#may it be useful for other people's fanworks if you see this

[redjennies]

*long sigh*

all right this is one of my most resurrected posts and to be quite honest, i think most people get what I'm saying here, but it could be clarified because the second it gets away from a circle of people who get it, people seem to lose the thread pretty quick. it was about a trend I noticed regarding the types of fans C3 was both attracting and whose voices were being heavily elevated within the fandom. with the campaign ending, it only feels right to say my final piece about it and be done with it.

first, this post is about whose stories and voices are centered in fandom. it is not about the cast (though having a predominantly white, culturally Christian, US American cast does influence it because they are telling stories from that lens.) it is not even really about the characters, themselves, and whether this is. it's about the fans, and specifically, it is about the lack of compassion and desire to understand, I see a particular type of white (often for lack of better word, "WASP"-y: raised middle class, culturally Christian, and/or US American/English/Canadian/etc) queer fan extend to anyone who falls out of an extremely narrow lens of "this is the default queer experience" or heaven forbid, to people who are not queer but are marginalized in other ways.

it is about how this phenomenon happens because they have been trained to see their queerness as their only identity (and therefore, in their arrogance, the only identity that matters) as it is the only thing about them that deviates from that WASP-y "default." through this lens, stories that are not relatable to that audience are largely ignored unless they are exceptional enough to be the "Academy-Approved POC Film of the Year" to be tokenized by white liberal audiences and stories that do touch on queerness but are primarily about other things like race/class/disability/etc are whitewashed into something more palatable for that hegemonic "default" audience to the point where it is practically unrecognizable from the original story. this is not unique to CR. this happens across all audiences and therefore, all fandoms.

clearly, this phenomenon leads to a problem in fandoms. if we are not extending empathy to the characters and stories that discuss perspectives that may be different than our own, than we will not be extending empathy to the real breathing humans who see their experiences (or the experiences of people they have known) in those stories. there was this post or article about why we need better POC representation that I read way back in the day and have never been able to find again that really stuck with me that said something along the lines of "we don't need representation because no black person can relate to George Costanza or Rachel Green. we already do. the problem is that white writers and audiences do not relate to black people and that shows through the kind of black characters white writers create." and I think that sentiment is relevant to what I'm getting at here. a lot of white queer fans on tumblr are often half-listening when a story is told, choosing to only pay attention when things are about them because at the end of the day, they have the privilege to do so. therefore, the fanworks they create reflects that lack of interest. the metas and fanon they write reflect that lack of interest. soon enough, the fandom itself reflects that lack of interest.

and worse yet, because queer people are an oppressed group (and to clarify, I don't want to come across like I'm saying just because we're white queers, we're not "really oppressed" or whatever), this lack of interest and compassion for people who are different than you becomes actively celebrated in fandom spaces. you have relatively privilege white queer people on tumblr loudly proclaiming characters only matter if they're gay, stories only matter if they're queer, and so on and so on. which on some level is fine if you prioritize reading and watching stories that have to do with queerness, but you do need to be aware of a massive bias you may have to what "queer stories" even are and how you are interacting with them and who you are leaving out. a great example of this is why every time there's a black bisexual male love interest in a video game, y'all keep calling him "too straight" and therefore "boring" and then getting mad and defensive when someone calls you on it. like I mean-- hit dogs holler. ¯\_(*ツ)_/¯

anyway, I was going to close with tying this concept back into CR and how there was a rot that permeated C3 and how this attitude straight up alienated a lot of fans. (god knows I got shouted out of this fandom until it got so dully unpleasant that I couldn't bring myself to give a damn anymore, and sincerely, from the bottom of my heart, I hope everyone who participated in the near constant harassment I received for the great crime of maybe being annoying as I made my little jokes and shared my thoughts has a bad fucking life. fuck you. learn how to use the block button.) but @utilitycaster who has been following this campaign as well as other actual play shows a lot more closely than I have already touched on that in a pretty dead-on post that I highly recommend.

so here is what I will end on, the phenomenon I've been describing throughout this post is in no uncertain terms, a form of bigotry, and as far as the people who have to live with that oppression are concerned, a queer bigot is not any less harmful than a straight bigot, in the same way a female bigot is not any less harmful than a male bigot. so if you sincerely want to your spaces to be more inclusive and aren't just saying that to "do a leftism," you have to accept your own part in that, regardless of who you are. you have to stop and pay attention to what kind of perspectives you might be ignoring, and stop immediately shouting at people because you interpreted what they said in bad faith. you have to learn how to just shut up sometimes and be a little reflective. i'm not always great at that, but it's a skill you have to practice even if you fuck up. you can always change your mind with new information and new ideas and new perspectives, but if you instinctively chase off everyone who might be willing to talk about something you've never considered before because you're more concerned about being right than learning, you're going to get a rot in your community that is really hard to get rid of once it festers enough. because if you've been told your whole life that the rot is the default and that it is normal and that it's the way it should be, you're never going to notice it's even there.

tbh the Critical Role fandom, along with most fandoms, has a problem with centering easily digestible metaphors for white queer experiences (and even then only those that check all the boxes of the purity list) at the cost of seeing stories through the lens of race, class, mental and physical disabilities and how those can intersect with queer experiences.

for example, putting an unnecessary amount of effort into proving Jester's attraction to Fjord is compulsory heterosexuality while ignoring that Fjord and Jester were both explicitly biracial characters from different class backgrounds and how that class difference intersected with their self image. a general refusal to really interact with Chetney as a character that is heavily coded as mentally ill and uninterested in being "cured." Veth being deemed the token straight Karen despite being a young rural mother of color struggling with addiction and having an arc that was heavily coded as trans, and Ashton, a nonbinary lower class punk with chronic pain, being considered just a man when it comes to ship wars. etc, etc.

[zyrafowe-sny]

TOH Fandom: Sign up for Fandom Trumps Hate by February 2nd!

The @fandomtrumpshate online charity auction is back for its 9th year! This is a fantastic way for the fandom community to raise money for small, progressive non-profits working to protect marginalized people.

We'd love to see more auction offerings from The Owl House fandom this year. Creators must sign up by February 2nd and can offer fanfic, fanart, fanvids, podfic, fan labor (including beta reading), and more! Winning bidders will receive a gift in thanks for their donation to one of this year's charities.

January 20 - February 2: Creator sign-ups

February 21: Browsing begins

February 25 - March 1: Bidding on auction offerings

March 12: Winning bidders must show proof of donations

The next four years may be rough, so us weirdos have to stick together! You can make a difference as a Fandom Trumps Hate creator, bidder, or both!

Even if you can't participate yourself, please signal boost! You are also more than welcome to offer fanworks for other fandoms; this is a pan-fandom event.

About FTH | FAQ | 2025 Schedule

[daeva-agas]

Casually lurking in Sailor Moon fandom and when I see posts mentioning the Shitennou's knightly titles, I think the translation are off. I don't know if those are just fansubs being wonky, or if even the official ones are not entirely correct...

I've also seen some posts say that "I don't understand what these means". The knightly titles are based on the image and properties associated with each gemstone in Japanese (so, if it has different meanings internationally, it's quite beside the point).

Jadeite: Knight of Resilience 忍耐 and Harmony 調和

忍耐 is often translated as "Patience" in fanworks. 忍耐 is better translated as "resilience", "perseverance", or "endurance". Even when colloquially used to say "be patient", the connotation of it is more along the lines of "endure this". The Harmony one is correct.

"Resilience" is because jadeite jade is the harder jade. "Harmony" because of its traditional usage in spiritual matters, so jade in general has the image of "peacefulness".

Nephrite: Knight of Wisdom 知恵 and Peace 安らぎ

This one makes me kind of laugh because of what Nephrite is like as a character/person. I almost always see 知恵 translated as "Intelligence". It's not wrong per se, but this term here refers to something deeper than just brain smarts, thus "wisdom". Things like wisdom that come from age, or innate perceptiveness, and so on.

安らぎ is peace, as in "inner peace". Basically, "serenity", though it's probably not a good idea to use this word in Sailor Moon for obvious reasons.

Nephrite being the native jade of China, it has been given very sagely meaning to it that persist even in Japanese symbolism. That's why it's like this, for somewhat similar reasons to jadeite's "harmony".

Kunzite: Knight of Virtue 純潔 and Benevolence 慈愛

純潔 can also mean Purity or Chastity. 慈愛 is sometimes translated as Affection, which is also not entirely wrong. It's just that the standard meaning is benevolence or mercy. "Affection" tends to be used in the context of parents and children. In this context probably not the best meaning to use.

This gemstone is associated with the Holy Mother Mary, of all things, that's why it's got very saintly imagery associated with it.

Zoisite: Knight of Purification 浄化 and Healing 癒し

The most straightforward one so I've never seen any wonky translation with this one. Those who are into healing crystals might already know this, but this title is based on the healing and purification qualities that a blue zoisite/tanzanite supposedly have.

[cannibalistic-deer]

It baffles me that I've seen people say "Alastor is canonically sex and touch repulsed" as a reason people "shouldn't" be shipping Alastor sexually/romantically.

Why assume that the sex repulsion applies to every relationship in his life, permanently? Some aces are sex favorable, or may develop more favorable feelings for specific people, even if otherwise repulsed.

And the same applies to touch repulsion. That's such a weak argument. Alastor canonically, and very clearly, is okay with or possibly even enjoys touch in specific situations. He does seem to be touch repulsed in general, but again, there are specific people it doesn't apply to. (Rosie is the best example, since with anyone else it is more brief, but Rosie touches him, and is the one initiating that, frequently.)

All types of attraction, or comfort levels with different manners of affection, are fluid. This isn't ever an excuse to invalidate real people who are telling you their identities, but it does mean that assumptions really can't be made about what a person would or wouldn't do.

And this type of thinking is what really leads to invalidating real people, because even if you think "being asexual means never having sexual attraction," and then an ace person shares that they think they might have experienced sexual attraction at some point but still identify as ace... then you have to be open to that. You cannot put sexualities in boxes. This applies to all sexualities.

I'm a fictive of Alastor myself, and I am sex repulsed, so I understand the discomfort, but I also understand that people are not harming any real, living person by making fanworks where Alastor is having sex. It also doesn't mean they're inherently rejecting his asexuality.

If people want to ignore Alastor being aroace completely, that's different. Alastor is canonically aroace (or asexual at minimum), and he always will be. But jumping to conclusions about what people think because you're too naive and stubborn to understand that sexuality and attraction doesn't fit into tidy little boxes is harmful and is a way of thinking that must be changed.

This became longer than intended because I was mostly thinking about the "Alastor is touch repulsed to everyone!" claims some people make, which are frankly incompatible with canon. But the rest of this post is also true.

[hermitadaymay]

WELCOME TO HERMIT-A-DAY MAY 2024!

I'm thrilled to bring this challenge to you all for the second year in a row! Hermit-a-Day May is a challenge inspired by Hermitober, but with a twist: instead of theme prompts, we focus on a specific Hermit every day!

THE RULES: 1. Any type of fanwork is welcome so long as it features, or is otherwise inspired by, the Hermit of the day. 2. Tag #hermitaday to have your fanwork reblogged, or submit it directly to the blog (Please note that while I recognize the value of fanworks involving more mature themes, and they can certainly count toward challenge completion if you're keeping track for yourself, content on this blog will be kept "PG-13" so that all may enjoy.). 3. Fanworks for one Hermit posted after the day rolls over to another Hermit's day (per the US Central time zone) will be reblogged in a big queue in June. 4. I am not interested in seeing captions or tags in which you disparage your art/skills. We're all improving all the time. Be kind to yourselves.

WHY SHOULD I PARTICIPATE? To show love to every Hermit, from the most to least subscribed, from those who have been on the server from day one to those who only joined this season! And because challenges are fun! And because, this year, there's an extra dimension to the event: a fundraiser for Gamers Outreach, featuring art incentives by @rendiggitydog and @belmarzi.

GRAND TOTAL INCENTIVE: For every $150 we raise for Gamers Outreach, belmarzi will make 10 seconds' worth of animatic, featuring as many Hermits as she can fit into the time frame.

INDIVIDUAL DONATION INCENTIVE: For every $50 (formerly $65 - changed 5/3) you personally donate to the fundraiser during the month of May, Rae rendiggitydog will draw you a shaded flats commission of a Hermit of your choice.

WHO’S RUNNING THIS? Hi! My name is Luna! You can use she/her, he/him, ze/hir, or ro/ros/roseself pronouns for me. My main blog is @as-if-unreal. Yep, before you ask, it really is just me, but to be fair I've had a lot of help.

BONUS SUNDAY PROMPTS EXPLAINED UNDER THE CUT

TFC - May 5th While he may no longer be with us physically, TFC left behind him a legacy of quiet care and good humor, and Hermitcraft would not have been the same without him.

FRIENDS OF HERMITCRAFT - May 12th There are plenty of shows, podcasts, competitions, other servers, and more woven into the internet ecosystem around Hermitcraft, and plenty more people involved in them: just as a small number of examples, Season 9's Rift opened up to a whole server of Emperor friends, and there are always allies to be made in MCC and enemies to be made in the Life Series. Today is for celebrating all of those who, while they may not be Hermits themselves, exist and entertain in proximity to them.

FAVORITE "ALT" HERMIT - May 19th HoTGuY and Poultry-Man. Helsknight and Evil Xisuma. Renbob and - look, you get the idea. This server is full of theater kids ready to toss on an alternate skin and play into a brand new character at the drop of a hat. Who's your favorite?

GROUPS AND COLLABS - May 26th This month is all about one Hermit a day... but what we really love is when they interact with each other. What does your favorite duo or group of Hermits get up to together?

[end-otw-racism]

End OTW Racism: A Call To Action

A fan protest against the lack of action from the OTW on addressing issues of harassment and racism on AO3 and within the organization

This is a Call To Action for Fans of Color and Allies

AO3 has acknowledged that they have a harassment & racism problem that its parent organization, the Organization for Transformative Works (OTW), needs to address. Currently, people can use AO3 to harass others through fanworks, comments, and tags. Just a few examples include: racist Untamed “spitefic” that used anti-Indigenous slurs and was written specifically to lash out at fans of color; a Transformer fic that used its Black-coded character to reenact George Floyd’s murder in July 2020; someone naming a fandom scholar who criticized their Nazi omegaverse fic in the tags of the fic specifically to incite harassment to the scholar; writers using racial slurs against commenters who pointed out racism in their hockey fic; and so much more.

In June 2020, after the murder of George Floyd, the OTW committed to addressing these issues. It has been nearly three years and they have not yet implemented any of the changes they promised, other than a blocking/muting tool that was already in development before 2020. We need to hold the OTW accountable to their own promises. (See the section further down on “Why Are We Doing This” for even more detail.)

As fans, together, we are powerful. We are organizing to protest the lack of action on promises made by the Organization for Transformative works to deal with issues of racism and harassment on their platform, Archive of Our Own.

We call on fans to do any or all of the following actions any time between May 17 to 31, 2023 to send a message to AO3 and OTW that we will hold them to their promises.

On AO3

Change the title of ten (or more!) of your most recent or most popular fanworks to include ‘End Racism in the OTW’ in the beginning, and provide a link to this post in your summary or first/top creator’s note

Post a new fanwork any time between May 17th to 31st with “End Racism in the OTW” either as the title or at the beginning of the title. The fanwork does not have to be long - it can be a 100-word fic, a quick sketch, a podfic of a ficlet, a 20-second vid/edit, a short piece of meta, etc. In the summary or first/top creator’s note, provide a link to this post

If updating any WIPs with a new chapter, add ‘End Racism in the OTW’ to the title and provide a link back to this post in your summary or first/top author’s note

Update your AO3 icon using the profile pic graphic in our Social Media Toolkit

Plan to maintain these changes until May 31, 2023, or longer if you wish

Send a message to the OTW asking for an update on their 2020 commitments!

For Readers: leave encouraging comments on fanworks with the "End Racism in the OTW" title to show your support of this initiative.

On tumblr

Reblog this Call to Action with the tag #End OTW Racism

Update your profile pics and banners using the graphics in our Social Media Toolkit

Follow this account for updates and signal boost our posts

On Twitter

Follow @/EndOTWRacism (remove the backslash) and signal boost our pinned tweet

Update your profile pics and banners using our graphics, and change your display name to include #EndOTWRacism

Use sample tweets and graphics from our Social Media Toolkit to tweet about your fanworks, and use the hashtag #EndOTWRacism

Help us make this a long-term campaign - sign up to help with other anti-racism projects and future actions!

What Do We Want?

Since their June 2020 statement, OTW has been working on updating their Terms of Service (TOS) to address racist and bigoted harassment, but with little transparency and only the vaguest of updates. It has been three years since their commitment to this update - we want to see the results of their work implemented in the next 6-12 months. Their TOS updates and complementary policies should include:

Harassment policies that can be regularly updated to address both on-site harassment and off-site coordinated harassment of AO3 users, with updated protocols for the Policy & Abuse Team to ensure consistent and informed resolutions of abuse claims

A content policy on abusive (extremely racist and extremely bigoted) content; by abusive, we are talking about fanworks that are intentionally used to spread hate and harassment, not those that accidentally invoke racist or other bigoted stereotypes

These points are not particularly new and are not our own innovation; please refer to Stitch's article written over two years ago, asking for several of these very things.

OTW has also already committed to various process-based actions for longer-term works towards centering antiracism, including hiring a Diversity Consultant. The last update that OTW published said that the consultant would be hired within the next five years (after already having had three years to work on it since their original commitment). That is not soon enough. We want to see the following process-based actions implemented:

Hiring a Diversity Consultant within the next 3-6 months

Committing to a policy of transparency on this topic, with quarterly updates on the progress of these projects including challenges and their plan for overcoming those challenges. These quarterly updates should be published on OTW News page and newsletters, not solely discussed in Board meetings

Why Are We Doing This?

16 years ago, Astolat famously published her manifesto calling for a fandom Archive of One’s Own. In that time, AO3 has grown to be a central pillar of fandom, likely far outstripping its founders’ original vision. It is more than just an archive now; it is a central hub of the modern fannish experience. AO3 and the OTW must continue to grow and evolve with fandom over time to remain a healthy and functioning pillar of fandom. To that end, there are several areas in which the organization, as it admits itself, is lacking.

In June 2020, in the wake of the George Floyd protests and the uprising of the Black Lives Matter Movement, The OTW published a “This Week in Fandom” referencing the works of Dr. Rukmini Pande and Stitch, among others in which they discussed ‘making change for a better society’ through ‘conversations about race and racism’. In response, Dr. Pande and Stitch submitted a letter to the OTW calling for a more formal public statement than an offhand reference in a News Roundup that only served to call for thoughts and discussion without any indication the organization intended to do anything, policy wise, to address the issues being raised.

Eventually, the organization did remove the references to the works of Dr. Pande and Stitch and then made an official statement on the issue of racism within the organization and AO3. In it, they identified several things they would be prioritizing to combat harassment and benefit users. Some of those have been implemented (notably those that were already under development). However as of this writing, little else has been done especially in regards to:

Improving admin tools for the Policy & Abuse team

Reassessing the current mandatory archive warnings with the possibility of implementing others

And, most importantly, reviewing the Terms of Service (TOS) to allow the Policy & Abuse team to address harassment that is currently not covered by the existing TOS

By their own admission, the current tools and policies of the OTW are not sufficient to deal with issues of harassment and racism.

Several people who were involved in the founding of the OTW, including previous OTW Board members and staff on the original OTW Content Policy Committee, acknowledge that the founding of the OTW in 2008 and early board iterations failed us as a fandom by not doing enough, and by not even considering the way racism is perpetuated in fannish spaces, despite a long history of racism in fandom.

It has been nearly three years since the original commitment by the organization with little visible, measurable progress on these three crucial issues and a complete lack of transparency on where they are in regards to even beginning to deal with these issues. In fact, in Q&As, it was heavily implied by a member of the board that those calling for OTW to deal with issues of racism (which OTW had already acknowledged as a problem!) were not really fans but outside agitators.

This has cast significant doubt on the organization's sincerity and commitment to their stated goals, and on their position as leaders of a central fan tent-pole. Fans of color are not outsiders. They are right here, members of our community, and they are being harassed and targeted and driven out while space and platforms are being given to racists.

We, as fans of color and our allies, find the current state of fandom and current actions (and lack thereof) unacceptable. Fandom is our space, all of ours. We, as a fandom, have a right to a racism-free space and have a duty to our fellow fans to create that space. Unlike so much of the world, this is a space we can control and make better. It is a space we must make better. To read even more about this movement, visit our FAQs.

[fuckyeahgoodomens]

Is it really right to just carry on as before and pretend that nothing has happened?

Hiya. No.

I think everyone needs to think whether they are capable of separating the fandom and Neil Gaiman.

I could tell you to consider that Good Omens is also Terry Pratchett, David Tennant, Michael Sheen, all the people from cast and crew and people connected with various other editions.

But the thing is, that fandom are fans. It is all those wonderful people making fanart, fanfics, videos and all kinds of impossibly brilliant fanworks. It is people meeting each other whether in person or virtually and admiring each other cosplays, telling each other that they see Good Omens references in real life everywhere and being supportive of each other.

The first Ineffable Con was in 2019 in UK and I wasn't able to visit and in the following years it was (because of covid and to be internationally accessible) only online - this year being the first one it its hybrid form. I was there in person and met dozens of absolutely wonderful people. And that helped me with decision to stay in the fandom.

So no, don't pretend nothing has happened, but it doesn't mean that you have to leave the fandom - a place that you may consider your safe space - either.❤

-

If you don't know what I am talking about or are still in shock... I've been in shock for weeks, trying to hope that for some reason the Neil Gaiman allegations of sexual assaults are a bad dream, a misunderstanding, a conspiracy or me just being kidnapped by aliens and returned to a wrong kind of reality. So it took me a month before I was able to gather myself to scourge the internet for info. Unfortunately all points to that yes, Neil Gaiman is a sexual predator. Using his fame to lure in young women or groom them, manipulate, use and hurt them and using is money and connections to avoid any consequences. It all points to that his bumbling funny persona is actually a front and he is actually a very smart man, using his charisma and eloquence to persuade people of all kinds of things, posing as a feminist and ally so it would be harder to speak against him. Yes, it fucking sucks.

Anyway, this is a good page to catch up on the things.

[falseficus]

if i may play the devil's advocate for a moment -- it doesn't really bother me that most of the fan posting around disco elysium on this site is more focused on the emotional aspects of the game than the political ones. i mean, firstly, it's well-acknowledged that fanworks tend to fill the gaps of unexplored potential in the original work -- ie, envisioning darkness in lighthearted works, re-imagining dark works as lighthearted. a lot of the emotional or relational aspects of disco elysium are left ambiguous, abstract, or at the very least dependent upon player choice and interpretation. this renders them fertile ground for speculative art. by contrast, the game's political statements are, if you have the context to analyze them well, complete. there simply isn't much more to say.

beyond that, those political aspects are also leagues ahead of many other pieces of media in terms of their complexity, nuance, and real-world analysis. that's part of what makes the game so great, and i do think may fans understand that. but, to be honest, being capable of engaging with those aspects of the game (just glance at reddit, and you'll see that many fans don't even reach that level) does not mean that fans are capable of generating that level of work themselves. like, it's simply more mental work to come up with a piece of creative art/writing that expands upon the superb worldbuilding and commentary of DE than it is to write about harry and kim getting goopy nasty. people know how to do the latter because it is a commonly exercised muscle of fandom. the former is almost academic.

that doesn't mean people *shouldn't* engage with the political aspects of the game generatively/creatively. but also... like... maybe it's better this way. seriously, look at reddit, guys. the DE subreddit is full of people *attempting* to engage with the game politically, and the analysis they're putting out is hot steaming dookie. i lose brain cells every time im forced to read another take that earnestly assumes the game positions moralism as the Right and Good Choice for Revachol. on tumblr, analysis is generative, practiced through art/fanfiction... and if i had to see the type of shit i see on reddit on tumblr in the form of fanart, id kill us all.

so anyway, i dont think the fanwork hyperfocus on relationships/emotion indicates that people aren't properly understanding the political points of the game, but simply that those points are much harder for fans to process in a generative way. their underrepresentation in fanwork doesnt particularly indicate anything about the way people are actually receiving and understanding the themes of the game.

except for the people inexplicably clogging the tag with jean viquemare. they do not understand the game and will not see the light of heaven

[orfisheus]

The Problem With the Eddsworld Fandom's Depictions of Red Leader/Future Tord, A Disabled Perspective

Disability is a contentious concept for most of society, with most either treating us with disgust, confusion, refusing to treat us as human, or to see our struggles as what they are. Ableism affects all people in many different ways, but as someone who focuses a lot of my energy in fandom spaces, the pervasiveness of ableism with how media and their fans interpet and react to disabled characters is a very personal situation for me. While many may argue that an ignorance to these topics in fiction has little bearing on real life, the prevalance of these tropes have echoed and led to feelings of othering for many disabled people, and oftentimes support the same notions that lead to the day-to-day ableism in our own personal lives.

In recent years, I have experienced this most often with the prevalance of negative disability tropes perpetrated by fanfiction surrounding the character of Tord, also known under the alias of Red Leader in some fanworks. It is a problem not just common in the Eddsworld fandom. A more recent, and much larger fandom in Mouthwashing also shares a common trend of repeated ableism in fan depictions and interpretarions of disabled characters. Most fan creators are unaware of these tropes and the harm that they cause, but as a disabled person, I am unable to ignore it.

For context on myself, you can call me Fish. Get it? Or"fish"eus? I like to think I'm funny. I am a mentally ill, disabled, and neurodivergent creative who has niche interests in representation in media and the intersection of intersectionality and fandom spaces. I experience chronic pain due to a multitude of conditions, all of which are invisible disabilities. I am NOT an amputee or have a facial difference, like the character I am analyzing. I can only speak based on my own research in my attempts to portray him positively, but I want to mainly focus on the ableist tropes I see and the real life effects they have. That is something I CAN focus on, because I've been dealing with it for years from conditions that came onset later in my life. I will be speaking from that perspective, but will be doing my best to try to educate on what I do know from my research to help authors, artists, and creatives create a better portrayal of him in fanworks.

The most common tropes I see with him are what I will call "The Disabled Villain", "The Innacurate Disability", and "The Ignored Disability". There are a few tropes in each, but for ease of organization (and the sake of your (and my) time), I will be talking about them together in these sections. There are also overlaps in many, but I will define the main issues with them.

The Disabled Villain

James Bond, Wonder Woman, The Witches. You name it. You have most likely seen this trope at work in cinema. A malicious evil-doer is revealed to have a "horrid" face symbolic of the true evil within their soul, while the beautiful, able-bodied hero is meant to stop them. It's a trope as old as time, one that goes back to even Plato. Tropes are tropes, people subvert them, so a few cases down the line may be excusable. But that has not been the case For many years, the most prevalent form of representation for disabled people was in these villains. Imagine if the only representation you had for yourself was narratives surrounding how the way you look or what your disability is and have it only be equated to evil people. It leads to a villainization of disabled people. People react to facial differences with disgust, because they are "shown" that it is "evil", or "ugly", or equal to being a horrible person. As stated by The Nora Project, "According to the book Disabilities: Insights from Across Fields and Around the World, disabled students are two to three times more likely to be bullied in comparison to their nondisabled classmates. The disabled villain trope contributes to this phenomenon in overt and subtle ways. For example, the trope implicitly encourages fear of disability and difference, while validating, and even elevating, those who fight against the evil, Disabled Villain. Bullying based on fear and disdain is almost a natural consequence of the trope when viewed in this light". Another big issue is that disabled characters have not been given space to exist outside of villainy. There are not many complex narratives surrounding them. This leads to our disabilities being downplayed, us being dehumanised, and we are seen more like props in real life, or simply tools to achieve a message in a narrative.

Tord's disability is never explicitly shown in the show. It is something more prevalent in Fanon, specifically in fanworks that focus on the "Future" era of the show's timeline, where the narrative and outside discussions on the show implies a high tech society, potentially dystopian, potentially a consequence of his actions. These ideas have taken a life of their own in the fandom, with many creators fully expressing these ideas. The problem arises when Red Leader falls in line with this trope. In many works, he is the sole disabled character, a figure of pure evil, or given little nuance in the narrative. Artists illustrate his scars as bright red, crimson, or, in TBATF, green. For some reason. In this way, they attempt to highlight the villainy by equating him with common symbols of evil: facial differences and disabilities. Unfortunately, these are not just symbols. These are conditions and scars that real people have, which the fandom tends to ignore in favor of dramatization.

This was a trope I most commonly saw explored in fanfiction when I first joined in 2016/17. The show, unfortunately, subtly and accidentally perpetrated it by having the only character visibly and irreparably "damaged" by the giant robot fight be Tord, despite the fact that Tom, who had a whole missile directed at him and got buried under a house, was fine with at most a leg injury and a cut on his arm. Luckily, we have grown past the need for ableist tropes, and the faults of the show can be left in the past!

... Not.

Disability tropes have simply evolved in how the fandom treats Tord. Even if it is now done with more consciousness and sympathy towards his character, ignorance still prevails. Let's talk about common pitfalls people fall into when writing him.

The Inaccurate Disability

In fanon perception, Red Leader is an amputee with a high tech prosthesis and a facial difference resulting from burn scars. Like many disabled characters, he suffers from a collective fandom lack of research. But never fret! That is what I have subjected myself to for the past four years, so your friendly neighborhood disabled Fish can tell you how to right your fandom wrongs! Just kidding! Take this as a pointer, and do your own research.

As is common with fictional prosthetics, his arm prosthetic is treated as a perfect fix for his amputation. It acts just like, if not better than an actual arm. The issue with this is that is isn't realistic. Yes, I know, I'm criticising Eddsworld fanfiction for not being realistic. STAY WITH ME HERE. Once again, if it was one instance, or a few, that explored prosthetics being incredibly functional in science-fiction, then it could be a cool concept. But when every sci-fi work has it, then that is no longer a concept. That is a misconception. And I have interacted with people who believed that prosthetics were 100% functional! The thing is, like all disability aids, it does not suddenly make us able-bodied. For example, I have ear defenders that I wear when I experience pain within my ears. But that does not mean my hearing will now become normal, and I will no longer experience pain from the sound I'm hearing. What WILL happen is that I will straight up not hear you. Like, literally. Can you repeat that? I had my ear defenders on. Oh, you're saying that my ear defenders aren't prosthetics and are not a fair comparison? Well, that's fair, but take this as an illustration of a disability aid and how they differ from able-bodied experiences. Also, many prosthetic users do many things without their prostheses, and some even prefer NOT to wear them. Blogs that explicitly cover disabled representation, such as @/cripplecharacters, have posts that cover WHY many amputees are not fans of this trope. The problem comes with that it erases disability, and yet also treats us like we are given a space at the table of representation. It's just another way that authors avoid actually doing research.

Other things that people tend to ignore are how burn scars, or any scars, would not only appear on a character, but also affect them. I have seen, aside from skin tones that looked like they were picked out of a crayon box instead of what would appear on a person, teeth exposed, wounds that look as if they are fresh from the explosion YEARS after they occurred, and what I like to call "paper shredder" scars. Because instead of them looking like burn or shrapnel scars, it appears as if his skin was put through a shredder. Once again, another consequence of the show's at most-30 second scene with questionable decisions that made massive ripples in the fandom. With the injuries Tord received, it is most likely that he would have two kinds of injuries: a burn on 18% of his body (minimum, based on rule of 9s), and/or shrapnel scars from debris. While shrapnel scars would manifest as darker scars, the burn scar would likely be a hypertrophic scar, as "70% of patients develop hypertrophic scars following burns" (Finnerty et. al). The scars, when healed, are warm toned on the boundaries of their areas and cool in between. When on a pale skintone, they are not too dissimilar, and would therefore not have such a drastic color difference as seen on skin. They would also not go down to the bone or skin, as that would be a completely different kind of injury, and are also commonly done to make him look "scarier", which then aids the Disabled Villain trope. It also treats these scars and injuries more like a work of fiction, rather than something that many real people have experienced, adding to continuous misinterpretations of real life disabilities and facial differences.

For writers wanting to include consequences of burns, what would be more likely to be affected are his hearing, vision, and nerves on the right side of his face, as burn scars can go as deep as nerve endings. Also, burn scars, especially third degree burns, require treatments, such as burn-specific skincare. Scars, especially burn scars, can affect you and become disabling. For artists, the main thing I don't see artists do is draw him with damaged hair follicles. Burn scars damage the scalp and eyebrows, preventing hair growth. I am sorry, but he would not still have fluffy, luscious hair. Do not kill me. He just wouldn't. And if you are saying that he had it in the show, I can't hear you because my ear defenders are on, but I hope you heard me, as we've gone over that the show is inaccurate and we should do our own research.

Even well intentioned authors and artists ignore many aspects of the disabilities he would likely have!

Which brings us to the last trope...

The Ignored Disability

Many well meaning people intend to give him nuance by trying to avoid the Disabled Villain trope. Accidentally, however, they end up completely ignoring his disabilities instead.

Just like the high-tech prosthetic, the real disabling aspects of having a disability are at best rarely mentioned. I have seen, in some fanworks, that he goes straight from amputation to having a prosthetic. And that is where his disability ends. Because the prosthetic ends up being a fix-all situation. Authors refuse, or forget, to include aspects of amputation, such as the healing process, stump or phantom pain. Artists will cover up his scars with a helmet or a mask, another trope that undermines his disabilities and attempts to brush it under the rug. I understand that there is a discomfort for able-bodied authors in thoroughly exploring how a character feels about their disability. That is something I think we should. Avoid. If you're not familiar with the experience of being that minority, you do not need to add commentary on it. And if you do, and it just falls into more negative tropes, I will send a salmon cannon at you (/j). However, I do not agree with brushing every disabling aspect of his life under the rug.

People can assume it's not a problem, like it isn't something blatantly apparent. But, if you assume that disability and being disabled is not a "big thing", you end up where your medication is denied because your insurance refuses to see your common procedure as not a necessary medical intervention because you're "too young". And that is not fiction. That is what inspired me to write this essay, because the day that I got that news was the same day I sat down and told myself that I needed to share my perspective on the perception of disabled characters by honing in on one of my favorite characters and how the fandom treated him.

Disabled characters deserve to be included in media, disability and all, with care given to how their life would operate as a result and what they would experience with their specific disability. That's why many people recommend sensitivity readers who can give proper insight upon that disability and can advise people to properly portray it.

But if you cannot afford or access that resource, what can you do?

Fish's Non-Cohesive List of Ways I Tried to Write Tord as a Non-Amputee Without a Facial Difference

Do research!! The more you are to try to understand what you are writing about, the less you are to misinterpret or misrepresent it.

Look into resources that focus on portraying disabled characters, especially with those you wish to write about. Read blogs, research tropes that are common in disabled characters, and hell, read medical journals. They can provide great insight (<< nerd who likes reading medical journals)

Include more disabled characters. Make the other boys be disabled! Want to be canon compliant? Create OCs who have disabilities! I have a bunch! It's 2024! Be cringe and be free! The character's disability would go against the traditional narrative form of "usefulness"? I'm an animator who can't wear headphones and a theatre performer who can't physically handle the volume of a band. And yet, we find ways to persist, to exist. We will always find our way to live in the way we want to, in whatever way we can.

Look into disability activism. Learn the difference between the Medical Model and Social Model of disability. Know what an invisible disability is. Listen to us when we say that we don't want to be treated as special or an inspiration for simply living (inspiration porn). The more you are aware of what we struggle in real life, the more aware you will be to not repeat those mistakes in your fiction.

Write what you can. Highlight little talked about aspects of having a burn scar or being an amputee, such as the recovery, or treatment for the chronic pain, or how different he would be in battle due to decreased depth perception. As a disabled author, I have personally touched on the experience of gaining a disability later in life, and how he copes with it. Now, not all of y'all can do that. But that is a personal experience I do have, and it is something I have highlighted in my own work. So, while I couldn't tell you the ins and outs of having a burn scar or a prosthetic arm, I could describe the shock and frustration that comes with suddenly experiencing difficulties, or even being unable to do what you had done before.

I ask that, if you are willing to do better, or to start on the right foot, you take what I have written, reflect on it, and treat disabled characters, and in turn, disabled people, better from here on out.

Fiction is not reality, but the way we deal with it is reflective of who we are and what we believe. The boundary for our own personal being does not suddenly stop within fiction. When we interact and interpret it and create for it, it is integral that we remain conscious that bigotry runs rampant, albeit often as an unseen force, within fandom spaces, and do our best to counteract that.

I have doubts that the new eddisode will treat this topic with the same respect. I hope you can all go forward with what you have read in this WAY LONGER than I expected essay, and do what those grown British men cannot. Even if they erase it, retconn it, or do not treat it with respect, let's all go forward and do better!

As for always, you can discuss more in the tags or my inbox!

I hope you have a wonderful life,

Fish

[byler-week]

BYLER WEEK MASTER LIST - DAYS INFO, ETC.

DAYS : july 8th to july 14th, 2024.

RUN BY : Andy4Yippee and AidyAiden on MAIN

INFO : youre given a noun, verb, and adjective. These are for fanworks. You may use them all and post separately, combine them, or just use one, or two, whatever you please. Youre also given colors, these are for fanart, or moodboards. Theyre not needed, simply encouraged. There is also a AO3 collection.

SMALL FAQ SECTION

how do i do this?

Make any fanwork, post it, using the tag #bylerweek2024, and tag me, @byler-week so i can see and reblog your fanwork!

whats aloud?

Fanfictions, art, graphics, gifs moodboards, playlists, videos, edits, whatever kind of fanwork you want to make! As long as its fanwork:)

Whats this for, generally?

Its to share fanart and our love for a sub-plot/ship in a show! A lot of people really, really love byler, its important to them— and i appreciate sharing fanwork amongst ourselves! Can i do NSFW?

preferably, no. if you do, please age them to the age of consent. do whatever you'd like in the privacy of your own phone, but here, you must age them up.

Can i do HEAVY Angst?

yes! Its welcomed. Just put CWs!

If you have any other questions, please, message or comment! Thank you,

- Xander

IMPORTANT. IMPORTANT ADD ON!

-> Byler week is taking place on SHARK WEEK. You can draw them as SHARKS ANY DAY OF THE WEEK. This is totally acceptable now that we know the information.

[the-terror-rarepair-month]

Did you miss Rarepair Week last year? Well, I @p0rchc0ll4ps3 and @theremustbeabear bring you Rarepair Month 2025, which is basically the same as a weeklong fest but monthlong instead! Hoping to encourage more fics, longer fics, more art, etc!

This is an all-fanworks-invited month to celebrate Terror ships with under 50 tagged fics on Ao3 as of February the 1st, 2025! This year's theme is "The Way It Goes, Goes Differently with Each Cycle of the Sun."

This is an 18+ event! All participants must be 18+ to participate. No exceptions!

Starting on February 1st, 2025 you can post your fics to the Ao3 Collection HERE or your fanworks to Tumblr or Twitter or whatever Social Media with the tag #trpm25 (but I'll only be able to reblog the Tumblr ones). (also idgaf if you make anything beforehand so long as it's posted after February 1st).

Join our general Terror Discord HERE! We have a channel for the event.

Additionally, feel free to request pairings through this Google Forms link HERE (one request per submission; please don't request the same pair more than once per person. everyone can see you. we'll shame you). This form sends responses to a Google Sheets HERE. Feel free to check the out the stats for the requested pairings (there's a chart on the far right, scroll right)! Please ignore the animals (you'll know when you see them on the sheet), they're load-bearing and I'm afraid things will break if I remove them.

FAQ:

Are you affiliated with Terror Rarepair Week of Years past? --Nope! Just excited to take on the mantle. (And I did check if I was allowed to take it up before starting this!)

What counts as a rarepair? --The pair (or more) must have less than 50 tagged works under the Terror (2018) tag on Ao3 as of February 1, 2025. The pairing MUST BE the main part of the fanwork.

What counts as a ship? --Two or more characters get together. Throuples and beyond count!

Can the ship be platonic? --Absolutely! Both Romantic (/) and Platonic (&) ship pairings are allowed.

Is there a word limit? --Nope! However little or much as you like. We do challenge you to write 1k or more, however!

Can I do art? --Absolutely, MOST welcome. Any type of fanwork is acceptable!!

Must I follow the prompts? --Nope! Prompts are just there to inspire you. Any part of the prompt [Location (sub-location); 3 different options provided] is allowed to be used!

Does it have to be during canon? --Nope! Post-canon, during-canon, AU, anything goes!

Can I mix this with other events? --Absolutely! You can mix this with any other event co-occurring during the month of February so long as that event allows mixing as well.

Can I do OC x Canon; or Crossover x Canon? --Preferably not! I'd like to keep the fanworks to within the general Terror pool.

Can I do RPF of the actors? Or RPF of the real people the show was based off? --Sure, why not. Go for it. It's within the general Terror pool!

Can I submit throuples (3 in a ship) to the request form? --Absolutely! Anything from 2 or more counts. Poly is totally cool!

Is the form required to be filled out? --Nope! You can do whatever you want forever; the form just gives everyone an idea of what's going on.

Can I submit NSFW to the request form? --Yep! But remember, all the prompts will be in one place; there's no separation of SFW and NSFW, and there's no content warnings. Your prompts will be public!

My ship is already on the request form! --Submit whatever your heart desires. The form and its subsequent chart helps track how popular a desired rarepair may be!!

I can only submit one ship to the request form! --You can fill the form out multiple times; but only 1 pairing per submission per person! PLEASE don't submit a ship more than once per person, that's cheating, and we'll hunt you down for it.

Must I follow / pick only from the requests form? --Nope! The requests form is just there for fun to give you an idea of what ships people have been thinking of / a fun challenge if you want to try something different! You're not assigned anything.

Okay that's all, enjoy!

Prompt transcription below the cut.

Week 1 (Jan. 31–Feb. 6): KING WILLIAM ISLAND (On the Shale) Won't Be Coming Home — Wish You Were Here — It All Goes Dark

Week 2 (Feb. 7–Feb. 13): HMS TERROR & EREBUS (In the Water) Shared Interests — Stolen Glances — Fate

Week 3 (Feb. 14–Feb. 20): CARNIVALE (On the Ice) Rescue — Finding You Again — Home

Week 4 (Feb. 21–Feb. 28) LONDON (In Our Dreams) Can't Sleep — Seeking Warmth — The Sky Alight

[kataang-week]

Trick or Treat, Kataangers!🎃

Katara and Aang sprites from Distant Horizon. Graphic created by Mod Belle @itsmoonpeaches.

🦇What is Kataang Halloween?

Kataang Halloween is a one-time, three-day mini-event hosted and created by @kataang-week on Tumblr for the first time this year. (However, there is potential for it to happen again in the future.) Kataang Halloween celebrates Kataang with a Halloween theme. All prompts were chosen by the mod team.

🦇Cool, when is it?

Kataang Halloween starts on Thursday, October 31, 2024, and ends on Saturday, November 2, 2024.

🦇What are the prompts?

In honor of Halloween, we're using lucky number 13! There are 13 prompts for each adventure.

"Trick" prompt list:

Old Spirits

Family Secrets

Altered State

Moonlight

Teeth

Demon Claws

The Deep

Offerings

Inner Palace

Lost

Grotto

Cliff Edge

Poison

"Treat" prompt list:

Taffy

Candied Haws

Lanterns

Mid-Autumn

Mooncake

Crunchy Leaves

Warm Drinks

Pumpkins

Chrysanthemum

Sharing

Toadstools

Apple Picking

Paint

🦇So how does this work?

Choose your own adventure! You can take inspiration from the Trick prompts, Treat prompts, or both! Feel free to mix and match prompts to create spooky and/or sweet Kataang content.

Anything you can think of counts as content as long as you fill one or multiple prompts at a time. Fanfics, fanart, gifsets, metas, edits, playlists, moodboards, music, etc.—the sky's the limit.

🦇What are the rules?

Please create your own original pieces. We do not accept AI-made fanworks.

We only accept new works created for Kataang Halloween, not works that are retroactively said to be created for Kataang Halloween. However, you may create something that fills a Kataang Halloween prompt for an ongoing work like a chapter fic or an ongoing series. See this ask for more information.

We accept all range of works. However, bear in mind that this is an all-ages event. If your work contains themes or imagery that may be intended for older audiences, tag and warn people thoroughly. Works with adult content must have an all-ages appropriate preview.

Do not repost other people's works. Reblog their original post if one exists.

If a creator/author/artist has requested you to post their work for them, remember to credit the original and link back to their page.

Be respectful in your fanworks and to others participating or enjoying the event.

🦇How should I tag my work?

The easiest way for us to find your work so we can reblog it to this blog is by using the tag “kataang halloween”. Using “kataang” and “kataangtag” also help. You must tag one of the three in your first five tags otherwise it doesn’t appear in the search. It is also helpful to tag us directly with @kataang-week.

Sometimes even properly tagged posts may not appear when we search the tags, so if you do not see your content reblogged, please let us know.

Once we’ve reblogged it to this blog we add our own tags (a prompt tag and a user tag) for easy organization. This means we can find all the work for one prompt or all the work from one user in one easy click (this also means that if you have changed your username since participating last year you need to let us know so we can update your tag!).

🦇Can I post my stuff other places online too?

Of course you can! However, we won’t be able to reblog anything that isn’t a Tumblr post.

For those of you who will be posting your works on AO3, feel free to add your fic to our Kataang Halloween AO3 collection.

🦇What if I have late submissions for Kataang Week 2024?

While we will not reblog any late submissions for Kataang Week 2024 during the Kataang Halloween event, late submissions for Kataang Week 2024 will still be accepted up until Kataang Week 2025, so don’t be shy and don’t worry about giving the world more Kataang content 💖 We always welcome it!

As always, if you have any questions, feel free to submit an ask to the Kataang Week blog. See you on Halloween, Kataangers!

🦇Who are the mods?

@airbender-dacyon AKA Mod Dan: A Kataang fanfic writer who prefers fluff, but also loves some drama and angst. Mod Dan started writing Kataang stories in 2013 and has helped organize Kataang Week since 2016.

@penguinsledder AKA Mod Atarah: A writer, gif maker, and musician–she enjoys fluffy young adult Kataang and all the ways they complement and parallel each other. She first joined Tumblr for Kataang Week 10 years ago, and started helping out with writing posts and making banners as a mod since 2016!

@itsmoonpeaches AKA Mod Belle: An avid Kataanger with a penchant for angst and mild violence who likes writing. Mod Belle has been a mod since 2021 and helps write posts and social media.

@chocomd AKA Mod Celes: Fanfic writer who adores Kataang for their fun and flirty side but also their bond forged through grief and loss. Mod Celes joined in 2023 and helps with a little bit of everything - whatever needs to be done!

[fourormore]

FOUR OR MORE 2024 FICATHON

[Image description: A polyam flag with the words “four or more fic-a-thon” on it. End description.]

AO3 COLLECTION

[CLOSED] THIS EVENT HAS FINISHED. WE ARE NO LONGER TAKING PROMPTS BUT OUR COLLECTION WILL REMAIN OPEN FOR LATE ENTRIES.

It is here! The inaugural event for FOUR OR MORE is live. A ficathon designed to get more fic featuring relationships with four or more people out into the world! Inspired by the Rarest of Rairpairs ficathon, this first event will run from August 15th to October 20th.

GUIDELINES

- Any medium! Any rating! As long as your work focuses on a relationship with 4 or more people, it's allowed! - No minimum or maximum but fills must be complete. - You don’t have to fill something to leave a prompt. The more prompts, the merrier! - Prompts must be for relationships featuring 4 or more people. - You may link to the fill if it is posted elsewhere. Warnings are not mandatory, but you're free to include them if you wish to do so. - You may combine these with other events, as long as the other event allows it. - Small fandoms welcome! - Don't forget to comply with the community guidelines.

Prompts can be found in the comments of the official DW announcement.

FAQ

Q: What kind of works am I allowed to submit? A: All type of fanworks are welcome! Fics, art, podfic, meta, you name it. As long as the main relationship features 4 or more people, it's allowed.

Q: I don't have a Dreamwidth account. Can I join? A: Of course! You don't even need an AO3 account if you wish to post only on tumblr.

Q: My work contains [INSERT WARNING HERE]. Can I still participate? A: Yes. This is a CNTW (Choose Not To Warn) space. Feel free to tag us in your posts #fourormore or @/fourormore and we will reblog your post.

Q: I don't want to see [X] content, can you please remove it? A: No. The only content that will be removed will be that that does not comply with the rules. You can ask us to tag a certain topic for blacklisting purposes and you are more than encouraged to do so, but remember that you can always unfollow if some content upsets you.

RULES

ALL works must feature a relationship with 4 or more people as its focus. All configurations are allowed.

NO LIST

The following posts/comments will be removed from the collection, as they're outside of its scope. - Monogamous relationships (I think this is obvious) - Works that focus on OT3s (may I suggest sharing it with @polyamships instead? - RPF featuring non-famous minors (I will not be checking this because I simply do not have the time, so it'll be on the honor system. Please don't abuse the honor system. I don't want to be removing works just because)

[sonicenvy]

Let's have a chat about AO3

Hiya friends and loyal followers! My last post about AO3 blew up yesterday so I figured now would be a good time to continue the conversation about AO3.

As I mentioned in my previous post (and probably in multiple other previous posts):

AO3 is NOT a social media site. AO3 is an ARCHIVE.

So let's delve into that a bit more since people don't seem to be getting that. Fanfiction predates the internet, and was transmitted via the internet way before sites like AO3 and FF dot net. Relatively speaking, I am a fanfiction newcomer, as I first started reading fanfiction in ... 2011? or thereabouts. I say this to say that I obviously don't have as personal of a memory of a time before fanfiction archive sites (my bitty fan experiences were on teaspoon and lcfanfic), but I certainly know plenty of people via fandom online that absolutely do.

For the newest children to fanfiction please check out the following pieces of reading to get started on your fandom history education:

“Fanfiction.” Fanlore Wiki. Accessed June 15, 2023. https://fanlore.org/wiki/Fanfiction. Archived [https://archive.is/yJpOq].

“So I’m on AO3 and I See a Lot of People Who Put ‘I Do Not Own [Insert Fandom Here]’ before Their Story.” sonicenvy.tumblr.com, July 2, 2016. https://sonicenvy.tumblr.com/post/146818589611/mikkeneko-thepioden. Archived [https://archive.is/FRNCy]

ofhouseadama, Emily. “A Brief History of Fandom, for Those on Here Who Somehow Think Tumblr Invented Fandom.” sonicenvy.tumblr.com, May 21, 2014. https://sonicenvy.tumblr.com/post/131935827010/ofhouseadama-a-brief-history-of-fandom-for. Archived [http://archive.today/j2Rfq]

mizstorge, fantastic-nonsense, and fanculturesfancreativity. “The Places Fandom Dwells: A Cautionary Tale.” fantastic-nonsense.tumblr.com, June 29, 2017. https://fantastic-nonsense.tumblr.com/post/162395547190/the-places-fandom-dwells-a-cautionary-tale. Archived [https://archive.ph/QK2wI]

As you read through this stuff, three things should become apparent to you:

Fanworks have always existed in tenuous space -- that is, they have always been under threat of removal, or threat of loss, whether this loss was through events like the livejournal strikethrough, the loss of a fandom specific website, destruction of physical copies of the work, or C&D/legal action from original creators of the work.

Fandom has a long and colored history with many of the most defining events of early fandom history being related to threats to the community.

A need was ripe for a place to save and ARCHIVE fanworks and protect them from deletion, legal action, corporate sanitization efforts, site deaths due to the deaths of admins, etc etc.

Out of all of this, comes The Organization For Transformative Works (2007), and their brand new site Archive of Our Own (2008). The stated intention of Archive of Our Own (AO3) (bolding mine):

The Organization for Transformative Works (OTW) is a nonprofit organization, established by fans in 2007, to serve the interests of fans by providing access to and preserving the history of fanworks and fan culture in its myriad forms. We believe that fanworks are transformative and that transformative works are legitimate. We are proactive and innovative in protecting and defending our work from commercial exploitation and legal challenge. We preserve our fannish economy, values, and creative expression by protecting and nurturing our fellow fans, our work, our commentary, our history, and our identity while providing the broadest possible access to fannish activity for all fans. The Archive of Our Own offers a noncommercial and nonprofit central hosting place for fanworks using open-source archiving software.

Source: Works, Organization for Transformative. “Archive of Our Own Beta.” Archive of Our Own. Accessed June 15, 2023. https://archiveofourown.org/about. Archived [http://archive.today/QYtbM]

You may also want to check out the original LiveJournal Brainstorming sessions for AO3 by astolat as archived here [https://web.archive.org/web/20220627134339/https://astolat.livejournal.com/150556.html] if you need further clarity on this point.

Some neat stuff from astolat's original posts that I find are relevant:

making it easy for people to download stories or even the entire archive for offline reading (thus widely preserving the work in case some disaster does take it down)

code-wise able to support a huge archive of possibly millions of stories.

allowing ANYTHING -- het, slash, RPF, chan, kink, highly adult ...

As we can see both from the mission statement of OTW/AO3 and from astolat herself in the brainstorming sessions, AO3 is an ARCHIVE. It is a project that is meant to preserve and provide access to fanworks. Run for fans, by fans and meant to host any and all kind of content with none of the commercialization or censorship that fans found elsewhere. Before AO3 there were certainly numerous, disconnected, fandom specific archives for fanfiction or other fanworks. Many of these old sites have been archived (see we're getting that word again) via the opendoors project. Some, like teaspoon or lcfanfic still exists and are semi-active.

A common thread is that writers and readers weren't just using the archive site to connect. They were doing more connection through other sites like dreamwidth, livejournal, facebook, their emails and later tumblr or twitter. Archive sites were meant as a supplement to other fan spaces like message boards, blogs and journals.

So, dear friends, you might ask, what is an archive?

An archive is a place where documents, artifacts and records are kept and preserved for future reference, use and access. Archives help us maintain a better understanding of the past and protect objects, writings, documents, records and more in longevity. In the context of fanwork archiving, this means preserving fanworks in longevity/perpetuity so that fans can continue to access them for enjoyment and for historical purposes. Archiving fanwork is vital to preserving and, indeed creating fan culture and identity.

To read more about archives in general, check out this article from the American History Museum of the Smithsonian (https://americanhistory.si.edu/archives/about/what-are-archives) or this one from the US National Archives (https://www.archives.gov/about/info/whats-an-archives.html).

So AO3 is an archive. Why does this matter?

Oh, boy, I am about to get LIS nerdy on y'all. At this point in the post we can all agree that AO3 is and always has been an archive (it's in the name...). When we view and understand the site starting from this premise, a lot of, frankly stupid as fuck arguments that people have about AO3 look even dumber. Understanding AO3 primarily as an archive helps us understand:

The tagging system. Given AO3 is an archive, the tags for content on the site function exactly the same as headings in a library archive. They are designed to store information about the fic (that is, they are intended as metadata) which is then used to find the record of the fic in the archive. This is why it is important to tag what is in your fic, and to use tags properly, using the agreed meanings of particular tags.

The kinds of content that are permitted and excluded under TOS IV. The archive permits fanworks, which include: fanfiction, fanart, podfic, and fan videos. The archive thus excludes things that are not fanwork (records with no content (aka "placeholder fics"), posts asking for writing prompts or submissions, posts looking for fic, commerical promotions of ANY kind, original fiction with no relation to fan content, spam etc). Every library and archive has their own collections policies, and AO3 is not an exception. Collections Policies are generally guided by the mission statement(s) of the archiving party/library. As we saw above in both the official about page and the original brainstorming posts from astolat, AO3 is a library for fanworks, meant to preserve fanworks and is in opposition to advertising and commercialization. Therefore, if the thing you want to add to the library of AO3 is not a fanwork or contains commercialization, it does not qualify to be an object of the archive. Re: the "placeholder fic" post that I didn't know was going to blow up so much: imagine you go to the library to get a book and open it to find that it is empty or you get a DVD and play it only to find that it is the movie theater trailer for the movie. Doesn't that make no sense?

Why there is NO censoring of "adult" or other quote on quote "objectionable content". The archive does not chose to preserve works based on subjective quality or "moral purity" type standards. This is true in libraries and museums as well. We keep and save materials that people find objectionable as archiving and librarianship are and have always been diametrically opposed to censorship. As an archive AO3 follows this. Moreover, you can see in astolat's original post "allowing ANYTHING -- het, slash, RPF, chan, kink, highly adult" as a founding idea.

Why there is no advertising, and why this includes you adding your Ko-fi or paypal or whatever the fuck. Outside of the fact that doing this violates TOS and invalidates OTW lawyer arguments for the legal existence of fanworks under US Fair Use, AO3 as an archive is meant to be a keeper of fan records, not a space for promotions. Archives do keep records (and indeed some archives keep records of advertising) but they, themselves are not using their platform to advertise for anything else.

Why there is no "AO3 algorithm". The kinds of algorithmic feed generators that sites like the t*kt*ok or whatever use are antithetical to the mission of archiving stuff and providing access to it. In an archive you search for content based on terms and headings and self-select. I'm not on the t*kt*k or whatever and I actively block and disable all "suggestion" type things so I don't entirely understand what y'all are looking with this.

Ok, that's great, why are you telling us all of this?

There is a concerning trend of newcomers both young and older to fandom and fanfiction that have not taken off the social media brain filter before coming on board. Some excellent tags I've seen on The Post™ that spawned this one include:

#guys quit bringing the worst elements of capitalism to AO3 (via @watchtowersystem)

#algorithms have rotted people's brains i swear (via @pearly--rose)

#omg stop trying to social mediaify ao3 (via @greyduckgreygoose)

There were also some bangers on my reddit post on this topic as well, but the reddit I posted it on is (rightfully) on blackout at the moment.

I think the sociamediafying of fanfiction that a lot of these people are bringing has a few major negatives:

social mediafied fandom views fanwork soley as consumable content, creating more passive, entitled participants in fandom. For fanwork=content social media brain folks, the fact that fanwork is meant to be an active and engaging thing is lost. Fanwork is a gift from one fan to other fans, it is a point for discussion, a result of people's passion and creativity. It is transformative, out of the box and part of building a niche community. When you start to see it as "content" like a random object on a feed you stop valuing it, analyzing it, and interacting with it in the same way, and are more likely to passively consume what you see as content. Social media has made "content" out of everything, and everything becomes something to scroll past in a few seconds, always looking for more stuff, the newest stuff, etc etc. It's obviously very tied to the experience of social media being used to sell you shit, but that's another conversation I think.

fanwork=content social media brain also allows some of these people to post incredibly demanding comments for "more content" on fancreators works or makes them think it's ok (and indeed creates the same result as what the writer is creating) to feed someone's incomplete fic into an ai to get a "completion".

fanwork=content social media brain also means that when these folks start creating content they feel entitled to views, hits, kudos, etc etc, and feel like it is ok to do things that they see as "gaming" the system to get their fics to be at the top of the pack. They begin to care too much about posting to get their "content" the most views because that's how things work on social media.

fanwork=content social media brain also makes some of these people think that "fic" that is "written" by an ai is acceptable fanwork, because they do not view fanwork as artwork/writing with merit, as much as an entertainment property to be consumed. How the meat gets made becomes irrelevant, because the end result is the only thing that is important.

social mediafying of fandom is something that has helped a lot of advertising and commercialization sneak its way into our spaces, which actively hurts our chances of building good communities.

social mediafying of fandom turns fanwork creation and fandom into popularity contests, which is bad for all fan spaces. The point is that we're being weird together. I've seen new, young authors post on reddit about how they feel so bad about their fic because it doesn't have 1000s of hits or because they feel incapable of writing things (even things they might want to explore) because "no one will read it, and it will not become popular". This makes me very sad.

social mediafying of fanwork also turns right around into .... wait ... you guessed it .... censorship! people are now practising self-censorship that is utterly unnecessary and completely sad to me because they are afraid of getting deleted from anywhere for "objectionable content". This carries over into new users on AO3 doing things like using leet speech for curse words, sexual content and more in the TAGS or the body of their AO3 fics. Stop Don't. You can say fuck, dead, kill, murder, cunt, cock, and whatever the fucking hell you want on AO3. That was the whole goddamn point.

These people are trying to bring fanwork=content social media brain to places like AO3. I'm not entirely sure why.

tldr; AO3 isn't a social media site for talking with your following or posting about ideas that you've had. It isn't a popularity contest. It isn't a place where there will be no inappropriate content. It isn't a place for advertising or commerical promotion. It is an ARCHIVE OF FANWORKS meant to be "allowing ANYTHING -- het, slash, RPF, chan, kink, highly adult."

Anyone of you fans older, wiser, more well versed in fan history, and more articulate than me, please feel free to add to this. Ditto on any of you other funky LIS friends out here on tumblr dot hell.

[kittenintheden]

headcanon, subjectivity, and convincing the reader

hi! I got a wild hair to write a little essay today. here's that little essay. it's about fic writing and how our subjectivity about the source material becomes a conversation with the reader. LEZGO.

quick primer on common terms:

canon: objective, indisputable truth about the property based on what is portrayed on the page/screen. it is canon in BG3 that Astarion is a vampire spawn, it is canon that Wyll is the only son of Grand Duke Ravengard, it is canon that Lae'zel is a githyanki originating from Creché Ki'liir, etc.

headcanon: an individual's subjective interpretation of events and characters in the property based on context clues, hints, personal experience, vibes, etc.

fanon: a more widely accepted community headcanon that is not objectively supported by the property but is generally accepted as a popular interpretation of the source material.

word of god: interpretations considered truth by the creators of the property that may or may not be included in the source material itself. this includes devnotes, responses to fan questions, behind the scenes material, etc. there's much argument to be had about whether or not this is considered canon if it's not also represented in the source material itself.

okay? okay! now let's talk about transformative works (fanfiction and fanwork).

the first rule of transformative work is that there are no rules. okay? okay! to get that out of the way. which is why this is a post about subjective interpretation.

(obligatory blah blah blah obviously having basic writing skill and knowledge is helpful for communicating your ideas to the reader, we all know this)

but what makes a transformative work GOOD? what makes a reader pick up a fic, devour it, and then go "holy shit I can absolutely see how these characters in this scenario make sense. I BELIEVE in this story and this author's interpretation."?

that's where things get complicated. let's do a cut bc this is about to get lengthy!

when we become fans of a property, it's because we are the readers/viewers having a conversation with the source material. something about it caught us and spoke to us, then drove us to create more art based on it and using it as a framework. that's important.

as readers/viewers, we will always have our own subjective interpretation of the work. that interpretation is informed by the work's canon, but it's also informed by our personal experiences, feelings, and knowledge. that's where headcanons and subjectivity come in. it's why some people feel a character is "annoying" while others find them sympathetic.

(there is a MUCH BROADER conversation to be had about how social pressures and oppression also factor into this subject, but that's not my intended goal with THIS essay, so I will acknowledge the fact that a person's internalized biases also inform their perception of the material and move on).

so, we all develop our own personal headcanons about a work. it's inevitable. sometimes those headcanons are based in canon, sometimes they're based on our own experience. where they come from doesn't matter -- they are yours and they belong to you, and they will inform whatever work you create.

now comes the part where we begin a conversation with the reader.

when you're writing fic, one of your many jobs is helping the reader to understand your perspective. this is very challenging! you're essentially creating a written argument for why the characters and elements in your story are unfolding the way that they do, but you're doing so via the vehicle of creative writing. you're depending on narrative structure, dialogue, characterization, setting, plot, tropes, themes, metaphors, etc. to make your "argument."

if you've ever heard people say a character "felt flat" or that an action didn't make sense or that a fic subject is OOC (out of character), that comes from the writer failing to provide a convincing enough argument for the story they're trying to tell. (note: I use the word "fail," but I don't mean it in the sense that the project was a failure. art is never time wasted. but as with most things, it may take time to get to a place where we have the skills to tell the story we want to tell.)

so: how the hell do we work on an issue like that?

a few ways.

first and foremost, at its core, a transformative work should be in conversation with the canon of its source material. that DOES NOT MEAN that canon should be treated as a Bible and ultimate authority (people rewrite canon well all the time), but it does mean a writer needs to consider what worked about the canon to be able to apply it to their own interpretation.

if you found a character compelling in the original property, you need to understand what exactly it was about that character that made them so compelling. it isn't just how they physically look or their signature catchphrase. what about the source material drew you to them, made you empathize, turned you on, etc.?

if a particular relationship made you absolutely feral, WHAT IS IT about that dynamic that caught and kept your attention? what makes them WORK?

THAT is what the conversation with the source material is about. it's about understanding why you were moved in the first place. it's distilling the subjects down to their essence so you can put them in a different scenario without losing the core of who they are.

now you need to understand where your HEADCANON comes from.

(you will notice a running theme here that in order to properly tell a story, you have to understand the story yourself!)

our own subjective interpretation of a work is informed by the knowledge we have (I have a degree in reading and analyzing and writing creatively, it's something I literally went to school for), our personal experiences (Astarion speaks to people with a history of sexual abuse and trauma, imagine that), and emotions that rise organically when we interact with the source material, either unexpectedly (whoa I did NOT expect that to turn me on) or with understanding (animal death always makes me cry because it's upsetting to see something that doesn't understand what's happening go through that and/or I remember when I lost my own animal companion).

so! you have a headcanon that Shadowheart and Nocturne were lovers. this isn't something verified by canon, but it is a scenario that makes sense given the information we have -- they were very close, they have a secret place together surrounded by the flowers Shadowheart calls her favorite, they know intimate details about one another's lives, and their history of standing up for one another and caring about each other is clear.

how do you convince a reader that this is a viable scenario?

first, converse with the canon. all the framework is there for a potential romantic relationship. their respective personalities work together. now, determine why you enjoy this headcanon. is it the intimacy, the loyalty, the kindness? is it the hints from canon that they were important to one another? is it that they have chemistry you find interesting and appealing?

this is the argument you must make to the reader. this scenario is plausible because of canon, character, and context. now you need to build on it and add your own perspective in order to convince the reader to see it as you do.

this particular example is a pretty easy thoroughline, but the same principle can be applied to more varied scenarios. modern AU? okay, how would that change the way these characters interact with the world without losing what makes them, them? pirate AU? okay, which characters would make the most sense to fit certain roles in that scenario given their existing personalities?

there's a common refrain in my writing circles that goes: "do what you want forever." we tend to use it in a flip way to mean that this is play and creativity and you can literally do whatever you want, but the deeper message is, "you can make anything believable with the right approach."

and the "right" approach is about maintaining a conversation between yourself, the source material, your headcanons, and the story you're trying to tell. it's about bringing all those things together in a way that will convince a reader to believe it.

it's a balance, and it's one that isn't universal. no matter what we do, subjectivity means that some people will not agree with our interpretation. that's okay. not every story is for every person. what matters is that you're writing YOUR story for the readers who want to engage with it.

so, at the end of the day: do what you want forever, and do it well :)

[transhanniday]

Adapt. Evolve. Become.: The Genderqueer Fandom of NBC's Hannibal - SECOND EDITION!

In 2023 we released a fan-led volume of fanworks by and about trans non-binary, genderqueer and otherwise non-cis Fannibals. Now we're back by popular demand, to create a second edition and YOU can be involved!

We've extended submissions! You can now submit until February 28th 2025!

We'd especially love to see more:

Essays

non-fiction

personal pieces

memes

cosplay

fanart

We're still open to fanfic but as we have quite a lot on that front, we'd love to see other types of submissions.

SUBMIT HERE

NBC's Hannibal has resonated with many queer fans, and we know that being in the Hannibal, Hannigram and Hannibal Extended Universe fandom, and the support of Fannibals, has been part of many people's gender identity journeys. We want to capture that in a fandom led volume of non-fiction, featuring essays, creative nonfiction, personal accounts and art.

You may have even seen that Hugh Dancy was gifted a copy and had a very thoughtful conversation about the interpretation of Will Graham as a trans man.

IF YOU WISH TO SUBMIT WE URGE YOU TO READ THE EXISTING EDITION FIRST! You can read or download free here!

WHO should submit: Please ONLY SUBMIT IF:

you are aged 18 or over. For the sake of legalities, we are only accepting submissions from those legally considered adults in the region of publication - UK.

you are transgender, non-binary, genderqueer or otherwise non-cis. 

OR you have a close relationship (sibling, partner etc) with someone who is transgender, non-binary, genderqueer or otherwise non-cis.

NB: The reason for the edition of cis creators is as a result of the feedback on the first edition regarding how much it spoke to people who had trans relatives or a trans partner and how it resonated with them and their (often) non-fandom partner/relative. We wanted to give them a chance to voice the impact of the show and fandom on their lives as people with close relationships with trans people.

WHAT submissions do we want:

Fanfiction (100 to 5000 words)

Fanart (including comics)

Personal piece / statement / testimony (pref. under 3000 words)

Creative non-fiction (up to 5000 words)

Essay (up to 5000 words)

Cosplay (photos of yourself in cosplay and/or instructions/tips on how to make trans friendly cosplay)

Other (any form of art, photography or writing not covered here including crafts, memes, playlists???)

Theme:  Via one of the above mediums, we want you to share with us in as much or little detail as you’d like, your journey as a non-cis Fannibal in the Hannibal fandom, and/or the impact NBCs Hannibal has had on your gender journey. 

A few points for consideration you may wish to explore: 

Has the show and/or being part of the fandom helped you explore your gender, or made you feel more confident in expressing it - even if only online. 

Has the fandom helped you with your transition and/or medical needs, such as donating for trans-clothing or surgeries? 

Do you want to write an essay exploring the connection between NBCs Hannibal and non-cis fans? Or explore the trans-coding of Francis Dolarhyde?

Do you want to submit fic or art of Hannibal, Will or another character that expresses how you feel about your own gender identity?

PLEASE NOTE: if your submission is successful you are welcome to use your real name or an online handle for authorship, but you will have the option to publish anonymously or under a pseudonym if you would prefer. 

YOU CAN submit multiple works. We may publish up to two pieces from each person if they are different types, e.g. one fanart AND one essay.

Timeline:

Submission period: ENDS 28 February 2025

Editing: March 2025

Final edited copies for proof by 31st May 2025

Publication: July 2025

Compensation: As a fan-led project we do not have any funding and so cannot offer monetary compensation. All contributors will receive at the least an e-copy of the collection. If we are able to establish funding (potentially via Kickstarter) we may be able to send each contributor a print copy, but will not be able to confirm until further in the process and cannot guarantee this.

If funding is not available, we will be able to offer contributors reduced cost print copies by charging only cost price. However, given the quality of the art printing of the print copies, this will still be a significant cost.

Content Restrictions: 

Contributors must be transgender, non-binary, genderqueer or otherwise non-cis, OR in a close relationship with someone who is transgender, non-binary, genderqueer or otherwise non-cis.

Contributions must relate to NBCs Hannibal, HEU and/or the fandom

The contribution must be original. Previously published works may be considered, such as existing fanfic and fanart.

ABSOLUTELY NO GENERATIVE AI.

Explicit works welcome, but please give details in the sign up form, especially for any visual media.

It should go without saying, but we will not accept bigotry and hate speech: We may consider works that feature these things but do not glorify them. For example, we will consider works that discuss transphobia but not works that are transphobic.

FAQ under the cut!

What is Trans Hannigram Day? Trans Hannigram Day or TransHanniDay is a day of celebration for trans* fanworks and creators in the Hannibal, Hannigram and Hannibal Extended Universe fandom. On this day, old and new fanworks are shared with the intention of filling the timeline with trans* love!

Originally this event was Transcendence Fest, first held in December 2020. The first TransHanniDay was held on 8th April in 2022 in reaction to the release of a certain movie on that day.

Is this edition also for charity? We were thrilled to donate the profits from the 23-24 fiscal year to The Okra Project, and we're already on track for a similar donation to this year's nominated charity - Gendered Intelligence.

Will this collection only be focused on Hannigram? Technically the focus is on the fans, but we know the influence of NBCs Hannibal and the fandom itself goes beyond Hannigram. Both in written works and in art, other characters are accepted including those from NBCs Hannibal and those from other Mads and Hugh projects (Hannibal Extended Universe). 

For example, if Bedelia De Maurier or Adam Raki resonated with you as part of your gender journey, we’d love to hear about it. 

How can I prove I’m Trans*? We aren't expecting you to and in no way expect you to out yourself either online or in real life. We will take on trust that you are who and what you say you are, including if you are questioning, between labels or do not like to use labels. 

As noted above, those who would feel more comfortable doing so, can have their work published under a pseudonym or anonymously. 

Who is publishing this collection? This collection will be edited and published by Max Turner. Max is a gay transgender writer based in the UK, a Fannibal and the publisher of small indie press A Coup of Owls Press. This publication will not be associated with A Coup of Owls Press directly.