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ditzyredrobin · 2 months ago

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Before and After

Chapter 1

For Whumptober 2024 Day 27, Before and After, Alternate universe

So, I guess I forgot to post this one here? Originally, this was just supposed to be one shot—Dick and Lazarus!Tim bonding but 4,613, chapter 2 is on the way. 😂

In a blink, the knife is out of his hand soaring across the living room, towards the intruder. All the while without dislodging the bottle from the fussy pup in his arms. After hours of crying—of soothing, and changing, and singing, and bouncing, and burping she had refused to go down until now and Tim was Exhausted™️.

If he didn’t know any better, he would have assumed the black and blue costumed vigilante was another assassin sent by the League—Nightwing moved with easy grace, easing his way through the window, movement flowing like water and air. But not even the best of the League had managed to crack his security without electrocuting the shit out of themselves.

The room was illuminated by Friends reruns and the Gotham skyline peaking in through the crack in the curtains.

Nightwing ducked and weaved, only narrowly missing a knife through the delt. He rolled back to his feet without a hitch, shocking blue eyes wide and wild with the whiteouts down. The knife stuck in the wall with a satisfying thunk.

Without missing a beat Tim uttered lowly, “Breaking and entering is punishable offense. At the very least it’s C felony, at least 10 years in prison, and upwards of a $250,000 fine.” Not that he could actually get a judge in Gotham to prosecute without a hefty bribe.

Nightwing held up his empty palms in surrender keeping his feet firmly planted. “I’m sorry, we haven’t heard from you and I wanted to check on you.”

Tim discretely adjusted the cashmere blanket across his lap over the pup with a silent prayer she didn’t wake up. “Well, you can tell everyone I’m fine. If I needed help, I would have asked.” He snarks, adding. “But I didn’t.”

I don’t need a keeper.

But that was the thing about bats—they had a tendency to be too nosey for their own good, to pick, and poke, and prod until you were on the verge of wanting to pull your hair out and scream.

Boundaries? I hardly know her.

If Nightwing noticed, he didn’t say anything, opting to remove his domino and tucking it away, his brows were furrowed.

Tim knew how he looked—gaunt, deep purple bags under his eyes, cheekbones sharper than they should be.

Welcome to being a single parent.

“I know you didn’t ask but it’s what family does. I want to help.” Dick sounded painfully desperate earning an eye roll. “No matter what you will always be my little brother.”

Tim scoffed, “If I needed help I would have asked.” What part of he’s fine was not getting through that thick skull of his? Maybe it’s just all the years of vigilante-related concussions. “Maybe in another life we were family but I’m not your brother, Dick,” not anymore , “you don’t even know me.”

Dick breathed a heavy sigh, moving around the overstuffed couch to sit. It took everything in Tim not to bare his teeth and growl. “Of course I know you, Tim. You will always be my little brother.”

“But I’m not!” Tim finally snapped, startling Amalia awake. Her little lip wobbled, her nose scrunched, and Tim went into oh shit mode. Her wails made his inside twist and churn with the need to fix it , as she shook her tiny fists in anger.

He set the empty bottle down and adjusted her so she was upright in his arms to burp her. “Shh, ya Rohee,” he crooned, patting her back.

My soul.

She was his everything—his sun, his moon, to the moon and to Saturn. The only good thing that came of his time with Ra’s after the Council of Spiders and the Pit.

He could feel Dick watching him but didn’t look up, opting to instead rock his infant. She was small, even for a babe of her age, he still had a hard time imagining her anything other than fragile.

He nuzzled her, her patch of almost black, whispy hair tickled his nose, purring softly. It was a little uneven with disuse but it soothed her enough to bring her wails down to whimpers. She smelled milky and soft and like his . He did his best to ignore the hint of spicy incense underlying in her scent from her other father.

She was his and no one else’s. It would change in a few months and maybe he would finally stop seeing him in the shadows.

There was no way she was going down now but he’d lost all hope of that when Dick disengaged his security and decided to sneak in (an issue he would be working on a patch for later).

His eyes felt hot but he ignored it. He didn’t need a nap anyways, right? He’d worked more on less after all. This should be cake , right?

Eventually, as the pup calmed down, Tim dared to glance up at his unwanted visitor. There was a complicated expression that Tim couldn’t quite discern despite all of his training. “You don’t know what I’ve been through. I don’t even know who I am.”

For a long moment, Dick sat with that, a complex flurry of emotions crossed his face before settling on something soft. A fondness, watching the small pup in his arms. “You have a baby?” Talk about understatement of the century.

Tim rolled his eyes, continuing to pat the pups baby. “Yes, last time I checked I did, in fact, have a baby. I have the stretch marks to prove it. You want to see?”

Dick shook his head, “That isn’t what I meant. I just…How old is she? What’s her name?” He sat forward with his elbows on his knees.

Tim had to think for a long moment, back tracking the dates. The escape had been four days following her birth, still sore and as unsteady on his legs like a newborn fawn. There hadn’t been a choice—it was escape or lose Amalia. She had been born weak, words like failure to thrive had been tossed around. Ra’s Al Guhl was gifted with another disappointing heir.

“Well, Timothy, we’ll just have to try again, won’t we? Surely you won’t disappoint your Alpha a second time.” The or else was implied.

He had still been on his back, bleeding from the long birth. His milk supply hadn’t come in and the tiny pup wailed across the room with the wet nurse.

“Tim?” Dick sounded concerned, snapping him back into the present. His grip on Amalia tightened just a hair, her warm weight against his shoulder grounding.

“Amalia,” he said remembering the question. “Her name is Amalia and she’s-“ If he had been in Gotham for nearly a month, days before being found out and the trek from the Cradle to Gotham had taken around two weeks… “Her birthday is July 19th.” He said instead.

Fresh out of the Pit, time was hazy, seasons and dates made little impact on his life and Gotham’s perpetually gray skies.

Dick had a worried look on his face. “What about her other the father?”

“Dead.” Tim said succinctly.

That he made sure of.

Dick made a soft noise of acknowledgement, continuing to watch the baby with a fondness in his eyes. He didn’t push the matter. “She’s beautiful. You did so well.” He croons softly, “I’m sure it was hard for you.” He didn’t know the half of it.

“It was hard,” Tim admitted softly, basking in the Alpha’s praise. Finally, Amalia burped. “I had a few people that helped—Talia and an assassin I saved after-“ before he died, after the Pit, and before Amalia. “After. They made it easier but Talia wasn’t around often. I don’t think she was overly fond of what he was doing.”

“What about the assassin?”

Tim bit his lip, his eyes felt hot. “I don’t feel her bond anymore.” There was a bone deep ache without her. Whether she had cut it herself to save him, or really hadn’t made it out after Ra’s death, was all up in the air. “I’ve looked for her but-“

“But she’s part of the League.” Dick filled in and Tim nodded. He was quiet for a long moment before promising, “We’ll find her.”

Tim looked up from the pup quickly, “What?”

“We’ll find her.” Dick repeated with all of the seriousness in the world. “For you. I promise.”

Tim held his eye for a long moment, gauging the whether or not believe his words but Dick’s resolve never faltered. He felt his pulse pick up and a bright blip of emotion he didn’t want to think about. “Don’t make promises you can’t keep. What about Batman? He doubt he’ll be a fan of having a member of the League in Gotham.”

“I’ll handle Bruce.” Dick promised. “Just focus on you and your pup. We will find her.”

Tim bit his lip nodding once. He didn’t trust it but maybe… maybe just this once he would try.

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puckpocketed · 10 days ago

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PART 3 of the modern defensemen transcripts I started a while back. You don’t need to have read/listened to the other parts to understand what’s being said, but they’re very fun reads if you have the time! Topics of discussion:

Broadly, more on Lane Hutson and how he defends (he is SOOO the main character of this entire series and I’m very happy about that)

passive vs aggressive defending

reading the pinch

surfing (skating forward when defending the rush)

inside vs outside leverage

the weak-side fold

Another archival effort as always… so many podcasts live and die by the whims of the services they’re hosted on + the guys who own the channels. </3 This is full of random extra media which is why it took so long. I ended up just making my own damn diagrams and archiving stuff and making gifs so I could put them here. This part is tactics-heavy and they kinda get into a little debate about passive/aggressive defending which I really liked! Will need to go over parts 1 & 2 soon when I can to clean them up <3

Published 20th November 2024, Hockey IQ Podcast: Modern Defensemen (with Will Scouch) Ep #3 - By Hockey’s Arsenal, hosted by Greg Revak (apple / spotify / youtube)

If you missed them: part 1 / part 2

[START Transcript]

Greg Revak: Alright, welcome back. Week three of our series here with Will Scouch, we're looking at defensemen.

First week, we talked about modern day defending. Last week, we talked about point play, so; shorting the zone, why point shots are truly the worst… Point shots just suck, point shots suck. I mean, everyone knows it, we all know it.

Will Scouch: The crusade, yeah.

GR: We looked at Zach Werenski; he was leading the NHL in goals — he's consistently up there leading the league in goals from defensemen. And Will, you had a great study there showing the offensive increases that we've seen have all basically come because of defensemen being more involved in the offense.

It was perfect for our point play piece — making sure [we’re] going into the details; catching with movement, catching in good spots, giving ourselves spaces to operate in; and common mistakes of players [where] they start in wide open spaces rather than maybe starting in more congested spaces, but having space to go into. So, common mistakes there.

This time, we're going to talk about defending the rush. So [the team has turned] the puck over, we're now having to play defense. There's that transition moment where we're going from offense to defense. And now, just straight, we're playing defense.

Two ways I think about this when we're playing the rush is one, passive; and two, aggressive. [If we’re being] aggressive, we have an opportunity to maybe kill the play early, we can really get in the attitude of “We play you.” Versus passive; maybe we're not in a good spot or our team hasn't set us up in a good spot as a defenseman, maybe there's some kind of scramble, whatever it may be.

And then the third piece I'd love to dive into is reading the pinch.

So where do we want to start? I feel like this is maybe a good opportunity to start with our main man Lane Hutson because I feel like he's someone who has the ability to play aggressive, but often he's pretty passive in his rush defense.

WS: Yeah. I think that you're dead on with that. I've seen a lot of Lane Hutson over the last few years. I remember when he was a draft-eligible kid, I remember watching him in college. Now he's in the NHL and actually he's been quite effective on paper in the NHL.

I know people are throwing around player cards, and throwing around this, and throwing around that. But in aggregate, on the whole so far this season, relative to the rest of the team in Montreal, he's been — for a kid who's, again, 20 years old, playing upwards of 25 minutes a night — he's doing pretty well.

I think that that's asking a lot out of a kid, and he's doing quite well, especially [at] 5 foot 9, with all the question marks people have with players like that. With him, I think he's a really good showcase of how smaller players can play defensively and be a positive impact player, right?

There have been… I mean, I wrote for you in the newsletter over the summer. It's the area where I think, in the context of the NHL draft, there is still a lot of work that could be done of discovering some good value. Of looking at these really, really mobile and creative guys that may lean a little more offensively, but… may not actually.

A great example, while we're talking about Lane Hutson; a guy who doesn't score a whole lot, but every single time I watch him, he just does the right things all the time and has done so since his draft year, is Tyler Duke.

He's in Michigan now, and that kid is 5'10, I think, 5'9, and doesn't score a tremendous amount. But I remember watching him at the NTDP, and I remember a few interviews with his teammates going, “This guy is the most underrated guy on the team. He's small, but he works his tail off.” Just like his brother Dylan — Dylan Duke is having a great year in the AHL too — but that's beside the point…

GR: Both are Ohio boys, just say that.

WS: Ohio, yeah, exactly.

GR: I gotta rep the state that I'm from. Ohio kids!

WS: Yeah, I mean, hey, I love me some Ohio, for sure. But yeah, I think that guys like that, and Lane Hutson, showcase a lot of the same things.

Number one, possession is good defense. If the opponent doesn't have the puck because you have it they're not scoring, so that's number one. And number two, Lane Hutson does a really good job using his feet to at least put himself in good position to block play from occurring. Like we said; staying between the dots, not over-committing but not opening up too much of a gap.

I think you mentioned surfing off the top of the show, but he is an aggressive neutral zone defender as well. He can track that play laterally, challenge guys with his stick and force them to make plays, force them to make decisions, before the puck even gets in the defensive end.

And from there, if you've got good support from your partner or a forward that's backchecking, then you're golden.

To me, it's the little things that you may not notice or that may not jump out at you, but when you watch game after game after game, you kind of go, “Oh, I see how this guy has got the trust of a coach. I can see how this guy is playing so many minutes relative to the rest of the guys on his team because of the things that he brings, even though he's not the biggest guy in the world.”

He's not perfect.. There have been situations where I'm watching Lane Hutson going, “Well, that didn't really go your way, and that's unfortunate.” But that’s any hockey player.

GR: That's also learning as a 20-year-old rookie defenseman — at five foot 10, if you're lucky.

WS: And that's hockey. Hockey is a game where sometimes things are going to go your way and [sometimes] they're not. If I got upset every time a big physical guy lost a physical battle, then… But nobody really does that, nobody really is concerned when that happens once in a while.

So with Lane Hutson, he loses a physical battle once in a while. He's not involved in as many because they often have the puck, and if they don't have the puck he's doing work in the offensive zone or neutral zone to prevent [the opponent] from keeping the puck.

There's a lot of good things that happen in his game that I think brought him to this point in the NHL. Faster than I thought to be perfectly honest. I thought Hutson was going to take a little bit more time, but he hasn't really looked out of place and I think he's a really fascinating case study as to guys like him and how they might be able to work.

GR: Yeah. You wrote on the Hockey IQ Newsletter, so I'm just going to reference it exactly. You mentioned, “Hutson shows off a number of strong defensive moments that highlight his style of blocking offensive zone exits, keeping opponents to the perimeter, and establishing body position on retrievals.” Three very translatable things to the NHL.

Note: one of my very first Lane Hutson gifsets was a sequence like this. He beat Robby Fabbri on a puck retrieval by gaining body position on him — this was from his 2 games with Montreal at the end of last season. I’m so glad the broadcast chose to highlight that play. He really is something special.

Yes, he's going to continue to grow and fill out, so he's got more progress [to make]. I mean, we talk about the deficiencies and my actual areas of worry [are] more around his skating base and feet and all that. But from a standpoint of, “Can you survive in the league?” The answer is yes.

Victor Mete would be the anti-example, I would say, where he didn't have the way of deploying the things that Hutson does. The brain wasn't there to the extent that Hutson was while being small — also a Habs draft pick, so track that one as well for those that want to nerd out.

There were some great quotes that Hutson had talking about his defensive game. I'm just going to read them out because I think they're so good, and then we can dive into the details here.

So from Hutson talking about defense, “I just think it's more about being in the right spot, being more skillful and knowing the game rather than just being a big frame. It's about making the right plays and the right reads.”

And continuing on, [he’s talking about how he does that], he says, “Being able to get up in their face,” so having great gap control, “…without getting pulled out of position,” [as in] not overextending yourself, “Controlling my speed and my gap and my spacing around the inside of the ice to keep guys to the outside.”

He just keeps talking about the things we're talking about, which are playing the game with intentionality, playing it very smartly. Basically, the opposite of how Rasmus Ristolainen came into the league, which was like, “I'm a big body, I'm gonna go make things happen.” This is just more tactful.

It's not gonna scream at you — like you said, he's gonna have his moments — but from an overall standpoint, he's gonna drive positive results. He has a way of playing the game smartly, especially for his size, where it has to be a very intelligent game, where he can't make as many mental errors and be able to recover from it. He's shown so far we're off to an absolutely great, great start.

WS: Yeah, I mean, it's like a different side of the coin. I talk a lot on my show and with you about players who seize control of the ice when they're on the ice, but that doesn't necessarily mean physical play.

It's a lot of other stuff that happens, and I think Hutson's a really good example of what that means, and it’s everything you said. It's this understanding of the game, and this understanding of what your opponents are doing.

How to minimize… Really, it’s like, “I'm going to take control of this possession and I'm going to minimize their opportunity to do anything. As many things as they can possibly try, I'm going to minimize as much of it as I can.”

And there's ways of doing that that aren't that physical style of play that you see out of defensemen that is unheralded, a lot of it just kind of flies off by the wayside. I think people look at a guy like Hutson and see the way he plays, and if you have a really strong [tactical and aggregate] understanding of what is going on when he's on the ice, both the offensive-good, but also the defensive-good, you see a lot of really interesting traits there.

Guys like him, I agree with you, that the skating base and the quickness and all of that, like it's not… He's not Quinn Hughes, right? That's not really his brand, so he has to think of other things and have an understanding of the game that can help patch that up.

And so, yeah, the things like gap control and guiding guys laterally and being a little more aggressive are definitely key areas of interest for me. Especially because earlier on in this series, we were talking about how much I love defensemen who can skate and how many doors it unlocks.

But if you're not an elite skater, which I don't think I would consider Lane Hutson an elite skater — at least defensively — you have to… It doesn't mean you're automatically not an option, it's just that the equation changes.

The things that you need out of that player shifts and you have to help guide them in the right direction so that they can use what they do have to the best of their ability while the rest sort of develops around them. It’s fascinating to me, it's a really, really interesting thing, and I love seeing guys like Lane Hutson figure it out and play the way that they do, because it just goes to show that you could, you know…

He's obviously special in a lot of ways, but it just goes to show that all kinds of different players have a place at the highest levels of hockey. It's just a matter of how you approach the game, how you see the ice, how you manage your behavior, and what you bring to the table.

GR: Yeah. I want to dive into some of these ways to play, starting with if you're playing it passively. So say we're just doing our normal two defensemen coming back; passive, letting the offense kind of have some space. First step needs to be inside.

You need to get inside ice, you need to get good positioning, you need to get within the dots, that's first and foremost. So, first step is inside. I've heard a few coaches call it lateral gap. For me, I just say you need to get inside positioning.

And really, if I take this to the football field, so American football, Canadian football, think about it as leverage. So either you have inside leverage or outside leverage.

Note: this next section on inside/outside leverage was reaaally messy sentence-wise. I tried my best to clean it up and make sense of it. Whenever anyone says “inside” or “outside” in hockey they’re referring to areas of the ice defined by an imaginary line we draw through all the faceoff dots where the side closest to the boards is the outside and the side closest to the center of the ice is the inside.

Inside leverage means you're taking away the inside, that's where you are and you're giving the outside. Outside leverage is [when] you're on the outside, you're taking away the outside, the boundary, and you're giving away the inside.

Now, the question is, everyone's like, “Why wouldn't you always [want] inside leverage?” And that's the most common [way]. But when would you [want] outside leverage? When you have help on the inside; like, you're pushing them to a bad spot, into a teammate, into support, into someone who's there to help you.

But for the most part, we want to be starting with good leverage. Some coaches call it lateral gap, where we're taking that first step inside, getting inside the [faceoff] dots, and being able to passively let them have the bad ice.

We may not be in a great spot to finish the play [or] stop the movement yet, but we're going to put them in a bad spot where they're no longer an A-plus threat that we need to address immediately, like we're in deep doo-doo.

You can pokecheck out there, just don't extend yourself. The time that you finally get aggressive off of that pass [is], “Okay, I'm able to get this puck, I'm able to separate, I'm able to get position before possession, I'm able to cut it off, able to seal it off,” that kind of stuff.

When I'm developing my defensemen, that's what I'm talking about with them. Like, if you have to, if you’ve gotta play passive, just get inside leverage. Unless you have a good reason to play outside leverage, just let them have the wall until they overextend, whatever it may be, and give you an opportunity to seal it off.

Great example would just be good pokechecking. You're kind of like a cobra, you wait, wait, wait, and then boom, pounce! Rather than overextending.

Showing your stick early is another classic terrible example of something you don't want to do, or we call it declaring your stick. You declare where your stick is. You're overreaching stick on puck, because some coach told you to go stick on puck, and now you're reaching, you've lost good posture, good balance, good weight distribution. That's bad.

We want to keep all of the good things, the posture, don't want to overextend, but just make sure we're positionally sound.

WS: Have you been watching me at beer league? Like is that what you've been doing here? Is that what the prep is for this show? Because I gotta take some notes for sure. But yeah, I agree fully.

I think playing passive defense is something that can work. Personally, I think that it's something that is not as successful as being a little bit more aggressive, which we'll get to in a second. But everything you said is, to me, bang on.

If you're gonna do it you do have to play a little bit more… I guess the word would be cerebral? A little bit more unpredictable and positionally aware.

Be aware of what's going on elsewhere on the ice. You gotta keep your head up and scanning in front of you, and really just try to force them into… Nothing. Force them into a situation where they go, “Well, crap, now I have to rim it around the corner, or dump it back to my defensemen and hope that they're there with a drop pass.” [Keep] them in a position where they're not getting inside space on you or getting the puck through you into scoring areas, whatever it takes to get that done.

I think handedness plays a part in this as well, depending on which hand your defenseman is and what hand the forward is. It just makes things like stickchecking both easier or more difficult depending on the situation.

There's all kinds of things to sort of keep in mind with more passive defenders. And it can work. I think a lot of NHL teams still deploy their defensemen a little more passive.

They go, “Yeah, here ya go. You can have the defensive zone, but we're not going to give you many options. We're not gonna give you so much space that you can pull the puck around us and get in deep with a carry or get around our defensemen with a carry.”

In my view, I think that it invites a lot of potential for really talented NHL players to do just that; sort of tuck the puck between your feet and the stick. Or drive, drop a shoulder, drive down low, and make a play. You see more and more of that in the NHL these days.

But… that doesn't mean it's everybody, and I think that there's still a place in the game for this kind of thing. It's just a matter of, do you have defensemen who are aware of their surroundings, aware of where their partner is, aware of where the other offensive players are, aware of their positioning? [Are they] staying within the dots, like you said, and just keeping options as low-risk as possible?

If you [are] aggressive you may suppress risk initially, but you may increase risk down the road, assuming things don't go your way, which again, in hockey definitely happens.

So it’s, again, it's all a balancing act. And that's kind of the thing I love about hockey, there's a lot of different ways to do stuff and they all have trade-offs.

GR: Yeah, I like how you put that. It may be low-risk now, but it could be high-risk later. Where do you want to start making your defensive plays? Is it in your own zone or is it higher up the ice? Modern day [defending] is finding ways to, as West Point says, be an active defender. When you're thinking about military doctrine, you're talking about keeping the initiative.

Note: West Point is a U.S. Military Academy. I honestly thought he was referencing a movie <3

Who has the initiative? It's super important. Even if you're playing defense and you're almost in a siege perspective or you're in a fixed position, you still need to be active so they can't have free maneuvering, [so] they don't have the freedom of setting up in a good spot to challenge you.

You still need to have a way to be active and find ways to keep the initiative in some way, shape or form, which will lead us directly into our other way of playing defense which is a little more aggressive, where we're talking about concepts like surfing.

So surfing [is like] angling [while] skating forward. My personal favorite, I call it the weak-side fold. So you‘ve got a weak-side defenseman, they're able to see the whole play. There's no real threat on their side, whether it be from a forward coming back or just no one's really there.

Note: Imagine the ice bisected through the middle of the goal posts. The side that the puck is on is considered strong-side, the side the puck is not on is considered weak-side. Strong-side and weak-side are relative to where the puck is! Diagram here

They've got good defensive positioning, they're able to go and skate and angle actively over to the strong-side to take out the puck carrier, [who] inevitably ends up chipping the puck right to the strong-side defenseman.

So, weak-side fold, boom, pull that over. That means that your strong-side defenseman needs to at least get inside the dots, just like they should anyways. If not, start going over to the weak-side in case that play does get made there, whether it be an area pass or whatnot.

Note: per Greg Revak: “An area pass can be defined as a tactic where the passer spots the puck into an area of the ice currently unoccupied but allows the receiver the space to skate to that area.”

So surfing would be the first concept I think we should dive into, [where] you're on the offensive blue line, you see the play starting up, rather than skating back and playing it passive, you're skating forward and going to attack the offense.

WS: I love it. I love seeing this deployed all over the place. If I were coaching a high-level team, that's how I would want to deploy the types of players that I would put on a team.

Again, I think a lot of the battle in hockey is understanding who you have on your team, what they can do, and putting them in a position to do what they're best at as much as possible. Not everybody is good at everything, but that's okay.

So for me, I look at guys and I go, well, the types of players that I like, this is kind of how they should be utilized. Be a little more aggressive.

I love the weak-side fold idea. I think it gives a little bit more of a sense of safety because you have that strong-side defensemen who can play that more traditional style between the dots, but you're utilizing their partner to cut across the ice and apply pressure.

And in my world, again, this is where skating [becomes important.] You have the opportunity to go, “Yeah, okay, the weak-side guy is coming over to the strong-side and you have two defensemen on one side of the ice.” That opens up a whole half of the ice where there might be a lot of space, but then I'm going, “Right, but that's what you have a really good skating center for, that's what you have a really intense 200-foot winger for!”

It's why, when I look in the draft, I see guys who are more offensive leaning… I say a lot; you don't get the chance to really produce offensively a whole lot if you don't chip in defensively, at least in my books.

And so when I see guys like Zach Benson, for example, who we talked about in a previous episode… [He’s] a guy who did not take a shift off, a guy who covered for defensemen, a guy who chipped in defensively as a winger, and brought a lot to the table, that allows him to push play up the ice and be part of that, and allows his defensemen to be a little more aggressive.

That style of play definitely resonates with me; the style of defenders that I always value, those really high-end skating guys that, regardless of their size, those stick-first, body-later type of defenders, I think it works for those types of guys.

I love seeing this kind of play personally. I'm a person who, I think, on the ice, with my strategy and my view of the game, I'm a lot more risk-tolerant than a lot of people. But I think it's because in this situation and in the data work I've done over the years, no matter which way you slice it, when it all comes out in the wash, generally being aggressive is a better approach than not — on paper.

Obviously, though, that depends on the types of players you have on your roster.

To me, this is exactly what I want to see out of the game, this is exactly the kind of strategy that I think is a modern development that really benefits a good type of hockey player that I love to see more of. So I'm all about it. I'll throw it back to you, but this stuff gets me going.

GR: I can already feel that the passion has risen in Will Scouch.

WS: Well, it's also after 9 a.m. now, so I'm good, yeah.

GR: Yeah, the other piece here is… I'll call it the strong-side surf. That's that inside, like, you're getting inside or starting inside positioning. So either [your] first step is inside or you're already starting inside the dots, and you're able to just surf very short.

Rather than a big weak-side fold, you're able to do a short surf into the player. Again, position before possession, feel free to take their head off if the opportunity presents it, but really, you can do this all over the ice.

And finding ways to defend skating forward is a good thing. I've yet to find the defenseman that skates better backwards than they do forwards. I don't know any player that does that. It's probably impossible, unless you're that bad of an offensive skater and you need to absolutely skate backwards to have any ability. [It’s] something that we should all try to find; more opportunities to skate forward to defend.

The other piece that I think is super important is finishing with contact and staying on the inside.

So, going back two episodes where we were talking about Rasmus Ristolainen, where he would finish with contact, or he'd try to finish contact — or even if he made it, he was the last guy getting up and the other player ended up on the inside.

If we do go stick-on-puck, we are doing position before possession — you still need to rub that player out, you still need to hit the player; have some level of contact where you're now jarring them, you're getting in the way, you're limiting their freedom of movement.

In which case, advantage [to] you and your team.

And then [we’re] making sure we're smartly staying on the inside where we've gotta win the race off the wall, where we've gotta continuously have inside leverage over the opponent.

That's a common mistake I see with guys, we just do stick-on-puck and that's it.

Well, now the other team still has the opportunity to get a second crack at a puck, or they're still very fast to get to it. Rather than finishing it, sealing it off, [the defender has] to now restart their speed, restart their feet, all of that, where they're in a terrible, terrible position.

So making sure that, boom, you may have got [the hit, then maybe take] another step or two to ride [the attacker] into the wall. That's a step or two well taken.

WS: Yeah, no, I totally agree. I don't have any real notes to expand on that, to be honest. It's a multi-stage process defending like that, and [you] don't want to give your opponent too many opportunities, you don't want to overcommit.

I think, being a guy who's played defense my whole life I can attest skating forwards is a lot easier than skating backwards, and so if you can have defensemen who can defend by skating forwards, it's probably going to be easier for them, especially at the NHL level. So yeah, definitely something that I'll get behind fully regardless of the risk.

GR: Yeah. The last piece I want to touch on before we go into reading the pinch [is] around keeping clean feet. One of the best opportunities for a forward to change direction — and this is something that I've been toying around with and it's been absolutely great for my offensive production off the rush — is just reading the defenseman's feet.

One; I gotta figure out, “Okay, where's their stick? Are they declaring it or are they not?” And after that, “Can I get them to cross their feet? Or are they really good at shuffling [and] therefore, they're able to move wherever I move and be able to respond easily.”

So, as much as humanly possible, defensemen that are [defending] the rush should be shuffling, not crossing feet.

Basketball would be the prime example, they do a ton of drills on shuffling your feet. [It’s] similar here with defensemen, we’re making sure we're able to shuffle — so going back to our passive [concepts], now that I'm thinking about this further — making sure that we're not putting ourselves in bad positions to [defend] the rush.

So if you have anything on that, feel free to add. Otherwise, we'll go towards reading the pinch.

WS: No, I see what you're saying, I get it. I think that lateral motion is extremely, extremely important. And, again, I have no notes on that situation. I'm all about all of this stuff, I'm learning lots.

GR: Prime example of this, for anyone who wants to see Connor McDavid absolutely burn someone. This exact example of changing direction when the defenseman crosses their feet — like, just starts the crossover — would be Connor McDavid. The goal against Toronto where he just absolutely burned Morgan Rielly there.

It's so noticeable, you can't unsee it once you're looking at Rielly's feet. As soon as he makes that crossover movement, McDavid changes, boom! And he's behind him already. It's insane, so feel free to look that one up if you want to.

Note: I looked it up. Good lord. Here is the clip, and I gifed it:

The last piece here is reading the pinch. So this is maybe more of a team component, [of] seeing more than just your role. [As opposed to how] Rasmus Ristolainen, early in his career [would] just go for the pinch, destroy the guy because he could. Like, he's got him, but is that good for your team? Maybe not.

For me, you‘ve gotta look. Do you have help? Where's that help coming from? Is your team’s system to always have F3 high where it's almost like a left-wing lock in the offensive zone?

Note: here’s a fun article I archived on the left-wing lock if interested!

WS: I mean, that's the difference between a two or three-on-one coming your way, or a neutral zone stop.

I think that it highlights the importance of mobility, especially from your forwards, because if you have a center who is caught between the hash marks in scoring position and your defenseman goes for a pinch and misses, it certainly helps to have a guy who can really skate and help backcheck and help cover for that. It sort of mops up for what might be a mistake from the defenseman, or maybe the defenseman thinks they have the support from a better skater. But that absolutely is a big thing.

It goes back to hockey sense, or awareness; being aware of where your linemates are, being aware of, “If I cause a turnover in this situation, who is probably going to have the puck at the end of this? Does this guy — who I'm about to hit 20 feet inside the blue line — does this guy have someone directly behind him, supporting him, who's just going to get the puck after I hit this guy? And then just toss it to a breakout option coming up the middle, and I'm caught a third of the way into the offensive zone.”

It's these little decisions, and in the NHL…. Again, I go back to my work doing stuff outside the NHL, but the NHL is fast. These things happen really, really, really quickly. If you're caught, you can be caught for a while.

It's about finding and identifying players who can, if they are doing that kind of thing, they are either really, really effective at it, or they cover their own butt really, really well, or they just play it a little more safe and a little more reserved, and it works out for them in that way.

But in terms of reading it, yeah, I mean, awareness is so, so important. Head on a swivel, peripheral vision-type things, it's all super important.

GR: I like your point about, who's going to get the puck once you do smoke this player? Or if you go for the contact…

WS: It might not be you, you know.

GR: It’s probably not going to be you. So who's it going to be? Like, do you have F3 support? Is there someone on the other team? Thinking is always a good thing.

I know everyone wants to read and react, but there is an opportunity and there's time and places where [you can think, you know?] Like, “Oh, okay. Should I go? Yay or nay?”

Or team rules, if you're a coach, “Hey, if you have F3, go for it. You think you can get it, go for it!”

Or just reading, I always like reading the winger. “Did they scan up ice? Do they even have an idea where I'm at? If they're looking directly back at the puck, [I’m] probably going to go.”

[If] their best option is like, “Oh, crap!” And when you go, “Oh, crap!” rarely do you make the best play possible. Often, it's a turnover.

WS: Yeah. And I think the point about having support — winger support makes a huge difference as well. I think it's a really interesting thing. I mean, all of this, this whole discussion about defensemen, it just goes to show why guys might take longer to develop, why guys might take longer to play more premier roles in the NHL, because there are so many little details.

They might have an area of the game that when they're 18, 19, 20, 21 years old, they hit the NHL and they're comfortable with it, right? That's totally fine. But then, they play game after game, after game, after game. And opponents start going, “Okay, well, here's the thing they're good at. So let's try to target blah, blah, blah…”

But the better that they can be at these little fine details of monitoring defensive rushes, pinching in the offensive zone and trying to pick the right timing on all of these things… Not trying to do everything themselves, but chipping in as much as they can in a positive way. It’s all really complicated and very on-the-fly, considering how fast all this happens in the NHL.

It’s thinking a little bit more beyond the thing that's right in front of your face, that I think is a huge thing that makes the difference between a guy who may be able to play in the NHL and a really good player at that level.

If you have that ability to read the ice, take a good survey of what's going on, not take on too much risk, but take on risk here and there when you see an opportunity to do so, I think you're laughing at this point.

GR: I think the key piece for me in what you mentioned was, you're reading the ice beyond what is directly in front of you. I think this may be just a maturity thing as well, but the more mature a person becomes, the better they are at surveying their surroundings. They take in more of the picture, they're not just hyper focused on, “This is my thing. This is what I do.”

[In life and in hockey], having a better picture of, “How does my little detail play into the bigger picture?” [That’s a big part of] reading the pinch and the thing I love that you brought out there. [We’ve got to] survey the ice and understand, “More than just my little piece, is there speed ripping? All this guy has to do is chip it and they're off on a two-on-one or a breakaway. Bad time to pinch.”

If you're not reading beyond the one player that you're trying to pinch on, [you’re] likely to make a bad decision there. That is super critical. Read the winger, read your support, read the whole play. How is it playing [into] everything?

Will, I think this has been a phenomenal series on defensemen. I feel like everyone should send this out to their favorite defensemen in the world, or just send this to your favorite NHL hopeful prospect, or just like anyone in the AHL. What’s their (inaudible)?

Anyone in player development at the NHL level should send this out to the defensemen. And if you're at any kind of level of player development, which is pretty much every other coach, yeah, send this out to your defensemen.

There's no way some of this information isn't one; going to get them thinking about “How do I play the game better?” [and] two; it's probably actionable items for them to go and work on in their own game.

WS: Yeah, I mean, I'm trying to find a way — as we talk about this and all these little subtleties of playing defense and all the things that kind of go undervalued — I'm trying to find a way to shoehorn Brad Hunt into this discussion but unfortunately I'm not sure I'm going to be able to.

I think he's just a really good example of a lot of these things going his way and seems like a beauty of a dude. And, I don't know, if Brad's a reader of this I want to have him on the show to talk about his experiences as an NHL player because I find him fascinating for a lot of the reasons we're talking about.

It's just [he] might have been a little bit ahead of his time, but a lot of this good stuff is there with him. I don't know, it was the last thing on my mind before we call it a day.

GR: Beautiful. Alright, someone knows Brad Hunt — or, Brad, [if] you're out there, please reach out.

[END Transcript]

#puck!research #p!res:defenders #puck!script #Lane Hutson #montreal canadiens

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savebatsartedition · 4 months ago

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Whumptober 2024 Day 13:

Summary:

The Monkees are in a bit of a tight spot, at their last gig, Micky's kick drum went boom, and not in a good way. Prompt piece used: Multiple Whumpees

Notes:

I didn’t have time to write my original prompt for this day so I just took the “Multiple Whumpees” part and wrote whatever came to mind. This isn’t really based on a specific episode? It’s KINDA inspired by that one where they go on the children’s show and get humiliated repeatedly but isn't actually set there. It could be after anything that includes the breaking of Micky’s drum set, which is multiple episodes unfortunately. (All of them are getting whumped trust me, it’s just that Micky is the focus.) Also it’s kinda bad sorry. :( Content Warnings: Nervousness, mentioned struggles with living/getting money, instrument damage (trust me) Words: 1,255

(Fic also under the cut.)

The four of them squeezed side by side into the booth of the diner, nervously fidgeting as they waited for the seat across from them to fill. Davy was absentmindedly fluffing his hair, smoothing it down, and fluffing it up again. It was almost shoulder length again, but he hadn't been showing any signs of cutting it. (It seemed at least some of the chicks were fans of the look.) Mike was humming some tune he'd written recently, miming the hand positions needed to play along as he did so. Peter was tapping his fingers along the table in front of him, staring off into space as he usually did when things started to get stressful.

And Micky? Well, that was a bit more complicated. On the outside, Micky was shockingly calm as far as things went for him. He wasn't fiddling with the napkins, or jumping up and down, or chowing down on food (actually, he hadn't even ordered any), and he wasn't even chatting to thin air or anything. But as things usually were when he seemed okay on the outside, his thoughts were pointed in a much different direction.

All of them were taking this seriously, and of course they were. This meeting was sort of very important. Sure, maybe not quite important enough to be hinging your life on it, but in the moment it felt like it, and they played the part. They had to appear perfect, Davy's obsessive hair fixing checked that off. Creative, Mike's suspiciously “I'm Gonna Buy Me a Dog,” tune was good enough for that, Focused, Peter's stare could seem that way, even when he was actually zoning out, and... responsible.

Responsible.

Micky wasn't really ever that, he was the silly one. The one who made the jokes. The one who came up with plans and got them out of trouble, and got them into some more on the way out. Boy, he’d gotten them into trouble this time. Sometimes (a lot of the time) he wished that the things that happened to him would at least let him put on that mask of responsibility. Like seriously, what kind of self respecting starving artist would break their own drum? That was for the really popular rockers and the overexcited beginners and not for overexcited non-popular beginner rockers. (Hah. Beginners. As if they hadn't been working at this for over two years now. They shouldn't have been beginners anymore.)

Huh. Micky kinda felt like crying, for some reason.

The bell on the door jingled as it opened, and the hum of the busy diner slowed for a moment as people looked to see if the newcomer was there to see them. A fancy hat, a well fitted suit, clipped hair, sunglasses and what seemed to be a permanent frown. It could have been anyone, but Micky knew that this was who they had come there to see. The man was looking across the diner, but he didn't seem to notice the four shivering Monkees as they stared back. This was the potential customer, the one who had promised enough cash to get a new kick drum and some more. They needed this.

��Davy, go flag him down,” Mike finally said, waving the shortest band mate away. Micky probably would have gone himself, but he was wedged between Peter and the clear glass of the window. Mike wasn't much better.

Davy looked into the shiny metal of the table edge one last time, decided his hair would look best swept even more dramatically, and stood to wave their meeting partner down and into the booth. Micky couldn't even manage a joke about his friend, his stomach was doing flips like a professional gymnast.

The man walked their way, his face unyielding in its frown as he looked them down. It was clear he wanted the best of the best, something that the ruffled bunch of long-haired weirdos did not seem to be. (But they had broken their kick drum. Debatably the most important drum in any performance. They needed to be the best of the best, or they weren’t going to get to play at all.)

“Are you the Monkees?” the man said, voice so flat that it wasn’t really a question.

The four nodded, Davy squishing back into place next to Mike as they did. Yes, they were the Monkees. (Micky’s heart was in his throat, he couldn’t even speak if he’d been given the place to.)

“Are you up for a performance?” the man continued, looking unimpressed by the shivering quartet as they nodded again, “I hear you ran into a bit of trouble at your last gig,”

Micky’s eyes widened enough to give them away. He wasn’t supposed to know about the drum. How had he learned about it?! He did his best not to look at the others, but Peter had already looked at him so it was useless.

The man was now angry. It made sense why he’d arrived so late.

“I specifically set out an advertisement for bands who were responsible,” he growled, “Not those who will waste my time and money with a shoddy performance and broken instruments,”

Shoddy? They weren't shoddy!

“Well,” Mike tried to defend the group, though his voice shook and broke (as the member of the band who took care of most of their finances, he understood very well how badly they needed this gig to fix the drum and get back in the swing of things), “It's not really our fault it got all messed up sir, there was this whole thing-,”

The man cut him off with a raised hand. His frown even deeper and his eyebrows so knit that Micky could imagine his eyes burning with real fires if his sunglasses had not been in the way. “I don't care how it happened,“ he said, ”It got broken all the same, and I cannot allow a group of irresponsible lowlives to be playing for my event! If you can't even keep your drummer in check, what else slips through your fingers?”

“Hey!” Micky yelped, much against his better judgment, “I'm not some pet! I didn't even break the thing!”

He felt Mike's eyes on him, but the damage was already more than done.

“I suppose you thought you would take the payment and fix up your kit before the party?“ the man said, his voice full of contempt that Micky didn't really think he deserved, ”Is that it?“

Peter nodded. ”Yes, we thought that would be a responsible use of the money,“ He smiled nervously.

The man's face twitched, “Responsible, huh?”

He stood and knocked the table into the four musicians as he pushed away from his booth. “You shouldn't have waited to fix your drum. I know you rocker types,” he grumbled, “you should think about using some of your saved up money on your job instead of spending it all on yourselves and girls,”

Micky made a sound that was somewhere between a sob and a shout. They didn't HAVE saved up money, that was the entire point!

But he couldn't speak even if the words in the back of his throat had been convincing, and in a second the man was gone, leaving the four boys to do their best not to cry as the other patrons peered curiously towards them. What a show. The bell on the door jingled, and Micky slowly laid his head down on the cold metal of the table.

What were they going to do now?

#whumptober2024 #no.13 #multiple whumpees #fanfic #writing #the monkees #instrument damage #nervousness #money troubles #micky dolenz #mike nesmith #peter tork #davy jones #whumptober

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starsandsteelandbrokenglass · 1 month ago

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December 2024 Reading Wrap Up

Last wrap-up post for the year! I'll do one for 2024 as a whole hopefully soon (and maybe a Christmas gifts pic?), but I still wanna do a monthly recap. It's been a pretty busy month (@ninja-muse, I saw the tag post, I appreciate the tag so much, I simply...did not get there). I travel home for the holidays so it's been end-of-the-semester work while trying to cram in as much time with family and friends as possible. This month I read 8 books and almost 3,000 pages--not a bad finish! Here they are:

The Tiger's Daughter (Their Bright Ascendancy #1) by K. Arsenault Rivera- 4.25/5 stars; this was a lot of fun and I especially enjoyed the worldbuilding, as well as the relationship between our two main characters--I look forward to the sequel!

The London Séance Society by Sarah Penner- 2/5; neat premise, but in contrast to The Tiger's Daughter, I did not buy into the relationship between the main characters at all and I do think fundamentally there was no reason for the plot to happen the way it did

Memorial: An Excavation of the Iliad by Alice Oswald- 5/5 stars; oof. brief but poignant reminder of how much death there is in the Iliad and gives the same care Homer does to the lives of the fallen

The Westing Game by Ellen Raskin- 5/5 stars; a reread of my favorite childhood murder mystery, which I still find holds up excellently for me

My Salty Mary (The Marys #3) by Jodi Meadows, Brodi Ashton, Cynthia Hand- 3.75/5 stars; these books are silly, but fun! pirates, mermaids, and some standard YA romance

A Fate Inked in Blood (Saga of the Unfated #1) by Danielle L. Jensen- 3/5 stars; this was a "romantasy" situation which is really not my vibe, nor are Vikings, but tbh I think this does what it set out to do and checks all the boxes of the genre

A Letter to the Luminous Deep (The Sunken Archive #1) by Sylvie Cathrall- 4/5 stars; this was so charming and while I was a little taken aback by the direction it ended up taking, I definitely want to read the sequel

Castle of the Cursed by Romina Garber- 1/5 stars; maybe this is on me for picking up another romantasy but this was so much worse despite being marketed as Gothic which I do like. I could actually say a lot about this (HOW DOES ESTELA LEARN SPANISH SO FAST????) but I won't do it here

So 2024 did not technically end on a high note reading wise, but that's okay! My favorite book this month was The Tiger's Daughter, and I hope the sequel is just as good!

Currently Reading: The Sinister Mystery of the Mesmerizing Girl (The Extraordinary Adventures of the Athena Club #3) by Theodora Goss and Nightmare Movies: Horror on Screen Since the 1960s by Kim Newman (do not ask)

#reading #mine #december 2024 #monthly wrap up #reading wrap up

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dreamingofmuses · 1 year ago

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New Year's Resolutions: RP Edition

Howdy all, Ash here. I've been having a think while with family this week, and I've decided I'm going to implement some new 'resolutions' to try and help make writing in 2024 be way more successful than in 2023. This will include things from the running of blogs to jobs I really want to get finished. I'm putting them under a read-more to keep the dash nice and clean.

I will say, this has taken me an hour to write up, and I'd recommend you doing likewise if you think there's little ways you want to improve.

Overall Running of Blogs

I'm going to experiment a new approach to running the blogs. For this, I'm going to put all active blogs to low-medium activity. In other words, even if I am personally lurking on mobile, I won't be constantly writing things if I'm not able to. (Work is just about to get super busy and I'm anticipating chaos)

A queue/schedule function will be used for all blogs. I intend to dedicate one weekday evening to working without interruption on replies. Taking commutes to the city and family visits into account, this is looking to be a Thursday, which is the only day I am neither travelling to the city nor have a guaranteed family visit. Of course, this may fluctuate, but that's what I'm hoping to work with, assuming those things stay as they are.

However! What all this means is that I am going to tentatively take skullandbowties off hiatus. With that blog being quiet, it should be possible to juggle it better now. Plus, it's officially off-season so the demand for him from new blogs ought to be low. I'm very smart :D

I also plan to update all pinned posts. I am aware some of them are marking a vacation from months ago.

Individual Blog Maintenance

Create "New Here?" posts to add to the pinned posts/info tags. This is going to be a very quick crash course on what to expect from the blog, especially where some characters might diverge from fanon expectations.

FINISH. WILF'S. BIO. It's not actually relevant to anything being written on the blog itself at present, but I really want to flesh out his character and show that he was stuck in stories for years, decades even! The doc has the word count to 4,888 at this precise moment. This is a mix of summary and brainstorm. Since it's getting a 'little' out of hand, I intend to have a 'tldr' at the start that people can read, and then longer versions if they're curious to get the full story. Maybe even have it that they can jump to particular parts but... I'll cross that bridge when I get to it.

Likewise, Noah's version of Space needs to be finished. This one is going to be a summary, but it's a case of making sure the pieces are in place sufficiently to have parts match canon Space, but also make it clear that there is a lot of differences between canon and what he went through, with his plot entirely spiralling away for 'Part 2'. This is at 5,794 words, and the ending has yet to be ironed out...

(I am going to stop creating needlessly long-winded projects for myself that realistically add nothing of value to my blogs. These two projects are exhausting...)

Theauthorlives is returning to a very small multimuse. Any muses that aren't ones I genuinely enjoy writing are being fully archived, unless they are muses that get no traction but I want to keep the possibility open. Details of that will be shared when I do this.

Redo some muse icons (not all of them!). Though the selection I have for particular sets is a lot, I still feel like I'm missing some expressions or poses. I would like to remake one batch of icons for three characters, and finish iconning a third. Replies seem to be shifting toward iconless, but I like them for asks or IC commentaries.

OOC/Mun Related stuff

Following matters that have happened both online and IRL, I've decided to take a step back from actively engaging with people. My focus will be people that I have been in good communication with for the last twelve months (as well as people I don't talk to frequently but am on friendly terms with) rather than people I feel I have to 'chase' after. Saying that, I'm going to try and not let past experiences meddle with anything in with new writing partners - whether these are brand new to the community or people I've not had the chance to properly interact with prior to this. Just be aware that I might not be super outgoing at first. (This is where setting limits and boundaries is good practice, everyone! Don't sell yourself short, and don't spread yourself out too thinly!)

Which is where I now say I want to send even more asks! Not just memes or sentence starters, but general questions about headcanons or muse opinions. I want to get people thinking more.

My stance on Discord still stands, in that it's solely for OOC stuff, but I'm not giving it out to everyone. However, I have been in two group servers that have little-to-no connection with writing rp threads in them. I would hope that I can fully regain my sense of comfort using Discord as a whole.

Art related

Despite socially stepping back, I still want to keep some semblance of 'community' where my blogs are active so people don't feel isolated. For instance, I want to do something that encourages invasions of ask boxes. That was good fun to watch as the chaos began to spread, and when people are good-humoured to go along with my silly ideas.

I want to have one huge art-related event at some point this year. I'm not entirely what or how to do it, but I think it would be a great excuse to practice something. Portraits, comics, something like that. I'll have a think. (For those who remember, the water gun event was supposed to have an art conclusion but plans for that fell through.)

I want to try and upload drawn responses to heythereneighbor once a week if I can. Obviously, this is depending on how busy it is.

I'd also like to try doodling more on other blogs? But I'm not sure if this is even something people want to see anymore. People might prefer I focus on writing if I have free time instead of doodles or little comics.

... the writing blog. I need to do stuff with that in general. Whoops.

Finally, I want to do what I can to the best of my abilities on a particular day. I've always told people over the years that real life comes before rp, and I still stand by that. Whether I'm around or not every day isn't the end of the world. The communities I write in are a lot slower paced than they were when I started, which is great! I need to remind myself that I don't need to be writing just because I have a bit of free time.

#(but some of these won't be starting this week because my work week is a little jumbled up)#(one tldr is that I intend to have one day a week for writing that should hopefully be a Thursday #but not Thursday of this week because I'm commuting to work and have personal stuff on as well)#(aaaand now I sleep. Have to catch a bus in the morning.)

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meltotheany · 7 months ago

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Top Ten Tuesday was created by The Broke and the Bookish in June of 2010 and was moved to That Artsy Reader Girl in January of 2018! hi hi, loves! i hope you’re all doing well and staying cool (or warm) in whatever hemisphere you are in! i always love doing posts like this, and just reflecting on all the good book options i have for the last six months of 2024 (which feels wild to even type)! but truly, so many good books are publishing over the last half of this year, and i can’t wait to talk about them all with you! 😍 🌞 SUMMER RELEASES ☆ The Dead Cat Tail Assassins by P. Djèlí Clark – august 6th ⤷ once again, this book is about necromancers, assassins, and a vow our mc isn’t supposed to remember, but does. it very well could be my new personality very soon! ☆ Mistress of Lies by K.M. Enright – august 13th ⤷ maybe the summer buzzword is assassins, because this queer filipino debut also stars one who is forced to work with two others to solve a magical murder mystery that could also involve vampires. this is truly the debut that i have been looking most forward to all year! ☆ The Crimson Crown by Heather Walter – august 27th ⤷ we love a tuesday birthday, and this year for mine i get a sapphic snow white dark retelling. i am obsessed with this author’s writing and her malice duology that ended up being a favorite of mine. i can’t wait for all the sapphic stories she will give us, but this birthday release one feels very special to me already. 🍁 FALL RELEASES ☆ Graveyard Shift by M.L. Rio – september 24th ⤷ i mean, once everyone saw there was a new ml rio book coming out i think the entire book community let out a breath they didn’t know they were holding. it is “only” a novella (i say this as a novella lover), but it is about a group of night shift workers trying to solve a mystery at the graveyard, involving a gravedigger, and i know it’s going to be everything. ☆ The City in Glass by Nghi Vo – october 1st ⤷ at this point, i will just beg tor for anything that nghi vo writes. but this is a brand new standalone all about angels and demons and a lost city and i just know that i am going to love it like everything else this author writes! ☆ Lore Olympus: Volume Seven (Lore Olympus, #7) by Rachel Smythe – october 1st ⤷ there is just something really happy and healing about waiting for my next preorder of lore olympus to come in. volume six was actually my favorite so far, so i extra can’t wait for this newest installment for the fall! ☆ Spectacular (Caraval, #3.5) by Stephanie Garber – october 22nd ⤷ i cannot believe we are actually get a caraval holiday story right before the holiday season! i am so curious if we will see characters from both of her trilogies in this, and if we will get some hints for what is to come next! but i love being in the world of caraval and i can’t wait for this! ❄️ WINTER RELEASES ☆ The Teller of Small Fortunes by Julie Leong – november 5th ⤷ this is actually one of my favorite covers… ever. but is a new debut about a immigrant fortune teller, traveling from town to town with her magical cat, and i think this is the tale of them trying to help someone in one of these towns! this is going to be cozy and heartfelt and i can’t wait to read. ☆ The Songbird & the Heart of Stone (Crowns of Nyaxia, #3) by Carissa Broadbent – november 19th ⤷ i am all caught up and so ready to read this new carissa broadbent book! this third full length story is about a character we know and love from books one and two, but i am curious how i am going to enjoy it because i really didn’t love the last novella i read set in this world. but i am still excited to find out this winter! ☆ Wind and Truth (The Stormlight Archive, #5) by Brandon Sanderson – december 6th ⤷ the fifth and last (of this story arc, before a very big time jump) of the very beloved stormlight archives. i cannot believe it will be in my hands in six months, and i also can’t believe brandon has said it is the longest bo...

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hexfloog · 2 years ago

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2021 - 2022 - 2023 - 2024 - 2025

Here's my art summary for 2022! In 2021 I had hoped that the inspo kick would last well into the new year, and... here we are. I produced WAY more this year than I initially thought and actually ran into the strange dilemma of having too much to choose from for this template :0

What a year for art.

I think because of the slow speed at which I produce-- and the relative stylistic consistency of what I do make-- I tend to fall into this trap of thinking I'm not actually going anywhere with my work, but looking back at my portfolio... this really isn't the case.

To put it bluntly, I see improvement from last year to now in the form of risks.

I hit a lot of milestones and firsts since January: I drew another comic, dabbled in several projects in grayscale, drew plenty of complicated backgrounds (or "whole pieces," I suppose), put together at least one .gif sequence, made mockups for merch, made real merch, zine entries... And even beyond 2D work, I wired up my first custom model kit, experimented with new materials, archived an entire TCG set, put together another cosplay, and (maybe most significantly) started writing fic again!!

I'm genuinely surprised by my output. While this year was creatively fruitful, it was maybe one of the worst on my health-- and by extension, my funds-- all around (an ER visit, COVID, some Mystery Issue with my feet... still a mystery to this day, actually) so I am pretty stunned that I managed to tap as far as I did into my creativity overall, especially when compared to 2021, a year I also thought went surprisingly well for art. Deadlines and community events and contests all pushed me into making more than I would on my own terms, so challenging myself a little definitely paid off... who would've thought? >___<

(while shoving my 2022 body of work under the bed) On the flip side, it turns out that throwing my dignity to the wind and shamelessly indulging pushes me to create, too! How many Evil Conans can one person depict in a single year??

...On a more personal level, aside from challenging myself with external motivators I think I was only able to produce as much as I did on account of simply learning to love what I make the way I make it. The vast majority of what I drew this year falls into what I've been referring to (to myself) as "drafts." But they're not drafts as most people would think of them - they're just not fully-polished works. March/November are good examples - contrast against June/August, which are definitely "polished."

It's probably not that big of a deal to other people how I refer to my work in my own company, but this year I seem to have realized that thinking of it in this way-- dismissing the time and effort spent on any one piece as merely "unfinished"-- is actually quite harmful. I have a habit of being harsh on myself and to call these works "drafts" undermines the amount of effort I put into them, and for what? Because they're not "clean" enough for (my own, self-imposed) impossible standards? That alone implies that there's only one way a work can be for it to be good enough, when the truth is that no-one would be none the wiser if I called them "finished" instead.

That's not really to say that I would stop trying to achieve this high-effort "finished" standard since I can get the same amount of mileage for lesser effort or whatever. I don't operate that way, there's a lot of pride and self-esteem tied to my art and I subscribe pretty unconditionally to delivering something that I'm proud of. I guess the key here is that "high" standards should not be "impossible" standards.

Starting from March (probably right around the time of the first DCMK FF Server Exchange), as year the progressed I slowly started warming up to this idea that I don't have to make something perfect to "get credit" for creating it. Perfectionism is an itch I'm still learning not to scratch every time it calls for my attention. And, relating to the exchange, there's something about a gift well-received that puts my guard down, and maybe it's because I'm always bracing for the worst (some imagined rejection of effort, perhaps) that I don't really expect people to so plainly like things I don't consider "good enough" for myself.

I guess what I'm saying is it's probably not an epiphany I would have just had for myself one day. I really don't think I would have realized the inherent hurt in my system if people didn't indirectly point it out to me time and time again, whether that gushing over artwork to my face or in tags or whatever, so... for that I am very grateful T___T

On that note, it has been a rough year for me so I want to express my deep appreciation for everyone who has supported me, whether you're just an art appreciator or an internet buddy, whether you came for ponies or animal mecha or ducks or detectives, whether you've donated at any point or bought something from the shop, commissioned me, etc ;___; I appreciate you all very much and truthfully I would not be creating so much if I didn't think I had an audience who could enjoy it with me. Thanks from the bottom of my heart <3

Wishing everyone a creatively fruitful and healthy 2023!!

if you've gotten this far tysm for reading i'm very stingy about good feelings and being this saccharine about anything takes effort, capital E

#personal #summary of art #summary of art 2022 #2022 summary of art #dcmk #it's LITERALLY ALL DCMK LOL #peace and love on planet earth <3 #queue

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pocketramblr · 2 years ago

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Everything I see about stormlight is exactly the kind of thing I'd love to read I think except there are so many books and I have no fucking clue where to even start. So... suggestions pls?

Local libraries (I have 5 library cards for different cities) unfortunately have very little Sanderson, but I do have a £10 voucher for waterstones that I need to spend in the next year sooooo

oh hohoho ok yes i can answer this question very normally while vibrating an average amount

So, Stormlight Archive itself is a (fairly) straightforward series, but it's part of a bigger Cosmere series that is, uh, less so. I do recommend reading Mistborn at some point, since it's kinda his breakout series and will be important but uhhh i haven't done that and when in doubt you can look everything up on the wiki so anyway, here's Pocket's Reading Order

1- Warbreaker. This one is set on a different planet than Stormlight, but it's first for a couple reasons. One: it's free to read online at Sanderson's website. Two: four characters (so far) show back up in Stormlight after Warbreaker and i love them so you should know about them going in. Three: it does a good job kinda breaking down a lot of the magic workings in the Cosmere.

read it here

2- Emperor's Soul. I actually read this before i read Warbreaker but it does a REALLY good job at breaking down the magic more. I'd say this one is optional though, it's a shorter little novella and doesn't really impact the main Stormlight storyline (it's on another different planet). I'd say it kinda helps you grasp Sanderson's reading style more, because you're kinda gonna need to trust him going into Stormlight. but if you already are sold, this one isn't too vital since it can be harder to find. (on its own for audiobook, or in Arcanum Unbound collection)

3- The Way of Kings, Stormlight Archive Book One. Look. this book has three prologues and is much bigger than Warbreaker or Emperor's Soul. You've got to trust him but it's worth it. Honestly if you skipped ES, a lot of the magic explanation gets there anyway through the book, just broken up a bit more.

note: DO NOT read Way of Kings Prime, his first draft of the book. its um. its really a first draft. noncanon, a lot of the cool stuff wasnt in it yet.

4- Words of Radiance, Stormlight Archive Book Two

The sequel!

5- Edgedancer, a Stormlight Novella. Yeah you don't want to move on to book three without reading this one. Um, you can find Edgedancer in Arcanum Unbound, the same collection that Emperor's Soul is in. There are probably standalone versions of it somewhere but im not sure where. all else fails, the Coppermind Wiki has very good summaries if you want to read those to move past it. (thats uh,,,, what i did with the first mistborn trilogy oops)

5- Oathbringer, Stormlight Book Three

6- Dawnshard, a Stormlight Novella. (Lie! it's actually just long enough to be a novel but everyone very politely pretends its a novella. this one you can get by itself and ahem. if you want to borrow my copy you just let me know once you get there.)

7- Rhythm of War, Stormlight Book Four

im uh. not gonna lie to you. this book is kinda the 'lowest of lows' emotionally, it gets real dark. im p sure Brandon actually published it with a trigger warning. but its REALLY GOOD just ugh. delicious.

That's all the Stormlight books that are out so far, but uh, book Five releases 2024 and there'll probably be another novella between four and five since there was a 2.5 and 3.5 novella but thats it so far.

so yeah get started with Warbreaker maybe? then see what libraries around you have the other stuff.

#theres a joke about the true cosmere reading order being the warbreaker reading order #where you read warbreaker between every single book as you go through #its not a joke i love warbreaker and i LOVE the characters that show back up in stormligt #mmmmmm Nightblood my adored #i wont say who the others are bc warbreaker spoilers of course but #they're my little squeaky toy and my utter adored and my clown guy #but of course the real star of Stormlight is kaladin and his drift compatible fairy princess sylphrenaaaaa loves loves loves #anon #pocket talks to people #i hope this answer was. helpful. more helpful than it looks kjhgjk

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rsadelle · 8 years ago

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Yuletide 2016

Below the cut is a Yuletide round-up of recs and also the things I wrote.

Stories For Me

all that is good (10136 words) by sevenfoxes Chapters: 1/1 Fandom: Bourne (Movies) Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Relationships: Jason Bourne/Nicky Parsons Characters: Jason Bourne, Nicky Parsons Additional Tags: Alternate Universe - Canon Divergence, unprotected sex Summary:

You think about Landy, how the hearings meant to expose corruption instead started to swallow her whole, destroying the last genuinely good person you knew at the CIA. You think about Vosen and Conklin and Abbot and all the fucking men who hid behind the flag and a thick line about patriotism while pursuing their own agenda, their own power and money. You think about your father dying alone, believing you were gone, that the last of his family was dead.

“There have to be consequences,” you tell him.

That is the difference between the two of you. Jason wants to be left alone.

You want vengeance.

What I liked: NICKY! I was really excited to get a story all about Nicky. This does a really good job of alternating past and present to flesh out the characters and their relationship. Plus reproductive choices.

make haste from Babylon (3990 words) by Addison R Chapters: 1/1 Fandom: The Killing Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Stephen Holder & Sarah Linden Characters: Sarah Linden, Stephen Holder Additional Tags: Soul Bond, Writing on Skin Summary:

This must be the new guy, but he sure doesn't look the part.

What I liked: SOULBONDING. I won't give it all away, so suffice to say there's a match to shapes that I enjoyed, and also a pull to keep them together.