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mysticsparklewings · 2 years ago

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Three Cheers for Harmonic Revenge (+ Time Lapse!)

________ This is what happens when you're a fan of both Winx Club and My Chemical Romance, apparently! 😂 Truly a labor of love—I started on this for an MCR album anniversary on June 8th. I so missed the date, but I had to see it through!

⭐️ AND I've got a Time Lapse of the art coming together, featuring my very rough attempt at a matchup of MCR's Helena and the Winx Club Harmonix song as backing music! It's a wild ride! ⭐️ (...There's also an unlisted version with "normal" music just in case my less-than-amateur audio editing skills are too much for anyone. 😅)

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Anyway, to make a very long story a little bit shorter, a few weeks ago I ended up down a bit of a rabbit hole trying to identify likely sources of inspiration for the thing to come out of Winx Club Season 5 that the fandom at large actually kind of loves: Harmonix. I went in thinking Ballet, and despite my best efforts came out with that opinion pretty much unchanged.

Not long after, but for the entirely unrelated reason of Being An MCR Fan on The Internet, I ended up looking at some screenshots from their Helena music video. [I think this was prompted by a Reddit post asking about the dress for cosplay purposes, I'm not sure.]

It was then I had the thought, so simple and off-handed: "I don't see how you can look at a ballet outfit like this and not think Harmonix was ballet-inspired."

If you've ever seen a TV show or cartoon where a character says something, and then only after the words leave their mouth do they realize the implications/meaning of what they just said, that was me in that moment. 😱

On the one hand, I want to say "I can't believe I didn't see the similarities before," but on the other...Well, I can believe it, actually. Comparing Winx and MCR in almost any capacity is not a natural thing to do, even with a Ballet connection in each. The fact that I finally did notice came largely down to the serendipity of being a fan of both and just happening upon the Helena pictures not long after spending an abnormal amount of time looking for clothes that look like Harmonix. I think there are many points leading up to that moment where if just a couple of things had gone differently, I still wouldn't have noticed.

Either way, once the connection was made in my brain it took all of about 10 seconds for "Helena as a Harmonix Fairy" to follow. 🤩

At the time, I didn't have immediate plans to act on it. It was just an idea to be filed away on the little shelf in my brain where I keep "Things that would be fun to draw eventually." [That shelf is super full and in danger of collapse, for what it's worth. 😉]

Earlier this month, that changed when I remembered June 8th is the Anniversary for Three Cheers for Sweet Revenge, the album that Helena comes from, and I had yet to come up with any other plans or ideas to commemorate it this year.

Now, clearly I ended up missing that deadline, and two others I set for myself afterward. Things have just been very chaotic around my house for last 3-ish months or so, and June has been no different. Other IRL things just had to take priority. 😔

In my defense, the art itself was finished on June 12th. This description here and the Time Lapse Video (mostly the video) were what really set me back, even aside from household chaos. But it was really important to me to get a video done for this piece, so getting that done vs. getting the art out faster was the trade I made.

But part of the reason I bring this up to underline that originally, I thought I was on a fairly tight deadline. As a result, during the planning stage I didn't really have time to tinker with refining the base design or debating details like I normally would. So I drew from the Winx's own Harmonix designs as much as possible—picking out pieces that naturally resembled the structure of Helena's dress.

If I'd had more time to noodle around...the structure probably would've been largely the same, but the details most likely would have changed to help it feel more original, and I may have gotten crazy enough to try and find a happy [lighter] grey medium between Harmonix's pastel palettes and Helena's stark black and red.

As it stands though, I'm not unhappy with how that all turned out, I just think it's worth noting how the visual concept may have changed if I'd had more time to toy with it. [Especially for when Future Me ends up referring back to this description; Hi there Future Mystic 👋]

Since my process for making the art can both be seen in the Time Lapse and is something you've all seen/heard me describe before by now [I think I have finally nailed down a fairly standard "Winx Art Process" over the last few months in large part thanks to Winxsona Winter—which yes, I do still intend to eventually finish], instead of taking you through the general stuff again, I'm going to do a bullet-point list similar to one I did for Sirenix.

The main difference is this time, it's more focused my observations for what similarities exist between Harmonix and Helena's costume, as opposed to just a list of Harmonix traits and how I handled them. [Though there will still some of that too, naturally.]

Most notably, both feature "fluffy" layered skirts. Harmonix skirts don't really look like the same fabric texture, but that could be either a stylistic/animation choice or could be chalked up to there also probably being some Wedding Dress inspiration in the designs alongside the Ballet elements. Also, at first I didn't think the train on the Harmonix skirts was a similarity, but upon a closer look at the Helena music video...Helena's skirt is definitely longer and train-like in the back, so...Cool, I was wrong! 😄 And: As it turns out, Bloom's Harmonix skirt actually does have a small section that's ruffled a bit differently from the rest—It's just really hard to tell because on her, it's all the same pastel blue color. But as you can see, referencing that part of her skirt here to incorporate the Red underlayer that peaks through on Helena's skirt worked a treat! 😊 P.S. Wow I really hated drawing a lot of really tightly-confined ruffles like this. 😤 And trying to shade them was even worse! 🙃

Both feature form-fitting tops with minimal or no straps. I more specifically saw Helena similarities in Stella's Harmonix top [with the frills over the bust and structure lines below], and later I realized the top-most portion of Musa's has an even more similar kind of frill. To that end, Helena's is once again definitely supposed to be something transparent like tulle, but since there really aren't any transparent fabric portions of Harmonix, I chose instead to use a slightly lighter near-black to give it a similar effect without breaking that Harmonix "rule." Also, the bodice portion is a true jet black with no shading. I tried the more typical near-black grey that could be shaded at first, but it just wasn't doing it for me. I tried this on a whim and decided it looked good enough to keep.

Most of the Harmonix designs have a kind of "belt" that connects the bodice to the skirt; Perfect match for Helena's red one! Similarly, most of those same Harmonix designs have a "belt"/ribbon just under the bust as well. Helena does not, as far as I can tell. But I chose to add a read one here for a little extra variety and helping break up all that black.

The Harmonix shoes are almost entirely ribbons winding up the legs; Helena wears black ballet slippers with, you guessed it, black strings/ribbons that wind around her feet and ankles. Now, maybe I could have gotten away with all-black ribbons and black for the heel portion of the shoes, but 1. The Harmonix designs all use 2 colors for the ribbons and the heel is usually in the "contrasting" color. 2. I knew from the beginning that the skirt train [a mandatory aspect of Harmonix] was going to either be black or a very dark grey, and even during the Concept phase before I had a specific pose in mind, I had a feeling the ribbon tails were going to overlap with said train. So I used a dark red. Originally, it was about as bright as her sash and belt, but then I realized Bloom and Musa's pink ribbons were darker than the pink used in the bodices, a darker red would be closer to the original black anyway, and that would yet again add just a tiny bit more visual variety. One last note about the shoes: I did my best to match the original winding of Helena's shoe ribbon, except for the very first ribbon across where the toes connect to the rest of the foot. That strap was specifically added as a nod to how Helena's proper ballet slippers outright cover the toe.

About the train: Similar to the bodice, I started out with the train in one color, the color you currently see for the skirt itself and the very top of the train. It was fine but I was itching for some more variety, so after reassuring myself "Layla/Aisha's train has a few different shades of green instead of being solid so it's fine," I used the different tiers [taken from Flora's train] to create a little bit of a gradient from the black to a charcoal grey. It kinda works as a hint toward Harmonix's more pastel palette. Sort of.

Aside from Tecna, all the girls' hair is at least partially pulled back in Harmonix. This sorta works out because it appears the front "bang" sections of Helena's hair are pulled back. [In my brain I call this "Doll Hair" because I personally have seen that kind of look way more often on dolls than on real people.] It's similar to the front of Bloom's Enchantix hair. The rest of Helena's hair appears pretty thick and a little wild, so I tried to incorporate a bit of that here, but I couldn't push it too far without "breaking" the Winx Style. And while I'm here: I did choose to make Helena's hair a very dark brown. In the video, most of the time it does just look plain black, but there are moments where my eyes pick up on a "warmth" to the color, which makes me think maybe it really is that super-dark brown hair that just looks black. Even if it isn't, I stand by my choice as slightly more fitting for the Winx style, since Winx almost never does truly black hair anyway.

All of the Harmonix designs feature some sort of small head accessory, usually a tiara. Helena's costume very prominently features netting over the face...And there appears to be something going on towards the back of her head, presumably whatever is holding the netting in place. I've seen fan interpretations of whatever that is being flowers [usually black roses], and since Tecna has a few flower-ish pieces as part of her Harmonix tiara, that seemed like a fair choice here. As for the netting...You'll see very briefly in the Time Lapse that during the concept phase, I really did want to include that, but it was too hard to ignore how out of place it felt. Winx rarely does anything with netting in the first place [though a couple of rare examples do exist], and considering certain parts of Harmonix feel like it was designed to be fairly simple [but look complex at first glance, which it does]...I just couldn't do it. So instead, I...Well, it ended up being almost a copy of Layla's Harmonix tiara, but I really truly did not realize how similar what I was doing was to hers until after the full-color version was pretty much done. 😅 I thought I was doing more of an upside-down version of Musa's, and my entire goal was to just do something that came down over the forehead like the netting did.

Speaking of Musa, if those wings look familiar, they kinda should. Remember before that I mentioned I was originally working on a pretty tight timeline for this piece?

One of the things that has proven to take me the longest with original Winx designs since I picked up making them semi-regularly again is undoubtedly the wings. I got to really learn that the hard way with Believix at the beginning of this year.

Because of the very limited time I thought I had and my sluggish pace with wings, when while collecting Harmonix screenshots for reference I noticed "Hey, Musa's wings would still work pretty well if they were flipped upside down..." A little bit of a lightbulb went off.

I don't even know why exactly that thought occurred to me before I'd even really considered the wings. The best I can figure is a little hangover in my subconscious—At one point I remember reading one of the Winx's Sirenix wings are apparently upside down at the end of her transformation sequence. That stuck out to me at the time because I don't really understand how you could tell if Sirenix wings are upside down or not because of how they're shaped. 🤨

Anyway. So I found a screenshot with a fairly clear shot of one of Musa's wings, flipped it around, and really just traced right over it.

I did make a few small tweaks, and most notably I added some..."Lines of Tears?" like Layla and Flora's have, but at the end of the day they are still really Musa's wings.

Normally, I wouldn't have done that and instead would've just taken heavy inspiration from Musa's wings, but again, I thought I had a lot less time than I really did. And to be fair, plenty of other Winx fans re-color or otherwise re-purpose the Canon Girls' wings for their OCs and/or Fan Transformations on a regular basis anyway, so it's not like this is a totally unheard-of idea or anything. 🤷‍♀️

Much later, I also figured in a way it fits; Musa is a fairy of Music, this artwork is largely based around a specific piece of music/the band that made it; I even opted to add music note shapes like Musa's wings produce [all the Harmonix wings produce specific shapes in that way] when they move to deepen that connection after I thought of it.

Other things worth noting [and this is again a • bullet point list because, frankly, at the moment I'm just too lazy to make this all flow together in more story-like paragraphs]:

I did my best to match Helena's skin and eyes, but her lips and eye makeup were a little trickier. Her lips ended up a bit pinker and not as close to her skin tone in the spirit of Winx, and I had to compromise and use greyish reds shaped like the Trix's eyeshadow to get a similar effect. The eyeshadow still really isn't perfect for Helena or Winx, but I was short on other ideas so, "close enough is good enough."

The shape of the mouth isn't quite what I wanted, either. You'll see in the time-lapse that I already changed it pretty drastically from the first sketch I had. I definitely wanted something open, because while Helena's mouth is not open for the entire music video or anything, it is more open at certain points and this shot in particular is pretty iconic. But I also didn't want anything too crazy because, y'know, Winx Club. The bared teeth and lack of upturn for a smile was my compromise. Either the mouth itself needed some more tweaking, or the eyebrows did. The whole expression is okay, I just don't think I pushed it far enough. 🤷‍♀️

There isn't really one specific pose that represents Helena more than the others [...at least not standing up/dancing], so I picked mostly from a general feeling from the music video. I did reference some official stock arts of the Winx in Ballet attire [mostly this one of Flora], but the feet had to be changed pretty notably to fit the shoes, and overall I had to make some tweaks in the anatomy where the stock art and show style differ. [These differences seem to increase from Season 5 onward, too.]

The background was mostly inspired by Layla's Harmonix, and it might be my favorite part of the whole piece, actually! Upon closer studying for this project, I was surprised by how much "junk" is in some of the Harmonix backgrounds. There's tons of texture in all of them and a fair bit of color variation in most...It's pretty interesting compared to past transformations and even Harmonix itself. The backgrounds end up being a lot more intense than the solid and gentle pastel dresses. [Wouldn't surprise me if that was intentional!] I had a little more work cut out for me since I couldn't just slap bright colors all over the place. I did consider just sticking with blacks/greys/white and maybe some red, but I thought it might help my version of Helena here pop a little better if I was able to change up the palette just a bit. And, of course, the warmth of the background helps add more variety and liven the whole image up. Much more to my delight though, I was able to create the background without having to download any new Procreate brushes! 🥳 Between a couple of default ones, the ocean-themed brushes I already had from previous projects, and a couple I just happened to pick up along the way [mostly as monthly freebies from brush makers who normally charge for their work], I had all the brushes I needed already right there, it just took a little experimenting.

I will reiterate that while it still took time, making the art itself really wasn't so bad or difficult. And it helps that this ridiculous crossover idea was something I really wanted to make—Because if I didn't, who else would, right? 🤪

It's not perfect, sure. But it's here and it still came out pretty good overall, I think. So I'm happy. 😊

Now I would also like to take a moment to explain part of why putting the Time Lapse together for this piece ended up taking longer than it probably should have, because I really didn't have room to talk about it in the video itself...though it does sorta get a mention right at the beginning: The audio.

To once again make a very long story short(er):

I, in my infinite wisdom, decided instead of the usual royalty-free music stock, to try and create a mash-up of Helena and the Harmonix song for this video. That was more or less the visual premise for the art, so why not go all-out with the theming?

For once, I cannot take you through the full nitty-gritty because, at least to my inexperienced brain, audio editing is a pretty nebulous process. But I can tell you that aside from inexperience, the other thing that probably held me back was my choice of program to handle the task.

I did not have the patience nor motivation to try and teach myself how to use an audio program for this one silly project, and I semi-accidentally learned at the beginning of last year that DaVinci Resolve has an entire section dedicated to just editing the audio for videos. Since I was able to fumble my way around in there for the light audio editing I wanted to do at that time, I figured that was a slightly safer bet here. It may not have saved me a ton of time, but it was at least vaguely familiar, and for me, familiarity goes a long way in making me comfortable with a program even if I still don't really know what the heck I'm doing.

This isn't really what DaVinci is supposed to be for—as far as I can tell it doesn't even have an "audio only" export option, which did complicate things a bit—and even if it was, I'm sure any true audiophile will still probably cringe a lot at what I managed to create.😅 I did my best to make it "tolerable" for a listen or two, but I know my ears are inherently biased since I know and enjoy both songs quite a bit already. But I did manage to get feedback from two persons that know notably more about audio than I do, and they weren't horrifically appalled, so I don't feel like I'm committing a crime against music by putting it out there, at least.

Aside from that, the video did also have to wait on me to finish this description [to a certain extent, anyway]. For smaller projects, I can usually write the on-screen notes for the video first and worry about the description later, but most of the time for a big project like this, I need the bulk of this written description done first so I have a baseline of all the things I want to mention and can pare down from there.

I can do a fair bit of the video editing up until the point I need those notes, but once I hit that wall there's really no way around it. And in this case, I did actually use all that other video editing as a form of procrastinating on the description. 😅

Most likely because I knew there was going to be a lot to cover, I really put off like 70% of this description as long as possible. 🫣 The other 30% I actually did relatively soon after the art was ready. The plan was to go ahead and get most of it out of the way, but clearly I lost my writing mojo partway through and had to come back to it later...and I was still a little lazy with certain aspects.

But hey, the description isn't the art, it's just meant to describe the art, so whatever works, yeah?

In any case, I think that's everything I wanted to mention about this particular process. It's been quite a ride, and I'm glad it's over. Mostly so I can go back to working on some other projects I already had cooking before this one came up, but also...I am just glad this is one of those ideas that, as I said much earlier, originally got put on an "eventually" shelf in my brain and actually got to come to fruition fairly quickly after the fact.

Kinda gives me more hope than I previously had for some of those other "eventually" projects, which is nice. 🙂

Similarly: I don't know if I'll find a way to revisit Winx Club x MCR ever again, but I'm thrilled I I found a way to do it at least once! Doubly so that I'm happy with how it turned out! 😊 With that in mind, you never know. It's possible I'll figure out another way to do it again someday.

In the meantime, I leave you Sparklers to enjoy this one and the time lapse [whether you're brave enough for the mash-up version or opt for the "easy listening" one instead]. 😉 s usual, I'm off to those other projects I mentioned shortly ago...

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