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#melina matthews
freaoscanlin · 2 years
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The show being incredibly subtle, wings & haloes edition.
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birgittesilverbae · 1 year
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MELINA MATTHEWS as LAURENCE PLAYGROUND (2017) // 1x05 - Alone
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luegootravez · 3 months
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Melina Matthews by © Rubén Suárez
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docpiplup · 9 months
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NEWS- 'Los Misterios de Laura' returns: 'Laura y sus Misterios'
The two new TV movies of 'Los Misterios de Laura' will once again feature their usual cast, starring Maria Pujalte along with Oriol Tarrasón, Laura Pamplona, ​​Beatriz Carvajal and César Camino. Raúl Mérida will also reprise his role after his debut in 'Laura and the Mystery of the Unexpected Murderer'.
In addition, these new episodes will feature the addition of Manuela Velasco, Aarón Porras, Ascen López, Mariu Bárcena, Melina Matthews and Denis Gómez, among others.
'Laura y el misterio de la novia que esperó demasiado' and 'Laura y el misterio del paciente suspicaz' are the titles of these television films, directed by Jorge Saavedra ('El Zorro', 'Relato de una Obsesión'). Javier Holgado and Susana López Rubio are in charge of the script.
-> ‘Laura y el misterio de la novia que esperó demasiado’ (Laura and the mystery of the bride who waited too long)
During the plumbing work on a building in the center of Madrid, the skeleton of a woman who had been buried for a long time in the underground galleries of the building was found. The most surprising thing is that she is wearing a wedding dress. When one of the neighbors of the house says that she thinks she knows who she is and why she died, she is murdered. Laura will have to intervene to find out who, among all the neighbors, is the murderer. And without knowing it, she will encounter the most unexpected criminal of her entire career.
-> 'Laura y el misterio del paciente suspicaz’ (Laura and the mystery of the suspicious patient)
When Laura is admitted to a hospital due to an accident, she meets Adriana, another of the patients, who confesses that she is actually a journalist who is investigating the strange deaths of many of the patients who have passed through the center over the years. When Adriana herself dies the next day in the most unexpected way, Laura will have to discover the truth, in one of the most dangerous cases of her career, since, due to her status as a patient, she may be at the mercy of the murderer.
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webmedus · 1 year
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110+ THOUSANDS!!!
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cinemaslife · 3 months
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#61 Retornados (2013)
Alex (Kris Holden-Ried) y Kate (Emily Hampshire) son una pareja muy maja que se quieren mucho, solo hay una pega: Alex es un retornado, pero, ¿Qué es ser un retornado? Eres un retornado cuando te muerde un zombi, pero te inyectan suero sacado de zombis muertos. Por lo que el gobierno te da mensualmente unos viales para que te los inyectes todos los días y así te quedes normal y no te vuelvas zombi, y eso hace el bueno de Alex.
Todo va bien hasta que va mal, y es que hay una revolución por gente en contra de los retornados que quieren que los ingresen en campos de exterminio o los asesinen, así como pequeñas bandas que van puteando a los retornados. Al estar más controlado el tema de los zombis, hay menos zombis muertos y esto hace que las dosis se vayan terminando, mientras el gobierno consigue dosis que sean sintéticas.
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Kate, como médica especialista en un hospital, puede conseguir algunas dosis del mercado negro, pero se lo toma con calma mientras intenta que Alex no pierda la esperanza. Pero la cosa se complica (más) cuando unos encapuchados armados entran en la parte del hospital donde se encuentran, los retornados recién convertidos recuperándose y los matan a todos.
La sociedad empieza a desquiciarse y Alex decide que es el momento de decirle a su amigo Jacob (Shawn Doyle) cuál es su circunstancia, ya que son amigos desde hace 25 años y siempre se han apoyado. En la cena de 4 Kate y Alex le cuentan a Jacob y a su mujer Eve (Melina Matthews) su circunstancia y se sienten sorprendidos pero les respaldan.
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La cosa en la ciudad se va de las manos, con escaladas de violencia, ya que esos enmascarados robaron los archivos con los datos de los retornados con sus direcciones y se plantan en casa de Kate y Alex e intentan asesinarlo, no consiguiéndolo por poco.
La chica que le consigue el suero a Kate le avisa que la cosa se está complicando del todo y que van a dejar de dispensarlas, por lo que ambos temiéndose lo peor deciden escapar, sobre todo, al ser conscientes de que los militares se están llevando a los retornados a campos de concentración para experimentar con ellos y dejar que mueran.
Justo cuando van a huir, Eve y Jacob van a buscarles y les proponen irse con ellos a una casa que tienen en el campo, alejada de la ciudad y que allí podrán hacer vida normal. Mientras Jacob no para de alabar la entereza de Kate, ella se nota perdida sin saber muy bien como actuar.
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El contacto de Kate le va a proporcionar 60 dosis, pero tiene que ir cuanto antes porque el gobierno va tras de ella, eso si le costará el cuádruple de lo normal, Kate acepta sin temblarle el pulso. Pero cuando va a buscar las dosis se encuentra a la chica muerta por asfixia y las dosis desaparecidas, eso si debajo de sus manos hay una uña de gel que reconoce en seguida, llama a Alex y le pide por favor que revise las dosis que tiene guardadas en la cabañal, Alex se queda blanco porque todas las dosis han desaparecido. Kate no tiene duda alguna: Jacob y Eve les han robado y han salido huyendo de la cabaña.
Alex no puede creer la situación, le han dejado solo con una dosis para un día, con una nota que pone "lo siento". Jacob le llama y de una forma muy desagradable le dice que le traiciona porque Eve también está infectada y que la vida de ella vale mucho más que la de él.
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Kate desesperada va a su hospital y habla con su jefe rogándole que le dé una solución, es consciente de que no hay viales en todo el país, pero necesita su ayuda. Ha visto en la puerta las manifestaciones de los retornados y sus familias quejándose por no tener suero suficiente y él, haciendo un esfuerzo, le ofrece un maletín con 50 dosis que les salvaran a ambos mientras el gobierno termina de desarrollar los viales sintéticos.
Un padre de uno de los antiguos pacientes de Kate la ve llegar en el coche y se imagina a que va, por lo que decide seguirla hasta el parking y robarle el maletín con las dosis para su hijo, llegando a golpear a Kate para conseguirlo, ella lo persigue con el coche por el parking y le atropella sin querer, destruyendo, de paso, todos los viales que había dentro del maletín. Desesperada se lo cuenta a Alex, y los dos se rompen.
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Alex va a una ferretería y compra todo lo necesario para atarse con cadenas a la pared y no ser un peligro para ella, cosa que hace antes de que ella llegue. Junto repasan su relación, los sueños que tenían de comprar una casa en el campo, formar una familia, envejecer juntos... todo ha sido roto por una tontería. Kate ve a Alex empeorar hasta estar a punto de convertirse y le pide por favor que le dispare, no quiere ese final para su relación, y ella, con todo el dolor de su corazón, lo hace.
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El jefe de Kate va a buscarla y la encuentra llegando a su coche totalmente destrozada, le pregunta si no sabe las buenas noticias y ella no tiene ni idea, el jefe le da la buena noticia: el gobierno ha conseguido unos viales de suero sintético que funciona y salvará a todos los retornados. Kate se rompe, hace menos de 24 horas que Alex ha muerto.
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Con un salto temporal vemos a Kate haciendo mudanza para la casa que siempre soñó tener con Alex, alejada de la ciudad, recogida, romántica... le entregan el recibo y vemos que está embarazada, entra en casa y tiene una pared con mapas y fotografías de Jacob y Eve, por lo que planea vengarse y acabar con sus vidas.
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"Te hierve la sangre por las injusticias que pasan cuando les roban las dos veces los viales, pero entiendes que en situaciones extremas la gente no conoce a nadie, da igual la circunstancia. El ser humano es deplorable cuando se enfrenta a estas situaciones, ya lo vivimos en Pandemia, con gente llevándose paquetes de papel higiénico por encima de sus posibilidades, sin que les temblara el pulso... si nos encontráramos en la circunstancia del film no saldríamos mejores."
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cinema-winding · 1 year
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Ceset
Bazen bir şeylerin açıklamasını yapamazsınız ancak gerçeklik sizi yakalayana kadar.
Kayıp odasına bir bakın belki içerde bir ceset vardır.
Bir gün morgta bulunan iş kadını Mayka'nın cesedi kaybolur. Ilk başlarda bile olayların bir takım şüpheler üzerinde dolaşılırken bu kayıp ceset bir çok karmaşayı beraberinde getirecek. Bu film ile aklınızın sınırlarını zorlamaya hazır olun.
Hayattını daima bir plan üzerine oturtan bir kadının şüpheli ölümü . Dedektif Jaime Pena görevi davayı çözmektir . Jaime de yaşadığı travmanın izlerini atlatamamıştır. Bu davayı kısa zamanda çözmesi gerekmektedir. Halen meslekte iyi olduğunu kanıtlamak için göstermek için . Karanlık bütün kuytulara sinmiş iken aslında kimse göründiğü kişi değildir. Oriol Paulo'nun ilk uzun metrajlı sinema filmi olan yapımın başrollerinde Belén Rueda, Hugo Silva ve Aura Garrido bulunuyor. İspanyol sineması teknik ve senaryo anlamda bir zirve yaşatıyor izliyeciğe. Gecenin bütün gizemi ve sırlarını gözlerinizin önünden geçerken bu film size akılın bütün sinırları bir kez daha derin bir nefes içinde kaybolmanızı sağlayacak.
Köşelere lütfen dikkatli edin mutlak tersi oranı vardır.
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padfoot-lupin77 · 2 months
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Marauders characters middle names :)
Lily Jane Evans
Peter Matthew Pettigrew
Pandora Melina Rosier
Emmeline Adora Vans
Marlene (Maria-Helen) McKinnon
James Cole Potter
Mary Louise MacDonald
Dorcas Alessandra Meadows
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Some dancers competing at two or more nationals
(will be added on to once other schedules have been posted)
this list only includes dancers that are attending at the least one nationals without the majority of their studio/as individuals
4PM Dance
Sarahi Lopez-Prieto (Junior) - LV & Radix
CSPAS
Stella Brinkerhoff (Mini) - TDA LV & Radix
Tabitha Nan (Junior) - TDA LV & Radix
Brooklyn Ward (Junior) - TDA LV & Radix
Halle Hunt (Teen) - TDA LV & Radix
Club Dance Studio
Mikayla Isler (Mini) - TDA LV & Radix
Dance Deluxe
Vanessa Soto (Teen) - Radix & KAR LV
Dance Town
Belle Marie Arauz (Mini) - TDA LV & NYCDA (?)
Amanda Carpenter (Mini) - TDA LV & NYCDA (?)
Victoria Remon (Mini) - TDA LV & NYCDA (?)
Zachary Roy (Teen) - TDA LV & NYCDA (?)
Elite Dance Pro
River Segerman (Junior) - TDA LV & Radix
JBP Entertainment
Georgia Beth Peters (Teen) - TDA LV & Radix
K2 Studios
Jessica Sutton (Mini) - TDA LV & KAR Anaheim
Kynzli Reece (Mini) - TDA LV & KAR Anaheim
Neriah Karmann (Mini) - TDA LV & KAR Anaheim
Abby Viramontes (Mini) - TDA LV & KAR Anaheim
Michelle Latimer Dance Academy
Alivya Neeriemer (Junior) - TDA LV & Radix
Ellie Brunson (Teen) - TDA LV & Radix
N10
Sloane Adams (Teen) - TDA LV & NYCDA Phoenix
Nor Cal Dance Arts
Mika Takase (Junior) -TDA LV & Radix
Pave School of The Arts
Liv Matson (Mini) - TDA LV, Radix & Velocity
Addyson Paul (Junior) - Radix & KAR Anaheim
Tayah Klimuck (Junior) - TDA LV & Radix
Project 21
Aliya Yen (Mini) - TDA OR & NYCDA Phoenix
Cece Chung (Mini) - TDA & NYCDA Phoenix
Olivia Armstrong (Junior) - TDA OR & NYCDA Phoenix
Leilani Lawlor (Junior) - TDA OR & NYCDA Phoenix
Kira Lieberman (Junior) - TDA OR & NYCDA Phoenix
Brystyn Scifres (Junior) - TDA OR & NYCDA Phoenix
Berkely Scifres (Junior) - TDA OR & NYCDA Phoenix
Regan Gerena (Junior) - TDA OR & NYCDA Phoenix
Sara Von Rotz (Junior) - TDA OR & NYCDA Phoenix
Leighton Werner (Teen) - TDA OR & NYCDA Phoenix
Lilly Barajas (Teen) - TDA OR & NYCDA Phoenix
Brielle Lieberman (Teen) - TDA OR & NYCDA Phoenix
Brooklyn Ladia (Teen) - TDA OR & NYCDA Phoenix
Stella Eberts (Teen) - TDA OR & NYCDA Phoenix
Gracyn French (Teen) - TDA OR & NYCDA Phoenix
Sammi Chung (Senior) - TDA OR & NYCDA Phoenix
Stars Dance Studio
Ella Dobler (Junior) - TDA LV & Streetz
Summit Dance Shoppe
Audrey Dorsey (Junior) - Radix & Showbiz
Greta Wagner (Junior) - Radix & Showbiz
Aaliyah Dixon (Teen) - Radix & Showbiz
Leighton Curry (Teen) - Radix & Showbiz
The Academy at The Brea Space
Francesca Jen (Junior) - TDA LV & Radix
Kinsley Oykhman (Teen) - TDA LV & Radix
Allison Shin (Teen) - TDA LV & Radix
The Company Space
Piper Perusse (Junior) - TDA LV & Radix
The Rock Center For Dance
Melina Biltz (Mini) - TDA LV & Radix
Lily Whiddon (Mini) - TDA LV & Radix
Lola Farias (Junior) - TDA LV & Radix
Rissa Laguana (Junior) - TDA LV & Radix
Alexis Mayer (Teen) - TDA LV & Radix
Sophia Rudy (Teen) - TDA LV & Radix
The Vision Dance Alliance
Kennedy Anderson (Junior) - LV & Radix
Emily Polis (Junior) - TDA LV & Radix
Caitlyn Polis (Teen) - TDA LV & Radix
Studio 702
Aliyah Hunt (Mini) - Starpower LV & Velocity
Eden Hawkins (Junior) - Starpower LV & Velocity
Peyton Nowacki (Teen) - Starpower LV & Velocity
Athena Pacheco (Teen) - Starpower LV & Velocity
Studio X
Mila Renae (Mini) - Radix & Velocity
Brielle Arias (Mini) - Radix & Velocity
Kate Matthews (Junior) - Radix & Velocity
Aliyah Almiranez (Junior) - Radix & Velocity
Aurora Andreski (Junior) - TDA LV & Velocity
Yoko's Dance & Performing Arts Academy
Isabel Dela Cruz (Teen) - TDA LV & KAR Anaheim
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artisticlegshake · 1 year
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RADIX NATIONALS RESULTS 2023
MINI PROTEGE TOP 33:
Sofia Cuevas - PAVE
Zaeda Borlaza  - NOR CAL
Mya Lanigan - EVOLVE
Everleigh Soutas - PAVE
Tenley Anthony - DANCEPLEX
Leighton Brandt - MATHER
Madisyn Rose Amos - CLUB
Isabella Dyer - DANCEPLEX
Mika Takase - NOR CAL
Addilynn Sullivan - DU BOISE
Katy Lawrence -SUMMIT
Brooklyn Ward - CSPAC
Melina Biltz - THE ROCK
Kennedy Truax - DANCE PRECISIONS
Mila Renae - STUDIO X
Clara Yerk - JERSEY CAPE
Katie Carlson - EVOKE
Chacha Shen - MATHER
Aaliyah Kirk - CSPAS
Lucia Piedrahita - DANCEPLEX
Payton Jetson - NOR CAL
Braydon Ziegler - ELITE
Tabitha Nan - CSPAS
Addyson Paul - PAVE
Zoey Brooks - SUMMIT
Ruby Taylor - CSPAS
Aria Bongiorno - DANCE DELUXE
Estelle Newsom - VDANSE
Skye Harrell - MATHER
Isabella Angryczak -JERSEY CAPW
Aurora Brady - AURORA MONROE
Kate Matthews - STUDIO X
Ava Gutmann - MATHER
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annabellewynter · 1 year
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Wild Lavender
Chapter One
Summary: Everett Greenwood never expected to be the Duke of Rorchester, that was a job for his older brother. But when sudden tragedy strikes, he finds himself thrust into a life he never wanted. Then he sees Melina delivering honey to the grand hall. The girl who lives in a shack in the woods becomes the only love his heart has ever known, but can society accept the simple woman as his choice? And will secrets from her past destroy their chance at love? Find out in Wild Lavender.
Note: This story is intended to be a Regency Romance and I have attempted to stay historically accurate, however, I am not a historian, so please excuse any errors.
Everett Greenwood sipped on a glass of brandy as stared out the window of his office. The small flat he called his home for the last several years was perched above a main thoroughfare in London and gave him the perfect vantage point to watch the bustling streets below. It was evening, and the sky was slowly darkening the way it does in the early days of spring. Many were on the street, the unusually fine weather pulling ladies and gentlemen alike from their homes to enjoy the fresh air. There were elegantly dressed couples in carriages, others strolling home from dinner parties and some just enjoying an evening stroll.
London
Everett did not consider himself to be a nostalgic sort, but he had to admit that he felt a pang of sadness at the realization that this would be the last night he would take in this view.
     His thoughts were interrupted by a high-pitched giggle coming from down the hall, followed by the low moan of a male's voice.  Everett shook his head moving towards the door to close it when the door down the hall flung open.  A woman furiously stomped down the hall while Phillip Matthews, still only partially dressed and holding his trousers up with one hand, shouted after her.
“Is it Anne?  Lily!  It must be Lily.”  He faltered as the woman reached the bottom of the stairs and he made one final attempt.  “Ruth?”
Her head snapped back to Philip's.
"It's Beatrix, you prat."
And with that, she was out the door.
Everett watched as Phil ambled into his office and slumped onto the couch.  He poured him a brandy and refilled his own before he took the seat opposite him.  
“That didn’t  quite go as planned, I imagine.”
Phil shook his head and poured back the brandy.
“Not even one bit,”  he sucked the air in through his teeth.  “I certainly hope you have more forgiving women in Rorchester.  
Everett shrugged, taking a sip of his drink.  “I wouldn’t know.  I haven’t been there since I was six years old.”
Phil's dark eyebrows knit together in confusion. "Since you were six? But your father was the Duke!"
"Yes, but we never lived there. He kept the London home and we lived here where Mother could be a more central part of society. Occasionally he had to go to Rorchester, but he never brought me. George was the oldest and would become Duke, so I didn't have to be there."
"Well, this is great news then!" Phil slapped his knee in excitement. "You can just do the same and we don't need to leave London and head out into the middle of the countryside where nothing and no one exists."
The stare Everett issued to Phil said plenty and he once again reiterated, "You do not have to come Phil. I will be just fine on my own. Besides, I've been thinking of asking Kipley to join me in Rorchester to help get things in order."
Phil's mouth fell open in shock. "First, you are not doing this without me. You need me. Secondly,  why on earth would you invite Kip? He has got to be the most extraordinary dull human being in all of England!" 
Everett did his best to hide his smirk. "Kip happens to be extremely good at arithmetic. I understand he was a great help to his uncle in organizing his books."
"Of course, you understand that!" He was standing now, pacing the room, still holding his trousers up with his fist. "He told us no less than three hundred times what a big help he was!"
Everett knew this line of conversation would irritate Phil and he was rather enjoying goading his closest friend. Still, asking for assistance from Kipling Stromwell was an intriguing idea. The truth was that Everett had no idea how to run a Duchy. Not only had his father neglected to teach him, but Everett had little interest in such dealings. He had spent his years after university in His Majesty's Navy. That was how second-born sons were meant to bring their families pride. But now, with both his father and brother killed in a sudden accident, he became responsible for his mother, his two younger sisters, and an enormous quantity of land and the people living on it. He knew absolutely nothing about how to successfully do this.  The only thing he did know was that he didn’t want to do it the way his father did.  Everett didn’t take things lightly, so although it was not the position he wanted or imagined himself in, he would do it to the best of his ability, nonetheless. So, he packed up his life, sold his flat, and sent all his father's records to Rorchester. His mother and sisters could stay in the London home. There was no need to further disrupt their lives. But Everett knew the only way to learn about his duty and to do it well, was to be in Rorchester.
"Tell me you are kidding about Kip, Everett" Phil pleaded.
"He would be useful. I'm not certain you could claim the same" Everett challenged.
Phil scoffed. "My uses are far and beyond bookkeeping."
"Oh really? Such as…"
Phil stood thinking and then snapped his fingers in delight. "Entertainment. Who else will make sure you don't become some stuffy old Duke, wasting away in his grand estate? I'll keep you young and having fun…and getting laid" he smirked.
"You didn't seem to do such a great job of it for yourself."
Phil scoffed. "I've had to bid farewell to far too many women this week. I was bound to make a mistake here or there."
Everett chuckled. He adored Phil from the moment they met at University and he convinced him to cheat at a game of cards. They were both quite inebriated and their attempts did not go unnoticed.  It only took a few hands before they were discovered, but Phil, keen as he was, noticed a split second before they were confronted.  He shoved a fistful of winnings into his waistcoat, grabbed a bottle of scotch off a nearby table, and tugged Everett out the door.  
They ran as fast as they could, twisting through alleyways and side streets.  Everett can still remember how much his lungs burned with the exertion and how his cheeks ached with laughter.  Eventually, they ducked into an empty doorway and hid out of sight until they were sure they were safe.  It was then they opened the scotch and each took a long pull on the bottle.  Phil emptied his pockets and they counted their winnings.  
“You do realize that my father is a Duke, Philip.  Money is not hard to come by.  I easily could have bought a bottle of liquor,” Everett chuckled.  
Phil shook his head, still counting their loot.  “My father is the Earl of Barlington” His voice became low and stern, mimicking his father.  “We’ve always been able to buy whatever we please, Everett.  The point is”, he looked up meeting Everett’s eyes.  “Liquor tastes better when stolen and a muff feels better when borrowed.”  He waggled his eyebrows.  “Now come on, Everett.  Let's go to the brothel.  I think we have just enough.”
“What is it?” Phil asked, taking in the faraway look on Everett’s face.  
“Nothing. I was just remembering the day we met.”
Phil smirked, “Damn, I still have dreams about that blonde.”
“You do have a way of entertaining, I suppose.  Although I’m rather shocked we made it without ever getting into trouble.  Especially in the Navy.”
“We were officers in the Navy, Rett.  The son of a Duke and an Earl at that.  How much could they do to us?”
Everett shook his head, “The second son of a Duke and the third of an Earl.  It may have gotten us out of a few jams at University but His Majesty’s Navy is an entirely different story.”
“Fair enough,” Phil stood, setting down his empty glass with a clang.  “Now it’s our last night out in London for a good while.  And you, my friend, are no longer the second son, but a Duke in his own right.  Let's go out in the city and see how much we can get away with, eh?”
The following morning, Everett woke with a start.  To be clear, it was not his first time waking that day, nor was it morning.  Everett had already rose, dressed, and poured himself into a carriage headed for Rorchester.  He remembered very little of this, other than his head throbbing painfully and the sun seeming exceedingly bright for the hour.  It took only a moment before he was, once again fast asleep to the rumbling of the carriage.  
The second time he woke, was half a day later when the carriage stopped at Greenwood Hall.  Everett peeled his eyes open, taking a moment to adjust to the lack of movement, and ran his hands through his thick brown hair.  His large hand rubbed the scruff on his chiseled jaw that he had neglected to shave before departing.  It was not the impression he had intended to make but when he recalled the night of revelry he enjoyed in his final night living in London, he could not say that he regretted his carelessness with his appearance.  Everett’s muscles felt tight from the long journey and he took a moment to stretch his limbs.  As he did so, he attempted to rouse Philip.  
“We’re here, Phil” 
Phil rolled over with a groan and buried his face.  
Everett harshly nudged his leg.  “We’re here.  Get up!”
“Alright, alright.  Clearly what the Duke says, goes.” He lifted his head with a gruff.
“Have you finished mocking me?”
Phil stretched with a smirk.  
“I’m insulted!  I would never challenge the commands of the Master of the House.” 
“You are an ass,” Everett growled and exited the vehicle.  He walked towards the house, taking in the staff waiting outside to meet him.  It was a skeleton staff at this point, only the bare minimum until Phil had adjusted to what was needed and arranged for the necessary hiring.  
Everett and Phil had brought their valets from London which would be plenty for the time being. In addition, there was a butler and housekeeper, cook, and several general maids together performing the tasks that a dozen or more staff would normally do. However, since the great house had remained closed up, outside the servants' quarters, that was enough.
Greenwood Hall was a grand hall of dark red brick accented with white stone entryways and windows. The hall was wide and flanked by a clock tower on one side and an orangery on the other.  Behind the estate was one of the grandest gardens in all of England.  It had been designed by Everett’s great-grandmother who deeply loved Rorchester and Greenwood Hall.  He grew up hearing the stories, but never fully understood why his father had abandoned the hall.  It’s true, this area was not wealthy.  Everett had heard his father complain for years that the farmers were not successful in this area and the villages were poverty-stricken.  It seemed an odd revelation to behold this grand empty hall presiding over it all.  
Everett took a few moments to introduce himself to the staff and allowed the housekeeper, Edna Baker to show him through the parts of the hall that had been reopened for him.
“Unfortunately, due to the unexpected passing of the late Duke, we did not anticipate that the hall would be opening again so soon.  I apologize that we were unable to have it ready for you, Your Grace.”
Everett shook his head.  “No need to apologize, Ms. Baker.  It was quite unexpected.”
The estate felt oddly familiar to Everett, but not recognizable. Almost the way you remember a dream immediately after waking but you can never quite get the full picture clear.  It felt odd and he found himself drifting into a sort of daydream when Philip finally arrived from the car and joined them.  
“This is quite a place, Rett.”
Everett nodded, taking in the scene as they strode up the stairs of the grand hall.  The floors below were a bold black and white marble and the rich mahogany wood of the railings was shiny and smelled of fresh polish.  They had made sure to clean and polish this area of the home so that it was presentable for his arrival.  As the light shone through the rows of windows lining the front of the house, however, he could see the particles of dust floating through the air from years of inactivity.  When they reached the second floor, Everett and Phil were each taken to their respective rooms where their valets had stored their belongings.  Everett had asked not to be placed in the Duke’s former chambers.  It felt odd to him to take over the bed his father and mother slept in, even if it was so many years ago.
“Is there anything I can get you, Your Grace?” Edna inquired.
“No thank you, Ms. Baker.  I believe I will wash up and perhaps take a stroll in the gardens before dinner.”
“Very well, Your Grace.”
Phil stretched beside him.  “I think I am going to rest a bit longer.  I’ll be down for dinner.”
Everett nodded and turned to go but then stopped.  “Thank you, Phil.”
Phil shrugged, “What for?”
“You’re a good friend, Phil.  I know the decision to move out here and help me to get settled into….all of this.  It was not an easy choice.”
“Sure it was.”  Phil clapped Everett on the shoulder.  “That’s what friends do, Everett.”
And with that, Everett and Phil parted ways, into their rooms.
After getting washed and shaved, Everett felt like a new man.  He once again, wandered through Greenwood Hall, this time with fresh eyes.  It wasn’t time for dinner and the weather was fine, so he exited onto the veranda to look out at the gardens.  
The gardens covered acres of land and included a hedge maze, a pergola covered with roses and wisteria, flowering bushes, and a glass greenhouse for a winter garden.  
Everett closed his eyes and breathed in the fresh air, lightly scented with the early spring buds beginning to blossom.  He opened his eyes and looked out at the sky. It was startling the colors that he could pick up when he looked. There was orange and yellow, but red, pink, and purple too. He couldn't remember the last time he had paid any mind to the sky at dusk and realized just how lovely it truly is. But when he heard the screech of the old back door open, his eyes easily left the sky to study the woman exiting below.
She was wearing a long flowing dress and he could see she was thin but strong. Her hair was strawberry blonde and pulled back into a braid, although several strands had escaped and were flying wildly around her as an evening breeze blew in. 
Everett was mesmerized by her, watching her walk purposefully across the narrow garden path and towards the forest. He had not even seen her face, but with each step she took away from him, a feeling of panic began to rise in his chest. He stared, fighting the urge to call out or run after her.  He needed to stop her, but no words came.  So he simply watched, until she was gone, disappearing into the trees.
Everett exhaled, realizing he had been holding his breath. He instinctively clapped his large hand over his chest, feeling his heart wake up like a bear hibernating for a long winter and suddenly coming alive with the spring. Everett did not know exactly what this strange feeling of longing and regret was, but he knew one thing.  He needed to find her. 
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cspasfan15 · 3 days
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Updated TDA LV Predictions
My Last predictions before tomorrow
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aboutanancientenquiry · 9 months
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"Description
This collection of essays investigates histories in the ancient world and the extent to which the producers and consumers of those histories believed them to be true. Ancient Greek historiographers repeatedly stressed the importance of truth to history; yet they also purported to believe in myth, distorted facts for nationalistic or moralizing purposes, and omitted events that modern audiences might consider crucial to a truthful account of the past. Truth and History in the Ancient World explores a pluralistic concept of truth – one in which different versions of the same historical event can all be true – or different kinds of truths and modes of belief are contingent on culture.
Beginning with comparisons between historiography and aspects of belief in Greek tragedy, chapters include discussions of historiography through the works of Herodotus, Xenophon, and Ktesias, as well as Hellenistic and later historiography, material culture in Vitruvius, and Lucian’s satire. Rather than investigate whether historiography incorporates elements of poetic, rhetorical, or narrative techniques to shape historical accounts, or whether cultural memory is flexible or manipulated, this volume examines pluralities of truth and belief within the ancient world – and consequences for our understanding of culture, ancient or otherwise.
Table of Contents
Preface
Abbreviations
List of Contributors
1. Introduction
Ian Ruffell and Lisa Irene Hau
2. The Challenging Abundance of the Past: Pluralising and Reducing in Pindar’s Victory Songs
Jan R. Stenger
3. Tragedy and Fictionality
Ian Ruffell
4. Seventeen Types of Ambiguity in Euripides’ Helen
Matthew Wright
5. Multiple Ways to Access the Past: the Myth of Oedipus, Sophocles' Oedipus Rex and Herodotus' Histories
Catherine Darbo-Peschanski
6. Fictional Truth and Factual Truth in Herodotus
Anthony Ellis
7. Se non è vero: On the Use of Untrue Stories in Herodotus.
Katharina Wesselmann
8. Intertextuality and Plural Truths in Xenophon’s Historical Narrative
Emily Baragwanath
9. Ctesias of Cnidus: Poet, Novelist or Historian?
Alexander Meeus
10. The Aesthetics of Truth: Narrative and Historical Hermeneutics in Polybius' Histories
Nicolas Wiater
11. Truth and Moralising: the Twin Aims of the Hellenistic Historiographers
Lisa Irene Hau
12. Alexander and the Amazonian Queen: Truth and Fiction
Joseph Roisman
13. Lucian on Truth and Lies in Ancient Historiography: the Theory and its Limits
Melina Tamiolaki
9. Ctesias of Cnidus: Poet, Novelist or Historian?
Alexander Meeus
10. The Aesthetics of Truth: Narrative and Historical Hermeneutics in Polybius' Histories
Nicolas Wiater
11. Truth and Moralising: the Twin Aims of the Hellenistic Historiographers
Lisa Irene Hau
12. Alexander and the Amazonian Queen: Truth and Fiction
Joseph Roisman
13. Lucian on Truth and Lies in Ancient Historiography: the Theory and its Limits
Melina Tamiolaki
Index
Editors
Biography
Lisa Irene Hau is Lecturer in Classics at the University of Glasgow, UK. She has published articles on Greek historiography, moralising and narrative technique, and she is working on a book on moral didacticism in Greek historiography. She is co-editor of Beyond the Battlefields: New Perspectives on Warfare and Society in the Graeco-Roman World (2008).
Ian Ruffell is Lecturer in Classics at the University of Glasgow, UK. He is author of Politics and Anti-Realism in Athenian Old Comedy: the Art of the Impossible (2011) and Aeschylus: Prometheus Bound (2012)."
Source: the site of Routledge ( https://www.routledge.com/Truth-and-History-in-the-Ancient-World-Pluralising-the-Past/Hau-Ruffell/p/book/9780367871628)
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luegootravez · 3 months
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Raúl Arévalo, Melina Matthews, Jorge Suquet & Verónica Echegui in 'Donde caben dos' (2021)
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docpiplup · 7 months
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Laura y sus misterios: Laura y el misterio de la novia que esperó demasiado @sonechkaandthedynamos @goldenliartrash @sapphicfolch @butherlipsarenotmoving @dorothyoz39
Sinopsis
Tras los años de excedencia regentando un apacible hotel rural, Laura se incorpora a la comisaría de nuevo.
El misterio se sitúa en un edificio de vecinos situado en el centro de Madrid. La casa es muy característica: a pesar de tener muchos años, está reformada. La escalera y el portal siguen conservando el encanto de lo antiguo. Y los vecinos se conocen desde siempre... Durante las obras de pocería de un inmueble en el centro de Madrid, se encuentra el esqueleto de una mujer que llevaba mucho tiempo sepultada en las galerías subterráneas del edificio. Lo más sorprendente es que lleva puesto un vestido de novia. Cuando una de las vecinas de la casa dice que cree saber quién es el cadáver y por qué murió, es asesinada. Laura tendrá que intervenir para averiguar quién, de entre todos los vecinos del edificio, es el asesino. Y sin saberlo, se encontrará con el criminal más insospechado de toda su carrera. Laura jamás hubiera imaginado que, en su primer caso al incorporarse de nuevo a la policía, iba a tener que detener al asesino que nunca hubiera querido descubrir, el criminal más imprevisible y asombroso de su carrera.
Reparto
María Pujalte - Laura Lebrel del Bosque
Oriol Tarrasón - Martín Maresca Delfino
Laura Pamplona - Lydia Martínez Fernández
César Camino - Vicente Cuevas
Beatriz Carvajal- Maribel del Bosque
Raúl Mérida - Héctor Herranz Leache
Manuela Velasco
Melina Matthews - María
Aaron Porras - Arturo
Denis Gómez - Antonio
Fernando Tato - Sergio Navarro
Ascen López - Begoña
Mariu Bárcena - Consuelo
Lucas de Blas - Beltrán
Alberto Roldán - Oliver
Irene Ruiz - Clara
Elena Villalba - Patro
Rebeca Sala - Cinta
Antonio Lence - Experto en arte
Arantxa Zambrano - Farmaceútica
Arlette Torres - Profesora de yoga
🕵‍♀️Bueno, pues ayer ví el nuevo episodio de Laura, y bueno no quiero hacer muchos spoilers por si acaso alguien aún no lo ha visto, pero en general, me ha parecido bueno. El caso ha estado interesante*, y quedan pendientes algunas cosas que supongo continuarán** en el siguiente episodio o en la cuarta temporada , así que tendremos que esperar al miércoles 20 a que se estrene "Laura y el misterio del paciente suspicaz". ¿ Qué os ha parecido el episodio?
*Sobre todo el giro de Beltrán siendo el asesino, cuando el estuvo ayudando a Laura en la investigación, aunque bueno, en principio eso funcionó para desviar la investigación a sospechosos más probables.
Este capítulo como se indica la sinopsis, tiene el factor de tener un asesino bastante imprevisible, al principio lo lógico es pensar que alguno de los inquilinos adultos es el culpable, pero por descarte y algunas pistas que se van revelando, resulta ser Beltrán, un adolescente de apenas 14 años, algo más joven que los gemelos, que sin querer mató a su amigo Oliver y al que sigue viendo como "fantasma" (bueno, más bien es producto de su mente, pero le digo fantasma para simplificarlo), y es a raíz de esa muerte y el trauma de Beltrán se desencadenan las otras muertes.
**Como lo del cáncer de Cuevas o la especie de triángulo amoroso que parece que quieren montar entre Laura, Martín y la mujer de Martín (no me acuerdo de su nombre ahora), después de que Laura se haya dado cuenta que Martín era el DW de la tercera temporada, aunque lo más seguro que lo de Laura y Martín se quede como algo platónico y ya está.
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beautifulfaaces · 2 years
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Masterlist - Female Green Eyes
2000s
Addy Miller
Ava Kolker
Amirah Johnson
Beatrice Kitsos
Caitlin Carmichael
Ella Ballentine
Ella Rubin
Isla Johnston
Larsen Thompson
Mackenzie Foy
Megan Scott
Melissa Collozo
Sky Katz
90s
Alana Boden      
Alba August
Aleece Wilson
Alexandra Tikerpuu
AJ Michalka
Ali Collier
Alicia von Rittberg
Alina Bobyleva
Alina Boz
Alina Kovalenko
Alycia Debnam-Carey
Allegra Carpenter
Amine Gülşe
Amy Forsyth
Anna Grace Barlow
Brec Bassinger
Breezy Eslin
Brenna O’Brien
Cailin Russo
Caitlin Carver
Camren Bicondova
Catherine Missal
Chloe Grace Moretz
Danielle Campbell
Dove Cameron
Eda Ece
Emma Appleton
Ester Expósito
Esti Ginzburg
India Gants
Frances Encell
Isabel Hodgins
Jella Haase
Jenna Boyd
Júlia Molins
Katerina Tannenbaum
Laura Bilgeri
Lauren Froderman
Lauren Jauregui
Lauren Potter
Leonie Benesch
Lexi DiBenedetto
Lilli Camille Schweiger
Lola Rodríguez
Louisa Connelly-Burnham
Lucy Boynton
Luna Marie Schweiger
Madeleine Coghlan
Madisen Beaty
Madison Davenport
Madison Lintz
Marielle Scott
Meredith Mickelson
Mia Healey
Natacha Karam
Nell Tiger Free
Paula Beer
Pauline Burlet
Pinar Deniz
Rachel Matthews
Riley Voelkel
Romi Van Renterghem
Sabrina Bartlett
Savannah Baker
Sophie Turner
Stephanie Styles
Tiera Skovbye
Ulrikke Falch
Vanessa Grasse
Willa Holland
80s
Abbey Clancy
Abbie Cornish
Alex Paxton Beesley
Alexa Chung
Alexa Davalos
Alexandra Turshen
Alissa Jung
Alison Sudol
Amanda Seyfried
Amy Winehouse
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Ana de Armas
Angelina Häntsch
Avigail Harari
Bar Paly
Beren Saat
Carrie MacLemore
Claire Boucher
Clara Alonso
Darla Baker
Eliza Coupe
Elizabeth Knowelden
Elle Evans          
Emilia Clarke
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Esther Povitsky
Felicity Jones
Genevieve Angelson
Georgia King
Haley Webb
Hannah Ware
Hilarie Burton
Isidora Goreshter
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Jen Lilley
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Joy Lauren
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Julie Marie Berman
Kate Lambert
Kate Phillips
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Kayla Ewell
Krysten Ritter
Laura Bell Bundy
Lauren Cohan
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Mallory Jansen
Marcella Lentz-Pope
Maria Sole Mansutti
Meg Steedle
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Monika Reithofer
Paige Spara
Priscilla Quintana
Rachael Taylor
Razane Jammal
Rebecca Breeds
Sara Canning
Sarah Power
Shelley Regner
Tammin Sursok
Yasemin Kay Allen
70s
Adamari López
Alison King
Amber Valletta
Angela Kinsey    
Anna Torv
Artemis Pebdani
Becki Newton
Brandy Clark
Brooke Elliott
Charlize Theron
Christina Applegate
Constance Zimmer
Dorian Brown Pham
Erica Durance
Ginnifer Goodwin
Jennifer Morrison
Jessica Chastain
Jill Flint
Julia Parker
Kathy Kiera Clarke
Keri Russell
Leslie Bibb
Melissa McCarthy
Niki Karimi
Portia de Rossi
Sabrina Grdevich
Sarah Rafferty
Stephanie Waring
Traci Dinwiddie
60s
Alexandra Paul
Amy Ryan
Catherine Tate
Elisabeth Shue
Emily Procter
Francie Swift
Gia Cardis
Julianne More
Kelly Rutherford
Marcia Cross
Mary Page Keller
Melina Clarke
Natascha McElhone
Rebecca Stab
Sherry Stringfield
50s
Allison Janney
Chloe Webb
40s
Diane Keaton
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