#meet dead

[byler-alarmist]

Romance <<<<< Necromance

[liveandbreathemusicals]

Gay people will be like “this is my comfort show!” And then show you the most emotionally devastating, stress-inducing, tragic piece of media you have ever witnessed

[notbecauseofvictories]

can I not earn a living wage simply from being a genuine joy to have in class

[chloesimaginationthings]

Pomni and Gummigoo reunite in TADC!

[jaspercasperthecatghost]

JUST FOUND THIS HEADCANNON !

regulus: “you have your-”

harry: “my mother’s eyes, i know”

regulus: “your father’s grin.”

SOBBING

[corkinavoid]

DPxDC Dead Tired Coffeeshop Accident

For one reason or another, Danny is now living in Gotham and working in a coffeeshop. For one reason or another, Tim frequents the same coffeeshop.

Now, both of them are honest to god messes who treat sleep like a grave enemy. Meaning they both survive on coffee, spite, energy drinks, and their respective hyperfocuses.

They don't even talk, really, they just see each other from time to time: Tim knows the barista who looks like he's been dead for weeks is named Danny, and Danny knows how to make Tim's Death Wish with his eyes closed, but other than that, they are just strangers who largely don't care about each other.

That is, until one time after his patrol, Tim comes to the said coffeeshop in his Red Robin gear. He doesn't even think about it, he simply needs coffee. He comes to the counter. He orders. His voice is tired and emotionless. He just wants his coffee and maybe stare at a wall for a few hours until his brain reboots. Danny takes his order without even looking at him. He has been sitting and staring at a wall for a few hours, night shifts are literally killing him.

They are both so done.

Red Robin waits for his coffee. Danny makes it almost automatically, his mind elsewhere. The coffeeshop is empty, save for them two. It's four in the morning. Nothing feels real.

Danny sets the cup on the counter.

"One Death Wish for Tim," he says out of a habit, not fully registering they are alone, and he doesn't need to do that.

Tim takes the coffee without thinking, nods a silent 'thank you'. Brings the cup up to his mouth-

And notices a glove on his own hand.

He is in Red Robin get up.

He freezes and looks at the barista, who is cleaning the coffeemachine. Danny, noticing him looking, also looks back at him. Did he make the wrong order? He knows Tim's soul, he's seen it a lot, he couldn't have mistaken him for anyone else, but maybe he forgot to add syrup?..

There's a domino mask on Tim's face. A vigilante domino mask.

They stare at each other. No one moves. No one blinks. The sun is rising somewhere over the city.

Tim takes a sip of his coffee. Danny goes back to cleaning the coffeemachine.

They never speak of this again, but Tim becomes a regular here in both of his personas.

[coloursflyaway]

I think it's so interesting that when the Night Nurse goes through Charles' trauma, she does see him being attacked by the other boys, sees him running alone through the night, but she never sees him dying. That only comes later, when she is searching for love.

And there is no fear in that memory, even if there is pain, there is just Edwin and the light he is bringing, metaphorically and physically, into Charles' life, there is smiling and joking and listening to stories. There is Edwin.

So, yeah, I don't think dying was a bad experience for Charles. Not a good one, per se, but one that led to the best thing in his existence.

[dcxdpdabbles]

Danny running into a room: Hide me!

Tim: Under my desk! Quick!

Danny: *Jumping the desk* Thank you!

Security Guard running in: Mr. Drake-Wayne! Have you seen a suspicious man pass through here?

Tim: Hmm? No. Is something happening?

Security Guard: A while ago, someone reported that a homeless man was found sleeping in one of our less used bathrooms. It looks like he had been staying there for a while. He had an entire camp set up. He ran as soon as the security was called but we think he's still in the building.

Tim: Wow that's crazy. Hope you catch him

Security Guard: Thank you. I suggest you move down to level 1 until we're sure he's not a danger.

Tim: Of course. I'll be right there.

Tim: *Moving his wheel chair back to stare into Danny's eyes* He's gone.

Danny: Thank you so much for hiding me.

Tim: You're welcome. Take off your clothes

Danny: Excuse me?

Tim: Switch into one of my spare suits. We're going to pretend you're my guest and walked you right pass security.

Danny: Who keeps seven spair complete suits at work?

Tim: *Holding up two ties* I do. Now, this Aqua blue makes your eyes pop, but this classic black with silver stripes gives you a mysterious aura. What are we feeling?

Danny: ....the blue one is nice.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[flwrkid14]

Love and Obsession: The Tim Drake Way

part 2

Everyone in the Batfamily knows Tim Drake has… issues with boundaries. They’ve spent years trying to teach him what’s appropriate and what’s—well—deeply unsettling and completely invasive. To be fair, he’s learned. Mostly. He doesn’t stalk his family anymore (much), and he no longer pulls up files on every single person they talk to (okay, maybe just sometimes). But it’s progress.

But then Tim starts dating Danny Fenton. And, oh boy, a few screws come loose.

It starts small, as always. Just little things. Tim’s a detective, after all—background checks are second nature. Danny’s living in Gotham, and Gotham isn’t safe. So, really, what’s the harm in knowing a little more about Danny’s friends? And his professors? And maybe also his classmates? It’s just standard protocol. Okay?

“Tim, you’ve run a full dossier on my entire biology class?” Danny asks one day, laughing as he flips through a file on the coffee table. Tim shrugs. “What if one of them is dangerous?” “Pretty sure the most dangerous thing in that class is the midterm.”

Danny doesn’t think much of it. He’s a little flattered, even. Tim’s protective. It’s sweet.

But Tim’s mind doesn’t stop there. Danny’s too handsome. Too charming. What if someone tries to hurt him? What if someone tries to take him away? It’s not obsessive—it’s just concern. So, a tracker on Danny’s phone? Necessary. Cameras in his apartment? Standard. Monitoring his sleeping patterns and hangout spots? Logical.

Tim tells himself it’s love. And maybe a little insecurity.

“You have a tracker on his phone?” Dick asks, trying not to sound alarmed. Tim nods, like it’s the most normal thing in the world. “Of course. What if something happens to him?” “And the cameras?” “Safety.” “The background checks on his professors?” “Gotham U isn’t exactly known for its stellar staff, Dick.”

It doesn’t stop there. Tim knows everything. Danny’s eating habits, his favorite places to go when he’s stressed, his childhood allergies. Tim’s mapped out Danny’s entire life. He knows about Danny’s ghost powers too—of course he does. He’s Tim Drake. The moment he realized Danny was Phantom, it just… clicked.

Danny being half-ghost? That’s just one more reason to worry. Tim’s up late at night, watching for any signs of ectoplasmic interference. He tracks the energy spikes. He monitors Danny’s fights.

He doesn’t think Danny knows. He’s terrified of what will happen if he finds out.

But then he does.

One evening, Danny walks into Tim’s apartment and casually drops a folder on the table. Tim’s heart stops.

“What’s this?” Danny asks, raising an eyebrow. Tim swallows hard. “I… it’s just…” “You’ve been tracking me?” Danny opens the file, glancing through pages of surveillance reports, background checks, even analysis of his ectoplasmic energy. Tim feels like his world is about to shatter.

“I… I can explain,” Tim says, his voice tight. “I’m just… worried about you. You’re in danger all the time, and I—” Danny walks over, cupping Tim’s face in his hands. Tim braces for the worst.

But Danny just smiles. “Can I put a tracker on you too?”

Tim blinks. “What?” Danny kisses his cheek. “If you’re watching my back, it’s only fair I watch yours. I need to make sure you’re safe too.”

Tim stares at him, speechless. Danny doesn’t look scared. Or angry. He looks… fond. Like Tim’s obsessive tendencies aren’t a problem at all.

“I’ve never had someone care about me this much,” Danny says softly. “I trust you with my life, Tim. This? This just proves how serious you are.”

Tim thinks he’s just fallen deeper in love.

-------------------

The Batfamily? They’re worried.

Jason corners Tim in the cave. “Okay, so let me get this straight. You’ve got cameras in his apartment. You’ve mapped out his entire life. You’ve got a tracker on him and a heartbeat monitor. And he’s… fine with it?” Tim nods, a dreamy smile on his face. “Yeah. He even wants to put a tracker on me.” “That’s not… healthy, Tim,” Dick says carefully. “That’s—” “It’s mutual,” Tim interrupts. “We’re protecting each other.”

Bruce pinches the bridge of his nose. “Tim, this isn’t how relationships are supposed to work.” Tim shrugs. “It’s how ours works.”

Damian watches the whole thing with narrowed eyes. “This is deeply unsettling,” he mutters.

They try to talk to Danny. Intervention style. They invite him over, sit him down, and gently (or not so gently) try to explain that Tim’s behavior isn’t normal.

Danny just laughs. “You guys do know I’m half-ghost, right?” “That doesn’t mean—” Dick starts. “I spent my entire life being hunted by ghost hunters. I’ve had worse invasions of privacy.” Danny smiles. “Tim cares. He keeps me safe. That’s all I need.”

The bats don't quite know what to say.

-------------------

Tim and Danny, two slightly unhinged souls who think mutual surveillance is the ultimate act of love.

The bats? They’re just trying to keep up.

(“At least they’re happy?” Barbara offers weakly. Bruce sighs. “For now.”)

Gotham’s version of love was never going to be normal. But this? This is a whole new level.

[quadrantadvisor]

Thinking about DP x DC Jason Todd being a revenant again. Here's my scenario. Jason gets called that by some ghost. He's like "what the fuck is that supposed to mean?" He's heard the term before but he doesn't know any actual lore. He googles it. He scrolls past the Leonardo DiCaprio bear movie. He opens the wiki. Sees the words "animated corpse" and gets a chill diwn his spine. He starts reading the first section.

He closes Wikipedia.

That night he has a nightmare that his family buried him, again, this time with precautions. He wakes up in his own grave, full of stones, too heavy to move, to scream.

[zorangezest]

thanks for listening

[unnamed-atlas]

There's something really funny to me about Mumbo spotting the "Free us" banner Bdubs built in the cyber punk city and going "oh wow that's so dark omg" only to immediately return to building the ecological disaster destroying and poisoning the farmlands and water supply of his hometown caused by the lab he works in. My man, I'm not sure you have room to judge in that department, actually aksglsgsksb

[hinamie]

a tribute to celebrate the finale of the manga that has meant so much to me these past few years

[chloesimaginationthings]

FNAF Vanny and Amanda from DBD would get along..

[ikiprian]

Tim swears Phantom could’ve been a Titan. Maybe he should be, at this point. They have enough in common to justify it.

“Jeez,” Phantom groans. Abruptly, he drops the levitation and hits the roof without sound. He stretches out on his back like a cat, sore muscles straining in a way Red Robin deeply relates to. “Fighting the living sucks. At least with ghosts I can swing as hard as I need. Already dead means they get back up! But mortals? Way too squishy.”

Red Robin huffs in agreement. “Yeah,” he says. After a moment’s consideration, he lies down, too.“It’s a hundred times harder than people realize. Batman’s always going on about perfect control in training. About how to have it, you gotta be twice as skilled as the other guy. Even without your super-strength, I worry sometimes.”

“How do you do it?” Phantom asks. In a move only achievable to those without bones, or perhaps Dick Grayson, he twists himself over. Gloved hands cup his cheeks. His legs kick back and forth, like they’re gossiping at a slumber party. “I mean. You said you train, so obviously there’s the physical ‘how.’ But how do you keep your emotions nonlethal? How do you keep yourself in check, make sure you’re pulling back?”

“I mean,” says Red Robin. “Murder is illegal, so.”

Phantom sighs. “Yeah. Maybe it’s easier for you.”

… Hm. Maybe Red Robin should redo Phantom’s risk assessment.

Before he can raise too high an eyebrow (though even moving that muscle smarts, ow), Phantom elaborates.

“Ecto-based entities have trouble with their emotions,” he explains. “It’s easy to get lost in an Obsession, or a big feeling like grief. The rest of the world… it bleeds away. Helps to have another emotional anchor to keep it at bay. I use fear.”

“Fear?” Red Robin glanced over.

“Sometimes sheer stubbornness,” Phantom admits. “But a lot of it is fear.”

With a considering frown, he drops his head atop his arms. Exhaustion, regret, reluctance play out on his face. For someone the Bats know next to nothing about, Phantom’s body language is an open book.

“I saw, like, an alternate future version of myself once where I become evil and try to take over the world? So now I gotta be good to keep that from happening. The fear of that future keeps the pressure on me. Makes me focus up. Y’know?”

Tim sits up. “Seriously?”

Phantom nods. “Uh-huh. Kinda bizarre, I know—”

“What the hell,” says Tim. Three consecutive days together and a concussion must loosen his lips, because holy shit, no way. “Dude! Me too!”

“Huh? Seriously?” says Phantom.

“Yeah! I totally saw myself turn evil. Like, Batman but with guns. Guns Batman. I had to fight him and everything. He tried to kill my friends and erase my memory to make sure I couldn’t un-invent him by going back to change the past?”

“Oh my god.”

“What?”

“Oh my god, me too!”

happy wips wednesday!