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thankskenpenders · 3 months

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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alexthetrashyracoon · 4 months

Text

Simon grinned at himself through the mirror like a stupid teenager in the changing room as Price, god bless this man and his father figure behavior, tugged on his tie to keep it straight and clean.

Wedding Day had come. His wedding day had come.

“Mate, you must be shakin’ with excitement to marry the pretty face.” Gaz grinned from his spot on the couch, all three of them dressed in their best attire. Even Soap hadn’t complained once about wearing a tie.

Simon’s mind wandered to you in the other room, he hadn’t seen you since last night, tradition, that’s what they called it.

He hoped you were having a blast, because you had to spend so many days and nights over the wedding plans that he had to get you to the hospital once after you broke down from exhaustion.

“Anyone ever thought big bad ol’ Ghost gets married?” Soap teased as he rummaged through the drawers at the desk. What exactly was he searching? Simon didn’t know or maybe he was too happy to question his best friend’s motives for now, they usually end in chaos and today was meant no chaos.

“I always believed Simon would find the one true love one day.” Price nodded and patted Simon’s chest, telling him he was done with the tie.

“Liar.” Gaz laughed and shook his head. “If you want to know who always believed in you, Lieutenant, that’s me. Ol’ Captain and MacTavish over here said you would die a virgin. We got a bet running for a while.”

Simon wasn’t even surprised or mad, maybe tomorrow, or the week after. But tonight he wanted to be on Cloud Nine and looking through the pink tinted glasses of love. Tonight he would say ‘yes’ to the person he loved the most, the one that kept him alive and sane and put up with his antics.

“I’m getting married.” He smiled at himself in the mirror.

“You’re getting married, son.” Price looked at him, through the mirror, a proud smile hidden under the beard.

A minute later his phone rang, your name and picture on the screen.

“Yes? Everything alright, darling?” Simon asked and looked at Price, worry flashing behind his brown eyes.

“I’m scared, Simon. I… I know this will sound crazy and you probably think I’m mad. But… I wanna run away.” You say, followed by a shaky breath. “But at the same time I don’t wanna run away but stay and marry you. Does it make sense?”

Simon relaxed immediately, you were nervous, as you should be. Just like him.

“How about this then, darling, we run away together until you know what you want.” He grinned and picked up his suit jacket.

Soap and Gaz were gasping at him.

“Let’s run away together and if you still feel like running, we blew off this party. And if not, we come back, say yes to each other tonight and live our happily ever after.”

Gaz asked if he was insane. Soap was looking between Simon and Price, who simply had the time of his life while opening the door for Simon to leave.

“Are you sure… do you… I mean…?” You started to ramble and mutter under your breath.

“Darling… For you I would go through hell and back. I am not complete without you anymore. There was a time before you, sure. But there will be no time after you. Together.” Simon spoke gently and could see through the phone who your cheeks turned pink and tears pricked your eyes. “I’ll be out in two minutes, don’t let me wait.”

(Spoiler, in the end Simon and you got married surrounded by friends and family. Price lost a bet to Laswell because they both know you two and knew you would pull such a stunt. Soap had gained a few more grey hairs than necessary and Gaz was pretty sure this was some kind of punishment, why else would you two pull something like that.)

#cod mwii #cod x gn!reader #simon riley #simon riley x you #simon ghost riley #ghost x you #cod mw2 #cod x you #simon riley x reader #simon ghost riley x you #simon riley drabble #simon ghost riley x reader

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saetoru · 1 year

Text

✩ ‧₊˚ ✩。yours, always yours

synopsis. satoru has always been yours—and he needs you to know you’ll also always be his

— word count. 2.4k (read the breakup fic first for better understanding, but can be read as a stand-alone)

— contents. fem! reader, college! au, rich boy! gojo, post-getting back together angst that gets a little heated <3, minors do not interact, fingering, unprotected sex, edging, satoru cumming too quick <3, creampie, tbh the smut is short and a lil rushed my b, it ends in fluff tho !! trust !! there is fluff !!

— notes. tbh this will probably get flagged rly fast but oh well u win some u lose some. anywayyyyy here is the make up sex bc yall nasties deserve it <3 jk love u guys

satoru falls first. and he falls hard. everyone knows it, it’s never been a secret.

“you want me to wash your hair?” you ask gently, kissing his shoulder as the water falls over his head. he hums, nodding absentmindedly as he stares blankly at the tiles of your shower wall.

“sure,” he mumbles, “don’t tug.”

“i never tug,” you roll your eyes, snorting. he huffs a small chuckle, but it’s not the usual laugh satoru gives you. it’s mechanic, almost—just there to fill the space. “baby?” you ask softly.

“yeah?” he asks, “oh, should i bend a little? sorry, i—”

“what’re you thinking about?” your hands cup his cheeks, gentle and warm from the hot water as it soaks his skin.

he shakes his head, trying to smile as he clears throat. “just how nice it is to be pampered. maybe i’ll let you break my heart every once in a while so i get my back scrubbed and hair washed like this.”

“satoru,” you insist. you know—and he knows it too. “tell me?”

“why’d you do it?” he mumbles, “why’d you listen to him?”

“toru, you know why,” you sigh, “you know i didn’t think there were any other options.”

“you could’ve talked to me,” he furrows his brows, “just because my stupid old man threatens you with my stupid inheritance doesn’t mean we have to break up.”

“i was afraid you’d choose me.” it comes out as a whisper, like a confession you can’t bear to admit.

“i would have chosen you,” he agrees, “why’s that bad? how’s that wrong—”

“you’re not thinking about the bigger picture,” you shake your head, “that company is yours. you’ve spent your whole life—”

“so what? was i supposed to give up the rest of my life for it too?” he asks tiredly—satoru’s defeated. he’s never been defeated, it’s the most magnetizing thing about him.

even before you date him. he asks and asks and asks no matter how many times you say no. because there’s always a chance you’ll say yes, and he’ll never stop as long as there’s a chance.

“i’m sorry,” you sniffle, lips wobbling, “i could have….i should have said something. i didn’t want you to make a choice young and then….and then regret it.”

“you think i’d regret you?” he’s wounded—absolutely wounded at the words.

satoru has always been careful, diligent and so, so meticulous to love you right, to love you how you need to be loved. hadn’t that proven enough? that he was in it for the long run—for forever? he’d been so sure you’d be his future, that the break up feels like waking up from a peaceful dream to a house fire—devastating, with smoke in his nose and lungs that he can’t breathe right, and everything gone within a moment before he can even register it.

he stares at the ashes in despair. nothing prepared him for the hollowness of not being yours—because satoru has never cared to make you his. all he’s ever wanted was to be yours.

you’re quick to remove him from everything, deleting pictures from your socials, untagging him from posts, removing him from your private stories and close friends list. he doesn’t understand how you could change your mind so quickly—and then he realizes you probably don’t. because he knows you—better than anyone ever has, satoru knows you.

so he’s comes to you, drenched from the rain, from standing outside your door even as the water pelts against his skin because he’s determined. he’s going to get an answer out of you, going to make you explain why you pulled him in so close, let him reside in your heart and fall asleep to the comforting rhythm of its beating—and then push him out like he’s nothing. what made you push him out?

and finally, when he does, when you let him be yours again and admit it’s never what you wanted, that it’s because it’s what his father wanted—well, satoru can’t keep his composure. don’t you know? hadn’t he always told you? hadn’t he poured his heart out and let you know every moment he’s always been stuck dangling from his father’s fingers? stuck somewhere between the sky and ground, too high to feel the floor under his feet but never high enough to feel the wind in his face.

you’ve always known, always listened—and fuck, you held him some nights too, let your fingers dip into his hair and soothe his sorrows of always being stuck.

satoru’s always been stuck, always had every choice made for him and every instruction carefully laid out on the table. and then you decided to make his choice for him too, walking away and choosing his future for him like he’s never had a say.

he’s always been stuck, but never with you—but now, he wonders if that’s changed.

“no,” you squeeze his cheeks, “no i don’t think you’d regret me….but satoru losing what you have is a big thing,” you mumble, “people work their whole lives not having a fraction of what you do. that’s a lot to let you lose.”

“i’ve never seen my dad kiss my mom,” he stares at you, hard and unwavering, his eyes stare into yours, “he’s never held her hand or made her laugh. and you know what she told me? that she would sell her share of everything to have what we do. why do you always look at me for what i have first?” he asks angrily, the water pouring over his shoulders as they shake, “why can’t you just look at me first for once?”

“i do look at you,” you insist, “toru, all i ever see is you—”

“then stop caring what he says,” he says louder, his voice echoing through the small bathroom of your small apartment.

everything about your home is small—smaller than satoru’s especially. but he loves it, thinks he’d rather be here than anywhere else.

because it’s yours. and as long as you’re here, the world fits into this tiny apartment, the galaxy too.

“okay,” you say shakily. and then you nod, looking him in the eye, “you’ll handle it?”

he nods, kissing between your brows, “yeah, i’ll handle it. who else is gonna take over that company anyway?”

“but what if he finds someone else? and then he—”

“he won’t. my grandpa will shred him.”

“but he’s old, and he stepped down, so what really can he do if your dad decides—”

“god, baby,” he groans, pushing your body against the wall gently, “i love your voice, but you talk so much. i’m wanna listen to something else.”

his lips find your neck, sucking gently at the skin, hand trailing to your tits before his thumb circles your nipple. it’s slow, deliberate, teasing as it rolls over the bud.

you whimper, clutching onto him as a breathy, “t-toru,” leaves your lips.

“yeah,” he nods, “that’s what i wanna listen to instead.” his lips are in a grin against your neck, kissing and biting until he reaches your collarbone. “anyone dm you after you took me out of your socials?” he asks bitterly.

“j-just one,” you admit through a stutter, “b-but i didn’t even open it! i wasn’t really—oh, toru,” you gasp as his finger finds your clit, spreading your legs as he lets out a soft growl at your words.

“what? just cause my face isn’t on your instagram suddenly you’re not mine?” he asks, thumb rubbing harsh circles against the sensitive bundle of nerves—you close your eyes, moaning as your arms wrap tightly around his neck. “you’re always mine,” he murmurs against your ear, low and careful so you hear him well, “yeah? got that?”

“got it,” you nod furiously.

“got what?”

“‘m al-always—oh, fuck,” you mewl as one finger prods at your entrance, gathering your slick before slowly sliding through your walls.

“c’mon, sweetheart,” he says firmly, “finish your sentences.”

“always yours, toru! always yours—please, please j-just…”

“just what?” he raises a brow.

“more,” you sob—it’s a broken plea as your hips thrust against his finger.

he’s quick to slide in a second, thrusting his digits mercilessly into your soaked cunt, his palm gliding over your clit as the slick sound of his fingers fucking you is almost drowned by the water in the back.

your water bill will be high this month. you decide it’s a sacrifice satoru deserves.

“you think someone could ever learn this body better than me? make you cum like i can? you think anyone will ever love you enough to learn you like i do?”

“n-no,” you pant, his fingers hitting that spot inside of you so perfectly, you feel that dull ache build up quickly. it’s good—everything with satoru is good. his other hand finds your chest to pinch a nipple, twisting and squeezing until your nails leave indents on his shoulders as you moan loudly. “no one—no one but you.”

“exactly,” he growls, “how could you leave me? how could you leave us?”

“‘m sorry,” you sniffle, whimpering when the tips of his fingers slam against that spongey spot of your walls, fluttering around him and squeezing him in. you’re close—so close that you almost don’t know what he’s saying anymore, too focused on the way your impending orgasm is approaching. fast. “i’m sorry, i’ll never—ever leave again.”

“say you love me,” he demands.

it sounds like he’s pleading, though, if you listen closely. there’s a small crack in his voice, a slight shakiness that makes you force your eyes open and stare at him and whisper, “i love you, satoru. i love you.”

and then he rips his fingers out—right before you’re about to cum. you gasp, pleading nonsense as you cling to him and buck your hips and search for something, anything to take you over the edge.

and then you hear a sniffle. is he crying? is that wet droplet on your shoulder a tear or the water? you’re too busy calming down from your orgasm dying before it ever came to focus.

satoru’s hard against your thigh, throbbing and painful to sink into you. he strokes himself a few times, whimpers as his thumb gathers the pre cum from the sensitive tip, smearing it along his length as he shakily lets out a quiet moan.

“f-fuck, i gotta feel you. please, can i? please—”

“yes,” you pull him closer, grinding your heat over his hard-on, “yes please, toru. more, need more.”

he’s sliding along your folds, dragging the tip of his cock along your entrance and smearing a mix of your arousal with his. and then slowly, ever so gently, he’s pushing into your after that, pushing past your walls and bullying into your soaked cunt, curving into you perfectly.

it’s only been a week—you feel like you haven’t felt him in years. but it’s familiar. you remember every part of him, including every vein that drags along your walls and makes your head spin. he remembers every part of you, including where that spot is that he needs to angle his hips to find.

he slams into you, hard and rough and fast—doesn’t even let you adjust your position to hold onto him tighter before he’s thrusting his hips and fucking into you desperately. you can feel him, every inch of his skin against you, every part of him that’s touching you. and you can feel the way his cock nudges past your folds, the friction burning pleasure through ever nerve.

satoru knows how to fuck you, just like he knows how to love you, he knows your body—every dip and ever curve, every place to touch and every part that has you gushing around him. it’s just the way he is, too good at giving you what you want, what you need.

when he moans, it’s breathy and he’s panting as he lets out those soft whimpers that make your head spin. “feel that? feel me?” he asks, grunting as you squeeze around his length.

“yeah,” you breathe, “‘m so full.”

“i need you. please, please,” he murmurs, “can’t lose you, baby. never you,” he chants, the quiver in his voice tearing you apart.

“i’m right here,” you gasp, lacing your fingers with his and squeezing his hand. he squeezes back, just to let you know he’s there too, “right here, baby. you got me.”

and then he cums, just as soon as you whisper that—he spills right into you with a broken cry, his hips rolling, needy and desperate and so, so lost on the pleasure. he’s too busy working himself through his high, trembling over your body to care he’s cum too quick—and you don’t have it in you to tease him. you can feel the hot ropes of cum filling you, painting your walls white, fucking deep into you as the blunt head of his cock slams into you without a second of hesitation.

but he doesn’t stop, doesn’t falter that brutal pace as his hips slam into you, perfectly kissing your sweet spot every time. and before long, you break—your head pushes back against the wall behind you, mouth parted as you wail his name and cum—hard. you’re quivering and spasming around his swollen cock, enough that he whimpers at the way you’re so tight.

it’s good, it’s always good. satoru makes you feel good. he’s the best you’ve ever had—the best you’ll ever find.

and then you hear it again, the sniffle into your neck as he clutches you tightly. you know for sure that wet droplet is a tear this time, and your fingers tangle into his hair as you stroke the wet strands.

“i love you, toru,” you murmur, “my sweet boy. i’m sorry, okay? i’m so sorry.”

“don’t do that again,” he huffs in between tears, “that was so mean. so mean.”

“i said i won’t,” you chuckle, fighting back your own tears, “how long are you gonna hold this against me?”

“how long do you plan on being mine?”

“well,” you pull him from your neck, cupping his cheeks as you wipe away tears and peck his lips softly, “i think….forever.”

“well, get ready, then,” he glares softly, “i’m gonna hold this against you forever too.”

“okay,” you nod, “that’s fair.”

“and i love you too,” he adds, “but block whoever dm’d you. it better not be that zenin boy.”

“block those girls who’s pictures you liked,” you shoot back, glaring at him with a pout of your own.

“don’t yell at me,” he mumbles, leaning into your touch as your thumb strokes his cheek, “i’ve had a rough week. you have to be nice.”

dabitee anon. are u seeing this. did u see the satoru who cums too fast. did u see it. report back if u saw this. i repeat, dabitee anon report back if you see this

#teepods.writings #thirstee!#rich boy! au #fics.#gojo x reader #gojo x you #gojo smut #gojo angst #jjk x reader #jjk x you #jjk smut #gojo satoru x reader #gojo satoru x you #gojo satoru smut #jujutsu kaisen x you #jujutsu kaisen x reader #jujutsu kaisen smut

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joonie-beanie · 5 months

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A Dragon's Constitution | [Neuvillette x Reader]

Summary: Iudex Neuvillette has been acting a little...strange, as of late. Worried about him, Sigewinne and Wriothesley come up with a plan to help lessen his load. ��I’m lending you to Neuvillette for the week.” Well, being Neuvillette's assistant for a week shouldn't be that bad. Unless, of course, the reason Neuvillette has been acting strange is due to the fact that he's actually a dragon that has regained his full power, and now, with the return of said power, his body is experiencing things he's never known before now. Because that would be totally crazy...right? Content: Smut, Consensual Sex, Oral Sex, Anal Sex, Double Penetration, Rut, fem!reader Word Count: 10.8k Note: this occurs after "Doctor's Orders"

Sigewinne is the first to hear the rumors about Iudex Neuvillette—although Wriothesley isn’t far behind.

The first indication that something might be wrong with the Iudex is brought up in a letter—one penned by Sedene that is delivered to Sigewinne. In the letter, Sedene writes that since Fontaine has overcome its disaster, everything has been going well…except, Neuvillette has been behaving a little…strange.

Sedene does not elaborate on what exactly is wrong, and Sigewinne assumes that’s because she doesn’t know. Melusine have the ability to sense things, but the things they sense aren’t always accompanied with an answer.

And so, Sigewinne writes back telling Sedene to make sure Neuvillette is staying hydrated (since she knows he has been particularly busy as of late), and that she’ll try and make a trip to see him soon, when she has the time.

The following day, a new batch of wrongdoers arrive in the prison, and along with them—some speculations about Fontaine’s supreme judge.

“I think I deserve a retrial,” one of the men says, clearly frustrated. “I stated my case, but then Iudex Neuvillette actually blanked, and had to ask me to repeat myself! After I said everything so eloquently! That’s why I’m down here, man. I was so surprised by it that when I said my argument again, I sounded lame…this sucks.”

Listening from behind a nearby pillar, Wriothesley frowns to himself.

Neuvillette getting distracted in court? Well, that’s certainly a first—and a worrying first, at that.

Before the day’s end, Wriothesley and Sigewinne seek each other out. Equally concerned about what they’ve been hearing, they spend the evening coming up with a plan. Something they might be able to do to help Neuvillette.

The next morning, you wake up and get ready—prepared to go and spend a few days below ground in the Fortress…only to find Wriothesley on your doorstep.

“Hi,” he says with a smile when you pull your front door open.

Your eyes go wide, and you glance either way down the street, wondering if you’re being pranked.

When nothing seems suspicious, you reach out and touch Wriothesley’s chest to make sure he’s real.

He immediately rolls his eyes and snatches your hand, bringing it to his lips.

“Yes, I’m real. Yes, I’m here.”

“Good—but, why are you here?” you ask.

Not that he isn’t welcome at your apartment, but…you just didn’t expect to see him here. On the surface. At your place of residence.

“Am I late or something? I thought we scheduled for me to come back to the Fortress today.”

“No, you are not late,” he reassures you. He gives your hand a little squeeze before allowing you to have it back.

“There’s been…a little change in your schedule.”

You cock an eyebrow at him.

“What kind of change?”

Does he want you to stay on the surface a few more days before coming back down? Considering he’s here, maybe he’s got some business on the surface, which would mean there’s no point in you going to the Fortress right now.

Wriothesley’s smile grows—little crow's feet appearing at the corner of his eyes.

“I’m lending you to Neuvillette for the week.”

…

Huh?

“Here.”

Wriothesley grabs your bag—the one slung over your arm and packed with items that should have tied you over while you stayed in the Fortress—and tosses it back into your apartment.

Then, he gently grabs your waist, pulls you out onto the street, and closes the door to your apartment behind you. He checks the door to make sure it’s locked, and when he finds that it is, he nods in satisfaction.

“C’mon, keep up,” he says, starting up the street. His boots are heavy against the pavement.

Blinking, you finally snap out of it and jog to catch up with him.

“Hold on, you—you’re lending me to Iudex Neuvillette?”

You’ve never known the man to have an assistant, and from what you’ve heard from Wriothesley and others, he tends to prefer working alone. Aside from that, he’s very skilled at his job, and typically doesn’t need help—even with the never ending case load.

“...did he consent to this?”

Wriothesley smiles, loving how smart you are.

“Not yet, but he will.”

The two of you turn a corner, heading towards an elevator that will take you up towards the Palais Mermonia. You narrow your eyes at Wriothesley. He waves you off.

“Sigewinne and I both heard that he seems a little…stressed lately. And we decided the best thing we could do right now, aside from giving him our support, would be lending him you. So, assuming he is in need of help, I don’t see why he would turn our offer down, considering how proficient you are.”

“While I appreciate the praise, I think you’re underestimating the pride of men,” you tell him, standing at his side as the two of you arrive at the elevator. Wriothesley hits the button to summon it to your floor.

“Hey, when I got busier than usual, I hired you,” he points out. You cock an eyebrow at him.

“I’m 99% sure the only reason you hired me was due to Sigewinne's influence. I bet she saw your stress growing and bugged you to get an assistant until you finally gave in.”

Wriothesley sighs.

“Sometimes I wish you weren’t so smart.”

You grin, holding your head high.

Finally, the elevator arrives on your floor. When the door opens, Wriothesley motions for you to board first. Then, he follows you on.

“So, let’s say Sigewinne did insist I hire an assistant. The result of doing so was positive. My work got easier, and my life improved. If we present that logic to Neuvillette, there’s no reason he should decline our help. Plus, he tends to listen to Sigewinne.”

You sigh, watching the city outside the glass doors of the elevator. You’re nearly to the floor the Palais Mermonia is on.

“If Neuvillette agrees that he wants the help, I have no issue being his assistant for the week.”

Wriothesley catches your silent drift of “you get the pleasure of trying to convince him to accept help, though”.

Which is fine. He loves a good challenge.

“Sigewinne and I appreciate your cooperation,” he tells you sincerely.

Arriving on your floor, the elevator doors open, and you step out first—standing aside to allow Wriothesley to walk past you and lead the way. A few gazes are thrown your way as you go—people surprised to see the Duke of the Fortress above ground for once—but Wriothesley doesn’t react, so neither do you.

Sticking by his side, you follow him up the steps and through the front door of the building.

“Duke Wriothesley,” Sedene greets as you near the doors of Neuvillette’s office. She runs up to the two of you, her eyes somewhat nervously shifting towards the office doors.

“Iudex Neuvillette, he…”

She wants to say that he’s not accepting visitors at the moment, but she can’t get the words out—obviously worried about him. Wriothesley flashes her a kind smile.

“Sigewinne sent us,” he tells her, relief immediately appearing on her face at his words. “Is Neuvillette in?”

“Yes, he is in,” she confirms, and then scuttles back over to her desk, only to return a moment later with a tray of tea (or, teacups and water?) in her hands.

“Take this when you go in, that should help.”

“I appreciate that,” Wriothesley responds. You reach down to take the tray from her hands, quietly thanking her as well. She flashes you a smile, gives you a thumbs up, and then goes back to work.

You and Wriothesley glance at each other. Seeing you’re ready, he raps his knuckles on the door thrice, and enters the room when Neuvillette’s muffled and somewhat reluctant “come in” is heard from beyond the door.

Gripping the handle, Wriothesley pushes his way inside. You dutifully follow after him.

Once in the office—the door shutting softly behind you—you quickly realize that perhaps something is wrong with the Iudex. Because for a man known for his neatness, and professionalism, his office is quite…untidy, at the moment.

Papers are scattered along his desk—piles uneven, and threatening to fall. And on the coffee table nearby, there are multiple cups, along with empty bottles of imported water. Not to mention books that are strewed around—some even on the floor.

Wriothesley takes quick stock of the state of the office before his gaze settles on Neuvillette, who is sitting at his desk. He's wearing his normal robes, and yet he looks…strangely disheveled. Perhaps it's the faint dark circles under his eyes, or the way his hair looks less kept than usual?

“I thought I instructed that there were to be no—oh, Wriothesley.”

Neuvillette's tone of measured annoyance softens the second he looks up and sees who it actually is that has entered his office. Then, he sighs, feeling ashamed of his initial attitude.

“I apologize. Did you request a meeting? I don't recall getting any correspondence about it, unless it was accidentally left off my calendar.”

“No need for apologies, Monsieur Neuvillette. I am the one who should be apologizing, as I did not reach out beforehand to let anyone know that I was coming.”

Wriothesley bows in slight apology, and you mirror him, figuring it's the right thing to do since you're technically also intruding.

“I know you're very busy, so I'll cut right to the chase to save us both time. Sigewinne and I are concerned about you, since we've both heard from multiple sources that you seem a little out of sorts as of late. So, in an attempt to help lessen your load, I'd like to offer you my assistant, Y/N, for the week.”

For the first time since you'd entered with Wriothesley, Neuvillette’s sharp eyes slide to you. You force a polite smile to your lips and—remembering the tray in your hands—move to set it on the nearby table.

Quickly filling one of the glasses with the water, you stride over to Neuvillette’s desk and offer it to him.

“Pleased to meet you,” you simply say.

“And you as well,” he responds, keeping up formalities.

Taking the glass from your hand, Neuvillette takes a long sip of water, and you scoot back to Wriothesley’s side. Once Neuvillette has finished his drink, he places the glass down on his desk and sighs.

“I assure you that I am alright, and there is no need for concern.”

“I hate to disagree, but based on the state of your office, I can't believe that's true.”

Neuvillette’s gaze slides around his office, as if truly seeing it for the first time in days. His brows pinch together as he realizes Wriothesley is right. He hadn't noticed it'd become so messy…

“I will admit I have been a little…scattered, lately. But it's nothing I cannot handle. Lending me your assistant would only increase the burden of your own workload, which I cannot accept.”

“Actually,” Wriothesley is quick to counter. “I hired Y/N before the disaster, because much of my time was occupied watching the primordial sea gate, and preparing the Wingalet. Now that the disaster has passed, and things have relatively calmed down, my workload has greatly lessened. Meaning, I have no issue temporarily lending her to you.”

Knowing Wriothesley is only willing to give you up temporarily—meaning he'll want you back to himself at some point—makes you happy.

“Be that as it may, I will still have to decline your offer.”

Alright then, time to break out the big guns.

“I know since Furina stepped down as the Archon, you've only gotten busier,” Wriothesley tells him, fixing him with a concerned stare. “And because of that, Sigewinne is worried. If you could just accept Y/N's help for the week, I'm sure that would help put her mind at ease.”

The mention of Sigewinne causes Neuvillette to frown, so Wriothesley quickly lays it on thicker.

“I assure you that Y/N has been a great aide to me,” he says, his gaze meeting yours. “Sigewinne recommends her as well. If you allow her to help you for a few days, I have no doubt she’ll be of use to you. So please, Neuvillette.”

Neuvillette places his elbows on his desk and folds his hands together. It takes a few seconds, but eventually, he sighs.

“Fine. If Y/N is okay with this arrangement, I shall accept her help.”

Both men look your way. You smile.

“I’d be more than happy to help with whatever I can.”

Honestly, you hadn’t expected to find yourself here, and aren’t even sure what there is you can do to support him, but considering how tired he looks, you’ll surely try your best.

“Good! Glad that’s settled.”

With a happy grin—pleased that he has won the battle—Wriothesley turns to you. He cups the back of your head and drags you in—his lips pressing into your hair.

“I’ll come visit on Saturday to take her back into my care. Best of luck to you both,” he says, heading for the door. He waves his hand at you and Neuvillette over his shoulder, and without saying anything else, exits the office.

You stare at the closed door for a second, before you take a deep breath, plaster on a smile, and turn back to Neuvillette.

…only to find that he’s fixing you with a peculiar stare.

“Are you and Wriothesley seeing each other…?” he asks.

Ah, right, the way Wriothesley had kissed your head before leaving…

“We are not,” you assure him, taking a few steps towards his desk. “Since entering his employment the two of us have just become…fond of each other.”

Which isn’t a lie. You and Wriothesley are quite fond of each other—fond enough that every time you go to stay in the Fortress, you find yourself in his bed at least once (and not just because Sigewinne has instructed Wriothesley to continue having sex to keep his stress levels down). And no, you’re not dating, but that’s fine. You enjoy what you have with him right now, and honestly, it’d be a bad look if anyone found out Wriothesley was dating his assistant anyway.

“I see,” Neuvillette nods, brushing a strand of hair out of his face. “I apologize for presuming.”

“No need to apologize, Monsieur,” you respond, stepping up beside his desk. You smile at him—softer, and more genuine this time.

“Now, what can I assist you with?”

While it takes a short while for Neuvillette to adjust to the idea of having an assistant to help with things, soon enough, the two of you come to an understanding.

He admits that he has been struggling to juggle court cases and new paperwork that needs to be signed off on now that the judicial system is changing (thanks to recent developments). So, you put forth the idea to allocate time to signing documents, and while you run things where they need to go afterwards, Neuvillette can address any cases on his docket.

Not having any better idea, he goes with your plan.

While Neuvillette busies himself with signing paperwork, you flit around his office—cleaning up empty bottles and used cups, and putting abandoned books back on the shelves.

By the time you’ve finished organizing (taking your time to make sure everything is put back in its proper place), Neuvillette has finished reviewing his first stack of papers.

“These have all been signed off on,” he says, summoning you to his side. He points at the top right hand corner of the paper. “This area on each document will show you where it needs to be returned.”

“Understood,” you respond, taking the stack from him. You cradle the papers in your arms and leaf through the first few sheets while heading for the door. However, you quickly realize the documents aren’t grouped by which location they need to be dropped at.

So, you make a detour at the coffee table—gently sitting yourself on the sofa as you begin sorting the papers into smaller stacks, grouped by department. Once you’ve done that, you pile them all together again, and continue towards the door—unaware of the way Neuvillette’s lips tug into a smile at your actions.

Delivering documents where they need to go takes up the remainder of your morning, and by the time you’ve finished, your stomach is growling. So—figuring that Neuvillette won’t have stepped away from his desk yet—you decide to pick up something for the both of you.

“You've returned,” he says without looking up from the document in his hand as you step into his office. “I assume everything has been delivered?”

“Yes,” you respond with a nod, his gaze finally rising to look at you as he hears the sound of the bag in your hand, and smells the contents within. “And I grabbed us lunch. I assume you haven’t eaten?”

“I have not,” he confirms. His eyes watch you as you b-line for the coffee table and begin unpacking the take-out food. “I’m not sure what you like, but I figured I’d play it safe and go with soup, since you seem to enjoy…liquids.”

How else are you supposed to describe his taste when all you've seen him consume today is cup after cup of water?

Surprised, Neuvillette puts down the paper in his hand.

Standing from his chair, he makes his way over, staring at the clear broth of the consomme.

“...I think I'm beginning to see why Wriothesley enjoys having you as an assistant.”

“Oh? Sounds like Iudex Neuvillette is becoming fond of me too,” you say—very jokingly. “You may have to fight Wriothesley for me later. Assuming I stay as helpful during the remainder of the week.”

You half expect Neuvillette to say say something about how a fight won’t be necessary, as you're only a temporary loan, and he shouldn't need help beyond this week anyway—but instead, he cracks a smile, grabs his portion of the consomme, and says—

“I'll have to keep that in mind.”

—before he returns to his desk and continues working through his lunch.

In the afternoon, Neuvillette remains immersed in paperwork and other documents. You mostly spend your time making sure he has enough water available to drink, and fetching him any books or materials he asks for, so he doesn’t have to step away from his desk and break his concentration.

It’s a dynamic that works, and already, you can tell his stress has lessened—now that he’s caught up on many tasks. However, there’s still the slightest pinch to his brow, and a tiny flush on the skin of his neck despite the fact that it’s not overly hot in his office (at least, in your opinion. But maybe all that hair of his is warm?).

However, you don’t bother overthinking it. It’s still your first day assisting him. It would be crazy to think he’d suddenly be stress-free after a few hours in your care.

When the clock strikes 5, Neuvillette doesn’t miss a beat.

“You may go home for the day.”

You blink, looking around for the time.

“...will you continue working?”

“Yes, but that isn’t out of the ordinary,” Neuvillette responds, taking a sip from the glass of water on his desk. “However, your station doesn’t warrant you working overtime. You should go home now and enjoy your evening.”

You suppose he’s right…there are some things you can’t really assist him with anyway. Plus, you still have four more days working under him.

“Alright then, I won’t argue with you,” you respond. You gather up what little things you had brought with you, and then head for the door. But, before you go, you turn back to him.

“When should I come tomorrow? 8am?”

“9am will be fine.”

“Understood,” you nod, flashing him a smile. “Then, I’ll see you tomorrow. Good night, Monsieur.”

“Good night, Y/N,” he responds in kind, watching you as you open the door and slip out of his office.

His gaze only lingers on the spot where you stood for a brief moment before he returns to his work.

The next day, you arrive at Neuvillette’s office at the agreed upon time, only to find that he’s getting ready to leave.

“I have some trials at the Opera Epiclese today,” he says. “You are welcome to join me.”

And really, who would pass up that offer?

So, without even setting your things down, you follow Neuvillette out of the building and to the Navia line—boarding an aquabus that will take you to the opera house.

Neuvillette garners a lot of attention as the two of you make your way to the building, but you do your best to tune out any stares or whispers. You think Neuvillette’s popularity among the people will never die.

“I have a guest today,” Neuvillette tells one of the staff members once you’ve entered the main hall. “Please make sure she is given a seat.”

“Of course,” they assure him, to which he nods. His eyes catch yours.

“I will find you once the trials are over,” he says.

“Alright,” you respond. “Good luck.”

He cocks an eyebrow at your sentiment.

“Luck is typically not required,” he tells you. You feel a little heat of embarrassment rise on your skin, but the smile that appears at the corner of Neuvillette’s lips assures you he’s only joking with you.

“Nonetheless, thank you.”

With that, he turns and heads up a staircase that will lead him upstairs to the judge’s seat.

You follow the staff member into the theater, still feeling a little warm.

As it turns out, Neuvillette has a full docket today.

From morning to afternoon, you spend your day settled into your seat in the theater—watching prosecutors and defendants present evidence and argue back and forth.The cases draw most of your attention, but your gaze still strays to Neuvillette every so often, just to make sure he’s alright.

And he seems to be…for the most part.

Once or twice, you notice that his eyes are unfocused—staring off into the distance, and not at the person who is speaking. And when a recess is taken for lunch, and Neuvillette finds you to invite you to partake in lunch with him, you notice that the flush on his neck has returned.

Silently, you wonder if he’s getting sick…although you’ve never heard of Iudex Neuvillette being sick before now.

You make sure to send him back up to his stand with an extra bottle of water (which he downs quite quickly. Then, he even motions for one of the nearby employees to bring him more, which…also must be a little strange, considering you see some people in the audience watching Neuvillette, instead of the “show”).

By the time his docket has been cleared, and the two of you take the aquabus back to the city, the work day is over. You and Neuvillette bid each other farewell, and you return home.

Your third day is spent helping Neuvillette finish up paperwork related to the cases from the previous day.

He remains flushed the entire time—the blush on his neck creeping up to his ears. He also begins sighing heavily every so often, and his requests for water become more frequent—to the point where Sedene, who guards Neuvillette’s stash of imported waters, even gets surprised by how quickly he’s going through them.

However, it’s not until the fourth day—when you see Neuvillette behind his desk, face flushed, sweat beading on his brow, and his official robes discarded due to how hot he is—that you finally have the guts to speak up.

“Monsieur,” you say hesitantly, remaining gentle despite the way his head nearly snaps up to look at you.

“Is it possible that you’re sick?”

Neuvillette frowns at the suggestion, as if that’s impossible, but…after a few seconds, he seems contemplative.

“Would you be able to go to the library and fetch me a book?” he responds without answering your original question. He writes the title down on a piece of paper for you, and you take it—unable to say no.

After a short trip to the library, you recruit the help of the librarian, who points you in the right direction, and—soon enough—you find what Neuvillette has asked for.

A book on the history of the Dragon Authorities.

…huh.

Dutifully, you take the book back to Neuvillette after checking it out, and he thanks you—setting it off to the side until he has finished what he’s working on. It takes another hour or so, but finally, out of the corner of your eye, you see him reach for the book.

He flips through the pages until he finds the section he’s most interested in, and then he just…reads. For a while.

You keep yourself busy organizing paperwork in the meantime, and don’t pay him much mind. At least, until you hear a crunching sound.

Startled, you glance over at Neuvillette, only to find that his desk is cracked—his hand gripping it so hard that the wood has actually splintered.

You jump to your feet.

“Neuvillette—?!”

“Leave.”

There’s an edge to his typically calm voice.

“What—”

You’re unable to get more than a word out before his sharp eyes find you—his pupils like daggers.

“Leave,” he repeats, slightly more calm. Although, you swear you can almost hear a rumble in his chest.

Your heart sinks, worry blooming in your chest. Did you do something to upset him?

Seeing how your face twists, Neuvillette takes a deep breath.

“I apologize,” he says, his tone measured. His eyes meet yours for a long beat before he glances away, unable to look at you.

“You’ve done nothing wrong, and I appreciate your help until now, but I will no longer be needing your assistance. Please go home.”

Not understanding why he’s had a sudden change in demeanor, you want to prod him for answers about what’s going on, but…seeing the tenseness of his body, and the way his chest heaves, you decide to listen to his request.

Without further argument, you gather your things and quickly head for the door—only pausing to say one last thing before leaving.

“It was nice working with you, Monsieur Neuvillette,” you tell him, a smile tugging at your lips even though he refuses to look your way. “If you ever need my assistance again, please don’t hesitate to let me know.”

The sound of the door shutting behind you is loud in Neuvillette’s ears, and once you’re gone, he finally lets go of his desk—chips of wood sprinkling the floor at his feet.

He attempts to take a deep breath to calm himself—but it has the opposite effect—his jaw clenching as his senses are flooded with the scents in his office, all of which seem more pungent than usual.

Leather book covers, fresh ink, Springvale water, his freshly washed robe, and a fleeting, sweet scent…

A scent that he wants to chase after.

He closes his eyes, stopping his train of thought.

Then, with shaking fingers, he picks up his pen and grabs a piece of paper.

As he drafts the notice of closure he intends to pass along to Sedene, a thunderstorm begins brewing outside his window.

On the morning of what should have been your fifth and final day in Neuvillette’s care, you wake up and find that you can’t simply let things be.

You do your best to distract yourself with whatever chores in your apartment need doing, but it doesn’t work. You can’t stop thinking about Neuvillette—the flush on his skin, and the way his eyes had looked when he’d commanded you to leave.

It had all just felt so…out of character. You can’t help but worry about him.

So, despite the thunderstorm that’s been raging outside since you’d returned home the evening before, you decide to go and check on him.

You bundle yourself up in a coat and shoes that won’t be ruined by the rain, and then grab your umbrella—heading out into the storm.

As expected, not many people are out, which makes traversing the streets quite easy. You ride the elevator up to the Palais Mermonia alone, running up the steps and into the building to escape the rain.

In your hurry, you miss the notice that’s been posted on the doors to the building.

Once inside, you close your umbrella and prepare an apology to Sedene for dripping all over the floor, but to your surprise, she’s not at her desk. In fact, there’s not a soul in sight—the lights off, and the hall empty.

You’ve never heard of the Palais Mermonia shutting down before…

You take a step back towards the entrance as lightning illuminates the room—figuring it’s best if you leave. But…

Your gaze strays towards the doors to Neuvillette’s office, and after a beat, your feet begin moving on their own.

Assuming Neuvillette is here (because it’s not hard to imagine him working, even if everyone else is gone), you want to make sure he’s alright.

So, you grip the handle to his office door, and quietly push your way inside.

A clap of thunder drowns out the sound of the office door clicking closed, and you take a step deeper inside, your eyes peering around the room.

In the darkness, you don't immediately spot anyone.

“Neuvillette?” you call out, just to be sure.

Before his name has finished leaving your lips, a shadow moves. Something rounding Neuvillette’s desk and heading towards you—snake-like eyes shining through the darkness.

Your heart jumps into your throat, and you trip over your feet in a panic as you rush to grab the handle of the office door—hoping to throw it open and dart outside before whatever monster you’ve just walked in on is able to get to you.

And really—it has to be a monster. It’s quicker than you—quicker than a normal human—crossing Neuvillette’s office in less than a second.

A scaled hand slams against the door beside your head, and little sound of fear is ripped from your throat.

You're being prevented from leaving—the door not budging even when you try and discreetly tug at the handle.

Your chest shudders as you take a breath, and you squeeze your eyes shut, fearing the worst.

Even with your back turned, you know there's some sort of beast behind you. One that’s stronger than you. One that will probably end your life before you can beg for mercy—

“I told you not to return here.”

The sound of Neuvillette’s voice beside your ear causes you to jolt.

He’s so close to you that you can feel his breath on your skin, and while realizing that it’s Neuvillette who is behind you should be a comfort, it’s also…frightening.

You’re aware—like most Fontainians—that Iudex Neuvillette is not totally human, considering he has been presiding as the chief judge for more than a few centuries now, but…you’ve never seen him act like this.

“I…was worried about you. After yesterday,” you respond, finally finding your voice.

“I sent you away for a reason.”

His voice is deeper than normal—a rumble vibrating in his chest as he speaks.

His lips brush the shell of your ear, causing you to shiver. Goosebumps rise on your skin and your heart races faster despite your best efforts to stay calm.

However, staying calm isn’t easy to do in this situation—especially when Neuvillette literally starts to glow.

The scales on his hand which you’d spotted early begin to softly shine blue in the dim light of the room—his nails curling and carving uneven lines into the wood of the door in front of you.

“I-I’m sorry,” you whisper, your breath hitching when his free arm suddenly curls around you. His forearm rests between your breasts, his palm splaying over your sternum, and you feel him take a deep breath—almost like he’s inhaling your scent.

“I was trying to protect you,” he says, his nose brushing against the skin of your throat. He can feel your pulse raising—your heart thundering in your chest.

You unconsciously grip the door knob tighter.

“Protect me from what, exactly, Monsieur…?”

“Me,” he responds.

His words send electricity up your spine.

“The way I’ve been acting—the way I’ve been feeling recently—it’s very unusual, and something I’ve never experienced before,” he admits—his warmth bleeding into your back as his body curls around you.

“That’s why I had you retrieve that book for me when you questioned if I was ill. There was a small change in my…constitution, lately. One that only early generations of my kind have experienced. So I wanted to brush up on history, and see if I could find any clues. And I did.”

He takes another long breath, and you hear the wood of the door crunch as his grip tightens.

“Experiencing a lack of focus, increased appetite, increased body temperature, and increased sensitivity to certain scents are all signs of one thing. An impending rut.”

A rut.

The word hits you like a train.

“While having an assistant was a nice change, being around you only exacerbated the issue.”

He doubts you’d taken notice with how immersed you’d been in your own tasks this week, but Neuvillette has been watching you. The way you tuck your hair back when you’re reading, the way your ass looks when you bend down to gather papers, the scent of your perfume whenever you approach his desk…

At first, he’d been distraught by his own actions—not understanding why he was being so…improper towards you. But now he gets it.

His instincts have been itching for something to mate. And now that something is you.

Diligent, kind, and pretty…those traits, combined with being around you 8 hours a day, have made you an easy pick.

“That’s why I told you to leave. Why I closed down Palais Mermonia today—to spare anyone any trouble, and to try and deal with this on my own. But you just had to come back…”

The hand on your chest inches closer to your breast—fingers hovering above the soft mound of flesh—before Neuvillette catches himself, and backs off.

“I think I have enough willpower remaining to grant you one last chance,” he tells you, although his throat tightens as he speaks—as if saying such a thing pains him.

“I’ll release you, and when I do, run.”

Run.

Your instincts scream at you to do just that—the world moving in slow motion as Neuvillette takes a deep breath and takes a step back.

His hands retract, momentarily relinquishing their hold on you and the door.

All you need to do now is twist the handle and dart outside. To leave him here, and not look back.

You turn the handle, and the door inches open. Behind you, you swear you hear something akin to a whine becoming trapped in Neuvillette’s throat.

Despite his words, he doesn’t want you to leave. He’s only doing this out of consideration for you.

But…based on the way he’d spoken about his rut—the way he’d needed to read up on his symptoms to determine what exactly was going on—he’s obviously never had to deal with this before. And from what you know of ruts and heat cycles and the like, you doubt dealing with this alone will be enjoyable for him.

In fact, it will probably be painful.

Your grip on the door handle tightens painfully.

You’re scared, but—

Slowly, you close the door—until it clicks, and you’re once again trapped inside the room with Neuvillette.

You can’t leave him here to suffer on his own.

Neuvillette’s arms wrap around you. His nails dig into your skin through your shirt.

“Why didn’t you leave, you—”

His frustrated voice cuts off, and you can only assume he wants to call you some silly name, but can’t bring himself to. Ever polite, even in this state of his.

He rests his forehead on your shoulder, his long hair tickling your cheek. You reach up one of your hands and gently pet his hair.

“It didn’t feel right to leave you here. Alone,” you respond, and despite the way your heart is racing nervously, you still don’t regret your decision.

Neuvillette huffs. His breath is hot on your skin.

“I won’t be able to stop myself any longer,” he tells you. The truth in his words become apparent a moment later, when you feel his canines scrape your neck, and his pelvis grind against your ass.

The almighty Iudex—helpless to fight his instincts.

“I know,” you say quietly. Your other hand gives his arm a little squeeze—a reassurance that you’ll be okay.

“This is wrong of me…”

The frustration in his tone is quickly melting into desperation, his lips incessant at your neck.

A quiet laugh leaves you.

“Wriothesley and I…we already do this kind of thing together. So…if it helps, consider it a part of my job.”

Truthfully, you don’t consider it to be a part of your job. What you and Wriothesley have is not born out of obligation (although, neither is this). But you’re sure hearing such a thing from you will help put Neuvillette at ease, considering his penchant for propriety.

And, of course, it does.

He takes a deep breath—

“Thank you—”

—and then immediately grabs your chin, and turns your head so he can kiss you.

The noise of surprise you make is quickly drowned out by his tongue. A tongue that is longer than a humans, considering it pushes into the back of your mouth—nearly forcing past your uvula and down your throat.

The intense kiss has you fisting your hands in his shirt, your eyes squeezing shut as you attempt to reciprocate, but with every passing second, you realize that will be impossible.

He is absolutely going to swallow you whole.

His barrage of sloppy, passionate kisses go on for what seems like forever—your head actually beginning to swim as your body fights for oxygen.

Only when the first, pathetic whine leaves your throat does Neuvillette remember he needs to allow you to breathe.

Retracting his tongue, a line of spit connects the two of you as you begin gasping for air.

However, Neuvillette is unable to wait for you to regain your bearings.

He grabs you by the backs of your thighs and hefts you into the air—your knees straddling either side of his torso as he carries you across his office, and over to the sofa.

He lays you down on the soft cushions, and you stare up at him, your skin flushed, eyes wide, and chest heaving.

He needs to see more of you. Needs to hear more cute sounds. Needs you all fucked out and stuffed with his—

Swooping down, Neuvillette captures your lips again. But this time, it’s more of a proper make-out—his lips melding against yours and your tongues rolling together as his hands trace your waist and settle near your hips.

You gasp into his mouth when you feel his fingers slip beneath the waistband of your pants. Then, a beat later, the hem of your panties.

Both items of clothing are in the way of what he wants.

In one swift move, he discards them both—stripping your lower half bare. He deposits your clothing on the floor beside the couch, and as he does so, he sits back—his gaze heavy with hunger as he admires you.

The intensity with which he regards you has you quickly feeling self-conscious, but before you can even think of trying to shield yourself from him, his hands are on your knees.

He pries your legs apart.

You can't help the little gasp that leaves you—your pussy throbbing with nervous anticipation as his fingertips trace up your thighs.

His palms settle on your hips, and again, a noise is ripped out of you as he forces your lower half off the couch.

As if you weigh nothing more than a feather, Neuvillette drags you down the couch to meet him—your spine curving as he continues to manhandle you—lifting your pelvis farther and farther off the cushions, until your ass is resting on his chest, and your legs are thrown over his shoulders.

His gaze angles sharply downwards, to your cunt. And for a second, the pressure he exudes is truly that of a dragon—one that could unhinge its jaw and swallow you in one bite.

But while Neuvillette does open his mouth, he doesn’t bare any teeth.

No, the Hydro Dragon Sovereign actually wets his lips before he leans down to meet you.

The first taste of his meal.

You can’t help but hold your breath—your fingers curling into the couch cushions beneath you as Neuvillette’s tongue nudges between your folds.

He traces his tongue up—circling your clit, and making you jolt—before dragging it back down to the spot where your arousal has started to pool. You can feel the pressure of his tongue as he presses it at your entrance.

And for a few seconds, he doesn’t move. He just sits there, silently allowing your taste—your essence—to wash over his tongue. But once he's sure that he's memorized the taste of you—committed it to his memory as a sinful pleasure he’ll surely relish in during the millennia yet to come—he gets down to business.

His tongue nudges between your walls, his nose brushing up against the soft skin of your pussy as he makes his mouth flush with you. And as he does so, you (foolishly) assume he's as deep as he can go. That the stretch of your cunt around his tongue will be good preparation for what's likely to come, and he'll simply lap at you until he's satisfied.

…of course, if he was a normal man, that might be the case.

You keep forgetting that he's a dragon.

“Oh, fuck,” you pant, hips jumping in his hold as his tongue suddenly thickens and elongates. It twists deeper inside of you, filling up your cunt wholly.

You've never felt anything akin to this before.

“Monsieur—,” you say, breathless. You can't even think of what you want to say to him.

His sharp eyes slide open, meeting yours.

He says nothing, doesn't dare to take his mouth off of you to speak—not willing to let a drop of you go to waste. But, he does give your leg a little squeeze—a small reassurance, you think.

Then, his tongue starts to move.

He fucks it inside of you with precise control—rolling it up against different areas inside of you until he locates that one special spot that makes you gasp. Your thighs tighten around his head, and your pussy clamps down on his tongue, causing a happy little rumble to resound inside Neuvillette’s chest.

He becomes relentless immediately, his nose brushing up against your clit as he continues grinding his tongue inside of you. Your body writhes, and he holds you tightly—his fingers pressing bruises into your skin where he touches you.

He can't stop.

He bullies your g-spot incessantly.

You feel like you’re on fire—pleasure scorching away at the nerves that connect your brain to your body.

You can't control yourself.

The moans and whines that escape you—the arousal that gushes over Neuvillette’s tongue as he continues fucking you…

“Monsieur…Neuvillette, I—”

Oh god, you can't even get a full sentence out. You want to warn him that you're going to cum—that you won't be able to hold back if his tongue continues moving inside of you like that—but he already knows. He can sense what's coming in the way your muscles tense, and your breath catches.

Cum, he wants to say, but doesn't—not daring to remove his mouth from you when you're on the precipice of an orgasm.

Within seconds, you come undone—the walls of your pussy fluttering around him, and helpless whimpers falling from your lips.

And yet, even with you being mid-orgasm, a dragon that's drunk on the taste of you pushes for more. He folds you over—trying to reach deeper inside of you.

The slick from your pussy overflows and drips down between the cheeks of your ass, and immediately, Neuvillette’s fingers are there—gathering it up and smearing it against your hole.

The sensation has you sharply intaking a breath.

“Neuvillette, you're—”

“Shh,” he says, for the first time retracting his tongue from inside of you. He kisses at your clit, his free hand trailing up your torso and beneath your shirt.

“Lift your arms,” he says, his voice deep, and yet soft. The hunger in his gaze hasn't waned one bit, but knowing he has a mate to help him through his rut has put him somewhat at ease, and he doesn't want you to fear him.

Without arguing, you do as he says, and he manages to wrestle your shirt over your head.

Finally, you're bare beneath him.

He takes a second to admire you, his hand moving to rest against one of your breasts. He cups it with his palm, his thumb brushing against your hardened nipple, and when you immediately jolt in response—he almost smiles.

Almost, because he still has more work to do if he wants to fully indulge in you, and satisfy his own needs.

“I'll take care of you,” he promises. “Trust me.”

And before you can even think of how to respond, he slips one of his fingers into your ass.

The gasp that leaves you quickly deteriorates into a lewd moan as his tongue once again returns to your cunt, and you swear it’s somehow even bigger than it was before.

Not having forgotten his new discoveries, Neuvillette effortlessly locates that special little spot inside of you and begins assaulting it once more—reveling in the way your body shakes, and your ass flutters around his finger.

He needs you pliant and ready for him, and it takes all of his willpower to not rush. To work at the pace your body needs.

Luckily, his mouth on your pussy and his hand on your breast helps loosen you up. The tension you'd first held—nervous about stepping into the dragon's clutches—begins melting away.

You trust that he won't hurt you.

“Ah—!”

He slips a second finger inside of you.

Compared to the incessant rub of his tongue inside you, the motion of his fingers is calmer—a purposeful, moderate pace—and the dueling sensations make your head spin.

It's all so much.

“Neuvillette—”

You reach one of your hands up, needing to ground yourself with something—and you end up taking a fistful of his hair.

Neuvillette very nearly growls at the sensation.

He needs to hear you say his name like that again. Actually, more than that, he needs to feel you clenching down on his—

Neuvillette groans into your pussy as you tug at his hair once more. In response, he retracts his tongue from inside you and drags it upwards—grinding it against your clit.

Instantly, you lose it.

A mix of curses, blabbers, and his name are drawn from you—your body squirming against the couch cushions as he laps at your neglected and sensitive clit. At the same time, he scissors his fingers inside your ass, testing to see if you’re stretched enough for one more—

“Neuvillette—I’m gonna—”

“Cum.”

He says it this time—a low command partnered with the sensation of a third finger pressing inside of you. But before your brain can even digest the increased girth of his fingers, his mouth suctions back on your clit, and your toes curl.

“Fuck—!” you choke, your head pressing into the cushion as the tension inside of you snaps—pleasure rushing forth.

You unconsciously tug at Neuvillette’s hair and he takes a deep, long breath in through his nose. He’s careful to not stop the motion of his tongue or the grinding of his fingers inside of you until you begin to whine—your hand moving from his hair to his shoulder as you attempt to push him away.

Then, he finally relents.

Sitting back, Neuvillette takes a moment to survey you.

Your chest heaving as you attempt to catch your breath, a few stray hairs sticking to the skin of your face, the slick arousal that’s smeared against your pussy, and the way you’re asshole flutters around nothing after he slowly removes his fingers…

You’re ready.

Still in the middle of catching your breath, you’re drawn back into reality by the sound of the rustling of clothes.

You peek your eyes open to find Neuvillette above you, shedding himself of his clothing. You hadn't noticed earlier, but he isn’t wearing his formal robes today. Maybe because he hadn't been expecting to see anyone, and therefore hadn’t bothered dressing up to the nines.

Neuvillette starts by loosening his tie, and then unbuttons his shirt—tossing both items down onto the floor, where they lay in a heap along with your own clothing. You expect his pants to be the next to go, but you both realize at the same moment that with his boots on, it will take more time than he wants to completely strip his bottom half.

Luckily, he doesn’t need to be completely naked to fuck you.

Popping the button and tugging down the zipper of his pants, you watch with bated breath as finally shoves his pants and underwear down. The fabric drags across his bulge as he does so, and you note for the first time how…substantial it is.

He may actually be bigger than Wriothesley, which is something you were not expect—

Neuvillette finishes shoving his clothing down to his thighs, and you watch in pure shock as not one, but two heavy, ribbed, lightly glowing dicks spring out of his trousers.

…oh.

You hold your breath, unable to peel your eyes away from the sight of him. You’d never even considered that as a dragon, his sexual organs may be a bit different from that of a humans. You can understand now why he’d made a point to work your ass open…

Speaking of—

“Neuv—!” you gasp in surprise as he rubs his dicks between the folds of your pussy. You feel the head of one of his members catch at your entrance, but he doesn’t linger there—instead using his hand to guide it down to your ass.

“You’ll be okay,” he says, sensing your apprehension.

He doesn’t look at you, though, as he says those words—his voice tight with desperation. He can’t wait anymore, so he has to believe them. Has to believe that he’s done enough to prepare you for what’s to come.

Gripping his length tightly, Neuvillette nudges his dick inside your asshole.

It’s a tight fit—one that has you choking on a whine and grasping at his wrist—your nails digging into his skin. It’s not painful, but it’s still a lot—your chest shuddering as he continues to inch himself deeper inside of you.

As he does so, his other cock grinds against your pussy—helplessly waiting for its own turn to be inside of you, precum leaking from his slit and smearing against your skin.

“Gods,” he pants, a waver in his voice. His eyes are aglow as he watches himself slowly sink into your ass—the friction positively heavenly—and soon enough, he’s fully inside of you, his hips flush with your bottom.

Your breaths coming quick, and your hand still holding tight around his wrist, the two of you meet eyes.

Then, the last little thread of Neuvillette’s sanity finally crumbles in the face of his overwhelming need to rut.

Claws digging into the flesh of one of your thighs, he forces it wider open, and grabs his second cock with his other hand.

“Neuvillette, wait—,” you try to say, but it’s no use. Even with your ass still adjusting to his intrusion, Neuvillette shoves the head of his cock into your pussy.

“Oh, fuck—!” you cry, your fingernails digging crescents into his skin.

Already drenched from Neuvillette’s previous actions, he expects your pussy to take him easier, but with your ass full, and your body struggling to relax, it proves challenging. He can only get his length half way inside of you before you’re gripping him so tightly that he can’t move another inch.

Drunk with desire, he actually growls.

“I—”

I’m sorry, you want to say, but can’t get the words out. You just need a minute to adjust. You can do this for him—want to do this for him—but—

“Hush,” he mumbles, close, and then his lips are on yours.

His body cages you in as he kisses you—one of his hands resting beside your head, while the other finds the small of your back, rubbing circles into your flesh.

“You’ve been doing so well for me,” he tells you, breathless. “Taking everything I give, responding so perfectly to everything.”

His words of praise go straight to your pussy, and you whine as he pushes deeper inside of you—your walls relaxing enough to allow him farther in.

Neuvillette makes a happy, yet somewhat inhuman noise.

“That's it, good girl…just a bit more.”

Hearing such words from the esteemed Iudex—his hand warm on your back, and his lips soft on your skin…you want nothing more than to please him.

Taking a shaky little breath, you dispel the tension in your body.

Immediately, Neuvillette takes advantage. With one last nudge, he stuffs the rest of his cock inside of you.

You’ve never felt so full.

Overcome with joy—a satisfaction deep within him that he’s never felt before—Neuvillette kisses you once more.

…then, he begins to move his hips.

You cry out, your body shaking in his hold, but he doesn’t let you go.

The slow, full rock of his hips very quickly deteriorates into quick, desperate thrusts—his cocks stretching out your holes.

The sensation is like nothing you’ve experienced before, and you find yourself helpless to do anything at all. You can hear your own voice, but don’t know what you’re saying, or if the sounds you’re making are words at all. Because while it’s your pussy and ass that are being made a mess of, your brain feels equally as scrambled—unable to conjure even one intelligent thought.

Right now, you’re just a dragon's mindless breeding hole.

The sloppy sound of sex fills Neuvillette’s office, and while it is nearly drowned out by the downpour happening outside—thick droplets of rain pelting against the windows—the plap of Neuvillette’s balls against your ass is impossible to miss.

Ah…you’re going insane.

A tiny sob slips past your lips, tears beading at the corners of your eyes.

Your whole body feels like it’s on fire—each stroke of Neuvillette’s cocks pushing you closer and closer to the edge of another orgasm.

“Ahh…”

The heady sound from Neuvillette catches your attention, and you peak your eyes open, staring up at the dragon above you.

Never before have you seen him look so debauched—his hair falling out from his braid, and his face and chest flushed. His eyes remain focused on the space where his body meets yours, mesmerized by the way your body accepts him in full—nearly sucking him in, now that you’ve adjusted and any discomfort has turned to pleasure.

Only when he hears you sob again—a pathetic, desirous little sound—does his gaze stray upwards.

And what he sees makes his heart skip a beat.

He’s not sure he’s ever witnessed a sight so sinful. The plush of your lips, the unshed tears that wet your eyes, and the bounce of your breasts with each of his thrusts.

Before he knows it, he’s leaning down to kiss you.

You whine into his mouth, your arms lifting to hug around his shoulders as he closes the distance between your bodies. He groans as your nails leave tracks against his porcelain skin, but he doesn’t relent.

He’s getting close.

And, judging by the way you whimper—your pussy and ass clenching down on him—you must be close too.

Spurred on, Neuvillette kisses you again and again—his kisses open-mouthed and sloppy as his tongue dances around your own. Drool and tears quickly paint your cheeks, but you’re helpless to do anything about it.

Right now, all you know is that you’re going to cum. The stretch of his cocks—the way they rub against your walls as he continues fucking into you with abandon—it’s too much. Your muscles tense, and Neuvillette’s brows pinch together as your holes suddenly tighten on him.

“Neuvillette,” you sob, the sound of his name broken as you speak it against his lips.

“Y/N,” he pants in turn. His rhythm becomes careless as he begins to lose it as well, but he continues to fuck you the best he can despite the constricting of your walls.

It’s only a few seconds longer before you come undone—your body shaking and nails digging into his back as you orgasm. Broken little sounds escape from your mouth as waves of pleasure tear through you, and the sensation of you cumming is ultimately what does Neuvillette in as well.

With one last buck of his hips, the Iudex buries himself inside of you and cums.

His chest shudders as you milk him dry, and you struggle to keep your eyes open—feeling utterly boneless now that the tension inside of you has gone.

For a minute, the two of you stay as you are—basking in the afterglow of your orgasms. Then, Neuvillette sits back and slowly pulls out of you.

You make a quiet noise, feeling yourself clench around nothing once you’re no longer stuffed with his cocks, and he smiles at the sound, sensing a hint of disappointment.

“You did so well,” he tells you.

Placing his hands on your waist, he gently maneuvers you to allow himself room to lay down on his side beside you.

The feel of his arm wrapping around you and pulling you snuggly back against his body causes a contented sigh to leave your lips, and after a few seconds, you muster up the energy to speak.

“I take it you feel a bit better now?”

“Much,” he responds, and you can feel the smile on his lips as he presses them to your cheek.

“However…”

He peppers another kiss against your cheek, and then your jaw, and neck. At the same time, his fingers ghost down your abdomen, until his palm is resting on your lower tummy.

With gentle pressure, he urges your ass back against him—his hips inching forward at the same time—and shockingly, you realize that he’s still hard.

“...it seems that I’m not satisfied quite yet.”

When Wriothesley emerges from the Fortress the next day, the downpour he’d caught word of from some of the prison guards has stopped—only a few clouds littering the blue sky.

Hopefully this is a good sign, he thinks to himself, starting on his way to the aquabus station.

He takes the line into the city, intending first to visit Neuvillette at the Palais—to hear about how his week fared with the help of an assistant. Then, once that’s done, he’ll go and visit you at your apartment to…catch up.

Smiling to himself, Wriothesley departs the aquabus and takes the path towards Nevuillette’s office. (Because somehow, he doubts the Iudex is at home relaxing like most people do on their days off.)

As he trudges up the steps to the Palais Mermonia, he steps on a wet piece of paper in front of the door. It’s the handmade notice that had been posted on the door two evenings prior, and had subsequently blown off in the storms that followed—but Wriothesley doesn’t think anything of it.

Pushing the door open, he heads inside.

“Neuvillette?” he calls gently, his knuckles rapping against the door to the Iudex’s office.

The sound of a throat being cleared comes from inside.

“Come in.”

“I figured I’d find you here,” Wriothesley jokes as he steps inside, spotting Neuvillette as his normal place behind his desk. However, what isn’t normal is the fact that there’s a person sleeping on his couch—their body shrouded with a blanket, and an assortment of untouched food and a glass of water on the coffee table beside them.

Immediately Wriothesley freezes, confused about what’s going on, but…when he looks a bit closerr, he realizes the hair popping out from the top of the blanket, and the scent of the person on his couch are all too familiar.

“Y/N?”

Wriothesley walks up to the sofa, blinking in surprise when he sees that it is indeed you who is passed out—your face just barely peeking from beneath the blankets that have been snuggly wrapped around you.

“You know, Neuvillette, when I lent her to you for the week, I didn’t expect you to work her until the point of exhaustion,” he jokes, looking over towards Neuvillette with a playful hint of a grin. He expects Neuvillette to sigh and apologize, but the abashed look he is instead faced with causes Wriothesley to pause once more.

It’s then that the Duke notices a small pile of clothes neatly folded on the floor next to the sofa, along with your shoes.

Hesitantly, Wriothesley grips the edge of the blanket and slowly tugs it away from your body.

He’s met with the sight of naked shoulders, and a neck peppered with small bites and bruises.

Just as slowly as he’d moved the blanket down, he tugs it back up.

The office sits in silence for a moment.

“She is…unharmed,” Neuvillette finally speaks, moving a strand of hair away from his face. “Her current state is my fault.”

Wriothesley’s eyes scan over him.

“Compared to when I last saw you, you seem to be faring much better.”

His words cause the blush on Neuvillette’s face to deepen, and Wriothesley cracks a small smile, letting loose a sigh.

“Ahh, to think even the almighty Iudex would fare poorly due to unfulfilled needs.”

“It’s a bit more complex than that,” Neuvillette says with a sigh of his own, prompting Wriothesley to raise an eyebrow. However, when Neuvillette doesn’t speak right away—unsure about divulging the specifics that lead to this outcome—Wriothesley decides to not push it.

“Well, whatever the reason, I trust that you haven’t hurt her, and that she consented to whatever took place here.”

“Of course,” Neuvillette responds immediately.

Standing up from his chair, he walks over and stands beside Wriothesley—reaching down to brush a gloved finger against your cheek. You stir only slightly—nuzzling your face into the pillow your head rests upon.

Both men smile.

“She’s a good assistant, isn’t she?”

“She is; one that works with care and compassion for the one she is helping. She performed well beyond her duties.”

“You can see now why I like her,” Wriothesley says softly, and Neuvillette can see the fondness in his gaze as he regards you.

“She did tell me that she and you are not necessarily in a committed relationship, but…I apologize regardless if I crossed any sort of line.”

Wriothesley hums.

“While the thought of sharing her with anyone else like that does make me feel a bit…possessive…she did consent to what occurred, based on your words. And, honestly speaking, I’m glad it was you over anyone else.”

Neuvillette cocks an eyebrow.

“Really?”

“I trust you,” Wriothesley tells him. “Although, you having sex is not a thought that had crossed my mind before now. It makes me curious as to what exactly you did to her while the two of you were alone.”

“I assure you a majority of her time in my care was spent with her performing her standard duties as an assistant, and nothing else. As to what happened beyond that, well…I’m not sure I possess the courage to recall such details aloud.”

Wriothesley opens his mouth to assure Neuvillette he was just teasing, but the dragon continues before the Duke can interrupt.

“I suppose if you’d like to know, next time—should there be one—you’ll simply have to be present.”

Catching the meaning of his words, Wriothesley meets his gaze.

Understanding passes between them.

“Hmm…I’ll have to keep that in mind.”

“Once Y/N has recovered, and when you next return to the surface, I’ll have to invite you both for a meal,” Neuvillette says, turning back towards his desk. “In the end, the support from you both did alleviate the issue that plagued me. It’s only right to repay such kindness when I’m next given the opportunity.”

Kneeling down beside you, Wriothesley pets your hair.

“Well, it would be a shame to pass up on such an offer. I certainly hope that fate grants the opportunity for our schedules to align.”

Taking a seat behind his desk, a small smile appears on Neuvillette’s lips.

“I shall hope for the same.”

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