#max bond Servants | Explore Tumblr posts and blogs

mostlysignssomeportents · 1 year ago

Text

Naomi Kritzer's "Liberty's Daughter"

Tomorrow (November 22), I'll be joined by Vass Bednar at the Toronto Metro Reference Library for a talk about my new novel, The Lost Cause, a preapocalyptic tale of hope in the climate emergency.

There's so much sf about "competent men" running their families with entrepreneurial zeal, clarity of vision and a firm confident hand. But there's precious little fiction about how much being raised by a Heinlein dad would suuuck. But it would, and in Naomi Kritzer's Liberty's Daughter, we get a peek inside the nightmare:

https://fairwoodpress.com/store/p148/LIBERTY%27S_DAUGHTER.html

Beck Garrison is a seasteader, living on a floating platform built by libertarian cranks to get away from big government, taxes, and the idea that people owe each other care and consideration. Various kinds of market trufans have built their own fiefdoms: there's a sin city, a biotech free-for-all, a lawless Mad Max zone, and so on.

Beck's father, Paul, is some kind of local functionary. He's wealthy and respected, both a power-broker and a power in his own right. He pays for Beck to get private tutoring (no public schools – no public anything) and if she needs bailing out from some kind of sticky situation, he's got her on his account with Alpha Dogs, the toughest mercenaries on the sea (no police, either). An armed society is a polite society, after all.

Beck has a job, naturally (there ain't no such thing as a free lunch). She's a finder: for all that the steaders worship commerce as a sacrament consecrated to the holy Invisible Hand, there's not a lot of retail at sea. California – the nearest onshore neighbor – has lots of pesky taxes, and besides, it's a long ways off. Besides, space is at a premium on the stead, so people don't have attics and basements to fill with excess consumer junk.

Instead, when a steader needs something – a shoelace, a fashion accessory, or any other creature comfort – they hire a finder like Beck to clamber around between the decks of the aircraft carriers, scows, yachts and other vessels comprising the stead. It's a good way for Beck to earn spending money, and she's a natural at it. After all, she's been a steader since she was four, when her mother died in a drunk driving accident and her father took her to sea.

The story opens with a finding job. Beck wants a pair of sparkly shoes for her client, and the woman who owns them is an indentured servant whose sister has gone missing. Find the sister, get the shoes.

Indentured servant? Yeah, of course. Freedom of contract is the one freedom from which all the others flow, so you can sell yourself into bond labor. Hell, maybe you can earn enough to buy a share in the stead and become a co-owner/citizen.

This is the setup for Beck's adventure, which sees her liberating bond slaves tricked into fatal work details, getting involved in reality TV production, meeting illegal IWW organizers, and becoming embroiled in a pandemic that threatens the lives of all the steaders. It's a coming of age novel, told with the same straightforward, spunky zeal of Heinlein's juvies, but from the perspective of the daughter, not the dad.

Kritzer makes it clear that growing up under the thumb of a TANSTAAFL-worshipping, self-regarding, wealthy autocrat who worships selfishness as the necessary precondition for market clearing would be a goddamned nightmare. She also thinks through some of the important implications of life in one of these offshore libertarian archipelagos, like the fact that the wealthy residents would be overwhelming drawn from the ranks of corporate criminals and tax-cheats, and the underclass would be bail-skipping proles ensnared in the War on Drugs.

But Liberty's Daughter isn't a hymn to big government. Most of the steaders are escaping the US government, a state whose authoritarian and cruel proclivities are well-documented. Kritzer uses the labor dispute at the core of the novel to reveal market authoritarianism – the coercive power that hunger and poverty transfers from the have-nots to the haves. Think of Anatole France's wry observation that "the law, in its majestic equality, equally forbids the rich as well as the poor to sleep under bridges, to beg in the streets, and to steal bread."

If you're familiar with Kritzer's work, you won't be surprised to learn that she tells a zippy, fast moving tale that smuggles in sharp observations about the cleavage lines between solidarity and selfishness. Her story "So Much Cooking" – published years before the pandemic – captured life under lockdown with eerie prescience:

https://pluralistic.net/2020/04/17/pack-of-knaves/#so-much-cooking

More recently, her "Better Living Through Algorithms" is a dazzling display of knifework that'll cut you a dozen times before you even notice that you're bleeding:

https://pluralistic.net/2023/05/02/wunderkammer/#jubillee

If you habitually read Kritzer's short fiction, Liberty's Daughter might be familiar to you, as it is adapted from a series of stories that originally ran in The Magazine of Fantasy and Science Fiction. Kritzer's YA debut, Catfishing on the CatNet, was also adapted from a short story, "Cat Pictures Please," which won the Hugo Award in 2016:

https://boingboing.net/2019/11/19/setec-astronomy-kitteh.html

"Libertarian exit" – buying a country, or an archipelago, or just a luxury bunker – has been in the air lately. It's a major element of my new novel, The Lost Cause, which came out this month – anarchocapitalist wreckers try to sabotage the Green New Deal from the seastead they've moored to the tallest point in the drowned Grand Caymans and declared to be a sovereign nation:

https://us.macmillan.com/books/9781250865939/the-lost-cause

Kritzer is great at catching that zeitgeist. Seasteading is part of a long, bitter dream of a certain kind of selfish person to escape society, a tale told in lurid and fascinating detail in Raymond Craib's 2022 history Adventure Capitalism:

https://pluralistic.net/2022/06/14/this-way-to-the-egress/#terra-nullius

There's a longstanding joke to the effect that you can shut down any discussion of the merits of a libertarian exit by asking three questions about the brave new world:

Whether you can sell your organs;

Whether you can sell yourself into slavery; and

Whether there is any age of consent.

Kritzer tackles the first two, but tacks around the third. Instead, by giving us a young adult protagonist who has been raised in a rusting libertopia, she finds a decidedly less incendiary way to think about the role of autonomy in adolescents, and thus generates far more light than heat.

The result is a cracking read with a sting in its tail.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/11/21/podkaynes-dad-was-a-dick/#age-of-consent

#pluralistic

130 notes · View notes

arshipweek · 9 months ago

Text

AR Ship Week - Scorpia Backstory in the Book and the TV Show

This is the last weekly post in the lead up to Alex Rider Ship Week. Only one week left!

This week we have a guest post by @icebluecyanide about the differences between Scorpia in the book and TV canons.

Scorpia Backstory in the Book and the TV Show

After two seasons of ominous statements and mystery, series three of the TV show finally dove deeper into the criminal organisation known as Scorpia, and the way their history intertwines with Alex’s. But what is their backstory, and how does it differ from what we see in the books?

In this meta, I will be diving into some of the changes in how Scorpia is presented in the book (Scorpia) and the TV show. Since this is a rather broad topic, and could potentially lead to me listing every single difference from the book, I will focus specifically on the Scorpia backstory and on the structure of Scorpia as an organisation.

I’ve used book quotes throughout this meta, including page numbers. The page numbers refer to the 2014 Walker Books (UK) edition.

Scorpia

Let’s start this off by taking a look at how Scorpia is described in both the book and the show. I’ll first give an overview of Scorpia in the book, then move on to the TV show and do a comparison.

Scorpia in the book

Scorpia was all over the world. It had brought down two governments and arranged for a third to be unfairly elected. It had destroyed dozens of businesses, corrupted politicians and civil servants, engineered several major ecological disasters, and killed anyone who got in its way. It was now responsible for a tenth of the world’s terrorism, which it undertook on a contract basis. Scorpia liked to think of itself as the IBM of crime - but in fact, compared to Scorpia, IBM was strictly small-time. (Scorpia, p. 39)

In the book, Scorpia is a criminal organisation that has its roots in the early 1980s, during the last decade of the Cold War. As we learn in Scorpia (2004), it was founded by people who were involved in the Cold War as spies or assassins or secret police for various governments, and who realised that as the Cold War came to an end, they would be able to make more money going into business for themselves.

It was a fanciful name, they all knew it, invented by someone who had probably read too much James Bond. (Scorpia, p. 38)

The name of Scorpia is taken from their four fields of operation: Sabotage, Corruption, Intelligence and Asassination. They will take on any client that is willing to pay them, and don’t care about who gets caught in the crossfire. They’re a powerful organisation, and as Julia Rothman mentions, sometimes even the intelligence agencies make use of their services for jobs that cannot be traced back to them. They operate very much as a business, and they don’t make things personal, but they also are ruthless in getting even and don’t make hollow threats. Scorpia don’t forgive and they don’t forget.

Scorpia is led by an executive board consisting of the original founders. Of the original twelve, only nine remain at the time of the book, including Julia Rothman (the only woman on the board) and Max Grendel (the oldest executive). The executives on the board are equal partners, but for each project one of them is assigned as the leader, in alphabetical order. (It’s unclear how this works for The Australian, who in some editions doesn’t have a name.)

At the time of the book, the project that Scorpia is focused on is Invisible Sword, and the executive in command is Julia Rothman. There is a client, who is offering a great deal of money for Scorpia to break the special relationship between the UK and the US, and most of the Scorpia board seem unconcerned about the principal target of the weapon being children. The only exception to this is Max Grendel, who is old and has grandchildren of the same age, who has enjoyed getting rich working for Scorpia over the years, but who now wants to retire and not be a part of the new project. Sadly, his retirement gift is a suitcase full of deadly scorpions, so his retirement is rather brief.

Scorpia are an international company, with offices and people all over the world. However, Alex first runs into them in Venice, where Mrs Rothman has a large mansion on the grand canal that is referred to as the Widow’s Palace. On the island of Malagosto, near Venice, Scorpia also has a school where they have a training and testing facility for their assassins. This is where John Rider and Yassen Gregorovich were tested and trained, and it’s where Alex also takes part in lessons.

Scorpia in the show

Blunt: At that time, we already knew that SCORPIA were the single most dangerous emergent threat since the Cold War. (3x07)

At first glance, the Scorpia we meet in the TV show appears to be from a canon divergent AU where the organisation was all but destroyed around the time when Alex was just a baby. This is a fascinating change, and also makes intuitive sense, as of course the third series of the show came out twenty years after Scorpia (2004) did. From the start, we get hints that Scorpia in the show is different from the one in the books.

We first learn of the name Scorpia at the end of s1, as Mrs Jones and the rest of the Department realise that Yassen Gregorovich was behind Ian’s death, and that he is still alive. Going by the descriptions we are given, Scorpia was as powerful in the past as they were when Alex met them in the book:

Smithers: I know the file, of course. At one point, they were responsible for a tenth of the world’s terrorism.

Crawley: And political assassinations, personal vendettas. All available to the highest bidder, without remorse or compunction. (1x08)

In 2006, Scorpia was taken down by the Department, in a well-coordinated operation based on the info John Rider was able to gather. Alan Blunt was in command as all over the world, the bases and known locations of Scorpia were raided. In the chaos, some members of Scorpia went missing and managed to escape, such as Julia Rothman and Yassen Gregorovich, but when they failed to resurface in the five years that followed, their files were closed and they were assumed to be dead.

After this, Scorpia seem to have retreated to the shadows, and operated almost entirely in secret. While they no longer have the same presence in the world, they still have both funds and technology to continue their work. They have no problem spending several millions to fake the payment for the assassination of the US president in season 2 at Yassen’s request, and they have a system set in place with a phone line that can be reached only with a specifically assigned code, or else the number will be disconnected, as we see when the Department pretend to call as Martin Wilby to determine who he got his orders from. In the first two seasons, Scorpia took jobs such as helping with Dr Greif’s plan at Point Blanc, and Damian Cray’s Eagle Strike plan, and they still appear as ruthless as in the book, not caring about the deaths those plans would cause.

At first, we mostly encounter Scorpia in the scenes with the Department, where Scorpia (through Yassen) have turned Martin Wilby to pass on information about the Department and got him to lure Ian Rider to his death at Yassen’s hand. Interestingly, Ian appears to be the only person still looking for Scorpia:

Crawley: I don’t think they ever went away. I think they just got better at hiding. And we were so confident we’d finished them. Only Ian was still looking, of course. (1x08)

Ian seems to have been aware of Yassen’s survival, and presumably who he works for (“Oh Martin, you have no idea who you’re working for.” - 1x01), but none of the rest of the Department have any idea until Alex mentions having seen Yassen at Point Blanc:

Blunt: Scorpia.Mrs Jones: It explains everything. The sophistication, the global reach, and Wilby. Given our history, of course they would target us.Crawley: But we finished them.Blunt: Well, clearly not. (1x08)

In season three, we see Alex (together with Tom and Kyra) actively looking for Scorpia by visiting old locations mentioned in the files on Smither’s phone (that Kyra stole). These include Berlin and Venice, where presumably Julia Rothman had her Palace like in the book. They end up finding Julia in Malta, where she is from. This is a change from the books, where she is Welsh. We meet Nile, her apparent second-in-command, and Max Grendel, who apparently also survived the takedown.

As Alex is pulled into Scorpia, we also learn that they are planning an operation called Invisible Sword. Unlike in the book, this is not a job they took on for a client, but something Julia Rothman came up with personally. As the season goes on, we discover that while she explained it as a way to demonstrate Scorpia’s power and boost their reputation, the real objective was to take revenge against the Department for the blow they dealt Scorpia seventeen years ago.

Scorpia Leadership

Let’s narrow in further for a moment on the question of who is in charge in Scorpia. There do appear to be some changes in the leadership of Scorpia in the TV show, and part of these can be explained by the canon divergence, while others suggest that perhaps this has always been a different Scorpia. Firstly, it’s good to note that instead of talking about an executive board, the leadership are referred to as council members:

Nile: I wondered if perhaps one of the other council members decided to push their luck. (3x01)

In general, the show appears to have less of a ‘business’ vibe compared to the book. It may be that this is a change that only came with the new Scorpia, but this may also always have been different in this universe. Similarly, we hear that Julia Rothman was elected as leader, which suggests that also the way of picking a leader isn’t the rotated schedule from the books. It appears that Julia Rothman has been elected after the failed jobs with Dr Greif and Damian Cray, in an attempt to bring Scorpia back to prominence.

Razim: We elected you because you promised to restore our influence globally. And so far, we have seen nothing. (3x01)

Speaking of Razim, we get another change from the book. The name Razim is a reference to one of the new board members brought on in Scorpia Rising in the books, and he wasn’t present in the original Scorpia book. It makes sense that with most of the organisation taken down years ago, they will have filled their ranks with new members. However, there is some suggestion that perhaps Razim was actually part of Scorpia leadership before Julia:

Julia: Razim’s always resented me. He thinks when Nicolai died, inherited my place at the table. (3x01)

Julia Rothman

Max: And besides, we both know you earned your place. (3x01)

It appears that unlike in the books, Julia Rothman was not a founding member of Scorpia in the show. This also matches up with what we learn about her from the Department file on her, where it states she ‘possesses broad knowledge of Scorpia Operational Structure and is being groomed for command’. She was most likely part of the inner circle through her husband Nicolai, given the comment about inheriting her place.

Nicolai Rothman/Mrs Rothman’s husband definitely appears to have been alive and married to her for longer in the TV show than in the book, although in both she is eventually known as the Widow.:

Mrs Rothman’s multimillionaire husband had fallen to his death from a seventeenth-storey window. It had happened just two days after their marriage. (Scorpia, p. 45)

Also an amusing detail is that in the book Nicolai Rothman is a multimillionaire, while in the TV show he’s referred to as a billionaire. Julia Rothman is canonically richer in the TV show!

Malagosto

Let’s take a moment also to look at the differences in how Malagosto is portrayed in the two canons. In both the show and the book, Malagosto is a training facility for Scorpia operatives, but that appears to be where the similarities end. The location is different in the two canons, with it being on an island near Venice in the book, and on Malta in the show. Specifically, we discover that there is a Scorpia base located underground in an old Cold War listening post on Malta. It might be that the original location had to be abandoned after Scorpia was raided, but the fact that The Department show no recognition to the name later suggests that they have never heard of it before. Definitely, the base in Malta was not known before.

This raises some questions about whether John Rider actually trained at Malagosto in the show as he did in the book. We do have the following quote from Julia Rothman, which if taken literally suggests that he was on Malta with Alex:

Julia: Twenty years ago, your father stood where you are now. Ready to join Scorpia. (3x04)

However, if John trained at Malagosto, it is strange that this location wasn’t known to the Department or raided in the operation to take down Scorpia. So perhaps the quote should be taken metaphorically, with Alex being about to join Scorpia as his dad was, and perhaps John never trained with Scorpia. After all, in the book, he was likely only tested rather than trained, so he may have been tested elsewhere and simply put to work.

THE STUDENTS

Another difference related to Malagosto concerns the students or recruits who are present when Alex is there. In the book, d’Arc (the principal or headmaster of the school) mentions that there are usually around ten to fifteen students. Most of them appear to be people who were either part of the intelligence world or soldiers who have defected:

Alex knew all of them by now. There was Klaus, a German mercenary who had trained with the Taliban in Afghanistan. Walker, who had spent five years with the CIA in Washington before deciding he could earn more working for the other side. (Scorpia, p. 174)

They are people similar to John Rider, who already have had training of some sort that makes them suitable for Scorpia. In this sense, the school is firstly a testing facility, where Scorpia checks if people have the right skills to become part of Scorpia. Alex himself is an exception due to his age, but as d’Arc and Mrs Rothman discuss, he already has experience from both his missions and his uncle’s and MI6’s training. The other students are all older, but treat Alex surprisingly well and are friendly to him.

In the show, the recruits are all orphans and likely closer in age to Alex himself. There is no indication that Alex himself is an outlier in terms of his age. The other recruits also don’t appear to have had prior training if we take Alyona and Oleg as examples. They seem to have been children without families, either taken from orphanages or similar. Some, like Oleg, may have shown a propensity for violence which drew Scorpia’s interest, but they were not the trained soldiers or intelligence agents we see in the books.

This change could perhaps have been a result of Scorpia needing to operate from the shadows. While in the books they could recruit rather blatantly and without worrying about being noticed, they have tried to keep a low profile in the show. Perhaps they have shifted to training teenagers into operatives instead, as they have ‘No baggage, no background. It helps.’ (3x04).

It’s also noteworthy that there are only four other students aside from Alex present at Malagosto. Again, this is easily explained by Scorpia having shrunk in size and operating in more secrecy, and no doubt it made it easier for them to make the commitment of training teenagers. Sadly for Alex, they are not as nice as in the book, and he gets beaten up for being seen as weak on his first day there.

THE BUILDINGS

Another change seems to be in the buildings themselves. As mentioned, Malagosto in the show is located in an old listening post dating back to the Cold War, and that’s reflected in the lack of natural light and the bare, metallic and industrial vibes of the interior. The listening post also appears to be on a remote part of the island, but all that’s visible on the surface is a few abandoned buildings, and Scorpia seem to keep their presence low-key.

In the book, we see the same outside appearance of abandoned buildings, as Scorpia has retrofitted an old monastery for their needs. The appearance is deceptive, however, as the insides have been modernised and Alex’s own room is much more luxurious than the one he gets in the show:

They left the main building and walked over to the nearest apartment block that Alex had seen from the boat. Again, the building looked dilapidated from the outside but it was elegant and modern inside. Jet showed Alex to an air-conditioned room on the second floor. It was on two levels, with a king-sized bed overlooking a large living space with sofas and a desk. There were french windows with a balcony and a sea view. (Scorpia, p. 164)

Alex was left alone. He sat down on one of the sofas, noticing that the room had a fridge, a television and even a PlayStation 2 - presumably put in for his benefit. (Scorpia, p. 165)

The other buildings are similarly updated, and students can train outside as the island is sheltered by trees and away from the mainland. It makes sense that in the show this is less of an option, because Scorpia are much more motivated to keep their presence hidden from the authorities. In the book, they have a legal reason to be there, as they bought the island on a lease from the Italian government, but in a world where Scorpia is assumed to be destroyed, they would need to be more careful. This explains why we only see the students go outside once for training, and that was during a night incursion exercise.

THE TEACHERS

Malagosto is a training facility, and a training facility needs instructors. This plays a larger role in the book, where we are introduced to several of the teachers at Malagosto in Alex’s time there. There is Gordon Ross, the technical specialist who teaches about weapons and explosives, Professor Yermalov, who teaches martial arts and practical skills, and Ejijit “Jet” Binnag, who teaches Botany (focused on poisonous plants). There are classrooms and textbooks and lessons as if it were a real school, but also more practical lessons such as diving and gun practice.

In the show, it’s a bit unclear who normally teaches at Malagosto. We only see two people acting as instructor – Nile and Yassen – and Yassen appears to have been assigned to Alex as a tutor rather than having general teaching duties. Nile appears to take on the role of instructor, but we also see him running around taking care of things for Julia Rothman outside, so he can’t be a full-time teacher. Perhaps we simply don’t see other instructors (much like how we don’t see the catering at Malagosto), or the training is handled more informally, with students working on their skill individually as we saw Syl doing in her first appearance.

One other thing related to the teaching at Malagosto is that in the book, John Rider is mentioned to have been an instructor there. During this time, he was also in charge of Yassen’s training for a while. This isn’t mentioned in the show, and while we get Alex asking if John trained with Yassen, we never get an answer. As Malagosto wasn’t known to the Department, as mentioned before, John was probably not a teacher in this universe.

Since we already touched on him briefly, let now take a look at John Rider and his mission to dive deeper into some of the changes.

John’s mission

Blunt: The intelligence John gathered during that time enabled us to strike at the very heart of Scorpia. Within months, we’d dismantled their entire operation. (3x07)

Based on what we are told, John’s mission is largely the same in both the book and the series. We learn that John was a decorated soldier who was in the Parachute Regiment and had seen combat before (in Afghanistan and Iraq in the show, Northern Ireland, Gambia, and the Falklands in the book). But everything seemed to go wrong for him when he killed a man in a bar fight, and was sentenced for manslaughter.

He goes to jail for two years in the show, while in the book Mrs Rothman claims he was there for less than one, and there is some ambiguity about whether he went to jail at all:

“Everything Julia Rothman thought she knew about your father was a lie.” Mrs Jones sighed. “It’s true that he had been in the army, that he had a distinguished career with the Parachute Regiment and that he was decorated for his part in the Falklands War. But the rest of it — the fight with the taxi driver, the prison sentence and all that — we made up. It’s called deep cover, Alex. We wanted John Rider to be recruited by Scorpia. He was the bait and they took him.” (Scorpia, p. 347)

Scorpia took the bait, and John was recruited by Scorpia. In the show, we learn that John spent three years embedded in Scorpia, learning names and details about the organisation, including their long term goals and ambitions. In the book, the timeline is fuzzier, but we know he spent several months in the field as an assassin before working as an instructor at Malagosto. We are simply told that he ‘had told [MI6] as much as [they] needed to know about Scorpia’ (Scorpia, p. 348).

The reasons for breaking off the mission were similar then in both the show and the book. The risks were increasing, John had discovered most of what he set out to discover, and Helen was pregnant with Alex and John wanted to be with his family. In the book, we also specifically learn that there was a risk due to Julia Rothman, who had fallen in love with him.

This is a point where the canons seem to deviate slightly, because the show is more explicit about John being asked to get close to Julia Rothman. The file on the Widow (Julia Rothman’s codename) mentions that a Department operative Hunter (John Rider) was assigned to develop a relationship. Julia Rothman herself told Alex that his dad was a ‘very close friend’ of hers, and showed him what are clearly love letters describing John’s feelings for her (3x03).

Now, some of this is also in the book. Julia Rothman tells Alex she was very attracted to his father, and that he was a handsome man. And one of the letters from the show is taken straight from the book:

My dearest Julia, A dreary time without you. Can’t wait to be at the Widow’s Palace with you again. John R. (Scorpia, p. 151)

Interestingly, we do see that Julia apparently went by her code name despite the fact that she and John became close enough over the years that she passed him information about Scorpia. John himself was known as Hunter to the Department rather than this being his Scorpia code name like in the book (although the code name isn’t mentioned in Scorpia itself). He signs the letter with his initials JR in the show, and she clearly knew him as John Rider.

It’s well possible given the way Julia Rothman doesn’t mention Alex’s mother in her initial story to Alex about John, that she was not aware at the time that he was married or that John was already with Helen. In the book, she specifically mentions that while she was attracted to him, he was married to Alex’s mother, suggesting that they never acted on the attraction.

The story of John’s capture is roughly the same, there is a trap set for him (on Malta in the book), and he is captured. A few weeks later, Scorpia kidnap a senior British civil servant (or his son, in the book) and MI6/The Department make them an offer to return John Rider to them in an exchange. This takes place on Albert Bridge in the book, while in the show it’s on another bridge somewhere. John’s death is faked, and the idea is that he will be given a new identity along with Helen and Alex so they can live quietly and without Scorpia knowing he was actually a spy.

This is the point where we get the biggest divergence in the backstory, as in the show the information gathered by John’s mission is enough to take down most of Scorpia. The operation is largely orchestrated by Alan Blunt, which is part of why Julia Rothman’s plot in the show is also aimed at him:

Mrs Jones: I’ve been looking at how we brought down SCORPIA 17 years ago. Really was an astonishing operation. Dozens of agents. Coordinates across three continents. Forty-seven key figures, dead or arrested. The entire SCORPIA hierarchy decimated overnight. You waged a private war against Scorpia, made it your mission. (3x06)

It’s not specified whether the take down of Scorpia happened before or after John and Helen’s plane was blown up by a bomb. Blunt tells Alex that ‘within months’ they were able to dismantle Scorpia’s entire operation, while Julia Rothman took six months to track John down. It seems more likely that Scorpia was taken down first, as this would give the Department an extra reason not to suspect Julia Rothman as being behind the bomb on the plane. Blunt’s reaction to Alex’s suggestion that it was Julia Rothman suggests that they didn’t have a clear suspect for all those years, which makes sense if Scorpia were believed to be defeated and not heard from again (aside from the bombing of the plane itself). WIth Scorpia gone, it also makes sense that perhaps someone became too careless in hiding the fact that John Rider is alive, as there would have been less reason to worry.

In the book, we are first told merely that there was a bomb on the plane, which exploded and killed John and Helen and the pilots instantly. Mrs Jones and Alan Blunt seem to have no doubt about it being Julia Rothman, who had discovered the truth, although they are not clear on how she learned about it. MI6 learned valuable information about Scorpia through John’s time as an undercover spy, but they either don’t know enough to take Scorpia down for good or they don’t act on their information.

In a way, the book takes a more cynical approach to the relationship between Scorpia and MI6. Scorpia are too large to take down completely, and any half-hearted effort to destroy them will lead Scorpia to seek revenge. And if you can’t beat them… As Julia Rothman herself points out, the secret services may nominally oppose Scorpia, but they are not above making use of their services:

The secret services can’t do anything about us. We’re too big and they’ve left it too late. Anyway, occasionally some of them make use of us. They pay us to do their dirty work for them. We’ve learnt to live side by side! (Scorpia, p. 132)

Wrapping it all up

So what does it all add up to? As we’ve seen, the show’s portrayal of Scorpia shows an organisation that was nearly brought down seventeen years ago, and that has been operating in secrecy ever since. This single divergence explains most of the differences that we see in the present day structure of Scorpia, from younger recruits to the new leadership. However, we also saw that some aspects have always been different in this universe. The code names for both Julia Rothman and John, as well as the fact that John never mentioned Malagosto show that the backstory in the show was different even before Scorpia was taken down.

In the end, Scorpia is a different organisation in the book and the show, but in many ways it is also still the same. They are a group of people who are ruthless in their pursuit of power and money, who have no compunction about killing and even enjoy it. Scorpia may have been brought to the brink of destruction in the show, but even while hidden from the world, they have been able to keep up their activity for seventeen years.

Until they encountered Alex Rider, that is… :)

#Alex Rider #arshipweek #meta #mod posts #julia rothman #scorpia

50 notes · View notes

the-ultimate-puppeteer · 1 year ago

Note

Request: How about Gudako with an S/O who tries to reign her in when she goes gatcha crazy?

Gudako with an S/O that tries to reign her when she goes Gacha crazy

•Okay look you love gudako no actually you adored her

•You just wish she would chill the hell out when it comes to her addiction with Gacha

•You don't know what genius thought it was a good idea to assign star ranking to servants but you were going to murder them

•Thankfully you had a fairly easy time reigning in gudako in regards to Gacha

•At least compared to when mash or her twin Gudao tried to reign her in

•A lot of the time you had to put your body on the line to stop her given that she's on the perverted side unlike her twin Gudao

• But even that had limits since her gacha addiction ran strong

•At times you would try to get her to focus on strengthening the servants she's already summoned

•Or to try to max out her bonds with them

•Though that brought on other problems when she ended up with favorites that she kinda goes crazy for

•Case in point red hare being one of them

•Its hard to keep Gudako from going to crazy and it's hard to provide alternatives but you can't deny that it's a part of gudako that you love

•You just wish she would chill the hell out is all

#fgo x reader #fate grand order x reader #fgo #fate grand order #fate grand carnival #Gudako x reader #ritsuka fujimaru x reader #Gudako

55 notes · View notes

homeinchaldea · 2 years ago

Text

Decided to throw 60 SQs into the story banner, because I got 3-4 silver CEs while rolling for Habenyan

#fate grand order #fate/grand order #fgo #fate go #koala plays fgo #fgo na #…#I guess getting new servants + actually good 5*CEs are nice #at least Habenyan is NP4 now (2nd append skill maxed)#Caster Cu tho…I’ll have to grind for bond points to get his 2nd append skill as well

1 note · View note

sexilydrawn · 4 months ago

Note

What are Alphonse and Baldwin's marriages like? You said they were for "function"

Oh oh it's time for Trevelyan loooooore!

Alphonse had little to no interest in marriage. He's the oldest and knew he'd have to without question marry whoever his mother chose for him, but he couldn't get along with any of the candidates. Alphonse wanted to sing he liked the theater, but as a firstborn, he had no choice but to be a servant of the military or the chantry. He grew up very bitter with no thoughts about romance, so he married a girl of great influence but questionable reputation. Lady Paloma had a lot of trouble finding a husband because of a rumour that her uncle deflowered her. Whether true of not only Alphonse knows. He told her he had planned to go to sea as soon as his first son was born, and since she agreed, he married her. Over the years, they have bonded and remain together. Theirs is a marriage of friendship and respect, but no real romantic love.

Baldwin married for love at first, but his wife died. He was so distraught that despite not having secured a son, Bann Trevelyan let him go to explore the west like he asked as he feared staying in Thedas would kill him. He married a woman in the west and has several children, curiously most of whom are girls. Baldwin loves his "savage" wife, but mostly as the mother of his children.

As the 3rd son Max was always free to pick either a woman or a man for himself. The 3rd son is little more than a trophy. He only faced difficulty after becoming Inquisitor elevated him in the family, and suddenly, his bloodline became very valuable. Still, as he cemented the Trevelyan name in history, his wish to marry Dorian could not be denied, and after much convincing, he achieved that rare thing, a marriage of pure love.

#dragon age inquisition #dragon age #inquisitor trevelyan

18 notes · View notes

duckprintspress · 10 days ago

Text

5 Queer Time Loop Reads for Groundhog Day

Happy Groundhog Day! Here in the USA, we’ve gotten the word from Punxsutawney Phil that we’re in for a long winter. We’re celebrating the day with our favorite queer books about—no, not groundhogs—time loops (inspired by the 1993 classic movie “Groundhog Day”)! List by Nina Waters, Sanne and an anonymous contributor. This list has an unusually high proportion of “queer subtext” stories, but we stand by them as recs nonetheless! Your interpretations may vary from ours, though.

Link Click by Li Haoling

Past or Future, let them be.

Time Photo Studio is a small photography shop tucked in a quiet corner of a modern metropolis. This seemingly abandoned place is run by two friends Cheng Xiaoshi and Lu Guang, who use superpowers to enter photos to fulfil their clients’ requests. But their time agent missions don’t always go as planned…

This Is How You Lose the Time War by Amal El-Mohtar & Max Gladstone

Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, becomes something more. Something epic. Something romantic. Something that could change the past and the future.

Except the discovery of their bond would mean the death of each of them. There’s still a war going on, after all. And someone has to win. That’s how war works, right?

Cowritten by two beloved and award-winning sci-fi writers, This Is How You Lose the Time War is an epic love story spanning time and space.

Tsubasa: RESERVoir CHRoNiCLE by CLAMP

But they’re not the people you know. Sakura is the princess of Clow – and possessor of a mysterious, misunderstood power that promises to change the world. Syaoran is her childhood friend and leader of the archaeological dig that took his father’s life. They reside in an alternate reality…where whatever you least expect can happen – and does. When Sakura ventures to the dig site to declare her love for Syaoran, a puzzling symbol is uncovered – which triggers a remarkable quest. Now Syaoran embarks upon a desperate journey through other worlds – all in the name of saving Sakura.

xxxHolic by CLAMP

Watanuki Kimihiro is haunted by visions of ghosts and spirits. Seemingly by chance, he encounters a mysterious witch named Yuuko, who claims she can help. In desperation, he accepts, but realizes that he’s just been tricked into working for Yuuko in order to pay off the cost of her services. Soon he’s employed in her little shop—a job which turns out to be nothing like his previous work experience!

Most of Yuuko’s customers live in Japan, but Yuuko and Watanuki are about to have some unusual visitors named Sakura and Syaoran from a land called Clow. . . .

Umineko: When They Cry by 07th Expansion

Umineko no Naku Koro ni takes place in 1986 on October 4 and 5 on a secluded island called Rokkenjima (六軒島). The head of a wealthy family named Ushiromiya Kinzou, who lives on and owns Rokkenjima, is near death, and eleven of his family members arrive on the island to discuss how Kinzou’s assets will be divided once he is dead. Also on the island are five of Kinzou’s servants and his physician. After the eleven family members arrive, a typhoon traps them on the island and shortly after, people get mysteriously murdered.

What are your favorite queer time loop stories?

You can find all these books, and many more, on our Goodread’s shelves and our Bookshop.org affiliate shop!

Want a low-key place to chat about books? Join our Book Lover’s Discord server!

#duck prints press #queer fiction #book recommendations #rec list #queer books

6 notes · View notes

eeriecode-fgo · 5 months ago

Text

FGO FanServant - Chai, the Aspiring Rockstar

(official in-game art, taken from the Wikia)

Ascension Stages

First Stage: Chai is wearing a blue jacket over a white shirt, red pants and blue shoes. His robot arm is thinner and heavily bandaged, and he's missing his trademark scarf. 808 is floating beside him in her sphere mode.

Second Stage: Chai's standard outfit from the game.

Third Stage: Chai's makeshift guitar is replaced with his Custom Crimson, his scarf is longer and undamaged, and he's wearing a pin on his chest. 808 is also wearing a small crown.

Parameters

Class: Alter Ego

Source: Hi-Fi Rush

Region: Vandelay Campus

Voice Actors: Hiro Shimono (Chai), Toa Yukinari (Peppermint), Yasuhiro Mamiya (Macaron), Hiroyuki Yoshino (CNMN), Yu Kobayashi (Korsica)

Rarity: SR

Alignment: Neutral Good

Attribute: Human

HP: 1.860 / 11.625

ATK: 1.630 / 9.785

NP Gain: 0,88%

Deck: Buster/Quick (Buster: 2 hits; Quick: 4 hits; Arts: 3 hits; Extra: 4 hits)

Traits: Humanoid, Mechanical, Male, Weak to Enuma Elish, Group Servant, Musician

Passive Skills

Mad Enhancement - Rank E-

Increase own Buster performance by 1%.

Unordinary World - Rank A

Chai's self-described "musical robot powers" that allow him to perceive the world in time with his music, manifested here as a Passive Skill. So long as he fights on the beat, Chai gains significant offensive and defensive buffs.

FGO Effect

Increase own C.Star Drop Rate by 50%.

Apply Damage Cut of 200 to self.

Increase own Quick/Buster/Arts performance by 10% during a Mighty Chain.

Custom Append Skills

Anti-Robot Specialization

Replaces Append Skill 3

Deal extra Special ATK damage to [Mechanical] enemies. (20~30%)

Increase damage resistance against [Mechanical] enemies. (20~30%)

Bond Skill

Increase all [Musician] allies' Buster performance by 30% for all allies while on field (including sub-members)

Active Skills

Iron Man - Rank D

A skill resulting from the surgery to replace Chai's arm, Chai's entire body has been reinforced, allowing him to survive hits that would kill an ordinary person.

FGO Effect

Cooldown: 7~5 turns

Increase own DEF for 3 turns (20~30%)

Apply Damage Cut to self for 3 turns (500~1000)

Increase own ATK (10%, 3 turns) when attacked by an enemy (3 turns).

Vandelay Tea Party - Rank A

A combination of 808's temporal displacement function and Chai's unique nature as a Servant, Chai can momentarily manifest his allies' Spirit Origins to offer a variety of support in battle, from Peppermint and Macaron's ability to destroy barriers, to Korsica's ability to weaken the enemies, to CNMN's moral support. ...look, he's trying, okay?

FGO Effect

Cooldown: 8~6 turns

Increase own Quick, Buster and Arts Performance (10~20%, 3 hits, 3 turns)

Apply [808 Transfer] buff to self (3 turns) (all following effects are applied after selecting Command Cards).

- Apply Ignore Invincibility to self (1 hit) before attacking with a Quick Card (1 hit, 1 turn)

- Remove 1 DEF buff when attacking (1 time) before attacking with an Arts card (1 hit, 1 turn)

- Remove 1 ATK buff when attacking (1 time) before attacking with a Buster card (1 hit, 1 turn)

Synesthesia - Rank B

A Charisma variation, affected allies synchronize their movements with Chai's and receive a significant boost. As this ability is connected with Chai's powers, its effect are more pronounced if the target is musically inclined.

FGO Effect

Cooldown: 8~6 turns

Increase all allies' ATK by 10% for 3 turns.

Increase all allies' NP Gain for 3 turns (10~20%)

Increase all [Musician] allies' ATK for 3 turns (20~30%)

Increase all [Musician] allies' NP Gauge by 20%.

Noble Phantasm

Overdrive Slash V7 - Rank C+

Rank: C+

Type: Anti-Unit

Range: 1~3

Max Targets: 1

Chai's ultimate melee technique. Chai's Spirit Origin is temporarily supercharged, allowing him to summon all his teammates at once: afterwards, the team converges on an enemy for a simple but effective coordinated attack.

FGO Effect

Buster Noble Phantasm, 13 hits

Increase own NP Strength for 1 turn (20~30%, scales with Overcharge)

Deal Special Damage to one [Lawful] enemy.

Writer Notes

Oh boy, this profile. I was seriously hoping to have it ready way earlier, it would have been perfect given the news of the big comeback! Unfortunately writer block decided to strike, but oh well, better late than never!

I was uncertain about Chai's class at first: Berserker or Saber were potential options, but neither felt right. In the end, I decided to conceptualize him as a combined Servant of sorts, with Chai as the main Servant and the rest of the team as Phantom Spirits summonable for brief moments: I figured it worked well given the original game's mechanics, and it allowed me to classify him as an Alter Ego without too much issue.

Chai's outfit in his first Ascension is a modified version of his prototype outfit from the original concept arts, while his final Ascension is based on his outfit in the ending.

For the references in the skills' names, I blame his second one: I couldn't resist the reference to the gang's names and it all spiraled from there. For the curious, the referenced songs are Iron Man by Black Sabbath, Boston Tea Party by The Sensational Alex Harvey Band, Synesthesia by The Glass Pyramids, and Ordinary World by Duran Duran. And no, I'm not apologizing for the active skills' ranks. ;)

The buffs during a Mighty Chain in his unique passive are a reference to the scoring system in the original game, where you get worse scores if you use the same move in a row: with FGO mechanics, you instead get better results if you use different colored cards.

The new "Musician" trait applies to any Servant who has shown a significant interest in music, regardless of their skill level. So yeah, Elizabeth and Nero do in fact have the trait. Additionally, all Servants who received a Spiritron Dress during the Grail Live event have the trait while wearing the costume.

While the Wiki lists Hibiki! as the first Special Attack developed in the game, it didn't feel quite right for Chai's Noble Phantasm. In the end, I decided to use the final combo attack in the final battle as the inspiration, while naming it as a variation of another of his high-Reverb Specials. With an additional Final Fantasy reference thrown in there, because why not, the original already referenced it anyway!

#fate #fate grand order #fate fanservant #fanservant #modern fiction fanservant #hi fi rush #chai hi fi rush

12 notes · View notes