#mauriat magic

[basicallyanotherwitchesthing]

Paul Mauriat And His Orchestra - Mauriat Magic - Philips rec. - 1968

[tfc2211]

Mauriat Magic (1968)

Love In Every Room (Meme Si Tu Revenais) San Francisco (Wear Some Flowers In Your Hair) Ponteio The World We Knew Angelica Merci Cherie Live For Life (Vivre Pour Livre) I Waited For You (Ce Soir Je T'Attendais) Michelle A Banda (Parade) The Last Waltz Go Away (Un Adieu)

[fckyeahdaisukekambe]

[ROUGH ENG TRANS] FUGOU KEIJI NOVEL: THE MILLIONAIRE DETECTIVE’S DECOY (Part 9)

Part 9 is about rich people problems. 'nuff said.

"A dance party?" Kikuemon slowly stretched his back on his wheelchair. "Interesting. It's been a few years since we had a party in the house."

"Can we do it?" Daisuke loosened his expression because of relief.

"I'll be glad if it will be useful to your investigation. One thing, make it extravagant." The old man began to speak after signaling to Suzue, who has been waiting in the corner of the study room. "Prepare an invitation right away. Call all the chairs, presidents, and heads of companies and bank which we have business relationships. Call three or four ministers. Ambassadors should be five because it will be more interesting if we have mixed foreigners. Oh, and of course, all of my wife's company. Let's invite a famous actress abroad. I don't know what kind of actress is popular now, but I hope a young and beautiful actress. Call and ask the art director to bring in three or forty young actresses, and for music, the London Philharmonic."

(TL: even though I have read this I am still shookt at the three to forty actresses coz that just escalated so quickly lol and damn, a house party with the London Philharmonic orchestra?!)

"The symphony is a little too much," Daisuke rushed. "There are hundreds of members in a orchestra. We won't need such a large band. Rather, let's have a 50-string orchestra."

"Then, let's do that. Mantovani is a bit old. I don't know who is good now. Paul Mauriat. Let's have him. Then of course, let's call chefs from France, around seven or eight. The entertainment should be good magic. Let's have a circus in the garden. Let's call Hikita Tenko and Kinoshita. What do you mean there is no time now? Make it in time or else, it will not be a party."

(TL: Paul Mauriat and Mantovani are both orchestra leaders while Hikita Tenko is a magician. I don't know who Kinoshita is but it think he's probably a magician or someone who also does circus acts during the Showa Era)

Furthermore, while Kikuemon continued to talk about the plans for the party, he continued to write down notes and when he rested his pen a little, Suzue came to Daisuke. "Suzue-san. I have to get you to play a role."

"What?" Kikuemon showed a somewhat stern expression. "Isn't it a dangerous role?"

"No. I'm happy to cooperate if it will help in the investigation." Suzue's face flushed. "Even if it's  a little dangerous."

"It's not dangerous," Daisuke declared. "The four suspects all seem to like you, so I want you to use the party to approach and lure them."

"What lure?" Kikuemon widened his eyes.

"Hmmm, what kind of lure is it?" Daisuke told his plan to Suzue.

"I'm impressed." Suzue smiled at Kikuemon who's anxious for her. "It's okay. I can do that. I'm not a little girl anymore." Suzue nodded to Daisuke. "I mean, I'll just be a decoy."

"Yes, you'll be the decoy." Daisuke hesitated to add that she will be beautiful decoy, but decided not to say anything after all.

______________

Hatano thought that it was another world. This is another world. A completely different world from the one he lives in. A twelve-lamp chandelier that brightly illuminates the large hall with twenty glass doors open towards the garden. There under, dressed up people dancing, laughing, drinking, and talking. To the left and right of the large hall, rare fruits are on the table and the interiors are adorned with different flowers from around the world. Buckets of food and champagne are being brought one after another. Then, young men and women stroll in the garden lawn illuminated with hundred lights while the nine string melody is playing. The scene made Hatano, who's standing in the corned of the hall, heart sink rather gloomy. It was because he know how unsuitable he is for the place.

"I didn't think this kind of world really exist in our time. It's completely like an old-fashioned aristocratic society. Are we really in Japan?" Suda felt like he sobered up. "I used to know only one side of our society. I didn't even know such reality exist. This is actually why I keep insulting rich people." Embarassed with his clothes and with a glass of champagne given to him, Suda has been sitting in an inconspicious place under the stairs in the entrance hall for some time. It was clear that the young actresses would look down at him with contempt if he went out to the wide area. He's angry at Daisuke for inviting him and at himself for going. He thought maybe Daisuke is busy entertaining the other guests somewhere but he didn't show up and Suda couldn't help being overwhelmed by the number of guests.

Hayakawa wondered if he should return. Tired of being alone and lonely, he stood by the terrace with a frustrated look. Better yet, he could just get drunk but that would be unacceptable. It seemed like the circus has began in the corner of the garden and he had a loud laugh, but Hayakawa felt like a ridicule to himself and he became more depressed.

After boldly asking a young woman to accompany him but didn't accept, he couldn't invite anyone to dance anymore and Sakamoto gazed at his champagne and looked around him with frustration. He's been to business parties but he's always been in a position to serve. Damn, I wonder if I could only put myself on the service side, he thought. He's going to wear his best clothes so he shouldn't be too out of place, He can say to himself that it's not strange at all. After all, he thinks that the people who look at it can only see it as fashionable are those who are poor, so he shrugged. He came to the side of the bar where fellows like him are making drinks, so he finally found his place and felt calm.

"Oh, you're here." Suzue came and stood in front of Hatano. "I've been looking for you for some time."

At first, Hatano didn't think that the voice is calling for him, and he didn't even think it was Suzue. As soon as he felt that someone beautiful in a white dress is approaching him, he immediately turned away by instinct, which hurts him more. "Ms. Suzue," Hatano have bleary eyes but his eyes widened and got distracted when he glanced at Suzue's chest. "Sorry, there must be a mistake."

"No, I'm not mistaking it." With a friendly smile, Suzue looked at Hatano. "You were alone all this time. I'm really sorry for not entertaining you."

Nobody cares about me, he wanted to mutter such words but Hatano shook his head. "That's not true. I’m actually enjoying it."

THIS IS ACTUALLY ALSO LEFT ME HANGING BEC NEXT WOULD BE ABOUT SUDA ALREADYYYY. anyway late upload bec i know i will probably die from overwork soon lol.

[sweet-soft-baby]

I bought an old vinyl record and I thought it would be suited to your style. Well you have pretty long hair anyways. I would love to see you recreate this. It's called Mauriat Magic...Paul Mauriat and his Orchestra. I can't post a picture but check it out. Ps I love your pictures and your style is spot on!

I wanted to recreate this so bad, I absolutely love the look of it!! But I really tried and was forced to come to the conclusion that the woman in the photo must have either extensions or a wig, because it’s just not possible with a normal human amount of hair lol

[behind-the-screen-of-bangtan]

The 🐨💿Record Shop🎵🐤

This post is a complement of the one about “Dynamite”. Below are listed all the elements that were identified:

Johnny Gill ‎– Rub You The Right Way

Teddy Pendergrass ‎– Teddy

John Kiley ‎– Gigantic Pipe Organ

Real Life ‎– Heartland

The Great Singalong - 10 Big Hits, Volume 2

Eddie Jobson ‎– Theme Of Secrets

Basic Black ‎– She's Mine

SoundFactory ‎– Come Take Control

Scorpions ‎– Live

Boyz II Men ‎– Cooleyhighharmony

Leonard Pennario - Paganini, La Campanella produced by the label Seraphim and released in Japan

Bobby Brown ‎– Don't Be Cruel

Disco Medley Party Vol.2

Ace ‎– No Strings

The Billy Cobham / George Duke Band ‎– "Live" On Tour In Europe (it’s a black and white version)

Denis Quilley, Marilyn Dougan, Danny Purches And The Mike Sammes Singers Orchestra Conducted By John Gregory ‎– My Fair Lady

Cobra (Original Motion Picture Soundtrack)

Living Strings / Living Voices ‎– Living Strings And Living Voices In The Greatest Music Ever Sung

Mitch Miller ‎– 16 Most Requested Songs

Introducing Stereo 70

U2 ‎– The Joshua Tree (cr.)

Mega Disco Mix (poster) 

Billy Idol ‎– Rebel Yell (poster)

The B-52's ‎– The B-52's (poster) (cr.)

A sign with “House of oldies // Rare Records // 35″ written on it

Bee Gees ‎– Night Fever (poster)

A poster of the inner gatefold of The Beatles’ Sgt. Pepper

Chuck Berry ‎– All-Time Rock'n'Roll Party Hits (it’s the back that’s visible)

Funk & Souk music festival poster

A Rolling Stone poster

A poster based on the cover of Sweet Child O Mine by Guns N’Roses

Grandmaster Flash & The Furious Five ‎– The Message (poster, black and white version)

A poster for Saturday’s Royal Pocket Tour 

Rock 'N Roller Disco

The Oak Ridge Boys ‎– Y'All Come Back Saloon

35.5 The pro Arte Orchestra conducted By George Weldon – London Pops (picture)

Chuck Brown poster

Roxette ‎– Joyride

Kinks – Kinks (cr.)

A poster for John Denver’s concert 

The Kingsmen ‎– On Campus

Pachelbel's Greatest Hit

(세계 영화음악 전집) The World’s Favorite Screen Music 18 - The Best Of TV Themes

Geoff Love And His Orchestra ‎– Big Concerto Movie Themes

Bee Gees ‎– Stayin' Alive

Nostalgie Disco Fever

A Guns N’ Roses concert poster

The B-52's ‎– Tell It Like It T-I-Is!

Pretty Poison ‎– Nightime

Bee Gees ‎– Spirits Having Flown (cr.)

Silverlong Brass Band ‎– Great Marches Of The World (not appearing in this picture but it was initially here. It also appears in RM’s hand when he dances, see fourth picture)

Paul Mauriat And His Orchestra ‎– Feelings

Joy ‎– Disco Mix Vol. 7 - Touch By Touch / Fire In The Night

The Rio Carnival Orchestra ‎– Honeymoon In South America

Disco Town Mix Vol. 4

Neil Diamond ‎– September Morn

이문세 (Lee Moonsae) ‎– 4

“Long Live Asap” cover made by Pow83

Rockwell ‎– Somebody's Watching Me 

Everly Brothers ‎– The Best Of The Everly Brothers

D.J. Maxi Single

Wham! U.K. ‎– Fantastic

봄.여름.가을.겨울 ‎– 농담, 거짓말 그리고 진실

Saturday Night Fever (The Original Movie Sound Track)  

A 10 Deep logo sticker

André Kostelanetz And His Orchestra ‎– Romantic Arias For Orchestra

DJ Jazzy Jeff & The Fresh Prince ‎– I'm Looking For The One (To Be With Me)

TOP POP ALBUMS Vol.4

The Dirt Band ‎– An American Dream

Marvin Hamlisch ‎– The Entertainer

Rod Stewart ‎– Out Of Order

Jim Reeves ‎– The Mellow Magic Of Jim Reeves

TNN ‎– AyAyAy Cielito

Gary Moore ‎– Back On The Streets (it’s the back that’s visible on the set)

The Young Person's Guide To The Orchestra / Peter And The Wolf

Elvis Presley ‎– Elvis Gold 30 Vol. 2

Billy Ocean ‎– Suddenly (this record already appeared in the background of the “Dyonisus” performance at the 2019 KBS Song Festival)

A poster for The DC Funk-Punk Throwback Jam at the 9:30 Club, on 2/24

[kevindurkiin]

Melodies d’Amour vol. 1

Melodies d’Amour vol. 1

Andre Kostelanetz-Desafinado (2:11) Arthur Greenslade-Too much heaven (2:52) Bela Sanders-Moon River (2:54) Bert Kaempfert-Gray eyes make me blue (3:02) Billy Vaughn-The most beautiful girl (2:26) Botticelli-Mélodie d’amour (2:16) Caravelli-Every little thing she does is magic (3:19) Cyril Ornadel-I who have nothing (2:58) Cyril Stapleton-And I love you so (3:46) Frank Chacksfield-Afternoon delight (2:38) Geoff Love-Daniel (3:38) Helmut Zacharias-Orfeu negro (2:40) James Last-How do I love (4:22) Kai Warner-Mexican girl (3:14) Kai Winding-More (2:01) Maurice Larcange & Roland Shaw-Emmenez-moi (3:06) Nelson Riddle-I love how you love me (2:33) Paul Mauriat-Ne me quitte pas (3:23) Percy Faith-I only have eyes for you (4:40) Ray Davies & Button Down Brass-The right one Girl in the green dress (2:30) Ray Hamilton-It hurts to be in love (4:33) Ron Goodwin-Wives and lovers (2:39) Royal Philharmonic Orchestra-True love (2:43) The Mario Panas Sound-Meine Freunde sind die Träume (3:23) Waldo de los Rios-Everybody’s Talkin‘ (2:30) Werner Muller-Belle of the ball (2:43)

Melodies d’Amour vol. 1 published first on https://soundwizreview.tumblr.com/

[awesomemartineanciauxthings-blog]

20-12-2017 AMIS INTERNAUTES L'HOMME EST UN PREFECTIONNISTE, ET UN ASSOIFFE DE RECORDS, il est comme cet enfant, qui a peine debout touche a tout pour connaître, et comprendre. j'ai été estomaqué par la performance de françois GABART NOS FELICITATIONS BRAVO MARTINE ANCIAUX&THOMAS André

21-5-2017 INTERDICTION BANDE SON PAR YOUTUBE, CHANGEMENT DE BANDE SON

BON 1ER MAI 2016 01-05-2016 mise à jour, A tous les internautes DU MONDE ENTIER, un très bon premier Mai avec que du bonheur, mais au lieu du muguet traditionnel, comme il est de tradition en FRANCE, Je vous invite en mer , aux voyages extraordinaires à ceux dont ont rêvent, mais que nos moyens nous empêchent de faire. Un bouquets de muguet auprès de vous et du bonheur à profusion, laisser vous porter par la mer. THOMAS André Martine ANCIAUX 01-05-2016 Contestation de l'interdiction de la bande son par yooutube 28-08-2015 mise à jour de ce photo-poème Ajoutée le 16 nov. 2014 Musique"La Mer (2) (Instrumental)" de Paul Mauriat THOMAS ANDRE, auteur, écrivain ,poète, MARTINE ANCIAUX, photographe d’art,et créatrice de la photo-peinture, photo painting,Martine ANCIAUX creator of the photo painting. new art of the photo painting, art photographer, http://www.anciaux-photos.fr, http://www.anciauxmartine.com la vie offre souvent de fabuleux spectacles, à qui sait observer, un lever de soleil, un coucher de soleil, mais parfois notre monde moderne nous gâte par ses illuminations, et ses formes qu’elle peuvent créer. Ici dans ce diaporama photo-poème PORTS EN LUMIERES, nous vous offrons, un spectacle poétique, sonorisé, photographique, et aussi de photos-peintures .

©PORT EN LUMIERES poème THOMAS André©

Quand la lumière de la nuit éclaire les bateaux, Alors apparaît un monde magique de cadeaux, Où la rigidité des formes, Comme par enchantement se transforme.

Finit le rapport de l'eau, et de la barque, Surgit, alors des univers fantastiques, Parsemés de formes féeriques, Qui s'étiolent ou se créent, et nous embarquent,

Vers autre chose, que la réalité, Vers le rêve, et la liberté, En transformant notre approche cartésienne, Vers un dérivé, très éloigné de la logique mathématicienne.

Comme un enfant, aux jouets extraordinaires, Il explore ces barques, sorties de l'ordinaire, Changeant complètement, son optique sur la vie, Il scrute comme un aventurier, ce milieu qui s'offre à sa vie.

Assoiffé, qu'il est de vouloir le maîtriser, Pour dompter cet univers, si rebelle, et en même temps, si doux, Son but, sera de l'apprivoiser, Afin de mieux contrôler, cet univers si doux.

Ce besoin chez l'homme, de vouloir tout domestiquer, Fait partie de sa nature, Comme la faune, et la flore qui sur la terre figure, Et qui la négliger, croyant tout prévoir, Laissant au loin, son esprit, et son savoir.

Alors, si l'homme retrouve ses valeurs, Il ira à nouveau, vers la créativité, Laissant venir en lui, sa sensibilité, Afin de renaître, et de s'émanciper de ses erreurs.

translated by Google translation

Life often offers fabulous shows, who knows observe a sunrise, a sunset, but sometimes our modern world spoils us with its illuminations, and forms it can create. Here in this slideshow photo-poem PORTS LIGHTS, we offer a poetic show with sound, photographic and photo-paintings also.

© PORT IN LIGHTS © poem André THOMAS

When the light of the night lights boats, Then appears a world of magical gifts, Where the rigidity of forms, Magically transforms.

Ends the ratio of water, and the boat, Arises then fantastic universe, Dotted with enchanting shapes, Who wither or are created, and we boarded,

To something else, that reality, To dream, and freedom, By transforming our Cartesian approach Towards a derivative, far from the logic mathematician.

As a child, extraordinary toys It explores the boats, regular outputs, Completely changing his perspective on life, It scans as an adventurer, this medium that offers its life.

Thirsty, it is to want to master it, To tame this universe, so rebellious, and at the same time so gentle, Its purpose will be to tame, To better control this so sweet universe.

This need humans to domesticate want everything, Is part of his nature, As fauna and flora on earth figure, And neglect, believing foresee everything, Leaving off, his mind and his knowledge.

So if a man finds his values, He will go again towards creativity, Leaving come to him, his sensitivity, To be reborn, and free itself from its mistakes.

[latikobe]

La casi olvidada música cubana de los 60 y 70

LA HABANA, Cuba.- En Cuba, cuando se habla de la música de las décadas del 60 y 70, la mayoría de las personas con edades entre los 50 y los sesenta y tantos años tiende a pensar principalmente en números del pop español que ponían profusamente en la radio con tal de no pasar las canciones en inglés, el idioma del enemigo. Pocos recuerdan hoy las canciones e intérpretes nacionales de la época.

Tanto nos quisieron imponer la música cubana –o lo que los mandamases entendían como tal, que lo mismo podía ser el Mozambique que la Nueva Trova – que muchos terminamos haciéndole rechazo. Hoy, a la distancia, comprendemos que nos perdimos alguna buena música -por ejemplo, la que compusieron Marta Valdés, Ela O’Farrill, Meme Solís, José Antonio Méndez, Martín Rojas, Rembert Egues, Juanito Márquez-, que también fue parte de la banda sonora de nuestras vidas y a fin de cuentas, era mejor que la de los Fórmula V y los Mustangs.

Y ya es difícil retomar el hilo. A pesar del catálogo de más de 10 000 matrices del que presume la Empresa de Grabaciones y Ediciones Musicales (EGREM), mucha de la música que se grabó en Cuba en los 60 y los 70 (la que se pudo y permitieron grabar) es muy difícil de encontrar o sencillamente ya no se conserva: por desidia, porque sus intérpretes fueron prohibidos cuando se fueron del país, porque los comisarios que regían la cultura entendieron que no valía la pena.

Y no cuente con escucharla en la radio. Salvo algunos números de Los Van Van, de Silvio Rodríguez y de Los Zafiros luego del éxito de la película Locura azul, apenas ponen canciones cubanas de las últimas cinco décadas, no importa cuán populares hayan sido en su momento. Un programa de música añeja de una hora de duración, que ponen los domingos al amanecer por Rabio Rebelde, es una de las raras excepciones.

Por suerte, no es mucho lo bueno que nos perdemos. Para nada se extrañan aquellos remedos de la música pop que hacían Mirta y Raúl queriendo asemejarse a Sonny & Cher, la bellísima pero intrascendente Leonor Zamora, Los 5U4 antes de que a Osvaldo Rodríguez le diera por componer himnos para el régimen, María Elena Pena con aquello de “…y una ballena en una pecera”, Luis Nodal apropiándose de las canciones de The Four Seasons como mismo hacía José Valladares con el millón de amigos de Roberto Carlos…

Pero estaban también –y esos sí se echan mucho de menos- el cuarteto de Meme Solís (cuyos integrantes por separado nunca llegaron a ser lo que prometían), La Lupe, Freddy, Martha Strada, Elena Burke, Omara Potuondo (cuando aún no era la Diva del Buena Vista Social Club, la que cantaba “That old black magic” en el disco Magia negra, de 1959)), Moraima Secada, Gina León, Frank Emilio, Felipe Dulzaides.

Será la nostalgia, pero las canciones de esos artistas uno las escucha hoy y tienen un raro encanto. Y eso que los arreglos musicales eran espantosos y las grabaciones horribles.

Y no era para menos. Luego de caer en manos del Estado las firmas Panart y Puchito en 1960, la industria disquera fue administrada durante más de tres años por la Imprenta Nacional. La EGREM, creada en 1964, heredó equipos de grabación que ya eran obsoletos. Muchos de los grabadores se fueron de Cuba. Los que quedaron tuvieron que arreglárselas como pudieron. No fue hasta mediados de los 70, cuando llegó a Cuba el polaco Jerzy Belc, que en los estudios Areito se lograron grabaciones medianamente decentes.

Respecto a los arreglos, la Orquesta del ICRT parecía escapada del Circo Pubillones. Y no era por falta de buenos músicos y arreglistas. El problema fue que para no disgustar a los comisarios culturales, a quienes les repugnaba la “decadente” música beat, directores como Roberto Valdés Arnau y Rafael Somavilla se propusieron hacer arreglos musicales aferrados a la tradición nacional, a contramano de lo que sonaba en el resto del mundo. Y se quedaron atrás. Justo en los años del sonido Motown, de las experimentaciones de Phil Spector con el muro de sonido, de la magia de Michel Legrand, de Paul Mauriat que lo mismo acompañaba a Charles Aznavour que ponía “Love is blue” en los primeros lugares del hit parade, de Ennio Morricone musicalizando los western spaghettis, y de las orquestaciones de lujo de Juan Carlos Calderón, Manuel Alejandro y Augusto Algueró para el pop español.

En 1967, los comisarios culturales permitieron la creación de la Orquesta de Música Moderna, pero pocos años después, en el Decenio Gris, la convirtieron en una orquesta de variedades a la manera de las existentes en los países del bloque soviético.

Teniendo todo eso en cuenta, me explico la reacción de un amigo residente en Miami a quien le regalé el CD “Elena Burke canta a Juan Formell”. Me confesó que no lo pudo escuchar completo. Cuando le pregunté si era porque le traía malas memorias, me respondió: “No, chico, de tan feo que se oye”.

Ese disco contiene canciones preciosas como “Lo material”, “Yo soy tu luz” y “De mis recuerdos”, cantadas como solo podía cantarlas la Señora Sentimiento. Pero, con la grabación digitalmente reconstruida y todo, es verdad que se escucha fatal. Otro hubiese sido el resultado, en ese y otros discos, si se hubieran grabado en condiciones de más normalidad que las que existían en los años del paroxismo castrista. Y ojala no aparezca algún zoquete a decir que también en eso la culpa fue del bloqueo.

luicino2012@gmail.com

La casi olvidada música cubana de los 60 y 70

[atsypin]

ПОДКАСТ ПРОГРАММЫ О ФРАНЦУЗСКОЙ ПОП МУЗЫКЕ / Лучшие песни знаменитых французских исполнителей для любимых женщин. http://imagineradio.ru/programm/vinilovye-novosti/luchshie-pesni_dlya-lyubimyh Треклист передачи: Julio Iglesias–Ce Qui Me Manque Demis Roussos–Femme Maintenant Gilbert Bécaud–Je Reviens Te Chercher Gérard Lenorman–Le Géant De Papier Bruno Lorenzoni–Les Valses De Vienne François Feldman–Magic' Boul'vard Paul Mauriat–Toccata Philippe Lavil–La Femme Qui Dit Jamais Je T'Aime Pierre Bachelet–Ecris-Moi Richard Cocciante–Sincérité Serge Lama–Je Suis Malade Joe Dassin–A Toi Henry Salvador–Petite Fleur Salvatore Adamo–Petit Bonheur #imagineradio

[eydabzo-blog]

Mauriat Magic | Paul Mauriat

Paul Mauriat mp3 download

DOWNLOAD

Mauriat Magic album:

Artist - Paul Mauriat mp3

Album - Mauriat Magic mp3

Year - 1967

Genre- Instrumental

Tracks:

Ponteio

Angelica

Love In Every Room

Go Away

The World We Knew

Parade

Merci Cherie

San Francisco

Live For Life

The Last Waltz

Waited For You

Download Mauriat Magic

Watch videos & listen free to Paul Mauriat: Love Is Blue, Toccata & more, plus 8 pictures. Billboard chart since the Tornados hit with "Telstar" in 1962. Born: March 4 , 1925 in Marseilles, France Paul Mauriat MP3 Downloads - Paul Mauriat Music Downloads - Paul. Paul Mauriat (Marseille, 4 March 1925 3 November 2006 in Perpignan. Paul Mauriat | Free Music, Tour Dates, Photos, Videos Paul Mauriat's official profile including the latest music, albums, songs, music videos and more updates. Paul Mauriat P aul Mauriat's 1968 cover of Andre Popp's "Love is Blue" was the first instrumental to hit #1 on the U.S. He is best known in the United States for his million. On our site you will find articles, music and photos of the composer. Paul Mauriat | All about the composer The famous composer, conductor and arranger Paul Mauriat. Paul Mauriat Free listening, videos, concerts, stats

[kevindurkiin]

Super Instrumental 05

Playlist

Frank Duval – Avedana (4:23) Andreas Vollenweider – Trilogy (At The White Magic Ga (3:21) Paul Mauriat – Mamy Blue (2:52) Fausto Papetti – Sleep Walk (2:47) Ekseption – Peace Planet (3:34) ELO – Another Heart Breaks (3:51) Diego Modena – Ocarina Burning (4:09) Fausto Papetti – Besame Mucho (3:17) Francis Goya – Lonely Bell (2:43) James Last – The Sounds Of Silence (5:18) Frank Duval – On The Wing (3:05) Hank Marvin & The Shadows – Kontiki (1:56) Paul Mauriat – Alla Figaro (3:24) Richard Clayderman – Fernando (4:18) Francis Goya – Third Man (2:43) Fausto Papetti – Samba Pa Ti (4:10) Gheorghe Zamfir – Yesterday (2:48) Frank Duval – Solitude (2:38) Alan Parsons Project – Hawkeye (3:52) Ennio Morricone – The Trio (5:03)

Super Instrumental 05 published first on https://soundwizreview.tumblr.com/

[awesomemartineanciauxthings-blog]

21-5-2017 INTERDICTION BANDE SON PAR YOUTUBE, CHANGEMENT DE BANDE SON

BON 1ER MAI 2016 01-05-2016 mise à jour, A tous les internautes DU MONDE ENTIER, un très bon premier Mai avec que du bonheur, mais au lieu du muguet traditionnel, comme il est de tradition en FRANCE, Je vous invite en mer , aux voyages extraordinaires à ceux dont ont rêvent, mais que nos moyens nous empêchent de faire. Un bouquets de muguet auprès de vous et du bonheur à profusion, laisser vous porter par la mer. THOMAS André Martine ANCIAUX 01-05-2016 Contestation de l'interdiction de la bande son par yooutube 28-08-2015 mise à jour de ce photo-poème Ajoutée le 16 nov. 2014 Musique"La Mer (2) (Instrumental)" de Paul Mauriat THOMAS ANDRE, auteur, écrivain ,poète, MARTINE ANCIAUX, photographe d’art,et créatrice de la photo-peinture, photo painting,Martine ANCIAUX creator of the photo painting. new art of the photo painting, art photographer, http://www.anciaux-photos.fr, http://www.anciauxmartine.com la vie offre souvent de fabuleux spectacles, à qui sait observer, un lever de soleil, un coucher de soleil, mais parfois notre monde moderne nous gâte par ses illuminations, et ses formes qu’elle peuvent créer. Ici dans ce diaporama photo-poème PORTS EN LUMIERES, nous vous offrons, un spectacle poétique, sonorisé, photographique, et aussi de photos-peintures .

©PORT EN LUMIERES poème THOMAS André©

Quand la lumière de la nuit éclaire les bateaux, Alors apparaît un monde magique de cadeaux, Où la rigidité des formes, Comme par enchantement se transforme.

Finit le rapport de l'eau, et de la barque, Surgit, alors des univers fantastiques, Parsemés de formes féeriques, Qui s'étiolent ou se créent, et nous embarquent,

Vers autre chose, que la réalité, Vers le rêve, et la liberté, En transformant notre approche cartésienne, Vers un dérivé, très éloigné de la logique mathématicienne.

Comme un enfant, aux jouets extraordinaires, Il explore ces barques, sorties de l'ordinaire, Changeant complètement, son optique sur la vie, Il scrute comme un aventurier, ce milieu qui s'offre à sa vie.

Assoiffé, qu'il est de vouloir le maîtriser, Pour dompter cet univers, si rebelle, et en même temps, si doux, Son but, sera de l'apprivoiser, Afin de mieux contrôler, cet univers si doux.

Ce besoin chez l'homme, de vouloir tout domestiquer, Fait partie de sa nature, Comme la faune, et la flore qui sur la terre figure, Et qui la négliger, croyant tout prévoir, Laissant au loin, son esprit, et son savoir.

Alors, si l'homme retrouve ses valeurs, Il ira à nouveau, vers la créativité, Laissant venir en lui, sa sensibilité, Afin de renaître, et de s'émanciper de ses erreurs.

translated by Google translation

Life often offers fabulous shows, who knows observe a sunrise, a sunset, but sometimes our modern world spoils us with its illuminations, and forms it can create. Here in this slideshow photo-poem PORTS LIGHTS, we offer a poetic show with sound, photographic and photo-paintings also.

© PORT IN LIGHTS © poem André THOMAS

When the light of the night lights boats, Then appears a world of magical gifts, Where the rigidity of forms, Magically transforms.

Ends the ratio of water, and the boat, Arises then fantastic universe, Dotted with enchanting shapes, Who wither or are created, and we boarded,

To something else, that reality, To dream, and freedom, By transforming our Cartesian approach Towards a derivative, far from the logic mathematician.

As a child, extraordinary toys It explores the boats, regular outputs, Completely changing his perspective on life, It scans as an adventurer, this medium that offers its life.

Thirsty, it is to want to master it, To tame this universe, so rebellious, and at the same time so gentle, Its purpose will be to tame, To better control this so sweet universe.

This need humans to domesticate want everything, Is part of his nature, As fauna and flora on earth figure, And neglect, believing foresee everything, Leaving off, his mind and his knowledge.

So if a man finds his values, He will go again towards creativity, Leaving come to him, his sensitivity, To be reborn, and free itself from its mistakes.