#mdzslb

[obstinaterixatrix]

see like 90% of the time I fall off a series when there’s an extended flashback but mdzs is like half flashback and gripped me by the throat the entire time and I think it’s because the flashbacks were context for the relationship (and contradicting wwx’s biases) (lol), like there was context for politics and worldbuilding but it was done mostly with the relationship as a focal point… meanwhile with uncanny charm there was a flashback with the brother and his little brother and the underworld guy which is all tangentially related to the main character but that was like. 7+ weeks without the mc + li like if I’m reading a romance I’m reading it for the romance. and I need to get back into legend of the fox bead which had like, I dunno, 6 weeks of li backstory but it’s not context I particularly care about because it’s primarily relationship context with the li + someone from the past, which does give an idea for why the li is who she is and also why she’s a spirit, but if I’m honest, I don’t particularly care. I think mdzs did it best because it’s very frustrating for the reader but still pulls you in, it’s a good balance of tension + momentum and it’s all relevant. a while ago a pal told me ‘yeah a lot of people hated the novel’s structure’ & I was like ‘????? tasteless. enjoy the hostile puzzle feeder of mxtx’s narrative.’

[obstinaterixatrix]

head in hands. I always get family terms of address confused and I was trying to remember whether to use 舅舅 or 叔叔 to wish uncle a happy bday and you know how I remembered. you know what actually got my brain to connect the dots. was remembering oh jin ling uses 舅舅 for jiang cheng who is his mother’s brother. thanks mxtx for making mdzs a story about uncles.

[obstinaterixatrix]

I’m going fucking apeshit bananas bonkers over announcement of official eng translations for mxtx novels can you imagine what this is like for me can you even begin to fucking comprehend

[obstinaterixatrix]

ok now I’m wailing in agony because one of the cds is REALLY STUCK in the packaging I am legit terrified of breaking the cd in half like this is not a weenie ‘ohh I’m so scared to touch things important to me’ fear it’s like. IT’S WEDGED IN AND THERE’S NO WAY TO TAKE IT APART BECAUSE IT’S STYROFOAM NOT PAPER???

[obstinaterixatrix]

WEEPING WAILING SOBBING CRYING I OWE APRIL MY FUCKING LIFE!!!!!!

[obstinaterixatrix]

just got the alert that the mxtx novels have been released for dispatch and I’m [vibrates] I Am Going To Go Fucking Nuts

[obstinaterixatrix]

side effect of listening to audio drama ost is sometimes wangxian.mp3 is just there as a leitmotif and I get STUPIDLY emotional for like a minute

[obstinaterixatrix]

the thing with wanting to get a series as it comes out is I swear to fucking god if a year after the last book releases they come out with a gorgeous box set I will probably black out in rage like full on anger-coma and I will refuse to wake up out of spite. at least give it. I don’t know. five years.

[obstinaterixatrix]

MONTHS ago there was something about licensure for mxtx properties being offered to eng publishers and I genuinely thought. well. that would be nice but I’m not really expecting much from it since so much of it is so specific to cn genres and stuff. love being wrong! I’m going to scream more

[obstinaterixatrix]

bro bro bro bro BRO the russian publication of mdzs has SUCH gorgeous illustrations I’m going absolutely fucking feral over the thought of an eng publication with its own illustrations I’m going to fucking eat this book

[obstinaterixatrix]

oh my GOD it’s the russian artist I’m going fucking nuts I love that art

[obstinaterixatrix]

man. I don’t talk abt it as much anymore but mdzs really was a Formative Media Experience

[obstinaterixatrix]

I’m sure I’ve made this post before but something that sticks out to me about mxtx’s writing is how good she is at taking large-scale political/societal upheavals and framing them in a very human-centered way; you get how the central players of the conflict are involved, how they’re affected, you get how the people around them are affected, you get how the people who aren’t personally involved are affected, and not always in that order, too. mdzs and tgcf open up by putting the focus on how random people in the street (or, for tgcf, in heaven) are interpreting the main characters and plot developments. and I’m Never Going To Get Over bamboo hat man’s role. I don’t think it’d be right to frame this in terms though like… an individualistic lens, it’s a good balance between the impact of a single person and how things work systemically & synergistically (so it’s not ALL about a single person)

[obstinaterixatrix]

can you IMAGINE what this is LIKE for me

[obstinaterixatrix]

would lwj be classified as a kuudere

[obstinaterixatrix]

I *do* wish there was a bit more stricter separation between the c/q/l tag and mdzs. I do not want to see like.... some guy......