#maybe they're important to me. Whos to Say

[thetadispatcher]

"Oh, right, three. I'm sorry." Peter had trouble keeping where most of the androids came from straight, but he tried his best as he didn't want to accidentally offend them. But that still didn't stop him from making mistakes on occasion that he felt he'd have to make up for, even if most of the androids understood that he was only human and an odd one at that.

"They're easier to care for as they need far less work. I can't say for sure if they deviate, but I'd have to say probably. It's just less noticeable as they still act like the animal they're based on. BeeBee is harmless though, sure she was aggressive to begin with, but that was just because Zlatko mutilated her and kept her locked up. She calmed down after I got her fixed back up, think she just needed proof I wasn't going to hurt her before she'd let her guard down." He didn't blame the URS12 for her initial aggression, she'd been through a very traumatic experience and was just acting accordingly as she didn't know he wasn't there to hurt her.

Peter brought his hand to his mouth, sticking two fingers in his mouth and let out a sharp, short whistle. He knew G and BeeBee should be inside as Dan had likely taken Strasky for a walk around the property to calm him down, meaning Dan would take over watching for anything suspicious and G would take BeeBee inside for a break.

He lowered his hand as he heard the sound of claws rapidly clicking on the floor that were heading for the basement. He turned as BeeBee came to a halt in front of the room and sat down, chuffing and shaking her head. Peter motioned for her to enter the room as he knew she was waiting for permission. She quickly got up and jogged over to him, getting up on her hind legs as Daniel moved out of the way. She rubbed her nose against his as she made a purring sound, using her front legs to nudge him onto the ground, allowing her easier access to rub against him.

"They are furry, and BeeBee is just as fluffy as a polar bear should be. She usually is with G as he patrols the property, pretty good deterrent for anyone looking to cause trouble." Peter explained as he ruffled her neck. "She's not gonna hurt anyone unless given the command to do so, other then that she's a sweet heart." He gently coaxed her down so he could stand up again as Brent left the room to fetch more finished parts.

"Yeah, but don't point it out to them, they don't like that and I found that out the hard way." Not that it bothered him as he didn't get in trouble for the fight, the group had attacked him first and he had merely defended himself. He was just warned not to call out anymore protestors or acknowledge them if they tried to talk to him.

"Oh, nothing else. The computers should be it as we haven't come across any issues that can't be easily fixed." Sure they were still working on the space, but so far he couldn't name anything else that was obviously wrong that needed to be replaced.

"I don't, but I'm fine with it." He didn't understand why it was so important to the android, but he knew he needed to address Dan's overbearing protectiveness before it worsened.

"Maybe, but I wouldn't blame her if she still wanted nothing to do with me. I did threaten to kill her and jump off the roof with her, even held her out when the RK800 showed up to talk me down." Daniel wouldn't hold it against Emma if she never wanted to see him again after what he'd done to her. "And I find it interesting to deal with someone who's neurodivergent verses one that was perfectly normal." He didn't mind the change, in fact he found it to be a fun learning experience.

"He also really didn't want to be there as his goal was finding me, and being stuck on a rusty ship wasn't helping him accomplish that. And then to be dragged along occasionally or just hearing them planning something just added to his hatred of being there." Peter knew Dan understood it was best he hide as a deviant, but that didn't stop him from being upset about it.

"And finally reuniting with me and finding I lost an eye didn't do him any favors mentally. He deviated because he thought I was dead and had to find out if I was okay, so finding out I actually could've died well he was in the same city as me... Messed him up. I'm gonna see if we can fix that, he's getting very over protective because of that."

"There's three." the android corrected, "Three of us remain on the property."

"What's the point of android animals?" Rook asked, "Do they deviate too? Are they fuzzy at least? Can I pet BeeBee?"

"Rook."

"I want to pet a bear, Willow!"

Willow rolled her eyes, "Yes, the belief that the evil machines are stealing jobs is a myth that only serves the corporations. Unfortunately, most humans are too dense to understand they're considered on par with any other piece of equipment, thus are just as easily replaced by whatever is more cost effective."

So, trying to get the computers out of storage through semi legitimate means was most likely a lost cause. Willow resorted to sending a text instead. "Would you like to have everything delivered to this room?"

"I'm glad you understand now." It still didn't explain why Bishop specifically wanted his counterpart to fail, but that wasn't relevant to the android's argument as to why he felt the need to prevail.

It was a reasonable question, as far as he was concerned.

"Sometimes kids don't know better. Maybe she'll come around when she grows up and starts thinking with her brain." Rook told Daniel, "It's good that you found yourself new people to hang out with, even if one of them speaks in riddles— You've got something to add, Willow?"

"Oh, I was just thinking that Dan was right about most of Jericho's plans."

[reidingandallthat]

rambling just to you (s.r)

spencer thinks you mind his rambling, and you tell him just how wrong he is

spencer reid x reader words: 2.4k cw: fluff, uhh first time writing for spence so pls spare me, lots and lots (too much) infodumping, reader is described kind of as a social person and a people pleaser, self deprecating talk(just for a while, it gets all good)

You've taken it upon yourself your entire life to keep a conversation going. Maybe the other person doesn't wanna talk, but it's too awkward to not say anything so you keep the conversation going. Maybe you haven't talked in a while, or maybe they're giving you dry responses, you still go off on a story of yours, only to a limit of course, to not make it weird. 

You've always felt like you trained yourself to be interesting or funny so the other person isn't bored. You don't resent it. It's made you a fun person, good to be around, and you quite enjoy it. But sometimes, it's nice to only laugh, or listen. To not have to constantly search your brain for references, or for a further punchline, or a teasing remark. But you attract what you give, so you make yourself content in talking. To enjoy making other people laugh, it's nice, to see someone smile and laugh over what you say but that tiny inkling in your heart always stays.

But life never presents you things you prepare yourself for. 

And that's exactly what happens when you walk through the doors of the BAU office, prepared for anything they might have for you. But oh you were so unprepared.

He was already so noticeable with his doe eyes and curious gaze. He offers his hand to you, introducing himself as “Dr. Spencer Reid,” and you notice curious glances on you both. Emily Prentiss- who is now one of your best friends, shared a knowing look with Penelope, the technical analyst. You didn't know then, but the grin on her face was of someone who had already made a thousand plans in her head regarding her friends.

You only give him a curt smile and go to the conference room.  JJ gave everyone the profile as was the usual, but it's your first day so you only follow their lead at first. Hotch gets up from his seat with a “Wheels up in 30”, which left you a bit confused, but you deciphered from context it meant as a sign to get going. Soon you're all in the jet, everyone provides their input and you chime in when needed, unsure of when to speak up. But when you notice something important, you finally speak up,

“One of the victims said that he was given ‘medicine’ by the unsub when he was sick, later we found cocaine in his blood. He believes cocaine can cure colds, maybe he's thinking through the Victorian era.” You say, looking over the case file.

Everyone shares puzzled looks, surprised by your comment,

“How are those things related? Were the Victorians always doing cocaine or something?” Derek asks, and everyone's attention is on you.

“Well, no. It was prescribed as medicine.” Your answer doesn't help, it only causes their faces to look more confused.

Suddenly conscious of all the attention on you, a little bit of nervousness kicks in, but you open your mouth to speak when you're interrupted by the only person who doesn't look puzzled, more like…excited?

“Yeah! Cocaine wasn't known as a drug back then, they thought it had medicinal properties, and it does, but they didn't know its actual use. It was prescribed for hay fever, asthma and even melancholy,” He chuckles a little, taking a breath before continuing.

Everyone's looking at him now, confused, exasperated, and a little bit curious but not enough, you could tell. You tilt your head in amusement, very endeared by his excitement because you get it, you get his excitement to share it. Maybe another time you would've been offended if someone interrupted you, but how could you complain? He was so nice to look at!

“Drugs were also present in a children's medicine that was advertised as a remedy to quiet crying and fussing children, it was fairly popular because well- it worked,”

“Morphine.” You interrupt him. 

Now everyone's attention was on you. 

“The children's medicine had morphine in it.” You elaborate yourself, looking around at everyone but settling your gaze on Spencer, at last.

He gives you a smile, nods accompanying it as he looks around to his co-workers, agreeing to your comment. You smile, grateful to him for this moment. It's not much, but it helps with fitting into the group that's foreign to you.

Hotch breaks the silence as he always does, with facts about the case but at that moment, you two share a look. 

It hadn't meant much back then to you, but now it holds the most love because it reminds you of your everyday life. You had stopped trying to keep up with Spencer, with his random history, philosophy, mathematical, scientific and facts about obscure foreign films that now you just listen to him tell you about them. 

You've learnt more since you've met him than you have your entire life. You enjoyed learning, and it was just all the more enjoyable when he was the one talking. You always say how nice it would've been if you knew him during your masters, your degree would've been much more bearable.

But he was here now, and it's just like everyday, or as daily as it could be without the two of you rushing out the door because of a call.

You're making eggs and he's drinking his coffee, his mouth constantly moving, rambling about Greek myths that he had read last night. Naturally, you asked what he had read and of course, he was perfectly content to indulge you,

“You know Arachne was a weaver. She was better than most and she was prideful and arrogant in her talent. She started bragging about how she could weave better than the gods. So Athena decided to challenge her, but she lost. But things didn't go very well for Arachne either.” He stops for a sip of his coffee.

You don't need to ask, because he will continue soon enough, but you do it anyway, “Why not?”

“Well…” He says with a smile on his face, “Athena came down as an old woman to teach her to be respectful to the gods. But Arachne didn't listen. So in a fit of rage, Athena turned Arachne into a spider. But,”

Spencer takes a pause for dramatic effect and you chuckle, placing his breakfast plate in front of him, giving him a peck on his lips and sitting down on the couch, your legs draped over his lap, “Athena didn't take her powers, Arachne still was the best weaver.”

“So what? Now Arachne was just this spider weaver creature..??” You ask in confusion, rubbing your eyes which were still laden with sleep.

“Yes!!!” He says, excitedly, “Every spider you see weaves a web. Her curse was she will never be human, but she will still be a weaver. That's why spiders weave webs.”

Safe to say, your jaw was left hanging as he came to the end of the story, “That's the story? Oh my god.” 

He laughs at your incredulity and you swat him playfully, a teasing gesture, “You're getting good at this, the storytelling was-,”. You gesture a chef's kiss and he laughs again, a melodic sound to your ears.

“Why? My storytelling wasn't good before?” He asks, continuing your teasing banter. He had learned over the years to keep up with it, to hear you tease him even if it flustered him. It's always there, passing comments, enough to get him red and smile at you dopily, but he knows it's not as it used to be. You don't do it as often now, and sometimes he thinks it's because you're tired of his ramblings. He worries that he  doesn't give you enough space to be yourself, or maybe he takes up too much of the time, maybe he should give you the opportunity to talk first.

“No, handsome. I love hearing you talk.” Your words are an opposite to his thoughts but it doesn't do much to calm down his running thoughts. He's suddenly somber now, his mind plagued with insecure thoughts so he thinks to let you initiate the next sentence, the next story or the next fact. Anything.

But you're quiet for a while, waiting for him to tell you something. A few minutes pass by and you ask him again,

“I didn't read the one about Perseus, only skimmed it over, will you tell me?” You ask him, this thing routine to you, to ask questions he’s always happy to answer, drawing circles on his wrist and he thinks of it as a ruining action. It is such a specific memory, your fingers drawing sceneries on his wrist that he curses his eidetic memory. He couldn't keep this memory if you're not with him to do it again. But he couldn't help it, so he said quietly, “No, tell me about you.”

The question is confusing to you, 

“Spence, you know I don't like to talk much in the morning.” You say, your fingers now tracing the lines of his palm, your eyes focused on where your fingers move, pressing a kiss to his shoulder distractedly.

“I-” He sighs, setting down his coffee and running a hand over his face before leaning his head towards your shoulder.

“But I always ramble, and not only in the morning. You should be able tell me things too.”

“I do tell you, I tell you everything that I know about Spence. I know that I've told you that story about my grandmother at least four times now, and I always remember that after I've told you, but you never do. You just…listen, even though you probably remember every time I've told you.” You chuckle, a quiet fondness growing in your heart.

He smiles, remembering the story now. He remembers all the times you've said it to him, his favourite was the third time when you had realised halfway through and hid your face in his shoulder. 

“Yeah, but I talk too much. It's annoying. And it's boring. You can stop me if you want.” He says, his voice is quiet now, as if he knows he shouldn't say these things, he should know better than to speak like this around you, but he loves you. And he wants you to talk. 

Even though now, after a few moments out of his cycle of insecure thoughts, he realises he's wrong. You do talk to him. A lot. Everyday. Stories about your friends, how you saw a video about different types of plastic one day, how your most recent book had Greek gods, so he had taken it upon himself to read up on them. He can always tell when you have something new to tell him, there's a different shine to your eyes whenever you do. If he knows the topic, he shares your excitement, or catches up the next day. You talk to him everyday, and now he feels silly to have complained.

You turn to face him, making contact with his eyes, “No, it's not annoying. Nor is it boring. When did I ever say that?”

He tries to defend himself, “I know I ramble a lot, and you always listen. And I love you so much for it. But I don't want you to just not talk because of me. I don't wanna always take over the conversation.”

A smile graces your lips and he's more confused than ever, “Spence, listen,” You settle the coffee mug in your hand on the table and take his face into you hands,

“I like it when you ramble. I like listening to you talk, your ramblings are interesting to me. You don't think I wasn't interested in the Arachne the weaver story?” You say, and he smiles again. You're still not used to it, whenever he smiles. 

“Yeah, but you're not usually quiet around people-”

You cut him off, “I like listening to you Spencer. It's half the reason I fell in love with you. I like that I don't always have to be on my toes to keep up a conversation, that sometimes, I can just talk, or not talk, it doesn't matter.” You say earnestly, trying to explain to him just how wrong he is about his assumption, how awful it is that he thinks you're annoyed.

“And I love your rambles. You think I would have known about the fact that caterpillars basically dissolve into liquid in the cocoon?” You say and he visibly perks up, a familiar excitement coursing his body,

“And-,” There's an inflection, showcasing his obvious excitement, “The only thing left are the so-called ‘imaginal discs’, groups of cells that contain all the information and the mechanism to turn that liquid into the various body parts of a butterfly; the same applies for other insects. and also,” He goes to continue,

“They retain memories through this process. I know. Because you told me. And because I love you.” He has that doe- eyed look again, the one you dread because it fills you with a kind of fondness that you can't quite contain. It makes you a bit animalistic, in a way where you want to pepper his face with kisses, to see his cheeks turn red and hear that wretched laugh again. You had told him that too, he called it cuteness aggression. It was a fitting name, you thought.

“I love you too.” He says, his lips not too far away before they connect, both your lips taste of coffee, and his is much sweeter than yours, but he doesn't complain, and neither do you, because why would you? You can feel him smiling again, and he breaks away to speak again,

“When a caterpillar forms,” You sense another ramble incoming so you kiss him again, but he continues, “the chrysalis dissolves, but not the tiny bits of butterfly,” interrupted by a kiss again, “those don't dissolve,” 

You sigh and put your foreheads together, “they just grow into butterflies.” You finish for him.

He would take that sigh another way if it wasn't you, another tease on his behalf, talking over your kisses as if he wasn't starved for them. 

“If this is your preferred way of shutting me up,” He says, now he's the one kissing you, “I'd be very glad to keep talking.” And you smile, despite the cold coffee on the table and the not-so-quiet morning, your heart feels warm and peaceful.

[avelera]

hi! first off, i love your arcane meta, especially the jayce characterization and hextech details. you get it.

now second, (and feel free to ignore this wall of text for any reason):

if you're in the mood to talk about meta, i'm curious to hear your take on one season 2 thing that i've been scratching my head about

how much does post-anomaly jayce know about the future? my initial impression was that wizard viktor only told jayce what we see onscreen, and jayce was kind of improvising and trying his best without detailed knowledge of future events.

but some lines ("we're meant to lose this fight") and a comment from the artbook (post-anomaly jayce wearing armor bc he knows there is a battle coming) imply that he knows more than he lets on.

what's your (watsonian) take of jayce's knowledge of the future in season 2? is there any detail in the show that sheds some light on this?

i think jayce knowing or not knowing about certain events really recontextualises some scenes. is he following his own or wizard viktors plans? is he suprised about the events of act 3? i've been rotating this in my head but i'm not sure what interpretation i prefer.

Thank you so much!

As for your question, it's a really interesting one!

Unfortunately, I do think I need to start the answer with the Doylist one:

Jayce knows as much about the future as he needs to for the plot.

I think this is important to note because it informs an understanding of their choice not to show us him getting an exposition download of everything Wizard Viktor has worked out over the years as to how exactly Jayce can thread this needle of saving Viktor at exactly the right time.

Because, in theory, the amount of optimization could be infinite. It could get all the way down to, "Jayce needs to be scared into falling into this exact pit and spending no more than 3 months there because that gives him the suffering needed for his plea to Viktor to be heartfelt and informed by similar suffering, but not so long that Jayce goes insane from isolation."

Or even things like, "Ekko needs to go to the Happy Zaun universe or else he won't have the sympathy needed for him to prevent Jinx's suicide and without her present at the battle, one of Herald Viktor's mind-control arms snatches up Ekko too soon rather than grabbing Jinx instead, so he's not there to buy Jayce's those critical extra seconds for his appeal to True Love and also put a bomb in Herald Viktor's face."

That said....

I admit, part of me still sort of wishes that Jayce had been the one to go through multiple realities of optimizing, just because I think it answers... a few more questions? Like how did he suddenly get so comfortable with killing someone like Salo, if he wasn't fighting in other universes? Why does he look so aged if only 3-6 months passed? How does he know things like how exactly to get to Viktor's commune and the fact they're going to lose the fight, etc etc etc.?"

I think it would have been cool and very fitting for Jayce but I will admit, the story we got covers all of this too.

Jayce's aging could easily be the product of extreme hardship (I wouldn't be surprised if the animators referred to images of people who have been, say, stranded on desert islands or prisoners of war for long periods to inform just how much Jayce's face muscles wasted away while he was there and just how much extreme hardship can age you because it can be extreme even within a few months and between pain, starvation, dehydration, and magical gangrene, Jayce was going through it).

Jayce's comfort with the idea of killing Salo could just be a product of his hardship (killing and eating lizards with his bare hands lol yuck), or of understanding that assimilated people are already dead, effectively, and to stop that future he cannot hesitate at all. Also, maybe he just fucking hates that guy, which would be pretty understandable after Salo voted to banish him back in 1.02 and also is very funny to me, personally, that he was just a little more comfortable smooshing that particular Councilor than he would be literally anyone else.

And this is were I get to your question: how much does Jayce know? Presumably, if we go Watsonian, whatever Wizard Viktor believed he needed to know to actually thread this needle, because there's probably information he doesn't need to know too.

For example, Jayce might know:

He cannot let a Cultist get back to Viktor with Hexgems. Salo needs to go. Who knows what this prevented but I can easily see how Viktor having more power right now to prolong his healing/assimilation would be a bad thing regardless. Also just... having Salo at all as a potential power player that Viktor could work through.

He knows where the commune is. In theory, he probably could just ask someone in Zaun too I mean, I doubt it's a secret, and narratively we don't need to see that.

He knows he cannot under any circumstances let Viktor talk to him once they're face to face. He can't even look at Viktor after Viktor knows he's there. There's a heavy implication that if Cult Leader Viktor so much as smiles at him, Jayce will fold, if we believe the little flash of memory of Jayce remembering him smiling at him isn't just Dead Wive Vision but is actually Anomaly Future Jayce warning him about what happened to him to lead t that point, which I think is a baller theory.

He can't give into Viktor, ever. He can't let Viktor touch his forehead before the right time. Jayce fights like mad to get away from that robot once Viktor decides that Jayce will be his partner again or else.

He knows he needs to take all the Hexgems out of the base of the Hexgate, but is it to stop Viktor? Or is to buy a few extra seconds while Viktor plugs them back in again so that Ekko has time to wake up? This is the sort of thing where Wizard Viktor might know the real reason for something but doesn't need to get that granular with why because it's about buying time, not actually preventing the Herald from grabbing the Anomaly.

By the way, I have a theory that one reason Jayce needs to get the gem burned into his wrist is because there's universes where his bracelet gets cut off and he loses the gem so Wizard Viktor is like, "This is gonna suck, but you really need this thing embedded in your flesh so it's there at the right time." Though, it could also be so he can engage the magic in his Alt Universe hammer. Still, I am a little sad that it's not an effect of Jayce universe hopping where some battle got it burned into him, because that was my original theory and I'm still very partial to it.

Jayce knows that he has no chance of winning the fight, he just needs to survive it. Once he gets to the top of the tower, once he grasps the hammer, it's all over. From that point on, the only thing he can do is have faith and get his big Power of Love speech ready, that is his only chance.

As for what Jayce is surprised by, I do think he might have been told information but not shown it necessarily. I am still really sad we didn't get a visual of what Wizard Viktor told him but, at the same time, one of the fun parts of Arcane is that it doesn't spoon-feed us, which gives us the chance for discussions like this, so wanting that scene is me being a Jayce addict not because I think it would necessarily strengthen the story.

So I think Jayce doesn't know what Machine Herald Viktor looks like. It's possible that Wizard Viktor doesn't either, because that didn't happen to Wizard Viktor, he didn't get slowed down at the commune, Jayce probably joined him there and probably didn't fight him at all, there's a strong hint that Anomaly Universe Jayce surrendered to Viktor at the top of the tower (the explosion marks around him are behind him, which implies that the force of his conversion might have been in front and willing, like he was kneeling before his king, and we don't have the top of his head to know which direction the fingerprints are positioned in).

So basically, Machine Herald Viktor is a product of Viktor needing Singed to regain enough power to go get the Anomaly, which Wizard Viktor didn't need to do.

It's possible that Wizard Viktor doesn't know about Ekko, he just knows that something outside his awareness has to happen for MH Viktor to be caught off guard, and as MH Viktor says, "That device cannot be," he cannot in his infinite knowledge account for what happens in a world where Hextech never got beyond its infancy with Jayce and Viktor at the helm.

So, at a certain point, there may have been things that Jayce and Wizard Viktor just had to rely on faith to come about too.

But it's way more fun to speculate because I think we'd be punching holes in it instead of speculating on it if we had been given this whole download.

Hope that answers your question??

[glitter-stained]

On villains with tragic backstories

Sometimes I'm like "is it really psychophobic, maybe i'm reaching, the character did say that they're not actually crazy they just like killing people" and then the narrative will hit me with "some terrible, dark horrors have happened in your past and this is why you are killing people but it's not too late to get admitted in a psych ward" and I wanna throw the comic through the window and myself with it.

The "mentally ill villain" trope isn't just saying that the villain is crazy or giving them hallucinations. If you're giving a villain a tragic backstory, and that backstory has caused them severe suffering the memory of which is still painful to the day, and the story expects you to believe that the villain's horrible behaviour is explained by the fact that this suffering broke something in them... It's worth examining if you're not just vilifying or demonizing mental illness on accident.

The issue isn't that your villain can't have a tragic backstory, or that the tragic backstory can't explain their actions: the issue is when the suffering itself is treated as a sufficient cause for the behaviour. Say a character was raised and abused by a cult that taught them killing puppies is good and then they kill puppies: not psychophobic. Say a character who used to love puppies was kidnapped and tortured by some guy just for the fun of hurting someone, no brainwashing or anything just pain, and then they get out and kill puppies because of the torture: psychophobic. There's a missing link in the reasoning here, a question of "what about this event taught/brought the person to the conclusion that it was a good idea to kill puppies or gave them a desire to?" The psychophobia is insidious, hiding in the implication that the trauma (because this is what it's really all about) is what made them kill puppies. Sometimes, people with trauma kill puppies. But killing puppies (or exploding buildings with children in it, or shooting someone in the spine, or severing heads and putting them in a duffle bag, or, or, or) is not and has never been a symptom of ASD*, PTSD, CPTSD, BPD, DID, DDD or any other trauma-induced disorder. It's a good idea to verbalise the logic, emotions, needs and desire that motivate your villain and where they stem from, to avoid falling into the trap that thinking their trauma, because of the magnitude of the empathy it's meant to generate for the character, is enough of an explanation for their behaviour. A villain being sympathetic because of their backstory doesn't mean that their actions are necessarily coherent.

On top of that, it's important to take in account other factors such as the original background of the character, their vulnerabilities, their age (super important when writing childhood/teenage trauma/young villains!), but also their ethnicity, gender etc etc. This is important for realism and accuracy, because trauma is neither a magical button that creates heroes nor sociopaths, but also because psychophobia interacts so easily with other forms of discrimination slipping through the cracks. Now that you've identified that your woc character becoming a manipulative, sociopathic "crazy ex" because of her trauma was not just a consequence of her trauma but the interaction between the trauma and personal factors, what are those implicit factors that contribute to make her manipulative, obsessed with her ex, etc.? And now that you've extracted them explicitly, like a zip file, can you examine them to see how many of these personal characteristics have to do with her being a woman of colour?

I hope it's clear that I'm not telling you what to write- I think imposing the idea that villains can't be poc, or queer, or working class, or disabled, or mentally ill, etc. is harmful, because it reduces potential representation, it's based on the assumption that I know what you're gonna write and it's gonna be fundamentally ableist, and it puts this pressure on fictional characters to be perfect icons of representation rather than actual characters with depth and personality (kinda like thinking you can't write a female character who cries because it implies women are weak). This is just to encourage you to be mindful about what you're doing when writing that tragic backstory, because it's not necessarily what we think about when we talk about mental illness, and it's important to analyse what you're writing with a measure of introspection: why am I writing this? What does this imply about the character? What's my reasoning for this character's reasoning?

I have zero issue with a mentally ill character kicking a puppy as long as the narrative isn't trying to tell me that it's a symptom of mental illness to kick puppies. But of course, perhaps the story could also be a critique of those stories about mentally ill people kicking puppies, and the satyre is flying way over my head; or perhaps there will be a secret plot-twist that happens after I stopped reading that explained why the character was kicking puppies, perhaps the book was an attempt at guiding and manipulating the reader into realising the flaws in that reasoning on their own, or perhaps it was a metaphor for something else entirely, etc, etc. I don't know. The point is, write whatever you want; but write it self-aware.

*in this context, ASD meaning Acute Stress Disorder

Two examples of comics I think do it pretty well:

> Arkham Knight Genesis: for all its flaws (i didn't really like this one), I think it does a pretty decent job of getting us to understand how Jason got where he is, that it wasn't just "tortured until evil", all the reasons for his resentment, all the brainwashing and manipulation are pretty explicit. Kind of an "easy mode" because the plot revolves around brainwashing, but solid on that front.

> Red Hood Lost Days: this one I'm more mitigated because there's this whole "pit madness/the pit made him a psychopath" thing Winick introduced to limit the damage of previous runs (and rightfully so imo, Pit Madness is a much better explanation for some of Jason's most batshit ooc runs than just trauma), but there are some pretty solid elements, especially when you know earlier comics. I'm thinking specifically about when Jason says something around the lines of "you murder people; i put down a lizard", as a direct echo to Judy's "I put down a mad dog", that's one of my favourite comic lines ever, I cheered seeing that parallel like yes, I can see the reasoning, I understand where you learned the lesson and what the thought process is and I support it.

[cavesalamander]

(Replying on this thread bc i really like your addition and think it's important.)

Jimmy reminded me more of people that I know and love than of myself on my own playthrough. But all the stuff written above is such an eloquent and coherent way of putting into words this unease that I feel whenever people bash him utterly uncritically. When they write him off as nothing, a monster to be hated, etc. It's felt like they're missing something and I couldn't put my finger on why. And this! This is it, isn't it?

Now, I say I didn't relate as much to him not to be all self righteous but because Curly on the other hand?

While I've definitely never been in his exact position there is a lot about what he was that is relatable and is meant to be relatable in the same messed up way that Jimmy is... The desire to pacify, to take the brunt of responsibility and ire for things on behalf of those around you even if nobody asked and it's not going to be better for anyone. Being trapped between the options of bad and worse while you yourself are cushioned from the worst impacts of either. Wanting and hoping for the best for someone who keeps self destructing because maybe this time it'll stick and they can get their feet under them and have some stability...

There's more obviously but those are the ones that especially hit me personally for various reasons. His flaws are very there too and are very ones I've seen in myself and have been trying to work through, and it's super relevant that his POV is half the game too for that reason.

There's a lot of nuance to Jimmy and Curly both, in how they're meant to be relatable, that's just really unfortunate when they're written off the way they are. Curly gets it both ways, where his flaws are brushed over or he's treated like the same irredeemable monster that Jimmy is.

I think it's important that Anya is the one who says what she does. "Our worst moments don't make us monsters." And not Curly for this very reason. That it's Curly she said it to. Coming FROM Curly, it would just read like another one of his placations and excuses for Jimmy.

Thinking about how the creator of mouthwashing said that a huge part of the horror is meant to be that every player will identify in some way with Jimmy, relate to him on some level, and realize that they share some traits with such an awful person, with that being what "I hope this hurts" was meant to mean. The point is that Jimmy is someone you are going to feel a connection to and that should hurt, that should cause you to reflect. Anyway I think the mouthwashing fandom really missed that because there is a truly awful self righteousness problem that no one is doing any self reflection on. I actively avoid the fandom for this reason every post I see from the mouthwashing fandom is people talking about other fans the same way Jimmy talks about the other members of the crew (esp Curly and Anya) with 0 self awareness lol.

[tackykachowch]

Alright so I found another reason to hate the flashback in s2. Crazy right? Well tbf, it's not about the flashback in particular this time, but rather wasted opportunity. After rewatching some of Silco's scenes in season 1 I caught myself thinking: "Huh. This guy sure mentions sons and daughters/brothers and sisters a lot. Interesting thing to do for a character who treats people as resources". And then it hit me. There's just a GOLDMINE (heh) of untouched inner conflict to explore within Silco.

Just think about it. He probably went to work in the mines as soon as he was capable to and was raised by people there. Like he mentions in a dialog with Finn, they were a tightly connected community who always looked after each other, making sure everyone survived on the sparce resources they had. So wouldn't it be better to focus the flashback on that community rather than one specific person? We already know that Silco and Vander were the closest people to each other, so to introduce another person to the equation doesn't really make sense. The flashback can still happen at The Last Drop, but a party could be happening there. Maybe not even to celebrate something, but to just have a good time with everyone. And we could be shown how Silco interacted with all these different people, knew their personal struggles and goals, excitedly discussed what they're gonna do after liberation with them, what everyone is going to do once they'll be fully free of the mines. To really show us and emphasize the fact that BOTH Vander and Silco built the Lanes. Vander wasn't the only one to value the community, he just wasn't the one who was ready to sacrifice it for their goal. And this is very important too!! Because it's easy to think of Silco as a ruthless calculating machine that never cared for the people. But he clearly did. And we could be shown how desperation broke him, because even after everything he and Vander did their friends and adoptive family were still dying. Some from the accidents in the mines, some from diseases caused by the Grey, some from enforcers' brutality etc. So it was REALLY hard for him to cross that line and place the cause above all else. And a parallel can be created there: in ep3 Vander says that he cooperated with Grayson because he "didn't have another choice", so maybe Silco thought the same when he made a decision to stop valuing his people above else? A really interesting conversation can be had there, but "bLiStErS aNd BeDrOcK" is cooler apparently.

[wikipediette]

emotional motion sickness

General g/n headcanons; mentions of abuse dynamics in relationships, talks of physical, emotional, and mental abuse, if these topics trigger you please dont read

so I'll start with the idea of being on earth with Jimmy, I'd like to imagine that curly set you two up, hoping that you'd rub off on him

Your first date you meet and you're charmed by him, he's a sarcastic, flirty, handsome man with a sense of humor (albeit a dry sense of humor)

people like Jimmy are VERY charming and can pretend to be a certain person to draw you in. Then slowly up the ante until you feel trapped

He starts off cute, comes a little late to dates, clothes wrinkled, flowers bent. But hes apologetic and you cant help but feel bad for him

As you get deeper into the relationship the faults start to show.

Maybe a year or so in he starts asking about friends. Nothing too dramatic just an occasional "who's that?"

And at first its cute! He's just worried and protective. But it slowly gets more and more controlling.

One of the first things an abuser will do is isolate you to make it hard to leave them. so he asks you to stop talking to a few people, coworkers or group project friends.

if you question it he will get very intense very fast and uestion why your so hesitant to cut them off.

"is there something your not telling me?" He asks, he had both arms caging you down onto your armchair, his body leaned down to look at you closely. "No!" You exclaim sitting up as best you can with him so close, "I just think it's weird you suddenly aren't ok with me and danny talking anymore!" He laughs but it holds no humor if the look on his face is anything to go by "I know you probably didn't notice but he's constantly flirting with you, he obviously wants to fuck you." you begin to mentally look over your conversations in your head, had he? Was there something you missed? Something misinterpreted? "Really?" You ask, doubting if you really should be talking to a man who liked you while in a relationship. "yes! that's why I don't want you talking to him, he's trying to take advantage of you." you sigh before nodding "yeah, sorry I... didn't even realize" "its fine" he says softly holding the back of your head to lead you into a kiss "I just want to keep you safe".

so you bite and agree, you slowly begin to cut less important people out. As you do he'll pavlov you, with each friend you pick off he'll love bomb you. kisses, hugs, gifts, sex, sweet talk, pet names, bragging about you. He'll play into whatever you want as long as you follow his rules.

When it comes to the biggest hitters like family, close circle friends, and best friends he'll wait a few years to cut them out

He'll plant ideas of a us vs them mentality.

they just want to break us apart.

they're jealous of us.

your too good for them.

they don't treat you right.

they're the abusers.

i'm the only one who REALLY loves you

and after so many years with him, despite your ups and downs you cant help but do what he says because you just don't see him as this horrible monster everyone's making him out to be.

you love him and he loves you!

people just don't understand your dynamic,

they don't know him like you do.

when it's bad its bad but when it's good its so damn good.

and his lonely act works well too, besides curly he doesn't really have any friends.

he has acquaintances and coworkers, but friends? no.

if you broke up with him he'd have no one. and you've been together so long it'd be such a jump. going from deep conversations and intense love to asking about a person's favorite color? fuck that.

when he has you were he wants you that's when all hell breaks loose.

you barely go anywhere and if you do he either needs your location the whole time (probably makes you get life360) or has to be with you, hand on hip, glaring at anyone who talks to you.

when you two get invited to parties he'll play nice (after all he is in public) and let you roam.

you'll talk to people you haven't in a bit while he drinks and talks to curly.

and its times like that that makes the worst moments feel worth it.

speaking of the worst moments.....he's a very jealous person, he constantly is worried if you're cheating on him.

he'll argue with you and wont relent till your crying and exhausted.

then once he thinks you've proved yourself he'll scoop you up and let you cry on his shoulder. murmuring that he loves you and he sorry.

he'll open up, say he knows there's something wrong with him, and he's sorry hes like this, that you deserve better and he's trying.

"I'm sorry" Jimmy softly says into your ear. cradling you like a baby in his arms. your arms are around his neck, your eyes burn with drying tears and sleep, your nose is stuffy, your throat is dry from yelling and sobbing for hours. the rocking isn't helping your sleepiness. "I'm sorry, I know there's something wrong with me. Please don't leave me"

trying to leave in these situations is probably the worst thing you could do

now I'm not under the impression that Jimmy would be overly physically abusive given that his character is all about the subtleties of abuse.

BUT! I do believe he'd restrain you, push you, grab you harder than needed, ect. If you tried to leave him while arguing.

He doesn't like you taking control of the situation and it gets him very mad, as a result he'll force you to stay where he wants.

But he doesn't explicitly hit you as that would leave marks

he wouldn't want you to be bruised because that would bring suspicion to the safety of your relationship.

And most of the relationships abuse is kept to a level that could pass as normal to others.

I think having a friend like curly in these moments that always tries to smooth things over without any bridge burning would definitely lead to him unintentionally gaslighting you about it.

side note: ok this is the first time I've really written in this format, made a romantic x reader, AND this is also my first time posting x reader onto Tumblr lol. apologies if this is ooc I never refreshed myself on Jimmy's character simply bc I don't have the time for that lol. this is also based off of my general knowledge of abusive relationships. if anyone wants more plz let me know i really wanted to try writing fanfiction seriously for a while now lmao, bye :)

[official-wales]

hi! i am unfortunately an American (booooo) and am very interested in wales and welsh culture (autism sees welsh shit and says !!!!!!!!) is there any books or anything you recommend to learn abt wales?

is there anything i should be worried about doing thats bad? the last thing i wanna do is upset real people or like fetishize welsh culture and shit. i just wanna learn abt yall

( and also maybe live there one day because i am not staying in this hellhole)

also i saw Nye in theatres and it ruled it was so good

SHWMAE! YOU HAVE COME TO THE RIGHT PLACE :D

Honestly, the main things to remember if you're worried about offending people is 1) we're not England, and 2) we don't all watch Gavin and Stacey, please if another person asks me about Barry Island, I'm going to commit violence

I don't have any specific book recommendations, but I'd definitely recommend looking into the Welsh language if you haven't already. With any celtic language, it's important to respect it as a language in its own right, especially since they're quite different to what English-speakers 'expect' (i.e. different pronunciations, structure and spellings, almost as if it's not English!)

As it's almost Christmas, you could have a look into Mari Lwyd as well - a Welsh Victorian wassailing tradition where a horse skull on a stick demands entry into your home to drink your alcohol (not a mythical cryptid, sorry). Very fun.

Two films which are really good and focus on Welsh life are Twin Town and Pride. Twin Town's set in Swansea (South Wales) about two brothers who terrorise the city. The only reason I mention it is because my old science teacher played any extra in one of the scenes. Pride is based on a true story about the lesbian and gay supporters of the Welsh miners' strike in 1984. Very emotional.

If anyone could comment below with book or documentary recommendations, that would be great!

And, because I'm Stereotypical Wales Incarnate, here's some YouTube videos! As a treat.

[cryinhell]

No one asked, but here's my updated top ten hellaverse ships (both canon and not)

10) Stella x Striker

What can I say? I love an evil couple. I think these two look pretty hot together, and it's interesting how Striker seems to respect Stella despite hating blue bloods. These two aren't canon, but I wouldn't mind if they were

9) RadioRose

Despite having mixed feelings on Alastor, I think these two are just so cute. Either as a couple or just queer platonic partners, I don't care. Rosie seems to be the only person to make Alastor genuinely smile, and she's the only one who can touch him. There's a special bond there I really like

8) Verosika Mayday x Wally Wackford

So this is the biggest crack ship on this list, but I think in theory, it's so cute. I really want Verosika to be happy, and Wally, despite being a bit of a scammer, is really sweet. I'm totally cool with Verosika ending up with Barbie as well, but I slightly prefer Wally. I wonder if they will have more interactions in future episodes.

7) Fizzmodeus

Is this controversial? Probably. I know Fizzarolli and Asmodeus are so loved in this fandom, so putting them at number 7 is awful...but they aren't my favorite. I do like them, and I think they're really cute! I just have ships I like more, but that doesn't take away how sweet these two can be. Sometimes obnoxiously sweet heh. So yeah, no disrespect to these two

6) M&M

So these two were at first kinda meh for me, but over time, I've grown to love them. They have a pretty healthy relationship, and I always hate when someone bothers Millie for marrying Moxxie or saying Moxxie isn't a good enough husband. These two clearly love and respect each other and clearly grow together with every episode.

5) Staticmoth

Like I said, I love an evil couple. Valentino is a monster, and Vox is deplorable. That doesn't stop me from loving them as a couple and thinking they are cute. I think they both should die, but also would be sad cause come on, they're cute together.

4) Cherrisnake

I love Sir Pentious, I love Cherri Bomb, so obviously, them together is a fun pair. I shipped these two before the show came out and was so excited to see Pen having a crush on Cherri. They kinda remind me of the early versions of M&M, but they need a lot more time. Cherri isn't ready to accept love, and Sir Pentious is well...in a different world. I can't wait to see these two develop and become an actual couple.

3) Adamsapple

So this and Lucilith could be here. Lucifer being happy is the main objective, and its Adamsapple is so fun. They clearly have a history, and there's a lot of feelings. If Adam comes back in season 2, I'd love to see this be fleshed out. I doubt they'd be a couple, but maybe friends? Who knows. I'm fine with this one not being canon, and just something fun in the fandom

2) Stolitz

Stoltiz is pretty important to me because it really got me involved in the fandom. I've been watching Helluva Boss since the beginning, but episode one of season two had me from casual watcher to actual fan. Blitzø is one of the characters I really relate to, and Stolas is just a really well written character. I love the development of these two and they are worth waiting for. I really gotta draw some fanart of them because they are everything

1) Huskerdust

Are you surprised? You must be new. These two are my everything and all time otp in the Hellaverse. I've talked so much about why I love them, and I will continue to do so until I can't any longer. Angel and Husk are not only my favorite characters individually, but their growing friendship and eventual relationship are just so ughhhh. I love these losers, and they will always be number one.

Thanks for reading my nonsense

Have a good one 💜💜

[astracora]

A Mandated Holiday Break - Chapter 1

Characters: Sylus x gn!mc (poly lads)

Warnings: None

Word Count: 779

Written: 21st December 2024

Notes: This is the first fanfic I've posted, it's not proofread, I don't know how many chapters there will be. Pray for me. Post-relationship Sylus/MC-centric but poly LADs, with my personal pov of the game and lil headcanons littered in.

Chapters: 1, 2, 3, 4, 5, 6, 7, 8

It's one thing to take their government mandated holidays, as a hunter. It feels wrong, they know they need to take time off. People need breaks. If they don't rest, they fray. As a hunter, being sloppy means letting someone get hurt.

They know that.

Still... they've never been good at taking time off. It was easier with their family around, if Caleb hadn't dragged them home occasionally, they'd have burned themselves out frequently.

Now they just face the disapproving looks of their dear doctor... who is far less enthused, but far too professional to do any dragging.

It's another thing when their favourite captain tells them to go home because they look like shit. Alright, maybe not in that many words, but the sentiment was there. They try to imagine Jenna cursing and while it feels right, they also feel like they've seen something they really shouldn't.

She's right though, they muse. Dark circles, clothing tattering, ache in limbs.

If they'd been asked when they last took a holiday... well they couldn't answer.

Tara nudges them, warm smile on her face, "I'll text you. Go sleep." And with a warm hand on their back, she pushes them towards the door.

They're tempted to look for Xavier to say goodbye for the day, but it's late and he could be anywhere. (Though they're willing to bet he's stolen a break room for a nap.)

Instead they leave the Hunters Association, standing in the street below, staring up at the holiday decorations lining the street. It's cold enough that their teeth chatter...

And they come face to face with the loneliness of being stood here, an empty home and the knowledge that all their loved ones are still busy, working, wrapping everything up.

They could go visit Zayne, but he's got such an important job they don't want to intrude. (The voice in their head that sounds a bit like his tries to remind them they could never intrude.) They could message Xavier, but if he's finally resting they'd had to disturb him. (They never could, he's pleased whenever they spend time with him or join him for a nap.) They could go check in on Rafayel, but he's preparing for an exhibit and they don't want to break his creative flow. (How could they when they're his muse? The reason he found purpose in a paintbrush again.)

Instead they stand and stew and struggle. Internally debating how much they can exist in a space, before a caw snaps them out of their shuddering. Arms wrapped around them through the too thin coat, not at all built for the snow and chill.

Mephie perches on their shoulder, his red eyes gleaming. They're hit with the strange feeling that the robot bird knows and sees far more than he should, before the non metal feathers puff up, snuggling into the crook of their neck.

In seconds all the tense strain in their limbs ease up, and they breathe out a long exhale. "Hey." They manage, forcing their teeth to stop chattering and their smile comes gently.

They're unsure if it's for the birds benefit, or for his owner, but they realise it doesn't matter. Both bring unrivalled comfort.

Their new companion, caws again, tone deaf and glitchy, before clacking his beak at them. Extending his foot, a small message tied to it.

Why Sylus doesn't send them messages in any normal way, they'll never understand. He enjoys phone calls, texts them constantly, but whenever he wants to be dramatic, in flies Mephisto with a letter or a note, on a blaze of feathers and metal.

Gently, they untie it, patting the pretty bird's head as they do so with one hand.

He preens and coos at them happily, glitchy static and very real pleasure at their attention.

'You have time off. I'm booking it for the week.'

They'd question how he knows, but he always seems to know. They should find it creepy, but they've since learned if he doesn't watch their back constantly, people who want them hurt do.

Perhaps they've grown too soft on him, his attentions, his affection, his constantly presence, but they find it more soothing than unnerving.

Still. They would like to know how many ways he's keeping track of them.

If only for the curiousity lurking under their skin, one of the traits he teases them for.

"I guess you're my accompaniment then Mephie?" The bird puffs up, proud and preening, and he looks far too much like his prideful master for a moment for them to not chuckle. As their guide kicks up into the sky, flying off, they follow him a little lighter.

[its-hazzia]

Oh yeah no lmao definitely not if they're talking in the way you described. I was thinking more in terms of "even though (they think) they're saying it light-heartedly it still comes across as really ass-holish" kinda way. If I were dealing with someone who's *not trying* to be creepy while getting across they think I'm attractive, them saying "aw shucks, maybe I'll come back a [x-gender] next time" comes across as more reasonable and endearing than "damn, what a waste" to me, since there are so many people who seem to think they're saying something that's just a light-hearted, off-hand comment. Definitely not if they looked you dead in the eyes and asked "would you fuck me if I was [x-gender]". Definitely gross in that way.

The important part is if they're at least trying to be respectful of you as an individual with your own preferences. Pretty much everything's out the window if they're not.

told a bunch of straight women that I think saying a hot guy being gay is "a waste" is kiiiiiind of homophobic, and at the very least a tad shitty. four dead, twenty injured.

[changingplumbob]

CW: Low level sim spice, language - Guide to content warnings

Sun poured in the windows and on to the bed. Glenn loved being outside but a nice sun ray inside could be good to. While he was playing absentmindedly with a tennis ball Silver lay beside him scribbling away.

They had officially been courting for a year and while Glenn thought asking Silver to get a place of their own would result in a great woohoo session it had instead resulted in the werewolf deciding to make a pros and cons list about every single neighbourhood he'd ever visited.

That left Glenn horny and bored, not a great combo.

Glenn: Are you done yet

Silver: If by done you mean all the places that start with A then yes

Glenn: You can't have actually been to that many places

Silver: I'm ancient remember, I've been lots of places

Glenn: True. It must be a lot when you're 207

Silver: I wouldn't know because I'm not 207

Glenn: *sighs* But I want to fuck

Silver: And I want to make sure we don't move somewhere in hunter territory. Which of those things is more important

Glenn: Definitely my pixel parts

Silver: I thought you were practicing making the ball hover

Glenn: I was like... three hours ago

Silver: *smirking* Dramatic much Babycakes

Glenn: You know you like me dramatic

Silver: I do but I'm trying to focus on our future

Glenn: All I need is you, four walls, a roof and a dragon

Silver: Excuse me?

Glenn: I could be argued down to three walls

Silver: I meant the dragon

Glenn: Oh. Would you not want a dragon

Silver: Can't say I've ever seen a dragon. Kind of thought they were a myth

Glenn: Says the werewolf who is in love with a spellcaster

Silver: If they are real something tells me they don't make great house pets

Glenn: I mean yeah, the bigger ones couldn't even get inside a house

Silver: See

Glenn: But there are smaller ones

Silver: How does one get a dragon? They're not trafficked are they

Glenn: I mean magical creatures sometimes are but there are legitimate channels for the domesticated ones

Silver: If you tell me there's a dragon rescue down the road-

Glenn: Not down the road but- Would you let me have a dragon

Silver: Not in our bedroom

Glenn: So that's a maybe for in the house

Silver: I don't know. How are they with kids

Glenn: Some breeds are great, super protective of them

Silver: Okay well what I don't need is one breathing fire at me if I tell a kid off for making a mess

Glenn: No I know, I wouldn't let you get burned Beefcake

Silver: I can't get burned

Glenn: That's what I'm saying

Silver: Yes and I'm saying werewolves can't get burned. My clothes could get incinerated but not me

Glenn: Wait really

Silver: I mean technically I could get burned with wolfsbane but I couldn't be set on fire or anything

Glenn: Damn, wish that was the case for spellcasters

Silver: You are rather delicate

Glenn: Just like my flowers. Are you done now?

Silver: Is it Brind- e- l - ton or Brind -l - e - ton?

Glenn: We are not moving there are we

Silver: Don't know, haven't done the pros and cons list yet because someone keeps distracting me

Glenn: With my good looks

Silver: With your big mouth

Glenn: Hey! My big mouth happens to be of great use to you

Silver: Only when you've spent the day being a brat

Glenn: Well we need to be somewhere where we can adopt a kid

Silver: You say that as if I don't know

Glenn: Do you want a spellcaster or a werewolf

Silver: I don't know. I mean I do miss seeing the young wolves in the pack

Glenn: Do baby werewolves like chew on the furniture

Silver: What are you doing to my hair

Glenn: Nothing, just hold still. Going to answer my question?

Silver: Don't all kids destroy furniture in one way or another

Glenn: True but I mean there's accidentally starting fires then there's teeth marks

Silver: Baby spellcasters start fires?

Glenn: I mean when we're young we kind of have access to a bunch of powers we don't know how to use so stuff can happen that we don't know how to undo

Silver: Don't know how to undo? Such as?

Glenn: Well my trademark green hair? Not intentional

Silver: Bullshit, you're trying to mess with me

Glenn: Because I want your attention

Silver: But wouldn't my attention be so much better in a house of our own

Glenn: Fair. Okay hold still I'm going to get a picture

Silver sighed and tipped his head forward so the ball fell off and rolled away on the floor.

Glenn: Aww, you looked cute

Silver: Don't I always

Glenn: Nah. You're the hot rugged sexy one and I'm the squishy cute one. Well, squishy cute with abs

Previous ... Next

[foreverl0stinmymind]

A festival full of fun.

(ignore the title I'm bad with titles)

This was inspired by @kirshimadenkisero

Ao3 link here

about 700 words.

No content warnings. Except kinda gay but if that's an issue with you we got a problem. 

…

Lucifer had canceled on Diavolo for his regular trip to the fair. Said he was busy, had work to do. Which made sense, Lucifer had his brothers to keep and eye on and all that.

But this fair was an important part of Devildom culture. And he was just... Skipping?

He'd sent Mammon in his stead, who was currently admiring a case of fancy watches. Each would cost about 10,000 Grimm. Barbatos was quietly following behind, still dressed in the same formal way he always dressed. Apparently, Lucifer had promised Mammon souvenirs if he kept his hands to himself and off of the stalls.

Satan would've been better, if one of the brothers had to come. Or maybe Asmo. Beel wouldn't work, he'd eat all the festival food. And Belphie would just sleep through it. Nothing wrong with Levi, but he'd never chose to go. But he had to deal with Mammon.

Mammon wasn't so bad, unless your job was to make sure everyone was following the rules of the festival and nothing was stolen from the stalls. At that point, Mammon was a pain. For the fifth time in the past eight minutes, Barbatos made Mammon put back something he'd stolen. Diavolo cleared his throat. "Mammon? Why don't we get something to eat before we continue. What sounds good to you?" 

By Mammon's fifth bowl of spicy ramen noodles, Diavolo was silently wondering if maybe Mammon was actually the avatar of gluttony. He and Barbatos had both only needed one bowl a piece. But as long as Mammon wasn't stealing anything...

Over the next hour, Mammon stopped grabbing for stuff as much. But you could still see his eyes follow every shiny object. Bracelets, watches, gemstones, earrings, rings, and brooches. Every shiny thing. A bit like a crow, or a magpie. But still, he'd given in to the fact nothing was coming home with him if he didn't buy it. Barbatos had headed back to the palace to finish up some work. For the first time in fifteen minutes, Mammon stopped at a stall, and inspected the contents. He pulled out his wallet, and asked for an item behind the case. Mammon? Actually buying something, rather than stealing it? It was a miracle.

It was only 500 Grimm. Nothing Diavolo couldn't easily buy Mammon. 

And so he did.

Mammon was excitedly talking about his new watch for what felt like the next century, despite it only being two hours.

He quieted when he heard the announcement four the fireworks. "Are we gonna stay to see those? I didn't even realize they had fireworks. I never go to these, and Lucifer hasn't mentioned them." Diavolo nods. "I intend to stay through the fireworks, yes. Lucifer doesn't enjoy them. Says they're 'loud and distracting.' Just like you and me, I suppose." Diavolo chuckled. "Why don't we go get some ice cream, and find a place to sit on the field? The show has been beautiful every year."

Barbatos had apparently saved a spot, a soft blanket lying over the grass, big enough for two to lie down. He'd left a small placard, not staying to watch. Mammon gave it a curious look, and Diavolo sighed, sitting on the blanket. "Barbatos, like Lucifer, doesn't like the fireworks. They're similar in so many ways, you know." Mammon nodded at Diavolo's explanation, confused but unbothered.

They laid next to each other, throughout the whole fireworks show. When an especially loud one went off, Mammon grabbed Diavolo's hand tightly. Diavolo sat up to check on Mammon, who flushed and apologized once he realized what he'd done. 

When they were cleaning up the blankets after, Diavolo smiled at Mammon. "Thank you for coming, Mammon. You weren't my first choice, but I had a nice time, and I hope you did as well." Mammon grinned. "Just take me along next time, instead of boring old Lucifer." Diavolo sighed, and shook his head, a smile growing across his face. "As long as you keep your hands to yourself, Mammon. Do you want me to walk you back to the House Of Lamentation?"

Mammon shrugged, rolling his eyes. "I can walk myself. Would you like me to walk you back to the palace?" "So you can steal my stuff? Not a chance." Diavolo said, his tone half joking, and half serious. Mammon rolled his eyes, and gently took Diavolo's hand. "Yes, I would like you to walk me back to the House Of Lamentation." 

[sludgekludge]

What's your thoughts on Octavia?

she sure does exist

ok real talk, she's inoffensive, but not really a character archetype i care for, the moody goth teenager. i don't hate her though and her situation strikes a chord. brandon (i believe? correct me if im wrong) calling her a cockblocking bitch or whatever was like. kind of insane and offputting. she's in a really sad situation with a shitty dad but the narrative is so determined to defend stolas over everything and now she's in the wrong for being upset over it? gonna use this to jump off and ramble about stolas abandoning his daughter at every turn because i don't really have much to say about via on her own and i've wanted to complain about this like, forever

like 'stolas is a good dad!' when he:

actively has an open affair in front of her that seems to have kickstarted constant fighting between her parents. stolas does not seem to comfort or communicate with octavia over this whatsoever until she literally runs off crying over it in loo-loo land. even then, he's still fixated on specifically blitz protecting him. go look after your fucking daughter instead of whining about the bodyguard you don't need, dude.

tangentially, invites his affair partner (a stranger that is playing a part in actively disrupting octavia's life and relationship with her father) to what is meant to be a daddy-daughter day (ignores the fact she's not having a good time and then acts surprised when she tells him such) and flirts with him sexually in front of his (underage) daughter. seems to ignore octavia's worsening mood in favour of blitz until the aforementioned tears. has little to say for himself when confronted but assures her he won't abandon her. lol. lmao, even.

promptly forgets about something important to her and abandons her to once again in a foreign place to have sexual banter with his affair partner. is an all-powerful demon who could've pulled blitz away from funny sitcom shenanigans at any point to go look for octavia, but has to be reminded by blitz (sexily, for some reason) that they should go look for their daughters after the sitcom shit is cut short by accident. maybe via can't exactly be killed or hurt but literally anything else could've happened to her while she, a presumably quite sheltered teenager, was running around the human world for the first time by herself. she has to get a pep talk from a stranger (the daughter of her fathers affair partner, by the way) about how her dad might be a fuckup but totally loves her, despite having just spent the last afternoon fawning over blitz instead of worrying about octavia. this stranger is also the only adult bothering to look for her in any capacity. octavia would have spent the entire afternoon lost and alone if it weren't for loona being the only one to give a shit.

'what about my daughter', noticeably just kind of goes home with blitz after everything in mastermind and makes no effort to even call or text her. 'erm he was probably traumatised and exhausted-' literally everyone was just under the impression blitz was going to die. i'm sure they're all traumatised and exhausted. stolas lost his powers and his stupid ass house for a little bit, not even forever, over an affair he actively exploited a power dynamic to consciously have, not caring about how it effected his daughter, or the potential future consequences thereof. hitting the impeccable 'i wont abandon you my daughter who i definitely care about' then instantly forgetting she exists 2 seconds later because he of a hole he dug for himself. the point is he once again prioritises blitz over via. was it that easy to forget about her?

tangentially, if you want to believe that stella is an abusive mother (we haven't seen it in the show but i wouldn't be surprised if they wanted you to perceive it that way) then stolas is doing all of this while allowing stella to have octavia. alone, might i add.

via is objectively right to worry stolas is going to abandon her for blitz because he Does. she doesn't appeal to me as a character persay but her situation is miserable enough that i can't bring myself to really dislike her

[henke-penke]

gonna add to this

Walk Like An Egyptian

Eva goes under the pyramid and joins the Owen-Noah-Izzy group, as to be expected. When faced with the "real" mummy she'd naturally want to fight it ("What did you do to Izzy" type beat) to which Owen declares something like "I don't want you to die" and drags both her and Noah out of the pyramid.

(Cut to an Eva confessional where she specifies the only one who would've died in there would've been the mummy.)

Without Duncan, Courtney can't do her belay and has to climb freestyle. Gwen will make a comment on this, maybe intending for it to be a light and harmless jab, but Courtney won't take it that way which leads to them arguing.

Teams stay the same, only difference being the addition of Eva. Courtney and Gwen also cross the finish line arguing, and are beyond pissed to learn they're on the same team.

(Though, not really. It's more them already knowing it's going to be a disaster, especially given the rest of their teammates)

Rest of the episode plays out roughly the same. Izzy and Sierra swap teams, Team Victory loses and Ezekiel is eliminated. However, because they have Eva who is a powerhouse, I'm going to say Team Chris wins the first challenge.

Super Happy Crazy Fun Time Japan

Since Team Chris and Amazon have swapped traveling class, Heather takes a moment to talk one-on-one with Leshawna, likely out in the common area for some privacy, where she'll voice her suspicions of Alejandro ("I don't trust anyone here but I know your smart"). Leshawna might agree that Alejandro is a bit too friendly, but at the same time will make note that, in the game, she can't outright trust Heather.

It's like, I see what you're talking about, but I'm not gonna jump on anything just yet because your track record is kinda whack.

Heather will pretend not to care (she does, she's a lil hurt but I think deep down she understands) but say something like "but you'll keep an eye out, right?" to which Leshawna says she will. They go back to economy class, but the camera lingers to reveal a certain somebody who's been eavesdropping; Alejandro.

Rest of the episode plays out the same, and the win goes to Team Amazon.

Now, here's the thing, Team Chris and Victory being in economy together was important because it laid the foundation for Alejandro's manipulation of Harold, showing us the audience the information he gathered based on observation. Here it has to be different, so I'm leaving those moments sprinkled into the first part of the challenge.

Eva will go in the pinball so that Alejandro can do his spying, which he'll explain in a confessional. Because Eva won't have the same dynamic with the panda, Team Victory will win the first part of the challenge. Alejandro will congratulate them, focusing primarily on Harold to build-up his ego.

(This is what first puts him on Eva and Noah's radar.)

Anything Yukon Do, I Can Do Better

Effectively the same.

Team Amazon arguing in first class with Heather and Courtney butting heads on who should be team leader, Gwen insisting they don't need one. And then Sierra gets involved, pointing out how it was Cody who won them the previous challenge. Heather, in need of votes in her favor, will agree and suggest Sierra as team leader instead.

(Sierra confessional where she clarifies she knows Heather is using her, but that's something Heather doesn't need to know.)

In economy we get perspectives from both Eva and Leshawna. The latter is considering what Heather told her, while the latter is fixating on Alejandro's talk with Harold. (This is where we get Eva being all "but I can't go around making enemies left and right, that didn't do me any good last time. Maybe I should, I don't know, talk with Owen? He knows people better than I do.")

Eva-Owen friendship moment where he'll unknowingly vouch for Alejandro's "facade", specifically calling him a good leader which will resonate with Eva, as that is what she wishes to be.

Broadway, Baby!

Eva doing her best to be friendlier to varying levels of success. At some point, most likely at the turtle pond, Noah will pull her to the side and ask her about it. The explanation is that she's trying to be less threatening and more of a team-player, perhaps referencing her talk with Owen.

(Not entirely sure what Noah's response to this would be, so I might just have the conversation be cut-off by the carriage sabotage, however that will happen in this universe.)

Alejandro will still figure out Heather has Sierra on her side and will still get her to fangirl over Chris. BUT, this time we're given a confessional. ("Problem, Heather thinks she can use me to get to Chris. Solution? Pretend to have been manipulated by the new guy. I get a strong player off my back without gaining a target. Win-win!")

This is not the only thing Alejandro will do, however. Because of Heather and Leshawna's talk, he'll be working on improving his self-image and subtly antagonizing Heather. Most likely dropping a line in the style of "This may be a competition for a million dollars, but that is no reason for us to behave uncivilized. Besides, it'd do me no good if I won the money through cheap tricks and mockery."

Same winning order as in canon.

Fuck it,

World Tour but with Eva instead of Duncan !!!

Some plot points I conjured up while procrastinating my illustration

Eva ends up on Team Chris Is Really Really Really Really Hot.

She's almost immediately wary of Alejandro, but will write it off since she's not good with people, so it's likely just her reading into things wrong.

However, this changes in Germany, when Noah makes note of his own suspicions.

Owen is the one medically evacuated in Jamaica.

Team E-scope wins the challenge in London, and because there is no Duncan to capture, Team Amazon loses. And realistically, Heather would be voted out, sad but true

This means that Alejandro is in a bit of a situation, because Noah and Eva are both onto him and they along with Izzy have the majority vote on their team. (Which, they've technically had since day one, but Alejandro wasn't aware of their suspicions of him prior, he didn't see it as a threat)

His best strategy is then to take away that advantage. Because of his interaction with Izzy in the Paris episode, I'm going to say that Alejandro manages to convince her to vote herself, and Izzy leaves in Area 51.

Because of this Team Chris now has to stay on a winning streak where Eva and Noah will try their damn hardest to get Tyler to vote with them. Which will be a fucking task because he and Alejandro are friends.

And quickly for the Amazons. Because there's no Duncan, Courtney and Gwen can properly establish a friendship. Absolutely not without a handful of hiccups along the ride, but it'll be much more stable without him being there and they can actually talk out any issues they may have.

If we're rolling with the canon of Team Victory being eliminated in the first half of the season, then the players making the merge will be; Alejandro, Eva, Noah, Tyler, Courtney, Gwen, and Sierra (Cody is eliminated in Australia I have my reasons trust). Which means that with the addition of Blaineley, we get an f/f couple in the wedding challenge hell yeah !!

Oh and Eva makes final four because she's awesome like that

[knifearo]

reminder to everyone that trauma IS a valid reason to use aspec labels. "i don't know if i'm aspec or just traumatized—" protip!!! you can be both!!!! the thing about labels is that they're not immutable states of being that you're born as. they're literally just words that we use to describe our lived experiences, and if asexual or aromantic or any related label feel relevant to the way that you experience attraction, whether it's a result of trauma or not, they're there for you to use. having trauma as a cause does not invalidate the fact that someone is experiencing lesser or no attraction. that's still the aspec experience babey. use the label if you want it's there for you <3