#maybe it will help with the writer's block

[sungbeams]

WIP DUMP

okay so this is lowkey inspired by @jayparked posting about her wips a bit ago (check them out here she's crazy talented and i can't wait to read them all) and since i've been struggling with writing recently i thought maybe sharing some of my wips could help. also biggest thanks to snail for helping me with the synopses for some of these and listening to me stress over the banners and everything

if you want to talk to me about any of them or wanna get tagged pls don't hesitate to send asks or comment on this post, i'd love to talk about them some more🥺❤️

MIDNIGHT IN MILAN — lhs

⟡ ┆ featuring. heeseung x fem!reader

⟡ ┆ genre and tropes. MDNI 18+ ONLY, smut, established relationship, idol AU (both heeseung and yn)

⟡ ┆ warnings. semi-public sex, unprotected sex, mirror sex, mild choking, creampie, fingering, tiniest hint of degradation (he calls her a slut like once), one singular spank, some hair pulling, not really any aftercare

⟡ ┆ estimated word count. 6k

they say love makes you do stupid things...surely fucking your boyfriend in the bathroom at the prada after party when your relationship isn't even public and neither of you can afford a dating scandal isn't that stupid, right?

(i'm well aware the hype around tipsy heeseung has already died down but i started writing this immediately after the pics dropped and then got hit by writers block so i'm dedicated to finish this)

!! more under the cut !!

HE HATES ME, HE HATES ME NOT — psh

⟡ ┆ featuring. sunghoon x fem!reader

⟡ ┆ genre and tropes. MDNI 18+ ONLY, smut, enemies to lovers, coworker AU, miscommunication (ikik), lowkey past fuckboi sunghoon

⟡ ┆ warnings. hate sex, semi-public sex (in an archive room?), protected and unprotected sex (there's several smut scenes), choking, spanking, degradation, praise kink, oral (m. and f. receiving), handjob, fingering, manhandling, overstimulation, dacryphilia, spit kink

⟡ ┆ estimated word count. 20k

park sunghoon hates you, and you hate him. it hadn't always been like that, when you first joined the company he works at he was friendly, a real gentleman, but over time of working together he turns cold, sometimes even downright mean, and you cannot for the life of you figure out what caused the sudden change in his behavior. however, things between you change yet again when you 'accidentally' get locked in your offices archive room.

HOME IS WHEREVER YOU ARE — lhs

⟡ ┆ featuring. heeseung x fem!reader

⟡ ┆ genre and tropes. MDNI 18+ ONLY, smut, college!au, friends to lovers

⟡ ┆ warnings. there's some talks of depression as well as unhealthy coping mechanism so be aware of that pls, protected sex (be proud of me okay), oral (f. and m. receiving), vanilla af, neither of them are virgins or inexperienced but they just having sex for the first time together after realizing they've been in love with each other for years :')

⟡ ┆ estimated word count. 14k

"distance makes the heart grow fonder." is no longer just a cliche saying. heeseung decided to follow his dreams, but doing so lead him to a different city, leaving you behind. no other friends, no hobbies to keep yourself busy, and no motivation to keep going, the only thing keeping you on some sort of routine is attending your college classes that your parents force you to go to. just when you're about to officially quit and give up, heeseung shows up out of nowhere and manages to pull you out of your slump, upturning your whole friendship in the process.

NATURAL REMEDY — pjs

⟡ ┆ featuring. jay x fem!reader

⟡ ┆ genre and tropes. MDNI 18+ ONLY, smut, physical therapist!reader, patient!jay, probably hipaa violations idk just don't do this irl basically

⟡ ┆ warnings. unprotected sex, oral (m. receiving), body worship (jay receiving bc he deserves someone to tell him or handsome he is), handjob, lots of oil, lowkey massage kink idek what to call this??

⟡ ┆ estimated word count. 5k

when jay hurts his knee while goofing around with his friends, his doctor recommends rest and physical therapy. lucky for him, your office is just around the corner, just that neither of you can make good on the ordered rest by doctor.

HEALTHY COMPETITION — lhs + sjy

⟡ ┆ featuring. heeseung x fem!reader x jake

⟡ ┆ genre and tropes. MDNI 18+ ONLY, smut, college au, non-idol au, and they were roommates (oh my god they were roommates), no romance just fucking

⟡ ┆ warnings. basically no plot, threesome (duh), protected and unprotected sex, anal, double penetration, spanking, oral (m. and f. receiving), multiple rounds, manhandling, they make it a competition to see who can make her moan the loudest...

⟡ ┆ estimated word count. 9k

your roommates bickering should be nothing but white noise to you at this point, but when they both rope you into their little argument of who fucks better things take an interesting turn and a welcomed distraction from studying is provided.

SNEAKY LINK — sjy

⟡ ┆ featuring. jake x fem!reader

⟡ ┆ genre and tropes. MDNI 18+ ONLY, smut, uni AU, frat boy jake (i'm sorry), friends with benefits but no one knows, alcohol consumption (they're not drunk and both consenting !!)

⟡ ┆ warnings. unprotected sex (it's a theme for me atp, don't do this irl pls), dry humping, fingering (it's jake come on now), kinda rushed sex ig, does it count as exhibitionism when they fuck in a spare bedroom idk, oral (f. receiving), breast play

⟡ ┆ estimated word count. 4k

frat parties usually weren't your thing, but when your best friend invites you (with the intention to be her wingwoman) you're not one to let her down. that is until you run into jake, whom you've been fooling around with without anyone knowing ...

© sungbeams — all rights reserved. i do not give permission to copy, repost, modify or translate my works.

[hs-is-loml]

Found My Love In Portofino. (n.c)

Pairing: Nicholas Alexander Chavez x Fem!Reader, Ex!Lando Norris x Reader

Summary: fans are starting to figure out that you and lando haven't been together for a while, and you've been soft-launching your new man lately.

Type: Social Media AU! face claim is Luisinha Oliverira!

Warnings: cheating rumors of lando with magui, probably a few grammar errors. very few lando norris mentions other than the first twitter thread. UNEDITED

a/n: haven't written anything in a hot minute so bare with me for this one! aka i have found a new hyper fixation and it got me out of my writer's block...

masterlist

twitter

instagram

iked by lilymhe, joaofelix79, flonorris1, and 1,041,972 others

yourusername i found my love in portofino

view all 98,593 comments

worldchampionsisaid she is glowing🤩

→ outer_bankzz it's that breakup afterglow...

→ carlosandy/n no fr cause that is not lando in the second picture

carmenmmundt missing you lately!

→ yourusername call me when you're back in monaco!!

lovelovelove ugh the caption!

→ plsmarrymey/n our girl is in love🥰

lilymhe Y/N WHO IS THAT MAN??

→ yourusername you might've seen him before...

→ welovey/n y/n, please just hard launch this man already

gayfory/n NOT JOÃO LIKING THIS

→ ogf1wags i hope she's not actually with him😭

→ kachowkachow imagine... lando with magui and y/n with joão

y/nismothering i can tell this man is hot

→ liked by yourusername and 417 others

twitter

instagram

yourusername just added to their story

instagram

nicholasalexanderchavez has posted

liked by yourusername, paytonkoch, and 1,461,537 others

nicholasalexanderchavez the view while we're in italy

view all 115,182 comments

oneaddiction I WAS RIGHT😭

→ staystrongy/n yeah, the girl's top matches with y/n's recent post about being in love in portofino...

→ comebacktogh you guys are like detectives or something. fbi should hire you guys for our man luigi😳

→ theauthor you see what i did there?

twitterstan came from twitter and safe to say this is definitely y/n-

welovey/n can't tell whose view is better y/n's or nicholas'...

→ mengoingaroundincircles this is my sexual awakening because they're both so hot.

landoandy/nforever y/n looked better with lando💔

→ welovey/n get over it. they've been broken up for AGES. let our girl go.

→ y/nismother yes because going to a 6'1 tall, beefy man is such a downgrade...

yourusername funny seeing you here-

→ liked by nicholasalexanderchavez and 1,596

→ nichloasalexanderchavez you've been to portofino lately?

lilymhe @/yourusername THIS IS HIM???

→ yourusername maybe...

shared post by yourusername and nicholasalexanderchavez

liked by alexandrasaintmleux, iamrebeccad, anasainzvdec, and 2,913,468 others

yourusername and nicholasalexanderchavez my better half.

view all 196,975 comments

nicholasalexanderchaves you've had me the moment you tripped on the red carpet because i caught you staring

→ yourusername NICHOLAS, you did not just comment that on here.

→ nicholasalexanderchavez does it help that i just love the hell out of you?

alexandrasaintmleuz what can i say ferrari just does it better🤷🏻‍♀️

→ iamrebeccad alex, this is not the time or place...😭

→ wagsforlife alex is not playing about loyalty

thepaddockfloor going to miss this girl during races

→ womenwomen this is so real because who am i supposed to stare at now while the men do their little races...

gfsidehoe we already saw this coming

yourbiggestfan the photobooth pics are just the cutest

→ liked by yourusername and 398 others

→ yourusername it's my absolute fav!!

netflix this couple is too hot to handle

yourusername can you tell that i love this man's hands?

→ lilymhe BABE THIS IS PUBLIC

→ yourusername oh i know.

gayfory/n they are so perfect together

[dragonfly0808]

Hiatus

So… this is a post I’ve been debating with myself these past 2/3 weeks on whether to make or not.

Some of yall may have noticed that I’ve been taking quite a few breaks from s4 and I have unfortunately just finally allowed myself to acknowledge that I’ve hit a bit of a writing block when it comes to my Winx Club rewrite.

I’ve had a few frustrations during s4 (even though I’ve managed to keep my writing up to my own personal standards, it’s been very difficult) and- despite being halfway through the season, unlike past seasons I still have no idea what I’m going to do with s5 and it’s just been getting to me.

And now I am forced to accept that if I keep forcing myself to churn out chapters and stressing out over keeping you all waiting until I’m satisfied with every chapter, the only thing I’ll do is kill my creativity and my love for this rewrite.

I’ve been working on this rewrite for nearly 3 years and it kinda low-key shames me to say that I am officially placing it on hiatus.

To me ‘taking a break’ and ‘hiatus’ are 2 completely different things, I know I’ve taken breaks before but I always had some vague idea of when I’d return but this time… I just don’t know.

I have been working on my Original Novel and works for other fandoms that have just been filling me with inspiration in a way I haven't been able to feel with Winx Club for a bit now.

I hope I have built up enough trust over these past 3 years for you all to believe me when I say that I will be back. I am not the type to leave things unfinished, especially a story that means so much to me and that I am so very proud of and that has helped me grow so much as a writer and has helped me get through some difficult times and express certain emotions and grief in a way I never could’ve if I hadn’t dived into this 3 long years ago.

I was really hoping to post chapters for Xmas and New Years as I have past years but I just can’t- HOWEVER, on January 28th, the third anniversary of Veiled Wings and Shattered Panoramas, I will post… something. I don’t know if it will be a chapter or not but I will do something for the anniversary.

If you wanna know what I’ll be up to; I will be working on my Original Novel since I have finally landed on exactly what idea I want to work on. I will also be working on 2 projects, one for ATLA (Zutara post-canon self-indulgent thingy) and another one that I honestly don’t know if I’ll go through with since it’d be a pretty big project and I’m still thinking about how I’d go about it, but that I am very inspired and excited about.

So yeah, thank you all for your never ending support and- again, I WILL BE BACK, this is not an abandonment of the rewrite, it’s just me having to prioritize my mental health and protect both my love for writing and my love for the rewrite. I’ll be going through my inbox this next week and answer a bunch of stuff that I just haven’t really looked through in a while.

Thank you so much for understanding and for your support. I hope you will wait for the return of the rewrite and that maybe you will give my other projects a chance when I post them. I will be posting a lot of my inner thoughts on the rewrite and my other projects chapters + thoughts on my Ko-fi if you wanna check that out.

I wish you all Happy Holidays!

With eternal love and gratitude,

Yours Truly, Dragonfly

[phoenixinthefiles]

I’m bored, AND have writer’s block so here’s some info on the Batfamily-Reality-TV show-No Capes AU that exist solely in my head (the name is long I know)

Bruce adopted Dick the same way he did in canon but Jason’s adoption story changed a bit.

Jason met Bruce when he was about five when he tried to steal a toy and ran into crime alley to get away from the shopkeeper. Bruce paid for the toy and helped him look for his mom and the rest was history.

When Catherine died, it had already been established that Jason would move in with Bruce should said situation transpire. So at 8 years old, Jason became a Wayne (not in name)

Talia and Bruce were dating throughout that time and they married a little before Jason was officially adopted m. (Dick did not approve)

2 years later the adorable heir to Gotham’s throne was welcomed into the world

2 years after THAT Dick and Bruce had their canon falling out and Dick left to LA (or jump city, it’s undecided)

A year later Bruce and Talia called it quits, the media were shocked, everybody wanted to know the scandal behind the separation of Gotham’s it couple.

Then tragedy struck, Jason had been reunited with his birth mother but she owed money to some very unforgiving gangsters. Sheila didn’t make it but after dying for 2 minutes, Jason pulled through. (Heart stopped not dying but yk)

He was in a coma for six months. During which time a certain Timothy Jackson Drake was placed into the emergency custody of Bruce Wayne.

Dick and Kory were living in New York when these things happened (DickKory forever) and Dick spent a lot of time either at the hospital or helping Tim acclimate.

Talia took Damian for a year as per her and Bruce’s flimsy custody agreement, and they spent time in Europe (maybe not idk yet)

Jason woke up and began a long period of recovery which put strain on his relationship with Bruce and Tim.

Cass popped up during this time as well (still haven’t figured out how) and Jason was very un-receptive to TWO new siblings.

So was Damian

Jason is released from the hospital and struggles to cope with all the changes to his body and the world around him, not to mention he missed out on a year of school.

Bruce and Talia come to a more firm agreement considering Ra’s is still who he is in this AU and Talia’s loyalties are spilt.

Fast forward two years and the reality show begins.

Dick is 24 and has been single for two years (don’t ask) he and Bruce have reconciled and even gotten to the point of joking about their estrangement, well Dick has. He lives in Bludhaven and works as a gymnastics coach for the underprivileged kids in the area.

Jason is 19 and a freshman at Princeton (I think) he still lives at home, and he’s an English major. He’s not dating anyone but Damian is suspicious of his relationship status.

Cass is 18, and (yes I’m going to go there) a ballerina at New Jersey Ballet (planning on a cooler name). She also lives at home and she spends most of her time dancing or making Damian and Tim dance with her. She knows they actually love it

Tim is 15, he’s either skateboarding or trying to convince Bruce to let him hop state lines and hang out with his YJ friends. Young Justice is actually the name of their garage band but it’s just for fun.

Damian is 8, nearly 9. His first year of in-person school is starting and he is not thrilled. Bruce only let him skip to the fourth grade because his birthday is late even though he can compete with eight graders. He really wants his parents to get back together but he recognizes that they probably won’t be reconciling considering they don’t even mention the divorce around him.

And…that’s it. Whenever I daydream about this AU I always just daydream up episodes and scenes

[lunarsands]

So, this had nothing to do with a certain recent ad campaign, One Piece had been on my anime radar for a while, I just never bothered to sit and watch it, but news of the live action version got me curious. I stopped myself, however, and went, "No, actually, I want a little context from the OG animated series first" and now I guess I gotta settle in to watch several hundred episodes because uhhh I'm hooked. It's got a Gurren Lagann vibe that fits my jam, a.k.a. the Tengen-Toppa-Gurren-Lagann-sized hole that has been in my life, except with crazily designed pirates instead of crazily designed giant robots.

[icaruspendragon]

here’s a little poem not about sadness or grief as a treat

[inkyucu]

"...Man, I really should start/finish that art/writing/animation project I've been wanting to do..."

-1 Motivation

-1 Motivation

-1 motivation

[blitzy-blitzwing]

Check out the side story to Becoming a Demon. 🥺🥺🥺

[rawbin-hsr]

In the x reader fandom space something irks me so so bad about seeing a creator who very clearly uses ai getting called "THE [character] writer"

like no..... NO........ the only reason they can produce MULTIPLE fanfics in a day (all grammarly correct without any spelling errors mind you) is because THEY DO NOT WRITE THEIR OWN FICS !!! A BOT WRITES THEM FOR THEM !!!!!!!!!! I feel like I'm going insane the amount of people who do not notice when someone uses AI ??? Holy shit dude

And even if it wasn't just for the sheer quantity, the WAY things are written are such a red flag too ??? Like. Big words that usually belong in an essay, frivolous ways of building what should be a short and to the point sentence, perfect grammar despite its overly complicated structure + no spelling errors ever, avoiding direct dialogue and when it does show up it's ooc. Fics that never go beyond a certain word limit (cause ChatGPT has a word limit), and when they do go beyond a word limit, it's because it's multiple characters. Then in these hcs, they're broken up into overly detailed sections that no real human would probably think to section them up in.

Some things could be ascribed to writing style or the author's personal preference for writing (esp the avoiding dialogue part), but all mixed together PLUS the frequency of the fics...... man I genuinely don't know how people don't put together the pieces ??

[i-like-potats]

A tip for natural characters and scenes

When the scene I'm writing is not working out the way I wanted it to do, usually it's because:

- it lacks something (even small) that differentiates it from the scene before and after it;

- the characters aren't causing, improving or worsening the situation: they feel like they're just there.

It happens all the time, but I found a trick that works perfectly (at least for me). Imagine your characters like actors filming the scene. When you feel like the scene is going nowhere, imagine the characters starting to improvise because they forgot the script. They will do random actions or movements, or maybe talk about something irrelevant that they like, or make weird sounds, or start bickering with each other. Basically, just like real people, they will follow their intrusive thoughts until you're ready to take the lead again as a writer.

This trick will:

- Make your characters seem more alive and unpredictable, just like real humans

- Make the reader laugh, entertain them or amuse them (Hopefully!)

- Give you inspiration to continue writing without getting stuck on a scene that wasn't working out

Ps. Don't be afraid if you feel like some dialogues or scenes aren't sticking to the plot: You can have fun with your characters, you can make them live.

Of course this tip works better for specific kinds of writing styles. Focusing on the plot or minimizing the unnecessary scenes is totally valid too!!

[0rphiichaze]

     “I think you missed, love.”

Twinkling verdant eyes study your smug form, his own exuding a similar aura. His freckled cheeks glow with a rosy blush, his face smothered in glossy kiss stains. Firm arms wrap around your waist and tug you impossibly closer.

A quiet little hum slips from your lips. “News to me. What exactly did I miss?”

Xyx chuckles lowly, ignoring how the blush on his cheeks blooms like roses — slowly spreading across his face. “What’s this game you’re playing, hm? Want me to beg?”

The last word is murmured next to your ear, his warm breath brushing against your skin. He’s trying to get you riled up now —  you can’t help but blush. 

     “Oh shut it.” You huff, but can’t fight the smile that creeps to your lips; one that tugs persistently until your cheeks sting and your eyes shine with joy.

His own face is alight, a grin plastered to his face. Eyes hooded, he leans towards you.

     “Oh c’mon babe— indulge me?”

You chuckle. When he looks at you like that, who are you to say no?

✩ Reblogs are appreciated !!

[icezansky]

[remembering I have to write a fic for [redacted] by christmas] 🧍‍♀️

[confetti-cat]

Twelve, Thirteen, and One

Words: 6k

Rating: G

Themes: Friendship, Self-Giving Love

(Written for the Four Loves Fairytale Retelling Challenge over at the @inklings-challenge! A Cinderella retelling feat. curious critters and a lot of friendship.)

When the clock chimes midnight on that third evening, thirteen creatures look to the girl who showed them all kindness.

—

It’s hours after dark, again, and the human girl still sleeps in the ashes.

The mice notice this—though it happens so often that they’ve ceased to pay attention to her. She smells like everything else in the hearth: ashy and overworked, tinged with the faint smell of herbs from the kitchen.

When she moves or shifts in her sleep (uncomfortable sleep—even they can sense the exhaustion in her posture as she sits slumped against the wall, more willing to seep up warmth from the stone than lie cold elsewhere this time of year), they simply scurry around her and continue combing for crumbs and seeds. They’d found a feast of lentils scattered about once, and many other times, the girl had beckoned them softly to her hand, where she’d held a little chunk of brown bread.

Tonight, she has nothing. They don’t mind—though three of them still come to sniff her limp hand where it lies drooped against the side of her tattered dress.

A fourth one places a little clawed hand on the side of her finger, leaning over it to investigate her palm for any sign of food.

When she stirs, it’s to the sensation of a furry brown mouse sitting in her palm.

It can feel the flickering of her muscles as she wakes—feeling slowly returning to her body. To her credit, she cracks her eyes open and merely observes it.

They’re all but tame by now. The Harsh-Mistress and the Shrieking-Girl and the Angry-Girl are to be avoided like the plague never was, but this girl—the Cinder-Girl, they think of her—is gentle and kind.

Even as she shifts a bit and they hear the dull crack of her joints, they’re too busy to mind. Some finding a few buried peas (there were always some peas or lentils still hidden here, if they looked carefully), some giving themselves an impromptu bath to wash off the dust. The one sitting on her hand is doing the latter, fur fluffed up as it scratches one ear and then scrubs tirelessly over its face with both paws.

One looks up from where it’s discovered a stray pea to check her expression.

A warm little smile has crept up her face, weary and dirty and sore as she seems to be. She stays very still in her awkward half-curl against stone, watching the mouse in her hand groom itself. The tender look about her far overwhelms—melts, even—the traces of tension in her tired limbs.

Very slowly, so much so that they really aren’t bothered by it, she raises her spare hand and begins lightly smearing the soot away from her eyes with the back of her wrist.

The mouse in her palm gives her an odd look for the movement, but has discovered her skin is warmer than the cold stone floor or the ash around the dying fire. It pads around in a circle once, then nudges its nose against her calloused skin, settling down for a moment.

The Cinder-Girl has closed her eyes again, and drops her other hand into her lap, slumping further against the wall. Her smile has grown even warmer, if sadder.

They decide she’s quite safe. Very friendly.

—

The old rat makes his rounds at the usual times of night, shuffling through a passage that leads from the ground all the way up to the attic.

When both gold sticks on the clocks’ moonlike faces point upward, there’s a faint chime from the tower-clock downstairs. He used to worry that the sound would rouse the humans. Now, he ignores it and goes about his business.

There’s a great treasury of old straw in the attic. It’s inside a large sack—and while this one doesn’t have corn or wheat like the ones near the kitchen sometimes do, he knows how to chew it open all the same.

The girl sleeps on this sack of straw, though she doesn’t seem to mind what he takes from it. There’s enough more of it to fill a hundred rat’s nests, so he supposes she doesn’t feel the difference.

Tonight, though—perhaps he’s a bit too loud in his chewing and tearing. The girl sits up slowly in bed, and he stiffens, teeth still sunk into a bit of the fabric.

“Oh.” says the girl. She smiles—and though the expression should seem threatening, all pulled mouth-corners and teeth, he feels the gentleness in her posture and wonders at novel thoughts of differing body languages. “Hello again. Do you need more straw?”

He isn’t sure what the sounds mean, but they remind him of the soft whuffles and squeaks of his siblings when they were small. Inquisitive, unafraid. Not direct or confrontational.

She’s seemed safe enough so far—almost like the woman in white and silver-gold he’s seen here sometimes, marveling at his own confidence in her safeness—so he does what signals not-afraid the best to his kind. He glances her over, twitches his whiskers briefly, and goes back to what he was doing.

Some of the straw is too big and rough, some too small and fine. He scratches a bundle out into a pile so he can shuffle through it. It’s true he doesn’t need much, but the chill of winter hasn’t left the world yet.

The girl laughs. The sound is soft and small. It reminds him again of young, friendly, peaceable.

“Take as much as you need,” she whispers. Her movements are unassuming when she reaches for something on the old wooden crate she uses as a bedside table. With something in hand, she leans against the wall her bed is a tunnel’s-width from, and offers him what she holds. “Would you like this?”

He peers at it in the dark, whiskers twitching. His eyesight isn’t the best, so he finds himself drawing closer to sniff at what she has.

It’s a feather. White and curled a bit, like the goose-down he’d once pulled out the corner of a spare pillow long ago. Soft and long, fluffy and warm.

He touches his nose to it—then, with a glance upward at her softly-smiling face, takes it in his teeth.

It makes him look like he has a mustache, and is a bit too big to fit through his hole easily. The girl giggles behind him as he leaves.

—

There’s a human out in the gardens again. Which is strange—this is a place for lizards, maybe birds and certainly bugs. Not for people, in his opinion. She’s not dressed in venomous bright colors like the other humans often are, but neither does she stay to the manicured garden path the way they do.

She doesn’t smell like unnatural rotten roses, either. A welcome change from having to dart for cover at not just the motions, but the stenches that accompany the others that appear from time to time.

This human is behind the border-shubs, beating an ornate rug that hangs over the fence with a home-tied broom. Huge clouds of dust shake from it with each hit, settling in a thin film on the leaves and grass around her.

She stops for a moment to press her palm to her forehead, then turns over her shoulder and coughs into her arm.

When she begins again, it’s with a sharp WHOP.

He jumps a bit, but only on instinct. However—

A few feet from where he settles back atop the sunning-rock, there’s a scuffle and a sharp splash. Then thrashing—waster swashing about with little churns and splishes.

It’s not the way of lizards to think of doing anything when one falls into the water. There were several basins for fish and to catch water off the roof for the garden—they simply had to not fall into them, not drown. There was little recourse for if they did. What could another lizard do, really? Fall in after them? Best to let them try to climb out if they could.

The girl hears the splashing. She stares at the water pot for a moment.

Then, she places her broom carefully on the ground and comes closer.

Closer. His heart speeds up. He skitters to the safety of a plant with low-hanging leaves—

—and then watches as she walks past his hiding place, peers into the basin, and reaches in.

Her hand comes up dripping wet, a very startled lizard still as a statue clinging to her fingers.

“Are you the same one I always find here?” she asks with a chiding little smile. “Or do all of you enjoy swimming?”

When she places her hand on the soft spring grass, the lizard darts off of it and into the underbrush. It doesn’t go as far as it could, though—something about this girl makes both of them want to stand still and wait for what she’ll do next.

The girl just watches it go. She lets out a strange sound—a weary laugh, perhaps—and turns back to her peculiar chore.

—

A song trails through the old house—under the floorboards—through the walls—into the garden, beneath the undergrowth—and lures them out of hiding.

It isn’t an audible song, not like that of the birds in the summer trees or the ashen-girl murmuring beautiful sounds to herself in the lonely hours. This one was silent. Yet, it reached deep down into their souls and said come out, please—the one who helped you needs your help.

It didn’t require any thought, no more than eat or sleep or run did.

In chains of silver and grey, all the mice who hear it converge, twenty-four tiny feet pattering along the wood in the walls. The rat joins them, but they are not afraid.

When they emerge from a hole out into the open air, the soft slip-slap of more feet surround them. Six lizards scurry from the bushes, some gleaming wet as if they’d just escaped the water trough or run through the birdbath themselves.

As a strange little hoard, they approach the kind girl. Beside her is a tall woman wearing white and silver and gold.

The girl—holding a large, round pumpkin—looks surprised to see them here. The woman is smiling.

“Set the pumpkin on the drive,” the woman says, a soft gleam in her eye. “The rest of you, line up, please.”

Bemused, but with a heartbeat fast enough for them to notice, the girl gingerly places the pumpkin on the stone of the drive. It’s natural for them, somehow, to follow—the mice line in pairs in front of it, the rat hops on top of it, and the lizards all stand beside.

“What are they doing?” asks the girl—and there’s curiosity and gingerness in her tone, like she doesn’t believe such a sight is wrong, but is worried it might be.

The older woman laughs kindly, and a feeling like blinking hard comes over the world.

It’s then—then, in that flash of darkness that turns to dazzling light, that something about them changes.

“Oh!” exclaims the girl, and they open their eyes. “Oh! They’re—“

They’re different.

The mice aren’t mice at all—and suddenly they wonder if they ever were, or if it was an odd dream.

They’re horses, steel grey and sleek-haired with with silky brown manes and tails. Their harnesses are ornate and stylish, their hooves polished and dark.

Instead of a rat, there’s a stout man in fine livery, with whiskers dark and smart as ever. He wears a fine cap with a familiar white feather, and the gleam in his eye is surprised.

“Well,” he says, examining his hands and the cuffs of his sleeves, “I suppose I won’t be wanting for adventure now.”

Instead of six lizards, six footmen stand at attention, their ivory jackets shining in the late afternoon sun.

The girl herself is different, though she’s still human—her hair is done up beautifully in the latest fashion, and instead of tattered grey she wears a shimmering dress of lovely pale green, inlaid with a design that only on close inspection is flowers.

“They are under your charge, now,” says the woman in white, stepping back and folding her hands together. “It is your responsibility to return before the clock strikes midnight—when that happens, the magic will be undone. Understood?”

“Yes,” says the girl breathlessly. She stares at them as if she’s been given the most priceless gift in all the world. “Oh, thank you.”

—

The castle is decorated brilliantly. Flowery garlands hang from every parapet, beautiful vines sprawling against walls and over archways as they climb. Dozens of picturesque lanterns hang from the walls, ready to be lit once the sky grows dark.

“It’s been so long since I’ve seen the castle,” the girl says, standing one step out of the carriage and looking so awed she seems happy not to go any further. “Father and I used to drive by it sometimes. But it never looked so lovely as this.”

“Shall we accompany you in, milady?” asks one of the footmen. They’re all nearly identical, though this one has freckles where he once had dark flecks in his scales.

She hesitates for only a moment, looking up at the pinnacles of the castle towers. Then, she shakes her head, and turns to look at them all with a smile like the sun.

“I think I’ll go in myself,” she says. “I’m not sure what is custom. But thank you—thank you so very much.”

And so they watch her go—stepping carefully in her radiant dress that looked lovelier than any queen’s.

Though she was not royal, it seemed there was no doubt in anyone’s minds that she was. The guards posted at the door opened it for her without question.

With a last smile over her shoulder, she stepped inside.

—

He's straightening the horses' trappings for the fifth time when the doors to the castle open, and out hurries a figure. It takes him a moment to recognize her, garbed in rich fabrics and cloaked in shadows, but it's the girl, rushing out to the gilded carriage. A footman steps forward and offers her a hand, which she accepts gratefully as she steps up into the seat.

“Enjoyable evening, milady?” asks the coachman. His whiskers are raised above the corners of his mouth, and his twinkling eyes crinkle at the edges.

“Yes, quite, thank you!” she breathes in a single huff. She smooths her dress the best she can before looking at him with some urgency. “The clock just struck quarter till—will you be able to get us home?”

The gentle woman in white had said they only would remain in such states until midnight. How long was it until the middle of night? What was a quarter? Surely darkness would last for far more hours than it had already—it couldn’t be close. Yet it seemed as though it must be; the princesslike girl in the carriage sounded worried it would catch them at any moment.

“I will do all I can,” he promises, and with a sharp rap of the reins, they’re off at a swift pace.

They arrive with minutes to spare. He knows this because after she helps him down from the carriage (...wait. That should have been the other way around! He makes mental note for next time: it should be him helping her down. If he can manage it. She’s fast), she takes one of those minutes to show him how his new pocketwatch works.

He’s fascinated already. There’s a part of him that wonders if he’ll remember how to tell time when he’s a rat again—or will this, all of this, be forgotten?

The woman in white is there beside the drive, and she’s already smiling. A knowing gleam lights her eye.

“Well, how was the ball?” she asks, as Cinder-Girl turns to face her with the most elated expression. “I hear the prince is looking for fair maidens. Did he speak with you?”

The girl rushes to grasp the woman’s hands in hers, clasping them gratefully and beaming up at her.

“It was lovely! I’ve never seen anything so lovely,” she all but gushes, her smile brighter and broader than they’d ever seen it. “The castle is beautiful; it feels so alive and warm. And yes, I met the Prince—although hush, he certainly isn’t looking for me—he’s so kind. I very much enjoyed speaking with him. He asked me to dance, too; I had as wonderful a time as he seemed to. Thank you! Thank you dearly.”

The woman laughs gently. It isn’t a laugh one would describe as warm, but neither is it cold in the sense some laughs can be—it's soft and beautiful, almost crystalline.

“That’s wonderful. Now, up to bed! You’ve made it before midnight, but your sisters will be returning soon.”

“Yes! Of course,” she replies eagerly—turning to smile gratefully at coachman and stroke the nearest horses on their noses and shoulders, then curtsy to the footmen. “Thank you all, very much. I could not ask for a more lovely company.”

It’s a strange moment when all of their new hearts swell with warmth and affection for this girl—and then the world darkens and lightens so quickly they feel as though they’ve fallen asleep and woken up.

They’re them again—six mice, six lizards, a rat, and a pumpkin. And a tattered gray dress.

“Please, would you let me go again tomorrow? The ball will last three days. I had such a wonderful time.”

“Come,” the woman said simply, “and place the pumpkin beneath the bushes.”

The woman in white led the way back to the house, followed by an air-footed girl and a train of tiny critters. There was another silent song in the air, and they thought perhaps the girl could hear it too: one that said yes—but get to bed!

—

The second evening, when the door of the house thuds shut and the hoofsteps of the family’s carriage fade out of hearing, the rat peeks out of a hole in the kitchen corner to see the Cinder-Girl leap to her feet.

She leans close to the window and watched for more minutes than he quite understands—or maybe he does; it was good to be sure all cats had left before coming out into the open—and then runs with a spring in her step to the back door near the kitchen.

Ever so faintly, like music, the woman’s laughter echoes faintly from outside. Drawn to it like he had been drawn to the silent song, the rat scurries back through the labyrinth of the walls.

When he hurries out onto the lawn, the mice and lizards are already there, looking up at the two humans expectantly. This time, the Cinder-Girl looks at them and smiles broadly.

“Hello, all. So—how do you do it?” she asks the woman. Her eyes shine with eager curiosity. “I had no idea you could do such a thing. How does it work?”

The woman fixes her with a look of fond mock-sternness. “If I were to explain to you the details of how, I’d have to tell you why and whom, and you’d be here long enough to miss the royal ball.” She waves her hands she speaks. “And then you’d be very much in trouble for knowing far more than you ought.”

The rat misses the girl’s response, because the world blinks again—and now all of them once again are different. Limbs are long and slender, paws are hooves with silver shoes or feet in polished boots.

The mouse-horses mouth at their bits as they glance back at the carriage and the assortment of humans now standing by it. The footmen are dressed in deep navy this time, and the girl wears a dress as blue as the summer sky, adorned with brilliant silver stars.

“Remember—“ says the woman, watching fondly as the Cinder-Girl steps into the carriage in a whorl of beautiful silk. “Return before midnight, before the magic disappears.”

“Yes, Godmother,” she calls, voice even more joyful than the previous night. “Thank you!”

—

The castle is just as glorious as before—and the crowd within it has grown. Noblemen and women, royals and servants, and the prince himself all mill about in the grand ballroom.

He’s unsure of the etiquette, but it seems best for her not to enter alone. Once he escorts her in, the coachman bows and watches for a moment—the crowd is hushed again, taken by her beauty and how important they think her to be—and then returns to the carriage outside.

He isn’t required in the ballroom for much of the night—but he tends to the horses and checks his pocketwatch studiously, everything in him wishing to be the best coachman that ever once was a rat.

Perhaps that wouldn’t be hard. He’d raise the bar, then. The best coachman that ever drove for a princess.

Because that was what she was—or, that was what he heard dozens of hushed whispers about once she’d entered the ball. Every noble and royal and servant saw her and deemed her a grand princess nobody knew from a land far away. The prince himself stared at her in a marveling way that indicated he thought no differently.

It was a thing more wondrous than he had practice thinking. If a mouse could become a horse or a rat could become a coachman, couldn’t a kitchen-girl become a princess?

The answer was yes, it seemed—perhaps in more ways than one.

She had rushed out with surprising grace just before midnight. They took off quickly, and she kept looking back toward the castle door, as if worried—but she was smiling.

“Did you know the Prince is very nice?” she asks once they’re safely home, and she’s stepped down (drat) without help again. The woman in white stands on her same place beside the drive, and when Cinder-Girl sees her, she waves with dainty grace that clearly holds a vibrant energy and sheer thankfulness behind it. “I’ve never known what it felt like to be understood. He thinks like I do.”

“How is that?” asks the woman, quirking an amused brow. “And if I might ask, how do you know?”

“Because he mentions things first.” The girl tries to smother some of the wideness of her smile, but can’t quite do so. “And I've shared his thoughts for a long time. That he loves his father, and thinks oranges and citrons are nice for festivities especially, and that he’s always wanted to go out someday and do something new.”

—

The third evening, the clouds were dense and a few droplets of rain splattered the carriage as they arrived.

“Looks like rain, milady,” said the coachman as she disembarked to stand on water-spotted stone. “If it doesn’t blow by, we’ll come for ye at the steps, if it pleases you.”

“Certainly—thank you,” she replies, all gleaming eyes and barely-smothered smiles. How her excitement to come can increase is beyond them—but she seems more so with each night that passes.

She has hardly turned to head for the door when a smattering of rain drizzles heavily on them all. She flinches slightly, already running her palms over the skirt of her dress to rub out the spots of water.

Her golden dress glisters even in the cloudy light, and doesn’t seem to show the spots much. Still, it’s hardy an ideal thing.

“One of you hold the parasol—quick about it, now—and escort her inside,” the coachman says quickly. The nearest footman jumps into action, hop-reaching into the carriage and falling back down with the umbrella in hand, unfolding it as he lands. “Wait about in case she needs anything.”

The parasol is small and not meant for this sort of weather, but it's enough for the moment. The pair of them dash for the door, the horses chomping and stamping behind them until they’re driven beneath the bows of a huge tree.

The footman knows his duty the way a lizard knows to run from danger. He achieves it the same way—by slipping off to become invisible, melting into the many people who stood against the golden walls.

From there, he watches.

It’s so strange to see the way the prince and their princess gravitate to each other. The prince’s attention seems impossible to drag away from her, though not for many’s lack of trying.

Likewise—more so than he would have thought, though perhaps he’s a bit slow in noticing—her focus is wholly on the prince for long minutes at a time.

Her attention is always divided a bit whenever she admires the interior of the castle, the many people and glamorous dresses in the crowd, the vibrant tables of food. It’s all very new to her, and he’s not certain it doesn’t show. But the Prince seems enamored by her delight in everything—if he thinks it odd, he certainly doesn’t let on.

They talk and laugh and sample fine foods and talk to other guests together, then they turn their heads toward where the musicians are starting up and smile softly when they meet each other’s eyes. The Prince offers a hand, which is accepted and clasped gleefully.

Then, they dance.

Their motions are so smooth and light-footed that many of the crowd forgo dancing, because admiring them is more enjoyable. They’re in-sync, back and forth like slow ripples on a pond. They sometimes look around them—but not often, especially compared to how long they gaze at each other with poorly-veiled, elated smiles.

The night whirls on in flares of gold tulle and maroon velvet, ivory, carnelian, and emerald silks, the crowd a nonstop blur of color.

(Color. New to him, that. Improved vision was wonderful.)

The clock strikes eleven, but there’s still time, and he’s fairly certain he won’t be able to convince the girl to leave anytime before midnight draws near.

He was a lizard until very recently. He’s not the best at judging time, yet. Midnight does draw near, but he’s not sure he understands how near.

The clock doesn’t quite say up-up. So he still has time. When the rain drums ceaselessly outside, he darts out and runs in a well-practiced way to find their carriage.

—

Another of the footmen comes in quickly, having been sent in a rush by the coachman, who had tried to keep his pocketwatch dry just a bit too long. He’s soaking wet from the downpour when he steps close enough to get her attention.

She sees him, notices this, and—with a glimmer of recognition and amusement in her eyes—laughs softly into her hand.

ONE—TWO— the clock starts. His heart speeds up terribly, and his skin feels cold. He suddenly craves a sunny rock.

“Um,” he begins awkwardly. Lizards didn’t have much in the way of a vocal language. He bows quickly, and water drips off his face and hat and onto the floor. “The chimes, milady.”

THREE—FOUR—

Perhaps she thought it was only eleven. Her face pales. “Oh.”

FIVE—SIX—

Like a deer, she leaps from the prince’s side and only manages a stumbling, backward stride as she curtsies in an attempt at a polite goodbye.

“Thank you, I must go—“ she says, and then she’s racing alongside the footman as fast as they both can go. The crowd parts for them just enough, amidst loud murmurs of surprise.

SEVEN—EIGHT—

“Wait!” calls the prince, but they don’t. Which hopefully isn’t grounds for arrest, the footman idly thinks.

They burst through the door and out into the open air.

NINE—TEN—

It has been storming. The rain is crashing down in torrents—the walkways and steps are flooded with a firm rush of water.

She steps in a crevice she couldn’t see, the water washes over her feet, and she stumbles, slipping right out of one shoe. There’s noise at the door behind them, so she doesn’t stop or even hesitate. She runs at a hobble and all but dives through the open carriage door. The awaiting footman quickly closes it, and they’re all grasping quickly to their riding-places at the corners of the vehicle.

ELEVEN—

A flash of lightning coats the horses in white, despite the dark water that’s soaked into their coats, and with a crack of the rains and thunder they take off at a swift run.

There’s shouting behind them—the prince—as people run out and call to the departing princess.

TWELVE.

Mist swallows them up, so thick they can’t hear or see the castle, but the horses know the way.

The castle’s clock tower must have been ever-so-slightly fast. (Does magic tell truer time?) Their escape works for a few thundering strides down the invisible, cloud-drenched road—until true midnight strikes a few moments later.

—

She walks home in the rain and fog, following a white pinprick of light she can guess the source of—all the while carrying a hollow pumpkin full of lizards, with an apron pocket full of mice and a rat perched on her shoulder.

It’s quite the walk.

—

The prince makes a declaration so grand that the mice do not understand it. The rat—a bit different now—tells them most things are that way to mice, but he’s glad to explain.

The prince wants to find the girl who wore the golden slipper left on the steps, he relates. He doesn’t want to ask any other to marry him, he loved her company so.

The mice think that’s a bit silly. Concerning, even. What if he does find her? There won’t be anyone to secretly leave seeds in the ashes or sneak them bread crusts when no humans are looking.

The rat thinks they’re being silly and that they’ve become too dependent on handouts. Back in his day, rodents worked for their food. Chewing open a bag of seed was an honest day’s work for its wages.

Besides, he confides, as he looks again out the peep-hole they’ve discovered in the floor trim of the parlor. You’re being self-interested, if you ask me. Don’t you want our princess to find a good mate, and live somewhere spacious and comfortable, free of human-cats, where she’d finally have plenty to eat?

It’s hard to make a mouse look appropriately chastised, but that question comes close. They shuffle back a bit to let him look out at the strange proceedings in the parlor again.

There are many humans there. The Harsh-Mistress stands tall and rigid at the back of one of the parlor chairs, exchanging curt words with a strange man in fine clothes with a funny hat. Shrieking-Girl and Angry-Girl stand close, scoffing and laughing, looking appalled.

Cinder-Girl sits on the chair that’s been pulled to the middle of the room. She extends her foot toward a strange golden object on a large cushion.

The shoe, the rat notes so the mice can follow. They can’t quite see it from here—poor eyesight and all.

Of course, the girl’s foot fits perfectly well into her own shoe. They all saw that coming.

Evidently, the humans did not. There’s absolute uproar.

“There is no possible way she’s the princess you’re looking for!” declares Harsh-Mistress, her voice full of rage. “She’s a kitchen maid. Nothing royal about her.”

“How dare you!” Angry-Girl rages. “Why does it fit you? Why not us?”

“You sneak!” shrieks none other than Shrieking-Girl. “Mother, she snuck to the ball! She must have used magic, somehow! Princes won’t marry sneaks, will they?”

“I think they might,” says a calm voice from the doorway, and the uproar stops immediately.

The Prince steps in. He stares at Cinder-Girl.

She stares back. Her face is still smudged with soot, and her dress is her old one, gray and tattered. The golden slipper gleams on her foot, having fit as only something molded or magic could.

A blush colors her face beneath the ash and she leaps up to do courtesy. “Your Highness.”

The Prince glances at the messenger-man with the slipper-pillow and the funny hat. The man nods seriously.

The Prince blinks at this, as if he wasn’t really asking anything with his look—it’s already clear he recognizes her—and meets Cinder-Girl’s gaze with a smile. It’s the same half-nervous, half-attemptingly-charming smile as he kept giving her at the ball.

He bows to her and offers a hand. (The rat has to push three mice out of the way to maintain his view.)

“It’s my honor,” he assures her. “Would you do me the great honor of accompanying me to the castle? I’d had a question in mind, but it seems there are—“ he glances at Harsh-Mistress, who looks like a very upset rat in a mousetrap. “—situations we might discuss remedying. You’d be a most welcome guest in my father’s house, if you’d be amenable to it?”

It’s all so much more strange and unusual than anything the creatures of the house are used to seeing. They almost don’t hear it, at first—that silent song.

It grows stronger, though, and they turn their heads toward it with an odd hope in their hearts.

—

The ride to the castle is almost as strange as that prior walk back. The reasons for this are such:

One—their princess is riding in their golden carriage alongside the prince, and their chatter and awkward laughter fills the surrounding spring air. They have a good feeling about the prince, now, if they didn’t already. He can certainly take things in stride, and he is no respecter of persons. He seems just as elated to be by her side as he was at the ball, even with the added surprise of where she'd come from.

Two—they have been transformed again, and the woman in white has asked them a single question: Would you choose to stay this way?

The coachman said yes without a second thought. He’d always wanted life to be more fulfilling, he confided—and this seemed a certain path to achieving that.

The footmen might not have said yes, but there was something to be said for recently-acquired cognition. It seemed—strange, to be human, but the thought of turning back into lizards had the odd feeling of being a poor choice. Baffled by this new instinct, they said yes.

The horses, of course, said things like whuff and nyiiiehuhum, grumph. The woman seemed to understand, though. She touched one horse on the nose and told it it would be the castle’s happiest mouse once the carriage reached its destination. The others, it seemed, enjoyed their new stature.

And three—they are heading toward a castle, where they have all been offered a fine place to live. The Prince explains that he doesn’t wish for such a kind girl to live in such conditions anymore. There’s no talk of anyone marrying—just discussions of rooms and favorite foods and of course, you’ll have the finest chicken pie anytime you’d like and I can’t have others make it for me! Lend me the kitchens and I’ll make some for you; I have a very dear recipe. Perhaps you can help. (Followed in short order by a ...Certainly, but I’d—um, I’d embarrass myself trying to cook. You would teach me? and a gentle laugh that brightened the souls of all who could hear it.)

“If you’d be amenable to it,” she replies—and in clear, if surprised, agreement, the Prince truly, warmly laughs.

“Milady,” the coachman calls down to them. “Your Highness. We’re here.”

The castle stands shining amber-gold in the light of the setting sun. It will be the fourth night they’ve come here—the thirteen of them and the one of her—but midnight, they realize, will not break the spell ever again.

One by one, they disembark from the carriage. If it will stay as it is or turn back into a pumpkin, they hadn't thought to ask. There’s so much warmth swelling in their hearts that they don’t think it matters.

The girl, their princess, smiles—a dear, true smile, tentative in the face of a brand new world, but bright with hope—and suddenly, they’re all smiling too.

She steps forward, and they follow. The prince falls into step with her and offers an arm, and their glances at each other are brimming with light as she accepts.

With her arm in the arm of the prince, a small crowd of footmen and the coachman trailing behind, and a single grey mouse on her shoulder, the once-Cinder-Girl walks once again toward the palace door.

[arkhammaid]

I miss oscarina so much! When will they come back from war 😭😭😭

Please give us a crumb, anything 🥺🥺🥺

i'm with them, stuck in the trenches. girl!oscar and charlie is also with us.... we are currently planning on how to overwhelm the enemy.... all previous attempts haven't worked....

[abiteofhoney]

i’ve had this scene in my head when kieran is figuring out what tzipora is (i named her btw) and she’s like the god/creator of all creatures, and i just have this specific vision of him being like “you’re the mother of all.” and she’s like “i am no one’s mother. i am your creator, but i do not care about any of you.”

[prince-liest]

loved loved loved the mimzy fic! i was curious: are there any other characters/relationships in hazbin you're really interested in writing about but haven't quite found the right inspiration? and one follow up question: where do you usually get inspiration for your fics (art, other works, comments, random lightning bolt in the middle of the night, etc.)

Well, aside from the scheduled weekly breakdown I have about desperately wanting to write soggy Lucifer and Lilith hurt/comfort but not having any canon point of reference for Lilith's personality...

I've been really craving radioapple, but I've outlined like three different takes on my radioapple idea and still have liked none of them. I'm letting it percolate (read: trying to ignore it but coming back to fuss with it constantly, haha). I also just want to write more Lucifer fics in general where he interacts with the hotel crew more, but I've run into that good old trouble of wanting to do character work but not having any solid (even simple) plot ideas I like to set up as the scaffolding for said character work.

Normally my inspiration comes from things like music and just pondering what I'd personally like to see written, but the Hazbin Hotel hyperfixation has been strong enough the past couple of months that I've been going about it lightning bolt style, except if I lived in the middle of a thunderstorm. Comments, asks, art, other writing, and also just daydreaming on the way to sleep and going, "WAIT!" have all spawned something at some point, hahaha. A lot of the time, seeing good character meta posts that I want to translate into fic, also.

And thank you! I'm really happy you liked the Mimzy fic—that one in particular was inspired at first by a Reddit comment I saw about how well her presence served to further expand Alastor's characterization (on a post where people where complaining about her song interruption), which got me thinking about HER characterization in tandem.