All That Jazz) And He Nopes Out Once Everyone Is Safe And When The Paramedics Are Busy With Other People Unaware He Left A Blood Sample Behind.

One DNA Test Brought To You By Paranoid Bat Concerns Of A Possible Red Robin Clone Later And They Find Out That Dannys DNA Matches One Ra's Al Ghul.

They Now Think Danny Is An Escaped Ra's Al Ghul Clone.

Memes For The Vibes:

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[normalbrothershow]

sam memory fuckery is so crazy actually like...

he was alone in a timeloop and spent extra 6 months of life and had to remember it, interwining with his "real life", but only He remembers. trials sam suddenly remembering seemingly little childhood events, but they make him find out things that change his self view and make him question his own beliefs and thoughts. soulless sam being erased in his mind at first, but then he suddenly Has To remember, knowing he didnt actually live through those events, but has to claim them as his own actions and life anyway. 160+ years worth of memories from the cage (first erased and then thrown back as well), knowing lucifer is able to alter memories/dreams in any way he wants to. are sams current memories actually his real ones, or did he mix them up along the way, remembering a made up version of them? he has over 200 years worth of memories before even hitting 30. sam finding out how many of the people he knew in the past had actually been azazels demons, that its not things that just happened by chance, but that those friendships/relationships/mentorships were demons acting in a play. that these memories were made for him. that he didn't know about that for Years, and now he has to work every single one of them over in his head. when he remembers someone from his past, does he wonder if they were human or were they just another of azazels demons? was that random event planned and directed for him? is this good memory actually a bad one? who even is he, at this point?

[mae-i-scribble]

I'm sure this has been talked about plenty but I'm still awestruck at how well Frieren handles Himmel and Frieren's relationship. I have never seen the 'character haunts the narrative' story beat done to such effectiveness.

Frieren's regret is that she didn't know Himmel before he was gone- but he exists in everything Frieren does without her fully realizing it. Frieren is a fundamentally different person and we *know* it is mostly thanks to Himmel's influence. The constant flashbacks, the way in which Frieren's logic and everyday routines have been altered by his memory. She collect spells because he and the others complimented the mundane, random spells she had found. The way that instead of her master, Himmel is the person who the monsters choose to immitate.

The flashbacks too, are so so potent in characterizing who Himmel was- not only in regards to Frieren, but in regards to Himmel as the hero. The person who lead his group to kill the demon king. The person who did everything in his power to help those around him. The person who was so clearly in love with Frieren but understood intimately that Frieren would not love him in the same regard and even worse, would be walking a very long and lonely path.

Hell, it's at the start of every chapter, in which time is only kept by the years before and after Himmel's death.

It all comes back to him, in the end

[emmabirb8]

I've been thinking about this for days now and man, Stanley Pines had a raw fucking deal.

He was doomed for a life of turmoil from the start. Not only did he suffer emotional (and implied physical) abuse from his father from childhood, he was kicked out of his own home at 17 for a legitimate mistake that he never intended to affect his brother's future. He struggled on the streets for ten years feeling like he'd lost his best friend when he and Ford stopped talking during that time, AND THEN received a metaphorical slap in the face when he found out that Ford did not in fact call him out to Gravity Falls to reconcile -- he only wanted a way to protect his research.

THEN, after rightfully getting his feelings hurt and reacting in anger to Ford making clear what his intentions really were, he lost his brother, the one person he'd felt closest to throughout his life, through the portal. He was left with only a third of the required information to reactivate the portal just for the chance to get Ford back -- it was never guaranteed that Ford would even be alive, let alone be able to be located and returned to his home dimension.

But Stanley fucking Pines is no quitter. He stayed focused and worked his ass off learning concepts he had absolutely no education or experience in, all the while blaming himself and hating himself and pushing through the worst kind of heartache every goddamn day for 30 years for that chance. (And honestly, God bless Mabel for betting it all on her Grunkle and allowing him that chance when the time finally came.) And it fucking worked. Just like that, he got his brother back. All that hard work and grief was worth it.

And then he was greeted with an angry outburst and a punch to the face.

This man went through hell and back for his brother, and he was met with a knee-jerk reaction and confirmation that Stanford still seemingly resented him for his past mistakes. Like, I understand Ford's perspective and where he was coming from at the time, but damn it, Stan did NOT deserve that.

He didn't end up getting a proper hug from his brother either until after Bill had been defeated, and by that time, he didn't even know who Stanford was because, once again, he sacrificed everything to save his family. (He was under the impression that his memories would be lost forever and STILL chose to do it).

I am positively beside myself over this man. And this doesn't even touch on the things he did for people outside his family. (Like, he could have easily holed himself up in the shack alone during Weirdmaggedon, but instead, he took in anyone who needed shelter, offered his food supply, and provided a safe place, I'M SORRY BUT FORD WOULD NEVERRRR)

Stanley Pines deserved better. Stanley Pines deserves the whole entire WORLD. He has the biggest heart out of ANYONE and Ford is damn lucky to have him as his brother.

STANLEY PINES MY BELOVED AAAAOOOOOUUUUGGHHHHH

[sisislair]

Man I love Shi Qingxuan's friendship with Xie Lian. It doesn't come quite as naturally as his connection with Hua Cheng, but I honestly like that! They start off with decently favorable impressions of each other's moral standing, but they both have to work at really understanding the other person.

The shenanigans these two get into when investigating together are also fucking hilarious. Shi Qingxuan providing some much needed levity and his resources, while Xie Lian is usually able to remain fairly collected in stressful situations. Granted that's because of, you know, horrendous amounts of trauma, but it does make for a good team up!

He's one of the few heavenly officials who can call Xie Lian out for things and not sound like a dick. I've mentioned previously that I love him telling Xie Lian that he should never have taken this mission, and he was right! Ghost king or not that's his friend, and it's shitty that Xie Lian would accept this mission. And more importantly, he says that it's even shittier that Jun Wu would ask that of him! So this is the first criticism of Jun Wu that we ever get from someone in the heavens.

He truly gets that Hua Cheng is Xie Lian's friend, and that Xie Lian is in a terribly awkward position right now. He expresses guilty for starting the fight and fanning the flames! Because even if the mission ended up being rescuing his friend, he's also capable of recognizing that the heavens are in the wrong here. Hua Cheng has every right to deal with a spy as he sees fit! And he sees Xie Lian as a friend, and knows that Xie Lian's deeply hurt by having to stand in between his friends like this.

And the way he defends Xie Lian from Lang Qianqiu's accusations! That's his friend, how dare you accuse him of a massacre?! And you can tell Xie Lian appreciates the sentiment, even if he doesn't want the defense.

Xie Lian asking Shi Qingxuan to watch over Lan Ying and Banyue while he's under house arrest is such a big show of trust! But even though he does think Shi Qingxuan is a bit ridiculous at times, he's always trusted him to try and do right by other people.

[fumifooms]

I don’t like minimizing the importance and gravity of Laios and Toshiro’s fight into just being a childish squabble, even if to a degree it is framed that way, because to both of them it has a lot of personal significance and emotional weight and runs very deep to their characters… The fight isn’t nothing it’s a LOT, they made up but it’s not something easy to express and to get over for either of them which makes it all the more meaningful! I’m on both sides but there very much are sides, there’s no "they’re both having a ball, Toshiro and Laios hand in hand yay" side to the fight, that comes after

The fight with Toshiro WAS very scary to Laios, almost existentially so, but it’s moreso the "I thought I’d made a friend!!" bit and my god. My god actually

Like it’s not "just" about oh his friend liking him less than he thought, THAT IS SO MUCH. It’s a bond he thought he had being a lie it’s all the time and moments spent together either being a lie from his perspective or marred now looking back. It’s not only being upset at Toshiro for lying but upset at himself that he’s so easy to fool, it’s being upset that there’s something so wrong with you that you can’t even tell if your "close buddy" even actually likes you or not, it’s like. Holding my head. He can’t trust his own vision of events that happened do you see. There’s always this film of distrust that it could be a lie that should be there when he interacts with people there’s always this sense of cloak and dagger to expect backstabs out of nowhere because you CAN’T see it coming you CAN’T you CAN’T there’s something about you which makes it impossible so you CAN’T-

He’s so scared of not being able to read people. He knows it’s a weak spot he has, he’s always known. All of these bits are centered around social expectations and betrayals, the assumption that he doesn’t belong either in society or with other humans.

And Laios’ level of awareness is actually sort of complex to analyze, but it’s there, there’s how out of him and Falin he was the one sensitive to the ~aura of hatred~ he felt from the townspeople, there’s of course his nightmares whispering to him about the mocking looks, and how yeah actually he realizes that his gold stripper coworker was taking advantage of him. There’s of course the Winged Lion speech about his trauma and how he fundamentally mistrusts/dislikes humans to some deep seated degree, this distrust that he still keeps under control always. There’s how pre-canon he often wanted to suggest eating monsters but never worked up the courage to bring it up with the others. There’s how he gets across as stoic when he isn’t being enthusiastic…… We don’t know how aware and wary he is exactly in the moment but we do know he has some anxiety around social stuff, and looking back he does notice and aughh augh, the sense you have to hide yourself to not get hurt and be on your guard and shit and.

When you don’t know what to look out for and when to look out for it, the general ‘common sense’ of not always trusting people or noticing when someone’s messing with you becomes hypervigilance in social settings

"Man they really know what you hate huh." Being socially unaware literally plagues him, he knows, he knows it so well.

It’s so quick that it’s almost hard to digest how literal and blatant Laios summoning his monster to crush all the people who’ve hurt him is. His literal go-to coping mechanism for comfort in his literal monster-induced emotionally intense nightmares, saving him by taking away the upsetting element (the humans)

"Monsters are his coping fantasy, where they can whisk him away from humanity, all the hurt it’s caused him and its arbitrary rules" with the subtlety of a brick. Monsters are his comfort safe zone "because they kill humans" yes but no it’s because he pits them as the guardians against humans who to him are in the role of the agressors. To him they represent freedom from the shackles of what it means to be part of humanity, a fundamentally social species

[aingeal98]

More Jason and Cass thoughts (sorry but also not sorry) but if I was magically given full control over DC and could write what I'd want obviously I'd make Cass Batman but I've been thinking of what sort of reaction and role Jason would have in response. I think I'd write his version of "Congrats on the new job!" as a test, involving the Joker and civilians and gangs and Red Hood and a ton of explosives. Bruce failed me, and now he's given up. You're his successor, let's see how you handle this dilemma that freaked him out so badly he threw a batarang into my throat rather than let me avenge my own death in front of him.

So obviously Cass will overcome the traps and the puzzles. That's the fun part to show how competent both of them are and sprinkle in little character moments as we go. But then we reach the emotional crux of the matter, probably laid out as some sort of saw trap because it's Jason. Here I am, a victim of murder. You say nobody dies tonight but I did, and I want the man who did it dead. Not only did Batman fail to avenge me but he failed to stop the Joker from going on to create even more victims. What right do you have to stop me from getting justice for myself? What right does this man have to life after what he's taken from me and from countless others? I'm not trying to kill a random stranger, I'm specifically demanding justice for my own death that I never got while I was gone.

There are two ways this could go. The straightforward route if I knew my time on this run was limited would probably be a pyrrhic victory like the ones Cass's og series was so fond of. Just like Bruce in utrh, she acts on instinct and saves the Joker (and Jason this time) . A win technically, but she fails the test. Jason is once again vindicated but with nothing to show for it. The story ends with Cass sending the Joker back to jail and going back to the batcave, where the old Robin costume looms judgementally, highlighting her failure. It would be the most fitting end given their character molds, all tragedy and conviction and unstoppable force meets immovable object etc.

However... I think the option I prefer would be a little different. Cass levelling with Jason, a killer talking to a murder victim. She has no right to stop Jason from getting justice, she has no love for the Joker but she knows any death she allows to happen like this would devastate her, just like that death row inmate long ago she tried to break out but ended up letting go once the family of the victim talked to her and demanded justice. I think... In this specific situation, she'd just be honest. Morally she has no right sure. Personally she just really really doesn't want anyone to die. Give her one chance, please. Let her try it her way. Not demanding, not lecturing or insisting, just... Please. Don't do this. Let me try another way.

And then what? Jason asks.

In the end a deal is struck. Cass will take the Joker and lock him up, ensuring he never harms anyone again while also trying to rehabilitate him. But the second she fails and he gets free, Jason kills him and she won't stand in his way. It's the kind of deal that leaves both of them mildly disgusted and dissatisfied with themselves, neither of them naturally creatures of compromise when it comes to this specific topic. But Cass is willing to do anything to avoid death and Jason did not expect the new Bat to be so... Flexible? Kind of? Of course maybe she won't actually hold up her end of the deal and when the Joker gets loose she'll try and stop Jason from killing him and he'll get his miserable vindication, but right now this is something strange and new and he's mildly confused and curious about where it will go. He doesn't believe in her ability to contain the Joker forever but he's willing to let her try because her reaction to that future failure interests him. She's given him a sword of damocles to hang above her head and he didn't ask for it or expect it. It's the type of power he never thought the Bat would just... Hand to him.

The conflict ends with neither of them fully winning or losing. They both don't really know what to feel about this.

The thing is, the second Cass let's Jason kill the Joker she's hanging up the mantle. She's staking the Bat on this, because it's always go big or go home with her when it comes to saving others, even someone like the Joker. In this magical universe where I have unlimited power, Cass would lock the Joker in a secret bunker and have Leslie Thompkins talk to him daily, mostly because I think her pacifism speeches and debates in the comics would make a fun contrast to the Joker's evil sadism. (But what about his rights? Doesn't he deserve a trial and to be held in a regular prison? I'm going to be honest I think Cass would be very comfortable bending the rules on this specific situation. Morally questionable but I'd have fun with it. She's going to let Leslie treat Joker like her personal pet project to save his soul because yes she wants him to change but also she's got a city to save every night so go crazy Leslie, have fun.)

And the Batman series would continue with Cass as the lead, new challenges and new antagonists and every twenty issues or so for the first hundred we'll cut back to the Joker briefly if his chats with Leslie can help highlight some thematic element of the current arc. But bit by bit he'd slowly fade away onto oblivion, maybe getting referenced every hundred issues or so until eventually no one remembers or cares about him because there's so much else going on. Meanwhile Jason's got a good thing going as Red Hood, primarily based in Park Row and a tentative ally on the occasion when their vigilante work aligns. Unlike Joker he's a much more frequent character in the comics, and after say 10 years (this is my magical fantasy universe Cass's batman run is going to last for a very long time alright) when people think of DC characters they think of Red Hood long before they think of the Joker.

Is any of this realistic? Right now of course not. It's why I'd go with the pyrrhic victory if I actually got the chance, because it would be the best way to tell the story in the larger context of the Bat narrative. But it's my fantasy DC editor and writer daydream and I'm going to dream big. They're never going to be normal happy siblings, their personal demons will never fully let them be free and the looming possibility of losing everything they currently have narrative wise if Bruce comes back as Batman will always be there. But it's maybe the closest to peace they'll ever get. Unsatisfying and tame compromise that probably violates several laws and ethical codes but whatever. Cass has never read the Geneva convention and Jason's not going to shed tears over the Joker. Let him die relevancy wise if not physically.

[bigbigtruck]

In the process of archiving & clearing out a lot of my social media, I wound up going through some 10+ year old Tumblr posts. Thanks so much to everyone who enjoyed TJ & Amal while it was running; y'all made this place so fun. Leaving here for a few years meant I lost touch with some of y'all and i regret that.

[post-it-notes7]

slaps these down and walks off into the distance

[thetrashthatsmilesback]

no but Sora's death is so much more fucked up than just dying. He didn't just fade or cease to exist, he joined the realm of fiction.

He's not just dead, he's not just faded (you can fade into darkness), no he is no longer even real. Its not that he doesn't exist, its that he has become no more than a concept, a creation of another. Fiction exists within one's mind, so Sora now exists only as someone else's concept of him.

Like, say, Riku and Kairi's perhaps? I think Melody of Memory ends the way it does for a reason. Sora has passed into the realm of fiction, and fiction is merely someone else's conception of a universe, meaning the Sora Riku and Kairi were attempting to reach through memories and dreams is merely that - the manifestation of their own versions of him. I think this is why Kairi was able to reach Sora to protect her in the end of melmem, and why Riku's dreams reached out to Sora to show him Quadratum. If Sora no longer exists as someone who is real, then his friend's beliefs about him are what is currently constructing him.

To become fiction isn't just to cease to exist, its to have never existed. It is to be known only through other's ideas of you.

Something which is fiction has never existed. Fiction can be based on reality, but the fictional version never existed.

i've been having these weird thoughts lately, like is any of this for real? or not?

[coquelicoq]

it's about...longevity? stability? it's about natsume believing he'll be somewhere long enough to plant flowers and see them bloom. it's about him taking touko seriously when she asks him to tell her what flowers he wants to plant. it's about making something with his own hands, building a future with the fujiwaras. it's about him repairing a rundown home for someone else, restoring it because it's beloved to them, because it's the home of someone they love. it's about him seeing touko's joy and thinking about the youkai saying we'd like to look upon her happy face forever. it's about the box garden making him think of the fujiwaras' garden and his parents' garden, about the flowers being both the memory of flowers that bloomed there before, and the flowers that he and the youkai planted earlier that day. it's about him waking up in both worlds with sensei. it's about touko finding the petal in his hair. it's about him feeling how he falls short and the youkai saying, but you have such gentle hands...

[sauronism]

references from celebrimbor's life ( a memory that disguise itself as a vision ) :

1. maedhros and maglor, portrayed in a depiction most commonly seen of the brothers within fanworks.

2. horses and huan. celebrimbor confront his father before curufin move forward on his hunt for the silmarillis and luthien. huan was present with celegorm.

3. miriel, celebrimbor's great grandmother. she was known for her weaving and needlework.

easter eggs aside; i truly believe in the narrative sense, that the visuals presented here belongs to celebrimbor and suppose to mirror the life he had experienced and the Feast of Reuniting. perhaps a hidden desire within him that he wishes to keep his family under a different light. not as a kinslayer but as a creator and an artists.

[aletterinthenameofsanity]

Me, to my new date: doctor who thinks it's a sci-fi story because the Doctor thinks it's a sci-fi story and because the companions think it's a sci-fi story, but it's really just a story about ghosts. a story about an ancient creature carrying the ghosts of everyone they have ever loved, meeting new people, and seeing them only as future ghosts. they are haunted by the future and the past and the present because they are the only constant in a world constantly in flux, and they are running as fast as they can to things before they burn and fade to dust but everything will always end, you understand, because this is the only thing the Doctor understands and yet they keep going. they love too much to stop. doctor who is not science-fiction, it's horror and optimism and spiritual more than anything else, it's religious unto itself, the TARDIS is a haunted house and a church and a graveyard and a hospital and the Doctor is the most haunted being in the universe but more than anything, this is a love story, because how can you love something without being haunted by it- hey, what are you doing?

My date, shoving breadsticks in their purse: I have to go-

[t00muchheart]

It’s just that, in Faith, Dean thinks he’s going to die, and he’s braced for it, and when he lives, it’s only because someone else died in his place. And then, in In My Time of Dying, it happens again, and it’s even worse this time because that’s his father who died for him. So by the time All Hell Breaks Loose rolls around, of course Dean sacrifices himself: he’s already living on borrowed time, after all, but Sam? Sam is only here because he was dragged back into this life—he deserves to have the chance to leave it behind again, for good this time.

And sure, faced with the consequences, Dean can see that he doesn’t deserve it—not to die, and certainly not to go to hell—but he still believes that it’s better this way: better him than Sam, even if it would be best if it was no one at all.

But it has to be someone, and so Dean is dragged to hell, and after thirty years on the rack, Dean breaks—and after ten more, when he wakes up in his grave and pushes his way to the surface, he thinks that maybe he deserved it after all, maybe he deserved every bit of torture dealt to him and more.

And then he meets an angel, and the angel tells him that he was the one to raise him from hell, and the angel wonders at the fact that Dean doesn’t think he deserves to be saved, because even after everything, he sees something beautiful in Dean Winchester, something worth preserving. And the angel believes in Dean so much that he can’t help but start believing in himself again, just a little.