#maybe not exactly where i want it to be because its going to be a job i do only in a weekedn

[my-darling-boy]

I was at a bookstore looking through the art section and I saw a spine that said The Camden Town Nudes which was interesting because this didn’t seem like the bookstore where I would ever find something like that and I wanted to have a casual look but like. This also wasn’t exactly the bookstore where you felt like you could look at naked pictures let alone just suggestive paintings of them, it’s a really small shop as well, so I was like right I’ll just take a quick peek, I’m an art student, I love history, maybe I’ll buy it. I looked both ways and saw the shopkeep had left momentarily and no one was about, so I opened it and found it was an entire book featuring nude Edwardian women all painted by Walter Sickert between 1905-1912 and it was actually quite a revolutionary set of paintings for its time given that it featured very raw depictions of working class nude women in dark London instead of the elegant, white bedsheet clad, Demure middle and upper class women usually depicted.

And of course RIGHT as I flip to this lady’s boobs practically taking up an entire double page spread, every customer in a 5 mile radius appeared from around the corners of the shelf including the shopkeep and immediately regressing to a wet, pathetic Edwardian man from 1908, startled, I dropped the large book which caused a giant SLAP on the floor in this already silent store thus causing all patrons to look down at me scrambling on my knees to close a giant book of Edwardian boobs and let me tell you it would not have been nearly as funny had I not immediately felt like some Edwardian local pervert who just tried to sneak a cheeky peek at the erotic book in the bookstore only to drop it dramatically causing a scene, red up to his ears trying to shove it back on the shelf. Like such a casual and normal thing in modern day but looking at Edwardian women suddenly turned it into this egregious act as I apparently became possessed by the spirit of a moustached man in a bowler hat and morning coat going Good Heavens I mustn’t gaze upon these images in public lest the constable haul me away!

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.

[hedgehog-moss]

Pls give recommendations for Odd books 🙏

Here we go, a list of literary oddity :) This post contains majestic spheres, alien taxonomies, cruel subway polytheism, a fourth-dimensional cat, disturbing earthworms, infinite space football, existential mussel terror, a Parisian absurdist time loop, and a picture of a telegraph-pole-man-cheetah. I'm not exactly recommending these books, in the sense that I won't take any complaints if you find them more odd than good, and some of them transcend the concepts of good and bad anyway.

• The Other City, Michal Ajvaz. It's all like this:

• Contes du demi-sommeil, Marcel Béalu ('Half-asleep tales') —is the book that prompted my post about stories that have no ambition or justification beyond being odd. I'm sad that it hasn't been translated :( One of the tales is about a strange opaline sphere that rolls on the road. It doesn't accelerate when the road becomes a steep slope but continues rolling majestically. At one point it floats away towards the sky. Someone wonders if it was the moon. Someone else says authoritatively "It was an angel's egg." Everyone is reassured by this explanation. The whole thing feels exactly like remembering a dream you had. There is also a man who reads too much and whose body atrophies so only his head is left and his wife puts it in an egg cup for better stability.

• Leonora Carrington— The Skeleton's Holiday, or maybe the Hearing Trumpet. I've read them so long ago but I think the latter is the one with the old ladies and nuns? There's also a guy who was murdered in his bath by a still-life painter because he said there was a carrot in one of his paintings, but it might not have been a carrot? It's hard to remember details from this book without feeling like I might be making them up. Bonus Leonora Carrington painting which kind of feels like a short story:

• The Codex Seraphinianus, of course. I wish there were more bizarre encyclopaedias out there.

Also I love this review:

• Sleep Has His House, Anna Kavan —I really liked the way this book used language; making life feel like a fever dream even more than in Samanta Schweblin's Fever Dream (which I really liked too.)

The eye is checking a record of silence, space; a nightmare, every horror of this world in its frigid and blank neutrality. The actual scope of its orbit depends on the individual concept of desolation, but approximate symbols are suggested in long roving perspectives of ocean, black swelled, in slow undulation, each whaleback swell plated in armour-hard brilliance with the moonlight clanking along it . . .

• The second half of Michael Ende's Neverending Story, where things get stranger! I remember the hand-shaped castle with eyes and the city of amnesiac former emperors and the miserable ugly worms who cry all the time out of shame then create beautiful architecture with their tears...

• The Gray House, Mariam Petrosyan. This is the one I had in mind when I talked about a 'museum of the strange, but one you wouldn't want to be trapped in after closing time'. Another book that made me feel uncomfortable in a similar (good) way was Edward Carey's Observatory Mansions, the protagonist of which is a man who curates an odd private museum and can't stand the sight of his own hands.

• Oh, speaking of uncomfortable, and hands—He Digs A Hole, by Danger Slater. To me this book was in the more-odd-than-good category but I liked its refusal to have a coherent philosophical meaning. It's about a man who can't sleep so he goes to his garden shed and saws off his hands and replaces them with gardening tools. Then he starts digging a hole. And then it gets weird. (Read at your own discretion if you have a worm phobia; there's some body horror featuring sexually aggressive earthworms. And then it gets disturbing.)

• 17776 — Someone sent me an ask a few years back to recommend this online multimedia narrative to me and I really enjoyed it! Here's the summary, borrowed from the wiki page: Set in the distant future in which all humans have become immortal and infertile, the series follows three sapient space probes that watch humanity play an evolved form of American football in which games can be played for millennia over distances of thousands of miles. The work explores themes of consciousness, hope, despair, and why humans play sports.

• Saint-Glinglin, Raymond Queneau —the author admitted that this book presents some "internal discontinuities." I didn't like it much but I respect the talent it takes to write a novel where everything feels like a random digression, including the key suspenseful scene that matters to the plot. The one digression I loved had to do with the way the narrator is existentially horrified by various sea creatures. It's like he dreads them so much he can't help but think about them when he should be telling a story.

The oyster... This gob of phlegm, this brutal way of refusing the outside world, this absolute isolation, and this disease: the pearl... If I conceptualise them even a little, my terror starts anew. The mussel is even more significant than the oyster and even more immediately admissible in the domain of terror. Let us indeed consider that this little sticky mass whose collective stupidity haunts our piers, consider that it is alive in the same way as a cow. Because there are no degrees in life. There is no more or less. The whole of life is present in every animal. To think that the mussel, that the mussel has, not a conscience, but a certain way of transcending itself: here I am once again plunged into abysses of anxiety and insecurity.

Near the beginning he philosophises about what would happen if a man and a lobster were the only two survivors of the apocalypse. The lobster would break the man's toe and the man would say, "We are the only beings that remain on this devastated Earth, lobster! The only living beings in the universe, struggling alone against the universal disaster, don't you want to be allies?" But the lobster would disdainfully walk away towards the ocean, and "the sight of the inflexible and imperturbable lobster pierces the sky of humanity with its unintelligible claws." (I can't overstate how little this has to do with the rest of the book.)

• Autumn in Beijing, Boris Vian —needless to say the story does not take place in autumn nor in Beijing.* To the extent that it can be said to be "about" something, it's about people trying to build a train station in a desert with tracks that lead nowhere. (I just went on goodreads to check the title, and it's actually called Autumn in Peking in English. I also discovered that it was featured in a list of Books I Regret Reading. I liked this book, but I understand.)

(* French writers love doing this—like when Alphonse Allais said about his 1893 book The Squadron's Umbrella "I chose this title because there aren't any umbrellas of any sort in this volume, and the important notion of the squadron, as a unit of the armed forces, is never brought up at all; in these conditions, hesitating would have been pure madness.")

• The Library at Mount Char, Scott Hawkins—I fear this one makes a little too much sense for this list, but you can't say it isn't weird; and I loved it and recommend it any chance I get.

• The Eleven Million Mile High Dancer, Carol Hill —this book was so wacky and made me laugh. I've not yet managed to successfully recommend it to someone; its brand of odd didn't resonate with the people I know who've read it but that's okay. You could say it's about a woman astronaut whose weird cat disappears into the fourth dimension (or the quantum realm?) and she goes to space to save him—but that makes the book sound more straightforward and less messy than it is. Her cat leaves her a note before he disappears:

• The Bald Soprano, Ionesco —fun fact, there's a tiny theatre in the Latin Quarter in Paris where this absurdist play has been staged every night for nearly 70 years, with the exact same set design and costumes and everything, like the actors are stuck in a time loop. They celebrated the 20,000th performance this year! There's an actress who has been playing her character for 40 years and said joining this theatre was like joining a religion. I've been going to see this play as a New Year tradition with my best friend since we were 14, so I love it madly, though I wouldn't say it's good, necessarily—the author said it was about "absolutely nothing, but a superior nothing."

• Statuary Gardens; or Les Mers perdues (apparently not translated) by Jacques Abeille. This man is obsessed with weird statues. Unfortunately I find his writing style rather dull—I feel like he takes strange ideas and makes them feel mundane in a bad way...! But his books still have a nice, quiet, oneiric atmosphere, and images that stayed with me, like a solitary gardener trying to grow stone statues in the depleted soil of a walled garden. Here are some illustrations from the second one:

I'll look into some of the books recommended on my previous post! (and I agree with the people who brought up Cortázar, Borges, and Junji Ito. <3) Some potentially-odd books I have on my to-read list: Clive Barker's Abarat, Goran Petrović's An Atlas Traced by the Sky, Salvador Plascencia's The People of Paper, Jean Ray's Malpertuis; Jan Weiss's The House of a Thousand Floors; Brice Tarvel's Pierre-Fendre.

[do-androids-dream-ao3acc]

There's a present under the Christmas tree that wasn't there two hours ago. 

It makes Tommy stand stiff as a poker in the doorway of his own living room, his mind full of possible break-in scenarios. However, the typical signs are missing. No ripped-out drawers, no shattered glass; and what burglar would bring instead of taking something? The somewhat sad little tree, which Tommy didn't actually want to put up in the first place but then did because it's Christmas after all, seems to shine a little brighter thanks to the present. 

Carefully, he approaches the tree under whose green branches the box lies. Its red wrapping, decorated with little Christmas trees, is reflected in the equally red and shiny Christmas baubles. Of course, there’s only one way to how the present got under the tree, only one person who’d be able to do it. Buck still has a key to Tommy's house. He hasn't been in touch since the break-up, and Tommy has missed the perfect time where you presumably ask for the things that the other person still has in their possession. 

The little red box bears Evan’s signature so much, it hurts. It is not particularly carefully packaged, although you can see he's made an effort. Instead of just buying a box, he has wrapped whatever is in the parcel in wrapping paper. It’s wrinkled, the small trees on it are uneven. Tommy can almost see it: Evan sitting at his kitchen table, his tongue between his half-open lips, concentrated in a tangle of adhesive tape. A man with such skillful hands, yet he simply can’t coordinate them. Hands that save lives but fail when cutting paper. Opposites that are downright confusing - and yet so attractive. 

Tommy lets out a sigh that echoes off the walls of his room, as if his own house is mocking him for his self-inflicted loneliness. He holds the small gift in his hands and wonders whether he should really open it. What’s the intention behind it? Why give him a present? The truth is, Evan had gifted him with his mere presence, probably without even knowing it. Getting that back would be a far greater gift than whatever may be in this box. 

The only problem is that he believes he doesn't deserve either. 

Tommy carefully pulls on the adhesive strip, runs a finger beneath the paper and very gently removes it. There is a plain white box underneath. Maybe it was a spontaneous idea to wrap it, but then why go to all the trouble for an undertaking that Evan also knows he hardly has mastered? Tommy's thoughts are on a rollercoaster, a constant up and down, and every steep descent causes tingles in his guts. 

Tommy shakes the box. There’s a soft tinkling sound inside, metal scraping against the cardboard of the box. He turns the box over in his hands, looks at it from all sides, but he is only delaying the inevitable, and he knows it. Opening the lid feels like tearing off a band-aid. Inside is a folded note on a layer of tissue, as green as the little trees on the wrapping paper, but not as green as the branches of  Tommy’s Christmas tree. Green as hope, maybe. 

Tommy,

I still see a future. E. 

Tommy stares at the note, his eyes actually looking right through it, far away; back to a time perhaps when he was less afraid. His fingers carefully feel their way over the tissue in the box. There’s still time to put aside the message, the box, the hope. Maybe he's too much of a coward for that, too. Tommy reaches under the paper, lifts it out of the box and tosses it aside. It gently slides under the tree, almost exactly where the present was. A sign, or not; everything is a sign or it isn’t. 

There’s a key in the box.

That’s not the key to Tommy’s house. Even if it would have been a weird way to return it like this, his deceptive heart feared just that for a moment. But it's also not the key to Evans Loft, because Tommy didn't give it back either. Silly, that they both had clung to this symbols so much. So, it’s neither his key nor Evan’s, and it only takes a quickening heartbeat longer for Tommy to realize. It really is a symbol, this key. One that not only relies on Tommy's curiosity, but also trusts that he will rise to the occasion. 

Suddenly, his phone is in his hands.

This the key to your heart, Evan? 

Bating his breath, he’s waiting for an answer.  

[quirkwizard]

On the Matter of Quirk Counseling

So one of the hot-button issues of the fan base is the subject of Quirk Counseling. That it's this horrific practice done to "deviants" like Himiko to make them normal, and it's what turned her into the person she is today. And with the ending, people thought that Uraraka working to spread it out over the country was a terrible thing and was only going to make more problems. Naturally, this is something I disagree with. At least, to the extent the fanbase takes it.

We're told that Quirk Counseling is a program that helps the youth understand and adjust to living in modern society. However, as we see with Himiko and her flashbacks, this kind of process can end up isolating people who don't fit in with that society. A pretty grim perspective on the world. However, I don't think it's the most reliable one. This is the kind of perspective we get from Chitose, who is someone who is radically opposed to how society handles Quirks and wants to destroy it, and Toga, someone who was hurt by this same process. So I think that paints a specific picture of the practice. One that may not be entirely true.

Because in spite of being such a big part of a major villain, we know very little about what Quirk Counseling entails. We're told by Midnight that every kid goes through Quirk Counseling during elementary school. So every character in the series must have undergone this same process at some point. During Tamaki's flashback, we see something like this going on in middle school. People being taught how to use their Quirks, at least in a basic way. This is later reinforced during the Remedial Course Arc, where the whole point is the heroes helping to teach kids about their powers. All in all, it doesn't seem that terrible, and it seems to work with a lot of people in the world.

This all paints a different picture of what exactly Quirk Counseling entails. Because when we see it in action, it's mostly just teaching people how to use their Quirks and helping them understand their own powers. Which isn't a bad thing. Quirks can be very dangerous and wild, even from a young age. It's important you know how it works, whether it be how it functions or how to use it. Better yet, how not to use it. Because, as we have seen, the unchecked usage of Quirks is going to be dangerous for everyone involved. Values like this need to be put into kids at a young age to keep any kind of peace or stability in the broader world. And it seems to work.

Himiko is an odd case within the world. Someone whose Quirk had a potent effect on their interests and personality, more so than any other person we've seen. She is an outlier. A deviant. Yet she was still a little girl that needed help. Maybe, if she had gotten the right help, she wouldn't be the person she is today. And that is part of the tragedy of Himiko. That the concept of normality has been so enforced that they can't even hope to properly help Himiko. The problem wasn't the system itself. The problem came in its inefficiency to handle cases like Himiko. Outliers that couldn't handle possibly fit within the brackets of "normal." And when all that pressure comes down on someone, they will eventually break under it.

It's why I don't think that Quirk Counseling growing is the problem everyone tries to make it out to be. Uraraka's helping to expand the system that is meant to help and teach kids about their powers. We've seen how that can help troubled kids. The Remedial Course is the prime example of that, where it's something that works with the kids rather than trying to strongarm them. And with that system growing, it will help to prevent cases like Himiko. It can help the kids learn about themselves and their powers. It can show kids not how to be "normal." But what they're going through isn't something they have to be afraid of and can live with. Just as Himiko could have. Expanding this isn't disrespecting her. It's keeping other kids to suffer like she did.

[ynmnrmt]

The book hits me in the chest. It doesn't hurt, not really, I don't suppose I can complain about this anyway since I always knew it might turn out like this.

"You do not get to do this to me!" says Rachel, all fiery, as she tackles me to the ground and sends a swooping, weightless sensation down my spine. My heart starts to beat out of control, in fear I expect. "Nobody gets to do this to me! What, did you think I was going to be your good girl?"

This is the wrong response for that teeth-clenched scorn, but I fumble out "Well, not that exactly." I don’t think there really was a right response there, it just makes her angrier. Her nails dig into my arms, it makes whatever nonsense I was going to say next catch in my throat. If she were anyone else I would be thinking of all the ways I could use my bugs to disable them or otherwise get them off me, but this is different, because it is Rachel.

"I fucking hate you, Taylor," she snarls, so close I can feel the heat of her breath in my mouth. "I fucking hate you."

"I don't hate you," I tell her, trying to suppress the tears.

Rachel slumps slightly. For some reason the feeling of her big, sinewy body on top of me makes me think of the time I had sex with Brian, although I don't know why. "No," she sighs, "I don't hate you either." My tears dry up instantly.

"I probably shouldn't be trying to use some stupid book to relate to you better," I confess, it was one of those situations where it would either make everything okay forever or completely ruin things.

"No, well, I probably overreacted, its the sort of thing you do, you – you nerd." Her grip on my arms gets a little looser, but she's still on top of me, weighing me down, my heart's still going like a drum. "There's just something about you that, ugh, you pissed me off so bad, I was about ready to bite you."

"Maybe you should." That just comes right out, she looks as surprised as that as I am. "I mean, this isn't from the book now, but it makes sense, if I did something that pissed you off that much then obviously you'd be tempted to respond that way, so, um, maybe you should. To show there’s no hard feelings. I wouldn't mind."

Her eyebrows narrow, again there's that wonderful swooping feeling where my legs turn to jelly. "This isn’t a trick, is it? You won't go running off and tell the others 'boo hoo, Bitch bit me'?"

"No! No, I would never, this can just be between us."

She grabs my right arm with both hands now, and raises it to her mouth, slowly and methodically as if she's waiting for me to object. Then she sinks her teeth into it, those hard points, her soft lips, I whimper. Then I gasp when she immediately releases me, the relief from a pain I didn’t really feel, and she asks "Are you okay? That wasn't, like, too much?"

"No!" I insist, again it just tumbles out of my mouth with no conscious thought, though I mean it very sincerely. "No, that was great, I mean, fine. I - I think I liked it."

"I, uh," Rachel looks wrong-footed in a way I've never seen her look before, and I yearn to reach out and caress her and hold her in my arms and tell her it's okay, she is my friend after all, but the way she's straddling me I cant get off the ground. I think I like that, too. "I don’t want to hurt you, Taylor. I know sometimes you piss me off, and then I get pissed off, but I don't want to hurt you, not really."

"You're not hurting me, Rachel," I say gently, still doing my best to get across how I want to hold her and caress her and everything. I smile up at her, carefully not not showing my teeth, even though I doubt she'd find that a threat to her dominant status. "Not in any serious way, you're not. In fact, maybe, maybe this could be a relatively healthy way of dealing with it, if I piss you off again. You can just take me aside and give me a little nip," and here she does, playfully, her front teeth pull at the skin of my arm and I wriggle with a deep and heartfelt satisfaction, "and I'll know exactly what you mean and then I'll know not do the thing that upset you in future."

She shakes my arm lightly, with a little "RR-rr", then adds "I don't know, Taylor." Suddenly I realise that yes, she's right to be concerned, this sounds like an incredibly abusive dynamic on the face of it even if from where I'm laying - still trapped between her thighs - it sounds absolutely perfect, and makes me glad we can be such good friends. "Because, the thing is, I'll probably end up biting you a lot."

"That's okay!" I definitely just let that fall out of me without thinking, but even after some consideration I conclude that yeah, it's absolutely fine.

"Just thinking about that book - I'm sorry, it's pissing me off all over again." The colour rises in her cheeks, I desperately hope she will work this out by biting me, maybe a little harder this time. For a moment there is a little struggle, I do not really want to get free of her grasp and she does not want to let me. "Seriously, what was your plan there? Were you going to," for a little moment, the words catch in her throat, "put a collar on me, and tow me around on a leash?" Oh God, that probably is what it would all have been leading up to, I'm about to messily sob out another apology when she says "How would you like it if I did that to you?"

How would I like that? Immediately my heart flutters as I imagine her strong fingers pulling the collar tight around my neck. Not too tight, I'm sure she wouldn't do that, just tight enough so I really feel it, usually I really don’t like those sorts of sensations but I’m mysteriously convinced this would be different. "I don’t know," I whisper, already feeling the tightness, my throat closed up further than I'm completely comfortable with. "Maybe we should try that."

Rachel says nothing, but she immediately gets off me, which is slightly disappointing, and goes rooting about in a chest of drawers. I cling on her elbow, to look through the drawers as well, to help, obviously I would help her do that, she's my friend. "Most of these are flea collars," she says apologetically, "and the chemicals on those would really mess up your," I flush a little, feeling her eyes on my throat, and then she realises what I'm doing and she flushes a little too, "you wouldn't want that, anyway."

"Oh, what about this one?" I say, and pull it out into the light. Its made in old green leather with brass studs, it looks quite classy. If it was black leather it would just look like something from a kinky bondage dungeon, which of course it isn't.

Here it is, a million times more exciting than I could possibly have imagined, as she brings the ends together under my chin. Oh dear, now I think I am showing her my teeth, but she doesn't seem to mind. "You need to say, if it's too tight," she warns me.

"I trust you," I say, it sounds stupid now I've said it, we've spent a few lovely bites establishing that. When she pulls it closed and buckles it on it's perfect, there is just the tiniest amount of pressure, the awareness that it is there and she has done this to me, but I can breathe comfortably and there's no awkwardness with the blood thundering in my jugular.

Rachel slips a finger through the ring on the collar, I don't even think she's very much taller than me but this jerks my head upward anyway. "Maybe we don't need a leash, maybe we could make it work like this," she says, so tenderly, her other hand grasps my arm again and she has me completely under her control, she might have a point. But then she lets me go and goes back in the drawers, and before long, there it is, she clips the end onto the collar and she officially has me leashed. "So," she declares, all boisterous again in a way that makes me weak at the knees, I like her so much and she's such a good friend, "what did your stupid fucking book say to do now?"

"I don't know," I say. "I haven't read it, I wanted to be sure you were okay with it before I seriously tried to use any of its ideas on you. I thought it would be incredibly disrespectful if I didn't do that."

Rachel's hard eyes turn liquid. With one hand holding the leash steady in place, her other strokes my cheek. I am so incredibly glad we are still friends, after all this, and suddenly I realise what it is, I'm not in control here, I have given her control and I've done it willingly and I feel good about it. Then she says "Give me a woof."

"Woof! Bark!" I say out loud, and drop to my knees, if there was any possible way that I could wag my tail I would do it now. Rachel laughs, I rub my muzzle, or rather my mouth, against her hand.

"Good girl," she intones, and for her to say that makes me feel so wonderful, I know how she feels about cutesy expressions like that, and to have her say it to me, so light-heartedly, it doesn't even matter how I feel about it, I am only glad I can make her happy.

"Did you think I was going to be your good girl?" I repeat her words back to her, I think we're at a point where that can be lighthearted - and it is, she laughs again, after having seen her so angry it is indescribably wonderful that she is so happy. I wish there was a special button I could press to do this for her, but then, I try and calm myself down, this is what it is to interact socially and to have a friend like Rachel. There isn't some simple solution for this, it is a constant ever-correcting ballet, showing her again and again that she is my friend and I trust her and I want her to be happy. Then she presses the button to retract the leash, and it jerks me upward out of my dog act, straight up against her. I worry I have overstepped a boundary, I can feel her heart throb in her chest, the taste of her breath in my mouth again. For some reason I want her to press the button again and drag me in closer. "Woof," I say again, not even sure what I mean by it.

"Yeah," she exults, so smug and satisfied I could melt right here, I would be a puddle on the floor if she wasn't practically holding me up. "Keep woofing for me."

"No, you'll have to train me," I have absolutely no idea where this has come from, but how bad could her training process possibly be? Her giving me treats, and telling me no? Oh no, I think I want her to train me to woof when she says more than anything else in the world. I want to woof for her, I want her to make me woof, and just as that too is about to slip out of me like an oyster suddenly she tilts her head slightly - Oh God, something gives way in my underwear, it doesn't seem like I've peed myself but that is the only possible explanation for how wet I suddenly feel – but instead of what I thought would happen there she draws me in close and throws my hair aside so she can give my ear a little nip. I squirm, my vision blurs, I never want it to end.

When she lets go I feel the urge to chase after her, as if she’s a stick thrown for me, a magnificent red-haired stick. Fumbling over the words, clearly brute-forcing out a sentiment that doesn’t quite come naturally but is clearly there, she tells me.“You taste good.”

"You feel good," I insist, unsure how to deal with that lovely compliment except by turning it straight back onto her. "And, if this is what's come of me getting that stupid book, I'm sort of glad I did." I just keep pressing the sore spots, don't I? No wonder she was tempted to bite me, and yes, now she does again, on my cheek, my ear, my shoulder, every time it makes me that little bit weaker in the knees.

“Pff! God, you have too much hair,” Rachel growls, when she spits out multiple tresses I see what she means. But once she’s gotten them out of the way she squeezes me between her teeth and I hope it leaves a mark, and then that turns into "I probably should have known you just wanted to be nice to me. For whatever stupid reason you have."

"I'm glad," oh God, I can feel myself starting to well up, it's just too much, "I'm glad I've got you, here, to tell me where I went wrong."

"Well,” she says, pondering over it, "probably no harm in pointing out that normally my dogs wouldn't be wearing clothes."

"Oh! You're right! Woof." I gladly raise my arms and Rachel lifts my shirt, I giggle when it has to go over the leash as well. As it comes free it knocks my glasses askew – I raise my hand to fix them, but Rachel’s doing that already. Then I undo my trousers and they fall down as if lubricated. Normally I'd feel incredibly vulnerable being in my underwear in front of someone fully clothed, and I do, but I also feel completely safe and strangely contented, if a little cold, just a little.

"Those too," Rachel inclines her head at me. If we weren't such good friends I'd have said her tone was permeated with a kind of hungry desire.

"I'm shy," I tease, it's not really a lie.

With one sharp motion she pulls me in close again, yes, I'm not cold any more, and as her teeth close gently on my neck I feel her reach up my back and fumble with my bra strap. I'm quite glad she didnt unhook it in one go, I'm enjoying the process and would like it to last as long as possible. Perhaps she gets that too, because when she has uncooked it she doesn't pull it off immediately, just stands there holding it open, and stops biting me to say with desperate awkward sincerity “You – are comfortable with this?”

“Yes!” Even the words are starting to sound like little barks, but it’s so incredibly, gloriously refreshing to be able to be completely honest with her – with anyone, although especially with her. Suddenly buying the book seems so stupid, stupider even than when I was worried it would make her never want to speak with me again. Why learn about dog psychology when you can just be the dog? “And I hope you’re comfortable with it, too,” I add quickly.

“Yeah,” she says, slightly baffled. But that just lasts for a moment, and then she smiles at me again, and it’s like the sun coming up. I shrink down in the face of all that warmth, my knees haven’t completely gone but something about having her tower over me seems so natural and wonderful, and then I hug her around her waist, feeling the dog hair on her t-shirt up against my cheek. She pets me and really shakes my head around as she does it, rougher than she was with me before, it makes me feel like part of the pack.

“I know what else a dog would do,” I say, slightly breathlessly.

“Yeah?” says Rachel – and then I scamper behind her, the leash laps around her legs, and I start sniffing. This probably would be a bit strange in any other circumstances, but right now, I’m basically just saying hello. Oh God, that’s it, her wonderful smell, wet dog and pine needles and that little tang of her sweat. A dog probably wouldn’t have their hands up on her hips to do this, but I don’t think that matters.

“Your jeans fit really well,” I tell her. It’s quite hard not to notice.

“Thanks. They’re from, uh, Goodwill.” I keep sniffing at them, I’m fairly sure she had them on yesterday too, which is good, she’s started to permeate them a bit, I’m smelling her and not just her clothes. I end up enjoying the experience so much that before I know it my face is resting on the denim, and I feel her underneath it, all that muscle but still so soft.

“Taylor…”

I jerk out of this stonewashed blue reverie. “Oh! I’m sorry.”

“No, it’s fine, if you were a dog I’d say you were being very friendly.”

“Well, good.”

“I bet your book didn’t even think of this.” Then I pad back around in front of her, and look up obediently. For a moment, her face tightens up – then she lets out a burst of uncontrollable laughter, and I’m really glad to see her suddenly get so loose and carefree like this. This is exactly the result I had hoped to get. She gets down with me, onto one knee, and says “Sorry,” as she fusses my hair, I close my eyes and lean into it, “you looked really funny.” Would that be wounding, in some universe? It’s hard to see how, objectively crawling around on the floor being a dog does seem quite funny.

“Woof,” I say. Rachel immediately tenses up with a suppressed giggle. “Don’t worry about it. I like having you training me.”

“This isn’t so much training you, it’s more like I tell you what to do and you do it.” When Rachel says this, I panic slightly at the thought I’m doing it wrong. She fusses my hair with both hands, which does reassure me. “No, it’s okay. Oh, I think I might have something for this.”

Rachel goes back to her drawer, I follow again, although down on all fours this time I can’t see what she’s after.

“I got given this,” she explains, “I’d never actually use it for training dogs, but now seems like the perfect time.” And she spritzes me with a squirt bottle, square in the face. I squeal, I should probably try to communicate dismay but really I’m just laughing. I go to back away, but since that’s absolutely the last thing I could possibly want I simply drop to the ground. Rachel stands across me, spraying me over and over, and as I look up at her square face and broken nose from below, as well as catch a little splash of her bare tummy under her shirt, I realise what I’ve been feeling all this time – it’s jealousy, that’s it, I’ve been feeling jealous of how heartbreakingly beautiful she is. “Bad girl! Bad girl!”

“Woof! Bark!” I get slightly more frantic as she coats my face with moisture, without even meaning to I grip her legs, to make absolutely sure I don’t somehow fall away. Finally, at long last, Rachel really seems to be enjoying herself, and I try not to feel too pleased with myself for having brought that about – I don’t care anyway, not really, the more important thing is the connection I’ve made with her. Not too long ago I wouldn’t even have thought something like that was possible.

The door handle rattles, it startles me but I am very secure where I am here. Rachel jumps a little too. Suddenly Lisa is framed in the doorway, absolutely astounded, her eyes flickering back and forth between us. “What’s going on?” she asks.

Rachel hesitates. I understand that all too well, it seemed so obvious and natural between the two of us, but having to explain it to someone else is strange and awkward. So I pick up the cue, and explain to Lisa, quite simply, “She’s making me wet!”

i'll say it. if wildbow wasn't a fucking coward he'd have made Taylor trying to train Rachel into being a Good Dog a central plot point but instead we were just straight up robbed and this book never comes up again

[icewindandboringhorror]

A little costume with eyebrow whiskers again.. making their return lol..

[whatudottu]

How could you. HOW COULD YOU! You know EXACTLY how much time he spent Crafting himself to become the person he can at least begin to tolerate, begin to identify as himself, to proudly label as ISABEAU! You broke it, your his face, that stupid face that makes you so so SO CRABBING FURIOUS! SO VIOLENT! SO! UNRELENTINGLY! JEALOUS! And now you've Changed him, with your rage, with your anger; like the Universe Changed you. For the worse. Your bleeding Pincushion. You dig your fist into his nose. Blood on your hands.

*grinding my teeth* God god god I have become obsessed with Quin (to quote it, "I'm a mannequin without the man[ne]") and how on a scale of love to hate in the loopified party, Quin and Isabeau are worse together than Siffrin and Loop :P

Here's a post-quin fight where Isa is guaranteed to lose and guaranteed to get his nose broken, good thing if there's ever any sprite edits I wouldn't have to have two different Act 6 portrait sets :)

[oceanwithouthermoon]

ive never liked powerless saiki aus because the entire conclusion of the series is him accepting his powers as being a part of him that he cant change so like.. in aus where the power remover works, half of his development is erased..

if he had been "powerless" for longer, we wouldve gotten to see him realize this himself and im genuinely sad that we didnt.. we got to see him realize that being powerless wasnt the change he wished it would be and that its something he cant change, but its literally over a two day long period and we miss out on sooo much potential development..

and then in aus where hes born powerless, people think he would have the exact personality and development that he THOUGHT he would if he got rid of/didnt have his powers, like NO ? "without powers he would be another satou-" NO he would be a shy, borderline flamboyant, weird, awkward, genius LOSER.

he would have a more normal relationship with his brother (still probably competitive but in a way more average sibling way and kusuke wouldnt have had the motivation to become so murderous) and he would probably be even more friendless but with less trauma.. he may or may not have ever befriended akechi at all, and the classroom incident wouldnt have happened.. even some of his current friends might not be around if not for coincidences due to his powers or direct involvement from his powers.. (nendo and kaido would for sure still be there though, but this only ensures the idea that he would be the biggest fcking loser ever)

he would still be saiki, but. his powers are a key part of him. he would be totally different without them, but NOT in the way he thinks he would..

[ratatatastic]

do you write fic on ao3?

unfortunately for everyone involved i do!

[uncanny-tranny]

I think a lot of people don't support punitive justice on a governmental level (good), but they don't understand why punitive justice is overarchingly a bad thing, so they still operate with the idea that it's still the Best Option, but only when they can wield it.

Of course, there is a difference between a government having access to punitive justice and individuals or a small community having access to it, but the mindset is still strikingly similar. I've seen it time and time again where one's desire to destroy after even a small slight outweighs anything else, and that's alarming, actually. Yes, it's understandable, but I still don't think it is a healthy impulse or knee-jerk reaction for every minor affront.

[faggling]

I love taking care of people omggg 😍😍😍

[arsenicflame]

the way i play with Izzyverse is with every Izzy forming from a branching timeline- that they were all the same at some point, only one thing sent them off on the path to be "someones". some are obvious; Sam, Ed, Jack & Hornigold branch from the mutiny- a split second decision on who to go with, a miss timed hit leaving him in Hornigolds grasp- but the others are less so. how would he become Jackie's, or Ned's, or Anne and Mary's? what happens to make an Izzy Stede's? how do they even meet?

[hauntingblue]

Justice for jolyne wdym emporio defeated pucci

[a-cat-in-toffee]

Does ashe ever have to stop them from killing or serverly injuring someone?

not her circus not her monkeys as long as it doesnt put her in any danger she couldnt care less

[thaeon]

obviously late to the party on this like 9 years later and not saying anything that hasn't already been said but its sooo interesting going back and watching blind playthroughs of undertale bc its so funny how many of the people drawn to the game immediately fall into the very first pitfall set by it by being so unimaginative that they cannot imagine a game system existing that does not require grinding up levels even as they say to themselves they don't want to kill the characters AND the npcs reference the game mechanics TO them