#me editing this for clarity what are words

[myrmica]

Heyy could we talk about the final scene at the end of season 4 with vitalasy asking the players if they had fun and to forget all their sufferings with each other and mapicc's whole "good job coming in second" thing because no one talks about and I feel like there's something to say about that moment simply because it's clear that no one wants to talk about it. During spokes livestream after the wormhole video was released where he explained a couple things the only thing he had to say about this moment was that it was "weird" and I agree it was weird but idk how to put it all into words and you're really amazing at articulating yourself so I'm just wondering what you thought of this moment? Especially after you pointed out that spoke refused to mention the whole vitalasy arc thing during his wormhole video.

YES!!!!! YES! I'VE THOUGHT ABOUT THIS SO MUCH. i have talked about it before, but it was in the replies to a post so i doubt anyone really saw that. you can go read the full exchange if you want but here's the meat of what i said there, lightly edited for clarity:

it's like… how can you Not resonate with zam if you're sitting there watching all of that. you're squarely in zam's head, while vitalasy is much harder to access, more obfuscated from the viewer, has less pov time. AND zam is actively misrepresenting him to you while you're trying to understand him. hmm… it's like, zam and vitalasy are the two most socially otherized figures in s4. and zam takes a lot of things out on vitalasy, turns the way people treated him back against vitalasy. and he does it in a way where he positions himself as "victim" and vitalasy as "aggressor," it says so much to me that when zam is legitimately victimized earlier in the season everyone calls him a freak for reacting to it, acts like it's his fault, mocks him. but here, when zam instead victimizes vitalasy, he's socially rewarded for it. everyone else mocks vitalasy With him. and in the end, despite wormhole being zam's lowest point by far, he's the one standing together with the rest of the server while vitalasy and subz are singled out on the other side of the circle, alone. vitalasy stands there and goes (in effect) (paraphrasing/expounding here) "i'm happy with this conclusion. i got what i wanted. it's good for me that spoke took the frontman role, played the villain when i couldn't, because i didn't want to be what spoke is." and nobody LISTENS to that, they all just keep making fun of him, saying things like "he's just going to cry about subz," going "too bad you came in second!" when he is explicitly stating that this was what he wanted! acting like his methods are inherently lesser, like he's this duplicitous person, but what SPOKE did was COOL. so it's not about the exploits, is it? it's about vitalasy. it's about vitalasy being the target zam takes all of his anger out on, the thing that allows zam to access a kind of social acceptance by distancing himself from and rejecting what vitalasy is/represents. “not letting him be true to himself because the only cool thing is violence” is really what it comes down to. this is why it's so crazy to me that eclipse was pretty much textually a romantic relationship, in a world where the only way two people can touch each other is through violence. you can say "we all sleep in the same bed," but you can't Do that, you're limited by what the game represents. if you want it to represent other things, you have to start playing pretend about it. that's always true of minecraft, but it's particularly acute on a pvp server populated primarily by teenage boys. zam being afraid of this relationship where vitalasy is trying to talk things out and compromise with him and so retreating back into violence, trying to goad vitalasy into violence, putting it back on lifesteal terms, is inextricable from his problems with the exploits rendering lifesteal's "natural" form of gameplay obsolete.

^ now you might notice that this is a pretty emotionally intense reaction. I had just finished rewatching s4 and got awfully vitalasybrained about the whole thing. which was a markedly different experience from the first time i watched s4, and found zam’s perspective much easier to access, thus taking much of her view of the world as the truth. I stand by my points here for the most part, but there’s still more to say about it.

some of that is all the stuff i get into in that last post, about the differences between spoke and vitalasy, how they play off of each other/use each other to their own ends in s4, and how zam's function as a camera is just as responsible for the position vitalasy ends up in as zam is on any direct interpersonal level. you have… many layers… of things people don’t want to talk about…. don’t know how to talk about… or, don’t want to present as part of their curated narratives.

it’s taken me forever to post this ask (it was sent on jan 10th) because i have found it impossible to come up with a concise answer. there is a lot going on here. let’s start by looking at that scene itself, The Lifesteal SMP Grand Finale, 5:58:24 - 6:15:00:

[spoke jumps in the void and /ops vitalasy.] Mapicc: Spoke, we kinda need you man. We might need you now.  Leo: I don't know about this anymore. I liked it when Spoke was flying, not Vitalasy. [vitalasy /kills everyone, attempting to bring everyone to spawn. no one understands what he’s doing.] Mapicc: Guys, everybody leave the server, don't give Vitalasy, uhh–any satisfaction. (...) Mapicc: Did we really just let Vitalasy end it? Zam: Yeah, I'm not okay with that. (...) Mapicc: Spoke just dm'd me. He said "Vitalasy and Ash have begged me for months to give them the same power. They had equal part in the creation of the exploit, and I just had better timing than them. Let's just hope they do the best with what they have." Zam: So Vitalasy and Ash both have op now. We have nothing 'cause all our items came from Spoke, so. Also, all our echests were cleared, so. I think we're more than fucked if we stay. Mapicc: You know what's crazy? At the end of the day, after all the shit Spoke talks, he still trusted Vitalasy more than us. Zam: I–that's a good point. Yeah, 'cause–that–wow. That hurts. Yeah. He–wow. Mapicc: Mhm.

note the way spoke phrases this message. vitalasy failed to do what spoke did, and then he begged spoke for that same power. this particular wording will be repeated.

a question is also raised in this exchange: it is ostensibly true that spoke trusted vitalasy more than he trusted zam and mapicc, but can it really be said that spoke trusted vitalasy? how much did spoke trust vitalasy? what does trust even mean here? we know that parrot is the only person spoke truly prioritizes in season 4; parrot opposes spoke, but he is collaborated with. vitalasy collaborates with spoke, but…

Zam: We didn't even get a screenie with like, everyone by the void!

in the ensuing chaos, vitalasy interrupts what everyone thought was the server’s final moment. everyone just wants this whole thing to be over, zam especially wants this whole thing to be over. i don’t think there’s anything vitalasy could have done at this point that would have landed. spoke hung onto his power until this last possible moment, /op-ing vitalasy only when there was nothing left to be done. If vitalasy was trying to usurp or upstage spoke, he would have been thoroughly defeated by this.

Zam: [reading a chat message] Vitalasy, mr. "I don't want to be god" Yeah, what the fuck. That's such a switch up, this entire time he's been begging for power? That's crazy. [spoke logs back on and tells everyone to join live 4. he organizes this little meeting, says “let’s give subz and vitalasy space to give their thoughts.”]

and spoke’s continued presence here is fascinating. that moment where he jumps in the void feels like it should be an ending, passing the baton to vitalasy, but that isn’t what he does. he hovers, directing the conversation. that isn’t how you handle this if you trust him. but it isn’t just that; there’s nothing left for spoke to lose, it’s all over. so he must want to hear whatever it is he thinks vitalasy has to say. 

Vitalasy: Hey guys. How's it going. How'd you like it? Was it a little thrilling, I hope? Zam: Like what? Vitalasy: The end of the season? Zam: [unenthused] It was a... crazy fight. Pretty cool. Vitalasy: Did you have fun? Zam: I'd go far enough to say so, yeah. Vitalasy: Awesome. Then I couldn't have asked for more, actually. [Zam does the thing where you zoom in on your own face in F5, looking into the camera.] Zam: Mhm. Vitalasy: I mean as Spoke said, we've been kinda orchestrating the season. Um, from the very beginning. Since the very first day, we've had access to such items, or such exploits–if you guys have any questions we're down to answer them, now that the uh, season's over and stuff. Umm. Spoke: Yo, can we like, all meet up somewhere? [Spoke teleports all of the Lifesteal members to the swamp outside of spawn.] Spoke: I wanna hear the master plan again. Zam: Oh god. Mapicc: There is no master plan. Spoke: Let's hear it, let's hear it again. Vitalasy: What–I don't know what master plan you're talking about. Mapicc: Yeah, 'cause you didn't have one. Zam: What's going on, yeah, I'm confused. Vitalasy: I just wanted everyone to have fun on the server. I missed the good old–I still do. I think–[interrupted by clutch still being banned] Spoke: Alright, keep talking, keep talking. Keep the talk. Vitalasy: I–I don't have much to say besides, I really hope you all had fun. That–that's it. That's what this game's for, that's why we play on the server. We can stop crying, moping, coping over each other. [Zam looks into the camera again.] Mapicc: You do that harder than anyone. [there's a weird, awkward silence.] Spoke: So, the console just de-opped both of you. Vitalasy: Hm? Mapicc: Parrot's on. Before he turns the server off, or does something drastic, good–[interrupted by Clutch]–shut the fuck up–oh yeah okay, you guys go. Zam: No, let Mapicc talk. Please let Mapicc talk. Please. Mapicc: Before Parrot turns off the server, or does whatever, 'cause he just got de-opped from console, good job coming in second, Vitalasy. I hope you're really glad. Vitalasy: What do you mean? Spoke: Oh my god bro. Zam: That was deep. That was deep. Mapicc: You're talking, you keep saying "we." Like you've really accomplished anything here. You turned people against each other and you go "hey guys! I really hope you had fun!" as if you planned all of this. Spoke did everything! You–you had to beg him for operator.

vitalasy showing up at the end here is pure anti-climax, of course nobody is fucking with it. and he’s kind of turning the anti-climax into the point, about how all of this only matters because they behave as if it matters, how the game itself doesn’t matter, but the people you’re playing it with do. except everyone he’s playing with is mad at him (barring itzsubz, who might be mad at princezam.) It is in fact patently absurd to walk up to a bunch of people who have spent the past several months loudly not having fun and go, i hope you had fun!

some of them probably did have fun with wormhole. but they’re counting that as spoke’s victory, something vitalasy had nothing to do with, so they’re mad at him for acting like he did. spoke’s word choice pops up again.

and then vitalasy does this, which is even funnier, because it reinforces the angle mapicc is taking here, even though it’s the wrong angle:

Vitalasy: Like I wasn't the one who gave it to him? Spoke: WOAH! WHAT THE FUCK! [continues shouting, incomprehensibly] Vitalasy: Alright buddy, calm down, calm down. From the beginning, from the beginning. Spoke: Yeah, you wanna rephrase that? Mapicc: HOW OLD ARE YOU GUYS?

this is the thing with vitalasy. he doesn’t want to do what spoke did, but he does want recognition.

Zam: I don't get this, what the hell? Mapicc: You know where humanity would be if gods acted like this, bro? How are you guys gonna call yourselves gods, you're morons. All of you. Well, except for Zam. Zam has a brain.

(funniest mapicc quote of all time. ZAM HAS A BRAIN?)

Spoke: I wanna say–I want a verbal apology, whenever, after you explain the plan. Vitalasy: No, I mean, we've been working together from the start of it, we've always been talking, no matter what side we've been on. Clutch: But how come it felt like you were in the background of it? Vitalasy: I–I don't wanna take the front and center. I don't like doing the whole–  Mapicc: [so much crosstalk happening] You weren't front and center, Vitalasy. Vitalasy: Hm? Mapicc: You–You're not... you're nowhere near as calm and collected as you say you are. Clutch: But, what did you mean by "we would all be okay?" When I called you earlier today? Vitalasy: That's for later. Clutch: LATER WHEN? WHAT? Zam: What does that mean. What does that mean. What later? WHAT LATER? Clutch: THE SERVER'S DONE. Vitalasy: Yeah. Zam: What do you mean? What? Mapicc: He doesn't know what to say. He didn't have this planned out Zam: I feel like, yeah, I feel like you just missed everything and now you're trying to like, pull something. I don't know. Clutch: You just came in and /killed all of us, and just–  Vitalasy: I was just trying to bring us back to spawn here, but. Mapicc: I think arguing is pointless. I just wanna say again, Vitalasy, good job coming in second. 'Cause if–that's what you accomplished. Vitalasy: To what? Mapicc: To Spoke! To everybody! At the end of the day, you have never been in first place, Vitalasy. Vitalasy: Why do I need to be? Mapicc: And I think it's starting to get to you. I don't think you need to be, 'cause you clearly aren't. I think you want to be, and I don't think it's gonna happen. So, go ahead and explain to us your plan, but at the end, Spoke is what–Spoke is what actually made change.

he’s fine with the role he played in comparison to spoke for a number of reasons, and one of them is the fact that he will get his video in the end regardless of all of this; whether or not you win at lifesteal doesn’t really matter if the story you’ve decided to tell is about the glitch itself more than it is about lifesteal.

but his scheme was also never something that disregarded lifesteal, even if that was how it felt to everyone else. we know that vitalasy tried to be careful in his execution of the whole thing, to keep things from being revealed too early and destroying the stakes, wanted it to be fun for the players. he isn’t without blame in things playing out the way they did, but comparing vitalasy’s side of the story with spoke’s, it really looks like spoke was actively lying to vitalasy as he went against that part of his plan.

when vitalasy initially takes the “breaking the cycle” angle with zam, it’s a combination character move and attempt at damage control (the prison was never meant to be bedrock), not something that reflects his true motivations. vitalasy wanted the game to continue; vitalasy did all of this in the first place in large part because he was trying to fix it, to re-balance it. but those attempts fail, and he is effectively pushed out of the game, reaching a point where his only real option is to ban himself because nobody is playing with him anymore. 

despite all of this, in This Exploit changed Minecraft HISTORY... vitalasy glosses over any and all possible tensions between himself and spoke: 

Vitalasy: Project Wormhole officially began on January 21st 2023. Our mission: use the exploit to increase server activity and fun. We’d accomplish this in three ways: firstly, for the next five months, we’d use the exploit to keep balance on the server, as the reason people stopped playing was because of the mass disparity between powerful and weak players. Secondly, we’d use the exploit to give players a genuine feeling of having fun playing the game. And finally, we’d create a mystery on the server, hinting at a doomsday in which we would finally destroy the server in order to prove to Mojang that this glitch had catastrophic abilities.

It’s always, “we,” “our plan,” presenting the exploiters as a united front. what stands out most about this is that he, personally, would probably look better if he pinned it all on spoke, or ash for that matter. you have a scapegoat for everything going wrong, he’s right there! you could try to absolve yourself. you could at least frame it the way spoke frames you? but in the video, things only start going wrong when 3ht finds the vault, an outside party to the exploiters as a team. he highlights the use of replay, and glosses over the actual reasons 3ht went looking; not because they were engaging with vitalasy’s game as he intended it, solving the mystery he laid out, but because they wanted to prove that he was lying to zam. of course, the tradeoff for not throwing spoke under the bus is getting to claim spoke’s successes as his own successes. and for all intents and purposes, they are.

Vitalasy: Everything was going perfectly as planned. Every day we were revealing new items or mobs to the server. And every day, the players would log on to see what was new. (...) But just when we thought our plan was secured, on March 27th, a player named PlanetLord was looking to solve the mystery of where these items were coming from. While searching for answers, he used a mod that basically lets you X-ray, and found one of the barrel stashes in which Project Wormhole was supplying from.

when he presents his own goals as shared goals, that includes his intention to patch the glitch, even though spoke didn’t know that was his ultimate goal. something he does tell zam, the one who was supposed to stay in the dark about this whole thing until the end–a fact that complicates the trust question. vitalasy, spoke, and ash were all using the exploit to completely different ends. spoke and ash’s individual goals align much better with one another than either does with vitalasy’s interests. for ash’s part, he seems to be a pure opportunist in all of this. he ends his video with the events of early february and barely mentions the wormhole proper; all he wants is the power to get a little revenge and carry out his ego trip, so it makes sense that he isn’t bothered about getting /op in the end, or interested in competing with spoke.

you have spoke’s plan, the heavy lifting involved in manipulating parrot–we know vitalasy was involved in the planning, we’re shown footage of them discussing it in calls together, testing the sign that will change the time of day and secretly pull a /gamemode, etc. vitalasy isn’t the one executing any of this but he has a vested interest in spoke’s success, since all of his plans rest on it. you have vitalasy’s plan which, aside from the part spoke wasn’t aware of, is interested in the presentation of it all; how am i telling this story? how do we reveal things over time in a way that keeps the other players invested? we get very little information on spoke’s involvement in any of this, and it would be fair to assume these things weren’t his priority. spoke cared about balancing things during wormhole, but did he care before that? vitalasy still refers to it as “our” plan even when he does acknowledge that spoke and ash went against it, but does that reflect them actually being on the same page? something tells me they weren't. If it’s true that the balancing aspects of vitalasy’s plan largely came into play post-dupe-war, in response to dupe-war, spoke must have been committed to his own plan and his own set of priorities before vitalasy laid all of this out.

details aside, not knowing that vitalasy had an ulterior motive explains why spoke wouldn’t consider that vitalasy honestly wanted him to be the frontman, even though vitalasy explicitly told him as much; why do all of this, if you didn’t want something more? he just incorrectly assumes what it is vitalasy wants.

Vitalasy: I'm... confused. You support Spoke? Spoke's plan? Zam: Yes. Yeah, that's–like, yeah. Vitalasy: Cool. I'm fine with that–  LifestealAdmin: Yo guys, can I get a word? Zam: What's up LifestealAdmin, please say whatever you want. Please, feel free. LifestealAdmin: So, uh... [bans Vitalasy and Subz] I just banned them. [everyone laughs, and applauds] Mapicc: Vitalasy, good job coming in third! Spoke: Hold on, hold on, hold on, actually–actually hold on. Let's unban Vitalasy, let's unban Subz. I actually don't want beef. I actually don't want beef. (...) Okay, I don't want beef, so I wanna hear, what–what is the–what is like, the last thing you wanna do before the server moves on to season 5. Because obviously like, I don't–I don't know, like, Parrot doesn't typically like, /op the server. Mapicc: Spoke, I want you to close the wormhole. Zam: Oh yeah true, can you get rid of everyone? Yeah. Spoke: Hey, I kinda said like, uhh, 11:59 was the end of the civilization event. Mapicc: Spoke, I want you to close the wormhole. Me and Zam joined you for one reason and one reason only, and that was for people to lose the ability to play. If there is a bunch of people on right now, it is completely against what me and–  Vitalasy: Bruh, that was literally what I was doing. Spoke: I have a–okay, I can /ban @a... yeah, that could work. Vitalasy: Dog, I was literally banning all the new players. Spoke: Yeah, okay, my bad. [Spoke bans all of the new players, and Subz and Vitalasy, and LifestealAdmin.] Spoke: Whoopsies. LifestealAdmin, I'm so sorry. [he unbans them.] Spoke: Okay, final–final plan. Vitalasy, Subz. I–I just wanna hear it. Because, I think–uh, from my perspective–from my perspective of all of this, like, we both had an equal hand in discovering, like, the exploit. I mean, we've joined calls with the–the literal, like, creator of it, that has spent the past like, two years of their life like, learning about it, exploring it. And, I mean, we pushed the boundaries of it together. We took it from what was once just a little like–like, chat visual glitch, to an actual like, physical, game breaking glitch. And, I mean, I can–like–I can't thank you enough for that. But, I knew when I first found it–I–and when I first learned the possibilities of it, that only one could get op. Vitalasy: Yep. Spoke: Now, with that being said, I wanna hear your final goal with all of this.

let’s pivot for a second. here’s exactly what spoke has to say about this scene in complete wormhole breakdown, 57:40 - 1:02:10:

Spoke: The two things I have not explained so far is, the dynamics between the rest of the players, and Vitalasy and Subz. And Ashswag. Now I also removed this from the final cut, but this was originally going to be a major plot point in the video, and I still actually don't know the full truth of it, and that's why I removed it, because I still don't understand the full reality of it. Spoke:  But, I am honestly under the assumption that Vitalasy was working with Parrot in the finale. That may sound like a crazy conspiracy, and it probably is, 'cause I don't think he actually did, but I fully believed he did. (...) Yeah, I fully believed that–[reading a chat message] I mean Parrot asked Vitalasy to help? YES! YEAH, I REMEMBERED–yeah, okay, yeah. I also–so, during, when I first got op, like the days after, Vitalasy was constantly messaging me to also get op. And now, I’ll give him credit, like, Vitalasy was the reason why I even found the exploit in the first place, and was the person who got me in contact with Silicat, but the reason why I didn’t give him op, and I told him like, oh it’s just like a safety hazard you know, like I’ll make sure to give you guys op in the very end, like, that’s what I told him, and I told Ash the same thing, but Ash was more like, he was like “okay, I get that.” He’s like, “as long as you can give me the force, like, wands i’m fine with that.” So, Ash was really chill.  Spoke: But Vitalasy on the other hand–Vitalasy, because he, I also didn’t say this, but in May 1st, Parrot reveals to me that Vitalasy did, um, help him with the ban thing. And Vitalasy never told me about it! Vitalasy never told me that Parrot and him were like, working together. And when Parrot told me about this, I assumed it was just used to like, to convince me to stop working with them, but that’s where I realized later that, Parrot and Vitalasy were probably in cahoots. They were probably–what was probably happening was, Parrot was trying to get Vitalasy to get op, so that then I’d show him to like, the control room, he can see all my repeating command blocks, and then once he can remove all of that, he could take me off the server. And… I knew /op-ing vitalasy would probably be the one way I would get defeated. So, that’s why Vitalasy never got op, and there was a lot more points, especially after the vault was found, where I was definitely consider–considering leaving the team entirely, to focus on May 1st myself. But I knew if I left the team, then the exploit would get out there, Vitalasy–or, Parrot would learn the truth, and then it would just… not work. (...) Spoke: This was also where I /opped Vitalasy and like, Subz and Ash. But… I wasn’t really… I don’t even wanna talk about this. I’m kinda tired, I don’t really wanna talk about this. ‘Cause then, they started just like killing everybody and banning people and then this final convo happens where they… uh, I dunno. It’s weird. It’s a little–it’s weird. I don’t really like this. I–I even messaged Parrot to hop on LifestealAdmin and ban them. And he proceeded to do that and it was really funny.

so, what was spoke expecting in this moment? what did he want vitalasy to say? presumably, he was looking for a reveal. he wanted to be proven right, that he shouldn’t have trusted vitalasy, that it was never collaboration. the exploit is like a loaded gun on the table, neither spoke nor vitalasy can take the other out of the picture without destroying the chance to see their respective projects through, only vitalasy needs spoke, and past a certain point spoke really doesn’t need vitalasy (though again, where might he have been without someone else to take the fall?). but spoke correctly guesses that vitalasy isn't telling him everything, and he doesn’t understand that vitalasy requires his success in order to succeed himself, so he plays against him. you could in turn say that spoke is the one being played, but that’s the wrong way to look at it, we’ve been thinking on spoke’s terms here. vitalasy presents them as a united front.

Vitalasy: I mean, as I gained the powers more and more, from you, and from the barrels, and all that, I realized it's... not that fun. To have it all. To have /op? To have everything? There's no difference. It doesn't–it doesn't make the game any more fun, and– 

of course spoke has no idea what to do with this. "I don’t really like this. It was weird." yeah, i bet it was weird, mr. "and that feeling... was pretty cool." 

and it still leaves the question, if it isn’t fun, why did you want it so bad? for this? to make a point? to prove something to yourself, to try to prove something about yourself to everyone else? …to prove that you’re better than i am?

in this regard, vitalasy is a fundamental threat to his power. not just being–in spoke’s own words–the only thing that could have defeated him in the end, if he did get op and choose to use it against him, but–assuming his fears were unfounded–in the fact that spoke was wrong to consider vitalasy a threat. that vitalasy only earnestly wanted him to succeed, was really only playing at opposing him. that at the end of the day, vitalasy wanted something different from what spoke wanted. 

an extrapolation: you are working with him but you know, in the back of your mind, that you have to beat him to the finish line. you reveal the exploits earlier than he wants, knowing it will lessen his chances and aid your own. In the end, you discover that it was never even a race.

Zam: So why'd you do it?  Vitalasy: I never wanted, I never wanted to be the one to take down the server, to be the tyrant, or any of that.

this is where vitalasy fails to fully articulate himself. he dodges zam’s question entirely. how do you gain enough of that power to realize you didn’t want it, if you never wanted it in the first place? i think we’re all familiar with the defense mechanism which supposes a realization as having happened sooner than it really did, allowing you to have never been wrong in the first place. he’s a little more forthcoming in Season 4 Is Over!, 31:00:

Vitalasy: I realized like, a few things this season. One thing is like, I learned a bunch about myself. Like, and who I want to be for future seasons. Another thing was like, I remember end of season 3, I was like "oh my god, I've never been the bad guy. I've never like, tasted the feeling of being a villain. And... once we had exploits, and had everything, all the power in the world, it... it just felt like nothing. Hah. And I mean, luckily Spoke is the one to take it to the extreme. But you and I stayed pretty chill on this, and–  Subz: We did have every opportunity ever to do exactly what Spoke did. Vitalasy: Yeah, we literally had access to the same exact items to get operator as well, so like. Subz: Yep. Vitalasy: I don't know. That just says something to myself, about who I am. Like, I can't believe I did that. If I told myself like a year ago, in season 4 you're gonna get op, you're gonna have the ability to get op? I would have taken it and gone crazy. But here we are. Like, barely used it, up until the very end.  Subz: I guess we just don't like exploits. We're just anti-exploiters. Vitalasy: Nah–no, no, I think–I wanted–I always had the idea of like, only use exploits if other people are using a worse exploit, basically. And it's funny, I think I told you this, like... they, Baconwaffles–like, Solar Union, um... and the entire server was mad at us and targeted us for having an exploit. Even though we were using that exploit to defend ourselves, against larger exploits to come. Yet, here we are with the larger exploits. And because I–we had gotten rid of so much of it, we weren't able to help as much. Subz: It was too late. Vitalasy: I just think it's ironic, and it's–ahh... lesson learned, I guess. Subz: Lesson learned.

here vitalasy admits that he did set out to be the “tyrant.” he wanted to know how it felt, and he got his answer. everyone knows that he did, intuitively, because it was obvious–and he had (obliquely) admitted the same to zam, before.

but that still isn’t a complete explanation. during wormhole, vitalasy is still suffering from the strange results of his attempt to split his in-game and out-of-game motives down the middle. It allows him to say completely contradictory things–i set out to be the bad guy, but i was only ever using the exploits for good, in self defense!–and mean them on some level, even though to everyone else it reads as nothing but lies–but if this is all he has to offer in the end, what were the lies in service to? why did he do all of this? and he still can’t explain it even if he wanted to, because the video he did it all for isn’t out yet. he’s still trapped in the web of stupid problems he’s created for himself even as he’s trying to explain how much he learned from said problems, and how different it’s made him.

everyone involved understands, on some level, that whatever vitalasy was trying to do has already fallen apart, but he’s standing here acting like he’s won something. they don’t understand how spoke’s victory can also be his victory. they are misidentifying what it is that has failed, and they’re missing the fact that, though he could have never known going in, he needed it to fail more than he needed it to succeed. that this is a victory of its own.

while everything is still going to plan, spoke’s role as the one orchestrating the wormhole makes it possible for vitalasy to play a character who will fight against it, and once everything starts falling apart, spoke’s presence is what allows him to step back and ban himself and get excited for the wormhole despite it all. this means that even before he’s experienced the full consequences of having set himself up to play the villain and failing to follow through, he still tends towards framing himself as somehow justified/right/good. It’s just that it changes over time from something he thinks is serving a dramatic reveal into something he needs to be the truth. i don’t know how vitalasy expected the server to react to him, or to his character, or to the revelation of his character as a construct–we know he wanted it to be fun, wanted things to unfold in such a way where the spirit of the game remained intact, but the original trajectory of it all makes him look so much worse than his failures do; lying to zam the entire time, knowing that zam might betray in the end and stringing her along anyway. 

the way vitalasy describes it in that behind the scenes video, he’s describing the videos he wanted to make. in phase 5, in my video, i’ll explain everything. but when do the other players find out? would this moment, the end of the wormhole, have been that reveal for them? look, i had all of this power and i only used it for good. but now there’s nothing left to reveal. you gave it all away, and all that’s left is yourself.

vitalasy was already placed in a position where there was nothing he could do to convince anyone of anything, for reasons largely beyond anyone’s control. if he could have just committed to playing the villain, it might have fixed everything. It would have given the bedrock prison a purpose, at least. but he couldn’t, because it would require compromising his own needs. and even if he had, they still would have been mad at him–there was no winning. If there was no spoke figure there to keep the plan in motion, if it was just vitalasy, things would have been much worse. vitalasy would have been infinitely more trapped in that position and if he had still refused it, there would have been no finale to deliver some sort of payoff.

as such, spoke and ash revealing everything too early is the pivot point that simultaneously destroys everything and saves vitalasy, in a weird way. It forces him to be honest with zam, to have to try and make it work anyway. to be himself, instead of maintaining the character split. It makes sense that vitalasy isn’t mad about it. it had to happen. the trajectory he was on wasn’t working.

season 4 is lifesteal as a system working against itself. they're being held hostage by the audience, by the secrets that have to be kept from the audience, and by the fact that they are people trying to function on narrative rules. some of them are manipulating each other for real; some of them are backpedaling on that trajectory hard and not being believed, because of the true potential to be manipulated for real. no one can explain anything to each other, there’s no pre-negotiation, no trust, no one can ask for what they want. you might hope that, having reached the final moment of it all, this would stop being true. but it doesn’t. no one is able to articulate it. they just keep on talking past each other. vitalasy tries to articulate it, but he can’t get all the way there.

[LifestealAdmin whispers to Zam: I'm having a LOT of fun!!!! :) x4] Vitalasy: Anyways, I'm very glad that I could be, you know–that you could have taken that role for me. [silence, for a moment.] Mapicc: That said, what is the plan? Vitalasy: Ummm, Minecraft? Clutch: Let's have a minecraft party! Vitalasy: You guys can move on to the new server if you want, but personally? I'd just like to go fishing with my friends. There doesn't need to be some big ending, why don't we just play? How we want to play? Mapicc: Because it's already way far past fishing peacefully in Minecraft right now. Look around you. Zam: I don't–yeah, no, this place is so messed up. I don't know how you could try to stay here.  Vitalasy: Exactly, that's what I'm saying. You guys can move on. LifestealAdmin: Boys, boys, I'm gonna be honest bro, like, I just think everybody's rationale is dookie booty, see you next season, boys. [Everyone is banned. Zam laughs.] Mapicc: You know what Zam, does that count? I'll take that. Zam: Does that count? That does count, yeah.

vitalasy’s wormhole video is, as far as i know, the only video to include this scene at all. It’s the final piece of lifesteal footage shown, before vitalasy ends it talking about how he succeeded in getting the glitch patched. we get one line of dialogue from vitalasy, and then it cuts away–knowing, having seen it, that this is because there’s nothing else of it he could have included without calling the rest of the video into question. not just the parts that make himself look better, all of it. he would have to acknowledge the fact that he’s tying it all up in a bow and the bow doesn’t fit right.

Vitalasy: As players flooded the server I smiled with glee, knowing that this was not only about to be the end of the server, therefore forcing us all to make a new server and start fresh, but also the ending of Project Wormhole. I fought against the wormhole with the other players to make the event fair, but the doomsday continued as planned. As hours went by, totems were removed, hearts were taken, and effects were cleared, all to build up to the moment when we could finally /stop the server for good. But the more I fought against the wormhole, the more I found myself… not… having fun. While the players had a goal, to survive the wormhole event, because I knew everything, I didn’t really know what to do. I could have continued mindlessly going into battle against the wormhole, but at the time, that simply didn’t seem enjoyable. For so long I had hidden behind the curtains of my great project, and now watching it unfold, I had no role to play. So seeing my best friend next to me, just as lost as I was, for the first time in eleven months, I decided to put the wormhole project aside.  [cut to recording; the end of their confrontation with zam, decontextualized.] Vitalasy: Why don’t we just log off? Don’t you remember like, the good old days? Days of minecraft. Building, just… playing minecraft. [cut] Subz: why the hell does it matter what other people want. Or, not really like that but like– Vitalasy: No, I get what you mean. We are doing what we want for us. Subz: Yeah, yes, yes. That’s what I meant. [back to voiceover] Vitalasy: So we waited and watched, as the server we used to care about crumbled. Because in the end it didn’t matter, server or not. We learned what mattered most. That's why we made Project Wormhole; to end the server while bringing its players closer together. Us included.

that’s why we made project wormhole; to end the server while bringing its players closer together. us included. 

[PARROT STARED AT ME, AS HE REALIZED: I DIDN’T JUST EXPLOIT A GAME, I EXPLOITED A FRIENDSHIP I HAD BUILT OVER YEARS. VIDEO AFTER VIDEO, I LIED ABOUT THE EXPLOITS, I LIED ABOUT THE STORY, I LIED ABOUT THE NPPP TO ARTIFICIALLY CREATE HIS PURPOSE. I LIED TO THE VIEWERS, I LIED TO MY FRIENDS, I LIED TO GET TO THIS PLACE, THE ONE PLACE THAT WAS DEEMED IMPOSSIBLE. BUT THE TRUTH IS? THAT ANYBODY COULD HAVE ABUSED THE WORMHOLE. BUT NOBODY COULD HAVE DONE WHAT I HAD ACHIEVED.]

and spoke thinks, why did you forgive me? I thought you’d hate me for it. but you don’t.

princezam says: you aren’t allowed to forgive me. 

vitalasy thinks: i wish you would forgive me. I wish you would forgive yourself.

vitalasy and subz stand there after she leaves and they say, maybe it was only ever meant to be the two of us–vitalasy bookends this same scene, decontextualized, with the sentiment that he and subz were brought together through all of this.

….at what cost? what a hollow win condition. It wasn’t about that. 

we’re doing what we want for us. and it is selfish, by some measures. by zam’s measures, and maybe by everyone else’s too, what vitalasy does in season 4 is selfish. the wormhole is, on the parts of everyone involved, a scheme prioritizing their stories over everyone else's in true lifesteal fashion, declaring narrative control, orchestrating the shape of an entire season; a year of everyone’s lives. vitalasy could not end further from where he began: there is no climax to my story, there is no twist ending, there’s just me. he set it all up with the intention of there being those things, and in the videos where he can gain back distance and narrative control, maybe there is. but over the course of season 4 it all unravels, until it’s just him. and isn’t this the same lesson zam had to learn with eclipse? that you can’t compromise yourself? that you might end up in a situation and realize that it’s not what you want, and have to find a way to get yourself out of it. even an inelegant one. It isn’t just vitalasy creating a role that zam can’t fill, it’s zam doing it back at him, too, building on the framework until the whole thing collapses for both of them. how do you explain the realization that you don’t want what you thought you wanted, but that all of the time wasn’t wasted, because you had to go through it to get where you are now, even though you would never do it again? you don’t. tie it up in a bow.

a contradiction: the server isn’t what matters, the people are what matters, but we refuse to give it up–we’ll be back. and what’s with his fixation on the day one fishing spot, anyway? this juxtaposition where it can be both the site of the exploit’s discovery and the epitome of normal minecraft the way vitalasy talks about it, some sort of threshold. what would that moment have been without the exploit, is that the question? no, because vitalasy doesn’t regret doing it. he needed to do this, to learn from it. but now he’s done. why does vitalasy want to revisit that originary moment–a moment spent with the other exploiters? us included. why does he want to stay in the world, explore its ruins, build an ugly house, hang all of his sentimental items on the wall? vitalasy and subz talk about zam like they don’t want to remember her, and she’s absent from these final videos, but she gets hung on the wall too.

two years later, princezam says: i need to forgive myself through you.

the locus of tension in the final eclipse argument–part and parcel with the things people will refuse to talk about, moving forward–is on the fact that zam hates herself and what she’s done and the situation she’s found herself in, but she won’t actually do anything to make it better. it takes her two years afterwards to even begin to work it out. that scene is the climax of their personal stories in season 4 and it amounts to vitalasy, having been changed so dramatically in large part because of the effect zam had on him, running into the fact that she is rejecting that same kind of change in favor of taking her anger out on the world and with it, herself. she wants to leave it behind, and she wants to forget it happened. spoke, for his part, seems to take about the same amount of processing time on all of this that zam does.

this final scene is just a nail in a coffin. people talking past each other. at that moment in time, vitalasy and the rest of lifesteal rendered incapable of understanding each other.

Zam: I'll talk to Bacon about it. (...) Maybe I can talk to Mapicc about it. [pause] ugh, but then I'm scared that they're gonna be like–nah, cause like, I don't–I don't wanna talk to someone about it and then they'll just be like, yeah, no, Vitalasy was like, evil. And then it's like–cause like–everyone–everyone on the server at that point strongly believed that he was, right? I don't know.

how do you talk about that? first, you just don’t understand it. you cannot seem to grasp what he’s telling you, nothing to be done with it. later… maybe you would understand it. but it’s been so much time, and admitting you were wrong is really one of the hardest things in the world (and telling someone else that they were wrong might be harder still).

[allthecastlesonclouds]

incredibly interested in buddy worshipping a "nameless god of rage" actually.

because she's not nameless. her name is ankarna, apparently. adaine found it. adaine abernant, elven oracle, read it aloud to the cosmos and destroyed the oblivati mori.

but buddy does not follow ankarna. buddy follows a nameless god.

the rat grinders do not know the name of the god they follow. they do not know the cause in which they fight for. we were warned by pok, episode 13, that if someone began worshipping ankarna, it would be unsafe. but the rat grinders do not follow ankarna. they follow someone unnamed.

i wonder what would happen if the rat grinders learned her name.

[vivacia-18]

I'm about halfway to two thirds through You Feel It Just Below the Ribs, and asdjasdlkajsadjal

The reveals, the implications, I can't even - mentally I'm rolling on the floor frothing at the mouth. I want to go back and listen to season 3 and season 1 all over again, holy shiiiiit

[leniisreallycool]

"His brown is short and but wavey and pretty and he has eyes." I'm such a good writer

[amerasdreams]

My writing process includes some days where I don't write but do writing related work. I plan as I go because that is the best way to keep writing flexible and free, not bound so tightly to a rigid track that it kills allcreativity. Sppntaneity is essential to creation. You need to have rook rook surprising developments your characters add at the last minute. These are some of the funnest parts of writing ans they can lead you in new, fresh directions, providing something better thqn you could have planned ahead of time, because there is no real life in a planning document. Life is where the characters are moving and speaking, and such a dynamic environment creates a woeld for imagination to thrive.

I have my writing process which works for me: I have a rough plan, a path, often a striking image at the heart of the novel im working toward. I have to find the right place to start, then each scene sparks ideas for the next scene so I rarely get stuck writing, rarely get writers block or stare at a blank page. Before I write thr next section, I always edit what I wrote the previous writing session, and i write down notes in my notebook then type them up in an organized way: notes which are directly related to the plot I put in order in my writing document; other notes like for chatscter or setting I put in my reference document. Rereading my own writing always sparks new ideas. Another way i don't get stuck is I leave a cliffhanger sentence. The last sentence that I write for the day is open ended. Sometimes it is not even a completed sentence. Plus perhaps some notes for starting next time. Since it doesn't stop where things are resolved, it leaves space for ideas to spark the next day.

So my writing process includes days I don't necessarily write. Some days I only research, some days I only plan, especially in the beginning, some days I only edit. I don't worry if I get words in because any writing task moves me forward. And on days I write, I consider 1 word a triumph, but I never write just one, because writing one word, even if it's a nonsense word I will delete later, sparks other words. And suddenly I have 300... or perhaps 3000 words.

Another thing which helps get words in is always writing for fun. Writing what I like. Even if it's a lot of "work" it doesn't seem like it bc it's also fun.

One reason it's fun, the main reason really, is that my self absorbs into the character im writing. I become that person and see what they see, feel what they feel. My writing is always better the more successful I am at this, the more I disappear and the more the character emerges, eclipsing my own wants and desires. Then I just have to write what they experience-- and the more clearly I feel what they feel, the more clearly and freshly I can write it.

They say you should write every day, but sometimes a functional writing process looks like writing 1k in a sitting because you're getting a head of yourself, writing 500 words because you had a chapter to wrap up, writing 50 words because you felt too sad to write, writing no words because the state of the world overcame you for a few days, writing 1.5k because sometimes ennui turns into fury and purpose, and then 700 the next day because you remembered that there was a cool scene you wanted to get around to and—

[gracieheartspedro]

About You

how to help gaza

pairing: colin bridgerton x f!reader, brief benedict bridgerton x reader action

description: finally ready to get off the marriage mart, your family arranges a marriage to a bridgerton. but not the one you have always desired.

word count: 2.4k words

author’s note: hiiii folks. this is part one so more coming soon. I wrote it in an hour after I watched pt1 of season 3. I only edited it a couple times. plus there’s a lack of colin content on this website. so i’m here, filling the void ❤️

You had waited for this night your whole life. The night you would be proposed to. 

Your mother had ensured you wore your finest gown, a soft purple dress with beautiful sparkles and embellishments. She even gifted you a necklace your grandmother had worn the night of her engagement. 

It was a huge moment for everyone involved. But you could not help but feel a pit in your stomach. You wanted to call them nerves, but it was more so you knew you were making a mistake. 

When you arrive at Lady Danbury’s estate, you and your parents step out of a horse-drawn carriage and into a beautifully decorated ball. The candles lined the entrance, and red and white roses encapsulated the entire space. 

You did the typical introductions and curtsies. You thanked Lady Danbury for throwing such a captivating event for your special moment. She smiled and told you that it had to be mesmerizing for such anticipation. You felt light-headed thinking of all the eyes that would be on you tonight. 

You found your way to the ballroom, where ladies and gentlemen alike were already dancing. You find your way around the room, instantly finding a group of ladies you had made acquaintance with before. The four of you chat and they all share that they cannot wait to watch the Bridgerton boy propose to you in front of the masses. 

It makes you sick to your stomach. 

You excuse yourself to find some lemonade on one of the many tables. You would prefer some champagne, but alcohol does not make it right for you. It does not allow any clarity. So, you stand alone, trying to collect your thoughts and not freak out too much before anything happens. 

“There’s my gem.”

His voice is deeper when it’s right in one of your ringlet curls. It also doesn’t help that he’s saying it for your ears only, making the comment even more sensual. 

Colin Bridgerton was terrible at being just your friend. He was always too close to you, always searching you out in a crowd, and constantly waiting around for you at social events. 

He had been doing it for years before he disappeared on a world tour. You knew your time on the marriage mart was over when your mother and father, a Duke and Duchess, pulled aside Violet Bridgerton and begged her to pawn one of her sons off onto you. And while she would have easily convinced Colin, he was in Italy learning about The Pantheon and had stated he had no intentions marrying. 

So, Benedict would have to do.

You turn to face the taller gentleman, ensuring your posture was fixed to that of a Lady. 

“Mister Bridgerton, what do I owe the pleasure?” You falter to formalities, rather than your normal banter with him. You knew people would be watching you like a hawk, as tonight was the night Benedict was going to try to secure a proposal. 

“I have not seen you in a year and suddenly you speaking to me as if I am a stranger,” His voice is confident, but his eyes read the same insecure boy you remember. 

You let out a sly chuckle, “Well, we practically are at this point, are we not? You are the Ton’s most eligible bachelor as soon as you returned from your tour  and I feel like the man gracing me with his presence is not the man I once knew.”

He seems taken aback by your comments, his face dropping a bit. 

“I’ve been hearing whispers amongst the Ton that you’re getting a proposal,” He halts, taking a sip of the lemonade slid between his fingers, “From my brother?”

You hear the jealousy laced in his voice, but you try your best not to call him out on it. You turn around, still shoulder-to-shoulder with the man. “One can only hope, Mister Bridgerton. It would only be my pleasure to join the family.”

“As Benedict’s missus?”

You want to scream at him, but your trained politeness is engrained deep within every fiber of your being. 

“Well, I have you know, that it was arranged by your Mama and my parents. It is simply a way to join our families. You know my Mama and yours have always taken to one another. I did not know you would have such an issue with it.”

Before he can say more, you spot Benedict across the ballroom chatting with Eloise and Francesca. He meets your eyes and gives you a curt nod and smirk. You nod back, knowing that he would approach you once the conversation concludes. You had this whole act down to a science. 

Because that’s what it was for you. An act. A way to make your parents get off your back. It was no love match, it was only practical. Benedict was a gentleman, into the arts, comfortable with moving away from the city. He was everything you needed, just not what you wanted. 

“I leave for a bit of time and suddenly my own brother is courting my best friend,” Colin groans, shifting in his spot. You return your gaze back to him, trying to understand why tonight had to be the night that he fought for you. The term best friend had a bite to it, as well. While you were a lady, you had already shared a kiss with a few boys, including Colin. While you two were underage and not able to make such distinct decisions on marriage, you knew that the feelings you had for him were shared. 

What was so frustrating was that he could never actually confess such feelings. You could see it in his eyes when you glanced his way, but the words never slipped his lips. He only shot flirtations at you and then there was no action as a follow-up. It made your mind race and spin. You started to believe that it was not flirtations at all and it was all just teasing.

“I think you are missing out on the key point in your conjecture, Colin,” You lick your lips, moving only a bit closer to him so no one can hear your words, “You left me. I stayed here and pondered what another season would be like without you. And of course, at the very end of such an event, you decide to be cruel.”

“How am I being cruel, Miss? I am simply stating that you are choosing someone I care about for expedience and not for love.”

“You are being cruel by approaching me and acting like you are even half aware of the circumstances you are speaking of.”

He chuckles, trying not to entertain your comments. “I am well aware that you have always wanted a love match. You know that is not what you are getting with Benedict, Gem.”

Your throat tightens because you know he is right. You have dreamed of a love match since you were a precocious child, enduring all the teasing him and Eloise about it. 

And you knew deep down that the love match you wanted was with him. 

The damn nickname he gave you years ago continues to get a rise. You can feel your face get flushed, the heat rising all the way down your neck and chest. 

“Who said I needed a love match, Mister Bridgerton?!”

You never meant to be loud, but as soon as the words leave your mouth, you realize everyone staring your way. You had seriously messed up. 

Colin did not even look away from your completely shell-shocked expression. He was not focused on the glares and whispers, he only cared that the woman he was in love with was about to marry his brother. He could not let that happen. 

The feeling of embarrassment made every part of your body jittery. You decided that the exit seemed like the best option, so you made your way past everyone and ran to the back garden of the Danbury estate. The flowers that lined the railings made the tears in your vision sparkle like fireworks. 

You try your best to suppress the useless waterworks, but the emotions get the best of you. You felt humiliated that you had to explain your motives to a man who hardly knew you anymore. What does he know?

You find a corner to hide in, making sure your face is hidden away from the exit. When you hear footsteps approach, you pray it’s not a Bridgerton. Sadly, you’re disappointed. 

“What did Colin say to you?”

You remove your cream glove, ensuring no tear touches such an expensive fabric. You needed to collect yourself a bit before turning to face Benedict. So you dab your eyes with your fingertips and spin to face him. He looks concerned, his hand reaching for yours. 

“I am so sorry, Lord Bridgerton. He got the better of me and he still knows how best to irritate me,” your eyes well up again with tears, “I do apologize for not being more put together.”

He squeezes your hand reassuringly, “Do not apologize. I expected him to be a bit tormented by the whole situation.”

You furrow your brows, quizzically. “What ever do you mean?”

“Well, he told my Mama last season that he did not want to marry because you were courting Lord Jacques. That is why he left early for his travels.”

The revelation makes your heart skip a beat, “Why would him marrying have anything to do with me?”

You try to play dumb so maybe you could get more out of the man, but instead of answering you, he just shakes his head. His focus drops, and as soon as you lose fixation on his actions, you notice Colin loitering around the exit. You drop Benedict’s hand and sidestep to get the man in your line of vision. 

“You have never been good at hide and seek, Mister Bridgerton,” You say with spite, “Step into the light.”

His slow meander only makes you more angry. 

“Now, why is my brother alone with my best friend in the garden? Seems like a scandal waiting to happen.” 

Benedict snickers, “Seems like we were never alone, brother. You appear to be around every waiting corner.”

You cross your arms, annoyed with both men and sick of the mortification. You could not help but appreciate Benedict’s snarky nature, it has always thrown Colin off his game. You clear your throat, bringing their eyes to you. 

“I wish to understand why you lied to me about leaving early last season.” 

Colin’s disposition changes as soon as you say it. Last season, Colin left abruptly and wrote you saying it was because of a learning opportunity in Vienna. You took his word for it, but based on what Benedict had just told you, that was a lie. 

“Pardon m-”

“Colin, why did you lie about leaving the season early?”

“Gem, I really do not know where you got this information.”

“Oh, give me a break, Colin. You told me and Anthony that you did not wish to marry unless a girl like her came around. When you realized she was interested in another, you left.” 

Colin races forward, grabbing onto the man to your left. He tugs his vest coat and brings him inches from his own face. The action rattles you, but you remain composed. 

“I told you that in confidence!”

“And you are making her upset with your mind games! If you had just said what your heart’s truth was, you would be the one celebrated tonight. Instead, you stand by and fume over a woman you can no longer have.”

Colin clenches his teeth, “Who said I can no longer?”

Your stomach flips, unsure of how Colin could be so possessive of you. Benedict seems shocked as well because he nudges the man off of him and glances over at you. You realize that this is Colin’s way of confessing his intentions, but you cannot believe that he has to say it on the night of your engagement.

“You are brazen to concur such a thing.”

Colin finally looks at you, taking note of your shaky voice. “So, you are going to marry him?”

The unsettle in your heart has never gone away ever since you were told about the arrangement. You knew that your heart was telling you to run the other way, but you did not want to let down your family. You had taken kindly to Benedict, promenading almost every other day to get to know one another. 

“I have not been asked yet, so I am not quit-”

Colin steps forward taking your hand, “What if I asked you first? Would you accept me? My hand, I mean?”

Benedict steps forward, touching his shoulder. “What are you doing?”

“Gem, will you marry me?”

A tear slips past your lashes, your heart just about exploding within your chest. Colin’s eyes are desperate, pleading with you.  You are not sure what to say, every possible word escaping you. 

You realize you are panting, the breath leaving your lips labored in panic. You flick your sights over to Benedict, who is stunned but not trying to get Colin to retract his query. You revert your gaze back to Colin’s deep blue eyes.

“Why now?”

He takes a deep breath, “Because I am absolutely useless with my emotions and I have only humiliated myself when I express them. I did not think you would ever consider my hand and had I known that you thought kindly of me I would have told you the first moment you debuted. But I cowered in silence, hoping the emotions I have felt since I was a child would subside. But I have searched every corner of this world and I did not find one lady that made me feel the same emotions I feel when I even just look your way. I hate that it took me so long to realize that you are the only woman I will ever really… love.”

The confession is exactly what you need to change your mind. Because you felt the exact same way. All this time you have been running from the emotions you felt every moment Colin stared in your direction. You thought them immature and vain. But every time you watched him dance with another, the fire within you would burn. You were sick of loving him from far away. 

“The Ton believes me to be promised to Benedict. The embarrassment he will suffer if I accept your proposal could be deafening-”

“Do not worry about me, Miss,” Benedict says, pacing with his hands on his hips, “I could never fully live with myself coming between two lovers. I only waiting for him to realize what we have all been subjected to the last 3 years.”

Colin smirks at him, “And what’s that?”

“The torture of loving someone and not giving in to temptation.”

[mariacallous]

Not long after the November election, new members of Congress gather for a couple of weeks of orientation. Consistent with that tradition, Sarah McBride, a Delaware Democrat, made the short trip from Wilmington to D.C. to meet with her fellow first-termers. At a hotel in the capital, she learned about the lottery for office space, how to assemble a staff, and the intricacies of the legislative process. As the first transgender member of Congress in history, she also experienced an orientation in naked aggression. Within days of her arrival, Nancy Mace, a Republican from South Carolina, introduced a resolution that would restrict access to all “single-sex facilities” on Capitol Hill to those of the “corresponding biological sex.” In other words, Mace sought a bathroom bill—and made clear that she “absolutely” intended it as a reaction to McBride.

“I’m not going to stand for a man, you know, someone with a penis, in the women’s locker room,” Mace, who had claimed to be “pro-transgender rights” as recently as last year, said of her new proposal. She also added an odd, pseudo-feminist twist: “It’s offensive that a man in a skirt thinks that he’s my equal.” Mace found support among Republicans, including Speaker Mike Johnson and Marjorie Taylor Greene, who, according to Politico, told colleagues that she would fight McBride were the two of them ever to meet in a women’s bathroom on the Hill.

Alexandria Ocasio-Cortez was among those who leapt to McBride’s defense, calling the bill “disgusting.” McBride, for her part, refused to take the bait, saying that she would “follow the rules as outlined by Speaker Johnson, even if I disagree with them.”

McBride was born in Wilmington; her father was a lawyer and her mother a high-school guidance counselor. At American University, she was active in Democratic politics and worked on Beau Biden’s campaign for Delaware attorney general. In her senior year, she served as student-body president, and ended her term by publishing a moving coming-out article for the Eagle, the A.U. paper, called “The Real Me.”

McBride had been hesitant to acknowledge her trans identity, she explained, because that might prevent her from pursuing a career in politics. “I wrestled with the idea that my dream and my identity seemed mutually exclusive; I had to pick,” she wrote. In the end, she realized that she would have to embrace both: “My life was passing me by, and I was done wasting it as someone I wasn’t.”

In 2020, McBride was elected to the Delaware State Senate. And this November she was elected to the United States House. At the start of our conversation, which has been edited for length and clarity, she seemed determined to keep her cool, despite the insult she had just suffered. “I think in many ways I got a fuller orientation this week, where I actually got to see not just the nuts and bolts of Congress,” she said drily, “but also some of the performance of Congress, too.”

Well, let’s talk about that. Nancy Mace, one of your colleagues now, immediately came forward and decided that this would be a good time, a perfect time, to introduce a bathroom bill, all directed at you. How did you take this piece of what can only be called aggression?

I always knew that there would be some members of the Republican caucus who would seek to use my service representing the greatest state in the Union in Congress as an opportunity for them to distract from the fact that they have absolutely no real policy solutions for the issues that actually plague this country. And, in some cases, to grab headlines themselves. I was not surprised that there was an effort to politicize an issue that no one truly cares about—what bathroom I use. I did think that it might wait until January. It happened a little earlier than I anticipated. I was still getting lost in the tunnels of the Capitol when we got the news that this was coming.

What was your first reaction to it?

“Here we go.” Throughout the campaign, I really focussed my campaign on my record in the Delaware General Assembly: of passing paid leave, expanding access to health care, and the kitchen-table issues that I know keep voters across Delaware up at night that I will be working on in Congress, like lowering the cost of housing, health care, and child care. But, as I got questions about the added responsibilities that sometimes come with being a first, the first thing I would always say is that I know that the only way I can do right by any community I’m a part of is to quite simply be the best member of Congress for Delaware that I can be, to be an effective member working on all of the issues that matter.

When I was watching this play out on television, reading about it, in the past week or two, I looked up how the first Black member of Congress was received, Hiram Revels. This is in the nineteenth century. He was treated with a great deal more respect than you were. I understand your desire to be poised about this, and straightforward, and to move the issues to the issues you ran on. But I wonder what your emotional reaction was to what you could only have taken as an enormous gesture of deep disrespect.

Look, I’m human, and it never feels good to be used as an opportunity to get headlines. It never feels good to have people talk about deeply personal things. I think I knew what I was signing up for, though; I know what the Republican Party in this country, in Congress, has become.

Which is what?

A party that is more interested in performance art and being professional provocateurs than being serious legislators and a serious governing party. I think they have come to the conclusion that they are able to get enough votes if they occasionally throw red meat to folks, because that red meat might satiate what is an authentic crisis of hope that I think people across this country face right now.

I think we have to be crystal clear in calling them out on what they are doing, and pull the curtain back to really dull the effect that these manufactured culture wars have on the American voter. Some people do receive this red meat, and it resonates with them—it makes them feel better, but it doesn’t actually address the real pain in their lives. And I think we should be calling that out and obviously modelling an approach to governing that genuinely solves the real problems that people are facing that create a level of insecurity and fear that allows for culture wars to satiate at least something instantaneously.

But I truly believe that if we solve problems, if we are serious, people respond. I’ve seen that in Delaware as we have passed paid leave, raised the minimum wage. Voters here in Delaware are sort of bucking this national trend. We’ve expanded our majorities both in 2022 and 2024 in the Delaware General Assembly, I believe, as a byproduct of a record of results that voters are responding to, and a message focussed on kitchen-table issues and economic issues. And it’s allowed us to not only expand our majorities but to break through the culture wars that the Republican Party has pursued. Because we’re in Delaware, in the Philadelphia media market—we are getting those anti-trans Trump ads pumped into our state like we were in Pennsylvania. And yet, despite that, running on a message of paid leave, higher minimum wage, union protections, a trans candidate not only won here in Delaware but actually outperformed every major Democrat running for major office in Delaware statewide.

And yet the notorious ads that ended with “Kamala Harris is for they/them, President Trump is for you”—ads that were oriented around anti-trans sentiment—not only did they occur, they worked. Certainly, they worked in the interpretation of not only the Republicans but the press at large. They ran them over and over again and poured millions of dollars into them.

So, first off, I think there are two things. One, this country is still entering into a conversation about trans people. This country still is at a Trans 101 spot. And one of the things I think Democrats have to be more mindful of is that leaders should always be out in front of public opinion, but, in order to foster change in public opinion, we’ve got to be within arm’s distance of the public so that we can pull them along with us. If we get too out ahead of it, we lose our grip and we’re unable to pull the public with us.

Is that what’s responsible for your calm in talking about this? I remember very well that Barack Obama, when he was running for State Senate in Illinois, got a questionnaire, and one of the questions was “Are you for gay marriage?” He didn’t say yes. Now, everything I know about Barack Obama tells me that, at that time, a clear “no” was not his real sentiment, but that he didn’t want to get too far out ahead, for political reasons. He clearly changed later on. Is that part of your calculus in the way you talk about this? Because Alexandria Ocasio-Cortez answered Nancy Mace in much more vitriolic terms.

I think there is a space for diversity of messengers and a diversity of message. I would never presume what was in Barack Obama’s heart and mind on the issue of marriage equality. Many people authentically evolved. What we do know is that, as the movement for marriage equality moved forward, the most effective messengers for marriage were not same-sex couples, were not parents of same-sex couples or kids of same-sex couples. The most effective messengers for marriage equality were those who evolved. And they were effective because they gave a permission structure to people who had not yet gotten there that it was O.K. to be uncomfortable, it was O.K. to be on the other side of the issue. You weren’t a bad person; you weren’t wrong.

My motto has always been: I’ll extend grace so long as people demonstrate growth. But that is a two-way street. And I think that we are shooting ourselves in the foot, as people who believe in progress, when we create no incentive for people to grow, because they perceive that they will be permanently guilty for having been wrong. We create no space for them to grow by extending no grace for them to actually walk there. I think one of the reasons why we see people pushed into their respective corners is because you say something that’s deemed problematic, and you are immediately hounded by one side and immediately embraced by the other side. Human nature is to—when faced with that degree of extreme binary reactions—go to the people who are validating you instantaneously. We unintentionally actually push people further and further into their own corners and into their negative opinion by responding with a degree of condemnation and vitriol that creates no incentive and space for them to grow.

But I actually want to say something on those ads, because you did say the key sentence in that ad. It wasn’t the surgery point, it wasn’t the undocumented-immigrant point, it wasn’t the trans point, it was the concept in that line that Kamala Harris, according to the ad, was for a small group of people, and Donald Trump was there for “you.” The lesson of this moment, of this last week, is that we should be flipping that script. Because that’s the authentic thing—Kamala Harris was for everyone. And Democrats are for everyone. And every single time Republicans focus in on a small vulnerable group of people, not only are they trying to distract from the fact that they have no real solutions—not only are they trying to employ the politics of misdirection, to move your attention away from the fact that in that same moment they’re trying to pick the pocket of American workers, undermine union protections, and fleece seniors by privatizing Medicare through the back door—but every bit of time and energy that is diverted to attack trans people, that diverts the attention of the federal government away toward attacking trans people, is time and energy that is not being spent on you. It’s time and attention that’s not being spent on raising your wages or improving your benefits or lowering the cost of living. These attacks have costs. Republicans are focussed on attacking a small group of people, and we are here to actually address the issues that you care about.

You’ve now had a week with your new colleagues, and I wonder what kind of support, or the opposite, you felt in your orientation sessions after Nancy Mace made the statement she did.

I have been overwhelmed and heartened by the love and the support of my Democratic colleagues. It was stunning. I got to Washington, and I’m at orientation. I’m grateful that I had a week before all of this started, because I had a week to just marvel at the fact that I was there. I had a week to marvel at the fact that I am serving in a body that Abraham Lincoln served in. One of the first nights we were there, we gathered in Statuary Hall, which is the Old Hall of the House, which is where Abraham Lincoln served. And then, after we gathered there, we walked onto the floor of the United States House of Representatives, where they moved in 1857, just before the Civil War broke out. And we sat in the chairs and I thought, This is the space where the Thirteenth Amendment and the Fourteenth Amendment were passed. This is the space where women got the right to vote. This is the space, these are the chairs. This is the job of the people who voted to pass the Civil Rights Act and the Voting Rights Act. And you feel this awesome responsibility, not just to deliver on the tangible policies for the constituents you serve in that moment, but you also feel that deep responsibility as you realize that you are one of a little more than five hundred people who have the responsibility to be stewards of a democracy—of the longest ongoing democracy in the world. That is an awe-inspiring responsibility.

I’m really grateful that I had that opportunity. But what was made that much more meaningful was that in that second week, as all of this noise happened—as I continued to be focussed on the actual work that I was there to do—the love and the support that came in from my Democratic colleagues really reinforced what I had already been hearing, which is that that caucus is a family.

And what about the Republican side? Did you get any support from there?

Yes. Look, there was a lot unsaid, but there was kindness and clear intentionality to say, “Welcome to Congress. It’s wonderful to serve with you.” That was quite a contrast to some of the other behavior we saw that week.

People actually coming up to you from the Republican side and embracing you in one way or another?

Yes. Staff and members.

The Speaker of the House, Mike Johnson, released a statement that said all single-sex facilities are for people of that “biological” sex. You responded to this on X, formerly Twitter (it’s interesting that you’re still on Twitter!), by calling this a distraction and saying that you’ll follow the rules as outlined by Johnson. But what do you say to people in the trans community who think you didn’t go far enough?

I understand that, at a moment where you are scared, you want to see someone fight. I understand that when you are a first, there are a lot of people who never dreamed that something like this would be possible, who are living on that journey with you. And so they feel very deeply the experience of discrimination. They feel very viscerally the experience of disrespect. I think what I would say is, This was not done to bar me from restrooms. This was done to invite me to take the bait and to fight. I am maintaining my power by turning the other cheek and doing what I promised Delawareans I would do, which is to focus on the job in front of me. Yes, when that calls for me to defend my L.G.B.T.Q. constituents, I will do that; when it calls on me to defend workers in my state, I will do that; when it calls on me to defend retirees in my state, I will do that. But I should not be the issue.

You must have anticipated, if not this, then something like it. And of course you are a first, a historical first. Do you face a lot of threats?

I think one of the problems in our politics right now is the level of toxicity has resulted in far too many people seeking to solve political disputes not at the ballot box but through violence. I am certainly not alone in Congress in having to think through that. I think it’s very early. There have been moments throughout my life where I have had to be cognizant. I’ve never had a job where I have not received death threats. Literally, I have never had a job—even when I was in my first, junior-level position.

How do you handle them?

Well, fortunately, we’ve got great law enforcement here in Delaware that I have worked with over the course of this campaign and throughout my time in the State Senate. Look, one of the things that I grappled with when I decided to run for this position is the risk that comes with being a first at this level. Even though I didn’t run to be a first, there’s obviously risk that comes with it. And there was a moment where I almost didn’t do it. Because of the fear.

Tell me about that. Was it a specific incident or just a generalized fear?

There were some rumors about what some far-right-wing groups might try to do, should I run.

When did this come up?

This was before I announced. There was a lot of speculation about me running.

So what within you allowed you to make the leap and declare yourself a candidate for Congress?

A couple of things. First off, I think that we delude ourselves into thinking that people don’t take these types of steps without fear. People aren’t fearless. Bravery only comes into play when you face those fears, when you pursue something despite the fears. I really do believe that we are at an inflection point where we need a politics of grace in this country if we are going to have any chance at not only restoring our capacity to have a national dialogue, which is fundamentally necessary in a democracy, but actually making government work better. I genuinely felt like I had something to contribute in that respect. I think I know how to get things done. I know how to legislate.

But you’re going to have to embody grace—and there’s every sign that you already do—but with a President who says, publicly, something like this: “Your kid goes to school and a few days later comes home with an operation.” That’s the President of the United States, come January 20th. How do you combat that, and all that’s behind it, and embody grace?

I think a couple of things, and I think this extends beyond Donald Trump. So I’m going to step back a little bit. I think Democrats struggle with extending one of our basic principles—which is that no one is their worst act, no one is their worst belief—to people on the other side of the political divide. I’m not talking about Donald Trump right now. I’m talking about Republicans. The question here is not how do I demonstrate grace in the face of Donald Trump; it’s how do I demonstrate grace in a world where people that I work with—where even people that I represent—hold positions and beliefs about who I am that are personally hurtful, potentially.

I think all of us need to do a better job of seeing the humanity of people on the other side of the aisle. Because I think what happens in this country right now is: The left says to the right, “What do you know about pain, white straight man? My pain is real, as an L.G.B.T.Q. person.” And the right says to the left, “What do you know about pain, college-educated, cosmopolitan élite? My pain is real, in a post-industrial community ravaged by the opioid crisis.” And I know that, when I am upset, the worst thing that someone can say to me, even if it is said with the best of intentions, is “It’s not as bad as you think.” Any therapist will tell you that the first step to healing is to have your pain seen and validated. And I think all of us have to do a better job of recognizing that people don’t have to be right in our mind for what they’re facing to be wrong. And people don’t have to be right in our minds for us to try to right that wrong. That comes down to sort of a core recognition that every single person is more than just one thing about them. And every single person is more than even beliefs that might personally hurt many other people. And the other thing I’ll say on that is to a similar point: early on in my career, I went viral for something.

Do you remember what it was?

Ironically enough, I was an advocate. It was a selfie in a bathroom in North Carolina that I was technically barred from being in.

I see.

The vitriol that came back to me as a twentysomething-year-old was so dehumanizing and so cruel and so mean. It was the closest in my life that I have ever been to suicide becoming a rational thought. I wasn’t suicidal, but it was the first moment where I just went, I want to end this miserable experience.

What was coming at you?

I mean just the level of online bullying and harassment. It was amazing to me that people—person after person—telling me to kill myself could actually hurt me. But it was an onslaught. And, again, I was twenty-five. I was new to all this, and I thought, Maybe I don’t have skin thick enough for this. I sort of went on a journey to understand the psychology of trolling and bullying. I think it was a “This American Life” podcast by a writer who talks a lot about her own weight and grapples with her own body image in a really public and vulnerable way, talking about the experience that she had writing about that hurt and getting outreach from one of her worst bullies and trolls online—someone who had created a Twitter account as her deceased father to troll her from—who opened up to her about what was motivating him. And, listening to that conversation, it really helped me internalize a truth that has allowed me to find balance and grace in the face of hatred or cruelty. And that was: Everyone deals with an insecurity. Everyone deals with something that society has told them that they should be ashamed of or that they should hide. And the thing about me is that I have taken that insecurity, that thing that society has said you should be ashamed of and you should keep quiet—and I’ve not only accepted it but I walk forward from a place of pride in it. Bullies see that. They see that individual agency and conquering my own fears and insecurities, and they’re jealous of that. That has allowed me to find compassion for folks who respond to me in sometimes the way that they do, to recognize that I hope, too, they can find the power to overcome whatever pain is plaguing them.

And so much so that when Nancy Mace made the comments that she did, and put forward the bill that she did—are you able to see it in those terms and not receive the attacks with the same despair that you did when you were in your twenties?

Yes. Yes.

That’s an enormous transformation.

I won’t say that it doesn’t hurt, but, yes, I am not distracted in the same way that I was.

“Distracted” is a small word for it. I mean, what you felt in your twenties must’ve been a lot worse than “distracted,” no?

Yeah. I am able to contextualize it and not feel the pain as much. Again, it doesn’t mean that it doesn’t hurt, but I am able to work through it.

How? That’s a very hard thing. Is it therapy? Is it maturation? Is it living in your skin ten years longer? What is it?

I think the last two: I think it’s maturation, and I think it’s just finding a confidence in myself that allows me not to internalize. I really do seek to find compassion for the people who are acting out, who say the things that they do, because that does help me. That does help me to try to see and understand where a person is coming from, even if the action itself explicitly or implicitly is not well-intentioned, even if it’s being done for cynical purposes—to try to understand that there’s still a person behind that and maybe there’s something in their life that has pushed them to engage in the way that they’re engaging.

In a certain number of weeks, you’re not only going to have to hear about Nancy Mace, you’re going to have to work with her. And you talk a lot about “working across the aisle,” which is a phrase that we hear from politicians all the time. This takes on new levels of meaning—“working across the aisle with Nancy Mace.” Can you do it?

Well, I look forward to working with colleagues on the Republican side of the aisle who are serious about the work that they’re doing. Who have disagreements with me, perhaps profound disagreements with me, but who are serious about getting things done.

For the first time in our conversation, I sense you’re reluctant to answer the question directly. With all respect.

I will work with anyone who’s willing to work with me. And I don’t know this individual member of Congress—I had barely heard of her before this. I will never say that anyone is beyond redemption.

I want to zoom out a bit now and talk about your own unique path to politics and congress. Your late husband, Andrew Cray, was an L.G.B.T.Q.+ health advocate and attorney. What kind of work did he focus on, and what of his legacy can be seen in your own political career and direction?

Andy was the kindest, smartest, and—this is very important for me in a partner—the goofiest person that I had ever met. Just a really good and decent person.

How did you meet?

We bumped into each other at a White House Pride reception during the fourth year of the Obama Administration, 2012. After that, he reached back out to me on social media, on Facebook, and he said that he thought we’d get along “swimmingly.” I thought, Who the hell in their twenties says the word “swimmingly”? But clearly someone I want to spend some time with. So we went out on a date, and I fell in love pretty quickly.

Was he already sick?

No. He was an attorney, as you mentioned, working on health policy, and he was actually working on the implementation of the Affordable Care Act. He was a brilliant mind, but also—and I think this goes back to our conversation about grace—he was so principled. I remember we had a debate once where he won me over—where we had a debate about whether it was appropriate to out anti-L.G.B.T.Q. politicians who were in the closet themselves. I was of the mind that their hypocrisy called on us to out them. And he was of the mind that the principle that we are fighting for—that everyone should be able to live their life fully and freely, be able to live their sexual orientation and gender identity, the way they see fit and the way they need to—if that is not an unbreakable first principle, then what is? And principles only matter when you have seemingly altruistic reasons to violate them. He was someone of just immense grace, principled grace.

He got sick about a year into our relationship. He developed a sore on his tongue and went in thinking it was just a benign growth. He had a little minor surgery to remove the benign growth, which was aborted in the middle of the procedure as they realized perhaps that it was something more. About a week later, he was diagnosed with oral cancer. It was a shock to both of us. I mean, we were both young invincibles, something that he had written about as he worked on the A.C.A., right? We never would’ve imagined that cancer would enter our lives in our mid-twenties, but we knew from the very start how lucky we were. He knew in particular, given his work, how lucky he was to have health insurance. And we were both very lucky to have flexibility with our jobs that allowed Andy to get care: a twelve-hour surgery that left him having to relearn how to talk, how to eat, how to breathe. I was lucky to be there by his side to care for him, to suction his tracheostomy tube, to tend to his wounds, to hold his hand through the absolute fear.

And then eventually, when his cancer turned out to be terminal, to be there by his side, to marry him, and to walk him to his passing, which happened a couple of days after we were fortunate enough to get married in our building. My brother, who’s a radiation oncologist, said to me, “I’ve seen a lot of people pass away from cancer. And one thing you should try to take stock of over the weeks ahead, as Andy’s health deteriorates, is that you are going to bear witness to acts of amazing grace that will fill your life.” And truly that grace and those miracles were everywhere. I think it has fundamentally shifted my perspective on the world and my ability to see that grace, to see beauty and tragedy, and to recognize that hope, as an emotion, only makes sense in the face of hardship.

In other words, you’re thinking about him all the time through this?

Yes. Yes.

And what does that do for you?

It makes me feel less alone in navigating this. It makes me feel more confident in what I’m doing and how I’m trying to go about this. There’s certainly things that I wish I could talk to him about and get his perspective on, but I try to take the lessons from our couple of years together and try to draw those lessons into action in this moment.

We began our conversation with you talking about how moved you were to be in the halls of Congress for the first time as a soon-to-be member, and seeing and sensing all that had happened in progressive terms, in liberatory terms, over time and in previous centuries. My guess is that this is not going to characterize the next two years for you in Congress. The Democratic Party, in large measure, will be fighting a rear-guard action against all kinds of initiatives by a Trump Presidency in a Republican Congress. How do you anticipate the coming next two years? What kind of role will the Democrats and you play? What will be your day-to-day life, do you think?

Well, there’s no question that we’ve got our work cut out for us. There’s no question that we’re going to have to push back on a lot of damaging and dangerous policies.

But, look, I think the biggest challenge for us is not that we understand that there’s a fight. And we will do the work. The challenge is going to be to summon the hope necessary to see that fight through. I think that one of the challenges that we have in this country right now, particularly for Democrats, is that, really since the nineteen-sixties, it has felt like if we simply work for it, if we vote for it, if we volunteer, if we share our stories, if we lift our voices, that we can then inevitably bend the arc of the moral universe toward justice. And we felt that, I think particularly, in 2008 and when we elected Barack Obama, and then A.C.A. passed, and marriage equality became a law of the land. It just felt like there was this sort of unfolding sense of great progress.

It feels different right now. It doesn’t feel like, if we simply work for it and fight for it, that change will come, that things will work out. We can’t see the light at the end of the tunnel. But the other thing that I thought about, as I sat in that chair on the floor of the House, was about not only the elected officials that served there but all of the advocates and activists and citizens who lived through those different chapters in our country’s history. We have to recognize that that sense of inevitability with hard work that we felt twenty years ago, thirty years ago—that’s the exception in our country’s history. Every single previous generation of Americans has been called to conquer odds much greater than the ones that we’re facing right now. And they had every reason to believe that change would not come. They could not see the light at the end of the tunnel. Enslaved people in the eighteen-fifties had no reason to believe that an Emancipation Proclamation was on the horizon. Unemployed workers during the early days of the Great Depression had never heard of a New Deal. Patrons at the Stonewall Inn never knew of a country where they could live openly and authentically as themselves. And yet they persevered. They summoned their hope, they found that light, and ultimately they changed the world.

The narrative you describe is very, how do I put it—Obamian? It reminds me of Obama’s speech in Selma, the last one he gave there as President, about a kind of parade of American heroic advance. And when I talk to a lot of younger people in my office, in my life, in my family, they don’t all share the sense of determined hope that you do. There’s a good deal of depression—if not giving up, then a kind of sense that these are going to be very dark times to come. And with all the emergencies surrounding us, at home and abroad, and environmentally, it’s very hard to muster hope. As a politician, as a member of Congress, what do you tell them?

You cannot tell me that the reasons for hopelessness now are greater than the reasons for hopelessness of an enslaved person. You cannot tell me that the reasons for hopelessness now are greater than the insecurity and the fear of workers in the midst of the Great Depression, and a country that very easily could have fallen into totalitarianism and fascism, as many liberal democracies around the world were falling into that, in the early thirties.

Hope is not always an organic emotion. Sometimes we have to consciously find it and consciously summon it. And, yes, there are big challenges right now. Maybe those challenges are insurmountable. Maybe we will be, because of social media, incapable of restoring our capacity to have a national dialogue. Maybe because of the culture that we live in right now, we will no longer be able to have conversations across disagreement. Maybe because of unchecked wealth and corporate power, we won’t be able to conquer climate change. The list goes on. Maybe. But we would be the first generation of Americans to give up on this country, and we would be the first generation of Americans who were unable to find the path forward. And I just don’t believe that we are. And I certainly believe that we don’t have to be.

[itstheghostofmypast]

Big Spoon

Non-Idol Choi San x (F)Reader

Summary: Who knew he'd wake up bleary-eyed to find her a mess, one that was out of her control and his - or so he thought.

Genre: Fluffish

Warnings: None (just mentions of sad puppies)

Word Count: 1.3 k

Est.Read Time: 10 min

Rating: PG-13

Networks: @cromernet @k-labels @san-network

Banner: @cafekitsune

"What are you doing?" He sat up, squinting at his lover who was sitting with her headphones on, blasting God knows what at 2 am. Good lord, no wonder the bed seemed so lonely and-

"Why are you awake?" She snapped at him, causing him to flinch, his little pout and amusing bed hair had her mentally scolding herself for the outburst, he was sitting there half asleep, half awake, though completely ready to get to the bottom of this mystery. She took a deep breath before biting her lip and mumbling, "S-sorry, I didn't mean to sound mean, client called and Hongjoong needed more photos so I uh...got up to do it now so I won't have to do it later- just because that lady's rich. " Turning the chair to face him she winced slightly, hoping he wouldn't notice it, though how would it be Choi San if he didn't?

"What's wrong?" He asked pushing the covers off as he sat at the edge of the bed, feet planted on the cold floor. The moment of clarity allowed him to notice the small hot water bottle on her lap, and the cup of green tea in front of her beside a giant flask and a tissue box- "Were you crying?" He cooed, getting up to go closer only for her to whine and roll her chair back, keeping her distance.

"Hey, come on." He pouted before jumping at her causing her to gasp, only to realise he had held onto the armrests of her chair, locking her in place, "What happened?"

"I-it...nothing." She mumbled, averting her gaze, in no real mood for anything at the moment, she just wanted to finish editing these photos and- "Does it hurt here?" He asked, gently placing his palm against her belly, causing her to whine and try to push it away, only for him to shake his head  and remove his hand, instead using it to cup her cheek, "Let me guess, you got the call, they asked you for something that makes no sense, and shark week hit mid brooding session?"

Her eyes widened by the end of his little monologue, as she nodded, staring at him in awe like a little girl who had just met a fairy, well, he was a fairy, a rather feline-looking fairy she could call her own. Elegant, yet endearing, soft and warm yet as solid as a rock, smart yet, just a little dumb- either way, he was her pretty, cute, little fairy- though if he heard this analogy he'd probably be throwing a fit for days, claiming he was anything BUT A FAIRY- he was, as he'd like to call himself and his bros (minus Wooyoung because frankly she had realised he was the only sensible one in the lot)  A KING!

"How did you know?" Her lips quirked upwards when he leaned closer to place a soft kiss atop her head, a gesture that would oddly make her all putty in his hands.

"Because I'm the world's best boyfriend." His voice boomed across the quiet room causing her to cover her ears due to heightened sensitivity, before frowning up at him

"The world's best boyfriend missed one thing though."

His shoulders deflated at the statement, and he flopped backwards on the bed dramatically, his back landing with a loud huff, "And what is that?"

"I was crying cause- " her breath hitched as the memories resurfaced,  "Some dogs go through depression and this puppy did too- I was watching the video and it was so sad...Sannie" she whined, calling him out for God knows but the flashing images of the puppy and the stupid client's appeal just bothered her even more, the cherry on top was the excruciating pain that was a constant reminder of how the world is too cruel to women.

Not a moment later she was gently pulled out of her chair, engulfed in a warm embrace as his familiar scent enveloped her senses, work left behind, as she felt the soft, warm pillow- nope that was his arm, "My head's heavy," with a small mumble she tried to move, but he clicked his tongue and pulled her closer, resting his chin on her head, "And my heart is heavy....my poor baby is in so much physical and emotional pain and I can't do anything about it-"

"We're never getting a puppy."

"I- um...okay?" He mused, giving her a gentle squeeze, of course, that one video of the sad puppies would make her come up with this verdict, possibly fuelled by her hormones. Making her laugh right now probably wasn't the easiest task, which is why he resorted to asking her the real question, though gentle toned and carefully curated, using his other hand to rub soothing circles on her back as he approached the topic, "I thought you sent the client all they asked for, did they want something out of the contract?"

With a loud huff she began, only to pause for a moment when another cramp hit, her fingers gripping his shirt as she took a deep breath before speaking (venting), "Apparently some of the guests, who refused to take solos then, now want their solo pics because the others who did get their solos taken got good results- like flattery will get you nowhere, I can't pull out your solo pics from my as-ah shit, " she hissed, trying to move, "I need my heating pad." He was quicker than her, jumping over her, letting out a hearty laugh when he heard her squeak and let out a few vulgar words. As quick and agile as a cat he hopped back on the bed, turning her on her back as he placed it on her lower belly, "There, all better?"

Nodding she placed her hands on the pad, pressing it against her skin before sighing, continuing, "Anyway, someone was like oh can you like crop us out and put us somewhere to turn it into our logo- you mean cut you out and paste the image, spend time blending, shading, fixing the highlights- no, because its not in the contract and I'm not being paid more for this."

"I...wow..." he mumbled, running his fingers through her hair soothingly as he sat beside her, looking down at her only to notice her trembling power lip and glossy eyes, "What's...wrong...baby, you don't have to do anything that wasn't under your contract." He hummed, tracing his fingertips over the slightly warmer skin of her forehead absentmindedly, "You want me to talk to -"

"That puppy was so sad, he looked like he wanted to cry and..." Turning to her side, as she closed her eyes, the rush of emotions getting a bit to strong, the tears leaking through her clenched eyes, hugging herself. This was stupid, she had ruined his sleep, woke him up in the middle of the night, snapped at him, told him stories that were irrelevant and then ended up crying about a video on puppies.

"I like being the big spoon."

Oh- that's why she felt so warm, and-

"How is laying on top of me the bigger spoon, you're crushing me."

"I'm protecting you from the bad vibes. Told you Hongjoong as a boss sucks, man's a capitalist monster."

With a sigh she relaxed in his hold, the added weight actually helping with the pain, both, physical and psychological.

"To sleep, you should stop thinking, leave your worries, for tomorrow's you." He sighed, giving her another squeeze, though he didn't recieve any response to his wise words, he could get them printed, "You asleep?" He whispered peeking over her shoulder only to smile,  two hours, they'd been awake for two hours, listening to God knows what she was going through, biological and induced. Either way, he was glad that she had the world's best boyfriend, he'd probably boast about this tomorrow to her, when she's in a better mood, when she's well rested and probably complaining once again, about how Hongjoong finding the dumbest, but richest clients. Need not worry, she'd always have someone loyal, sincere and the best big spoon out there- all her's.

Taglist: @edenesth @yessa-vie @the-kpop-simp @mlysalt @spooo00oky

[houserautha]

These Destined Ends

Part 7

Summary: Jessica fulfilled the wishes of the Bene Gesserits to produce a daughter. You’re now burdened with the task of not only marrying the na-Baron, but also bearing his child — the Kwisatz Haderach. Will you take your fate into your own hands? Or will it always belong to those who control you?

Pairings: Feyd-Rautha x F!Reader

Word Count: 6.7k

Warnings: depictions of killing/death, a blood oath, oral sex f receiving, fingering, edging, dirty talk, p in v, no protection, breeding/pregnancy kink, creampie kind of

A/N: I hear wedding bells🎉 This took me a hot second to write up and edit, but it's also a little bit longer than I usually post. I hope you enjoy💕

Sleep evades you. The day of your wedding slips in uninvited, a wash of sunlight to chase away the shadows from your room. The bed is empty. Feyd-Rautha hasn’t returned or, at least, hasn’t visited you since.

You convince yourself that you don’t care.

But still your thoughts stray traitorously to him — where he is, what he’s doing, what he’s thinking and if it’s of you.

You stare out at the Grand Arena. It’s more or less attached to the Harkonnen fortress and, to your understanding, typically reserved for political rallies. It’s the only place large enough to host a wedding where the entire planet is invited, though, plus the added benefits of its close proximity.

A platform has been erected and already citizens are filing into their stadium-style seats despite the early hour. They will wait all day to sit front row at the marriage between House Atreides and House Harkonnen. A historic event, you realize with detached clarity. To be remembered for generations to come.

This does nothing to quell your roiling stomach.

You turn at the sound of your bedroom doors opening, hope lifting stupidly in your chest. Because it is not Feyd-Rautha who enters, but Lady Jessica.

She looks more radiant than ever, though you suspect this partially has to do with the time apart that you’ve spent.

“Mother?”

Perhaps your lack of rest has warped your vision.

Jessica smiles softly, confirming both your deepest fear and most shameful want. “Daughter.”

For the first time in your life, you run to her. She embraces you, cradling your face into her neck. She smells like home and the memory of Caladan has you blinking back tears. “Why are you here?”

“Did you really think we would miss your wedding?” Jessica brushes your hair back. “They are treating you well? You haven’t responded to any of our correspondences.”

“They are treating me well,” you tell her. You can’t help but think of Feyd-Rautha’s lips on your skin, between your legs, but quickly dismiss it. “And I haven’t received any correspondences.”

“Mm, as I suspected. Your father thought that you might be too busy to write but I knew better.”

“He’s here, too?”

“Of course.” Your mother presses something cold and metallic into your palm, curls your fingers around it. “I wanted to give you this.”

You frown. After closer inspection, you realize that it’s a necklace. Simple, elegant, with a thin silver chain and delicate pendant. “What is this?”

“I wore it when I first met your father. Although we are not married, our relationship has obviously grown past that of an arranged partnership. I can only hope you find similar happiness.” She pauses then, examining you. “I know you are aware that your birth was…orchestrated. But that does not change our love for you. You are our greatest treasure, Y/N.”

Your mood falters, slipping from between your fingers and shattering on the ground like glass. “This is a fertility necklace.”

“Yes,” Jessica says, dipping her chin.

You have the overwhelming sense to grind the necklace under your heel. The tears in your eyes now belong there for an entirely different reason.

“I thought you came here today to support me but instead you’re just carrying out your Bene Gesserit schemes,” you hiss. A dry laugh rattles in your throat. “I’m such a fool! You don’t care for me. You only care about what I can provide. My whole life, everything has been for them. Everything.”

Jessica’s jaw clenches. “That’s not true.”

Aggravated, you spin on her, teeth bared. “Then tell me you came here today of your volition.”

Jessica holds your gaze but does not reply.

“I knew it,” you all but snarl at her.

“I thought these past few months would’ve opened your eyes to your potential, the importance of your duty,” Jessica snarls back, matching your viciousness. “But still you are blind to the truth. You blatantly refuse to accept a plan that has been in effect for centuries. Ten thousand years of deliberate planning and you act as if you are here as punishment. You are living proof of the Bene Gesserit’s power, Y/N.”

Chest heaving, you shutter your raging emotions. “Leave me.”

“That’s no way to speak to your mother.”

“I speak to you not as a daughter,” you retort, “but as the na-Baroness of House Harkonnen. And seeing that you are nothing but a concubine to the Duke, I demand that you leave.”

You know that with The Voice, Jessica could force you to bend to her will, to do any inexplicable amount of things. But she does not. She stands there, wavering, before striding back from which she came from without another word.

You hide the fertility necklace in the pot of a synthetic plant, and no one is the wiser when they come to prepare you. For the servants this is a joyous occasion and you do not want to dampen their enthusiasm. You mask your growing unease, laughing and joking with the girls as they recreate you into the image of na-Baroness.

“You look stunning,” Asha tells you privately. There’s quite some time before the ceremony starts, and she’s pulled you into a quiet corner of the room. “The na-Baron isn’t going to know what to do with himself.”

Oh, you very much doubt that. You catch a glimpse of yourself in the mirror.

Your wedding dress is a subtle combination of both Atreides and Harkonnen culture, a blend of elegance and functionality.

The dress itself is made from a lightweight, flexible material that mimics the look of metallic plates. Featuring overlapping panels that creates a segmented, scale-like effect, the bodice gives the illusion of Harkonnen armor. But the skirt, full and flowing, is entirely Atreides — layers of fabric cascading to the floor. Small, metallic accents line the hem that shimmer with your every step.

And, completing the look, a headpiece that forms a sort of M over your forehead and down your cheeks, adorn with jewels.

You bite down on the inside of your cheek. “Have you seen him today? The na-Baron.”

“No, I haven’t. Why?”

“No reason.”

Asha’s mouth quirks teasingly. “Are you nervous?”

“No,” you say, too quickly, “well, yes. But not because of him, because of the ceremony. This will be my first time in front of Giedi Prime.”

“They will adore you,” Asha says. She waves a hand flippantly. “And if not, then your husband will have their heads.”

You grin. “I suppose that’s comforting.”

“Of course it is.” She squeezes your hand.

Your moment with Asha passes as you’re both pulled back into the revelries — spice-laden champagne, food that looks suspiciously like harvested organs, and the pounding, ear-splitting music that’s popular among the Harkonnens. By the time you’re called for the ceremony, your mood has lifted significantly, almost enough to make you forget that you’re the reason for celebration. It’s a sobering reminder.

Your heart threatens to burst from your chest. From inside the walls of the fortress, the roar of the crowd crests and falls like a tidal wave sent to sweep you away. The corridor is alive with mumbled conversation. A procession will precede you to the altar — noblemen and the likes, your parents, who you avoid — along with your betrothed, who is nowhere in sight. The gathered members of your bridal party shift and part, panic seizing you with white-knuckled fingers as the Baron maneuvers toward you.

He greets you with a saying repeated to you many times that day, one that after several iterations you’ve come to understand means, “May your death be swift in battle”.

How it relates to marriage, you are too nervous to inquire about.

“What a wonderful day,” he muses in a rasping lilt. “It would be a pity for someone to ruin it.”

“Indeed,” you reply, eyes narrowing.

“You understand the importance of the ceremony, don’t you?” You don’t respond, sensing that he will tell you nevertheless. “This is just one more step for Feyd-Rautha toward taking my place as Baron. How the ceremony goes will influence his standing with his people.”

You suppress the urge to roll your eyes. Of course this was just another political move. What did he think you would do, riot in the middle of the ceremony? You retort, “I understand.”

“Welcome to the family, Y/N.”

The chill that brushes down your spine, seeping into your bones, is deterred by the sudden clash of a gong. War drums erupt in tumultuous exalt. The very sound of them resonates deep within you, invoking a primal response of adrenaline, as if your body is preparing you for battle.

Which, you suppose is fitting.

And who else to be summoned by the promise of war then Feyd-Rautha.

He enters the room as he always does, commanding the attention of everyone in it. The effect is only amplified today, though, in his polished ceremonial armor and resolute intensity, a heady combination of brutality and valiancy.

Gazing at him us purifying fire, searing you from the inside out, and you take your time charting the unholy beauty of his face, gazing back at you with terrifying reverence.

In that moment, you possess no past or future — there is only him. An eternal now.

And then he steps past you and into the black sun, exultant, thrusting the knife above his head.

A championing cheer follows, impossibly louder than the thunder of the drums. Feyd-Rautha lingers and something in your chest expands at the sight of him dwelling in their approval, their admiration, somehow transcendent of any humanity he manages to have.

He truly is a god.

From your secretive position, you peer at him as he strides down the aisle to the platform where the officiant is waiting for him. At the top of the stairs, he turns and faces his people. In an act that surprises you, everyone who isn’t already on their feet rises, and in sync pound their fists to their chests. One two three.

Their utter devotion to him is staggering.

Feyd-Rautha raises his chin, simultaneously moved and expectant of this. He then takes his place at the altar.

Which means it’s your turn.

You loathe having to follow such a devastating display of power and love. There’s no telling how Giedi Prime will react to you, after all, considering that you are technically the enemy. Asha’s words come to you, emboldening you, and you lift your gaze. You will not falter.

A shushed quiet falls over the arena as you stride out, then enormous applause. You can only imagine what you look like to them, your people, but the only one who matters looks upon you with such unwavering devoutness that it nearly brings you to your knees. As you climb the steps to the altar, Feyd-Rautha’s hands clench into fists, a gesture you interpret as a sign of restraint.

Oh, if only he could touch you with those hands.

The officiant, a representative of the Imperium, begins to recite the traditional Harkonnen wedding script. A translator repeats the words to you, but you let the harsh language wash over you as you focus instead on the row of guests at the base of the altar. Your parents — looking fiercely protective, Leto smiling somewhat reluctantly; Jessica maintaining her cool demeanor — the Baron, emotionless, and beside him Rabban.

Did he wish it was him on the stage?

He catches you staring and flashes you a sickening smile. You look pointedly away, a fist forming in your stomach.

The beginning of the ceremony is tediously long and drenched in tradition, most of which you don’t understand even with the translator’s help. Marriage is not generally a romantic affair for Harkonnens, and the proof can be found in their strangely clinical rites. Again it’s impressed upon you that you are preparing for battle, one in which you would reside besides the most fearsome of its participants.

A pause on the officiant’s part draws you back to the present. You know what comes next, and the thought repulses you — Harkonnens of the Imperial House do not get married with the weight of enemies on their shoulders, pursuing a clean slate of sorts. You watch as a row of prisoners are led before the altar, hooded and bound and forced to their knees by a Harkonnen guard. You shiver despite the insurmountable heat.

You are familiar with war, with combat, the knife-thin edge upon which each fight balances. Life or death. But you can hardly stomach the idea of executing a helpless opponent, even if they are an enemy of your House.

Your throat thickens as Feyd-Rautha is bestowed a ceremonial blade.

Each hood of the prisoner is removed except for one, a man at the end who wavers to stay upright. Feyd-Rautha ignores this man, starting at the opposite end. His grin is apparent as he slashes through the throats of the prisoners, the blade his brush and the bodies his canvas, painting them both with ink-colored blood.

When Feyd-Rautha makes it to the still-hooded man, he pauses, shoulders heaving with the exertion of his wicked precision. Rivulets of blood stream down his armor. He says something unintelligible to the man, then removes his hood.

Your blood runs cold as you recognize him.

Ze’ev.

Now that you know who it is, you inspect him closer. There’s hardly any traces of the man you briefly knew. He is emaciated, bones lining his scarred flesh, clearly beaten within an inch of his life. After your encounter with Feyd-Rautha, you know that Harkonnens heal quickly, and the scars on his body indicate to you that he had been torn open again and again.

Feyd-Rautha turns. When he approaches you, his face is full of such naked adoration that it causes you to take a step back. He offers you the bloodied blade.

“For you,” he rasps.

You whisper fiercely, “What are you doing?”

“He is a gift, for you. On the day of our wedding.”

Every fiber of your being is screaming at you to refuse him. But to do so would be to decline your husband, shame him in front of his people — bile rises in your throat as you accept the blade, your fingers wrapping around the handle.

You breeze past him, refusing to meet his eye.

Ze’ev trembles as you advance on him. Though from his delicate condition or fear, you can’t be sure. His lips form a sneer. “You won’t do it.”

“It’s nice to see you, too,” you say dryly. “I thought you were dead.”

“I should be. Your husband certainly brought me to the brink of it and back, telling me that he was saving me. For you.” Ze’ev spits at your feet then, a dark and bloody glob.

On Arrakis, this would’ve been a sign of respect.

But this wasn’t Arrakis.

You raise your arm in an upward swing, then across your body with exuberance, his blood hissing as it splatters the ground. Splatters you.

The crowd applauds your demonstration, and the sound of their approval echoes in your ears as you take the stage once more, the prisoners’ bodies carted away quickly. You feel numb. Bewildered.

But also deliciously righteous.

You face the man who put you in this position, who put the blade in your hand as a gift without considering the consequences. And he smiles because he knows — he knows that you are delighted, that the freckles of drying blood elicit an indisputable, terrifying delirium in you.

He coaxed this from you, what was better left in the dark.

And you don’t know if you should thank him.

The officiant switches to the common tongue. “The time has come to bind these lives together in the sight of their people. As na-Baron and na-Baroness, they pledge their loyalty and protection to one another, their flesh and blood now shared in duty and alliance.”

A second blade is brought out on a satin cushion.

“na-Baron Feyd-Rautha, do you swear to protect and defend na-Baroness Y/N, to uphold her honor and safeguard her well-being, as your duty demands?”

“I swear.”

“na-Baroness Y/N, do you swear to protect and defend na-Baron Feyd-Rautha, to uphold his honor and safeguard his well-being, as your duty demands?”

You dip your chin. “I swear.”

“Then, as symbol of your shared duty and alliance, I ask you to exchange your blood.”

Feyd-Rautha takes the blade and, with surprising gentleness, turns your palm over and kisses it before gliding the tip of the blade over it. Your blood wells, bright red.

You take his own hand — large, scarred and calloused — and repeat the action.

Before he can heal, the officiant wraps a white cloth around your now joined hands, red blood mingling with black.

“You are my body, an extension of myself,” Feyd-Rautha rasps.

You tense. This isn’t part of the ceremony.

Feyd-Rautha, one hand still clasped in yours, uses the other to beat his chest. One two three. You watch as the crowd responds in kind: the same gesture, reverberating throughout Giedi Prime.

It’s incredibly intoxicating, to be the focus of such a powerful gesture. You let it wash over your skin and infiltrate your bloodstream, alter something inside you, rearranging your very cells into what it takes to be a fearless ruler. You would do anything to garner such a response again.

The officiant waits until the last thump can be heard before he declares, “May your bond be as unbreakable as the strongest fortress. United by duty and alliance, I present to you — the na-Baron and na-Baroness!”

Having spent so much time dreading the ceremony, you never stopped to think about what would happen after it. Currently you sit atop the dais in the throne room, accepting an endless line of Harkonnens who want to congratulate you on your feat of an arranged marriage. Your palm that the blade cut stings with every hand you shake.

After what seems like a small eternity, it’s time for you to join the nobles at the reception. Memories of the last time you sat at the table trickle in through your exhaustion — which you promptly shove away.

The feast passes in a blur. You don’t have the appetite for any of it, but hopefully do a convincing job of moving your food around on your plate.

And then: it’s time for your first dance.

Reluctantly you let Feyd-Rautha sweep you into the center of the room, the usual security you feel in his presence succumbing to your own fears. He holds you tight against him. His tone is clipped, political, plush lips on the shell of your ear, “You had never killed before.”

Ah, your first words as husband and wife.

“No I had never killed before,” you snap at him. “Not everyone goes around just slaughtering whoever they feel like.”

Feyd-Rautha is a surprisingly agile dancer, though you figure that it isn’t all that removed from fighting. “I didn’t intend to upset you.”

“Perhaps, but you did.” Your throat thickens. “What I did is irreversible.”

“You told me you wanted him to pay for what he did.”

“I-I did. I just didn’t think —”

“If you let someone who crosses you live, then others will try,” Feyd-Rautha says, incensed. “You must strangle the serpent while it’s a hatchling, for once it grows, it will seek you out while you lay in your bed and slip around your neck.”

You can’t suppress your shudder. What a lovely metaphor. Apparently Giedi Prime has loads of fun phrases alluding to death.

“You could’ve told me,” you mutter in lieu of a response.

“It was a gift.”

You bite down on the inside of your cheek. Was that all it was? Another part of your game?

“Most people give jewelry as gifts,” you retort.

Feyd-Rautha’s lips twitch. “I am not most people.”

“I know.” To prove your point, you coast your fingers over his side where the dagger went in.

He pulls you tighter against him. “I would have you right here in front of everyone if you’d let me.”

You can’t help but smirk. “I know.”

He opens his mouth to continue but he’s interrupted — by Rabban, nonetheless. “na-Baron, I request a dance with my sister in-law.”

Feyd-Rautha’s grip on you tightens. “No.”

“Yes,” you say, loosening his fingers from around your waist. “It won’t be long.”

Feyd-Rautha stares after you unhappily as his brother leads you away. Other couples have now taken to the floor in an elaborate dance that you don’t know. It doesn’t matter anyway, seeing that Rabban just drags you after him for each step.

“I suppose congratulations are in order,” he says finally.

“You suppose?”

“If it was up to me, Feyd-Rautha would be the one extending his congratulations.” Rabban’s small, dark eyes examine you. “Though the Bene Gesserits have chosen well for a Harkonnen bride. You are a formidable force.”

“Thank you,” you reply, sensing more.

“There are…things…in order that will happen because you will not submit to me,” Rabban says.

Your jaw sets. “Like what?”

“You’ve made your choice.” There’s a twinge of pity in his voice. Not for him. For you? “I thought I should forewarn you.”

“Rabban, what are you talking about? You never said anything about —”

“The day of the Crucible. I told you my wishes and you denied me them.”

“You said nothing that would warrant a warning. I thought you just envious of your brother for obtaining something else that you can’t have.”

“Envious? No. More deserving? Perhaps.”

Behind Rabban, a soldier materializes from the crowd. Sardaukar. You stiffen — it hadn’t come to your attention that anyone from the Imperium had attended your wedding.

“Excuse my interruption,” the soldier says. “I wanted to congratulate you on your union on behalf of the Emperor. He extends his deepest apologies that he isn’t t able to be here himself.”

You nod curtly.

The soldier’s gaze slides to Rabban. “May I have a word with you?”

Begrudgingly, Rabban releases you with a final look. You watch his retreating form, mind reeling with confusion. What did the Sardaukar want with Rabban? And why did the soldier look so familiar to you? Idly, you wonder if the violent nature of the Sardaukar soldiers remind you of the Harkonnens.

No, that isn’t it. That soldier had been here before, at the dinner a few weeks before. He had been the one to call the Baron away, you recall. But he had been dressed as a Harkonnen soldier then, not a soldier of the Imperial army.

The revelation creeps over you uneasily.

Before you can give it much thought, however, someone whisks you away into the next dance. A protest forms on your tongue before you realize it’s Asha — cheeks pink and beaming at you.

“Asha!” You can’t help but laugh, partly out of relief. “I thought you were another terrible admirer.”

“I am an admirer,” she says, “though I would hardly consider myself terrible.”

“Terrible for taking so long to get to me.”

“My apologies, but the na-Baroness is in high demand.” You settle into a comfortable rhythm as the music plays and Asha leads you in the unfamiliar dance. After some time, she grows uncharacteristically serious. “I know your feelings for the na-Baron are…complicated…but your ceremony was beautiful.”

You raise a brow. “Really?”

“The way he saluted you…” Asha trails off, waving her hand as if to ward off tears. This reaction spurns your curiosity.

Trying not to sound too interested, you ask, “What does it even mean?”

A slightly dreamy expression crosses Asha’s face. “Generally it’s reserved for military generals as a sign of respect, something that soldiers do to show their loyalty.”

“So when he did it to me…?”

“He was signaling that he sees you as someone superior to himself, someone to respect. That he is your willing soldier.” Asha grins. “Everyone has been talking about it.”

“Oh.” It’s all you can think to say. “Should I have done it back?”

Asha shakes her head. “Definitely not. It would’ve been an insult to him. His judgement. You did the right thing.”

You’re not sure what the right thing was, but you let the subject go. It lingers in your mind, however, to the point that you over-analyze the moment during the ceremony, replaying Feyd-Rautha’s expression as he saluted you.

You want to confront him about it, but apparently your first dance is all you will see of your new husband on the eve of your wedding. Even trying to catch his eye is impossible as you are both continuously pulled in different directions.

“Is this a bad time?”

At first you bristle, afraid that you’ve been caught sneaking away from the festivities. You have no idea of the time but it has to be well into the morning now, and you just wanted a moment to collect your thoughts. The spot you’ve chosen in a darken alcove gave you a perfect vantage point of Feyd-Rautha, infuriatingly charming as he speaks to a pair of nobles out of earshot.

You tear your gaze from him.

“Father!” You run into the arms of Leto, Duke of Arrakis, who ambles down the hall to you. It’s reflective of your greeting with Jessica this morning, but he inspires only warmth and fond memories. The brush of his beard across your cheek fills you with longing. “Oh, how I’ve missed you.”

“I apologize for not going this morning to visit you. Your mother insisted she go alone.” A frown tugs on his handsome features but disappears as quick as it appeared. “You look breathtaking.”

“Thank you,” you sigh. It’s as if you are a child again, the light of your father’s attention basking you in a sunny glow.

“I…” Leto pauses, deliberates. Your father is usually not someone to be lost for words. “I wish I had done something to prevent this.”

You touch his arm. “It’s not your fault.”

“I blame myself, it’s true. What kind of father willingly hands his daughter over to that…monster?”

“You had no choice. Neither of us did.”

“Listen, Y/N, your mother regrets how your conversation went this morning. She has only wanted the best for you,” he adds softly.

His words prick at you, and suddenly the warmth of his light diminishes. “We both know that’s not true.”

“Her intentions can be…muddled by her Bene Gesserit training. But that doesn’t change the love she feels for you.”

“Her love.” You chuckle bitterly. “All that she loves is what others can do to forward the Bene Gesserit agenda. You. Me. Don’t you realize?”

Leto’s expression softens. “Just come with me. She’s waiting for us. She wants to try again.”

Anger seizes you with white-knuckles and stifling heat, blooming in your chest. “I’ve given her too many opportunities to make things right. You just told me that you wish you could’ve prevented this. She could’ve prevented this. I do not wish to speak another word to someone who has orchestrated my entire life since conception.”

Perhaps you can blame the time that you’ve spent apart, the exhaustive events the day has presented you, but there is a side to Leto that you have forgotten — his frightening, unwavering loyalty to Jessica. A loyalty that not even you, his daughter, can temper.

His voice is that of a diplomat, detached and commanding as he says, “You will not speak of your mother in such a way.”

You’re not sure what you were expecting, but jumping to the defense of your mother cuts you deeper than any knife can. You swallow your disappointment.

“You’re fooled by her just like everyone else.”

Leto’s mouth tightens into an angry slash. “You are not the daughter I remember.”

“No.” You tilt your chin. “She is gone.”

“Then I have no business with you.”

Your tongue rolls in your cheek, over your teeth, carefully selecting your next words. “So be it. I won’t inconvenience you with my company.”

You can’t stand to witness his expression, or let him see the grimace of pain that graces yours, so you turn from him before either happens. You go, not back towards the party, but away — you can’t be here any longer. It feels as if your bones are trying to flee from your skeleton, your skin suddenly stretched too tightly.

Truthfully you have no destination in mind but your feet carry you to the one place that you know will guarantee silence.

Feyd-Rautha’s strategy room.

In the dark your fingers find the seam of the door and you ease it open, slinking inside. For the first time since this morning, you’re alone, and there’s no auditory assault of voices or music.

Back against the wall, you slide down to the ground and pull your knees to your chest. You will tears to your eyes but there are none to summon, lost to the icy numbness claiming you. Any other feeling is cast adrift.

Could it have only been three months ago that you were on Arrakis, sparring with Gurney?

You no longer recognize yourself.

The closest identifying factor is when the door open and Feyd-Rautha appears. There’s a resemblance there, a call of darkness in him that something within you answers. Your mouth twists in distaste. How did he find you?

“Go away.”

“No.”

“I don’t want you here.”

“I don’t care. This is my strategy room, and I can come and go as I please.” Cast in shadows, you can barely make out his face, but the scorch of his gaze is telling of his scrutiny. “Get up off the floor.”

“No.”

“Get up or I’ll make you.”

You weigh his words. Then you reluctantly rise to your feet, unable to look at him.

“This…attitude is unbecoming of you.”

“You’re a prick,” you fire back.

“A na-Baroness, brooding alone — and on the floor, nonetheless, like a common stray. I won’t tolerate this kind of behavior.”

“Or what?”

A muscle feathers in his jaw. “I will have to remind you who you are.”

Heat flickers in your belly, a weak flame. “And what is that? A whore, a womb? I am nothing but what others have made me to be.”

Feyd-Rautha laughs.

He actually laughs.

The sound of which is so unnatural, so unnerving, that your muscles tense like they’re anticipating a fight. You flush with shame — anger — and raise your hand to strike him but Feyd-Rautha catches your wrist. His words lilt with ill-timed amusement.

“Surely you don’t believe that.”

You struggle to wrest yourself from his grasp, but the effort is futile. “Let go of me.”

“No. Never.”

Feyd-Rautha’s lips crash into yours. He steers your back to the wall, colliding with your spine. He swallows your cry of pain with his mouth, slanting it over yours, hands bracketing either side of your face. His fingers delve into your hair, pads of his thumbs pressing against your cheeks. The weak flame inside you ignites into a raging inferno.

He kisses you with a fierce, concentrated energy, as if his sole purpose is to bruise your mouth with his own. His tongue flickers across your bottom lip, behind your teeth. You moan at the same time Feyd-Rautha chooses to coast his hands down your sides and your head lolls back, neck bared.

He grabs onto you as his mouth flies to your exposed throat, hands greedily clutching at your waist. Feyd-Rautha presses a series of kisses that turn swiftly into nibbles, bites. He sucks and licks at your neck, no doubt creating a necklace of love marks, eagerly staking his claim on the sensitive skin. Each bite and lick winds you closer and closer to an orgasm, the idea of his lips marking you wickedly delightful.

Feyd-Rautha moves his hands to your ass, to the underside of your thighs, and hikes you up. Without thinking, you lock your legs around him. The action brings his hardened length nudging against your center and you whimper, grinding into him, desperate for friction.

“I want you so fucking bad,” you pant. “Please.”

He hums against your neck. “What did you say you were — a whore?” His hips roll with yours, the memory of him inside you inciting a moan from your lips. “The na-Baron doesn’t bother fucking whores.”

“Please,” you say again.

In response, Feyd-Rautha bites down on the juncture of your neck and shoulder. You wince even as pleasure floods over you. “Beg all you want but I won’t fuck a whore.”

You fail to conjure a response as he pins you to the wall with his hips, your arms thrown around his neck, and effectively loosens his hands in order to hoist your dress up. Your flesh pimples as it’s exposed to the cool air of the strategy room.

Feyd-Rautha’s hands skim over you, brush over your center. You whimper, “What do you want from me?”

“I want you to tell me who you are,” he rasps.

Feyd-Rautha teases your clit through your panties, drawing lazy circles with his fingers. You buck your hips in an effort to gain reprieve but he denies you this.

Your voice pitches nearly into a whine. “I-I don’t know.”

And you don’t — not after the sequence of your day, not with Feyd-Rautha unraveling you with his his hands and his mouth. You are infinitesimal, insignificant, clay waiting to be shaped in his capable touch.

“Then I will remind you,” Feyd-Rautha says. He pushes your panties to the side, ghosting his digits over your entrance so that you writhe in desperation. “You are my wife, the na-Baroness of the House Harkonnen. You will raze cities to the ground and bring men to their knees. I will fuck you often and fill you with my seed, keep you pregnant so that you bear my children. You are not nothing, you are magnificent.”

His words are punctuated by his short, breathy pants, fingers pressing to your cunt without giving you any of the pleasure that you seek.

“Now — tell me who you are.”

“I-I am the na-Baroness. I am your wife.”

A wail looses from you as Feyd-Rautha plunges his fingers inside you, relieved from your aching by his careful ministrations. Each pump of his hand brings his palm to your sex, quick and authoritative. A hand that had killed six men today, saluted you, bled with you, and the severity of the situation has your walls clenching around him — he is Feyd-Rautha, and he is fucking you with his fingers, littering your body with bites and kisses and mumbled, appreciative praises.

It’s not surprising that this drives you to orgasm with record speed, to alleviating the pressure building between your legs —

Feyd-Rautha removes his fingers, depriving you of your release. You almost howl in frustration.

“Close,” he says. “But I’m not convinced.”

“No, please —”

“You can cum once you’ve convinced me that you remember who you are. Until then — your pleasure will be withheld.”

Again, he punishes you with his fingers, splitting you open as he inserts them. Your back bows.

“Now,” he pants, “tell. Me. Again.”

“I am the na-Baroness. I am your wife,” you repeat, mustering as much conviction as you can. You would tell him anything if it meant cumming on his fingers.

Harder, faster, wrist snapping: “And?”

“And…I am magnificent.”

Feyd-Rautha’s satisfaction is evident even in the dark, judging only by the pulse of his fingers, the breathy laugh fanning into your neck. He removes his fingers again, though, to your chagrin, trading positions for one that allows him to see your face. “Oh, you are,” he purrs. “And I bet you taste even better.”

You hitch your legs around his shoulders at his prompting. Feyd-Rautha sinking to his knees while applying enough weight to keep you trapped against the wall. You suppress another whimper. Your thighs are nearly flush with your chest as Feyd-Rautha dips his head to greet your cunt, driving you higher up the wall and forcing you to grab onto his armor for support.

You can’t see him with the skirt of your dress in the way, but you feel his mouth hovering your entrance.

Feyd-Rautha presses a kiss to you. He flicks his tongue over your clit, then licks a stripe up your center back to it, lapping eagerly between your thighs. His mouth works in tandem with his tongue, his teeth, treating you to the same nipping and sucking that he administered to your neck. Your hips buck to meet his every stroke.

And then, there it is again, your orgasm fighting for completion, raking claws of molten lava through your belly, your pelvis.

From between your legs, Feyd-Rautha rasps, “Convince me and I’ll let you cum.”

You swallow down a cry of protest. If you don’t get your release, you might actually implode. You do your best to summon his words from before, “I am the na-Baroness. I am your wife. And I am magnificent.”

“And how will I fuck you?”

Your teeth grind as you recall, “Often.”

“Why?”

“To-To keep me pregnant,” you stammer out. You rarely allow yourself to imagine your body in such a state, afraid of what it will invoke, but you do now: belly swollen with Feyd-Rautha’s child, breasts full, a physical manifestation of the vigorous fucking he regularly bestows.

And just like that, like the snapping of a rubberband, he returns his mouth to your cunt and laps at you until you finally, finally, reach your orgasm. Feyd-Rautha holds you steady as the prolonged release cleaves you in half, shuddering against his mouth, your vision swimming with stars. Tears wet your cheeks with your relief.

You sag into him, and he effortlessly lifts you back to your feet, still trapping you to the wall, one hand lazily skimming your hip.

“Do not, ever again, think so lowly of yourself. Do you understand?”

Your head bobbles stupidly. “I understand.”

“Good.” He brushes hair back from your face, runs his finger along the scattering of angry welts he’s left on your neck. “Now, my jewel, how do you want me to fuck you?”

You commit him to memory, this renegade angel, a contrast of darkness and your own personal deliverance. “I’ll let you choose.”

Without missing a beat, Feyd-Rautha carries you to the strategy table and lays you flat on your back, maneuvering to grab your ankles, one in each hand and spreading you wide. He takes his straining cock from his pants and strokes it as he admires you. “Mm, my beautiful wife, so eager for me to fuck her.”

He traces your entrance with his fingers, then notches his cock there, sliding the tip of it between your slick folds. You ache to take him but with your ankles in his grip, he keeps you firmly in place. Like a silly, wanton thing, you try desperately to grind against him as he drags himself, up and down, teasing you.

“Please, Feyd,” you beg, “please fuck me.”

“Say it again.”

“Fuck me, Feyd. Please.”

The ridges and crests of the strategy table bite into your back as he drives into you. The ecstasy of finally having him inside you is almost too much to bear — hips snapping, groans rumbling through his chest. He is inspired like this, immersed in the feel of your walls clamping down on his cock, pupils blown, plush lips parted with each panting breath.

If you only you could bottle up this moment, savor the way you both rise to meet the other like waves upon the shores of Caladan.

He pounds into you in a borderline frenzy, each near-violent thrust surging your orgasm higher.

Then Feyd-Rautha releases your ankles, your legs returning around his waist, and he captures your wrists instead, holding them over your head. The angle allows him to press himself to you, spearing you deeper, winding your desire tighter and tighter.

“My wife,” he rasps, “my jewel. Look at me.”

You meet his gaze. Feyd-Rautha smirks, pleased with himself, with you, and thrusts into you with swift finality. Your orgasm peaks and suddenly you’re shuddering and convulsing beneath him, pleasure wrought from every fiber of your being.

Distantly, you feel your cunt draw out Feyd-Rautha’s own orgasm, hips rolling against you as he spills himself inside you. He collapses on top of you, both of you panting, greedily drinking in lungfuls of air. Ostensibly, he recovers first and peels himself from you, tucking his cock back into his pants.

He helps you to your feet and you thank him breathlessly, thighs quivering as you stand, the wrinkled skirt of your dress cascading back to the ground.

“I suppose no one will question whether or not we’ve consummated our marriage,” he says.

Your cheeks burn. “Does it matter?”

“It’s typical for someone to watch to confirm,” he tells you, lifting a shoulder. “I said that it would be obvious enough.”

You gasp and swat his chest. “You didn’t.”

“The alternative was some noble peeking in on our fucking. Would you have preferred that? I do know you like to watch.”

“I suppose I wouldn’t,” you admit.

“Precisely.”

Feyd-Rautha’s eyes flicker over your face, and you can only guess what he sees there — you’re coated in a thin sheen of sweat and, undoubtedly, love marks, hair tangled and headpiece askew.

You shy away from him. “Do we have to go back to the reception?”

“No,” he nearly snorts, affronted that you would even suggest such a thing. “I fully intend on taking you to my bed and fucking you until you’re a mewling, quivering mess.”

Your cunt, still full with his cum, dripping with it down your thighs, clenches in anticipation.

“Then what are we still doing here?”

Part 8

Taglist:

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[keshetchai]

I originally wrote this back in 2019 in response to someone saying:

So, let me get this straight... the entire religion (of Judaism) is built around legal loopholes? Is that what I’m gathering here? (Feel free to correct me!)

And it remains relevant to people (gentiles) who characterize Judaism as rules lawyering or all about loopholes or worse, who imply we are trying to be "sneaky" or "pull one over on God."

My answer:

the religion is built around living in an ethical society per our contract (covenant) with G-d. but you can’t just have a bunch of words without putting them to use, & understanding them in practice, you know? the fulfillment of the covenant is a living discussion.

it’s not legal loopholes, because a loophole is often an inadequacy in the law that gets taken advantage of, but these are all built-in, part of our understanding. In this case, we have a contract (covenant), and we’re going to put it to use in every way possible, explore every inch of it, turn it inside out, and apply it to real life examples, define the parameters, argue those definitions, and then survey the conclusions.

I can say “you need to say the evening shema (a prayer) in the evening” but we can’t just say that, we need to explore a bunch of related things, like:

when in the evening does this happen? is there a difference between twilight and evening? if we say the evening prayer can be said from the time the priests partake of teruma, then when is that? if it’s the first watch of the evening, how many watches are there? if you were out all night for a wedding, but it’s not yet dawn, is it too late to recite the evening prayer? — IN SEVERAL THOUSAND YEARS, KE$HA WILL WRITE TIK TOK, AND WE’LL NEED TO KNOW WHAT TO DO IN CASE OF PARTYING UNTIL YOU SEE SUNLIGHT!

— when do they (the priests) ritually bathe in preparation for this [taking of teruma]? what about when poor people who cannot afford extra candles - do we consider how early they eat an evening meal in order to make sure they can afford the light [when we define evening]?

why did we discuss evening prayer before morning prayer? why does torah give us night before day? when is bedtime for most people? can we say the evening prayer until dawn? if yes, people might put off the prayer until dawn, which could lead to laziness or mistakes.

Also, when is dawn? but more prudently at the moment, when is evening? evening is when the stars are visible, but...how many stars? also, if you are lying alone in a dark house and can’t see the sky, how do you determine if it is too early or too late for your evening shema?

and that whole discussion is from the beginning of the Talmud, in its hyper-condensed form. That is what we do.

It’s not a series of loopholes and ways to weasel out of doing something. It's an intentional exploration of how something is done right, what doing it means, how we can accomplish it.

nothing gets taken for granted, everything is questioned, debated, discussed until it is understood enough to be applicable. and there may be lots of ways to understand.

if someone sees this line of thinking and goes “ah, loopholes to get out of it/wiggle away from it,” then you are mistaking lacework for loopholes.

....and if Kesha sees sunlight, it is now too late for her to say her bedtime shema. she should recite morning shema instead.

(note I think per anon my original phrasing was lacework, not loopholes, but maybe I edited for clarity later? Very possible, I'm a chronic editor.)

[theliteraryarchitect]

So... What Does an Editor Actually Do?

First off, “editor” is one of those words that causes a lot of confusion for writers. It seems simple—someone who works with words, right? But the truth is, “editor” can mean wildly different things depending on the context.

So, let’s clear things up.

When we’re talking about writing and publishing, “editor” usually refers to one of two roles:

1. The Gatekeeper: This is the person who commissions or selects work for a publication, like a magazine, newspaper, or publishing house. Think of phrases like “Her book was chosen by the editor at [Big Fancy Publisher].”

2. The Helper: This is the person who works directly with writers to improve their work. They might suggest revisions, clarify ideas, and polish the manuscript for grammar and style.

Both are called “editors,” but their jobs are completely different. To make things more confusing, in smaller operations (like indie presses), these roles often overlap. The same editor might choose your story for publication and offer stylistic or copyedits before it goes to print.

The 4 Types of Editing

Beyond the word “editor,” the types of editing writers encounter also vary widely, further boggling the mind. Here’s a quick breakdown of the four main types of editing your manuscript might go through:

1. Developmental Editing

This is the kind of editing I do, and the kinds of issues that are covered by the majority of my blog posts. Developmental editing:

• Focuses on the “big picture” of your story—plot, character, pacing, worldbuilding, and structure.

• Asks questions like: Does the ending make sense? Are the characters believable? Is the story too slow?

• This is the most intensive (and expensive) type of editing because it shapes the foundation of your book.

2. Stylistic Editing (Line Editing)

I don't do this kind of editing for my clients, but I occasionally publish line editing tips on this blog because I'm kind of a nerd about it :) Line editing:

• Works on clarity and flow at the sentence and paragraph level.

• Addresses repetition, awkward phrasing, and other issues that muck up your writing flow.

• Happens after developmental editing—no point polishing a scene if it might get cut!

3. Copy Editing

Once in a while I give copy editing tips on this blog, but they're usually wrong and I'm promptly corrected. Let it be known: The Literary Architect is a terrible copy editor. Copy editing:

• Focuses on technical details like spelling, grammar, punctuation, and consistency (e.g., making sure a character’s blue eyes don’t randomly turn brown).

• Think of this as quality control for your manuscript.

4. Proofreading

• The very last step before publication. The proofreader checks for any typos or layout issues that might have slipped through the cracks.

Whether you’re submitting to a publisher or self-publishing, editing matters. Great stories get rejected because they weren’t polished enough. And self-published books that skip editing often lose readers due to glaring errors or clunky prose.

If hiring a professional editor isn’t in the cards, learning to self-edit can help you get your manuscript into the best possible shape before publication. That way, if you do decide to bring in an editor later, they can focus on the deeper work instead of fixing things you could have tackled yourself.

Hope this helps!

/ / / / / / / / / / /

@theliteraryarchitect is a writing advice blog run by me, Bucket Siler, a writer and developmental editor. For more writing help, download my Free Resource Library for Fiction Writers, join my email list, or check out my book The Complete Guide to Self-Editing for Fiction Writers.

[writing-in-the-impala]

Secret Smokes (Part 16)

Pairing: Teacher! Remus Lupin x Reader

Series Summary: When the reader bumps into the new DADA professor on the bridge in Hogwarts she begins to build a friendship with him all thanks to their shared feeling of not belonging and love for muggle cigarettes. Their friendship blooms while they both fight internal battles deciding what is wrong and what is right leading to a lot of fluff, angst, flirting and a rollercoaster of emotions.

Warnings: Swearing, smoking, drinking, teacher-student relationship, angst, jealousy, fluff, smut.

Word Count: 2000

A/N: knock, knock, anyone still here? We're back baby! Let's continue this emotional rollercoaster.

 | SERIES MASTER LIST (All chapters) |

Previous Chapter, Part 16, Next Chapter

The truth is you weren't sure if setting such strong boundaries between yourself and Remus was a good idea, you knew in your words you shut off any opportunity for dates but at least you stopped arguing. It was almost as if removing pressure and expectations relaxed you both, a bit more excitement showed up as you now didn't know when you would spend time together. This increased the tension during your tutoring and when you bumped into each other in the hallway. If you wanted to see Remus you would go and knock on his office door and usually he would be in, but if he wanted to see you he had to put in more effort, he would usually find you using his Marauders Map, and he'd "casually" bump into you and inform you that he needed to discuss an essay with you.

The first week after your discussion was quite drastic you only saw each other two evenings out of the week, Remus only waited for you to show up but by the second week he was initiating the invites too. Your tutoring days turned into default Remus days as you chose to stay after your lesson was complete, it all felt very healthy and balanced. Neither of you owed each other anything and in a way you finally fell into the pattern Remus always wanted of not being in love just being together. However what you didn't know is Remus ached the past just like you did, you both didn't know what to do with your evenings anymore hoping the other would speak out and initiate an evenings together. Yes you did spend more time with your friends you began building friendships with more fellow students like Oliver Wood for example but the emptiness and longing remained and only disappeared as soon as you were back with Remus. On Friday you decided to go visit Remus's office with a gift that your parents sent you for your "friends" birthday upon your request. You knocked on his door only to find him in his usual position, he was hunched over his desk writing, his hands slightly stained from the ink of his quill.

"Marking or just for fun Professor?" You asked as you entered with a light nod and he looked up at you with a warm smile.

"For mental clarity. To what do I owe the pleasure?" He collected all the parchment and put it back in his desk drawer as you sat down opposite. He didn't stand up to embrace you as he was recently taking a more reserved approach towards your relations.

"I've got you a gift." You said with a smile revealing a small present wrapped in brown paper and tied with a tweed string.

"Thank you but how come?" He looked confused as he stood up and came to sit besides you.

"Your birthday, I know it's a bit late but you didn't let me know your birthday in advance so next year it'll be on time."

"Oh you think they'll be a next year?" He said shyly.

"Well no matter how close you are to a friend at least birthday wishes are always in order don't you think?" You asked and he nodded.

"You really didn't have to, you spend too much money on me." He said holding the gift in his hands but not opening it.

"Just open it." You said rolling your eyes and he followed your instructions opening it slowly, attempting not to rip anything. He pulled out a hardback penguin classics editions of Blake's Songs of innocence and of experience. "To help with the moral battles going on inside your head."

"How utterly topical, thank you dear, it's absolutely beautiful." He said with a warm smile going in to kiss you at the end of his sentence you welcomed the kiss as it felt like how he kissed you before the argument happened. "However it was actually the proverbs of hell that I quoted to you."

"I know, innocent and experienced wouldn't say something so evil to me."

"You were the one who called it off not me." He said with a playful wink.

"All thanks to your verbs from hell Remus." You said throwing a sofa cushion at him jokingly and he laughed.

"So do we thank William Blake or do we hate him?" Remus asked.

"Well let's see what happens when I finish school than we'll know." You said moving to sit closer to Remus and resting your head on his shoulder he put down the book on the coffee table and put his arm around you.

"How's revision going?"

"It's going, I'm stressed and I feel like I can't focus it feels like the common room and library are so packed with people and no one is ever really that quiet and I feel like they're all so far ahead of me."

"Darling you are so much further ahead then most of them, trust me I mark their work. But if you want to come and study here again you can, even if I'm not here just use my office, if anyone knocks while you're in here you can just say you have detention or you can explain that I allowed you to work from here."

"Thank you, but it's okay. I'll let you know if I need it. For now I think I just need a break my head feels like it's on fire." You explained closing your eyes slowly.

"Walk with me?" He asked standing up and reaching out a hand, you nodded in return standing up with him. He picked up his blazer and locked his office as you both left. You began walking and talking not knowing where Remus was leading you but you quickly left the castle grounds and began walking in the direction of Hogsmeade.

"How do you feel about us now?" You asked quietly as soon as you left Hogwarts grounds.

"I think you did the best thing for us, something I didn't have the guts to do." He replied, hands in his pocket, eyes looking down at his feet.

"What do you mean?"

"You hit the breaks on us, something I couldn't get myself to do, but we both knew we should."

"I think I regret it." You admitted not looking at him but in this moment he looked at you with a hurt face. "Not you, not us, but slowing us down, I miss what we had already." You elaborated.

"We still have it, just more controlled." His voice was very controlled like each word was thought out.

"But it's not the same, it's like I'm constantly reaching to stroke your hair and then pulling away as I know that's too much for what we currently are. I just want to skip to the end of the year and click play, I don't like this time on pause thing."

"Don't waste these last few months, when you leave you'll realise how much you miss it. These will be some of your best years. The freedom almost disappears, the friends move away and money suddenly becomes a problem." He explained and you nodded.

"I don't even know what I'll do next year." You admitted.

"Do you want my advice or just for me to listen?"

"Advice." You said appreciating he asked.

"I think you should teach muggle studies."

"Where?"

"Here at Hogwarts." He said enthusiastically.

"Here with you?" You asked.

"Not necessarily here with me, just here in the best school in the country. Hogwarts needs someone as passionate as you. You can help make young witches and wizards understand the muggle world, you can introduce them to music, literature. You can spend all day talking about things you love."

"I never thought of it that way." You admitted.

"It's just a thought, I think you'd make a great teacher. Plus in what other job can you geek out about Bowie to a room full of people and call it work?" He said enthusiastically.

"I don't know the first thing about teaching." You admitted.

"I'll teach you." He said casually.

"You just want to stay as my teacher forever and then we can never move on." You said with a small nervous laugh.

"Don't be stupid, then you'll be my peer and we'll have more freedom as to see where our lives go." He said.

"Won't it be just as taboo? We'll be back in limbo of not being able to date as we'll be working together and then we'll be waiting forever."

"No I don't think so, the problem is right now you're young, you haven't experienced the world, I don't want to be the blockade. You need to be free to do whatever you want and when you are no longer my student we can talk and see what we are." He explained once again, it felt like you both had this conversation memorised.

"But," you began again and Remus sighed anticipating what you're about to say. "How does this constitute as freedom, if I want to date around I can't, not that I want to, but if I did we said we're exclusive, it's like this is a relationship with none of the feel good parts just the sex and longing." You whispered bits just incase anyone was around.

"You asked for this Y/N." Remus emphasised.

"I don't think I did, I asked for more and I settled for this." You explained realising all you ever wanted was more dates but somehow your argument that day led to you asking for less everything, less feelings, less love and less time.

"Dear, have you read The mill on the floss by George Elliot? In it Phillip says "It seems to me we can never give up longing and wishing while we're thoroughly alive. There are certain things we feel to be beautiful and good and we must hunger after them. How can we ever be satisfied without them until our feelings are deadened?"

"I think that feels like an instinct I share." You said not understanding how a quote about seeking love is relevant when he's saying not to seek it.

"It's the romantic manifesto. There must be something more than this, something more intense. Something to let you out of the washing up and making your bed."

"Exactly." You said.

"Well it scares me to say I may have found it, the something more intense, but I don't want to mess it up, because if it exists it's the most beautiful thing I've ever stumbled across and I don't want to loose it by messing it up. Therefore let's let it take time and nourish in the feeling of longing for a little longer before we find comfort in it, let's not risk it before we are sure we can have it."

"I feel you're right but I don't want you to be."

"I don't want to be either." He said as he stood still and you looked puzzled at him as he looked around. "Coast is clear, aparate with me." He said and you grabbed on to him. You were in an alleyway in London you knew that immediately. First thing he did was crash his lips into yours, you kissed for an extended moment as it felt like finally you could, once he pulled away he grabbed your hand. "Where are we going?" You asked.

"To visit a friend, if you'd like?" He said as you turned the corner to see the familiar steps of 12 Grimauld place.

"Really, you aren't scared?" You asked.

"Terrified, but there's no meeting and no need to have a meeting therefore the only person home today will be Sirius and no one else should arrive especially who on earth would come on a Friday with no news, they don't like to hang out here." He explained as you approached the house.

"I'm so excited to find out everything about teenage Remus." You said and he laughed as he knocked on the door waiting for Sirius to open it.

NEXT CHAPTER

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[derinthescarletpescatarian]

The big book FAQ for Derins books

I've been asked all of these questions so very many times, so here's the answers.

Can I print out and hand bind your story?

What you do with my story in your own damn house is none of my business. Buy the ebook and hand bind it if you want (it's probably cheaper than buying the print book, and I make more money on ebook sales, so win-win). Painstakingly copy and paste and edit the chapters for free from the free online version, if you prefer. So long as you're not selling copies to people, what you do with the book when it's yours is your business.

Send me photos if you want. I've seen some rad homebound copies of my stories and I want to see more. You guys are so creative.

Can I translate your story to another language for a school assignment/personal project?

Yes.

Can I make an audio version of your story and post it online?

So long as you link back to the original text version, yes.

Where is the first TTOU book available in print?

It's available in these places. It will be available through Ingram and Amazon's various networks, so expect it to show up in more digital storefronts over the next week or so. Or your local bookstore can very likely order it in for you, if you ask them.

Will the free version of TTOU stay online?

Same as Curse Words, I will not be taking down the unedited first draft that's currently online any time soon. However, I also won't be putting any special effort into maintaining existing links to it.

If I want to give you the largest royalty cut, which version of your book should I buy?

Buy whichever version is most convenient for you. The ebook and print versions exist because readers asked for them to exist, not because I expect to make money from them.

I make the most from the ebook versions, particularly if you buy through Smashwords, but the best way to support me is through ko-fi, where you can get advance chapters for the books I'm currently writing, not through book purchasing.

Your cheapest option for the books, paperback and ebook, is through my ko-fi shop, where distributor markups can be avoided. But paperback supplies are currently very limited via this method.

What really happened at the end of Copy <|> Paste?

I said everything I want to say in the story itself.

What is [fictional character or society]'s opinion/future/history/custom with regard to --

See previous answer.

Are any of your books going to be released as audiobooks?

Probably not. Fairly compensating audiobooks readers is very expensive and I won't be making AI versions.

When will the Curse Words books be sold in print?

When the art for them is ready.

What's your opinion on [latest drama or scandal surrounding a different writer]?

This is probably the first I'm hearing of it, I have no relevant information about the issue to share with you.

Should I message you about typos found in the free online drafts of your work?

You can if you want to, but if the typo doesn't interfere with story clarity, I'm probably not going to bother with it until it's time to edit the story for print.

[marvelouslizzie]

Why Are You Doing This To Me?

summary: Your ex-boyfriend Bucky Barnes wrote two songs about (for) you and you don’t know what to do.

pairing: Ex!Rockstar!Bucky Barnes x Female Reader

warnings: Angst, a past failed relationship, pettiness, jealousy, anger, a lot of emotions, no mention of y/n.

word count: 2.3K

A/N: I have been away for a while because I was busy learning another language aka Dutch. I still am but at least I am done with my big exam. As soon as I was done with it, I found myself writing again.

This is a random idea that just popped into my head while listening to music and taking a walk. Pure angst for some reason. Usually, I go for smutty ideas but bear with me.

>> indicates incoming messages and << indicates outgoing messages in this story.

Thank you @notafunkiller for proofreading and editing this so fast ❤️

All work is mine, please do not repost or translate without my permission.

Keep reading tag starts after the second paragraph of the story.

>> Hey! I know you don’t want to hear anything about Bucky, but I think you should check these out. I think he wrote these songs for you.

Two links from Spotify follow the text you received from one of your best friends, and you stare for a while, trying to decide what to do. You really don’t want to hear his voice. Not because you don’t like his singing or his songs, but you wanted to get back on your feet. It would be impossible if you kept listening to his songs. Besides, hearing his voice has always softened you. And your best friend knows this. She knows a lot about your relationship, how everything went down, and how you two eventually broke up. If she didn't think you should listen to these songs, she wouldn't be sending you these links, right?

You take a deep breath and click on the first link. The song starts to play, and you notice the soft vibe right away. It’s not particularly Bucky’s style. He sounds like he’s in pain but he's singing with such clarity that surprises you.

He talks about how much he regrets the things he didn’t do when he was with you. How he misses you so much every day. How much he wants to call you, but he’s afraid that you won’t pick up the phone or worse, you will talk to him like a stranger. He says he always knew how precious you were, yet he took you for granted.

The lyrics flow flawlessly. It sounds like poetry to your ears. The way he expressed himself so beautifully… You can’t believe he wrote such a heartfelt song about you, and it’s not even his style. He’s a freaking rockstar. He usually writes about sex, rock and roll, and drugs. Not feelings. Then the song finally reaches the chorus and his words make you freeze. 

“You are the love of my love.”

Did he really just say that? Did he just call you the love of his life? You feel this rush of emotions, and it’s hard to distinguish what you are actually feeling. It makes it harder to think, harder to focus on anything else other than the fact that this song is for you. That’s when you notice the name of the song. It’s the Love of My Life.

Suddenly, you start to feel angry. Every other emotion just takes a backseat. You hate him. So fucking much! Why is he always like this? Saying everything a little too late. Was it so hard for him to tell you this when you wanted to find just one reason to stay with him? You begged him to communicate with you maybe a million times. He always said it was not easy for him to put his feelings into words. Good or bad. It didn’t matter. He always struggled with his emotions. You tried your best. You tried to show him that he could trust you, that you would always be there for him, but it didn’t matter in the end. You felt like you were the only one trying to make this relationship work.

That’s when you decided to give up. It felt like he just didn’t care enough. He didn’t put any effort into changing things or making you feel like you weren’t just beating a dead horse.

You hoisted the white flag and moved on with your life. That’s when he decides to put whatever he feels into words. Instead of talking to you, he makes a song about it. Then he puts it out into the world. 

What a fucking asshole!

It takes you a while to realize the song is over as the silence fills the room. As much as you hate how he chose to do this, the silence disturbs you. It might be a little too late, but you still want to hear what he has to say. Your own rules about not listening to any of his songs instantly go out the window.

You open the messaging app and click on the second link. This one sounds a little bit more like his usual style. The name of the song though, instantly catches your attention this time. It’s one of the nicknames he used often for you. 

He starts the song by saying that he knows how selfish he is. That he has no right to feel this way, but he just saw you with someone else and he hated how it made him feel. He talks about how jealous he is. How he can’t help but imagine you in that guy’s arms. Then he realized you might call him baby, just like you used to call him. Then he continues by begging you not to call him baby, how he wants you to save that pet name for him even though he’s not in your life anymore.

There are so many details throughout the song that indicate he’s talking about you, there is no mistaking. He calls you by your nickname, saying how he loves the way you talk passionately about your interests, how compassionate you are, and how much effort you put into maintaining your relationship but he was too stupid and pathetic to appreciate them.

Every word that comes out of his mouth makes you even angrier. How dare he? How dare he write a song like this for you? After everything you have been through, after all the effort you put into your relationship, after every heartbreak… He realizes how much he values you just because he saw you with someone else.

Selfish bastard!

He has no right to put these words out there. He has no right to feel jealous. You are not his anymore. You can call someone else baby if that’s what you want. How dare he try to dictate to you like this? It makes you wanna call someone up and go out on another date and call him baby, just in spite.

The problem is, it’s just your stubborn nature talking. Before this song, you didn’t even think about calling someone else baby. You didn’t feel like it. Subconsciously, you were reserving that pet name for him. And that fucker knew it. He just knew it!

You exhale deeply, trying to calm yourself down. The song is over, but you can still hear him singing in your head. The song is so beautiful. Petty but so fucking beautiful. He sounds like he poured his heart out without caring how vulnerable it makes him look. 

Another deep breath, you try to understand which date he is talking about. You have been on a couple of dates since you two broke up. You were so dedicated to moving on. You didn’t care if it would hurt him. Because he didn’t care about how much he hurt you all those times you tried your hardest to make things work. So you went out with a couple of gentlemen. Some of them were decent, and some of them were downright horrible. Dating is just as tedious as you remembered. A lot of assholes out there who don’t care who they are hurting. You didn’t get hurt, though. You didn't care enough about any of them to give them the power to hurt you.

Then it finally hits you. He’s talking about your date with that motherfucking movie star! That one was big news for a while. You got photographed two, maybe three times together.

You really looked like you were having fun in those photos. Truthfully, you were, he was such a funny guy. He knew how to make fun of himself. You were just so tired of pretentious asses. It was refreshing. That’s why you said yes to a second and a third date. Then he was off to a European country to shoot his next movie. You had a fun and it was more than enough for you. 

You precisely remember that tabloids started to talk about how perfect you two were for each other. God, that must have gotten under his skin. You can’t help but laugh. He’s so predictable. He just couldn’t bear to see you with someone else, but can you blame him?

You remember seeing something similar about him, but in that case, he wasn’t on a date with the girl. They were just working together for some lame-ass project he would normally despise. Maybe he was trying to keep himself busy, who knows? You remember so vividly how she was looking at him like she wanted to eat him up. As if that wasn’t enough, she kept praising him, calling him the best rockstar of the century just to get in his pants. You have no idea if it worked or not, but it was enough to make you feel jealous. So can you blame him for feeling the same?

It just makes you realize you want to listen to those songs again. It’s maybe too little too late but you still want to hear him. You wanted him to talk about his feelings for such a long time and he’s finally doing it. Through a song but still, he’s doing it. It isn’t exactly communicating because communication must be two-sided, right? That’s what was missing in your relationship. You were talking, pleading, trying while he was keeping everything in. You feel like the roles are reversed. Now he’s the one talking, pleading, and trying, and you just don’t know what to do. How the tables have turned.

The second time around, you notice other details you missed the first time. Like peaceful walks you took together whenever you had the time or how you always used fake names when you two traveled together. You can’t help but miss those days. Even though you had problems, being with him always felt so safe and peaceful. You have no idea how he managed to make you feel that way. Maybe that’s why it took you so long to end the relationship. You still miss the way you felt back then. As if you two could overcome anything together, yet you couldn’t. Because you didn’t work together. You were alone, struggling to make him talk.

Then he talks about how he still speaks to your friends, and that makes him miss you even more. That part surprises you because none of your friends mentioned that they were still seeing Bucky. Is that because you didn’t let them ever talk about him? You feared if you let yourself talk or think about him, you would go back to the point zero.

He ends the song saying he doesn't want you to be a distant memory, and this sticks with you. Do you want him to be a distant memory?

The second time you listen, you notice how desperate he sounds. The way he pleads doesn’t anger you anymore. You find something you feel in his words. Your own fears, your own selfishness and oh, how much you miss him. You didn’t let yourself admit that you miss him. You thought acting like he never existed, he was never a part of your life would make everything easier and it did. Just for a while. Lately, it was just a burden. You tried so hard to keep everything inside. Just like he did. You are still trying to do it… to act logically, not emotionally. Does it mean you are making the same mistake he did? Shutting yourself down, not talking about your feelings. Is it the solution or is it a part of the mistake? You can’t tell anymore. You just know that your heart is aching. The sound of his voice makes you want to cry.

God, you hate him so much!

How could he do this to you after all this time?

Is it that easy to get under your skin or was he always there?

You feel like you are about to explode because of all the emotions you are going through. On one hand, Bucky communicating with you is everything you wanted. On the other hand, isn’t it too late? And why did he write not one but two songs about you? Declaring his love to the world…

You repeat that last bit in your head. He’s declaring his love to the world.

He’s no longer afraid to talk about his emotions. He wants you to hear them, millions of other people are just the bonus. He’s not afraid to show how fucking miserable he feels. He just wants you back.

He’s doing his bit in communicating, but unless you don’t do something about it, it won’t matter. It will be another attempt in vain. You aren’t sure if you want to repeat the same pattern. You notice the song is over when your phone chimes. It’s your best friend again.

>> Did you listen?

<< Yeah.

>> How are you feeling?

<< Confused.

<< Are you still talking to him?

>> Yeah we all are.

<< Why didn’t you tell me that?

>> You said you didn’t wanna hear anything about him and we just respected your decision.

Just like you thought. You can’t blame them. Anytime someone mentioned anything remotely related to Bucky, you either changed the subject or found a reason to leave. So you can’t help but wonder…

<< How is he doing?

>> Not great. He misses you.

<< I miss him too.

>> Are you gonna call him?

You look at the message for a long minute. Are you gonna call him? That’s the question. Maybe you should. Maybe you shouldn’t. Both of the options sound equally wrong. You have no idea what to do.

<< I don’t know what to do.

>> Just give him a call. He’s the love of your life.

You have no idea how long you have looked at that text. Maybe for a couple of minutes, maybe for an hour. 

He’s the love of your life.

He’s a bastard, but he really is the love of your life.

And you are the love of his life.

Where do you go from here? You look at your phone once again. You finally know what to do.

[mariacallous]

When most Americans think of fascism, they picture a Hitlerian hellscape of dramatic action: police raids, violent coups, mass executions. Indeed, such was the savagery of Nazi Germany, Stalinist Russia, and Vichy France. But what many people don’t appreciate about tyranny is its “banality,” Timothy Snyder tells me. “We don’t imagine how a regime change is going to be at the dinner table. The regime change is going to be on the sidewalk. It’s going to be in your whole life.”

Snyder, a Yale history professor and leading scholar of Soviet Russia, was patching into Zoom from a hotel room in Kyiv, where the specter of authoritarianism looms large as Ukraine remains steeped in a yearslong military siege by Vladimir Putin. It was late at night and he was still winding down from, and gearing up for, a packed schedule—from launching an institution dedicated to the documentation of the war, to fundraising for robotic-demining development, to organizing a conference for a new Ukrainian history project. “I’ve had kind of a long day and a long week, and if this were going to be my sartorial first appearance in Vanity Fair, I would really want it to go otherwise,” he joked.

But the rest of our conversation was no laughing matter. It largely centered, to little surprise, on Donald Trump and how the former president has put America on a glide path to fascism. Too many commentators were late to realize this. Snyder, however, has been sounding the alarm since the dawn of Trumpism itself, invoking the cautionary tales of fascist history in his 2017 book, On Tyranny, and in The Road to Unfreedom the year after. It’s been six years since the latter, and Snyder is now out with a new book, On Freedom, a personal and philosophical attempt to flip the valence of America’s most lauded—and loaded—word. “We Americans tend to think that freedom is a matter of things being cleared away, and that capitalism does that work for us. It is a trap to believe in this,” he writes. “Freedom is not an absence but a presence, a life in which we choose multiple commitments and realize combinations of them in the world.”

In an interview with Vanity Fair, which has been edited for length and clarity, Snyder unpacks America’s “strongman fantasy,” encourages Democrats to reclaim the concept of freedom, and critiques journalists for pushing a “war fatigue” narrative about the Russian invasion of Ukraine. “There’s just something so odd about Americans being tired of this war. We can get bored of it or whatever, but how can we be tired?” he asks. “We’re not doing a damn thing.”

Vanity Fair: The things we associate with freedom—free speech, religious liberty—have been co-opted by the Republican Party. Do you think you could walk me through how that happened historically and how Democrats could take that word back?

Timothy Snyder: Yeah. I think the way it happened historically is actually quite dark there. There’s an innocent way of talking about this, which is to say, “Oh, some people believe in negative freedom and some people believe in positive freedom—and negative freedom just means less government and positive freedom means more government.” And when you say it like that, it just sounds like a question of taste. And who knows who’s right?

Whereas historically speaking, to answer your question, the reason why people believe in negative freedom is that they’re enslaving other people, or they are oppressing women, or both. The reason why you say freedom is just keeping the government off my back is that the central government is the only force that’s ever going to enfranchise those slaves. It’s the only force which is ever going to give votes to those women. And so that’s where negative freedom comes from. I’m not saying that everybody who believes in negative freedom now owns slaves or oppresses women, but that’s the tradition. That’s the reason why you would think freedom is negative, which on its face is a totally implausible idea. I mean, the notion that you can just be free because there’s no government makes no sense, unless you’re a heavily drugged anarchist.

And so, as the Republican Party has also become the party of race in our country, it’s become the party of small government. Unfortunately, this idea of freedom then goes along for the ride, because freedom becomes freedom from government. And then the next step is freedom becomes freedom for the market. That seems like a small step, but it’s a huge step because if we believe in free markets, that means that we actually have duties to the market. And Americans have by and large accepted that, even pretty far into the center or into the left. If you say that term, “free market,” Americans pretty generally won’t stop you and say, “Oh, there’s something problematic about that.” But there really is: If the market is free, that means that you have a duty to the market, and the duty is to make sure the government doesn’t intervene in it. And once you make that step, you suddenly find yourself willing to accept that, well, everybody of course has a right to advertise, and I don’t have a right to be free of it. Or freedom of speech isn’t really for me; freedom of speech is for the internet.

And that’s, to a large measure, the world we live in.

You have a quote in the book about this that distills it well: “The countries where people tend to think of freedom as freedom to are doing better by our own measures, which tend to focus on freedom from.”

Yeah, thanks for pulling that out. Even I was a little bit struck by that one. Because if you’re American and you talk about freedom all the time and you also spend all your time judging other countries on freedom, and you decide what the measures are, then you should be close to the top of the list—but you’re not. And then you ask, “Why is that?” When you look at countries like Sweden, Norway, Denmark, France, Germany, or Ireland—that are way ahead of us—they’re having a different conversation about freedom. They don’t seem to talk about freedom as much as we do, but then when they do, they talk about it in terms of enabling people to do things.

And then you realize that an enabled population, a population that has health care and retirement and reliable schools, may be better at defending things like the right to vote and the right to freedom of religion and the right to freedom of speech—the things that we think are essential to freedom. And then you realize, Oh, wait, there can be a positive loop between freedom to and freedom from. And this is the big thing that Americans get a hundred percent wrong. We think there’s a tragic choice between freedom from and freedom to—that you’ve got to choose between negative freedom and positive freedom. And that’s entirely wrong.

What do you make of Kamala Harris’s attempt to redeem the word?

It makes me happy if it’s at the center of a political discussion. And by the way, going back to your first question, it’s interesting how the American right has actually retreated from freedom. It has been central for them for half a century, but they are now actually retreating from it, and they’ve left the ground open for the Democrats. So, politically, I’m glad they’re seizing it—not just because I want them to win, but also because I think on the center left or wherever she is, there’s more of a chance for the word to take on a fuller meaning. Because so long as the Republicans can control the word, it’s always going to mean negative freedom.

I can’t judge the politics that well, but I think it’s philosophically correct and I think we end up being truer to ourselves. Because my big underlying concern as an American is that we have this word which we’ve boxed into a corner and then beaten the pulp out of, and it really doesn’t mean anything anymore. And yet it’s the only imaginable central concept I can think of for American political theory or American political life.

Yeah, it’s conducive to the joy-and-optimism approach that the Democrats are taking to the campaign. Freedom to is about enfranchisement; it’s about empowerment; it’s about mobility.

Totally. Can I jump in there with another thought?

Of course.

I think JD Vance is the logical extension of where freedom as freedom from gets you. Because one of the things you say when freedom is negative—when it’s just freedom from—is that the government is bad, right? You say the government is bad because it’s suppressive. But then you also say government is bad because it can’t do anything. It’s incompetent and it’s dysfunctional. And it’s a small step from there to a JD Vance–type figure who is a doomer, right? He’s a doomer about everything. His politics is a politics of impotence. His whole idea is that government will fail at everything—that there’s no point using government, and in fact, life is just sort of terrible in general. And the only way to lead in life is to kind of be snarky about other people. That’s the whole JD Vance political philosophy. It’s like, “I’m impotent. You’re impotent. We’re all impotent. And therefore let’s be angry.”

Did you watch the debate?

No, I’m afraid I didn’t. I’m in the wrong time zone.

There was a moment that struck me, and I think it would strike you too: Donald Trump openly praised Viktor Orbán, as he has done repeatedly in the past. But he said, explicitly, Orbán is a good guy because he’s a “strongman,” which is a word that he clearly takes to be a compliment, not derogatory. You’ve written about the strongman fantasy in your Substack, so I’m curious: What do you think Trump is appealing to here?

Well, I’m going to answer it in a slightly different way, and then I’ll go back to the way you mean it. I think he’s tapping into one of his own inner fantasies. I think he looks around the world and he sees that there’s a person like Orbán, who’s taken a constitutional system and climbed out of it and has managed to go from being a normal prime minister to essentially being an extraconstitutional figure. And I think that’s what Trump wants for himself. And then, of course, the next step is a Putin-type figure, where he’s now an unquestioned dictator.

For the rest of us, I think he’s tapping—in a minor key—into inexperience, and that was my strongman piece that you kindly mentioned. Americans don’t really think through what it would mean to have a government without the rule of law and the possibility of throwing the bums out. I think we just haven’t thought that through in all of its banality: the neighbors denouncing you, your kids not having social mobility because you maybe did something wrong, having to be afraid all the damn time. African Americans and some immigrants have a sense of this, but in general, Americans don’t get that. They don’t get what that would be like.

So that’s a minor key. The major key, though, is the 20% or so of Americans who really, I think, authentically do want an authoritarian regime, because they would prefer to identify personally with a leader figure and feel good about it rather than enjoy freedom.

You mentioned the word banality, which makes me think of Hannah Arendt’s theory of the “banality of evil.” What would the banality of authoritarianism look like in America?

So let me first talk about the nonbanality of evil, because our version of evil is something like, and I don’t want to be too mean, but it’s something like this: A giant monster rises out of the ocean and then we get it with our F-16s or F-35s or whatever. That’s our version of evil. It’s corporeal, it’s obviously bad, and it can be defeated by dramatic acts of violence.

And we apply that to figures like Hitler or Stalin, and we think, Okay, what happened with Hitler was that he was suddenly defeated by a war. Of course he was defeated by a war, but he did some dramatic and violent things to come to power, but his coming to power also involved a million banalities. It involved a million assimilations, a million changes of what we think of as normal. And it’s our ability to make things normal and abnormal which is so terrifying. It’s like an animal instinct on our part: We can tell what the power wants us to do, and if we don’t think about it, we then do it. In authoritarian conditions, this means that we realize, Oh, the law doesn’t really apply anymore. That means my neighbor could have denounced me for anything, and so I better denounce my neighbor first. And before you know it, you’re in a completely different society, and the banality here is that instead of just walking down the street thinking about your own stuff, you’re thinking, Wait a minute, which of my neighbors is going to denounce me?

Americans think all the time about getting their kids into the right school. What happens in an authoritarian country is that all of that access to social mobility becomes determined by obedience. And as a parent, suddenly you realize you have to be publicly loyal all the time, because one little black mark against you ruins your child’s future. And that’s the banality right there. In Russia, everybody lives like that, because any little thing you do wrong, and your kid has no chance. They get thrown out of school; they can’t go to university.

We don’t imagine how a regime change is going to be at the dinner table. The regime change is going to be on the sidewalk. It’s going to be in your whole life. It’s not going to be some external thing. It’s not like this strongman is just going to be some bad person in the White House, and then eventually the good guys will come and knock him out. When the regime changes, you change and you adapt, and you look around as everyone else is adapting and you realize, Well, everyone else adapting is a new reality for me, and I’m probably going to have to adapt too. Trump wants to be a strongman. He’s already tried a ​​ coup d’état. He makes it clear that he wants to be a different regime. And so if you vote him in, you’re basically saying, “Okay, strongman, tell me how to adapt.”

Yeah, we could talk about Project 2025 all day. This new effort to bureaucratize tyranny—which was not in place in 2020—could really make the banal aspect a reality because it’s enforced by the administrative state, which is going to be felt by Americans at a quotidian level.

I agree with what you say. If I were in business, I would be terrified of Project 2025 because what it’s going to lead to is favoritism. You’re never going to get approvals for your stuff unless you’re politically close to administration. It’s going to push us toward a more Hungary-like situation, where the president’s pals’ or Jared Kushner’s pals’ companies are going to do fine. But everybody else is going to have to pay bribes. Everyone else is going to have to make friends.

It’s anticompetitive.

Yeah, it’s going to generate a very, very uneven playing field where certain people are going to be favored and become oligarchs. And most of the rest of us are going to have a hard time. Also, the 40,000 [loyalists Trump wants to replace the administrative state with] are going to be completely incompetent. When people stop getting their Social Security checks, they’re going to realize that the federal government—which they’ve been told is so dysfunctional—actually did do some things. It’s going to be chaos. The only way to get anything done is to have a phone number where you can call somebody at someplace in the government and say, “Make my thing a priority.” The chaos of the administration state feeds into the strongman thing. And since that’s true, the strongman view starts to become natural for you because it’s the only way to get anything done.

You’ve studied Russian information warfare pretty extensively. A few weeks ago the Justice Department indicted two employees of the Russian state media outlet RT for their role in surreptitiously funding a right-wing US media outfit as part of a foreign-influence-peddling scheme, which saw them pull the wool over a bunch of right-wing media personalities. Do you think this type of thing is the tip of the iceberg when it comes to Russian information warfare?

Of course. It’s the tip of the iceberg, and I want to refer back to 2016. It was much bigger in 2016 than we recognized at the time. The things that the Obama administration was concerned with—like the actual penetration of state voting systems and stuff—that was really just nothing compared to all of the internet stuff they had going. And we basically caught zilcho of that before the election itself. And I think the federal government is more aware of it this time, but also the Russians are doing different things this time, no doubt.

I’m afraid what I think is that there are probably an awful lot of people who are doing this—including people who are much more important in the media than those guys—and that there’s just no way we’re going to catch very many of them before November. That’s my gut feeling.

While we’re on Russia, I do want to talk about Ukraine, especially since you’re there right now. I think one of the most unfortunate aspects of [the media’s coverage of] foreign wars—the Ukraine war and also the Israel-Hamas war—is just the way they inevitably fade into the background of the American news cycle, especially if no American boots are on the ground. I’m curious if this dynamic frustrates you as a historian.

Oh, a couple points there. One is, I’m going to point out slightly mean-spiritedly that the stories about war fatigue in Ukraine began in March 2022. As a historian, I am a little bit upset at journalists. I don’t mean the good ones. I don’t mean the guys I just saw who just came back from the front. [I mean] the people who are sitting in DC or New York or wherever, who immediately ginned up this notion of war fatigue and kept asking everybody from the beginning, “When are you going to get tired of this war?” We turned war fatigue into a topos almost instantaneously. And I found that really irresponsible because you’re affecting the discourse. But also, I feel like there was a kind of inbuilt laziness into it. If war fatigue sets in right away, then you have an excuse never to go to the country, and you have an excuse never to figure out what’s going on, and you have an excuse never to figure out why it’s important.

So I was really upset by that, and also because there’s just something so odd about Americans being tired of this war. We can get bored of it or whatever, but how can we be tired? We’re not doing a damn thing. We’re doing nothing. I mean, there’s some great individual Americans who are volunteering and giving supplies and stuff, but as a country, we’re not doing a damn thing. I mean, a tiny percentage of our defense budget—which would be going to other stuff anyway—insead goes to Ukraine.

And by the way, Ukrainians understand that Americans have other things to think about. I was not very far from the front three days ago talking to soldiers, and their basic attitude about the election and us was, like, “Yeah, you got your own things to think about. We understand. It’s not your war.” But as a historian, the thing which troubles me is pace, because with time, all kinds of resources wear down. And the most painful is the Ukrainian human resource. That’s probably a terribly euphemistic word, but people die and people get wounded and people get traumatized. Your own side runs out of stuff.

We were played by the Russians, psychologically, about the way wars are fought. And that stretched out the war. That’s the thing which bothers me most. You win wars with pace and you win wars with surprise. You don’t win wars by allowing the other side to dictate what the rules are and stretching everything out, which is basically what’s happened. And with that has come a certain amount of American distraction and changing the subject and impatience. I think journalists have made a mistake by making it into a kind of consumer thing where they’re sort of instructing the public that it’s okay to be bored or fatigued. And then I think the Biden administration made a mistake by not doing things at pace and allowing every decision to take weeks and months and so on.

What do you think another Trump presidency would mean for the war and for America’s commitment to Ukraine?

I think Trump switches sides and puts American power on the Russian side, effectively. I think Trump cuts off. He’s a bad dealmaker—that’s the problem. I mean, he’s a good entertainer. He’s very talented; he’s very charismatic. In his way, he’s very intelligent, but he’s not a good dealmaker. And a) ending wars is not a deal the way that buying a building is a deal, and b) even if it were, he’s consistently made bad deals his whole career and lost out and gone bankrupt.

So you can’t really trust him with something like this, even if his intentions were good—and I don’t think his intentions are good. Going back to the strongman thing, I think he believes that it’s right and good that the strong defeat and dominate the weak. And I think in his instinctual view of the world, Putin is pretty much the paradigmatic strongman—the one that he admires the most. And because he thinks Putin is strong, Putin will win. The sad irony of all this is that we are so much stronger than Russia. And in my view, the only way Russia can really win is if we flip or if we do nothing. So, because Trump himself is so psychologically weak and wants to look up to another strongman, I think he’s going to flip. But even if I’m wrong about that, I think he’s incompetent to deal with a situation like this. Because he wants the quick affirmation of a deal. And if the other side knows you’re in a hurry, then you’ve already lost from the beginning.

[rcmclachlan]

WIP Wednesday (Thursday edition)

Thanks to @firehose118 for tagging me, because it was the kick in the ass I needed to come back to this one. (December is always bananas and I haven't had any time to write the last week or so. You're a real one, Sam!)

"I—uh, sorry, I missed th-the last half of what you just said. My head's a little, uh..." The words come over the line thick and clumpy, like porridge being poured.

Annoyance crackles sourly in his jaw. It's not fair that Tommy gets to be drunk while he breaks Buck's heart a second time and Buck has to endure it completely sober. He deserves to not be fully present for this. He's owed a heartbreak with fuzzy edges.

"You know what? Let's have this conversation when you can speak in complete sentences," Buck snaps. "I-I don't think that's too much to ask. Call me tomorr—"

Suddenly, Tommy cuts in with startling clarity, "Five more minutes."

"Tommy—"

"Please. Just... give me five more minutes."

Buck breathes around the ache of familiarity blossoming like a bruise in his chest, because Tommy used to do this sometimes. He'd fall asleep on the couch ten minutes into a movie on the days when his shifts ran long, and Buck would shake him lightly and tell him to go to bed. Tommy would always say, "No, no, I'm awake," with the coherent confidence of a man who hadn't just been drowning out the TV with his snoring. The easy domesticity of it never failed to make him smile. It was a quiet ritual he could've happily done for the rest of his life.

If it weren't for that odd wheeze clinging to Tommy's voice like smoke, Buck could almost pretend Tommy just snorted himself awake after taking an elbow to the gut during the first act of Splash.

No pressure tags: @iphyslitterator, @alchemistc, @leashybebes, @beanarie, and @screamlet