#maybe I should finally try actually drawing these characters to see if I can figure it out for myself

[wolfsong-the-bloody-beast]

Sure he does. Somehow. 😂

[earlysunshines]

fright night

kim minji x fem!reader

synopsis: in which your university’s halloween festival leads to you and minji beating around the bush — finally.

warnings: making out. like the best makeout scene i've written in a bit i think. ohmygdoajsdf ; minji is a loooooser but we all know this ; pining ; dumb gay women ; FLIRTING. they want each other SO BAD i was giggling writing this im ngl ; SO cute i loved writing this ohmygod ; anything else not mentioned ; not proofread

a/n: lately i’ve been going insane bc of minji like she’s just so gf… so… she’s so… i need her

kim minji is an idiot, she’s literally the dumbest person you know.

well, academically she’s actually a genius, but she’s clumsy and clueless nine times out of ten. unfortunately yet fortunately(?) for her, this is only more of the reason for you to be completely in love with her.

which is why your roommate is dealing with another one of your little attempts to deny your feelings again.

“i think i should just die.” you groan into yunjin’s bed. she watches you, your body lifeless after you roll over to face the ceiling. “everything was just normal.”

“‘just’ as in… a month ago…?” your roommate snickers, folding a t-shirt and placing it next to your torso. “i think you’re the only person i know who doesn’t enjoy being in love.”

yes: you’re in love with kim minji.

no: you do not enjoy being in love with her at all.

it’s not that she’s an asshole, it’s just the fact that everyone is also in love with her. she quite literally has a line of girls (and men, but none of them stand a chance) waiting for her. she’s kim minji, one of your mutual friends who happens to be the captain of the university’s soccer team—which is why the clumsy aspect of her is often overlooked. so to most, she’s just hot, but she’s more to you, much more.

and you? you’re just trying to get by. you’re not in the spotlight, you haven’t gotten hit on in months — you and minji are two worlds apart.

“this is a waste of time. she only sees me as a friend, she’s cute and athletic. compared to her the most astonishing thing i can do is make a t-shirt and wide-legged jeans to sell on depop.”

“you should make a t-shirt that says ‘kim minji i want you so bad please marry me—“

yunjin is cut off when her just-folded shirt is thrown right at her face. she groans and throws it right back at you.

“i hope you get the same fate as a side character in a horror film.” you groan, sitting up and glaring at her.

“aw, thanks.” she says dryly, rolling her eyes. “hey, speaking of horror… the halloween festival is soon. are you going?”

“i fear.” you sigh, shoulders sinking a bit.

your partner in crime outside of your dorm, danielle, had convinced you with a look filled with sparkly eyes and a sweet smile to help out with face painting. there would be a variety of people passing by and you were notoriously known for being able to draw really well despite being a fashion major. “art is art,” danielle had shrugged, and so she bribed you with some coffee to really commit to it.

“danielle got me to do the face painting stall.”

yunjin’s eyes widen as she sets down a sweater. “did she?”

“yeah. i’m the only one within the circle – other than hanni – who can draw more than a stick figure.”

“you’ve got that right.” yunjin snickers. “you think your wife will be there?”

“minji?” you tilt your head, to which yunjin responds with a raised brow. she got you there. “oh, um. maybe? why?”

“don’t act all unbothered now.” your roommate scoots you over so she can pick up a pile and stack them somewhere else. “if she’s also doing something for the event, i see it as an opportunity.”

“why would i willingly do that to myself? im going to look desperate.”

“minji is an idiot, we both know that. why would it matter? i think she’d be flattered to have you there. hasn’t she literally taken you home like… three times? girl, stop overthinking.” yunjin scoffs. “plus, you never look desperate. you’re a little too good at acting like you don’t care. don’t you think you’re driving her away? it’s like, you’re so normal and even distant in real life, i don’t want to say nonchalant because it’ll boost your ego, but unfortunately, that’s what you are.”

“you—“ yunjin raises both brows as you start to speak.

“she probably wants you too. i’ve noticed you guys talking more — don’t think i don’t notice you guys next to each other in between classes, even if it’s with your circle. kazuha asked if you were dating actually.”

“really?”

yunjin giggles, turning away from her closer and back at you. she stands right in front of you, towering over and looking into your eyes scarily.

“you want that girl so bad.”

“i can’t.”

“no, no. listen to me, you’re going to take this halloween thing as an advantage to make a move and also look hot. i don’t know how many more complaints about you being a bomosexual i can take.”

“i hate you.”

“okay then pay full rent.”

“i love you?”

yunjin laughs, picking up another pile of clothes and putting it away.

—

hanni is the one to text you out of nowhere the day after, something about “minji wanted you to eat with us, but heeseung is at the cafe.” 

you squint at the message. you had just reached your class, and now you’re being invited over to grab a bite with the girl you want so bad while the guy who wants you so bad is in the same area. there is no way you should be saying yes, you can’t. one: you need to get over minji. she’s out of reach, a mere dream. two: heeseung will be checking you out the whole time and might throw in a compliment or two. 

“i’ll be there in five.” you respond, sighing and pinching the bridge of your nose.

…

the café seems a little busy, but that’s not surprising considering it’s around lunchtime and the cafe is not too far from the university. the second you step in, your eyes find minji across the room. she’s mid-laugh with hanni, but the moment she spots you, her smile stretches wider, something bright and giddy in her gaze. it’s that soft, familiar look she gets sometimes—too open, too much—but you’re just as bad, trying not to look like you’re seconds away from smiling like an idiot as you walk up.

“hey, you,” she greets, her voice warm as she sidles closer, her shoulder bumping yours as you both look over the menu.

“hey loser,” you reply, nudging her back a little harder, a playful rhythm forming between you. she pushes back with a smile, and you retaliate, each shove barely more than an excuse to keep lingering in that small space between you two. she laughs, cheeks a little flushed, and you can’t help but feel like coming over was the better decision.

you order first, dismissing minji’s offer to pay for your lunch. she frowns but nonetheless lets you order first. you order a sundried tomato and mozzarella panini, stepping to the side after and glancing at minji, who’s still staring at the menu.

hanni and danielle have already ordered, so you wait near the counter for minji so the two of you can meet up with the rest together. 

much to your dismay, heeseung’s voice breaks through your little bubble. he steps closer, leaning against the counter a little too casually. “so, do you always come here, or did you just need an excuse?” his smile is easy, maybe a little too practiced, and his gaze lingers as he looks you up and down, more intense than friendly. 

you try not to visibly cringe, offering him a polite smile. “not really—just here with friends today,” you say, keeping your tone light but cool. but he doesn’t quite take the hint, his eyes not quite leaving yours. he definitely thinks there’s something in the air, something other than his cologne that is way too strong for your liking.

“you look cute.”

“oh um, thanks?” you purse you lips into a forced smile, watching him smirk confidently. 

“what are your plans after this? got class?”

before you can think of another way to steer the conversation away, you feel an arm slip around your waist, pulling you close, and you look over to find minji at your side. her smile is wide and a little mischievous, and there’s a hint of something defiant in her gaze as she looks right past heeseung, keeping her hand snug on your hip.

“oh, y/n!” she says brightly, voice layered with just enough enthusiasm to sound like a joke but there’s an edge that makes it feel like more. “i remembered something so funny, it’s about yunjin. you know, during practice she got hit in the head.”

she doesn’t even look at heeseung as she tugs you back toward your group, keeping her arm around you a beat longer than necessary. heeseung’s face twists slightly, frustration crossing his features, but minji doesn’t give him a second glance. she launches into a conversation about her classes, her hand slipping away from your waist as she nudges you with her shoulder once more, an unmistakable grin still tugging at her lips.

you two get the chance to converse with danielle and hanni, who are more than happy to have you there. you can feel heeseung and his group eyeing you from a mile away, but that doesn’t matter because minji is in front of you and keeping eye contact the whole time you complain about him.

both your order and minji’s are called out at the same time and for a second, it’s just the two of you again as you both walk up to the counter. her voice and her closeness are enough to erase the last few awkward moments.

 “you looked like you were having fun back there,” she murmurs, half-laughing, and you can tell by the gleam in her eyes that she noticed everything. 

you laugh, trying to shrug it off. “couldn’t have done it without you,” you say, brushing her shoulder with yours. she looks down, almost bashfully, a hint of pink coloring her cheeks as she smiles—a smile that lingers long after heeseung fades into the background once again and you two rejoin the others.

…

before you make an excuse to leave, although it’s not really an excuse more than a complaint about your professor assigning a grueling reading, you hug everyone. when it’s you and minji, you two hold onto each other for a split second longer than social norms until she pulls away. minji smells like flowers and vanilla – you could drown in her scent.

“are you going to the halloween festival this weekend?”

“oh, yeah. danielle is forcing me to volunteer.”

“that’s funny,” minji chuckles, “because hanni is forcing me too.”

“is that so?”

“uh huh, pumpkin carving moderator or something.” she says, biting the inside of your lip. “we should um, do you wanna walk around after? maybe drop your shift early and i’ll do the same.”

you grin, pushing minji’s shoulder with two fingers playfully.

“couldn’t find any other girl lined up for you to hangout with?”

“what other girls?” minji asks, genuinely confused. 

you’re being an idiot. yunjin would so punch you in the face right now, so you come to your senses.

“i– nevermind. i’ll see you around.”

minji waves. “bye.”

…

after you leave, minji settles into her seat beside hanni and danielle, trying to keep her expression neutral. she fails, the smile on her face noticeably smaller and her eyes a little more dim. her friends have known her too long; hanni catches on first, a knowing smirk spreading across her face.

“you look like a disappointed puppy,” hanni says, nudging minji with a grin.

“what? no,” minji replies, clearly flustered. “what are you saying bro.”

“you were practically glowing when y/n walked in,” hanni teases, leaning in. “and then suddenly turned into a sad little puddle when she left. you want her soooo bad.”

minji’s cheeks turn a soft shade of pink, and she tries to laugh it off, glancing at danielle as if for backup. but danielle’s watching her too, a gentle, encouraging look on her face.

“it’s okay, minji,” danielle says softly. “it’s… pretty obvious, you know? you like y/n a lot.”

minji rolls her eyes, looking away. “maybe i do. but it doesn’t matter. y/n’s just… she’s too… normal, you know? she’s always so unbothered, so unfazed by anything. she probably doesn’t even want me. i’m always chasing her.”

danielle shakes her head, a knowing smile touching her lips. “i wouldn’t be so sure, minji. just because y/n’s good at hiding her feelings doesn’t mean she doesn’t have them.” she places a reassuring hand on minji’s arm. “trust me, i think there’s more there than you realize.”

minji lets out a small sigh, her gaze dropping to her hands. “it’s just… sometimes it feels like i’m the only one who’s feeling this way, you know? like i’m the only one getting flustered or waiting for her to look at me like… like i don’t know, she see’s me as a good friend.”

hanni wraps an arm around her, squeezing her shoulder. “please. y/n’s about as subtle as you when you’re around. i don’t know how you don’t see it.”

danielle laughs softly, nodding. “give it time, minji. y/n might just need a little nudge, and besides…” she pauses, glancing around conspiratorially before leaning in. “if y/n didn’t feel something, you wouldn’t have caught her staring at you like that when she thought no one was watching. plus, the whole nudging your shoulders the whole time. you two are like fucking thirteen year olds in love, it’s kind of gross.”

minji looks up, hope flickering in her eyes as a faint, shy smile tugs at her lips. maybe, just maybe, she wasn’t imagining it.

—

“im literally going to kill myself.” is the first thing yunjin hears when you get home, followed by you dropping your bag and crashing against her on your couch.

“girl what happened?”

“kim fucking minji. she’s insane, she wants me to die, i can’t do this, i resign from being a lesbian can i please resign.”

“well!” yunjin laughs, pulling you in. you lean on her shoulder and cover your face with your hands. “do you want to tell me what happened?”

through your hands, your voice is muffled as you explain, “basically hanni invited me to grab lunch with her and dani and minji. she looked so cute and like, we kept bumping shoulders and she kept smiling when she did it and then i ordered and—”

“you’re rambling–”

“and then i waited for my order while she ordered and heeseung started flirting with me,”

“ew, heeseung?”

“the bane of my existence— yes. i told him i was a lesbian at least three times! oh my god, anyway that doesn’t even matter, i don’t even care because—yunjin. huh yunjin.”

yunjin blinks at you as you stand up, pacing back and forth on the carpet now. she can’t help but laugh at you when you stop in front of her and groan, “jennifer huh.”

“wow, this must be serious.”

“minji fucking grabbed me by the waist like some wattpad story and then kinda shooed heeseung away and yunjin her hands are so nice and they were on my waist and i want her so bad. yeah. i’m gonna just die.”

yunjin pulls you by the wrist so you’re back next to her. she looks at you with a raised brow, waiting for you to recover from your high (if that counts as a high, but maybe you’re just insane). 

“she wants you.”

“she’s playing with me.”

“you’re insane. you know hanni asked if me if you like minji earlier, right? talking about how minji looked so devastated after you left.”

“what?”

“oh my god. you know what, i’m done with you. you’re such an idiot that it’s pissing me off.”

you whine, pulling yunjin by her forearm and pulling her back, which earns a scoff. yunjin looks at your little pout and puppy eyes, but doesn’t give in. instead, she pushes you off, leaving you to deal with the events of the day on your own.

before she disappears into her room, she sighs, “you’re gay and useless.”

you sink into the couch a little more. “thanks.” 

—

the weekend comes by all too fast. even with your time consuming assignments, it feels like you’ve blinked and now you have to deal with the whole festival.

you’re in a snug white cropped baby tee that shows a decent amount of your abdomen, your hair is styled just a bit, and the makeup on your face is a little more glittery and highlighted than usual. on your back there’s angel wings that complete the look. 

(“she’s going to want you so bad, trust me.” yunjin assures as she does your eye makeup.

it’s nothing much, just some darker warm tones with a faint hint of purple and highlighter to make you really look like an angel.

“and…” yunjin adds a bit of highlighter to your cheekbones. she pulls away and gazes at her work, bringing her pointer to her lips and biting on it jokingly. “heyyy gorgeous.”

“shut up.”

“minji’s going to want you so bad.”

“shut. up.”)

yunjin drives the two of you to the festival, she also looks really good. while you’re an angel, she’s a devil, showing off her toned body from soccer so she can pick up some girls that night.

(“you’re such a hoe.” you groan, doing her makeup to make her eyes smoky and lips plump. 

she rolls her eyes while putting on her little horns in her hair, checking herself out in the mirror. 

“how do i look?”

“like a hoe.” you assure firmly, earning a shove. then, you slide a finger down her collarbone teasingly, winking at her. “a really hot one.”

your roommate chuckles. “save that for minji, y/n.”

“i hate you.”)

the halloween festival is lively, lights flickering under dark skies, and you slip through the crowd in your angel costume with yunjin. you’re not even sure if anyone’s noticed your costume details, but the reactions make it clear you look… well, good. or maybe that’s just yunjin who’s doing the attracting, but a man winks directly at you and you have to force back a look of disgust.

as you make your way to the face-painting stall, you catch sight of minji leaning against a booth, dressed as patrick bateman. she’s really hot, that’s for sure, and it’s nothing new. the loose, slightly unbuttoned dress shirt shows her collarbone, and you can’t help but think about how your lips would feel on them. the loosened tie around her neck makes her look really good; you feel like she’s pulling you in without trying. despite the purposeful tousled look, she looks effortlessly put-together, but the smudge of fake blood on her cheek adds a wild edge (and makes her look even hotter). 

her eyes land on you, and her expression shifts just slightly before she pushes off the booth, walking over with a slight smirk.

“wow,” she says, looking you up and down in a way that feels way too intense. “you’re really… pulling off that angel look. you look really good, y/n.”

you giggle, trying to play it cool. “you look pretty good yourself,” you reply, letting your gaze drift over her from the blood on her cheek to the undone buttons of her shirt. “i didn’t know patrick bateman could look this… hot.”

a faint flush creeps onto her cheeks, and she lets out a quiet laugh, rubbing the back of her neck. “yeah, well, didn’t know ‘angelic’ could look so irresistible,” she teases, but her voice softens as her eyes linger on you.

for a beat, the two of you just stand there, the energy between you charged. you’re painfully aware of the way she’s looking at you—like she’s holding back from saying or doing something, thouh—and you can’t stop yourself from mirroring that, a hint of want in your gaze. she clears her throat, shifting her weight from one foot to the other.

“well, i better get to moderating— i don’t want people accidentally slicing themselves instead of a pumpkin.” she murmurs, finally breaking eye contact but not before giving you one last once-over, her eyes lingering a moment longer than necessary. she brings her hand to your hair, using a finger to push away some of the strands framing your face. you gulp a bit, then again after she brushes her knuckles against your cheek. “i like this. the makeup.”

i like you. you fight back the confession.

“thanks.” you swallow, nodding. “well, i should,” you start, playing with her tie out of a burst of confidence. you tug on it just a little, catching her by surprise. her breath hitches just barely. “--get going. i’ll see you.” you say, dropping the piece of fabric in your hand. 

as you head toward your booth, the thrill from your brief encounter with minji lingers, leaving you more than a little distracted and hoping she feels it too.

…

you’ve painted more faces than you can count on one hand in only an hour, much to your surprise. if you were to do this full time you’d for sure develop arthritis the second week on the job. 

after your tenth person — some kid who just wanted two flowers on her cheeks — danielle taps your shoulder. you turn around, humming in response.

“you look beat,” she says.

your shoulders are drooping, your posture is much worse than when you started, and you’re moving your wrist in a every angle to stretch it out and relieve the soreness. 

“you think?”

“hanni says she’ll be over in a bit.” danielle assures, patting you on the back and massaging your back lightly. “the stall will close soon so we can all hangout after.”

“thank god. are the other activities closed?”

“not until before midnight – i think.” you sigh in relief, but danielle adds, “could you grab some stuff from the supply closet though? maybe some more white, blue, and red paint? maybe grab yellow and green too.”

she gives you those eyes again, earning a chuckle. “yeah, yeah. okay.”

“great! just go down and turn right, there’s a brown shed — it’s not creepy, i swear. it’s kind of modern actually.”

“something tells me you’re lying.”

“me? lying?” 

you roll your eyes and stand up, then you trudge on over down the gravel. you roll your shoulders back and massage your neck a bit, then fix your costume a bit. it’s funny; you’re at a whole festival and this is the only time you’re exposed to the groups of people, bright lights, and excitement all around — at least for longer than a minute.

turning the corner you reach a shed, one that matches danielle’s description. 

danielle isn’t a liar, she never lies — well, she never lies about anything serious. it’s quite modern inside, seemingly new due to the fresh paint smell. it’s lined with wooden shelves, each holding different items. the corners are filled with various decorations, ranging from not only halloween decor but also christmas and even valentines day themed trinkets. you laugh at the little cupid poster in the back, but recollect yourself and focus on the “task” at hand.

you have to rummage through the costumes in the corner to find a small box with face paint in it. the light in the shed isn’t on (there isn’t a switch, only some rustic-type light hanging from above in the middle of the building), so you use your flashlight to help you see clearer. 

it takes a bit more time to find the yellow bottle of paint, which is in your hand until you drop it from the sound of the door opening so suddenly.

you jump, gasping ever so lightly before turning around to see a very striking patrick bateman.

minji stands in the doorway, still looking as good as before, looking at you with a perplexed expression.

“what are you doing here?” she asks, looking around the area.

“minji,” you close your eyes, “you scared the shit out of me!”

“i’m sorry…” she says, jutting out her bottom lip and suddenly every ounce of fear is drained from your body. “i didn’t know you were in here.”

“danielle sent me to get more paint.”

“that's funny,” minji steps towards you, looking at the two paint bottles on the floor. “hanni sent me to grab trash bags.”

you don’t respond for a second because minji steps under the antique light above her. it illuminates her face in the best way possible, highlighting the smeared on fake blood and her features. you feel your throat tightening as you stare.

minji’s gaze softens, she steps closer.

“do you know where i could find trash—”

“yes, um, yeah, probably in the corner.” you choke out.

she chuckles, you swallow lightly. 

you take the stretch of silence to pick up the two bottles that had dropped out your hand and turn the flash on your phone off. you fix your tank top because minji is still within radius, but she’s busy looking for the trash bags, still.

“i’ll see you later?” you say softly. minji’s head whips around, and there’s a slight frown on her face. before she can respond, you hear a click coming from the door, then stare at the handle with furrowed brows. you reach over to twist the knob, but it barely budges. “what the hell?”

“what?”

“i think it’s locked. did you lock it?”

she shakes her head, her brow furrowing as she steps over, nudging you aside to try the handle herself. she pulls, twisting the knob a little harder than you did, but the door still doesn’t move an inch. 

“it’s locked.” she mutters, glancing at you with a hint of worry. “i think we’re stuck.”

you both stare at each other for a beat, the realization sinking in, and suddenly the small shed feels much smaller. you look away first, sighing before turning on your phone.

“i’ll call danielle.” you say, voice steady, though there’s a slight tremor as you dial.

“i’ll try hanni.”

you both dial. danielle doesn’t answer and you huff. you wait for minji, her phone against her ear, and the defeated groan is enough to tell you whether hanni answered or not.

“i guess they’re busy.” minji says, slipping her phone back into her pocket. 

for a moment, silence stretches between you both again, an awkward tension settling in. minji shifts, making a weird noise as she brushes dust off her shirt. you can’t help but find it cute. then she adjusts her loose collar, making you clear your throat and glancing around for any other possible way out; there’s none.

the only thing you catch is a window, a window that’s far too small and high for anything to happen.

“we’re stuck.” you mutter, looking back at minji.

“do you think dani and hanni will realize we’re missing?”

“they might be busy…” you pinch the bridge of your nose, resting your head against the door. “i have no idea how we’ll get out.”

you’re stuck with minji. kim minji. the hottest and cutest girl you’ve ever laid eyes on. the girl you think of way too much for it to be platonic. the girl who’s in a costume that genuinely has you considering ruining a friendship. the girl who’s leaning back against the shelf behind her right now, crossing her arms, and who’s eyes are flickering over you as she smiles.

“your costume is really something.” her voice is casual, like you’re not stuck in a shed. there’s also a warmth in her tone that isn’t hidden in the slightest. “i like it a lot. you look heavenly.”

if minji’s trying to ease the tension, she’s doing it very well. her stupid dad joke earns a laugh from you, and now you’re leaning against the door with one side of your body as you keep eye contact.

“thank you minji, your looks could really kill.”

she laughs, gums showing and eyes crinkling. you want her so bad. 

“that one was worse than mine.”

“no it wasn’t!”

she rolls her eyes. “it was.” she steps closer leaning her head against the same door and staring hard at every single feature of your face. she glances at your lips briefly, then back up. “bet you’ve turned more than a few heads tonight.”

“maybe,” you feel your voice growing quieter. “but i was stuck at the booth.”

“if i were at the booth i think i’d purposely stay just to see you. you look really pretty tonight y/n, i mean it.”

you blush. “maybe.” there’s a grin that you can’t keep off your face. “i’d say the same for you.”

she chuckles again, looking down at her slightly blood-stained dress shirt. “yeah, i think i took the pumpkin carving part a bit too seriously. got more guts on me than on the pumpkins.” she holds up her hands, still faintly stained with an orange hue, and shakes her head. “i’ll probably smell like pumpkins for a week.”

minji watches you turn to the side, covering your mouth to stifle a giggle. 

turning back, you’re mid-laugh when your eyes catch on a smudge of blood across minji’s cheek, just barely out of place. your hand moves without thinking, reaching up to brush it away with your thumb. the laughter fades, the shed shrinking around you, and everything slows, the only movement her skin warming under your touch.

minji’s gaze locks onto yours, intense and unblinking, and there’s something behind it that makes your heart skip. her eyes are barely liddied now, she swallows, biting down on the inside of her lip, before a slow, uncertain smile begins to take over her face. 

“you look so good right now,” she murmurs, her voice low, almost rough. her hand reaches up, covering yours, holding it there against her cheek, like she’s trying to commit the moment to memory, almost like it’ll end anytime – soon, or now.

you’re close enough to feel her breath, the slight catch in it. “good enough for you?” you ask softly, a smile playing at your lips, your words teasing, but your heart racing.

she chuckles, but it’s quiet, and her gaze doesn’t waver. “better than good,” she whispers, her hand falling from yours, trailing down to your waist, her fingers grazing the bare skin there, gentle, hesitant, like she’s testing the feel of you, seeing if you’ll pull away, but you don’t. minji smirks. “are you… seeing anyone?”

the question hangs between you, heavy and thrilling. you shake your head, your pulse pounding beneath her touch. “no one at all.”

she exhales, her voice barely above a whisper. “good.” her fingers press into your waist just a little more, her gaze flickering down to your lips, and you watch, almost dizzy, as she wets her own, her tongue darting out, just barely, the movement so subtle you’d miss it if you weren’t so close.

your hand moves from her cheek, trailing slowly down to the open collar of her shirt, brushing along her collarbone. her breath hitches, and her head tilts slightly, just enough for your fingers to press against her skin, her eyes closing for the briefest moment before she meets your gaze again. you don’t realize how close you’ve drawn until you feel her breath warm against your lips.

she glances at your lips for what seems the tenth time. you two are clearly vibrating on the same wave length, it’s evident.

then, with the faintest, almost imperceptible smile, minji closes the space between you, her mouth soft, warm, pressing into yours, a little unsure, like she’s savoring every second of it. her hand at your waist tightens, pulling you closer, her fingertips grazing the curve of your hip as she leans in, her other hand moving to cradle the side of your face, her thumb grazing your cheek. the world around you slips away, and all that’s left is her—the warmth of her lips, the feeling of her touch, and the overwhelming sense that every daydream you had is getting outdone by this moment. this real moment.

it’s so real when she pulls away with rosy cheeks. she looks at you nervously, as if she didn’t just take the oxygen from your lungs.

“was that alright?” she asks, sounding unsure. it’s cute, she’s cute, god she’s so cute.

“perfect.” you mumble.

your hand moves to where her tie is, it’s loose around her collar, making it easier for you to tug her right back into you. she gasps from surprise and groans into your lips, kissing you hard.

her fingers press into your skin and you shiver, parting your lips ever so slightly to sigh softly. minji smirks against your skin, trailing to your jawline with light pecks as you release your grip on her tie and snake your hand around her neck.

“i’ve–” a kiss to the side of your throat, “wanted to—” a kiss lower, “do this for—” and a soft kiss to the base of your neck, “so long.” 

your breath shakes after she finishes the sentence, she kisses your neck once more.

minji parts, moving you over so you’re is against some random, heavy box on the side of the shed and now both arms are around your neck. you’re a few more kisses in, mixed with content sighs and groans and handfuls of hair before you two almost bite each other’s lips off from the sound of the door opening. 

you barely have time to pull away, minji’s lips are still a breath from yours, her hand lingering at your waist. you both turn to see danielle, hanni, and yunjin standing in the doorway, eyes wide. you and minji spring apart, the movement so fast that it would be funny if you were witnessing the situation.

danielle’s shock morphs into a grin as she exchanges a look with hanni, and yunjin just has a hand over her mouth.

hanni’s mouth drops open before breaking into a smirk, her eyes flickering with pure satisfaction. 

“oh my god.” hanni breathes, relief in her voice. “it actually worked.”

before you or minji can respond, utterly confused considering they all look relieved rather than disgusted, yunjin takes one look at you and minji and bursts out laughing,

“i knew it! i knew you two would finally do something if we left you alone long enough.”

minji blinks, looking as if she’s still processing. you glance between them, your cheeks warm. “what?” you say exasperatedly, “what do you mean ‘finally’? what— what is all this?”

The three of them exchange looks before danielle nudges yunjin forward, her grin growing. “so uh, we might’ve had a little something to do with the door locking. maybe on purpose. maybe. perchance.”

“definitely on purpose.” hanni adds, crossing her arms. “we were all tired of watching you guys dance around your feelings. you two needed a push.”

minji stares at them with a mix of embarrassment and dawning realizaiton. then she glances at you, her face flushing before turning back to the trio.

“you all planned this?”

hanni nods, looking like she’s enjoying this way too much. “you guys are hopeless. you know? everyone could see that you two wanted each other except you two. who the hell nudges their friends like that? you both are like middle schoolers with their first crush.”

you exchange yet another glance with minji, who’s biting her lip. there’s a surprise mirroring on her face, and honestly it’s really cute. adorably cute. 

despite all the embarrassment, you can’t help but laugh, a little breathless.

“so… this was all a setup?” minji says, looking at them with a half-laugh, half-disbelieving shake of her head.

danielle shrugs, stepping aside to give you both room to leave the shed. “well, it worked, didn’t it?”

yunjin’s grin is teasing as she waves you both out, her eyes bright with excitement. “yeah, finally,” she echoes, a satisfied smirk on her face. you glance at minji, who’s still looking at you, and a shy, almost playful smile tugs at her lips.

and as you both step out of the shed, shoulder to shoulder, the knowing smiles of your friends after they glance behind, there’s a giddiness accompanying the space between you and minji.

they all explain something about your booths being over because you two were too busy making out — you barely listen — and minji nudges your shoulder again when they’re far enough to not hear her.

you turn, tilting your head a bit before she leans down a bit to mumble, “you know, i heard that if you don’t kiss me again, for at least an hour, bloody mary might show up in your room tonight.”

a laugh escapes your lips and you push minji, who’s grinning at you like an idiot. you roll your eyes and reach out to hold her hand, she squeezes yours excitedly. 

“that’s a new one. are you sure it’s true?”

minji quickly cups your cheek and steals a kiss, parting away to make sure your friends don’t turn around and tease you two relentlessly.

“that one just got rid of all the bad energy from before.”

“what bad energy?”

“the one that’s building up every second you don’t kiss me. it also builds up if you don’t go out with me for lunch tomorrow. or ever.”

you roll your eyes once more, then glance at your friends before kissing minji’s cheek.

“i can’t risk any of that, can i?”

[originalwinnerfanfish]

Well, it was a big piece of work, hah

I took a break from RW and decided to draw something nostalgic

Actually I've been stuck with this idea for two years now and I'm glad I finally found the strength to do something about it. Thanks for inspiration from one good man)

Long story short

In this AU autobots and deceptions are two unions of different tribes: mudwings, seawings and sandwings for the firsts and icewings, nightwings, rainwings and Pantala tribes for seconds. Skywings doesn’t exist anymore (because we need someone who takes place of predacons).

People are just people or scavenger if you prefer. And instead of whole cosmos it’s just two mainlands.

- Optimus Prime - I kinda like tfp Optimus. So formidable, powerful and mysterious but really gentle at the same time. And mud/sea combo works here in the best way. As the representation of two main tribes union and strong father/brother figure for team members.

I also think he might be an animus (but don’t use his magic often, especially for killing someone)

- Ultra Magnus - Pure Icewing already will be great for him, but I gave him part of seawing so he could be more like an Optimus. But instead of being softer and warmer, Magnus is more cold and pragmatic version of him. A character who sees other dragons not as close allies and friends but as ordinary soldiers.

- Ratchet - Yeah, the seawing would fit him better, but i just don’t know how to make the colors work here sooo… he’s a weak-fire mudwing. Like a skywing, but mudwing. Why not. Make sense with his lack of guns in origin. I think he’s design can be better, and maybe I’ll remake it.

I love his arc of recognizing people as equals and especially his interactions with Raphael. I think Ratchet often read him scrolls about history and magical artifacts.

- Bulkhead - No surprises here - mudwing fit him perfectly. I think that the Wreckers could been a big and strong mudwing troops, and Bulkhead was a bigwings in such a one. He is lost a lot of his siblings during the war, and therefore tries with all his might to protect the new members of his family. I absolutely adore his relationship with Miko and Jackie, so for me he’s one of the cutest character, and I tried to make his forms round and soft.

- Bumblebee - I know that majority draw him as a hivewing, but in that case the most logical for him will be a night/sandwing. Literally, autobots get their own Sunny)

I think in this version with his lack of a voice he could communicate using sign language or some variation of aquatic.

- Arcee - Also nothing special - she is a seawing. I originally wanted to give her a helmet but it was too hard to draw. Just like Sunny she was born pretty small and now even younger dragons can be bigger than her. I’m pretty sure she is old enough to have seen Bumblebee when he was a dragonet, so she's literally like an older sister to him.

Actually she really gives me a Queen Glory vibes with her sarcasm and dangerous beauty, so rainwing might fit her as well.

- Smokescreen - I used to think he was just a cringe, but now I realize he's a pretty interesting and realistic character. Like Ultra Magnus, I wanted to make him look like Optimus, only this time Smoke is more of a younger and much more irresponsible version of him. I think in this version (being part rainwing) he's trying to mimic Optimus's coloring using same red, blue and pale-gray shades.

- Wheeljack - The scruffy boy! I think in this version he could be Bulkhead's "adopted sibling", so they are really close to each other. And, because he spent most of his life with Bulkhead, it's harder for him to get close to other tribes and dragons.

Painting scales to keep canonical colors is kinda cheating, but for this dude it totally works. He should have a pretty bright appearance with all those scars and bright spots.

Cliffjumper - Ohoh… this poor guy. I didn't even think of putting him here, but I like his smug face too much. Even making his scales darker than the original, it's still too brightly colored for mudwing. He probably jokes about it a lot, saying that his ancestors were skywings.

I really like his dynamic with Arcee, and it's a shame we haven't seen much of their relationship. I think I need to do something cute about that.

[another-lost-mc]

The Wild Side was so adorable and my heart wouldn’t be able to take it if you wrote something for the other characters (and Azra!) Maybe their animals from the Magical Eggs event would work, but I’d love to see your take, too.

a/n: I’m using the dateables’ onesies for their animal inspiration. I wouldn’t put it past solomon to jinx them somehow during a sleepover.

the wild side: slumber party edition | the dateables + azra

1k words | sfw | more silly fluff + humor

cw: relationships can be romantic or platonic in nature (your choice) except for luke, he is our baby brother and must be protected at all costs.

Lucifer arrives at the Demon Lord's Castle with little fanfare. You were supposed to be having a slumber party with Diavolo and the residents of Purgatory Hall, and he incorrectly assumed there was no possible way things could go wrong. He started receiving a series of alarming messages from staff at the castle that something strange was going on. He hears a disturbance as soon as he lets himself inside the main entrance hall. A loud ruckus coming from the ballroom, typically used to host the young prince's lavish parties, draws his attention. He opens the door and is completely stunned, shocked into silence by the chaos he finds within...

The Dragon (Diavolo)

It's a minor miracle that he's not a full-sized dragon. He's a bit smaller than Cerberus is and the ballroom is spacious—he has plenty of room to stretch his wings.

Judging by the scorch marks across the ballroom's marble flooring, he hasn't figured out how to control his flames yet.

(As soon as Lucifer walked into view, Diavolo snorted happily through his nose. He shot flames across the room and another set of curtains is currently on fire.)

Diavolo's still aware of his size and potential danger. He does his best to keep away from you and Luke who are at the greatest risk of being stepped on.

His scales are very warm to the touch. Barbatos can't land on him without injuring himself, so he squawks angrily at his young master from a safe distance.

He was excited to host this little sleepover for everyone to watch some new movies together, but he thinks this is even better!

The Owl (Barbatos)

He's very anxious, but you can tell he looks at you differently vs. the way he looks at Diavolo Solomon everyone else...

He doesn't believe in regicide, but Diavolo is going to be punished severely after this. And Solomon, too—this is his fault!

(Being a dragon is no excuse for his master to engage in such reckless destruction. He's going to burn down the whole castle at this rate!)

The Little Ds are enjoying this far too much and slacking off on their duties while they watch the madness unfold. The least they could do is help put out these wretched fires...

Barbatos doesn't seem to be nearly as intimidating in this smaller form. Diavolo rolls his eyes when he hoots at him, and the Little Ds keep tugging on his tail feathers teasingly and dashing away.

(If they think he's going to forget this, they're sorely mistaken.)

He gives up on trying to reign in the mayhem and tries to stick close to you instead. You're so small and fragile in your little sheep form, he worries the others might hurt you by accident. He pecks at them to remind them to be gentle.

When everything gets too overwhelming, he flies up and rests on one of the sconces on the wall or the chandelier.

(He nearly falls to the floor when the magic spell finally fades away mid-flight, and that makes him even angrier.)

The Panther (Simeon)

His main concern is keeping an eye on you and Luke. It's amusing to watch the others though; he's content to stick to the edges of the room and observe the chaos.

This is actually great inspiration for a new novel! Or maybe he should try writing a children's book. You would make a cute main character!

He carries Luke somewhere safe when he inevitably falls asleep from all the excitement.

(Solomon and Azra get so distracted picking fights with each other that Simeon picks you up by your collar and carries you to where Luke is sleeping. He curls around your little sleep pile protectively until the spell wears off.)

The Red Panda (Luke)

He's too small to get into too much trouble, but he has a surprising amount of fun—probably the most fun out of everyone, except for Diavolo.

He's not used to having a tail and he trips on it a few times by accident when he runs too fast. He swears that Simeon chuckles in a weird, cat-like way when he falls on his face with a growl.

He follows you around the ballroom, but the other animals are so much scarier bigger than he's too nervous to get close to them.

There are still trays of desserts on the table from dinnertime, and he helps himself to some sweets.

(The spell and abundance of sugar knocks him out cold in less than an hour.)

The Wolf (Solomon)

He didn't mean for this to happen, but he's going to enjoy it while it lasts.

He saunters around, swishing his fluffy white tail and showing off his stunning wolf form for you to admire. For some reason, you don't seem that impressed.

You squirm and glare at him when he tries to kiss lick your face, too.

He lays down and rolls over, hoping that you'll curl up with him because his fur is so warm and perfect to snuggle in.

Maybe you're just shy? The hellhound won't leave you alone but Solomon's not sure he can take him on in a fight...

(Really, can't he enjoy your company for once without one of the demons butting their nose where it doesn't belong?)

The Hellhound (Azra)

You said this was supposed to be a fun little sleepover. He even put on that stupid onesie you bought him because you're cute when you pout you said it would be more fun this way. This was supposed to be a chance for him to get to know your friends—and now he's stuck as a dog!

You weren't immune to the mysterious magic either, and you and the young angel are the tiniest animals here. He's extra-vigilant about trying to keep the others away from you; he's scared they're going to hurt you by accident.

(He's never seen this side of Diavolo before, and he hates to admit how much fun it is watching the young prince set half the ballroom on fire while he shoots fireballs at random objects for target practice.)

He's very agitated when Solomon tries to approach you. That damn wolf keeps stalking you around the room with a hungry glint in his eye.

You don't seem happy with either of them when they start growling and snapping at each other and he's already thinking about how to make this up to you later.

(Maybe when this is over, he can convince you to go back home with him.)

read more: the demon brothers version | obey me masterlist

[yuseirra]

(Vague..hints about what 165 would be, I heard about it, I'm...scared to see that chapter. It sounds really horrifying, I can't phrase it otherwise.)

I think I'm going to jot down my feelings. I honestly feel so, so sorry for people who like this manga..; on the bright side it's been a work that's...imbued things in me to write and draw this much about myself but I wish that'd only have happened on a positive note.

I think the author is really being too much..;; They're being so cruel. For what? Can this story get across a proper message? That's what's most important to me and I can take it if I'm convinced it is but... This current route is so far from what most audience would believe as fulfilling or.. Feel happy about seeing. Unless this is fake and the last chapter has some sort of happy closure to it all.

I started reading onk after the anime came out last year and kept up with it, ordering the volumes and reading them. After Chapter 154 and listening to the opening for Season 2, I just thought, “Ah, this is what it is… This is it.” (If you read my oldest? theory posts about this work, this July, you’d know what I mean. I think I’ve figured it all out, and so far, nothing I’ve said back then has been disproven; on the contrary, it STILL makes the most sense.)

I have myself an idea of what this could be, but unless Ruby uses Amaterasu’s power to save everyone and bring them into a happy timeline in the final chapter, this is just...;;

Haha, seriously, this is... phew...

It’s true that Ai and the person she really loved had mutual feelings, but that person went completely insane and caused some incredibly serious issues, forcing Aqua to go after him with everything he had.

From how things are unfolding, I think these points have been confirmed.

We also learned that person was originally good enough to be called noble<I feed off this info like cow eats grass... That's the thing that keeps me going lol Kamiki is nuts...oh please...I really care for him

We know Aqua had a mission assigned from the gods.

For Ruby’s future, he had to capture their father, and this task required him to put everything he built in the story so far on the line.

I kind of understood this? Even if accepting it is a different matter.

No matter how important revenge is in Aqua’s narrative... it’s like, what should I even say? Kamiki ended up devouring Aqua’s story to such an extent that the latter part of the story feels overshadowed by him, and yet Kamiki hasn’t been explored in enough depth for that.

For those following Aqua, this progression feels incredibly harsh. Even if you were rooting for Aqua, the villain he’s up against should be properly fleshed out. Kamiki is full of gaps everywhere. Maybe some parts are intentionally hidden, but what they’ve done feels too much like a Deus ex Machina.

The things he’s been said to have done aren’t even within the realm of what an ordinary human could achieve, it's beyond logic. So unless he’s literally a god, it doesn’t make sense. That’s why I kept insisting he’s divine. When you look at the clues related to his character, there’s actual foreshadowing that supports this theory. If he isn’t, then nothing makes sense. I even wrote a post as soon as Fatal dropped. I just knew THAT had to be it.

There are so many actions he took that can’t be explained unless he’s something beyond human, things that even gods would need to intervene in, assigning missions to Aqua and Ruby. That���s the development that makes the most sense.

Even so, this plot is too much for fans who have loved and followed this series.

I kind of get it, but for fans who have been deeply attached and following this work(this includes me too), the final chapter… Even if there’s something to look forward to, it doesn’t seem like it’ll be worth getting your hopes up. And I'm usually a very hopeful person. It feels like the author wanted to try writing an ending like this, but even then, this... The last 10 chapters or so feel like they consumed all the preceding content.

If Kamiki had been more prominently featured and well-developed, that might have been different (I probably analyzed him more than anyone else out there, because there wasn’t much to go on, and I tried to understand what kind of person he was, filling in the gaps to infer his behavior and motives since his perspective was never shown). But Kamiki, who isn’t as well-developed as Aqua, now holds a weight in the story that makes Aqua sacrifice everything he’s built. I really wish they did both characters justice. I really liked them both.

In that case, he needs to be an unimaginably terrible villain. From what spoilers suggest, what he’s done is indeed severe. But if Ai truly loved such a person, and that’s flipped with the limited remaining chapters, the story becomes trash... Haha. Then what’s the point? I don’t know. That, I really don't wish nor see being contradicted.

Kamiki was kind but lost his mind. (Him being kind is something I never want to give up till the end. I just see it REALLY well too.) So he did a lot of things, I get that. But can something of this scale really happen in modern society, to the point where the protagonist must sacrifice their life?

If so, shouldn’t there be some justification brought in from outside the story to make it convincing? Hence, Kamiki is essentially a god, as suggested by his very name. He was a noble god who fell. There’s enough context, hints, and foreshadowing to support that. He was exposed to malevolence from a young age and became tainted by it. He probably did love Ai, which is why he wielded his power so recklessly, driven by madness to reunite with her.

But even with this, there’s hardly any explanation. Why he went mad, what he did with his life—it’s all glossed over in a few panels. If he’s the villain that the protagonist *must* defeat, there should have been more depth and depiction to fuel that narrative, but it’s incredibly ambiguous. The story just throws a few lines at us and expects us to believe, “He could do all this, so the protagonist had to die,” and that’s it. (That's why... I'm not really sure if they make it want to seem like he's THE bad guy either. Since it's rarely explored in detail so we can't sympathize with the victims if they exist and...hate this guy even more for it. That approach I agree with, because it shouldn't be that way if this story wants a message. But who knows. Scary stuff; it just makes you baffled and dumbfounded and go, "what is this?";; Again, it'd make me question, 'What kind of guy did Ai even love?' I do have my own answers for that. He's her previous divine husband who became hopelessly flawed upon losing her, THAT'S what, so it's not on HIM that he's turned out that way. But who knows.)

Do you think that’s convincing...?💦 I’m filling in the blanks myself, but this feels too much. Whether the final chapter is 50 pages or 100 pages, it can’t wrap this up properly unless Ruby turns back time to save everyone and bring them happiness. I’ve heard there are about 50 pages for 166, but isn’t that just two chapters’ worth? It’s basically the same as a double issue, and given how little content there’s been in recent chapters, even if they combine two, I don’t think it’ll be impactful.

I genuinely feel sorry for the fans of this series. Does this development make sense to you? I’m so baffled that I can’t help but laugh when I think about the plot. It’s not even funny; it’s just painful to watch. How many people would have wanted this kind of ending? I once wrote that over 70% of fans might end up hating the conclusion, that I have a bad feeling about the writer having some kind of personal ambition to create a "twist" and experiment on it out of their artistic desires - and if it ends like this, they probably will. It's not like I didn't see it coming. I did tell all the others who came to read this work upon reading my fanworks to wait until it's complete, there are some things I really appreciate about it, but I wasn't sure it'd progress on your usual, happy and safe route. It could have been that way. The answers were all there. There were many opportunities where there were chances of this story getting an ending many would be satisfied with,

And if I’m wrong about everything I’ve said here, I’ll be just as lost. I really won’t understand any of it. But I’m confident I’m right.

The traits of Kamiki match those of the husband of Ame-no-Uzume in at least ten ways. That god even had a story that said he drowned.(but if he really died, that's ambiguous and he is worshipped pretty well along with his beloved Amenouzume)That's just too much to be brushed off as coincidence, he's at least INSPIRED from that god.

I believe he was originally very kind. I can’t let go of that idea, because it’s been evident to me, and it sticks in my mind. But if that’s true, then this is the story of someone who was kind but went mad, and a son who became a vengeful spirit after his mother’s death. The mother, worrying about the father, left what was almost like a final wish: “If your father is still straying, won’t you help him with me?” But the son kills his father, thinking there’s no hope for him, and ends up dying himself in the process. If that’s really the story, then how... how can there be any positive message to take away from this?

I think I understand what’s going on. I think I do... but the story has been so unfriendly and, as a result, feels disrespectful to fans who have loved the series.

I'm actually thinking: if Kamiki IS Sarutahiko the god of guidance who's been TWISTED due to making EVERY possibilities of a future turn horribly wrong, are we WITNESSING his powers in real time?? Is THIS an extension of what he's capable of? because, I feel like.. He's been bringing sufferings to everyone including himself. Oh in that case I'd totally understand his pain. He really would be suffering. And he's THAT dangerous. What if this comic is being really meta, huh?? I think he doesn't want this either. Losing Ai just.. Totally shattered him I bet. But seeing how things are, I think it could really have been his powers that caused her to die in the first place, unintentionally though. I won't forgive the author if HE'S the one who's killed Ai AND he's been doing all these things in order to get her back afterwards, that is just...so rude. It has no point...

There’s still one chapter left, and I know it’s not right to make a judgment prematurely, but if things go on like this, it’s truly too much...; I genuinely feel bad for those who have loved this work wholeheartedly. And for myself... if it doesn’t end as I’ve thought, then I’ve been completely mistaken, haha. But I came into this with confidence, not about Aqua’s side of things(I thought HIM out of all should get a happy ending. I still wish for that to happen), but about what the story wanted to convey through Aqua’s parents. I believed there could be a meaningful message despite how difficult it seemed, so I took the initiative and interpreted it, drew a lot. If I’m wrong, I can only blame my insight... The story itself never changed; it just stayed there. But I was confident. I’ve never been wrong when it comes to instincts or analyses related to psychology. I thought I knew what this was...

I hope this work gets resolved in a way that is respectful towards its fans whom really cared for the series...they-we-deserve that as much as the authors deserve respect. We're in this together as a fan and the writers. We should care about each other.

[hate-not-wanting-a-name]

wait i'm actually genuinely interested in your timecrash, i think they're cute and silly?? so... would you mind talking more about their dynamic/relationship/whatever it is that they have going on?

OH MAN I'VE BEEN WAITING FOR AN ASK LIKE THIS

One day i decided to draw two characters interacting which transformed into "two characters being sewn together". First one was Time, and then asked @goddevouringserpent who should be the second one, and it chose Crash. We joked around that it would be awful for both of them, because, well

They are both autistic to me, also Time has OCD and Crash... well, probably bipolar or bpd. Time is bossy, wants to control the situations he is in, he is sometimes loud, pretty smart, likes to be as precise as he can be, and has a generally stable view of others.

Crash is borderline, curious, either mute or loud as an explosion, and he switches between these states pretty fast. He is a slow thinker, he is okay with being bossed around(when in good mood), impulsive and can see someone as his friend and then as an enemy in the span of 30 seconds.

Quite a mix, right? Its like they contradict each other. And one day, this crackship transformed into an actual ship.

I headcanon that Crash has/had multiple crushes on other bots, developing whenever they behaved nicely towards him and dying quickly when they did something he disliked a lot. Heat, Flash, Fire, etc. And Time, of cource. Time can do pretty altruistic things if it makes it more effective, so he probably helped Crash hold his e-tanks or pick up things he dropped a lot. Same with other handless bots, but Crash sees what he sees, and its "Time being nice".

Time is a god-tier tsundere, and Crash is quick to acknowledge his feelings, but is also bad at figuring out if they are mutual. If you look into Crash's eyes closely, you will see a creeping like "When will he kiss me?". Oh, and this exists in the giant bot polycule

When they finally acknowledge it, it will be hard for both of them. Time has a schedule for every day, by minutes. Crash has his own schedule that comforts him in when he is lost. Crash needs to watch birds, talk to them maybe, try to mimic their voices. Time has a hard time adapting. But he decides to make schedules for both of them.

Crash would bring Time trinkets. Time would play bird videos for Crash when he is overwhelmed.

Their dynamic is mostly about acknowledging other's needs even if they are not what you're used to

I would write more buuut its so random really

@moonstonecanyon also answered to your ask!

[crabbng]

i actually got some in process shots for this #WebcomicDay ! they are of an episode 12 page, so this doubles as a sneak peek 🤣 you can see i forgot to take a pic of the finished lines before i started on coloring (whoops)

there are a few secret steps after finishing up backgrounds etc. (scanning, cleaning up) but since this is a sneak peek, i didn't want to put the Final Product out there.

I guess I'll ramble a little bit about The Process below the cut.

SKETCH: I don't plan out my pages as much as I should other artists do. I think about the next couple shots I want, what I can probably fit on the page, and then decide how tall the panel should be. after that I draw a big line across the page 🤣 sometimes the panel gets bisected, usually not trisected. I love it when people consider the whole of the page and make the paneling choices that elevate the art. I just don't do it lmao

luckily for me, I don't have a requirement to make every piece of my comic pages The Best. So, I focus on what I enjoy: expressions and conversations.

LINE DIALOGUE AND PANELS: For inking/lining, I ABSOLUTELY have to put in my dialogue/dialogue balloons first. Since I'm doing everything on the same page of physical paper, I can't really shift things around partway through to make the dialogue and art fit better together. I also have to make sure it all fits within the panel lines I have planned. I've gotten into situations where the WORDS fit in, but in order to make a word balloon with decent space around the words, I cross over a line. Sometimes it works, but for me.. it doesn't work most of the time. So, gotta plan ahead.

You can also see down in the final section, I handwrite my dialogue! So, if I mess up, I sometimes have to add in a few letter that I can substitute in during editing.

FINISH LINES & ERASING: All I have to say about finishing lines/erasing, is that erasing can be such a challenge lmao. JUST YESTERDAY... when I was erasing.. I tore a page a little bit. And I often accidentally crinkle a corner while erasing. The obvious solution, and what I know people do, is to sketch on one page, and then use a light table (or equivalent) to do a cleaner, lighter sketch on a new page, and then do lining on that. Which is a good idea, maybe someday I'll try it lol.

COLOR FIGURES: There's really no good reason I start with the figures, besides that I like watching them come to life with the colors. It feels weird when they're blank on the page. They're also generally the most important part of the page for me, and seeing them colored helps me decide on which panels I want to do flat color backgrounds for.

But! This means I can't go back and edit skin tones etc. to be in different lighting after the fact, unless it's to make them darker! So that's something I have to be cognizant of and plan for in advance.

I use Copics for most part of the figures, except when I know there's going to be several large areas to color, like Aoife's hair or her sweater and pants. I have character's hair planned in Copics, but I have several browns from other brands (Prismacolor, Blick, Winsor and Newton, Artist's Loft) that get pretty close to her hair color. Clothing that has large areas that need to be colored are planned as being from one of those other brands from the start. I don't want to use up all my Copic juice on them!!

Also don't you just love seeing the texture of the paper through the marker? I love it. I love the natural variation you get.

BACKGROUNDS & OTHER DETAILS: Color everything else! Backgrounds and shadows generally. For backgrounds I'm once again using my alternative brands. I've got a lot of space to cover, and those markers, along with being cheaper, are generally larger than my Copics. So it works out.

Sometimes I tend to go a bit wild with the single color backgrounds, to the point where I think it can get distracting. So I have to rein it in and leave some panels with white backgrounds, so the reader isn't just blasted with colors from every angle. My rule of thumb is to try and only have color on one panel in each of my lines of panels, and to alternate sides, if possible. I feel like that guides the eye easier.

Doing things traditionally means I don't really get any shortcuts when it comes to backgrounds, including just flat color backgrounds. Every square millimeter has gotta be colored purposefully by me. And maybe that seems like a pointless use of time and effort! But man, I love the end result. I'm all for shortcuts, it's just a lot of the ones I see floating around don't apply to me 🤣

I'll talk about my other steps here too, might as well.

SCANNING: After colors and everything, I scan the pages. They're too big to fit in my scanner, so I scan the top and bottom halves separately, and stitch them together (I use PhotoStitcher).

From there, I rotate it to (more or less) make it straight on my canvas, make a .clip version, and send it off to my iPad!

I got my iPad in a workplace raffle, and though there's a lot about the UI I don't love, it's been really convenient!

EDITING: Editing consists of: cleaning up things that should be white (like eyes, teeth, and word balloons), and then cleaning up marker that's bled over into areas it doesn't belong, and is distracting. I try not to overdo it on marker cleanup, because 1) it takes a while, 2) it can stress me out if I decide I need it all to be PERFECT, and 3) it feels slightly disingenuous, just TO ME, about my OWN work. I don't think 3) is valid, so I try to ignore that part, but sometimes in my head I'm like 'mm but Jacki can you say its traditional if you have to do so much work in post to make it presentable??' (said in a very snobby voice). I went from not really caring -> REALLY caring -> hopefully I'll get to caring a reasonable amount.

FINISHING: Last steps are to send it BACK to my computer, where I have two auto actions to size the page and to export it as a .png in a large and a small size. I should be rightfully criticized for how I size the pages lmao, it's 2647x3560 pixels. Why that number specifically? That's 1) how I've done it since the beginning, so they are all this very strange size, and 2) it's about the maximum area of scanned page I can consistently get.

I think that's it? I don't know why you would, but if you have any questions, feel free to hit me up and I'll answer them to the best of my ability. Hope someone finds this interesting or helpful LOL

bye 💕 happy webcomic day!

[bastetwastaken]

Character intro: Aviditas/ Avi

"The desires of the heart are powerful, they can lead to both ecstasy and ruin. Lucky for you, I’m an expert in both."

His head rolled to the side as he was overcome with fatigue, but instead of finding an empty room, his eyes fell on a figure sat perched on the back of his sofa. He couldn't work out what it was exactly… some sort of bird…human…goat thing. Maybe he was hallucinating in his final moments. He frowned, trying to focus on the creature he thought he could see but his vision was blurry. "Aw, not gone yet, hm?" The strange figure spoke as it crossed its arms, dark feathered wings fluttering behind it. "That's okay, I can wait." That captivating voice certainly sounded human, but he couldn't understand why whoever was here had so many extra non-human parts. He squinted at it, lifting his head slowly for a better look. The things wings spread out behind it, framing a beautiful human looking figure perfectly. Wait, was this an angel? Had it come to take him to whatever came next? His lips parted and he tried to speak but it hurt his throat and all that came out was a harsh whisper. "What are you?" A smooth chuckle reached his ears and he found himself fixated on the creature before him. It tilted its head and said nothing as for a moment, it simply…watched him. "A Demon, of course." The other said with a smile, unsettlingly sharp teeth on full display. "I was here to finish you off, but it looks like you've done my job for me, I owe you one." A wink. "Come find me in Hell when you get settled in, hm? I'll show you a good time as a thank you~"

The need to know basics:

Age: Around 4786

Pronouns: Any pronouns, demons have no gender so Avi will simply conform to human perceptions of gender subject to his needs.

Sexuality: Yes. Personality: - Talkative - Flirty - Outgoing - Charismatic - Excitable Occupation: - Incubus/succubus. - Entertainer at an adult club on earth

Habits/Mannerisms: - Very lose morals (if he even knows what morals are) - Carries a small notebook with them which contains strange symbols and he writes in it periodically, especially when he hears something interesting. - Often blunt, but not in a harsh way just in the way that he sees things in a simplified way mostly. - Can get very excitable over new interesting things. - Draws people to him. - Able to talk his way out of almost anything.

Background: - Aviditas is a Latin name which means longing, desire, lust. It was given to him just after his creation. - Avi was never human, instead he is a hell born Incubus. He’s never been alive, or known an existence before that he has now. - Life in hell for them isn’t exactly easy. They are expected to do whatever their master says, without question, and he has done this for a long time. - Before a human changes the way he see's the world, he's never had many aspirations and always accepted the way things are as how they should be, but once his mind is opened, he's not sure he can ever go back to blind obediance...

Avi’s demonology comes from the representation of demons in both Christianity and Hebrew text.

Demons are essentially angels who failed to follow gods instructions, they’re not always inherently evil, more independent actors that aren’t so different from a human in terms of actual morality. However, some demons have their own agenda and can be tempted by primal desires, whilst others are directly influenced by the demons in charge in Hell and actively serve those demons' agendas.

There are demons who worship god, demons who are genuinely good-they’re just very quiet about it.

Avi speaks, reads and writes Enochian, (an occult constructed language which is spoken by angels and demons and other celestial entities, thought to be the first language of christ.) but since his job relies on communication he can also speak any human language as if it’s his own. It’s kind of like the Allspeak of the gods in Norse mythology. He does struggle to read though, often relying on text to speech to use modern technology, and he cannot write any human language. He’s never needed to learn how. Anyone not of angelic/demonic origin won’t be able to understand Enochian, it’s just not able to be perceived by the human mind. It will be possible to see the symbols though if Avi writes them out.

So he’s a demon, but what can Avi actually do?

Only certain kinds of demons can possess people. Avi cannot possess a person or an animal, but he can take their form and mimic them perfectly if he knows enough about them.

For Avi's power to fully work, he has to create a moment of weakness in the target. This is often easy for him to do through temptation. Once the person accepts him, invites him in, or falls for his charm then he is able to use his power on them.

Avis power will make even the lightest of touches feel intense to someone, everything with him will feel so much better than it ever has done with any other person. This is so he can create a stronger desire in someone and therefore have more Lust to feed on.

He can hypnotise his prey to make sure they don’t fully realise what he is. At any point he can blur the lines a little and make the person think he’s just a regular human who’s very good at what he’s doing. This is why he isn’t worried about showing his demonic features even in human form although generally if he’s out in public or doing his human job, he will keep his horns and wings hidden but he likes those things about himself so is reluctant to do so.

Avi can create obsession in a person, it’s a kind of defence mechanism and survival trait. He can make someone willing to protect him, fight for him, keep him safe from other threats to the point where they will willingly die for him. He can make them act impulsively, take risks they might not have done before and even change their personality entirely.

He can create obsession by visiting a person frequently, being intimate with them often and imprinting on them so they feel unable to live without him. He makes them feel like they desperately need him around, and this suits him fine when he needs to secure longer term food or has to hide from something. It will not be clear to the person under his spell what’s going on, but his spell can be broken by his own choice or by force if the right methods are used. (Avi will not be able to do this to a person who’s heart already belongs to another). Obsession can also occur accidentally if Avi is not careful to detach himself from a person.

Avi can sometimes become attached to a human. He tries not to do this, but if it does happen then Avi will become the irrational one. He’ll swear to protect the person, risk his own life to do so and may also stop feeding off others in favour of spending time with the person. - It’s more like an addiction for Avi though than actual feelings, he just follows his instinct which tells him he needs that person and can’t let them go.

Demons have mates, but Avi has not yet found one. He doubts he ever will find one, but this also means that he can accidentally imprint on humans he feeds on and bond with them, although the bonding part has to be consensual. It would be possible for a human to become Avi’s mate, but that would probably have its own issues due to the fact Avi is immortal and if a demon loses their mate, they cease to exist.

Avi can heal himself easily and can even heal others of simple things if he likes them enough. He can also take pain away with his touch and closeness. He has a very high pain tolerance too, it takes a lot to really hurt him.

His saliva acts as an aphrodisiac.

He can sense the true nature of a soul if he chooses to (although he'll likely only do this when it suits his purpose cause it takes effort)

------

Avi is one of the main characters of my fantasy romance between a demon and the human they accidentally saved from death.

The above image was created with Picrew’s “♡ doshi's oc avatar maker ♡“ Link is in the image

[artsying-ifer]

makin the most of the last few days of uni funded free photoshop has been a great push to make myself enjoy drawing again wheeeee! anyway here's a bunch of different ats au doodles, including:

bringing up baby au! I think angel and cordy should get to have fun leopard based shenanigans i think it's what they were born for. they literally already have the dynamic of a screwball comedy duo. and more importantly i wanted an excuse to draw everyone (especially cordy) in fun 30s outfits. i had more ideas for this for characters other than cordy angel and gunn (i think lindsey and lilah would kill as the two incompetent circus employees who accidentally let the second leopard loose in the third act of the movie) but unfortunately i lost interest before i could draw em! maybe one day...

my usual ats but they're all furries doodles... i have finally settled on a design for cordy that i like yippee

demon cordy designs + ideas! forever wishing the show had cordy's demon half actually change her appearance in some way, at least some of the time like it did with doyle! I tried to figure out a design for her that's sorta similar to how doyle's demon form looks with the spike's everywhere. I did end up making her look a lot more catlike than I initially planned but honestly i think that works as a design choice!

combining the previous two and trying to figure out how doyle + cordy's demon forms would look in the animal au! still workshopping this one

as ever I have commissions open if anyone's interested - you can see my comms info in my pinned post!

[getvalentined]

Finally updated my directory with the links to bsky and cara, as well as links to my screenshot and gif tags for easier access (for me, mostly) and the Strifentine tag because it belongs with my top ships.

I keep wondering if I should put a little list of my NOTPs and disliked characters up there too, but ehhh. I have one on my website, and the fact that I dislike a ship or a character doesn't mean I'm gonna talk shit or anything. I don't like Ang*al and still dedicated almost 2k words to creating closure for the character at the end of Smoke and Mirrors, I don't like Lucrecia and I still go to bat for her pretty regularly—these are good characters, I just don't personally like them, and don't like how the fandom treats them. Ships are a little more touchy, since people can be really bad at tagging them, but I can just scroll on by and not engage in conversation about them for the most part.

More personal random update nonsense under the cut.

I'm actually feeling really down lately, for a handful of reasons. Some of it is the weather and air quality recently (it's so hot I want to throw up, there's been smoke in the air so I can't breathe, etc.), but some of it is more...mental and emotional, I guess.

I am so artistically burnt out I kinda want to die (I have no plans to make this happen, don't worry), but I'll deal with it. I've been like this since Turtle's health scare a few months back, when I got less than ten hours of sleep in the span of a week, and then proceeded to get less than five hours a night for the two weeks following, so it's no shock I'm still a mess. It doesn't seem like it's going anywhere any time soon, which sucks because I still owe people commissions from fundraising for her treatment. I may end up just...saving up to refund people.

The issue is that I feel like I can't draw unless I'm working on commissions, but when I try to work on commissions I literally burst into tears and can't do anything. It's a really fucked up cycle where I end up just paralyzed and on the verge of throwing up every time I even think about drawing, which is super hard on me as an artist. I feel like a failure, I feel like I'm letting everyone down, I feel like I'm ruining everyone's opinions of me forever. It's a really shitty feeling.

I'll figure something out. I'm an adult, that's what I have to do.

Speaking of people with ruined opinions of me, I think I'm going to start muting or unfollowing people who reblog/interact a lot with BB$C. I know she has a lot of friends, and maybe she's gotten better, but she still has me blocked so I'm not exactly hopeful. This is the woman who (apparently) told her friends that I abused and lied about her because one of my friends reported and called her out for tracing, and when she faced no consequences I made a vague sad thread on the general topic of popularity rendering unethical behavior acceptable in modern fandom. I only found out that she was seemingly telling people I abused her because one of her friends made a public comment on the twits about me being abusive—on a QRT of my thread detailing how I'd spent the previous year being abused by my now-ex. Very cool for me, the knowledge that some people saw that I'd been abused and went "oh she deserves it though" doesn't haunt me to this day or anything.

It's been a couple years since it all went down, but I just...I dunno, I feel like it's hard to genuinely improve as a person without even trying to make amends with the person she said those things about? But who knows. I'd be down to talk if she ever wanted to, but she hasn't yet, and I don't assume she will. I'm one of like four people on the planet who cares anyway, so it is what it is.

Summer is a rough time of year for me in general, so I'm struggling a lot recently with feeling like I deserve to even talk to other people at all. Constantly seeing the name of someone who went out of her way to make sure that I'd never feel welcome in a community I've been part of for a quarter century pop up on my dash all the time is not conducive to fighting that feeling.

Not to pity party over here, but I do get it. My older sister, my ex, BB$C—they're charming and creative and supportive, the people that they like generally don't get to see how they can be to the people that they don't. In the rare cases that they do see it, they change the narrative to make that person into something irredeemable, downplaying their own actions (if they admit to them at all) while exaggerating the actions of the person they dislike. These people have friends that genuinely love them, so of course they're going to believe their friend over some sad-sack stranger on a dying blogging platform. It's no fault to these people that they believe their friends.

(Just to clarify, I'm not saying that my ex tried to kill me the way my older sister did, or that BB$C was abusive in the way my ex was; these are diminishing levels of trauma. She and I were never friends, our sole one-on-one interaction was me approaching her on a zine project to make sure she was comfortable with me having created a piece of spot art that seemed to have ripped off her page art; I'd done it without realizing the concept had already been used elsewhere in the project, and didn't want her to assume I was copying her without credit. The irony of this is not lost on me.)

It would just be nice to feel like the truth means anything. I'm an abusive liar because I apparently said that this woman traced a bunch of her work; not only did I not report her, but it also isn't a lie. There are overlays with over a half-dozen screenshots and official renders to prove it. But even when her friends are shown those overlays, which I have done, it doesn't matter. The goal posts move, and suddenly I'm abusive just for caring that she traced at all. Allegedly lying is what made me abusive, but somehow I'm still abusive even if I didn't lie—and she's still the nicest person in the world, even though she did.

I do hope she's better. I hope her friends have helped her to become the kind of person who looks back at what she did with guilt and shame, and that she uses those feelings to improve. But seeing her name pop up over and over, sometimes from people who know what she did and still decided to re-follow her years later anyway, is a little too much for me to handle right now.

[accirax]

initial thoughts on DCAS episode 16

... is Derek really an incel? like, at the very least, shouldn't him being with Kristal prove that he isn't an incel? i have no qualms with Emily insulting Derek, but she should at least be accurate.

ooh, Emily going full villain mode? we stan :D

girl how would you possibly think this would work

so Ally has resorted to playing a fully emotional game, huh? you either get eliminated a hero or live long enough to see yourself become the Jake.

the music in this scene cracked me up. also, i think aleriya is (canonically) dead after this scene, if it hadn't already died beforehand. (i say canonically bc fans can do whatever they want)

d-does he still...? also, obligatory "just because Connor loves Riya doesn't mean she has any obligation to love him back, villain or not."

i really can't tell if this part of Ally's character arc is meant to be viewed as good or bad. like, the show is obviously telling us that Ally's overall trajectory is bad, and being needlessly cruel to other people for the sake of putting your own emotional wellbeing first could certainly be a part of that. but, there's also been a lot of commentary about how hard it is to be under the scrutiny of social media (likely from the crew's own experiences), so Ally learning to stand up for herself and what she needs could also be a form of wish fulfillment. hopefully it'll resolve as a multi-layered predicament in the end, but i'm just trying to figure out how Ally will respond to her edit in All Stars in either the finale or the Loser's Motel episode.

...can't you just wait, like, two more episodes to directly state the point of your character arc, essentially then concluding it? then i could be sure that you'd win.

HELP

lmao of course the nerd can't rock climb. he can carry 120 pounds on his back but he cannot ascend.

Connor is really fucking strong goddamn?

Ally really can't fight this, because this is the exact rationale that she was trying to use on Jake for their entire games.

i want to see people draw buff Grett in the style of the buff Natsuki meme from DDLC. but, also, go Grett!!!

the intense difficulty of a twelve piece jigsaw puzzle. Venus noted that it really sounded like Kristal was describing a slide puzzle, but I understand why that would've been really difficult to storyboard.

Connor you can't be this stupid (/j)

in-universe, i don't really understand how she beat Alec (he was really good at the block puzzle in s1 and it fits his vibes), but yay Grett! i knew she wasn't going home tonight anyway.

what else could it have possibly been, Ally? regardless, we're definitely setting up the pieces for Grett's downfall soon.

can you really count the TikTok challenge as a "Jake immunity win"? literally everyone except Gabby and Grett won immunity in that challenge.

for a moment, i really thought Connor was going to pull the Kim Possible "out there... in here..." thing.

so true Jake

this feels like a fanfic line

you know Jake's having flashbacks to his last final 6 experience.

well, while i certainly thought that it was Riya's time to go in terms of the cut, it does actually make more sense for Alec to go home here, no plot armor involved! (other than arguably the plot armor of not letting Alec win the challenge.) Alec is much more threatening in a final 3 situation because of his greater athleticism and intelligence as compared to Riya, and Grett is closer to Riya than Alec. it sucks to see one of my favorites go, but it's entirely logical.

Riya out here projecting ("little toy")

this was such a good moment. i especially love the storytelling without dialogue going on with Connor's reaction. anyways, if Riya wasn't going to win before, she's definitely not going to win now. you don't get hit with the "look at what a sorry state you're in" three episodes before the final and then snatch the W.

maybe you shouldn't have fired and humiliated your employees live on TV, then.

is this season going to end with Kristal resigning from the show? i thought that might happen to make way for Emily as the new host, but now that she's going more villainous, i don't think that'll be the cast anymore. maybe Derek and Trevor will take the show back over, as (I think) the more popular hosts in the fandom?

anyways. a solid episode! i think a good number of people saw the Connor idol play coming from a mile away, so it wasn't all that surprising that one of the major villains was going down. still, we had interesting strategy and some great character moments, especially for Connor. they're really making the best of his extended time in All Stars. and, hey, there are only two guys left, so maybe he'll make the finale! it doesn't really matter, though, because it's gonna be Jake. i'll keep riding the Jake winner train until he gets eliminated. not that i think that's going to happen ;)

see you next week!

[pencil-peach]

GWitch Onscreen Text: Episode 17 PART 1: PRE-DUEL

It is time. This is part 18 of my series where I attempt to transcribe and discuss all the text that appears on text and screens in G Witch. We have reached The Big One. Episode 17: "Precious Things."

HOWEVER....

This episode will be handled slightly differently. There is a lot to say about it, and a majority of it does not actually have to do with text.

AND SO. For the sake of keeping things organized, this episode shall be SPLIT INTO PARTS.

This first part covers the PRE-DUEL, primarily going over the parallels and symbolism to scenes in Season 1.

The next part will cover much the same, but during the DUEL itself. It will most likely be much smaller, but it doesn't hurt to keep things separate.

With all that said, the conclusion draws near.

<;< If you aren't ready, you can click here to return to Episode 15. Or, if you'd like, the Masterpost's loving arms can be found here.

But if you are truly ready, then let us begin.

PREFACE

(That's right this shit is STRUCTURED.) Episode 17 is probably one of my favorite episodes of the show (even if it's difficult to sit through) because of how utterly dense it is with its parallels to Season 1. For Miorine, Suletta, and Guel, it feels like nearly every scene is stacked with comparisons to past events, to highlight where the characters are now versus where they were back then.

The bulk of the parallels are contained to events that occurred within the first 6 episodes, which makes sense, as those 6 episodes are when the characters were living their most "normal" school lives. So we'll go through the episode piece by piece and I'll highlight comparisons I've found and what they mean as we go along. I might miss some, or maybe I'm reading too deep for others, but if you're this far in, I'm going to assume you have at least a LITTLE faith in my judgment, even if it's not always super clean.

With all that said, let us begin.

PRE-DUEL

Episode 17 opens with Miorine confronting Prospera (Left). This parallels Episode 2, where Miorine confronts Delling (Right). In both cases, Miorine is confronting an adult regarding Suletta's fate. But unlike in Episode 2, where she's the one making a demand (to allow Suletta to duel for the right to be her fiancée), in Episode 17, a demand is being made of her. (To become President and take over Quiet Zero, and to facilitate a final duel for Suletta.)

Whereas Delling admonished Miorine for daring to speak without power, "I am vested with power. You have none." Prospera is demanding that Miorine accumulate power. "Make me a promise. That you'll become the next president."

The parallel of Miorine making a promise with Prospera in this Episode as opposed to the one she made with Suletta in Episode 3 is obvious, but did you notice that the hallway they're in (top left) is structured almost identically to the room Prospera was waiting in on Plant Quetta in Episode 11 (Bottom left), and where she convinces Suletta it's okay to take other's lives in Episode 12? (Top and Bottom Right)

In the next scene, after the opening, we see Miorine waking up in her room (Left). Season 1 also had a scene of Miorine waking up from sleep in Episode 4 (Right), but it's a lot different.

In Episode 4, Miorine is woken up by Suletta staying up late to study, and asks her why she's working so hard. When Suletta responds that she's doing it for the sake of the Mercurians, Miorine responds that that's "a drag," saying that she shouldn't have to carry that kind of burden and should only live for herself. Suletta responds that it's what she wants to do, and Miorine sardonically responds, "How noble of you," before silently heading back to sleep.

Compare that with this small, silent scene of Miorine slowly dragging herself out of bed, clutching her head because she clearly spent hours yesterday and long into the night trying to figure out how to free Suletta from her mothers clutches AND fulfill all of Prospera's demands. She's running herself ragged all for the sake of someone else, going against her philosophy in Episode 4.

There's also the fact that Suletta isn't with her in 17's scene. We see in Episode 4 that Miorine and Suletta are comfortable sleeping with each other, but she's chosen to sleep alone, with Suletta waiting patiently outside the door. (Oh, and also, did you notice that Miorine's room is clean?)

Following that is a scene where Miorine and Suletta discuss Miorine's Birthday, Suletta's wish list, and their marriage. This is reminiscent of a similar scene in Episode 3 where they discuss much the same thing. Both scenes open up the discussion with Suletta denying a proposition from Miorine:

In Episode 3, Miorine is telling Suletta that she must win the rematch against Guel, to which she shyly mutters that she doesn't want to (Top Right) causing Miorine to react in shock. In Episode 17, Miorine asks Suletta what she would do if she asked her to get rid of Aerial, to which Suletta confidently responds that she wouldn't do it, (Top Left) to this, Miorine silently continues walking up the stairs.

The major difference is that in Episode 3, Miorine continues trying to convince Suletta to agree to the duel, explaining to her why it will be fine, but in Episode 17, she is silent. She doesn't explain or discuss anything. She just moves ahead.

When discussing their marriage, the roles have shifted. In Episode 3, (Bottom Right) Miorine is explaining that they won't actually be married until her birthday comes, in order to calm Suletta's fears about them being actually married.

In Episode 17, (Bottom Left) Suletta brings up Miorine's birthday, specifically because she's decided that she actually wants to marry her. It's now Miorine who is reluctant, due to the burdens she's carrying.

Next is a scene with Shaddiq attempting to enlist the Peil Witches into his bid for President. It's similar to Episode 7's opening scene, where Sarius is enlisting the Peil Witches for his plan to expose Aerial as a Gundam. The Parallel comes from the contrasting intentions of each Zenelli.

Sarius is enlisting the Witches in order to expose Aerial as a Gundam and get it scrapped, re-burying Gundams forever. He is staunchly against the existence of Gundams, and this will never change. Whereas Shaddiq is enlisting the witches with the explicit promise of making Gundams core to the Group's business. They are at opposite ends of the political spectrum in this regard.

But in both cases, Peil agrees, making use of the plan for their own ends. Also, in Shaddiq's meeting, a Jeturk is not present.

Okay time for the first Biggun. This scene starts off with parallels to episode 5, in that Suletta is upset by Elan in both scenes. In 17 (Left), she's accosted by 5lan, demanding that she give him Aerial. In 3 (Right), she's upset by El4n when he calls her annoying.

Unlike in Episode 3 though, where Suletta cries in response to El4n's harsh words, she responds to 5lan by shoving him away, showing how she's grown more confident in herself and her faithfulness to Miorine.

Following this, Guel Jeturk shows up and asks Elan what he's doing to her. In Episode 3 (Right) he showed up mostly for his own pride, but switched to a more protective tone when he saw that El4n had made Suletta cry. But in this scene, (Left) he showed up because he saw she was in trouble.

Guel and Elan's roles are completely reversed here. Whereas before (Right), Guel was flippant and emotional in response to El4n's calm demeanor, the opposite is true for Guel with 5lan. Guel (Left) maintains his composure, and 5lan loses his cool when Guel asks him what he's so afraid of.

It might seem like the Episode 5 parallels end here, but did you notice what kind of weapon 5lan is using in this scene? It's a taser.

An electrical weapon that causes paralysis.

Unlike before, Guel keeps a steady head, and he wins this duel against 5lan, pinning him to the ground. At the end of the battle, Elan isn't holding his hand up in victory (Right) but in defeat (Left).

Guel also says, "Cut it out. If you ruin this place, no apology will get you off the hook." Paralleling his behavior in Episode 1. Instead of being the one destroying the greenhouse, he's the one protecting it this time.

Following this, Suletta and Guel have a 1 on 1 conversation. This is the 3rd time they have one in the series. They have one in Episode 3, (Left) when Suletta tells him her mother's motto. They have a second one in Episode 9 (Middle) where they talk about how Guel's father has forbidden him to duel, and finally they have this one in Episode 17 (Right) where Guel discusses his desire to rebuild the Jeturk company, and protect the things precious to him.

The parallel is obvious in the sense that in both prior discussions, Guel is learning something from Suletta, and now he's finally putting those lessons to use, but did you notice that all 3 conversations have a shot of Guel's hand?

In Episode 3, when Suletta is talking about her mother, Guel holds his hand up to his cheek before closing it into a fist. In Episode 9, he brings his hand from his pocket, but doesn't close it. He holds it out limply. And in Episode 17, he once again brings his hand up and closes it. Each scene is representative of his current conviction.

Episode 3 is titled "Guel's Pride." He brings his hand up to the cheek his father slaps him across before closing it. It represents his current conviction: His pride. Proving himself as worthy in the eyes of his father. Episode 9 is titled "If I Could Take One More Step Towards You." The obvious allusion is to Miorine and Shaddiq's relationship, but it's also about Guel's relationship to Suletta. Their conversation ends with Suletta running down a lighted path, with Guel watching her go. He brings his hand out to his side, but DOESN'T close it, because he no longer has a sense of purpose: He's lost his conviction. He's scared of facing his father, and thus can't follow Suletta. Episode 17 is titled "Precious Things." After everything that's happened, Guel has returned to Asticassia with a new conviction: To protect the things precious to him. After losing his way, he's found the path forward, and once again closes his fist, confident in himself and his sense of purpose.

There's also the parallels between both confessions scenes. When Guel confesses and is rejected the first time (Left), he becomes spiteful and mean, but now (Right), he's understanding, and even happy for her love with Miorine. He's truly changed.

Miorine then comes out from behind the greenhouse, and demands a duel between Suletta and Guel. (Left) This is an obvious inversion of the scene from Episode 1 (Right). Where she demands Suletta NOT duel Guel.

The following scene, where Miorine requests Guel's help (Left) is also an inversion of the scene from Episode 4 (Right) where she offers to help Suletta with the Threat Detection Makeup exam.

Both scenes take place in her room, and both scenes see her kneeling over her plants, gently pushing upon the leaves as she speaks. The fact that she's talking to Guel and Suletta respectively is an obvious inversion, but in Episode 4, she's telling Suletta that she can take care of both the Mechanic and Spotter positions herself, saying she doesn't need help, but in 17's scene, she's specifically ASKING Guel for his help, because this is something she can't do on her own.

The next scene in the Dueling Comittee Lounge (Left) is, obviously, paralleling the similar scene in Episode 3 (Right). Down to this shot of Secelia seemingly being reused from that episode. In both scenes, Secelia taunts Guel, but as opposed to Episode 3, where he becomes enraged and fickle, in Episode 17 he confidently disregards her, saying, "The Jeturk emblem is the lion. So call me a lion, not a dog," much to her surprise.

But there's actually some more interesting parallels here.

Firstly, Episode 3's Oath is officiated by El4n (Top Right), whereas Episode 17's Oath is officiated by Rouji's HARO (Top Left), two characters that are considered to be robotic and emotionless.

In both duels, Suletta requests something of Guel for the sake of others. In Episode 3, she asks him to apologize to Miorine (Bottom Right), and in Episode 17, she asks him to help stop the harassment of Earth House (Bottom Left).

Ah, and did you notice? Episode 3's duel takes place in the 7th tactical testing sector, a lucky number. Episode 17's duel takes place in the 13th tactical testing sector. It looks like Suletta's luck has run out.

In both episodes, there's a scene following the oath with Guel speaking to Miorine and Suletta respectively. Both scenes even share multiple shots. Both scenes are also conversations involving, to some extent, Prospera. And both scenes, interestingly enough, has Guel end the conversation with a statement that calls into question the respective girl's belief (intentionally or otherwise).

In Episode 3 (Right) Suletta says, "My mother is always strong and kind," to which Guel asks, "A good parent, huh?" In Episode 17 (Left) Miorine says, "I want that girl to be happy. She needs a world where she can be free from Gundams or anything else," to which Guel mutters, "There are no worlds like that."

In both cases, he doesn't elaborate on what he means, but in both cases, his intuition is right.

Perhaps some of this is a pushing it, but prior to the duel, both Episode 3 and 17 share two similar scenes. Both episodes have a scene in which Miorine has installed something on Suletta's phone in reference to the duel, and both scenes also have a scene where two characters discuss their intent to interfere with the upcoming duel.

In Episode 3 (Right) This entails Miorine installing her contact info onto Suletta's phone without her permission, and Vim and Lauda discussing the arrangement of the sprinklers to go off.

In Episode 17 (Left) This entails Miorine installing the "Victory Charm" on Suletta's phone, and Miorine and Prospera discussing when to deactivate Aerial during the duel. It's yet another inversion in that now, it's Jeturk house who's playing fairly, and it's Miorine who's working to ensure Suletta will lose.

When Guel is asked by Kamil about the decision making AI, in Episode 17 (Left) he says he doesn't care about it, and to leave it in. Stating that "Pride alone won't defeat Suletta Mercury." This parallels the scene from Episode 3 (Right), where he gets incredibly mad about it, yelling, "Am I not skilled enough to win?!" Only to be slapped by Vim once more, telling him that "There's no room here for childish pride."

Guel also cuts his hair. The Jeturk family's hair are all based on lion manes, and Guel cutting his mane short is emblematic of discarding his prideful nature. It's also to show how he's brought himself closer to his father, who's hair was also cut short.

The following scene, where Guel apologizes to Lauda in front of the Darilbalde (Left), parallels the scene in Episode 4 where Lauda apologized to him under similar circumstances (Right).

In Episode 4, the Darilbalde was destroyed, emblematic of the strained relationship between the two, but now it has been repaired. Even still, will it be maintained?

As the MS suit containers roll into position, we get this shot of the Dueling Committee, both in Episode 17 (Right) and Episode 3 (Left) It's much emptier now, huh? GRAAAAAGH And that's all the parallels I can find for the Pre-Duel segment of the episode. Houuaauhhh there was a lot here and it was a lot of work, but it was also a lot of fun, and it really goes to show how tight this season's script is. Every scene feels intentional.

Anyhow, that's all for this part. Next time in part 2, we'll be discussing the Duel's parallels. If you've made it this far, thank you so very much, I truly appreciate it. I'll see you next time!

Click here to go to Part 2 >> Click here to go to the Masterpost.

[trellia]

I think this post is a long time coming. But also, maybe 1 - someone has pointers to help and 2 - maybe someone else is struggling similarly and would like to know said pointers too.

I have been quite the recluse the past few months. From everyone, really. Why that is why I’m making this post. If you feel like I’ve been drawing away, you’re not wrong. I have. I’ve not been doing too good since… I’d say October. A lot of events have turned my world around for one, realizing what I am living in and not what I thought I was living in. That was something on its own…. At the same time, I was going through the steps to figure out if I have ADHD. I found out a couple months ago that yes, indeed, I do have ADHD.

The diagnosis was first a relief: finally, I now know there’s nothing wrong with me, I’m just wired different. However, relief soon turned into contempt. I became very, very angry. I am very angry. I just reached my 40’s. For at least 35+ years, I’ve been degraded and hurt by the people who should have protected me, understood me, especially in my childhood. Teachers, principals and parents of other children took part in this bullying campaign their children had going, only because I wasn’t following the ‘norms’. I endured trauma so great that I can barely function today.

I mean, I look at the videos of my childhood and I see it immediately: I’m not like the other kids. I’m more hyper, excited, and I just want everyone to take part in the fun, but I’m too much for it. It’s right there. I was called names by adults, and scolded for not doing things the way neurotypical people would. I was called lazy. I was told I don’t care for anyone but myself when, in fact, I have always put everyone ahead of me because I would rather see them happy than be happy myself. So you can imagine how difficult it was to hear that I am selfish and don’t care for anyone else…

I’m also angry at the current people in my life. Some of which have told me to ‘fix’ myself because I was an inconvenience they didn’t want to deal with. So I tried EVERY way to do so, and of course that didn’t work because I was trying to put bandaids on symptoms rather than help with what was the actual problem, but then when I asked for help, I was shunned away like I didn’t deserve it. I lost an entire decade (my late 20’s and my 30’s) asking myself what the hell is wrong with me, why am I such a terrible person, and why can’t I do anything right, and spending my 30’s walking on eggshells everywhere AND in the rpc because I was connection deprived and needed everyone to love me, which led to nefarious people taking advantage and hurt me further. (that’s a post for another day.)

Now here’s the main problem: I’m so angry I want to hurt someone. Not physically, but in every other way. It doesn’t matter who you are, I just want to lash out, whoever you are, friend or otherwise. An example: a friend made a new original character that is actually perfectly fine and pretty good, it’s a great OC! — but inside all I want to do is destroy that break their love for the OC and ruin it for them. Just… because. And that’s NOT okay. The good news is that I see it, I realize it. Which is why I have isolated myself. None of my friends deserve this. But I am angry. I am enraged, because I feel I’ve lost most of my life ‘fixing’ myself until I masked so hard I didn’t even realize until it slipped at 28. I know exactly when it slipped too.

Also, considering the kind of world we live in, I feel like I’ve lived past the mid-mark of my life. I’m not sure I’ll live up to 50 at this point. And it’s not fair. It’s not fair at all that I had to go through all this and still suffer. So yes, I’m very angry. But I also don’t WANT to hurt anyone. Especially not the people I care for… This is why I have not been on disco.rd. I have removed FB (because I wanted to for a long time tho lol ), tiktok… And have mostly removed myself from public spaces.

If you have pointers or ideas on how to get past that anger, please, please share. I don’t really know what to do with it. I don’t know how to tame it. And it scares me tbh. I don’t want to be like this. This isn’t me… but it’s so hard not to be angry…

So… yah: if I don’t respond on disco or otherwise, or not right away, it’s not you, I’m the one stepping away so I won’t say something I really don’t mean just for the sake of harming someone because I can’t accept what has been done to me.

If you read this far, thank you. Otherwise, here’s the jinx of it:

tldr; I was officially diagnosed with ADHD and realized I’ve been treated terribly by my peers because of it and shunned away when I asked for help, so now I’m extremely angry at everything and want to hurt someone (anyone) though I don’t really want to. How do I get over this?

[justatalkingface]

On 379

Alright, I don't usually react to just a chapter, but there's something about this one I want to talk about a bit. Spoilers, obviously.

So, the thing is? On the face of it, this... actually is an answer to all my annoyances about how they dropped Shigaraki. To the point where I've seen posts saying that this chapter is an answer to those people critical about how Shigaraki's story is going; not directed at me, obviously (I'm still probably pretty much an unknown outside of the bnha/mha critical tags, lol), but still.

Outside of all my general problems that have basiclly just happened (which we'll get to in a sec), the thing is that... it really doesn't. In theory, it does, the general formula is there, but Shigaraki's build up as a villain was so fucked up that just... dropping him back in there, surprise, as the villain just is... bad. Shigaraki has spent most of the story being dangerous only because of his Quirk, but beyond that being basiclly impotent because of how much of a manchild he was. They finally, finally, started to... I want to say 'redeem' him, but that's completely the wrong implications there... validate him, maybe? Validate him, as a villain, as a big danger, as this enormous threat for Izuku to rise and face. And that actually was going well... until AFO burst in like the Kool-aid man, and then we were just being shown Shigaraki/Tenko in a more positive light, as a victim to be saved.

And... that was honestly deeply fucked up on a lot of levels, how we were being indirectly told about how sad the actual mass murderer was, not even in his past but right now at this present point in time, and pretty much every time he was on screen, but that's not the problem with this chapter.

The problem with this chapter, is, after finally building up Shigaraki, only to suddenly swerve to saving him from AFO, only to suddenly swerve again back towards him surpassing his mentor (again. Because we literally did this in the War Arc, which was great until it was completely invalidated) and being the Big Bad Threat again (you know, until AFO reasserts control again or something), only for Izuku to again, at the end of the chapter again, say that he'll save the '"you" that was crying!'

(silently marks another tally on the 'Izuku will pull child!Tenko out of Shigaraki' theory)

(also notes the child is apparently Shigaraki's inner genocidal maniac)

(throws away the board and gives up again on trying to guess how this clusterfuck will end)

And I. I just. Am supposed to take this seriously? Am I supposed to care at this point, about Shigaraki as a character, or as anything other than an obstacle for Izuku to oppose? Because this has been so all over the damn place, with so little development on these parts, and how they all are supposed to connect, that it feels nonsensical to me. I mean, fuck, even the scene itself is somewhat incoherent, more flashbacks than anything, which is kind of an impressive fuck up in itself really because, for all the flaws in this story, Hori has been great at drawing these epic, gripping scenes that clearly get the message he wants across to whoever sees it.

Tenko's just a kid we should want to save. Tenko is a murderer. Tenko is Orochimaru who figured out how to extend his own life by means of reincarnation and ended up in MHA by a freak cosmic accident, and is using AFO to experiment with Quirks so he can turn them into jutsus.

Sure! Why not!

It's just so fucking hard to care about this when it's such a mess.

And then, while I'm talking about this, we might as well mention everything else I don't like about this chapter, just to be complete about it.

OFA, for example, is once again proven to be completely incompetent and basiclly a non-threat to any character with a name, even though he's been the theoretical main threat for basiclly the entire arc, and is still probably going to be the big final villain, no matter how much Shigaraki is being hyped at the moment. At this point, the man is more of a joke than anything.

Lady Nagant is back for about five seconds out of nowhere to explain how redeemed she is, putting her life on the line to magically save everyone just in time, which is pure Post War Arc in how sudden and incomplete it is, and again, while her character is super interesting, it's so hard to care when, after maybe one more chapter, we all know her part is basiclly going to be done, with maybe a brief mention of her in the epilogue, and maybe a vision of her behind Izuku along with all his other friends/supporters/allies/people he met one time on the road years ago as he dramatically triumphs over AFO the final battle, probably with Bakugou at his side, fucking sigh.

Obligatory mention of Gentle, who is technically there in the background even though he was really part of last chapter's issues, about how out of nowhere he was with anything about how he's suddenly there, and how so ridiculously OP he suddenly is for no apparent reason, and just everything about that.

And then, one more time just because of how bad it is: "I won't ignore the "you" that was crying!"

Sure, you've killed a lot of people, are actively trying to kill me, and destroy the world and/or society, but somewhere deep inside you there is a small child that is crying, and therefore everything else is irrelevant!

*headdesks and groans into the wood for five straight minutes*

[grokebaby]

Hiiii Me again <3 Could we have crumbs of Grandefel maybe 🥺👉👈 would love to know more about herrrrr. Angle of all time. Id like to know anything tbh but just as a prompt to get you started, how did you come up with her design ?? Its super interesting and I really love the colorssz

Hiiiii<3 (twirls my halo) she is so THE. My poor.. Intended protagonist girlboss..

Oh boy her design? Let's say she really grew into it. Like the earliest art of her I have is sso ugly I'm sorry Grande but I did not have a handle on that thang. She had such Pug vibes. I think this'll be an interesting post?

This is the beginning of it all. Unfortunately I don't have a super insightful answer to how I came up wi her, bc the Og* angels were literally me going HeeHoo with a pencil. (*Certain specific angels I designed in relative succession to each other before I had a handle on how I want to design angels. The so called Ogs are Lamera, ZZZ, J'aimekiel, Grandefel, Kxxxtr, Ngah and Combfa. Everyone after this was designed a notable amount of time later and with much more "process" to them)

I have some thoughts but it's fuzzy and vague? Okay. So I thought I should definitely do one lion (esque?) at least bc *points at old religious art of angels* and they just have those Vibes to me, ykno? I associate angels with certain things that I try to employ in the story's characters (to an extent). Grandefels vibes were.. Guardian, maybe a tad like a sphynx, just ykno, a huge feline statue like entity who guards something and is like a scary immovable force ig? I wanted some ethereal aspects to it, and lots of teeth (hers aren't visible here but the whole underside of her body opens up to a huge ass mouth with teeth everywhere). Now, initially I was gonna have her hair be lilac but turn bright blue in some situations but I WAAAY preferred the blue on her. She's supposed to have Blue flames mixed with galaxy vibes. Like if blue flames were a puddle and that puddle was a lion's mane. And it was all. Cool and semi-physical

Onto how her design adjusted overtime.

I think most firstly I stopped drawing the grooves on her body that would open up to reveal the Teeth, I mean I do still allude to them vaguely but I figured the way I was doing it at first looked kinda.. Eugh? Another thing I quickly started changing was her hair texture. Originally I wanted it to be completely straight and smooth and flowing but it looked way more interesting and more galaxy esque with it being bubbly and cloudy. I guess my initial thought was that I wanted it to look like it was flowing out of her head? Like some water?

^water vibes

Getting there

Galaxy vibes^

(This anthro drawing also demonstrates the way I nowadays moreso "allude" to her hidden mouth but the anthro version here isn't too close to Canon otherwise since I gave her face an actual normal mouth too lol)

Oh yes, and the crown is another major change!

I think my first notable adjustment was made here (note also the flowy hair). If gotten an amino commission (No money, just amino coins lol) of her and really liked the way the artist drew her crown so I took after that and started slowly changing it. It took me a while to be satisfied with, though. In the very beta version, it was supposed to be like a ring/circle. If you look at the older drawings up there, you can see that one horn is meant to be drawn on the "front" and the other behind. It's like if you looked at her from straight up, you'd see the three dimensionality of it, being more like an actual halo instead of one solid headgarment. I do still really like this idea, however I just think it looks better as it is now. I also had a fair bit of finagling with the side horns, frankly I always found them ugly so I'm finally happy with how they look (just realising I haven't drawn her in a bit, so, the anthro pic is the most accurate to her current design if we ignore the uh.. Anthro-ness lol)

One more thing! You don't see her halo too often in these, but it's intended to be drawn tilted. It's not straight (just like her), and tilts a bit down on one side. In universe this is kinda viewed as an imperfection and she used to be ashamed of it. The irl explanation for it was that it couldn't fit straight between the horns, with the way I'd formed the crown, and so I kept it that her halo just is that way! It fits oddly between her crown and I think that's neat!

Apparently on that last picture I decided to draw the halo straight, though? Cringe... :/

Now if you'll excuse me this post made me want to make more art of her

[tacthescribbler]

Hey, saw your reblog on a post about writing, and since I had a creative block that lasted about a decade and kept me from writing or drawing, it resonated with me. A lot of things happened to finally get me out of that block, including changing meds, but a big one was just that stupid Comic Sans trick. (And this coming from someone who also loves writing in notebooks!)

Have you heard of it? You just write in Comic Sans, and it makes it impossible to take your writing seriously, so all the dread of the expectation of truly ~writing~ is lifted from you. I amplify the effect by using Notepad++ (no fancy formatting to distract me), using a theme with candy colors (even harder to take seriously), and keeping the window small (just a little things to ramble and jot notes in, not a big important writing document, goodness no, but if some writing should *happen* to happen...).

I also just don't worry about writing a story linearly. I write scenes as they pop into my head, however short, and then I stitch them together later.

As it is, my story still isn't finished (in part because it's the script for an animated series I'm working through animating at the moment)... But, counting all the AU tangents, I've gotten a Moby Dick length corpus out of it and counting, and I've had a hell of a lot of fun. Writing is back to being fun!! And that's all I could have hoped for.

Hey-o! I'm sorry it took me so long to respond. I drift from one thing to another sometimes and I was hyperfocused on Minecraft for a bit there!

I've heard of the Comic Sans trick, but haven't yet tried it. I tend to use Arial myself, since that's the Google Drive default. Might try it on my next story attempt, though, since I'm moving back to Word and pulling my writing off of Drive. (I want to keep my own backups and not worry about what's synced where.)

I also snagged an app on Steam called Nimble Writer that I want to try out. It apparently has some neat features to help with focus, but I haven't really played with it yet beyond booting it up and checking out the UI.

In terms of trying to write, I often find myself in brainstorming documents where I half-outline, half-brainstorm ideas. I get a lot of character backstory by doing that, and a lot of them have turned into full-blown worldbuilding with magic systems and descriptions of fantasy races, geography, weaponry, and so on. So it's not like I don't write anything, but it's not the prose I'd really like to be writing.

There are some other factors. My sibling is living with me. they're only 22, and they're still figuring things out, but there are also a lot of things they could be doing to be a better roommate. I prefer living alone and I knew I would only be able to tolerate them living with me for a little while, but this has gone far beyond that. I won't write that novel in this post, though. Suffice it to say I'm looking for my own place, and I know my creative productivity will vastly improve once I have a space where I can actually decompress after work.

On the linear writing thing: I used to be a panster. I wrote linearly, but I wrote what was fun. I've never written out of order before, but that has more to do with my ability to keep track of what's happened, and it's easier when I do it chronologically. I think I'll try an out-of-order story just to see if it breaks the block, though. Maybe if I break my own mold, I'll find another shape that fits, to follow the metaphor.

One trick I've been tempted to try is to pick one of my very old fanfictions, from back when I was a wordy teenager who had to describe everything in exacting detail, and copy it all down word-for-word until my writer's brain kicks in and diverges with it. I'm not the same person I used to be, so I'd like to think my old self would drive me just crazy enough to force me into action writing something new. Or maybe the same thing but better. Who knows?

On that last point: You're writing a script?! Am I allowed to ask about it? And animating! I've been wanting to relearn how to draw, but animating seems so daunting! I wish you the best of luck!

Thank you for the ask, and for the chance to get some thoughts out. I'll put some of your suggestions to the test and see what happens. :D