Sudden sketches with a cartoon that I adored as a child ^^
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I really think if Bill fell in love with Ford, it would be because of how much Ford loves him.
Like sometimes I think about how Bill probably went literally billions of years being starved of affection so him being attached to Ford so much really makes sense.
Maybe that feeling of Ford's affection makes him stop missing his parents (the only other time he felt true affection), even if momentarily.
And now that he's lost Ford and lost his coping mechanism of destroying literally everything in sight to forget, he has no choice but to finally face the pain and what he's done.
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if you had to introduce yourself with 4 books, which ones would they be?
I was tagged by sweet @quinnfabreys
I'm not going to explain these, just take my word for it. These aren't "favorite" books, necessarily, either. But I'd love to know how others would use books to introduce themselves! Tagging a couple people @shutterbug-12 @greggster @swankpalanquin @somewhatvaguely @bone-collector-cryptid @jennykin and whoever else may be interested
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to briefly revisit my decade old Labyrinth hyperfixation, I think it would be neat if Sarah grows up, has a teenage daughter who finds her book and while in a pissy mood wishes goblins would take her mother away
just imagining Sarah freaking the fuck out, taking the extremely limited amount of time she knows she has left to load up her confused daughter with all of the iron jewellery she never usually takes off, peppering her with instructions not to eat ANY of the food and vague warnings about illusions in the walls
and then suddenly before she knows it her mother is just gone, and she's being told by a strange glittery man that she must begin her own journey through the Labyrinth to find her mother
the funniest part however would be Jareth finishing his spiel to the daughter and returning to his castle to properly greet his new hostage with no fucking clue who he just snatched, and finds to his surprise and horror a Too Old For This Shit Sarah absolutely rampaging through the halls threatening to tear down his entire world all over again if he doesn't take her back to her daughter right the fuck now
I can't decide which is funnier, the tale ending with Jareth lobbing Sarah at her daughter before she even gets one foot into the Labyrinth and fucks them off home immediately, or the daughter completing her shockingly easy journey through the Labyrinth only to find her mother sitting in the king's throne with a dazed Jareth under her heel and terrified goblins waiting on her hand and foot
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I'd love to see a dpxdc story where the Justice League knows about Amity Park and the Ghosts the whole time, and does think the ghosts are rogues to be addressed. Doesn't agree with the GIW, maybe doesn't even know about them? THE IMPORTANT PART.
The Red Huntress is the only active vigilante in Amity Park, according to the JL. Phantom is marked as one of her rogues. Maybe the Fentons even are marked as rogues from all the property damages and random shooting/sliming of citizens. Valarie is the only person successfully taking care of the ghosts, masking and suiting up in the classic vigilante way the whole time.
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Prompt:
Tim is the first to find out the Red Hood’s identity and from then on sticks to Jason during patrol like glue (much to Jason’s chagrin, dammit, it would feel wrong to beat up Robin when he’s that starry eyed…)
Cue: PANIC from the rest of the Batfamily, who still think Hood is a forty-something year old crime lord and now assume they’re dating.
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I love Brackenpaw in the graphic novel so much oh my god. He’s so polite and he only speaks in normal (by normal, I mean not-all-caps lettering you’d see in day to day) lettering. It’s probably to contrast him with how excitable and loud Cinderpaw is, but since Every Single Other Character always talks in all caps it just makes him seem like such a polite quiet little guy.. I adore him so much
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someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.
there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!
so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"
miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)
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messy lighting practice w my second favorite lesbians
hanamusashipping genuinely means the world to me bc their family dynamic reminds me of me n my moms 🫶 n they had a beach wedding so i hc that delia n jessie had a destination wedding in alola (like esp since kiana literally put the wedding party in the exact colors my moms used!?!)
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