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copperpieceharlot · 4 years ago

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Bud I’m sorry to swing into your inbox uninvited like this but my soul is having an OOTS renaissance thanks to your content in the tag and did you say Leverage AU

haha holy SHIT this got Long. but yes. i’ve been. Thinking. (also literally Never feel like you have to apologize for sending me messages. i was Hoping someone would ask me about this. now i have an Excuse to share EVERYTHING ive written abt it :3)

Obviously, Roy is the leader/brains of the outfit. He grew up having some Strong Opinions abt what’s Legal versus what’s Right due to tragic backstory involving the death of his little brother which was definitely SOMEONE’S fault for negligence but since there technically wasn’t any illegal behavior, there were no consequences for it. Also he’s still angry at his dad bc he thinks his dad is also partly culpable (and also also just a dick). He’s the Moral Backbone of the team (alongside Durkon, more on that later) in basically the same way Nate was in og Leverage. He’s actually not the best at figuring out what people want (that’s Haley and, shockingly, occasionally Elan), but once he has that info, he is the absolute best at figuring out the ideal plan of attack to use in any given case.

Haley is still a thief. I mean she maps to Parker almost PERFECTLY. Her dad was a thief & a conman, her mom wasn’t but knew about it and mostly accepted it, but she died tragically in a mugging gone wrong or smth, which made Ian crank the paranoia WAY up and taught Haley to do the same in the name of “safety”. Let’s keep the “Ian is in Trouble and Haley needs money, Fast” which is why she signs on to the first job in the first place. She’s less acrobatic than Parker, tending towards finding (or making) weak spots in security, but she can still make a tumble check when she needs to.

Elan is the grifter who is somehow an Idiot but also not???? It baffles everyone. When he’s playing a part for a con, he’s FLAWLESS, but then the rest of the time he’s just. No Thoughts Head Empty. He probably gets lured in initially because he’s decided to try his hand at being part of a full team, rather than the two-man cons he’s been running that invariably end w his partner conning him as well and stealing half of his take. Also he likes the idea of being Crime Friends. He’s that tweet where it’s like, Roy: “after the heist is over, we split up and never communicate again” / Elan: [about to unveil his Crime Buddies Forever Friendship Quilt Puppets]: “never?”

Vaarsuvius is the hacker/gadget person. They have a Vaguely Snobby Yet Unidentifiable accent, dyed(?) purple hair (nobody has ever seen their roots) and nobody knows who they “really” are or where they came from, but they’re good at what they do so everyone just accepts the mystery. They probably got suckered into the team by their initial employer (who I’ll get to Eventually, lol) framing it as a challenge to their intellect, like, “oh, I see, you’re not smart enough to make this team work for you...” to which they were like Fucking Watch Me and also melted his computer. Anyways. They are joined (digitally) by their Intrepid Friend And Co-Conspirator (his words, not theirs), a fellow hacker known only as Blackwing, or, on certain forums, Blackwing_Bird. (In the first season, V only occasionally references him when saying they’re “calling in extra help” or smth for a particularly complex hack job. He starts showing up a little more in s2 and eventually by the start of s4 is a regular & established presence, but only appears as actions in a computer interface or output.) Elan is convinced he’s an AI, Belkar doesn’t think he actually exists, Haley pretends she doesn’t think he exists, and Durkon and Roy try not to think about it too hard, as long as B and V still get the job done.

Belkar is the hitter. He is on the team bc their initial employer got him out of jail for it. He doesn’t have a tragic backstory, he just likes doing violent crimes. As the series progresses, he grows some empathy & stuff, but really only for people who actually deserve it. Assholes still get decked. It’s all very touching. (Also he has dwarfism caused by achondroplasia. It doesn’t actually bother him and is useful in fights bc his opponents frequently have no fucking clue how to approach him, but he likes Pretending to take offense at stupid things just to see how far he can go with it.)

Aaaand last but not least, Durkon is the least involved member of the team. He’s actually a career criminal and Roy’s mentor, and wasn’t a member of the initial team that [redacted, I’ll tell you later, PROMISE] put together for a couple of reasons, the main one being that he’s Officially retired in order to spend more time with his family, which consists of his mom, his friend (not girlfriend) Hilgya, baby Kudzu, and a truly stunning number of aunts, uncles, and cousins. Roy frequently calls or visits him for advice and he Occasionally shows up to help out on local jobs, but generally he avoids doing crime if he can (as part of a deal with Hilgya, who is also a career criminal; basically, they’ve both cut back on the crime in order to provide a more stable home environment for Kudzu. But sometimes, you gotta do a little crime, and in those cases, Sigdi enjoys spending time w her grandson.)

NOW. THE BIG REVEAL YOU’VE BEEN WAITING FOR. Who got the team together in the first place?!

The answer: Lord Shojo (or whatever Normal Person Name you want to assign him). Now this is where it gets tricky: he had them do a thing that they thought was good, THEN they thought it was BAD, but then when they confronted him he revealed that it Appearing to be bad was actually a test of character and would they consider working as basically internal investigators for him? But then he had a heart attack, so, rip. But THEN it turned out that he’d left them a bunch of money anyway and they were all feeling kind of Inspired so they formed the Order of the Stick, LLC (which, no, i am not coming up with a new name, actually, because I just don’t care. someone else can come up w a justification for that name, tho, i’m sure it’s possible). Also Miko was there and was unhappy abt their actions, and also their general existence.

Moving on. Villains!

Redcloak is the Sterling replacement, because that DEEPLY amuses me.

Xykon is a season-long main villain, probably one that Redcloak finds himself working for but then “teams up with” (read: blackmails) the Order to bring him down bc even Redcloak finds Xykon distasteful. That’s season 3, let’s say.

Tarquin is another season villain, say season 2. Nale probably shows up pretty early in s1, actually, as another recurring antagonist like Sterling but uh. Less good at it. Anyways the s2 final 3 eps deal with them (accidentally) discovering that Tarquin runs some Evil Empire Company, then trying to outplay him and take him down. Idk if Nale still dies in this version tbh.

Tsukiko is a one-off s1 villain who returns briefly in s4 alongside Miko, who has gone well and truly off the rails.

Season 1 finale has to do w Roy finally getting Vengeance for his little brother.

The vampire squad is the s4 finale villain who do smth terrible to Durkon and then get the Mother Of All Revenge served up to them by the Order.

I envision the show as being 5 seasons (like og Leverage) but I’m not going to sketch out s5 because I think it should be based off whatever happens in the current story arc, possibly involving some legacy of the OotSquiggle.

Other stuff!

The Order of the Squiggle is a legendary criminal team from the 60s who stole a BUNCH of famous shit & then proceeded to legendarily implode. This has no bearing on the plot I’ve sketched out, I just think it’s fun.

The Sapphire Guard members should probably be reworked as FBI. I don’t care about most of them but I do think that Lien and O-Chul could be like, FBI agents who Choose to look the other way while the Order does their very-much-not-legal-but-still-fair Justice Crime, and maybe even help them out on occasion.

So, the Final season-by-season outline, based on everything I’ve written so far:

s1 e1: getting the team together, doing a con for Shojo, then at the end he dies and the gang is like “dang what now?" and intend to split up except then they Don’t.

mid-s1: Nale shows up and tries to trick the Order, but then gets beat like a drum.

late s1: Tsukiko is an underling of the Villain Of The Week, winds up in police custody. But She’ll Be Back.

s1 finale: Roy’s Vengeance: The Vengeaning. also we meet Redcloak as an antagonist.

s2 e1: the truth abt Haley’s father comes out

early s2: The Two Live Crews Job but it’s the Order vs the Linear Guild and the Linear Guild ARE all bad guys.

mid-s2: Redcloak returns. ugh.

late s2: the sapphire guard FBI makes its first appearance, hello O-Chul and Lien.

s2 pre-finale: once again they’re in conflict w Nale over smth, he spends the whole episodes making Cryptic Remarks, they basically beat him (like a drum!) but then the stinger at the end is that Tarquin reveals himself and Elan is like “Dad?!”, roll credits.

s2 finale, part 1: Elan is hanging out w Tarquin bc he’s DEEP in Denial, the Rest of the team tries to take Tarquin down, but it doesn’t work.

s2 finale, part 2: Elan finally gets a clue and they manage to beat Tarquin. still haven’t decided if Nale dies or not, but I’m leaning towards yes. also they rescue Haley’s dad.

s3 e1: fuck dude idk.

early s3: Redcloak shows up, AGAIN, everyone groans. he has blackmail on them, he wants them to take Xykon down.

mid s3: The Rashomon Job but it’s about stealing the Talisman of Dorukan and it turns out that Nale was there too (“oh!” Elan says. “I was wondering why I looked so weird in all those mirrors! But it wasn’t my reflection, it was Nale’s!” “Sweetie, that wasn’t Nale’s reflection,” says Haley. “Huh,” says Elan, “so the mirrors were broken?”, cue eye rolling from everyone else.), and the Successful thief was Hilgya, who’d nabbed it from the owner before it even went on display.

s3 finale: they beat Xykon, actually factually, because he deserves to get his ass Thoroughly kicked, even if only in AU form. Lien and O-Chul are there, so are some other less helpful FBI people. There’s a bit where O-Chul Exact Wordses his way out of telling his superiors about the Order’s less legal activities without technically lying. King shit.

s4 e1: doesn’t really matter. maybe smth to do w some legacy of Tarquin’s company to set up the drama w Malack & Durkon later.

early s4: Durkon gets SENT TO PRISON. Malack approaches the Order abt this because sure they have Different Ethics but they’re still Friends. (Roy is surprised and a little hurt that he’s never heard of Malack, but he ignores that in favor of Let’s Get Whatever Fuckers Did This To Our Friend.)

immediately after that: Miko and Tsukiko return as a Team, preventing the Order from working on the Durkon situation

mid s4: Redcloak makes another unexpected & unwelcome appearance but he’s maybe a little less of a dick? the Order collaborates with Malack & his Crime Buddies (hello, Vector Legion) to pull one over on him tho, because “less of a dick” does not mean “a pleasant or decent person”, and also he was mean abt Durkon being in jail, so he totally deserved it. he still gets whatever he wanted tho, just takes a blow to his pride. also prevents the Order from helping Durkon. they’re having a LOT of setbacks wonder why that could be, not to make sure the season fills its whole length or anything, no sirree

s4 finale: something something taking down the organization, headed by Hel (yes that’s her real name), which framed Durkon for their Big Crime. Durkon goes free and Extra Firmly retires, For Good, He Swears, but says he “met someone new” who might be an asset.

s5 e1: minrah joins the team! and the episode is set in like, somewhere really snowy. that’s all i got.

the rest of s5: don’t know, don’t care, it’s open-ended until the comic finishes up.

#mine #ask #corvidcorgi #order of the stick #oots #leverage #leverage au #oots au #au #outline #haha this thing clocks in at 1.9k words because i am LITERALLY incapable of shutting up #hope u enjoy it bc i spent Way Too Much Mental Effort mapping out how the OotS plotlines might play out in a leverage setting #and then promptly ignored Most of that in favor of making it funnier & dumber & more villain-of-the-week #(bc lbr the comic is Good but it's got an overarching plot form that the Leverage story style does Not jive with)#i'm not tagging all these characters lol

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florrickandassociates · 3 years ago

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TGF Thoughts: 5x01- Previously on...

Welcome back!! I’m so excited to be writing one of these again. I think this hiatus has been the longest I’ve gone without new Diane Lockhart content in ten years, and it sure feels like it. A lot of important stuff has happened in the time since TGF season four ended (not concluded—ended). Most notably, CBS All Access became Paramount+ and suddenly started offering a lot of content I care about! I kid. 2020 was quite an eventful year, so I was curious how television’s most topical show was going to take it on. TGF is always forward-looking, but too much happened in 2020 to be ignored. And while I didn’t think TGF would have much to say about the pandemic, it seemed impossible to imagine a season five that pretended it never happened. Going into this premiere, I was expecting that they’d either skip COVID entirely or include very few references, but after seeing this episode, I feel like the writers took the only approach that made sense. And that is why they are the writers, and I'm just some girl on the internet who writes recaps.

Anyway, before I dive into the episode, I should also note that my pandemic boredom spurred me to actually pay $30 to watch this episode early as part of the virtual ATX Festival. Yes, I paid $30 on top of the money I spend every month on Paramount+ for this show. But I write tens of thousands of words about each TGF episode—are my priorities really that surprising? I note this not to brag or even to poke fun at myself, but because watching the episode before I knew a single thing about it (not even the title!) completely changed my viewing experience. I’ve never had an experience like this with TGW or TGF. I’m one to search for critics tweeting cryptically about screeners and refresh sites looking for background extras (haven’t done this in the TGF era, though) and read every single piece of press I can find. For any big episode, I usually know the outline of what to expect going in (I even knew about Will before the episode aired in the US!). Not this one! So, I got to be surprised, and I had to—gasp—formulate my own opinions before I knew what anyone else thought! It was really pleasant, actually. I think the structure of the episode worked extremely well for me because it caught me by surprise... and also because I’m the kind of person who somehow managed to write a college paper about Previously On sequences.

I see Tumblr has made it so that “keep reading” expands the post in your dash instead of opening a new tab. I absolutely hate this. Here is a link to the post you can click instead of the keep reading button!

The ATX stream started mid-sentence, meaning I missed the “Previously On... 2020...” title card and skipped right to Adrian saying “I’m retiring.” It was pretty easy to pick up on the device (the directness of the scenes at the start, their cadence, and their placement in the episode made it clear this was meant to mimic a Previously) but the second title card hit way harder because... well, I had no idea if this was meant to be 2020 or some moment outside of real time until a bit later in the episode.

Man, before I get any farther into this, two things that I don’t know where else to put. First, this episode had to cover so much ground. They had to write out both Adrian and Lucca—more on that later--, figure out how to deal with all of 2020, figure out how to either wrap up or continue all the truncated season 4 plotlines, and set the stage for a new season... in 50 minutes.

Second, just wanna shout out the Kings’ other Paramout+ show, Evil, which you should absolutely be watching even if you hate horror. Evil is a Kings show, so it is unsurprisingly topical (sometimes evil takes the form of racism or misogyny or Scott Rudin) and at times very, very funny. I would be recapping it if Paramount+ weren’t attacking me personally by airing it at the same time as TGF. Ever hear of too much of a good thing, people?! (On that note, I am VERY upset with myself for not having made a Good vs Evil joke about the Good shows and Evil. I didn’t even think about it until Robert King made the joke on Twitter, and it was right fucking there. How did I fail so miserably?!)

So STR Laurie, who wants a 20% downsizing, is still a thing. Noted.

This scene with Landau is the only one in this previously that is actually old footage, right?

Unexpected Margo Martindale! Yay! (Ruth Eastman is a character who is so much more effective on Fight than she was on Wife and I’m quite glad they’ve had her appear on Fight several times. It kind of redeems season seven. Kind of.)

I don’t think the writers intentionally chose for Adrian’s book deal to be with Simon & Schuster because it is the most politically fraught publisher (the number of stories about controversial memoirs they’ve picked up in 2021 alone...) but I kind of like that Adrian’s Road Not Taken involves S&S. My guess is they chose S&S because it is owned by ViacomCBS.

“Years ago, I wanted to create a law firm run entirely by women, but it never worked out. So, why not now?” Diane says to Liz. One of the advantages of having twelve (!!!) seasons of Diane Lockhart is that we’ve seen what she’s talking about. And we’ve seen her put this idea forward multiple times, too. I have my reservations about Diane’s brand of feminism, and I’ll say more about how fraught a Diane/Liz firm would be as the show explores the potential issues there, but on the surface I’m kind of excited about the prospect of a Diane/Liz led firm. Diane has wanted this for ages, Liz is a good partner, and this actually makes sense (unlike the nonsensical Diane/Alicia alliance of late season seven, where the only rationale was “well, Alicia needs to betray Diane in the finale, but they’re not on good terms. So maybe we make them business partners so then the betrayal stings more?”). Plus I fully love that Diane would end up running a firm with Alicia’s law school rival.

(Has TGF mentioned that Liz and Alicia were law school rivals? No. Am I still clinging on to that as a large part of Liz’s character? ABSOLUTELY.)

Julius is on trial for Memo 618 reasons; Diane is defending him. So this is still happening. (There’s more old footage here.)

Do they put these references to one/two party consent in these episodes as a wink at the fans? It has to be intentional. (Please do not ask me what the actual law is on this, this show has thoroughly confused me.)

I knew Cush was filming stuff for TGF, but I didn’t know it was for the premiere. She was just posting about it a few weeks ago, so either they shot a lot of it right before air or she posted a while after filming. Anyway, yay Lucca!

Bianca’s still around. And, TGF gets to shoot New York for New York, since Bianca is there. I do wish TGF could do more location shoots; there’s something about seeing an actual skyline that feels more real.

Bianca wants Lucca, who has never been outside of the country (except to St. Lucia, as Bianca reminds her) to go to London and buy her a resort. It’s supposed to be a three week stay and Bianca’s already arranged childcare. Speaking of children, because of COVID and filming constraints, that’s Cush’s real kid in this scene! You can’t really see him, but I recognized his curly hair from Cush’s Instagram, and the Kings confirmed in an interview.

Adrian wants to write a book about police brutality cases he’s worked on. Ruth very much does not want him to write that book. She wants him to write a book without substance about how white people and black people can work together. He, understandably, has no interest in writing this book. (Also, you can see in the background that Ruth doesn’t think Biden’s odds of winning the Democratic primary are good—there is a big down arrow next to his picture, which definitely dates this scene.)

Oh, David Lee is in this episode. He acts like an asshole towards Marissa when she’s trying to help him.

Marissa, not happy with the lack of respect, calls Lucca for advice “for a friend.” Lucca mentions she’s in London and Marissa does not believe her and keeps going on and on about her frustrations and her new desire to become a lawyer—quickly.

Marissa wanting to become a lawyer because she “hates being talked down to” is not a plot I would’ve expected but it’s also one that makes a lot of sense. I think Marissa’s used to being respected and praised even when she’s doing things that aren’t glamorous, so I see how she’d get very restless when she’s no longer outperforming expectations and is instead taken for granted.

Bells toll in the background on Lucca’s side and Marissa asks where she is. Lucca again notes she’s in London and Marissa still doesn’t believe her.

I’m going to miss Lucca so much, especially since we’ll also be losing a lot of the Millennial Friendship scenes with her. Cush is fantastic (even if she never really got enough to do here) and she plays so well off of the rest of the cast. I even sometimes liked the writing for Maia (who?) when she had scenes with Lucca, Lucca is that good.

Jay wakes up sweating and unable to breathe, so he deliriously calls his father-figure Adrian. This whole scene is shot like something out of Evil and (I’m getting ahead of myself here) this plot is the only thing about this episode I felt was a misstep.

“I think you’re my father,” Jay says to Adrian. Heh, I didn’t catch this line the first time around (maybe subliminally I did, since I just called Adrian his father figure lol) but I love that it is included here. Adrian and Jay’s relationship definitely deserves a goodbye.

Adrian calls an ambulance and also gets to Jay before the ambulance somehow. Adrian notes that Jay might have “this thing from China” and... we’re doing the pandemic, y’all. (Minor nitpick: on March 13th, 2020, when this scene is dated, COVID was not “this thing from China”-- we were all aware of it. March 11th was the day Tom Hanks and Rita Wilson announced they’d tested positive and the NBA shut down and travel was restricted and every single brand that had my email sent me a message about their plans and measures. March 12th was the last time I was in my office, and we’d been getting emails telling us to wash our hands and prepare to work remotely for weeks. I went to San Francisco in mid-late February and distinctly remember deciding to leave a burrito unattended on a table while I washed my hands because I was paranoid about COVID... and then I remember making a specific trip to Walgreens to buy hand sanitizer so that didn’t happen again. My point is, Adrian lives in the same world I do. On March 13th 2020, he would not be treating COVID like it was some new thing he’d vaguely heard of.)

(I am going to nitpick this timeline, but please know that I’m only doing it because I can, not because I think it’s necessarily a bad choice. Lines like this do feel a little forced, but I see the reason for introducing COVID as something new rather than going for the line that’s exactly historically accurate. I also am pretty sure there are references to dates in March/April in s4 of TGF that are now going to be contradicted by this episode, but I truly do not care. The writers get a pass on this one.)

We skip slightly back in time to the beginning of March after the MARCH 13TH title card, or maybe this is supposed to be after March 13th and my own memories are preventing me from believing these face-to-face interactions were happening. Who knows.

Michael Bloomberg is... here, again, I guess? He asks Diane to assist with a Supreme Court case about gun control. I guess it does add some weight to the plot and make the stakes feel higher.

Oh hey, this case is the 7x17 case!!!! Love that continuity.

Diane and Adrian are both at the office late, working, and there is an unnecessary split screen that feels even more unnecessary when you consider that the editing alone was enough to create the parallel.

Diane and Adrian have a nice convo (which I’ll really miss, their dynamic is great and this really feels like a successful partnership) as they wait for the elevator. When the elevator dings, they nearly tumble down into nothingness because... the elevator never came. Apparently this is a reference to an law old show I’ve never seen that killed off a character this way, and it’s meant to be a wink at how they are not going to kill off Adrian.

I do not know why I remember this, but I do: after they killed off Will, a critic (Noel Murray; I just googled to confirm my memory) who didn’t want to spoil things tweeted, “Exactly 23 years and 2 days ago, Rosalind Shays fell down an elevator shaft.” Please tell me why I remember this reference that I didn’t even understand well enough to have tracked down the original tweet in under a minute. (https://twitter.com/NoelMu/status/447942456827326464)

Back on this show, Diane and Adrian share a drink and talk about their wishes. Diane wants to argue in front of the Supreme Court, and Adrian encourages her to speak up. His own near-death experience motivates him to trash the book Ruth has him writing, and Diane trashes the (bad) legal strategy someone else prepared for the Supreme Court.

DIANE IS WEARING JEANS!!!!!! Tbh, I think my favorite part of this episode is how many slice-of-life scenes and settings we get. These are always my favorite moments. I love the satirical and political stuff too, but the character moments are what get me invested enough to write these. (Yes, Diane in jeans constitutes a character moment.)

Diane tells Bloomberg she wants to be involved and advocates for herself. Kurt gets a call on their landline (hahaha) from Adrian.

God, I love Diane and Kurt. Not only is their banter fun, you can just see a different, more relaxed side of Diane in these scenes. Diane tells Kurt she has good news for herself, but bad news for him since she’s arguing for gun control. She asks him to help her prep for court, too.

So this is before Jay is rushed to the hospital, because now we are back at the hospital with Julius, Diane, and Marissa. I do not believe any of these people would be setting foot in a hospital like it’s any other day on March 13th, 2020. But I'm trying not to nitpick.

I get why they chose to give Jay a rather severe case of COVID. I just don’t get literally anything else that follows from the initial shock of Jay having COVID.

I see why the writers chose March 20th (the actual Illinois stay at home order) as the next date for this timeline. I still do not believe that people were in this particular office on that date.

You know what else I don’t believe? That RBL just shut down for two weeks and was like, no work is being done. Did law firms really do this? I can believe it if it’s an excuse to cost-cut, and I know there were massive layoffs, but this seems... really weird???

Why are they setting up a teleconferencing infrastructure (didn’t they have one at LG? In season five?) if they are not planning to do work?

Lol Diane explains what Zoom is, very slowly. She asks everyone to “download a program called Zoom.com” which is one of the first Zoom jokes I’ve chuckled at in a while.

Marissa is not happy to hear that there’s no work for her in a work-remote world (this I believe 100%), so she calls Lucca again with more questions about law school.

Love these NYC and London location shots. Wish they could do that for Chicago.

Lucca asks Bianca to help get Marissa into a law school, fast, and Bianca tells Lucca to use her name... then offers her a job.

Marissa is at the office, alone, boxing up her things, when one of the office phones rings with some dude offering her a spot in a law school class. I guess we are really all-in on this! (Why would Lucca have given a firm phone number not specific to Marissa, though?)

Adrian and his corrupt girlfriend decide to shelter in place together. I still do not understand why he is okay with her being corrupt. I also don’t really understand why they’re going from talking about sheltering-in-place to George Floyd. How did we just skip from late March to late May? Are Adrian and corrupt gf having a conversation about sheltering-in-place two months into sheltering in place?

Okay, I am not doing so good at this no-nitpicking thing. Again, I understand why they need to merge several scenes into one to keep things moving. And I guess they could just be getting around to this conversation.

I’m going to nitpick again, I can’t help myself. How did we just go from a scene of Adrian specifically talking about sheltering in place to a scene of Adrian bursting into a bustling and maskless DNC headquarters room? How!? The only masks in this scene are on TV!! There are like ten people in this scene!

Anyway, more importantly, Adrian tells Ruth off and screams at her that she needs to listen to him instead of acting like she knows the way forward. He is completely right.

Why is travel from London closing down in May 2020? Is it because this scene is supposed to be at a different place in the episode? Liz is asking Lucca to come back home from her three week stay in London (which has now lasted three months but travel is just now closing down), and Lucca’s hesitant to come home.

This is all happening via Zoom, btw. Lucca’s in her hotel, Diane and Adrian are at their respective homes, and Liz is in the office. All of this feels right. There is a chat off to the side of the screen where you can see Adrian and the others discussing how to unmute on Zoom. Very real. Though probably not very real in late May 2020. Feels more like April. I am convinced this scene got spliced in later to help the episode flow because everything in this scene (except the TV footage that definitely was added later) feels like it should be happening in the March section.

Lucca mentions that Bianca offered her a job, and at this point we as viewers know how things are going to go—Lucca's going to end up taking it. Liz types in the Zoom chat that they don’t want to lose Lucca. When Lucca tells them how much Bianca’s offering ($500k/year, go Lucca!), Diane types “Shit.” into the chat. “Shit’s right,” Liz replies. “Yes... What should our counter be?” Diane replies. Lucca is kind enough to point out the messages are not private (again, this feels like March not May) but I think knowing that their reaction to topping $500k is “shit” tells her all she needs to know.

Diane’s background still says that RBL is a division of STR Laurie. Weird how little we are hearing about the overlords except the 20% staff cut.

Liz and Adrian chat and decide the only way to keep Lucca is to make her a partner. Which, yeah, if you’d just made her a partner years ago when you told her she was in the running for partner and then offered it to fucking MAIA, maybe she wouldn’t be considering Bianca’s offer. Lucca is definitely one of RBL’s stars, and I don’t think she’s wrong to feel like they don’t value her enough. They treat her well enough to be upset about losing her, but not well enough to have already made her partner and not well enough to actually give her authority (even though she runs a whole department). I’d be pretty unhappy too. It kind of feels sometimes like they take her for granted, and I don’t know that Lucca is one to feel like she owes a company anything. She’s more of an “I’m out for myself” type.

Madeline and the other partner we’ve seen a few times who isn’t Liz/Diane/Adrian, walk into the office (wearing masks! Which they take off as soon as they enter a room with Liz! Without asking her if she is okay with this! TV logic!) and ask who is replacing Adrian. They think this is a good time to reevaluate having a white name partner of an African American firm, and they are spot on. Liz tries to deflect, noting that Diane is already a name partner and was before Liz even joined, but Madeline and other partner (whose name I really wish they would say so I can stop calling him “other partner”) won’t let up. Their position is that Diane shouldn’t have been made a name partner then—all she did was bring in ChumHum, an account that quickly left the firm. Good point.

“What is this firm if it’s not African American? It’s just another midsized all-service Midwestern law firm, one of 50,” Madeline argues. The other partner says Liz needs to remove Diane and promote two African Americans to name partner. Liz laughs and asks if they mean themselves. Madeline does not—she's concerned about the number of black associates they’re letting go. Liz heads out, but this conversation is very much ongoing.

And I think it’s a very interesting dilemma! There’s a lot of mileage the writers can get out of this, because I don’t think there’s a right answer or a wrong one. It’s all about what Liz decides she wants the future of the firm to be. If Liz chooses Diane, she might be choosing something that works for her personally or that she thinks is a safer financial bet—but she’ll be choosing to work at a firm that can no longer be thought of as a black firm, and she’ll be choosing to move away from her father’s vision for the firm. And since the plot hinges on what Liz will decide rather than what’s objectively the right path forward, there’s a lot of interesting tension there I can’t wait to see.

(My favorite thing about Adrian leaving is that Liz will likely get more to do, especially when it comes to managing the firm. Adrian tends to speak up first, but Liz is more than capable of managing without him and I’m so excited to see what she does when her ex-husband isn’t constantly talking over her.)

Marissa and Lucca video chat with Jay. He’s still in the hospital. One thing that bugs me about how this episode handles COVID is that I never really get the sense that any of the characters are particularly afraid of the virus. Maybe none of them were. But you’d think you’d see a little of that fear, the weird dance of trying to assess others’ comfort levels with masking, etc., in an ep specifically about living through this time. ESPECIALLY since someone they all know and are close to has been hospitalized for MONTHS with this thing! It’s just so weird to go from a scene where people wear masks until they come in contact with other people (when masks matter the most) to a scene of someone in the hospital with COVID.

And now Jay’s weird hallucinations start as his battery dies on the video chat. I really, truly, hated these hallucinations. I was ready to be done with these from the second they started. They’re weirdly shot, they go on for too long, and they feel like the clunkiest parts of Mind’s Eye when Alicia starts having a debate in her mind about atheism mixed with the (far superior) hospital episode of Evil.

I don’t have much to say about these hallucinations except that I hated them a lot. When there’s the reveal that Jay is hallucinating a commerical, I almost came around on the hallucinations because that’s kind of funny and inspired. And then several more hallucinations popped up and they had a round table and Jesus got added to the mix and I was like, nope, this is bad in a very uninteresting way. I reject this.

I feel like the Kings didn’t have much to say about COVID, the actual virus. This episode is definitely more about what the characters’ lives were like during COVID and not the pandemic itself. I think they likely got a lot of their COVID commentary out of their system with their zombie COVID show The Bite (I have not seen The Bite due to it airing on Spectrum On Demand, which I have no way of accessing. Like, I would have to move and then decide to pay for cable in order to watch it.) I also suspect a lot of their commentary on COVID isn’t going to be specific to the virus and is instead going to be about things like mask-wearing and vaccinations becoming political. And, really, that’s just a new variation on talking about polarization... and they’ve been talking about polarization for years.

In fact, they even wrote a whole series about an outbreak of a (space-bug-spread) virus that caused political polarization before Trump was even elected. BrainDead is basically commentary on the pandemic before the pandemic even happened. Soooooo I get why they are more interested in recapping 2020 than in doing a Very Special Episode about themes they’ve been talking about for years. (I still think they would’ve benefitted from at least one character being afraid of getting sick or getting their family sick.)

There is likely some interesting content in these Jay hallucinations. I hate them so much I cannot find it. You know when you’re just on a completely different wavelength than the writers? This is an example of that.

Also I’m not a fan of the shadowy directing. I think this is meant to look cooler than it does.

Have I mentioned yet that I absolutely love the “Previously On” device for this episode? It’s such a fun, propulsive way to get through the slog of 2020. Scenes can be short and to the point, and each scene has to do a lot of lifting to fill in the gaps. I think that leads to scenes that are better constructed and telling on lots of levels—where are people when they’re quarantined? Who’s wearing casual clothes and when? What about this scene defines this character’s life at that moment in time?

Bizarrely, even though this episode is pretty much all plot (this happens! Then that!), I actually found this to be one of the most character-driven episodes TGF has ever done. There’s a lot of story, but most of that story is about how the characters reacted to 2020 rather than overarching plots that will weigh on the rest of the season. This episode covers a lot of ground, but it does it with character moments that resonate.

Now it’s July and Diane’s prepping to argue in front of the Supreme Court. Kurt’s helping her witness prep and it gets a little personal... and that ends up turning Diane on. Good to see McHart hasn’t lost its spark. (Remember how Kurt cheated on Diane in season 7 of Wife? No, me neither, because that never happened.)

Corrupt judge is back. Adrian playfully tries to distract her from work. Then he takes a video call from Liz, who updates him on the conversation she had with John (so that’s his name) and Madeline. I guess that part of May was close to July? Anyway, Adrian isn’t surprised to hear that people are upset at the prospect of Diane being one of two name partners.

Liz is at the office in workout clothes and I love it!

They’re losing 15 black associates (and Adrian and Lucca) and 4 white ones, Liz says. This sounds like a very big problem. (I’d be curious to know what that is as a percentage of the firm and how the racial composition shifts.)

Liz knows it’s not exactly up to her if Diane stays on as name partner (the other partners get a vote, but I think Liz knows she has a lot of sway here). She’s also wondering if Biden could win, and if so, would it be to the firm’s advantage to be black-owned? Interesting.

“Well. If you’re thinking it, then Diane’s thinking it, too,” Adrian says. He’s right. “White guilt. It runs verrrrry deep on that one, huh?” Ha. He is right about that, too. I actually can’t decide which of these interpretations is correct, because it could be either even though they seem contradictory. (1) Is Adrian saying it with a hint of mockery because he knows Diane will fight for her partnership even as she would say she’s a huge supporter of black businesses? (2) Is he saying it because he knows Diane would have enough white guilt to realize what her presence as a partner means and think through the implications? I think it is, somehow, a combination. I’m interested in this line because this whole dilemma (from Diane’s POV) is something that’s very familiar. Diane’s always been an idealist who will betray her ideals for personal gain. That sounds like an attack, but I mean that as neutrally as I possibly can. There are so many examples of this that this is kind of just a character trait of hers at this point. Usually those ideals are about feminism, but this situation seems closely related.

Adrian overhears Corrupt GF talking about Julius, Diane, and Memo 618. You would think she would wait to have this conversation until there is no chance of Adrian overhearing, because if Adrian overhears, he might...

... do exactly what he proceeds to do and hop into a car with Diane to give her a heads up. (I think I’m just going to have to accept that the mask usage rule on this episode is “we use masks to show that the characters would wear them, but we don’t want to have scenes where characters are fully masked because that’s annoying.” If that’s not the rule, then why else would Adrian be masked outside... and then take off his mask as soon as he gets into a confined indoor space with Diane?

Baranski looks ESPECIALLY like Taylor Swift in this scene.

Adrian tells Diane what he knows. He dug deeper after overhearing Charlotte, so he has even more info. “If you tell me, I will use it,” Diane warns. Adrian knows that, so he takes a moment to decide. And he decides that he cares more about Diane and Julius than about his relationship with a corrupt judge.

Diane and Julius are masked in court. Visitor and the judge are not. They use masking in a clever way in this scene: Diane uses being masked to her advantage because it means no one can possibly read her lips, so she can use the info Adrian fed her against Charlotte without any fear of spies. Charlotte, who is unmasked, guards her lips with a folder, as the Visitor watches interestedly.

Diane convinces Charlotte to recuse herself. Charlotte says she’s making a mistake; Diane does not care.

The new judge is, unfortunately, the idiot who doesn’t know anything about the law. Uh oh.

Charlotte decides she’s done sheltering in place with Adrian. He tries to talk through the conflict, but Charlotte says “You made your choice, Adrian. Julius Cain over me.”

“The choice was about right and wrong, Charlotte,” Adrian tries to explain. I mean, yeah, but if you’re dating a judge who has admitted she’s totally corrupt, didn’t right and wrong go out the window a while ago?

Adrian seems to think the other people involved in the events are bad and Charlotte is good. I am not convinced. I don’t think she’s the big bad, but I don’t think she’s good.

Charlotte points out that he invaded her privacy. She is right about that. “You said the choice was between right and wrong. Turning over my emails was the choice,” she said. I get her POV. But also, she is corrupt.

I do not like the way the part of the scene where Adrian physically restrains Charlotte to keep her from leaving is shot. I don’t think this is an abusive scene but I think it should’ve been shot from a little farther back so we could see it’s more like Adrian reaching out in desperation than trying to choke Charlotte. Because it very much looks like he is trying to choke Charlotte.

He tells Charlotte he loves her. She says it’s too late and leaves. “Maybe you won’t be with me. But you keep down this path... you’ll be done, I’m telling you, you’ll be done.”

I think something that I’ve been missing in these interactions is that I didn’t quite realize until this scene that the Adrian/Charlotte dynamic is more interesting than Adrian liking a corrupt judge. I think he truly believes Charlotte is a good person who got caught up in some bad stuff, and that she can bounce back from it. I’ve always seen Charlotte as someone who is corrupt for herself and then ended up going along with the corruption of others, too, so I’ve dismissed her and the relationship. This is the first scene that has felt real to me, and the first scene where she’s felt like more than a caricature. Kind of sad it’s the last she’ll get with Adrian—now I’m actually starting to find her interesting. Notice how in these last few sentences I’ve used her name instead of “Corrupt GF”!

Charlotte says she loved Adrian too, but that’s not enough. Awww.

He can’t really be surprised though, can he?

Now it is August and we get to see Diane and Liz react to the announcement of Kamala Harris as Biden’s VP pick, and I would like to thank the writers for giving me the opportunity to see Diane and Liz react to this. It’s kind of fan-service, but it’s also a nice tie-in to the girl-power theme of the Diane/Liz alliance.

Diane and Liz realize that Adrian’s probably not a good candidate for 2024 if the DNC only wants one black candidate and Harris is the clear front-runner. Liz suggests keeping him on as partner instead, in a way that very much implies this would be her ideal solution. Diane, being Diane, says she was liking the idea of an all-female firm. Liz hesitantly says she was too, and Diane senses the hesitation.

“Let’s look again at which associates to fire. I’m worried we’re losing too many African Americans,” Diane switches the subject. How have they still not made this decision? If any employees know downsizing is coming, and they’ve had months to act on it, assuming there are jobs elsewhere, people would’ve been jumping ship by now.

But that’s not the point of this scene. The point of this scene is that Liz corrects Diane: “Black. You can just say Black people.” Very nice moment underlining the tension. Diane means well, but she’s still acting like a white lady who doesn’t know how to act around black people... and she wants to (and, I guess, already does) run a black firm. Major yikes.

Marissa and Lucca are talking again. Marissa does not want to be in law school—she just wants to be a lawyer. Lucca won’t accept Marissa’s refusal to memorize meaningless rules: “Marissa. I know that you know how to play the game, but you have to pass the bar to get into a position to play the game.” Why does this line make me love Lucca? This line isn’t even anything amazing. It’s just a line that cuts through the bullshit and makes a good point.

Marissa keeps going, insulting all of her peers and teachers, and Lucca figures out how to cut through that, too: she tells Marissa that she’d hire her as a lawyer if she killed someone, but only if Marissa passes the bar. Marissa is instantly intrigued.

“Why are you leaving here? I’ll miss you,” Marissa says.

“Because they won’t pay me what I deserve,” Lucca says in a matter-of-fact tone. “Anyway, I thought they fired you.”

“But they didn’t mean it. It’s like the smoothie place—they kept trying to fire me and I just kept showing up,” Marissa replies. That checks out. (Love the callback!)

Lucca tries to get Marissa to come over to England. Marissa shuts that down as Lucca gets a news alert—and it’s not good news.

Our next date is September 18th, 2020 and I will get my nitpicks out of the way up front! I don’t really know why it is daytime for Lucca when she reads the news, considering it was already the evening in the States when the RBG news broke. And, also, it was Rosh Hashanah, so Marissa probably would not have been sitting in her bedroom studying... she most likely would’ve been with family or friends. OK I’M DONE. FOR NOW.

Diane is getting ready for her arguments in front of the Supreme Court. It’s almost time! She’s in casual clothes but has on a wonderful mask. She’s standing in front of Kurt’s guns to make a point (love that she’s using her video call background to her advantage) and there are several people in her bedroom getting the tech all set up. I have noted before that they only built one set for Diane’s apartment, and it’s just a massive bedroom. Diane choosing to be in front of the guns does a nice job of cutting off my question about why she’d be arguing in front of the Supreme Court from her bedroom rather than the home office she absolutely would have.

Kurt walks in and tries to shake hands... he’s clearly not very COVID paranoid, and Diane seems to be, and... that’s something I might have wanted to see? How was Diane okay with Kurt taking risks that also affected her?

Diane confirms she intentionally chose to stand in front of the guns. That’s when Kurt gets the push notification. He pulls Diane into the bathroom to show her the news. He hands her his phone and Diane’s face falls. She starts tearing up. “2020 just won’t let go,” she says, speaking for us all.

Normally I hate things that are like, we’re going to contrive this so the news hits at the worst possible moment! This works for me, because the Supreme Court plot for Diane feels more like something that exists to be a through line for the episode. It would also be a little hard to work in RBG’s death as a main plot point—and it is definitely important enough to be a main plotpoint—if it didn’t also affect something in the world of the show.

Also, another reason I like this contrivance is that it makes it all the more powerful when Diane says, “It’s over. He gets to nominate someone. Another Kavanaugh! We’ll have a conservative court for the next 20 years. My whole fucking life!” She’s not thinking about how this affects her case (and that case is basically a life-long dream for her). She is thinking about way bigger things, and knowing that her mind goes to the bigger things before the personal with news like this really underlines how big of a deal RBG’s death was.

Diane tells Kurt, “I don’t deserve you. You don’t agree with me.” “I can still feel bad for you,” he responds. He holds her while she cries.

Jay’s hallucination thing is back. Now Karl Marx is here. So is Jesus. I’m so done with this. It’s nice to get a break from writing.

Malcolm X is also on the roundtable and now they’re talking over each other in that way that everyone on this show always does. (RK gave an interview about Evil where he said he likes having the children on that show talk over each other because he grew up in a household like that. I did not need to read that interview to understand that RK likes scenes where people talk over each other.)

If anything happened in those hallucinations, I missed it, because I didn’t pause the episode. Because I do not care about the hallucinations. Because I hate them.

Now it’s November 2020... Diane’s watching election results and rocking back and forth. She tells Kurt he can go watch Fox News in the other room (so they do have more than one room!). He says he’s fine—he thinks Diane needs it more.

“Yes, but Kurt, if you stay, I know this isn’t sensible, but... Trump seems to get more votes whenever you’re sitting on this couch,” Diane tells him. Ha, I relate to this kind of superstition so hard. “Are you serious?” Kurt says. “I am so deathly serious,” Diane responds. “Whenever you’re sitting here, Arizona goes for Trump. Humor me, please. Just go in the other room.”

When Kurt tries to kiss her, she pulls away: “No, no, no. No kiss. If you kiss me, we’ll lose Georgia.” This scene feels so, so real and perfectly captures what it was like (at least for me, though I don’t have a Republican husband or anything) watching election results come in.

“Uh, if you lose, we’ll be fine, right?” Kurt asks. “Kurt, let me just say this. I’m only saying that we won’t be fine so that the universe will grant me a win,” Diane responds. This scene is so fun and so good! It simultaneously captures a relatable mood, adds some levity, gives us a window into Diane’s life, and shows some of the tensions in her marriage?! I want this all the time!

Kurt leaves the room. Diane pours more wine.

Later, with Diane still rocking back and forth with anxiety (just you wait for the several more days this will drag on!), Kurt brings in the champagne. “That was for when Hillary won. I can only drink it if Biden wins,” Diane protests. Did I also refuse to drink any celebratory alcohol until things were absolutely certain? No comment.

“It’s odd you progressives resisted religion. You seem to have a hundred religions to take its place,” Kurt says, speaking on behalf of the writers’ room. (This joke doesn’t get written if the writers don’t believe this and probably even see it in themselves.)

“Go away, Trump. I mean Kurt,” she shoos him away. Have I mentioned yet I love this scene?

“Love me even if you lose?” he jokes (though I do wonder if this isn’t that joking? I think it is, but he keeps saying it!) as Diane gestures at him to get out.

I could do without the joke about Diane’s heart on the TV for a couple reasons. One, it goes on too long. Two, I was very worried something would actually happen to Diane. You’d think that would make the scene feel more tense, but it does not, because it takes me out of the moment.

“Ok, God. You know I don’t believe in you. But I will believe in you if Joe Biden wins. I’m sorry. I know that that’s not what Jesus taught. There’s nothing in the New Testament that says, ‘Believe in me, and I’ll make sure your candidate wins,’ but I need Joe Biden to win. I’m sorry, God, but I just do. I need some faith.” This is a little much but... yeah. Also, is this the first time Diane’s flat out said she’s an atheist? I think it is, though I’ve assumed as much for quite a while.

The next day in court, masks are no longer required if you’re a series regular and votes are still being counted. I remember those days. Marissa thought Diane was checking in on Jay... Diane was not. She was checking on vote counts. ��

Apparently Jay’s finally being released from the hospital!

Bad news for Julius—the idiot judge finds him guilty of some nonsense charge and sentences him to seven years in prison.

Diane says not to worry, and Julius asks “Why not?” Good point.

Then we have election results! We skip, specifically, to December 14th and the electoral college vote. I’m a little sad we skipped over the huge party that was November 7th, but I get why they’d rather keep things moving along. I think showing November 7th in an uncomplicated way would’ve just been too close to fanservice. But, man, what a day.

Diane, in a red hoodie with leopard print that she somehow manages to still look classy in, is ready to pop champagne. Then she hears that on January 6th, a joint session of Congress will count the electoral votes and there might be a debate. “Nope. If I open it now, something bad will happen,” she reasons. “I’ve waited four years. I can wait another few weeks.”

It’s been almost a year and they’re still somehow negotiating with Lucca, but I understand why they’d space this out across the episode. Otherwise we’d have to say goodbye to Lucca in the first like, 15 mins of the episode and all those scenes would be in a row. I can forgive (and still nitpick) choices like this when the reasoning behind them seems sound.

Adrian says they don’t want to lose Lucca. He, Liz, and Diane are all in the conference room, and they ask Lucca for a yes or no on their latest offer by the end of the call. Diane offers Lucca partner—she'll be the youngest partner in the firm’s history—and she’ll get a $500,000/year salary. Adrian tries to sell her on being part of American history by being part of the firm.

“We are a black firm, Lucca, and we need you,” Liz says with a lot of passion for someone who knows she might very well partner with Diane. Diane looks at Liz with a bit of suspicion at this, wondering if Liz is showing her cards.

Lucca manages to make the wifi malfunction (or she gets very lucky) and uses the disconnection to call Bianca for a counteroffer, even though they said they needed a yes or no on the spot.

“They used George Floyd because they want you for less. They have never appreciated you as much as I do. All those scars, all that time being taken for granted and undervalued has made you a fighter. It’s made you someone I now want,” Bianca tells Lucca. She gives Lucca a counter offer of $1.3 million and the title of CFO. Lucca takes it. Is there really another choice? (If she were concerned about loyalty to the firm and the partnership was what she wanted, she probably would've just taken it.)

(Also, the partners can’t really act like Lucca is making history by being the youngest partner ever when they passed her over for partner two years earlier and offered it to Maia! To MAIA! Who had like three years of work experience! And yes I was fine with Alicia and Cary getting partnership offers with four years but, one, that was a scam, and two, Alicia and Cary actually worked. Oh, I see I still hate Maia with a passion. Back to THIS season...)

Lucca apologetically informs Marissa she’s leaving and the offer was just too good to turn down. I believe it. I also believe Lucca wants that job more. What has loyalty to RBL gotten her? She's someone so talented and good at her job that she just gets job offers from acquaintances all the time (starting with Alicia!). RBL appreciates her, but just enough to appease her while still undervaluing her. I don’t know that I would’ve believed a plot where Lucca actively job hunts, but I definitely believe this.

“Marissa, we don’t have to work together to be friends,” Lucca tells Marissa. I’m going to miss this so much. Why is this the best material Lucca’s gotten in ages?! I think one of the things that makes Lucca such a great character is that you can see why everyone instantly wants her on their team. She’s a fantastic friend (without giving too much of herself), she’s not a pushover, and she is incredibly sharp and able to get to the heart of any situation. I love her and I’m sad we won’t get to see more of her.

(On that bit about friendship—I can’t write about Lucca’s departure without writing about the moment I realized just how great of a character Lucca was. It was in 7x13, when Alicia has her breakdown that’s seven seasons in the making... and Lucca supports her. But the writing, and Cush’s performance, never make it feel like Lucca exists to be a part of Alicia’s story. Lucca seems like her own fully formed person who happens to be supporting Alicia at this moment. I don’t think I can overstate how tough of a task it is to get me to care about the other person in a pivotal Alicia scene, especially when that other person was added to the cast in the final season and many suspected she’d just be a replacement for a different beloved character! Anyway, Lucca’s been great for years, and I’ll miss her.)

Just when I thought I couldn’t hate the hallucinations more, we get a hint that they are going to continue: Jay sees one right after he learns that Marissa’s used her quarantine to start law school and he’s done nothing.

Jay says he carries a gun now and it’s “performative.” I have no idea what that means and Marissa and Lucca don’t seem to, either.

Another thing I like about Lucca’s final scene is that it isn’t rushed. We have time for all that, and also for Lucca to tell Marissa about the time she stole her breakfast sandwich, and for Marissa to react to it, and for Marissa to find Lucca’s Birkin bag, and for Lucca to tell Marissa to keep it, and for Marissa to react to that, and for Lucca to sappily say “think of me when you use it,” and for Marissa to nonsensically reply, “you think of me when I use it,” and there’s still a little bit more of the scene after that!

Marissa’s silly line makes Lucca tear up. “God, I’m gonna miss you guys,” she says. “I’m gonna miss this. You make me smile. I didn’t smile much before you guys.” Awwwwwww. This is also so true to character! Her friendship with Alicia aside, Lucca’s definitely said before she’s not one to have friends (which is hilarious because she is, as I've said like 100 times, a fantastic friend and also just like, the coolest person??? Who wouldn’t want to be HER friend?!).

She says she has to go because she’s getting too emotional and says goodbye. She’s also super sappy and when Marissa says, “you were the best,” she responds that they were the best TOGETHER! Awwwwwww.

What a nice, fitting goodbye for Lucca. There’s no bad blood or fireworks—she just makes a change like a lot of people do. I’d like to think she’ll still be friends with Marissa and Jay after this. I don’t want too many Lucca references in future episodes, but I would really like it if we see Marissa and Jay update each other on the latest from Lucca, or if a scene begins with Marissa closing out an Instagram post from Lucca of her kid, or something. I wouldn’t want clues about what Lucca’s up to, but I’d love to see that she’s still a part of Marissa and Jay’s lives.

Now it is January 6th. Liz, Adrian, and Diane sit on the floor of the mostly empty office, watching TV coverage and drinking. It’s so relaxed it’s almost surreal, and it, like many other moments in this episode, feels like a slice of life. Everyone’s dressed casually and no one is worried about appearances or looking like the boss.

“God, have you ever seen anything like it. It’s so fucked,” Diane says. Adrian’s more optimistic—the courts rejected most of the challenges to election results! “System worked,” he says. “Yay.” Liz says in response. She’s not as optimistic as he is.

“Liz. Liz. Sometimes when things work out, there is no parade. There’s no congratulations, but I’ll tell you this: We live to fight another day,” he explains to her even though she makes a good point that a system just barely hanging on doesn’t bode well for the future. (She doesn’t say all this, but that’s a very loaded, “Yay.”)

“Yeah? Then why are you leaving the law?” Liz asks. Diane seconds to the question.

Adrian announces he’s still retiring—and he’s moving to Atlanta. He wants to go to the south to help “create and consolidate political power.” He’s excited to start over and inspired by Georgia going blue. This is a very nice exit for Adrian. I fully believe that he’s interested in political organizing, that he’d be good at it, and that he’s ready for a change. I don’t think he’s always the most progressive person (of the three in this scene, Liz is absolutely the most progressive one, though Diane probably thinks she is!), but I absolutely think he thinks of himself as an activist and I believe that if he’s going to step away from the law, he’d do so to make a move like this.

Adrian—and Lucca, but especially Adrian—probably both got better exits thanks to the events of 2020. If Adrian had just left to be groomed by the DNC, that would’ve been a predictable and boring ending for him. His candidacy would, obviously, go nowhere, and the whole thing felt weird from the minute it was introduced. But this? Adrian being energized—like so many others were—by the ways the world changed in 2020 and using his already announced departure from the firm and recent breakup as a chance to start over and make change? This is great!

Adrian asks Liz and Diane what’s next for them. Liz says that she thinks the Biden admin will be better for black businesses. Adrian asks if they’re replacing him, and Diane says, “I think the big question is, are you replacing me?” She’s smart. I like how this scene goes from friendly to tense very fast, with everyone kind of testing the waters. Adrian tries to force the conversation, Liz opens with something vague yet pointed, and Diane speaks what’s previously been unspoken.

Liz says it’s not her intention to push Diane out. “I can’t change the color of my skin,” Diane replies. “I know,” Liz laughs. Audra’s delivery is fantastic on that line.

“Hey, I’m gonna fight for my partnership,” Diane says. “I know,” Liz says. The tone of this scene is so different from previous partnership drama on these shows and I’m excited about it. This is just a bunch of adults talking about business decisions with each other and treating each other as equals?? It's not backstabbing?? Or drama?? No one is hiding things?? It’s refreshing and I hope this plot stays like this. We’ve done so much partnership drama that I think drama that stems from a real, pressing question that has no easy answers and isn’t anyone’s fault is going to be much more fruitful for the show.

Adrian heads out—ah, I see now this scene is set in his empty office and this is why they are on the floor—and gets a nice last moment with Diane. And then they give him a last moment with Liz, which I knew they would but was still glad to see.

Liz asks if he knows what he’s doing—he says he’s not sure.

Adrian asks if Liz knows where she stands regarding Diane. “It’s going to be interesting,” Liz says. I don’t think she’s decided what she’s going to do yet.

It wouldn’t be an Adrian and Liz scene if Adrian didn’t have some unsolicited advice. “Diane’s a terrific lawyer, but this firm belongs to you. Your dad built it. He did, Liz. Despite all his faults. You got to run this place the way you want. This is a black firm. And after today, the world needs black firms. You got me?” He tells Liz. He makes it seem like Liz gets the choice and then tells her what to do. She says, “I got it,” signaling she understood him but not that she necessarily agrees.

I cannot wait to see what Liz does next!!!!!!! About this but just in general!!!!! Without Adrian there giving her constant advice I feel like she can grow so much and the show will have to give her more to do!!! I think Adrian, for all his many wonderful qualities and all he brought to the show, can suck all the air out of a room with his charisma, and Liz usually ends up suffering as a result. She’s such a capable lawyer in her own right, but Adrian has a way of making it always seem like he’s right—even in arguments she wins. I’m excited to see Liz lead (or stumble at leadership; she is fairly new to management) without Adrian’s direct influence.

Liz walks Adrian out and it’s cute. They run into Marissa and Jay. “Everybody fun is leaving,” Marissa notes. Liz is minorly offended, but playfully. Heh.

Adrian asks Jay how he’s doing; Jay says he’s a long-hauler but he’s doing okay. I like that they included that moment in Adrian’s goodbye sequence. It’s a very little thing, but it underlines that Adrian cares about Jay.

Then Liz interrupts to note that Trump pardoned a lot of convicted and corrupt Republican officials....... including Julius.

Everyone celebrates, but especially Diane and Marissa. Diane lets out her wonderful laugh and then we, finally, get to the credits. Because now that the previouslies are over, it’s time for the real show.

The credits are absolutely delightful, btw. I was a little worried some of the kittens would blow up, though! Once I relaxed and realized what they were up to—literal puppies and kittens because Biden won—I couldn’t get enough of these credits. They work so well because they accurately capture the way I (and all of these characters, except maybe Julius and Kurt) feel about the election results, but it’s so exaggerated that you know the kittens and puppies aren’t a realistic representation of our new reality. They’re just too good to be true, but you may as well enjoy them for a minute. I’m sure we’ll be back to exploding vases next week.

What a great episode! My timeline nitpicks and whatever they’re trying to do with Jay aside, I was blown away by how well the writers managed to move on from season 4, tie up loose ends, and write out two main characters. And they did it all while making me revisit the events of 2020, a year I don’t think many of us want to spend much time thinking about! This episode was enjoyable, fun, emotional, and clever. I don’t know what to expect from the rest of the season, but I’m definitely excited about the show in a way I haven’t really been in quite some time.

This season’s naming convention seems to be titles that end with ... and only have the first word capitalized. I want to see more.

Season FIVE? There have already been as many TGF seasons as there were TGW seasons prior to Hitting the Fan?! Time flies.

Please writers: No topical episodes this year-- no pee tape, no Melania divorce, no Epstein. None of that business.

Sorry if I repeated myself here. I never proofread these things, and I wrote half of this on Saturday and half of it today (Wednesday) and the days in between were an absolute blur so I cannot remember if I said the same things about this episode twice.

#the good fight #tgfthoughts

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martymcflying · 3 years ago

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what year is it

imagine actually blogging on a blog site

anyway

twitter's been overrun by friends who call me out for tweeting cryptic things [as they should tbh] but like come on now, let me scream into the void and regret it in retrospect, don't make me face it immediately like some kind of crisis control squad, i thought i was safe from this judgement from online friendships although maybe it's my own fault for letting this bleed into irl friendship

whatever

the point is i feel like i'm running out of time and i don't know what to do about it because obviously i'm doing everything i can to make sure that i have options when the time comes but at the same time the way my life has gone it hasn't mattered that i've done everything right because once i'm right there at the finish line they don't even move the goalposts, they put me on another field altogether

i want to say screw it all and just do me and see what happens in general instead of thinking in terms of timelines but i genuinely don't know which of these two mentalities is the one that's gonna lead me to self-sabotage

all i know is i have to hold on til may to make any real decision that's gonna dictate my future but i'm starting to think it's already over and no one that knows me knows the reason for this season of self-reflection and sacrifice because what i have been faced with is the inevitability of living my life for someone else and it comes at much steeper of a price than anyone i know is paying but once again it's nothing i can say

in any case, thank the Lord above that no one i know is going to see this or care about it, this felt too menial to journal about but it's definitely not trivial enough to keep to myself, i needed to tell someone so i'll tell the abyss

#personally

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kingstylesdaily · 4 years ago

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Harry Styles’ “Adore You” Is Everything a Music Video Should Be (Including Underappreciated by The VMAs)

youtube

KSD NOTE: there is a mention of suicide in regards to the beginning of Adore You.

On November 18, 2019, a website promoting a mysterious place called Eroda (“No Land Quite Like It”) arrived on the internet. Two days later, the official Twitter account for this fictional frown-shaped island began teasing local seaside attractions. You may have missed it, depending on which corners of the internet you choose to lurk, but not if you were a Harry Styles fan, a group that went into pure overdrive trying to figure out what it all meant.

I, for one, missed it at the time. I was unaware this account was cryptically quote tweeting fans as they tried to piece together what was happening, what it meant, and what it could be connected to (Greek Mythology and Lost were a couple of theories posed in comments, Twitter threads, and Reddit). Meanwhile, the Columbia Records marketing department had been hard at work for months, devising this specific and highly-detailed campaign around the music video for Styles’ second single, “Adore You” from his second solo album, Fine Line, ever since he shot the video in Scotland in August 2019 (Eroda = Adore backwards — clever!).

But it was all leading up to the morning of Friday, December 6 when the video was released, one week before the full-length album arrived. Up until that point, I had never seen an entire Harry Styles music video, but what happened next was inevitable. Somehow, as a self-proclaimed boy band scholar, I had never paid much attention to One Direction. I kept a distant eye on Styles since they disbanded, intrigued by the decisions he was making in his solo career. But I hadn’t yet realized I’d been in the ring all throughout the fall of 2019, fighting to resist the inevitable fascination that awaited. First came the jab of Rob Sheffield’s Rolling Stone profile, followed by the cross of “Lights Up”, a song that cracked my Top 20 most listened to songs of the year despite being released just two months before Spotify so thoughtfully compiled that personalized playlist. Then there was the hook of his SNL hosting stint in November (and bless you Bowen Yang for that Sara Lee sketch), which then leads us to the “Adore You” video, the uppercut and ultimate TKO. I surrendered in what felt like a near instant. I was now a Harry Styles fan. (If we’re following this analogy, I sat up to spit out some blood after seeing that cover of “Juice” before my head quickly hit the mat again with a loud thud).

Maybe it’s not quite remarkable that I took time out of a Friday morning to watch a music video, but that I sat at my desk, in an office, with other people around (back when we did those kinds of things) and proceeded to wipe away a few tiny tears from under my eyes by the end of it, was an experience I had not been through… maybe ever? In a world of lyric videos and TikToks, actual, thoughtful, impactful music videos with a full (and sweet!) story are about as rare as a glowing and growing fish these days.

Ultimately, “Adore You” does everything a music video should do. In nearly eight minutes, this video uses excellent visual effects in a cool and interesting way, tells a compelling and heartfelt story, is anchored by an irresistible leading man and an adorable sidekick, is backed up by the catchiest song you could ever dream of, and culminates with a touching and hopeful ending. It’s a treat for the eyes and the ears and the soul. It’s innovative and the kind of thing that begs you to watch it more than once to catch all the details (and yes, I do tear up every time).

So one would think that an award show with the specific purpose of celebrating this type of creativity would be extra sure to nominate such a charming and effective clip, but alas, “Adore You” was overlooked in the MTV Video Music Awards main categories this year. Of course, some could argue that that fact only adds to the video’s credibility but I’ll do my best to not be that petty as I’m still rooting for it to win in the three technical categories where it picked up nominations: Best Visual Effects by Mathematic, Best Art Direction by Laura Ellis Cricks, and Best Direction by Dave Meyers, who remains one of the most inventive and influential directors of all time and whose videos with artists such as Missy Elliot, Pink, and Kendrick Lamar have been racking up nominations for nearly 20 years now. He also saw four other videos he directed get recognized this year: Normani’s “Motivation” (Best Chorography), Travis Scott’s “Highest in the Room” (Best Hop Hop and Best Visual Effects), Anderson .Paak’s “Lockdown” (Video For Good), and Camila Cabello feat. DaBaby’s “My Oh My” (Best Cinematography).

But I reached out to Meyers to specifically ask about the intricate details of “Adore You” and how it all came to be; how he captured such a vibe with the overcast and dreary weather, mixed so wonderfully with the charming oddities of the people that make up this world of Eroda. In addition to directing the video, he also co-wrote the story with Chris Shafer and said, “It’s the first idea that popped to mind after the first listen to the song, and the first idea I pitched to Harry. It was a story that underscored my understanding of what Harry stood for and felt it was necessary to tell it as a narrative to convey his optimism.”

The extended version of the video starts with a two-and-a-half-minute introduction to the world of Eroda, narrated by Rosalia. This includes the “peculiar” people and their professions on the island, meeting The Boy (Styles) and his glowing smile that most people try to avoid, and the quirky superstitions these people continue to live by. “It all served a purpose,” Meyers said of the details. “The superstitions were a set up for how society generally reacts to different things. They fear change or oddity, even if it’s what’s best for them.”

Meyers, however, did not share in that fear, as much of this video provided for interesting and new opportunities he had yet to experience throughout his decades-long career, which he listed off: ”Compelling narrative, CG character, remote location, Scottish crew (nothing phased them),” also noting that all of the other characters in the video were locals as well. So perhaps they were less fazed by the atmosphere across the four-day shoot in Scotland, but as Meyers recalled, the “weather was nuts. It rained every 20 minutes, then the sun, then cloud over.”

However, it’s likely that Mother Nature is also a Styles fan, as Meyers recalled, “I seem to remember going up on the hill for Harry’s picnic with the fish and being worried that it was so gloomy. By the time we came to shoot, the sun came out. And then the sun went away as soon as the scene was over. Similarly, we had the worst storm when Harry was contemplating suicide at the start. Pouring rain, drenching him. So I guess in that sense it was fun watching how Scotland provided a backdrop for the emotions we were after.”

And hey, at least they had the weather on their side to add to the mood while shooting the video, as one of their main characters, well, didn’t exist. “It was very odd shooting with no fish,” Meyers admitted. “But was quite rewarding later seeing it dropped in and making empathic sense to the story we were after.”

Of course, the main character they did have on hand is an awfully useful and appealing one at that. Fans became enamored with the moment Styles uses the back of his hand to check the temperature of a coffee pot before dumping the fish inside the water so it could stay alive. I asked Meyers about this particular moment and he said, “The problem we had was apparent when Harry ran in and threw the fish in the pot. We all sorta felt — well, what if it was hot? So I believe Harry improvised that as a solution and we felt it was perfect for the character’s sensitivity and consideration for this poor fish.” And that’s not the only nice thing he does for his fish friend — he also serves him a tiny taco! “The taco was a whimsical way to express friendship between Harry and the fish,” Meyers offered. It looked pretty tasty, too.

The entire video serves as a showcase for what Styles does best and what makes him such a unique artist: his music, his acting, and his charisma, which Meyers knew would offer him a lot to work with. “Harry is a leading man. I felt that from my first meeting and wanted to play with his wonderful range of emotions. So finding a story with a real character arc was part of my focus in building this world.” Meyers described working on “Adore You” as an “all-around memorable shoot: awesome location, lovely Harry, compelling story, great effects, and… it worked.”

It did. And it was a risk: a video this complex and detailed (and one has to assume, costly), attached to a marketing campaign that proved to be even more involved, still came with no guarantee that the fans wouldn’t shrug it off. But as Manos Xanthogeorgis, SVP of Digital Marketing & Media at Columbia Records told Billboard last year, “When you have a video and a piece of art at such a level, it’s an incredible challenge for the rest of the team to build a campaign at that same level of artistry and creativity.” Oh, and that was only step one, as the marketing team engaged in “real-time marketing” with fans online, ensuring they would continue to remain engaged by dropping clues and clips in the lead-up to the video premiere and subsequently the album. “This whole campaign was around mystery and sometimes mystery is more powerful than knowledge,” Xanthogeorgis said. The Twitter handle has remained active throughout 2020, used as a continual marketing tool for Styles’ next videos including the Meyers-directed “Falling” and this summer’s hit, “Watermelon Sugar.”

With that kind of fan engagement, “Adore You” seemed like a no-brainer for the fan-voted categories of the VMAs this year, as they surely would’ve turned out to vote just as feverishly for this video as they did when searching for clues (about a made-up island, at that!). But hey, maybe MTV was just not interested in massive fan engagement this year — after all, it’s not like everything Styles does, including growing freakin’ facial hair, has the internet in a tizzy for weeks. Ultimately, as the impact of music videos (and certainly the ceremony celebrating them) continues to lose relevance, the disregard of this specific project simply feels like a missed opportunity to acknowledge a rare achievement in the art form.

While Meyers was sure to describe his inclusion in the VMA nominations this year as “lovely and flattering” (and he better have a moonperson in his possession this time next week, MTV!) it’s still puzzling why “Adore You” wouldn’t be included in the big categories, considering Styles is squarely within their demo, at the very least. That “Adore You” is also a technical and storytelling masterpiece, as well as a full moment that was used as inspiration both for the experience online and in-person at the Fine Line Spotify listening party last December, that also comes packed with one of the most enthusiastic groups of fans around, well, that should have had the entire network drooling.

Of course, some of this can simply be chalked up to a perfect storm. As far as his singles go, “Lights Up” was a nice appetizer, but “Adore You” remains the delicious entree (you already know what’s for dessert). “Adore You” is a perfect pop record if I’ve ever heard one (and I have) and deserved a special video. A Chris Isaak “Wicked Game” sexy vibe wasn’t going to work here. The song tells the story of such passionate, pure, and heartachingly naive and innocent love that it almost had to be directed toward a non-human being. Instead, Styles chose to inject those same carefree, sweaty, sticky, delicious, whimsical beach vibes into the “Watermelon Sugar” clip, which was the right choice, and not just for the summertime season (MTV has since added the Song of Summer category to the VMAs and included “Watermelon Sugar”).

But it’s “Adore You” that has melodies that bring a smile to the faces of babies, get your toes tapping even when you hear it in the dentist’s chair, and likely has my neighbors rolling their eyes when I sing along to it in the shower. The song is so simple it’s deep, a theme reflected in the video, as is the central reminder to help and care for others, a thoroughly 2020 message.

However, not all is lost. Both “Adore You” and “Watermelon Sugar” continue to rack up major spins at radio with the latter hitting number one on the Billboard charts earlier this month. Grammy voting kicks off at the end of September and Academy members should take note. Not only is Fine Line more than worthy of being acknowledged, but having Styles on hand to potentially collect trophies and perform is in your best interest when it comes to viewers and online chatter. Do not wait to take him seriously. This is the album, this is the time. Prove that you aren’t a bunch of stodgy old white men who think he’s just for teen (and um, thirty-something) girls, but that you understand the music he enjoys, is inspired by, and subsequently makes, is the same rock music you appreciate as well. An artist like Styles can be both of those things at the same time, and really, the best of both worlds. Give the album a listen, and then one more to let it all sink in. If you have not yet succumbed to the force that is Harry Styles fandom, I truly can’t recommend it enough — and please know that it will get you eventually.

Source: Decider.com

#kingstylesdaily #Harry Styles #hs: news #hs: adore you #August 2020 #Decider

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hlupdate · 4 years ago

Link

I, for one, missed it at the time. I was unaware this account was cryptically quote tweeting fans as they tried to piece together what was happening, what it meant, and what it could be connected to (Greek Mythology and Lostwere a couple of theories posed in comments, Twitter threads, and Reddit). Meanwhile, the Columbia Records marketing department had been hard at work for months, devising this specific and highly-detailed campaign around the music video for Styles’ second single, “Adore You” from his second solo album, Fine Line, ever since he shot the video in Scotland in August 2019 (Eroda = Adore backwards — clever!).

But it was all leading up to the morning of Friday, December 6 when the video was released, one week before the full-length album arrived. Up until that point, I had never seen an entire Harry Styles music video, but what happened next was inevitable. Somehow, as a self-proclaimed boy band scholar, I had never paid much attention to One Direction. I kept a distant eye on Styles since they disbanded, intrigued by the decisions he was making in his solo career. But I hadn’t yet realized I’d been in the ring all throughout the fall of 2019, fighting to resist the inevitable fascination that awaited. First came the jab of Rob Sheffield’s Rolling Stoneprofile, followed by the cross of “Lights Up”, a song that cracked my Top 20 most listened to songs of the year despite being released just two months before Spotify so thoughtfully compiled that personalized playlist. Then there was the hook of his SNL hosting stint in November (and bless you Bowen Yang for that Sara Lee sketch), which then leads us to the “Adore You” video, the uppercut and ultimate TKO. I surrendered in what felt like a near instant. I was now a Harry Styles fan. (If we’re following this analogy, I sat up to spit out some blood after seeing that cover of “Juice” before my head quickly hit the mat again with a loud thud).

Meyers, however, did not share in that fear, as much of this video provided for interesting and new opportunities he had yet to experience throughout his decades-long career, which he listed off: ”Compelling narrative, CG character, remote location, Scottish crew (nothing fazed them),” also noting that all of the other characters in the video were locals as well. So perhaps they were less fazed by the atmosphere across the four-day shoot in Scotland, but as Meyers recalled, the “weather was nuts. It rained every 20 minutes, then the sun, then cloud over.”

#harry styles #articles #270820 #tw suicide mention

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bangtan-sonyeonddaeng · 5 years ago

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Part 3

Summary: Soulmates have different ways of being connected to one another. Sometimes it’s through being able to write on their arms and having it show up on their soulmates. For others it was having their first words spoken to one another permanently tattooed into their skin. You had a unique connection with yours, one that you really hadn’t ever heard of happening before. Whatever song was stuck in your soulmate’s head was also stuck in yours and the same was for them. When Yoongi realizes one of his songs is playing on repeat in your head, he immediately takes to writing songs to communicate with you in hopes it will finally bring you two together.

Genre: Fluff. Just pure tooth rotting, sweet fluff.

Part 1 Part 2 Part 4

Yoongi sat at the computer, mind blank as he stared at a rough draft of a song he had been writing for his mix tape. However he soon realized that he was going to have to completely scrap everything and start all over. The lyrics he had written to go with this melody didn’t suit the words he wanted to say to you at all. He’s been at the studio for well over an hour now, pen and notebook laying next to him as he tried to think of lyrics to write for you.

“God this sucks. I can’t think of anything!” He sighs in frustration and brings his hands up to his face to rub his tired eyes. He’s about to give up and start fresh tomorrow when he hears another song begin to enter his mind.

Alright banbokdwen shisogeim

He smiles to himself as he realizes another one of his songs is stuck in your head. And begins to chuckle when he realizes you must not know too much Korean as most of the words are just jumbled while the melody plays in your head. Are his songs really that catchy? Or did you possibly feel a connection to him through his music? He pulls out his phone to call Hoseok for help.

“Yoongi! How’s the song writing going?”

“It’s absolute shit. I haven’t wrote anything yet. I was wondering if you could help me? Or at least help me sort through the rough drafts of these tracks I’ve already produced to help me find one that is catchy and will get stuck in their head so I know they heard me.”

“Of course! I’d be happy to help.”

They spend a good half hour in the studio going over the different beats and songs Yoongi had saved before Hoseok shouts excitedly.

“That’s it! That’s the one. This is perfect. It’s catchy, but it’s also soft and I think will really show the emotions you’ve been feeling towards your soulmate. There’s a bit here where the melody turns a little more harsh and that’s where you could speak your feelings honestly, your fears about never getting to meet. But then maybe at the end make it clear that this song is for them as a way to communicate. I don’t know just some ideas-”

“Hoseok that’s brilliant. Thank you. I think I finally know where to go with this.”

“You’re welcome! Don’t spend too much time here, make sure to rest!”

“I’ll rest when the song is finished. You know me.”

“Alright. But just take breaks every once in a while, yeah?”

“Sure Hobi, thank you.”

Yoongi sits down with his notebook and begins scrawling lyrics on the page. He works through the night and by the time he’s finished he is beginning to see the sun rise over the horizon. He smiles and decides he’s going to post it now, not wanting to wait any longer and hoping you’re awake. He opens up their twitter and posts a link to his song on soundcloud. Immediately people are liking, retweeting, basically going nuts over Yoongi having released another solo song. He smiles to himself and continues scrolling through the replies, until he comes across one particular one that makes him stop.

I don’t know if you’ll see this but I hear you. I’m listening to every word.

It’s about 5:00 pm when a notification on your phone goes off that BTS has tweeted something new. You open it immediately, and see a link to a song. You are seriously excited when you see it’s a new song for Yoongi’s mixtape. You click on it, anxiously waiting for the page to load as a slew of army also try to access the song. After the website crashes a few more times it finally opens for you and you listen to a sweet, beautiful piano melody playing. When he starts singing, even though you aren’t fluent in his language you can feel his emotions and what he is saying through his words. The song sounds... hopeful. But then towards the middle begins to sound more dark, as if he’s doubting something. As if he has all of this uncertainty and is rapping out his frustrations. The song ends on a more upbeat note, and the very last line is in English and it sends sparks up your spine.

I don’t know if you’re listening, but this was for you.

You freeze, hand hovering over your phone before it drops to the floor. He wrote this song for you. Tears well up in your eyes as you realize he has been just as frustrated not being able to see or talk to you too. You stand there for a few moments processing everything when your phone starts ringing. You realize it’s your friend. You answer it, still feeling dazed.

“HE WROTE A SONG FOR YOU!”

“I am aware of that.”

“So you finally have come to terms with the fact that Yoongi is your soulmate huh?”

“I mean it’s pretty hard to deny it at this point. It feels like something is tugging on my heart every time I listen to his music.”

“This must be his way of trying to find you and talk to you. He’s going to write a whole mixtape dedicated to you just watch.” You scoff into the phone.

“I don’t know about all that...”

“it’s true! He will! Yoongi has always been very open and honest with his feelings. If this is at the forefront of his mind, then he’s going to write about it.” You sigh and flop onto your bed, staring up at the ceiling.

“Maybe he’ll start including times and places he wants to meet you or something.”

“That would just be stupid do you know how many fans would go there if he did that?”

“He’ll probably do it cryptically then. Listen to what he’s saying y/n, like really listen.”

“That’s gonna be kind of hard when I don’t know Korean...”

“He posted a translation with the song!”

“Oh? Really?”

“Yes! Go read it!” You immediately switch back over to their twitter and see that he did post screen shots of his notes with an English translation. You read the lyrics and it doesn’t stop you from tearing up even more. To read all of the frustrations he’s had with thinking he was never going to meet you, to now having hope that he’s heard you listening to his music that one day you will find each other. You don’t hesitate to grab your phone and tweet a reply.

I don’t know if you’ll see this but I hear you. I am listening to every word.

Yoongi doesn’t quite understand why reading that comment sent such intense butterflies into his stomach. Could it be you? Is it possible that he happened to find his soulmate in a sea of countless other replies? He tells himself no. That there’s no way that is even possible. But there is a small nagging in the back of his mind that keeps reminding him of what Namjoon had said to him, what all the guys have said to him.

The universe has a way of making sure you two will be brought together.

He taps on your page and sees that you just recently made it if the fact that one of only things on your page was the reply to him and another one stating that you were a new army. He smiles at that. And now he’s internally debating with himself if he should talk to you and try to get to know you, or if he was just being crazy. He’s leaning more towards being crazy. Maybe the lack of contact with his soulmate for this long is just making him see you in every body. He sets his phone down and sighs, but before long he begins to feel a pulling urge in his chest. Like someone is tugging him back over to his phone. Before he can stop himself he makes himself a fake suga stan twitter account and responds to you.

I’m sure he will see this. He’s on social media much more than you think he just doesn’t always respond unless he has something really thoughtful to say.

Ah, thank you. I probably sound like some crazy fan don’t I?

Not at all.. I think... I think he would be happy to know that someone is listening to him. Like really hearing his words.

I hope so. I just feel bad you know? Like I wish I could just pop over to Korea be like here is your soulmate! So he doesn’t have to be sad anymore.

Are you his soulmate?

He has to wait a while before you respond.

I believe so. I sincerely hope so. Anyone would be lucky to be his. He’s a wonderful person and cares about others so much. Even just in my short time being an army I can see that.

Yoongi stops responding after that, not trusting himself to reveal who he is and fly you out on a plane to Seoul just to see for himself if you are his soulmate. He is frustrated, wondering how exactly he was going to get to meet you. He could set it through his song, but he needs to be careful about it. He can’t reveal too much or the entire fandom will be wherever the place is he is talking about. He’s about to start working on the next song when a text comes through.

HYUNG GO TO BED! I know you’re still awake so sleep! Work on another song tomorrow night! Goodnight!

Yoongi laughs as he reads the message from Taehyung. He texts him goodnight and lays down on the couch in his studio, drifting off to sleep with his song playing on repeat in his head and a wide smile on his face.

Tag list: @anoesjkaax ( didn’t forget you this time heheh) @just-call-me-trash-can @thestral-balerion @xcastielbabyangelface @rukinamukami @r-e-d-i-s-h @heartblackerthancoffee @rosita7703

#yoongi x reader #reader x yoongi #bts #min yoongi #suga #bts fanfic #yoongi fanfic #bts fluff #yoongi fluff #bts soulmate au

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stylesnews · 4 years ago

Link

Meyers, however, did not share in that fear, as much of this video provided for interesting and new opportunities he had yet to experience throughout his decades-long career, which he listed off: ”Compelling narrative, CG character, remote location, Scottish crew (nothing fazed them),” also noting that all of the other characters in the video were locals as well. So perhaps they were less fazed by the atmosphere across the four-day shoot in Scotland, but as Meyers recalled, the “weather was nuts. It rained every 20 minutes, then the sun, then cloud over.”

#harry styles #aug20 #adore you #decider #suicide tw

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artxyra · 5 years ago

Text

Another DC TA Marinette | #2

*So I’m still not good at fighting sequences, so if the fight scene towards the end seems off and not quite right, I’m sorry. Also if you asked to be tagged and don’t see your name please tell (DM) me so that I can add you to the next part. I’m aiming for at least 5 parts for this version, so we shall see how this will go.

Part 1 | Part 2 (here) |

Part 2: Dupont Meet Gotham

Caline was very, very sorry for her class. They haven’t been in Gotham for a single day and Lila’s already causing trouble. The trouble that cannot be fixed if something goes wrong here. There was no Hawkmoth to save her or to validate her emotions. It was no secret that Caline has Marinette on speed dial, but she knew how much the graduate loves her time away from this class. Maybe it was best to bring Marinette in and give the class a shock, but it may be too late for that.

“No, no, I’m Damian Wayne’s girlfriend, there must be a special or something for your boss’ heir.” Lila tries to spin her web of lies to the barista as the class gathers around at a nearby cafe.

The barista stares boringly at the Italian native waiting for her to make up her mind and order already.

“Look girly, you’re holding up the line. We don’t do specials for Wayne’s here, and if you’re truly Damian Wayne’s girlfriend then you would know that.” The barista states gesturing to the long line full of Dupont’s students and actual customers.

Lila’s eyes began to get teary-eyed, “I will have you know…”

“Lady, if you don’t order something in the next five seconds, you will be kick outta here.” The barista firmly states glaring at Lila with no room for negotiations.

Lila scoffs and runs into Alya’s waiting arms, crying her eyes out. Alya glares at the barista, who gave zero fucks about what just happened and takes the order of the next person.

“Shh...everything will be okay, Lila. Besides, don’t you have that date tonight with your boo?”

Lila sniffles a laugh and nods. Oh, how she has them deeply entangled in her web. “Then let this one incident go and let’s go out the strip, you can spend some of my earning for ice cream or something.”

Caline along with everyone (meaning two people, maybe four people) in the Marinette protection squad could do is either roll their eyes or shake their heads.

Chloe with her coffee in hand scoffs at the scene in front of her and looks over to Adrien. “At least she’s not hanging onto you every second of the day.” She jokes remembering the times when Lila’s lies were small and surrounding around the Agreste name.

Adrien softly groans, “Don’t remind me. For she had to be my date to one of my father’s fashion shows which were quite weird considering that I was already with Luka when it happened.”

“Yeesh,” Chloe grimace at the thought of that situation. Her phone buzz signaling an incoming message. It’s from Marinette.

“Bug is texting. I’m surprised she didn’t send it to the group chat.” Chloe states before taking a sip of her drink and opening the message.

Multi-Bug: Hey did you get to Gotham, alright?

Melitta Bee: Yea, y weren’t u w/ us?

Multi-Bug: You’ll see why soon ;)

Multi-Bug: Anywho, how’s the class goin?

Melitta Bee: Gettin worse by the min

Multi-Bug: It will be good soon

Chloe scoffs at the message and shakes her head. “Bug will be the death of me., literally.” She groans opting to not reply to the message.

“What did she say?” Adrien asks keeping a firm eye on Lilia, looking to see if she does anything stupid to get them killed.

“You know how cryptic she can be. All I got from that was that everything will be fine. Like how she’s going to get here? Seriously, this trip is utterly ridiculous, ridiculous.” Chloe vents to the model.

Adrien nods, but then quickly nudges Chloe seeing that Lila is heading there way.

“Oh look, trouble.” Chloe jokes as Lila stands very close to the two blondes.

“Do you always complain about stuff, Chloe. I only came here to befriend you seeing that Mari isn't here to corrupt you.” And there goes the dramatics.

“The only thing that is corrupted is you and this fucking class.” Chloe turns around, grabbing Adrien’s hand, and walk out of the cafe.

Chloe B. @queenbeeyellow Hey, wish @mdcfashion is here with us. It’s boring here w/ only @adrienagreste

Attach is an image of Chloe and Adrien in front of the cate wearing sunglass and making funny hand gestures towards the camera. It was clear that it was a selfie.

----------------

Marinette smiles at the tweet before returning her attention back to the Headmaster of Gotham Academy, Mr. Collingwood .

“Miss Dupain-Cheng, where are your key cards for access to the building of both here and to your class’s residential stay. Will you be joining them at the hotel or be staying with Mr. Wayne?”

“I’ll be staying with Mr. Wayne, Mr. Collingwood .” She answers with a soft smile.

The headmaster nods and leans back into his chair.

“I’m I required to participate in class sessions as a student or am I just there to observe?” It was an honest question seeing that she is the teacher assistant rather than a student.

“That would depend on your class’ homeroom teacher. It is most likely that you and that teacher’s T.A. would work together and demonstrate whatever projects are and hand out paperwork.” He answers clasping his hands together as his focus remains on Marinette.

Marinette nods and takes the small stack of supplies into her arms.

Marinette: I have gotten everything ready

Marinette: Everything should be set for Monday. I’ll see you then.

Mme. Bustier: Oh thank you, Marinette.

Mme. Bustier: Your classmates will be ecstatic to know that you’ll be here.

Marinette: I doubt that.

Caline Bustier closes her messenger app and turns to the class and gasps. The core Lila group is missing. No longer in the cafe, just great, great. They barely know their surrounding area despite what Lila said about being here, but if that was true it wasn’t recently. Places change and Gotham is no different.

“Chloe, Adrien, do you know where the core group went?” Caline asks, turning her attention to the two blondes drinking, perhaps coffee, maybe even tea.

Chloe shrugs while Adrien shakes his head unsure how to answer. It was no secret that the dislike the Lila group.

“First day here and I’ve already lost some teens.” Caline huffs and walks out of the cafe to find her so-called perfect students.

“Did she look panic to you?” Adrien asks setting his drink down.

Chloe nods, “Should we go help?”

“It’ll lessen her panic attack later.” Adrien agrees as the two of them get up and follow their teacher.

----------------

Tina @thepinkmistress #anotherdayingotham so apparently Two-Face has a bunch of foreigners held at gunpoint. They’re officially now apart of Gotham

----------------

With Lila and her small crew of loyal followers, they were just stirring up trouble. It all started when Alya offered to take Lila out to the strip for shopping not realizing how dangerous it was to be. Well, it’s not like they cared. To them, this was a vacation with added on classes.

“Oh, I can’t believe my Damibear texted me saying that he was excited that I was back in town. We can finally rekindle that long lost love we had.” Lila gossips about as the two were entering a nearby storefront.

“Girl, you’ve waited long enough, let’s go prep you for your man,” Alya exclaims dragging the twin tail girl further into the store. Nino unsure why he is with them just sighs and looks for something to give to Alya as he wasn’t able to for their anniversary.

“What do you mean, he doesn’t have a discount here?” Oh great, here we go again.

“Look, lady, Damian Wayne may be a big name here, but we don’t do discounts for people like him.” The store attendant spoke up about rubbing her hands against her face.

“Surely, he would have a tab open or something. He knows this is one of my favorite stores to shop in when I’m in town.”

“Uh...we just opened our stores, like, two years ago. That and we’re strictly located here and in Metropolis.”

Lila pouts and begins to throw a fit. If only, Hawkmoth was here.

“Girl. I sure this is some kind of mishap. I’ll pay for the clothes and then we can go sightseeing in this part of town.” Alya offers, showing her a credit card in her hand.

Lila squeals and jumps into Alya’s arms. Little did she know that it was actually Nino’s credit card instead of Alya’s. Alya’s parents were very concern about their daughter’s spending habits and put a cap on it that she clearly maxed out before the trip.

Ivan walks over to Nino seeing as the poor DJ was lonely and that Mylene was trapped in the web of lies, well he is too, but he hides it well under the impression that it’s to make Mylene happy.

“You okay?” Ivan asks catching the Dj’s attention.

Nino grunts and shakes his headphones off. “No--yes-maybe, I don’t know.” He admits staring off to the empty space that was his girlfriend and her best friend.

Before Ivan could answer, a loud scream can be heard from outside the store.

“Shit, do not leave this place.” The store attendant gasps, only to be ignored by the remaining students of Dupont. The store attendant sighs and ducks behind the desk.

“Lila!” Alya screeches.

----------------

Miraculously Safe GC:

Melitta: How quickly can you lose a spider?

Ryouko: Quick why?

Musical Viper: That depends, when did you see the spider? How big was it?

Melitta: Mme. B lost the spider and her trapees

Multi-Bug: WHAT!!!

PunNoir: Yeah, she lost them so now we’re out searching for them.

Melitta: It’s not like they went that far?

Multi-Bug: You’re in Gotham, crime central, and she lost some students!!!

Ryouko: I’m sure everything will be fine, Bee.

Musical Viper: Keep your eyes open, Punn, if things do go wrong we’re only a plane ticket away.

Melitta: SHIT!! Lila started up another mess.

Muli-Bug: WHAT!!!

Chloe and Adrien quickly hide their phones and disappear behind a building, hoping that the shadows cover them from the watchful eyes of Two-Face and his minions.

Mme. Bustier apparently didn’t get that message and wounded up wrapped into the mess her students have caused.

Two-Faced stares menacing at the teens as his men surround the group all at gunpoint.

Lila being the idiot she is started crying how her Damibear would pay him, save her even. The man was not swayed.

“Clean, we shut the girl up; scarred, we kill her right here and now.” He murmurs drawing out his lucky coin to do his bidding. “However, we don’t have much time. That bats would be here any minute.”

As Two-Face explains his plan to his men, one of the guns goes off. Everyone shrieks in terror. Alya stares, frozen as her phone lays died with a bullet hole on the ground. Blood seeps through her hands.

“Boss, she was filming us.” One of the henchmen explains with steam oozing out of his gun.

“Dumb girl, did she really think it was smart to film right in front of us. At least be like every citizen here and do it in secret.” Two-Face groans, gesturing for the men to fire a new round.

Everything freeze, while Lila screams her head off naming off every possible hero she could think of.

----------------

Marinette runs through the city at a hasty pace. She’s maneuvering her way through the large crowd of citizens all trying to get away from the lastest villain attack down near the shopping strip. Marinette comes to a barreling stop.

She could hear the cries of Lila Rossi from a block away and it was painful to hear. Her naming every hero only to get knocked upside the head by one of the henchmen. This will not look good for the exchange program in the future. Mme. Bustier tries—and fails—to negotiate with Two-Face.

Two-Face keeps playing with his coin deciding what misery he shall put these foreigners through just to grab the Bat’s attention. Then again would he even care, that just means new toys for him and his men.

Marinette looks around searching for a distraction. Nothing comes up. She needs to think fast seeing as the Batfam and they are currently being held up. Not that the public needs to know that. She got it. Getting closer to the range. She then pulls out her traveling yoyo and readies a swing.

Just as Two-Face flips his coin, Marinette throws the yoyo.

The yoyo knocks the coin away, just as the string wraps around it as she pulls back. The Parisians students look up hoping to see a familiar hero in red and black. They saw no one.

“Find my coin you fools and kill however took the dang thing.” Two-Face shouts out in a fit of rage.

Marinette yelps and disappears around the corner. She finds Chloe and Adrien hiding spot not far from her. Unwrapping the coin from the string, she tosses it up into the sky and takes off before gunshots are heard near her way.

“Thank god you guys are okay.” She pants out, scaring Chloe in the process as the Bee miraculous holder shrieks out and attempts to roundhouse kick the graduate. “Chloe! It’s me.”

“Multi?” Chloe gasps out in shock as she finally takes in the appearance of her leader. Marinette wasn’t in her usual Paris getup but instead in a pair of black leggings, an over-the-shoulder tee with all the Batfamily emblems. Ankle boot thick heels, good for running. The biggest difference being her hair as it’s half up and half down with pink lowlights covering the once fully black, nearly blue hair. “Damn, hun, you look fine.”

Marinette chuckles, “I’m sure ‘Gami would love to hear you say that.”

Chloe shrugs as Adrien comes out of his shocked stance. “Mari, what? How? When?”

“At ease Chaton, I’ve been here in Gotham for the past few weeks. However, that is not our issue right now. The class is being held hostage by Two-Face, a villain with a mess-up sense of justice. An excellent attorney but he has a few loose screws. I bought the class time from being publicly executed for the Bats to get here. I just hope that they do it quickly.

From the corner of her eye, Marinette could spot the familiar colors, that she very much hate but haven’t gotten the time to screech at them for, appearing on the rooftops of a nearby building.

“Thank kwami, they’re here.”

“Who��s here?” Adrien and Chloe chimes together. Marinette smiles at the two with a twinkle in her eyes.

“Two-Face let the students go?” Batman demands, appearing on the scenes with little to no room for negotiations.

“And where’s the fun in that, Batman?” Two-Face asks as a new coin is placed into his hand. It may not be the one that Marinette stole but it will do. “Clean says I leave, but scarred says I will kill every one of them.” He tosses the coin up.

The coin lands in his hand, lifting his hand up it shows the scarred face of the coin. “Oh look at that, they’re dead anyway.”

Immediately, the henchman readies there guns only for bat-a-rangs to knock them out of the out of their hands.

“They never come alone do they?” Two-Face mutters as Robin and Nightwing jumps down into the scene.

Robin with no hesitation attacks and disarm whoever comes his way. Batman could only facepalm seeing his son basically ignore the plan. Nightwing shrugs and joins in. This only left the big Bat and Two-Face at a stand-off. Two-Face readies his own gun and shoots a couple of rounds at the dark knight.

It wasn’t long before the fight ends and the paramedics come in to help the injured students. Marinette motions for Chloe and Adrien to follow. She walks over to Robin with her arms folded against her chest.

“You shouldn’t be here.” He whispers to her when she was in earshot. Marinette huffs and rolls her eyes before playing the average Batfamily fangirl.

“Oh my god, Batman, you saved my class!” She squeals. Her voice catches the attention of her conscious classmates.

“Marinette?!” They shout in disbelief as Mme. Bustier smiles in relief.

The paramedics gave Mme. Bustier a slip as the class minus Aly and Lilia, both who are still in custody of the paramedics, run over to their missing classmate.

Marinette quickly gives Robin a knowing look before focusing her attention on the class.

It wasn’t long before she’s surrounded by an overwhelming amount of questions. So, now they care about her.. Yikes. Marinette turns to Chloe and Adrien for help. Chloe scoffs and shoves through the class.

“Leave the girl alone, besides you just went through something most people would consider traumatizing but knowing us this is nothing compare to dealing with akumas.”

Marinette smiles at Chloe.

The class disperses.

“Maybe it’s time for us to head back to the hotel.” Mme. Bustier pipes up knowing full well that she’ll have to report this incident to the board under the predicament that it was due to Lila’s compulsive lying that put them through struggle.

----------------

At the Dupont’s homestay--well it was more of a hotel than anything, Lila and Alya were ushered to their rooms while the rest of the class goes to comfort the two in the best way possible. While that was going on. Marinette decided to have a meeting with Caline about the issue.

“She can’t be alone in this city.”

“I know that, Marinette.”

“On a different note, I’ll be attending your class session at the academy.”

“That’s good, isn’t it? “I suppose, but it’ll be slightly harder to keep my status as a lycee graduate under wraps.”

“You’re what!” The familiar sound of Chloe’s shrill voice echos in the room.

“Hi Chloe,” Marinette meekly greets one of her best friends.

“Don’t hey Chloe, me missy. When were you going to tell us that you graduate?”

Caline took this moment to exit the room leaving the two teens to their demise.

“Do you want the real answer or the answer that will satisfy you?”

Chloe glares down at the teacher assistant.

Marinette sighs, “I’ve been done with lycee since last quarter. Instead of making a big deal of graduating early, I volunteered to be a teacher assistant for the rest of the year while I start my university courses online.”

Chloe looks down before hugging Marinette. “Thank you,” She whispers into the graduate’s neck. “You could have left Adrien and me to the spider but you chose not to. Thank you, Multi for everything.”

Marinette blinks the tear away and returns the hug.

Marinette left the hotel with the promise of catching up tomorrow when they have class. The only thing good that came through was that she didn’t have to deal with Alya or Lila that night, the next day, she wasn’t so sure yet.

----------------

“That was really stupid of you, Angel, to get involve like that,” Damian states bringing his girlfriend into his arms when she’s safely located in his bedroom.

Marinette giggles and kisses his cheek. “It wasn’t like I was directly involved., my Prince.” She whispers into his ear. A faint pink blush against Damian’s cheeks.

“If it wasn’t for Robin and the rest, you could have been killed if Two-Face found out that it was you that took his coin.”

“You know I’m stronger than what I look. Besides, I have better things to worry about than a villain that isn’t my foe.”

Damian groans, “Angel, you will be the death of me.”

Instead of speaking, Marinette kisses him, allowing him to pull them onto the bed.

“Use protection!” One of his brothers shout out, it was most likely Jason.

“Kill him in the morning, when I’m not around.” Marinette murmurs before preceding with their original plan.

----------------

The next morning, the Dupont class along with Marinette stands outside the booming gates of Gotham Academy.

“I wonder if my Damibear is here, too. The last I heard he was overseas on a family vacation.” Lila blissfully wonders to get the reassurance from her loyal friends.

Marinette rolls her eyes and looks to the person walking towards the gate.

Manette @gothamsfashionsense Hanging out in GA for the next couple of days. Does anyone want to join?

In the image attached is a photo of a coffee cup in one hand with the gates of Gotham Academy in the background.

As of 12/9/19, the Tag List is CLOSED

Any asks before that will still be added. After that, I’m sorry but can follow my fic tags.

#daminette #marinette x damian #teacher assistant Marinette AU #teacher assistant au #maribat #dc x mlb #ml x dc #dc crossover #ml crossover #miraculous ladybug fanfic #miraculous ladybug

1K notes · View notes

breakingsomething · 4 years ago

Text

Dawn Station - Pilot

Basic summary: Video game developer Jack Mcloughlin is finally releasing a new game after a ten year hiatus.

Content warnings: Murder, dismemberment, body horror

It comes as a shock to everyone, including you, when Jack Mcloughlin announces the release of a new game at the start of the second week of October.

There are several reasons why this is such a big deal. One: Jack Mcloughlin has been making games since he was twenty seven, and has released only five of them in the thirty years he's been doing it. Two: Jack Mcloughlin is world renowned for his fantastic horror games, all done in wildly different styles, but still notably his own. Three: Jack Mcloughlin has not, up til now, so much as mentioned working on a new game. The only social media site he's fully active on is Twitter - which you check regularly for any updates - and before the release of his last game, Ehrmann Lab, he had left a series of cryptic clues for two months leading up to the announcement. Those had been probably the most fun two months you'd ever had in your life, and even helped you make new friends. But this time around, there is no warning. The trailer is dropped at Purina Expo, one of the biggest American gaming conventions of the year. You were incredibly lucky to be able to snag tickets. Usually, this convention is where the hottest games that would be coming out the following year would be announced, trailers would be played, and developers would discuss - so everyone there on October 10th is shocked to not only be the first to see the trailer, but to hear from the man himself. Jack Mcloughlin takes the stage, gleefully announcing the release of Dawn Station on October 31st this year.

Now, the release of a new game from Septic Games - Mcloughlin's own software company, which he founded after his second game's release - is a big enough deal. But this… this is something else. Mcloughlin explains it before the reveal of the trailer, and you listen with great excitement.

"Dawn Station," says the man, practically bouncing across the stage with glee and shouting into his mic with a hoarse Irish accent. "is a feat of modern gaming. Now, I understand that when you play games, it can get boring to replay them later on after you've finished, because - well, you know how it goes! You know all the twists and turns, all the jumpscares, all the fights, all the spooks. But what if I told you that there was a way you could play where things were different each time?"

Behind the man, on a large screen, an image comes up. This is the first promo image for the new game to be shown to the people. The image is of a tilted hallway in what looks like a complex, broken down space station, overgrown with unusual plants that glow and spark. In the centre of the image is an astronaut. His helmet is on the floor, blood soaked. His face is half in shadow. All that can be seen is curly olive hair and neon green eyes - two on his face, and one embedded in his neck. The suit itself is torn, ripped open with a mouth and a dripping tongue where the being's stomach should be. A torch is on the ground behind him, attempting to cast light on the room. The words "Dawn Station" come up in solid, bright green font next to the being's face.

"This is Dawn Station!" cries the developer, over the many excited murmurs of the crowd. "The first ever virtual reality game with a fully developed artificial intelligence antagonist! An antagonist who learns from the players movements and choices, who grows and changes based off of what you do. You control the game, now more than ever! He's clever, he's learning, he knows where you are, and his objective is to kill the player - introducing... Alien X, otherwise known as… the Anti!"

Everyone cheers. Mcloughlin steps aside, a beam splitting his pale face, and allows the room to darken, and the trailer to play.

You're in awe. The trailer shows that you play as a character named Drew Oliver, an astronaut in their mid twenties who's aboard the Dawn Space Station, which has fallen to the planet you seemed to have been monitoring - the Othohiri 5RM. The game seems to revolve around attempting to explore the little bits of the planet that you can while repairing the ship and dealing with your descent into madness, all the while being chased down by the Alien X, a shapeshifting monstrosity who's eager to end your life before you can finish your goals. After watching it… well, everyone is absolutely blown away, especially you. This is unlike anything Mcloughlin had ever produced, especially to this scale. It's no wonder he hadn't produced a game in ten years if this was what he had been working on. You're practically vibrating with excitement at the breathtakingly beautiful scenery and realistic yet perfectly stylistic graphics, and the 8D sound design that seems to echo from all around you. It's incredible. The second you get back to your hotel room that night, you're one of the first to preorder the game.

Your week at the convention ends, and you go back home, counting down the days to the game's release. However, even more exciting things are happening. On Twitter, a few of your favourite youtubers are acting rather cryptic. KrisDoesGAMEZ and rrroadblock, two streamers you like, retweet Mcloughlin's announcement tweet with eye emojis and promises of the game being good. DUSSST, visualthursday and BroAverage make their own posts about it. PeachCheerio and TheSkinnerr upload short update videos promising exciting things to come.

On October 15th, it happens - ten youtubers each upload an early access demo of Dawn Station, having been chosen and given the code to play it by Mcloughlin himself. You don't watch the videos because you want to play the game yourself with no spoilers, but from what you've seen, it's fucking amazing. Critics are already calling it the game of the decade. The internet is thriving, and a few people have already cosplayed Drew, the main character. Your best friend uploads a joking cosplay of the Anti and walks around town with it on. He gets over a thousand likes and teases you about being too good for you now that he's internet famous. You're living for all of this.

On October 16th, youtuber PeachCheerio is murdered in his own home.

Everyone is shocked, rightfully. Here is a man who had streamed just the day before, chatting with his members and looking at Dawn Station memes on Twitch. Today, he was discovered by his girlfriend in his own home. Leaked police reports tell you that the man, whose real name was Ronald Murphy, had been messily dismembered, his organs removed, half of them missing. You're in shock. He was one of your favourite streamers, and maybe it's silly to mourn someone you've never met, but you're deeply, deeply saddened by the news.

However, it doesn't stop there. The very next day, youtuber DUSSST - or Louise Greendale - is found the same way Ronald had been. Louise's girlfriend apparently called the police in hysterics before panic tweeting about the incident. The posts were taken down an hour later. The screenshots of what she'd said trend of Twitter and Tumblr anyway.

This is when the conspiracy theories arrive. Two youtubers dead in two days, both brutally taken apart and missing organs? Some people mock the theorists for it. Who had even said Louise had been killed the same way as Ronald, anyway? That is, until more apparent police reports are leaked revealing the details of Louise's death. The internet goes wild. The Los Angeles police department posts a video begging whoever's causing the leaks to stop, to think about the families of the deceased. All this does is prove that they're true. This video, too, is later taken down.

You log off in disgust. Some people have no fucking shame.

Things heat up the next day, on October 18th, when user rrroadblock, or Aryan Jha, dies as well. The death is covered up for the first few hours afterwards, but eventually is leaked in the same manner as the last two murders. This time, the theorists are no longer labeled as crazy. In fact, everyone's getting in on this mystery now. Three popular youtubers dead now, each found in bloody states in their own homes, three days apart? No one knows what's happening, but that doesn't stop people from guessing. And while you refuse to involve yourself in any of this, you also find yourself wondering who or what - not what, of course it's not a what, that's just ridiculous - who is killing all of these people.

Day four. The internet is silent, waiting. And yes, sure enough, youtuber KrisDoesGAMEZ, or Kris Velvet, is dead.

This time, someone realizes something that makes everyone pause. Each of the dead youtubers are all the ones who were given the free demo of Dawn Station, and are even dying in the order that they played it in. Everyone goes insane. Even you're suspicious - of what, exactly, you don't know, because why would someone murder someone else so brutally over a video game? Despite that, this can't be a coincidence. People place bets on whether youtuber ducksontheroof, or Donna Campbell, is going to be the next one to be found dead. Donna herself makes a statement on her Instagram, expressing disgust at all the people who were spreading such information around. She then deactivated all her socials apart from her YouTube. The people who had been making bets were shamed, and you have to log off yet again. This is getting to be too much.

You stay offline until nearly four pm the next day. Your friend calls you up to give you the news, but you already know what they're going to say. Let me guess, you start, voice flat and tired. Donna Campbell's dead.

They confirm it. You don't know what to say.

Her family put out a statement asking people not to theorize about her death. People do it anyway. Reports state that the remaining five youtubers who had played Dawn Station, along with, surprisingly, Jack Mcloughlin himself, had been taken into police custody. For protection, you assume. Once again, the internet goes insane. This proves their theories about the game connecting all the deaths, and a silent dread and buzz of twisted excitement hangs over everyone. You're just disgusted. People are treating this like some kind of murder mystery game, like this isn't real, actual lives.

Two days pass without news. At the end of the second day, there's yet another leak. Youtubers Doomandgloom - Persephone Henry - and TheSkinnerr - Rodney Pratt - are dead. You're just numb. You're just so fucking numb.

This reveal, of course, inspires yet another debate. If the youtubers had been under police protection, how had they died? Had the police seen anything? Why hadn't the leak said anything about it? Who was killing all these people in so little time, how hadn't they been caught? Had, really, no one seen anything at all?

There are now three youtubers left who'd played the game. Hothothotstanley, or Stanley McIver, visualthursday, or Khia Herrera, and BroAverage, or Chase Brody. You met Stanley McIver, once, at a convention in London three years ago. You have a picture on your memory board of you standing in the convention hall, him with his arm around your shoulder, you with a grin and sparkle in your eye. You can see the picture from your bed. You turn away from it.

However, the next day is a surprise to everyone. A video is uploaded to someone's Twitter - a full, uncensored video of the murder of Stanley McIver inside the government safe house he and the others had seemingly been kept in. The video is immediately taken down and the Twitter deleted, but everyone has seen it. Including you. The video is… horrifying. Of course it is. Why did you watch it? But you do manage to see who it is that killed him. Everyone on the internet does. And this - this video, that's maybe five minutes long - is enough to make everyone go silent.

The killer looks exactly like the Anti from Dawn Station.

No one knows quite what to make of this.

Even less so when Jack Mcloughlin dies the next day.

He's murdered. Same way as all the rest of them, in police custody. Now this is enough to shock everyone into mourning silence. Only a few pricks are left, and their accounts, channels and blogs are swiftly deactivated. Nine deaths in nine days. Nine deaths. Nine. Jack Mcloughlin.

The next day, Khia Herrera - well, you know.

Chase Brody is the last one left alive. You never watched his channel that much - he's really into horror, and is known for his Walking Dead playthrough and his Undertale Genocide run - but you still already feel a strange sense of loss. A sort of emptiness. Something churns in your stomach that you don't understand. There's a lot that you don't understand.

The release of Dawn Station is cancelled.

You spend the night at a friend's house, and just bawl for hours. You shouldn't be so upset, you shouldn't! You never knew any of these people! But fuck, there's something about seeing all these people who you'd been watching online for so long, who have given you so many happy days, so many laughs and inside jokes… just die. How had this happened? Who was it who was doing this?

Your friend sadly suggests it's some sick Jack Mcloughlin hater who decided it'd be fun to cosplay as his newest character and kill people to scare everyone. But while you outwardly agree, you internally know it's not true. Because every time you watch that video, every time you watch Stanley die - and you watch it a lot, just trying to make yourself feel something, even if it's just sick - you can tell the person isn't human. You know that's ridiculous, of course. But there's something about its eyes. Its face. It glances up at the camera and makes eye contact, and grins with too many white, jagged teeth, like an anglerfish. The eye in its throat sees you too. It glows. You shudder every time, watching it shake with glitches and laughter.

You're scared. You feel sick and dizzy and you lock your doors out of fear. You stay inside and open Tumblr, Twitter and Instagram again.

Poor Chase Brody, says the internet. They're already mourning. Already accepted his death. Poor, poor Chase Brody.

You hope he's ok, wherever he is.

#dawn station #jacksepticeye #antisepticeye #boop writes

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raleighcarrera · 5 years ago

Text

catch up

platinum | raleigh carrera x mc (cadence dorian)

it’s been eight months since the breakup. they have a lot to catch up on.

~6k words, M (18+ only)

songs mentioned are gorgeous | no more sad songs | touch (acoustic)

he’d been wondering who would get around to dropping their album first. from the looks of the current trending topics on twitter, cadence had won. it looked like she’d even chosen to jack his style -- dropping her album in full with no announcement, no promotion, no warning... nothing.

color him impressed.

no more sad songs was number one on trending. just below it was the word touch. related topics: cadence dorian, raleigh carrera.

he told himself it was just his own narcissism that made him click. that, and morbid curiosity. it’d been so long since he’d last tortured himself, after all.

a long list of tweets stared innocently back at him. GOD touch is the sexiest song anyone has EVER WRITTEN I’M SCREAMING, said the first one. make it a single queen!!!! you deserve the hottie they will cast for that music video and more!!!!!

he scrolled down. sooooooooo are we going to talk about how touch is obviously about raleigh carrera giving that good dick or nah

his eyebrows shot up. well, now he had to listen to it.

he pulled up spotify; of course she was on the home page. with just a few taps, the song started to play. an impressive piano melody filled the room. she must have beep practicing. as her voice filtered in, he turned up the volume.

cadence sounded... soft and sad, and, the masses on twitter were right: sexy. god did her breathless, yearning voice sound sexy. despite himself, he could actually feel his face flush as he listened to the words. so won't you take it, i feel like for the first time i am not faking... fingers on my buttons and now you're playing. master of anticipation, don't you keep it all to yourself.

it took everything in him not to be consumed by the memories that were threatening, but the last thing he needed was to fall down that rabbit hole. he’d gone so long without thinking about her, after all. it was almost up to a full two days at this point, before something would inevitably remind him of her and he would spiral again.

the rest of her album stared back at him from his laptop screen. he studied the cover art as her voice filled the empty room. it was a photo of cadence, of course, a wide full-body shot against a brick wall. she looked powerful, in the sharp black outfit she was wearing, her skirt just short enough to make her legs look a few hundred miles long.

inhaling sharply, raleigh forcibly redirected his gaze to the track list, scanning the rest of the titles. his lips curved up into a smirk as he read them off, one by one. motorcycle boy. hollywood. tattoos and bad news. subtlety was never her strong point.

then again, he mused, as he considered his own journal and the songs inside it -- kaleidoscope dress. ferris wheel. lady liberty. sex at the moda. -- he really wasn’t one to talk. not that his label would ever let him get away with that last one. it was just a working title, anyway.

he navigated back to twitter and tapped the moment about her album, no more sad songs. the first tweet he saw said omgggg i love the energy of cadence building raleigh up in ‘gorgeous’ and then tearing him down in ‘shout out to my ex’ so much kdhfgksjfhdg HER MIND this album is everything

it looked like he had some listening to do. but first...

he strolled over to the far wall of his bedroom and pulled off his shirt, sidling up to the floor length mirror by the window to take a selfie. his free hand pushed his hair back from his face, and he stuck his tongue out at his reflection as he snapped the picture.

it was just trolling, he told himself as he uploaded the photo to his pictagram, already laughing at his own joke while he typed out the caption. it wasn’t like he was trying to get anyone’s attention -- he just couldn’t resist giving the fans and the internet something to talk about.

raleigh smirked at his phone as the photo finished uploading and stared back at him from his feed. photograph with no t-shirt on. well, there was no taking it back now. if cadence was allowed to write about him, he was allowed to enjoy it, right?

five minutes later, his phone rang. it was avery. he took care to pause cadence’s album before he picked up the phone. “helloooooooo?”

“you know you broke the internet, right?” she asked, aprops of a greeting.

a shit-eating grin appeared on his face. “i have no idea what you’re talking about.”

“you’re such a dick,” she laughed, “you just couldn’t let her have one day, could you? you could congratulate her, you know. she worked really hard on that thing.”

“um, i basically gave her a number one album,” he remarked, his bravado a mask as always. “without me she would’ve had, like, one track on that thing. or she wouldda had to write about you. so you’re welcome, too.”

raleigh pulled his phone away from his face to squint down at his pictagram notifications. stream no more sad songs!! said the last ten comments. omg shout out to my ex is right

“besides, i’m getting trolled. like, a lot. i doubt she cares what i post.”

“i wouldn’t be so sure about that,” avery remarked cryptically. before he had a chance to wonder what that meant, she said, “hey, she’s playing a surprise show tonight at webster hall before the album release party. you should stop by.”

“i think if she wanted me to come to her party she would’ve invited me.” it might’ve been nice to hear from her -- especially given the intimate details about their relationship he was now being forced to listen to, along with millions of other people.

you’re not being fair, he reminded himself, thinking again of sex at the moda. he hardly intended to give her a heads-up about that one. though he doubted she would care.

not that he cared. she could write about whatever she wanted. she could turn her life into art -- if that was what she wanted. she could tell... whoever, about what had happened between them. about what he’d made her feel.

she never told him, but, whatever. that was fine. that was her prerogative.

“earth to raleigh,” avery said on the line, snapping him out of his thoughts. “i said, she didn’t tell anyone about the party. the album was a secret, yeah? you should at least come to the show. i think your support would mean a lot to her.”

“well, i guess you’ll just have to support her enough for the both of us,” he said, meaner than he felt. raleigh shut his eyes, sighing as he rubbed at his forehead. “sorry. i’m not trying to be an asshole.”

“don’t sweat it.” avery always let him off the hook so easily, “i know it just comes naturally to you. seriously, the show starts at 7. think about it, okay? if you do decide to come, text me when you get there and i’ll let you in the back.”

he put the album back on as soon as they hung up. without a distraction, there was nothing to stop him from looking at cadence’s twitter account. she’d last posted just a few minutes ago:

surprise! i’ll be playing no more sad songs in its entirety tonight at webster hall’s marlin room. doors open at 6 for the first 600 in line. see you there? you never know who might drop by...

fuck it. he turned the volume up on her album and headed towards the shower. he’d avoided her for long enough, and tonight was as good a night for him to get over himself as any. maybe after this he could stop looking over his shoulder at every party he went to, terrified he’d have to see her.

that didn’t mean that it didn’t feel like a mistake, to get dressed and make his way to the village. it felt like a bad decision every step of the way, even as he ducked around the back of the venue at 7:05 to see avery’s smiling face, holding the backstage door wide open. it was too late to go home, now.

“took you long enough,” she grinned, squealing as she jumped into his arms. “i almost thought you weren’t going to show.”

“yeah, yeah. did she go on yet?”

avery led him inside, closing the door firmly behind them both. she nodded as they stepped up to the side of the stage. the screams from the crowd were deafening. “she just went out there. i think she’s about to start --”

raleigh heard the strum of a guitar and peeked around to see cadence standing center stage. “this is a really good looking crowd,” she said, grinning when the sound of the cheers rose exponentially. “thanks so much for coming out. are you guys cool if i play some tunes? yeah? okay, then. this first one is about a guy i used to date, it’s called ‘gorgeous.’”

he folded his arms over his chest, leaning back against the wall behind them. he was shameless in the way he looked her up and down, staring as she strutted across the stage. he was proud of her -- she’d come a long way since the first time he saw her perform, so long ago. cadence had real stage presence, now -- she’d come into her own. she acted like a woman, sang like a woman, dressed like a woman. she was confident.

“whiskey on ice, sunset and vine. you’ve ruined my life by not being mine.” an elbow in his side made raleigh tear his eyes from her. he looked over at avery, rubbing at his ribs. “ow. what was that for?”

“you know everyone thinks this one is about you, right?” she asked, smirking.

“you make me so happy it turns back to sad, there’s nothing i hate more than what i can’t have.”

“aren’t they all about me?” raleigh asked, still hiding behind his attitude. avery only rolled her eyes, and eventually the crowd’s screams drowned out anything else they might’ve wanted to say.

she played a few more songs before finally sitting down at the piano off to the side of the stage. now that she was closer, raleigh could see her better, and he stared as she brushed her hand across her forehead, pushing her hair off her face. she drank deeply from a water bottle and then set it on the piano’s ledge. raleigh was close enough to watch her swallow, but she still didn’t see him. it was probably the stage lights -- a single spotlight illuminated her at the piano as she adjusted the mic to pull it closer to her lips.

“we’re gonna slow it down for just one song,” cadence said, “i hope you don’t mind.” the cheers from the crowd proved that they didn’t. “i saw ya’ll talking about this one on twitter earlier.” he could see her grin perfectly from where he was standing; it was blinding. “i’m glad you like it. even if you don’t post thirst traps to it.”

the crowd went wild. even raleigh barked out a laugh; he hardly thought she had it in her. okay. point one, cadence.

“put your flashlights in the air for this one, okay? you and i and nobody else... feeling feelings i never felt...”

she was beautiful, of course -- always, every day, but never more than in this moment, with her eyes closed and her expression haunted, her hands moving along the piano keys. it probably said something dangerous about his ego that he found her the most stunning when she was singing about him.

as the last few notes died, he sighed, digging his fingernails into the fabric of his jacket over his arms where they were folded on his chest. suddenly, it felt like he shouldn’t be there. or maybe he was the only one who should be there. either way, he hardly wanted to think about it.

her moment of silent reflection as the song ended was gone in a flash. he watched her take a breath to steady herself, and then cadence was back in her stage persona, hopping off the piano bench to grab her guitar again. “thank you so much, new york city. you’ve been amazing. i’m so glad i could share this album with you -- it’s one of the most personal things i’ve ever written, and it means so much to me to play it for you all like this.”

“this is the last song i have for you tonight -- it’s the title track, no more sad songs. it’s the last song i wrote for the album. this song is about trying to get over someone you can’t help but think about by any means necessary. it’s about the point in a breakup where you’re tired of wallowing and you’ll do anything you can to make yourself feel better -- i like to think it’s about the acceptance stage of grief. anyway, it felt right to keep it last... to name the album after it. i’m finally at a place in my life where i can put this chapter behind me. and it took a lot to get there, and i’m so proud of that. so, with that being said...”

the crowd cheered as she strummed the first few notes. “thank you guys again so fucking much. sing along if you know the words already, okay?”

it was the second time that day he’d heard the song. it still made him feel the same way he’d felt when he first heard it -- angry and surprised and unsettled... and guilty. why hadn’t she ever told him she felt that way? why hadn’t she called him, and more importantly, why had he never called her, again?

his gaze hardened as she stopped at the front of the stage for the bridge. the same single spotlight illuminated her again.

“uh, why do you have that murdery look?” avery asked from beside him. he said nothing, watching the melody build around cadence as she approached the crowd.

“still got you on my mind, starting to realize... no matter what i do, i will only harm myself tryn’a hurt you, and if i turn the music loud just to drown you out --”

her head tipped back with the powerful crescendo. she looked like an angel under the spotlight, more beautiful than he even knew how to explain. his chest seized painfully.

abruptly, he turned around and headed back towards the backstage door. he knew he only had moments until the last song ended and cadence rushed backstage, and he needed to get out of there before that happened.

“raleigh!” avery called after him, but he didn’t stop, throwing open the back door and stepping out onto the sidewalk... immediately into a crowd of waiting fans and paparazzi.

a cacophony of screams started from the street. “ohmygod, it’s raleigh carrera!”

fuck. venue security glared at him as he shoved sunglasses on -- fuck the fact that it was nine o’clock at night -- and rushed off down the sidewalk. so much for getting in and out before cadence saw him. there’d be pictures of his exit all over social media in moments. paparazzi called after him as he rushed to the intersection, eyes scanning the street desperately for a working cab.

he stuck his hand out just as one with its lights on slid to a stop at the corner, jumping inside and slamming the door closed. camera flashes still shone behind his eyes even as he shoved the palms of his hands into them, drawing in a deep breath. sighing shakily, he met the driver’s eyes in the rearview mirror. “88th and park. please.”

once he was alone in his apartment he felt like he wanted to put his fist through a wall. the urge to destroy something, anything was too strong -- because that was what he was supposed to do, wasn’t it? that’s what raleigh carrera would do.

she deserved so much better than him. the last thing she needed was to see him at her show and get sucked back into his bullshit. he paced around his living room, convincing himself he’d done the right thing. she’d moved on, after all -- she was happy, thriving. she didn’t need him around messing up her life. she’d practically said so herself.

his phone vibrated where he’d dumped it on the coffee table, sliding onto the carpeted floor. raleigh couldn’t think of anyone he wanted to talk to, but he bent down and picked it up anyway.

he almost jumped out of his skin when he saw the caller id. cadence dorian. tongue out emoji. winking emoji. music note.

“hello?”

“oh, so your phone isn’t down a well somewhere. okay, just checking. good to know.”

she hung up.

he glared down at the phone in his hand. what the fuck? raleigh called her back before he even knew what he was doing.

“what?” she answered, though she sounded annoyed. like... really annoyed.

“what is your problem?” he demanded.

“my problem?” she laughed. he could barely hear her over the commotion on the other end of the line -- someone was calling her name repeatedly in a way that sounded urgent -- and then a door slammed, and there was quiet. “my problem, okay. i don’t have a problem. i’m not the one out here subtweeting and sneaking in and out of your show without calling, am i?”

“no, you’re just writing and releasing an entire sixteen-song album about me and all the ways i ruined your life without calling,” he snapped, his patience finally wearing thin enough to crumble. “don’t you think it might’ve been nice for you to give me a heads-up?”

“oh, please,” cadence scoffed, and he could feel that she was getting angry now, too. it felt good, in an awful sort of way. at least it was something. “i should have to clear it with you every time i write a song?”

“not a heads-up about the album,” he grit out, the fingers of his free hand flexing with the urge to throw something, “a heads-up about the way you fucking felt. you never say a goddamn word about any of that to me and i have to find out about it for the first time with -- everyone else? that’s really fucking special, cadence. that means a lot to me.”

there was silence on the other end of the line, giving him a moment to try to calm himself down. cadence was only ever quiet when she’d been surprised, meaning she wasn’t expecting him to say that. but she was certainly silent, then; if he couldn’t still hear her breathing raggedly, he might’ve assumed that she hung up on him again.

finally, she spoke, her voice small and unsure. “raleigh...”

but he wasn’t done fighting with her yet. “what’s the matter? you never thought that it might actually hurt my feelings? i guess that’s on me for giving a shit.”

“raleigh,” cadence said again, more insistently this time, “i didn’t know how to --”

“how to what, cadence? not break up with me? not ignore me for eight months afterwards? not pretend like it didn’t mean anything to you? it’s not that difficult.”

“well, obviously it was too difficult for you to do, too. you didn’t call me, either. so i’m supposed to believe -- what, exactly? that you missed me? that’s convincing, when you’re never out without a model on your arm.”

she sounded hurt. why did she sound hurt? she was the one who’d stomped on his heart, she was the one who’d wanted this.

“get over yourself,” he bit out, his hand curling into a fist at his side. he was never going to get his security deposit back after what he was about to do to his penthouse. “you knew i was in love with you and you didn’t care. which is fine. you don’t have to... just own it. stop acting like i did something to you.”

suddenly, the commotion on the other end of the line was back. “i have to go,” she said softly, her voice barely a whisper.

he hung up without saying goodbye, throwing his phone onto the couch. okay. that was fine. everything was fine.

except that he couldn’t possibly stand to be in his apartment for another moment -- not without doing something stupid.

he grabbed his keys and his phone and left, slamming the door behind him. his fingers drummed restlessly on his thighs as he rode the elevator down to the lobby. there were paparazzi waiting outside the front door of his building -- raleigh could see them through the glass as soon as he stepped out of the elevator. with a grimace, he headed for the back door.

there was already a car waiting for him. “let’s go to kismet,” he directed, rapidly firing off text messages to anyone he knew who might be available to distract him.

within minutes, he was inside the club at a vip table. there was a bottle of vodka sitting in a bucket of ice at the center of the booth, calling out to him. he lifted it straight to his lips, drinking as much as he could in one go without coughing. she’d always used to joke about his self-destructive tendencies. if only she could see him now.

“hey, raleigh.” belle tamblyn stood before him, smiling in the low light of the club. she must’ve just gotten back from paris fashion week. two of her friends had already sat down at the booth, talking among themselves.

he leaned back into the booth with a charming smile. “hey, belle. i knew you missed me.”

she laughed, taking his words as an invitation to sit down in his lap. he didn’t push her off, wrapping an arm around her narrow shoulders. she was taller and thinner than cadence in a way that wasn’t unfamiliar to him, but wasn’t exactly welcome, either. you’re never out without a model on your arm.

“so,” she started, looking down at him from up close, “what’ve you --”

he leaned up and kissed her, sliding a hand into her hair. her lips parted in surprise, sticky with lip gloss. raleigh bit her bottom lip and she sighed breathlessly, and that was -- good. that was almost... close enough.

his free hand slid over her backside, pulling her in closer. she was breathing hard when she pulled away, her face flushed.

raleigh laughed, pushing his fingertips under the hem of her dress. she reached down and swatted playfully at his chest.

“you’re an asshole,” she said primly, but she was rubbing her hand over the muscles in his chest. “do you want to get out of here?”

the last thing he wanted was to bring her back to his apartment, or to be there at all. “i don’t think i can wait that long,” he said charmingly, “bathroom?”

her nose scrunched up as she considered it, staring down at him. then, she said, “fine,” and slid up off his lap. he grinned, grabbing her hand and tugging her off toward the back of the club.

it was a single person bathroom, and blessedly empty when they arrived. no one paid them any attention as he pulled her inside and flipped the lock.

raleigh lifted her onto the sink and leaned in to kiss her again. she moaned as he pushed her legs apart and stepped between them, sliding his hands up her thighs.

this was fine. this was what he wanted.

so why couldn’t he force himself to do what he knew he was supposed to? his hands didn’t seem to want to move from where he’d anchored them on her legs, his lips kissing her methodically but not doing much else.

she wants to have sex with you! his brain screamed at him, she is a supermodel. a supermodel who wants to have sex with you.

impatiently, her hands slid to the waistband of his jeans. he didn’t stop her as she pulled the zipper down and slipped her hand under the waistband of his briefs.

it’s not a big deal. you’ve done this a million times. never after an argument like that with cadence, though... only when she was busy pretending he didn’t exist...

the bass of the music playing in the club vibrated through the closed door. the song sounded painfully familiar -- he strained to make out what it was...

of course it was a dance remix of ‘gorgeous.’ why wouldn’t it be?

panting, he pulled his mouth off of belle’s, tipping their foreheads together. “hey,” he started hoarsely, licking his lips as he glanced down towards where her hand was wrapped around him, “i’m sorry, but i don’t... have anything. i don’t think we should...”

have unprotected sex in a nightclub bathroom. her teeth dug into her bottom lip as she weighed her options. on any other night, that might have actually been flattering, but tonight...

pounding on the bathroom door made their minds up for them. he stepped back, adjusting himself in his jeans. “come on.”

he helped her down off the sink and opened the door, ready to lead her back out into the club. the line of people waiting to use the bathroom stared open-mouthed at them both as they walked off toward the booth. raleigh grinned at them as he walked past -- that was what he was supposed to do, right?

belle’s friends barely arched an eyebrow at her as they sat down again. immediately, he started pouring drinks and passing them out -- anything to be as drunk as possible before the song ended.

by the time he stumbled home, alone, it was late -- later than he’d wanted to be out. he used the front door -- not because he wanted any paparazzi to get photos of him going home alone or anything, but because he felt like it -- and waited until he was in the elevator to sigh frustratedly, decidedly not checking his phone. he knew there was no way she’d texted him.

cadence was sitting on the floor outside of his apartment door when he stepped out into the hallway.

he stared at her like she was a hallucination, lifting one hand to his eyes to rub at them. maybe he had more to drink than he’d thought. she looked up at him, still dressed in what she must’ve worn to her album release party.

he felt like he was going to throw up. god, that would be uncool.

“hi,” she said quietly, from the floor. wordlessly, he stepped closer to her and held out his hand. she took it, letting him pull her up. “can i talk to you?”

that wasn’t going to be easy, considering he had absolutely no idea what to say, but raleigh nodded, unlocking his front door and motioning for her to step inside.

he didn’t turn the lights on, letting the floor-to-ceiling windows illuminate the space. the lights from the city and the glow of the moon made cadence look almost ethereal as she slowly wandered over towards the far wall, hesitating for a moment before kicking her high-heeled shoes off. despite himself, his lips twitched up into a smile as he watched her.

“want a drink?” he asked, because he certainly did.

she nodded, and he moved to the bar cart to pour them both a half-full glass of vodka. he dropped an ice cube into his and poured orange juice over hers.

raleigh forced his feet to join her at the windows, silently holding her glass out to her. she took it with a mumble of thanks, lifting it to her lips. her eyes were trained on the view. what the fuck was she doing here?

the silence stretched between them. finally, he said, “congratulations on the album. it’s really good.”

that seemed to snap her out of it. she snuck a glance at him out of the corner of her eye. “you listened to it?”

he nodded. no point in lying about it, now. “i’m a narcissist,” he joked, “it’s what i do.”

she laughed. raleigh stuffed his free hand into his pocket so that he wouldn’t reach out for her. god, he’d missed her laugh.

he drained what was left in his glass in one go. “what’re you doing here?”

cadence was still staring out at the city. “i wanted to talk to you.”

“and yet, here you are. not talking.”

“i didn’t get that far when i planned this in my head,” she admitted, in an annoyingly endearing way. god damnit.

“how far did you get?”

she turned to look at him, then, leaning her shoulder against the window. “i thought maybe i would just kiss you when you got here and that would say everything i wanted to say. but then i chickened out.”

it felt like she’d just elbowed him in the stomach. “that doesn’t sound like you.”

“the kissing? i don’t know, i thought about it kind of a lot...”

he swallowed hard. “the chickening out.”

“oh.” she nodded, looking away. raleigh watched her stare down at the glass in her hands. “i guess i just felt like i already messed up so much. i didn’t want to... do the wrong thing again.”

raleigh couldn’t quite decide if he was too drunk for this conversation or not drunk enough. “how was your party?”

“it was fine. i think the last one i had -- for the odyssey -- was better.”

there was a night he didn’t want to relive. “look,” he sighed finally, turning back towards the windows and the city skyline, “i didn’t mean to put you in an uncomfortable position. if you’re only here because you think i’m upset... you don’t have to be. i’ll be fine.”

he could see her shifting out of his peripheral vision. she seemed to be considering what she wanted to say. finally, she spoke up. “that’s not why i’m here.” he turned towards her and watched as her shoulders squared. “i’m here because i missed you. a lot. and i wanted to apologize, for what happened between us... for shutting you out. for not telling you how i felt -- that i was in love with you, too. for letting you go.”

raleigh’s grip tightened on his glass so that he wouldn’t drop it on the floor. he stared at her like he was seeing her for the first time.

cadence drew in a deep breath and continued, “getting over you was the hardest thing i ever had to do. and when i saw the pictures of you leaving the show tonight i realized... i failed miserably at it. i can’t get over you. i couldn’t. i won’t.”

he had to be imagining this, right? he was drunk and asleep in his limo, he had to be. he was dreaming.

but she felt very, very real when she reached out and twined her fingers in the fabric of his shirt.

“please say something,” she begged. she was undeniable.

“cadence...” he sighed, “you know how i feel.”

she nodded, once. “i do, but i want to hear you say it.”

“i want you to be my fucking girlfriend,” he admitted immediately, his voice hoarse. now that he’d given in, his free hand reached out and cupped her cheek. “for real. all the time. in front of everyone. i want you to move in, i never want us to go another day without talking. i don’t want anyone else to touch you. ever again.”

her lips parted. he couldn’t stop his thumb from pressing into her invitingly full bottom lip, watching in fascination as her eyelids fluttered. “raleigh,” she breathed, beautifully enough to do his head in.

he stepped forward swiftly, pressing her back against the windows, and kissed her. she moaned, scrambling to set her glass on the side table next to her. he knew her hands were free when they shoved into his hair.

fuck, if he hadn’t been wanting this for so long. his lips broke off of her to trail kisses across her jaw, down towards her neck. he couldn’t stop his fingers from tugging at her dress insistently. “do you want that?” he demanded. raleigh felt her nod against him. his teeth scraped across her pulse point. “say it.”

“raleigh!” she exclaimed. it was the most amazing sound in the world. his hips pushed forward insistently, grinding between her thighs. the force of it pushed her back into the windows. “i want it, i want you. i want all of it -- everything.”

the urgency to fuck her through the window was balancing precariously against his desire to do things right -- to give her what she deserved. with a huff, he wrapped his arms around her and lifted her up, walking them both off towards his bedroom.

she laughed again as he dumped her on the mattress, hard enough to make her bounce. raleigh grinned back at her as he whipped his shirt off of his head, tossing it to the floor. she was scrambling up the mattress, and he chased her towards the headboard, kneeling on top of her when she finally laid back.

he crowded her in close for another kiss, his hands everywhere at once. she whined into his lips, kissing him so urgently, like they didn’t have all the time in the world, now. “i missed you,” she breathed, her hands clutching at his shoulders desperately.

“i missed you too, beautiful,” he returned, pushing her dress up her thighs, “now lie back and let me make you feel good.”

his head was spinning by the time they’d finished, and not because of the drinks he’d had. cadence was tucked up under his arm, her head pillowed on his chest. she was still catching her breath as she dragged her fingertips along the tattoo spanning the expanse of his ribs.

the sun was starting to come up outside, filtering light into his bedroom. he stared at her face, illuminated by the dawning daylight. “you know, if anyone here is gorgeous, it’s you.”

“oh my god,” she mumbled, pressing her face into his skin, “you’re never going to let this go, are you?”

he smirked up at the ceiling as he pulled her in closer. “would you say it makes you so mad?”

“i’m going home,” she threatened, pinching his side. he laughed, squirming away from her hand. “this is over. you ruined it.”

“well, what if i want to come along?”

“raleigh,” she groaned finally, kicking him under the covers, “stop it.”

he snickered, pressing a kiss to the top of her head. “what, you’re allowed to write about me, but i’m not allowed to enjoy it?”

“please,” she sighed, settling in against his chest again, “like you don’t write about me.”

“i never said that,” he hummed, already imagining the things her face would do when she finally got to listen to his album, if he ever finished it. “i’m really hoping the label doesn’t make me change the name of sex at the moda.”

“okay, you did not write a song called ‘sex at the moda.’ tell me you didn’t.”

“i’d hate to lie.”

she lifted her head to look at him, her face flushing. “will you play it for me?”

he eyed the guitar in the corner of his bedroom. like he could ever say no to her. still...

“maybe later,” he grinned, rolling over to pin her beneath him, the sheets tangling around their legs. “i can think of a better use of our time. we have a lot to catch up on.”

her arms wound around his neck. “tell me about it.”

#raleigh carrera #cadence dorian #raleigh carrera x mc #raleigh x mc #raleigh x cadence #platinum #choices platinum #myfic #i think of cadence's sound as like very pop-forward so that's where the song choices came from #also bc the little mix songs came on shuffle and made me think of them #i hope you guys like this !! i've had it in my drafts for literally 2 weeks debating whether or not i should post it lmao #i think it's kind of corny with the song choices but the second half of it picked up to me so idk #i want it out of my drafts for organizational purposes lol i hope some of you like it anyway !!

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