#mateus icons
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iconsfinder · 1 year ago
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s6ojn · 2 months ago
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Se você me pedir para ficar para sempre com você 🫵🏿
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🏃🏿‍♂️ Nem vou pensar duas vezes para te responder você sabe que eu vou
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artverso · 2 years ago
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Mateus Manhanini - Icon vs Hardware
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asheanon · 11 months ago
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You open Pandora's box and this idiot comes flying out.
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crvgedits · 8 months ago
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vasco icons
like se salvar
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Wednesday Wonderful Merchandise
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MONDO Marvel's Black Panther: Wakanda Forever - Original Score 2 Disc Vinyl LP
An absolute triumph of film music, Grammy®-winning Ludwig Göransson worked tirelessly for years on his follow up to the gargantuan achievement that was his Academy Award®-winning original score for the first film. Traveling to Senegal, Lagos, Mexico and collaborating with talented artists from each region to authentically capture instruments and vocalists to craft the masterful sonic landscape that comprises the battle between the underwater Talokan and the country of Wakanda. 
The iconic “T'Challa” theme is still present, but this score is anchored by Ludwig's truly inspired new theme for Shuri, a piercing melodic synth with a haunted melody that, much like the character in the film, goes through a journey to find itself in the shadow of grief. The music of the Talokan is lush and powerful in its own right, with its centerpiece, “Con La Brisa” featuring vocals by Foudeqush, being a standout in an album full of masterpieces. There are a few other song/score hybrids - featuring Toby and Fat Nwigwe, Vivir Quintana - something that Ludwig has been proudly incorporating into his releases since his score album for Creed.
Featuring original artwork by Mateus Manhanini and pressed on 2x 180 gram Mondo exclusive color vinyl (also available on 2x 180 gram black vinyl) this is one of the best scores of 2022, and we are incredibly honored to feature it in our on-going Marvel Music series.
Pre-Order at Mondo. Release date July 2023
This is the score, not the soundtrack, but I don't think they released the score on CD, so this may be the only physical release of the score.
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sabrinatvband · 6 months ago
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A Comprehensive List of Essential Comic Making Resources
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It's very easy to get surface-level information about the art of making comics. But if you want the real shit, some curation will help. Some of these are neat informative images. Others are books that you'll have to find yourself. There will be some links to videos. Let's get into it.
[Link to a WordPress version of this post so you can share with your friends who don't use Tumblr]
ESSENTIAL BOOKS
There are enough books by professional, highly regarded comic artists and writers out there that you never need to buy a "How To" book by someone without industry experience; something to keep in mind.
Making Comics by Scott McCloud Scott McCloud is maybe a little too afraid of making definitive statements, but otherwise this is an incredible macro-level overview on the subject of making comics. Understanding Comics is also essential; Reinventing Comics is more of a time capsule. Perspective for Comic Book Artists by David Chelsea A comic artist who doesn't know perspective is like a guitarist who can't do alternate picking. This book, which is itself a comic, is a very effective resource on the subject of perspective. I made a short video about a cool trick from this book that they don't teach in art class:
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This book has a sequel, Extreme Perspective for Artists, which is good at being what it is, but the advice is a lot less widely applicable. Framed Perspective Vol. 1 and 2 by Marcos Mateu-Mestre Going to be honest, these books are mostly redundant if you've already read the [imo] superior David Chelsea book, but they aren't bad books in isolation and if you get the perspective sickness like I did you'll probably want to read them anyways.
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Figure Drawing for All It's Worth by Andrew Loomis Andrew Loomis wrote a bunch of highly regarded illustration books, but this one is my favorite. It has a lot of great practical advice related to drawing figures in perspective together, which begin with the iconic "John and Mary Problems". Here's another essential Loomis diagram:
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Drawing Scenery: Landscapes and Seascapes by Jack Hamm I really need to re-read this one, and take it seriously this time, because my rocks look like shit. The other Jack Hamm books [Cartooning the Head & Figure, Drawing the Head & Figure] are also good. Writing for Comics by Alan Moore This is a very brief book, and it's maybe not super revelatory, but none of the advice within is bad. Writing for Comics & Graphic Novels by Peter David Nothing groundbreaking here either, but also not a book that will teach you wrong lessons. PROTIP Remember that any books about writing craft will be applicable to writing comics in many ways; books about writing comics specifically might have a few specialized tidbits, but 90% of writing advice transfers across mediums. Chuck Palahniuk wrote a series of essays on writing that I really enjoy that are floating around in a PDF somewhere; I'm not sure if that PDF turned into Consider This. Eclipse Tips from Top Cartoonists by Various This book is long out-of-print and rare, but you can see a flip-through of the book here. There's a lot of great stuff in it, but the most essential part is probably Scott McCloud's bit. [PROTIP: Using an upscaler on a screenshot of a book can make small text a lot more legible; the image below was upscaled.]
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Will Eisner Books by Will Eisner I'm going to be honest, I once read Comics and Sequential Art and found a lot of the information within to be very pointless musings about things [e.g. "What if I drew some panels over a skeuomorphic drawing of a comicbook?"]. But Eisner's books are held in high regard by a lot of people, and obviously he was a talented cartoonist. Maybe I read his worst book on the subject. How to Draw Comics the Marvel Way by John Buscema Read this historically significant book, absorb the four or five nuggets contained within, and take everything else with a grain of salt.
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Morpho Art Books by Michel Lauricella I find these art reference books a lot more useful than equivalent resources. A lot of comic artists could definitely benefit from reading Fat and Skin Folds; it's not always about muscles! How to Draw: The Best of Basic Training by Various Wizard Magazine used to have a feature called Basic Training where various comic artists would give tips on how to draw. A lot of these tutorials were perhaps too short to be good, and some of the gross ones reek of an assumption that women won't be reading them [see: Sultry Women by Adam Hughes], but there were some real gems in there. Artists such as Joe Kubert, George Perez, Kevin Maguire, Scott McCloud, Steve Lieber, Mike Mignola, and Brian Bolland contributed. The image below is from a piece on drawing realistic women by Terry Moore.
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The Complete Idiot's Guide to Creating a Graphic Novel by Nat Gertlet and Steve Lieber I've never personally read this book, but Eisner-winning Steve Lieber is a highly respected cartoonist and Gertler had been Eisner-nominated before writing this book. I imagine it's a solid resource. How Comics Work by Dave Gibbons and Tim Pilcher Another book I haven't personally read, but obviously Dave Gibbons is a master of the medium. Frank Santoro wrote a mixed review about this book for The Comics Journal. Words for Pictures by Brian Michael Bendis I remember flipping through this for a while in a Barnes & Noble and thinking it was entertaining. The Art of Comic Book Writing by Mark Kneece Kneece doesn't have a very substantial bibliography as a comics writer, but this book is highly regarded by many people. The DC Comics Guide to . . . by Various DC made a whole series of books related to various facets of comics craft. I haven't read most of these myself, but they're all well-regarded and were written by top talents such as Dennis O'Neil and Klaus Janson. The only one I have read is The DC Comics Guide to Digitally Drawing Comics; solid book, implies good things about the other books in the series, but this specific volume is only really worthwhile if you use Photoshop. The Art of Comic Book Inking Third Edition by Gary Martin et al I've never read the third edition, but I have seen the first edition and that was a good book in itself, with the subsequent editions being more highly regarded. The third edition features contributions from a murderers' row of comics professionals: Terry Dodson, Adam Warren, Brian Bolland, Kevin Nowlan, Mike Royer, and many others.
ESSENTIAL BLOG POSTS AND SUCH
Jesse Hamm's Writings on Alex Toth I can't tell you how many times I read Jesse Hamm's LiveJournal posts about Alex Toth [and a handful of other artists] during class in highschool. Unfortunately a lot of the images are now broken, and so you'll need to pull out the Wayback Machine to make sense of some of these. Don Simpson on King Kong Don Simpson, across his various blogs, has made a lot of neat process posts, but these two posts about his King Kong comic are probably his most essential. Rough Riders: Kong Art from Concept to Finish First Kingdom: Kong Thumbnails from 1990 Shit I Wish Scott McCloud Told Me This old Tumblr has been ravaged by time; the formatting has been ruined after years without updates and inactivity, and much of the advice was written by people without credibility [cough]. But there were some real nuggets here. Jim Shooter on Comics Craft There's a website that compiles Jim Shooter's opinions on various facets of comic craft. Shooter was mostly known for being an editor, but he did write and layout some highly regarded comics in his time. Probably worth watching these videos as a companion piece of sorts, especially if you're not familiar with Shooter's ethos. Kelly Turnbull Tutorials The most useful tutorial is Let's Draw Abs, but you might find some use in the other ones. Matt Fraction on Daredevil: Born Again The triangle stuff here sounds made up, but apparently it was intentional. The Schweizer Guide to Spotting Tangents You're going to want to avoid tangents, which can make pictures look visually confusing. Jim Rugg's Octobriana 1976 Process Zine This PDF costs $5, but it's worth it to see over 300 pages of sketches, breakdowns, insights, etc.
THE BEST CARTOONIST KAYFABE EPISODES
I do realize that Cartoonist Kayfabe was a divisive Youtube channel; if you'd like to hear more of my thoughts you can read an article I wrote about the channel on my blog here. In short, I think Cartoonist Kayfabe was one of the greatest educational resources on comics craft. Here are the videos from the channel I found the most educational:
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Thumbnails, Layouts, and Roughs Dark Knight Returns Original Artwork Watching the Watchmen The Charlton Comicbook Guide for the Artist / Writer / Letterer Frank Miller's Conversation With Will Eisner Templates for Faster Comic Making The Killing Joke Brian Bolland Layouts How to Draw Comics the Bill Griffith Way How to Ink Comic Books Absolute Batman: Year One Famous Artists Course: Composition Full Make More Comics Playlist
OTHER NEAT YOUTUBE THINGS
Helioscope PDX Helioscope PDX is a large studio in Portland shared by many cartoonists, and they have some neat videos. Terry Moore's Youtube Channel The guy who wrote and illustrated Strangers in Paradise has a Youtube channel where he posts neat, often wholesome videos. Strange Brain Parts Not actually a channel about making comics, but as far as analysis goes Strange Brain Parts is the best comics channel on Youtube. Neat!
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COMICS WITH PEAK CRAFT
This list is obviously far from being exhaustive, but I think all of these comics are at least a 9/10 on a craft level, if not also a dramatic level.
OMAC by Jack Kirby A lot of Jack Kirby's 70s books with Mike Royer and D. Bruce Berry on inks are really impressive visually, but what makes me recommend OMAC so often is that it's only eight issues long. There's an incredible panel in issue 2 where OMAC is standing outside of a door and listening to a conversation, and it has an amazing foreground-background element. One of my all-time favorite panels.
By the 70s, almost every panel Kirby illustrated was a masterpiece. So many incredible compositions designed to guide the eye in a circular motion; check out this late-period composition from Captain Victory, which not only guides the eye in a circle but also has a lot of depth.
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The Dark Knight Returns by Frank Miller The 16-panel grid this book uses is masterful; really absorbs the reader into the world and creates a special, often intimate atmosphere. Weapon X by Barry Windsor Smith The compositions, atmosphere, pacing, etc in Weapon X are perfect.
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Born Again by Frank Miller and David Mazzucchelli At least as good as Batman: Year One on a craft level, but also a more entertaining story.
Sim Hell and Fatal but Not Serious by Adam Warren These comics are very effective at creating a sense of space, and also the lettering in these books is incredible. I wrote an entire article extolling the formalism of these books.
Wonder Woman: Earth One by Grant Morrison and Yanick Paquette If you want to see what modern 3D-model assisted fastidious comics craft looks like, check out this book!
Watchmen by Alan Moore and Dave Gibbons Do I need to say anything?
ODDS AND ENDS
Wally Wood's 22 Panels That Always Work Wally Wood made a reference sheet detailing 22 visually interesting panels to help him work through dialogue scenes and meet deadlines, and it wasn't long before every working comic artist had a copy of it taped to a corner of their drafting table. Here's the original, as well as a visually cleaner remake by Michael Avon Oeming.
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Jim Steranko's The Laws of Action Solid advice on how to liven up figure drawings.
Alan Moore on Word Counts Moore recounting a guideline from editor Mort Weisinger: What he said was: if you’ve got six panels on a page, then the maximum number of words you should have in each panel is 35. No more. That’s the maximum. 35 words per panel. Also, if a balloon has more than 20 or 25 words in it, it’s going to look too big. 25 words is the absolute maximum for ballon size. Right, once you’ve taken on those two simple rules, laying out comics pages — it gives you somewhere to start — you sort of know ‘OK, so six panels, 35 words to a panel, that means about 210 words per page maximum… [so] if you’ve got two panels you’d have 105 each. If you’ve got nine panels, it’s about 23 – 24 words — that’ll be about the right balance of words and pictures. On the subject of drawing stuff digitally; -Krita is a highly regarded piece of open source software. I personally use Medibang Paint Pro, but I wish I didn't, because Krita has a lot of useful features. I'm unfortunately too used to the way Medibang feels. Clip Studio Paint is a popular paid piece of software that's still quite affordable. -I own a Cintiq and Intuos [drawing tablet with screen, drawing tablet without screen]. Granted I've only used my Cintiq a handful of times because my computer doesn't have enough video outputs, but I actually find that I enjoy the Intuos a lot more; a computer monitor is generally going to be a more pleasurable screen to look at than a Cintiq screen, you don't need to worry about your hand covering or touching things accidentally, and for most people it will be more ergonomic. It also doesn't take up as much space and it's a lot more portable with a laptop. Oh, and it's way cheaper. Remember that art tablets use drivers; it's my understanding that a computer can't have, say, Huion and Wacom drivers installed at the same time. So, if you're planning on getting a screenless drawing tablet and upgrading to one with a built-in screen [not something I recommend for the reasons I've established], consider the driver situation, because you'll probably want to be able to use both at different times, and also probably won't want to regularly uninstall and reinstall drivers. Carapace There's a free piece of software called Carapace that can be used to create perspective grids from photographs. A download link can be found in the description of this video.
Using Blender A lot of modern comic artists use 3D software to position complex items for tracing purposes [e.g. spaceships, cars, etc]. Blender can also be used to build locations you'll revisit a lot , and the grease pencil tool can be used to place skeletons within a space to stage complicated scenes while maintaining perspective. As you can see below, checkerboard textures can be applied to objects to try and make it easier to make sense of perspective
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A thing I was working on for a one-page dungeon Blue-Line Pencils You should buy some non-photo blue pencils if you don't already have them. They're designed to be visually unobtrusive, which makes them great for drawing perspective grids and skeletons, and the color is designed to be easily filtered out of scans. They can also be erased.
EPILOGUE
I've been reading about making comics for over a decade, and I think this post more-or-less contains everything worthwhile I've seen on the subject. Remember that the most important thing is actually sitting down and practicing your craft. I do have one big thought relating to comic craft philosophy; a lot of people really love heavily premeditated comics by guys like Dave Gibbons, Frank Miller, David Mazzucchelli, etc, but they also want to make as few iterations as possible and / or draw directly onto the board. I'm a firm believer that the only way someone can really create a book like The Dark Knight Returns or Watchmen is by creating a lot of concept art, illustrating detailed layouts, making a lot of notes, etc. You have to adopt the same seemingly impossible working methods that these artists used in order to get a similar end result, or at least I think so. If you can't get anything finished while using such working methods, that's a workflow issue, and there's nothing wrong with that. Jack Kirby did everything improv and he was one of the greatest comic artists ever. But I do think studying and emulating the ways people made great comics, while taking into account advancements in tech, is very important.
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Marvel Comics New Releases for Wednesday, August 30, 2023
Avengers Omnibus Volume 3 HC (Alan Davis Book Market Cover)(New Printing), $100.00
Avengers Omnibus Volume 3 HC (John Buscema Direct Market Cover)(New Printing), $100.00
Avengers The Kang Dynasty TP, $39.99
Blade #1 (2nd Printing Cover A Elena Casagrande), $4.99
Blade #1 (2nd Printing Cover B David Marquez), AR
Blade #2 (Cover A Elena Casagrande), $3.99
Blade #2 (Cover B Bill Sienkiewicz), AR
Blade #2 (Cover C Mateus Manhanini), AR
Cult Of Carnage Misery #4 (Of 5)(Cover A Skan), $3.99
Danny Ketch Ghost Rider #4 (Of 5)(Cover A Ben Harvey), $3.99
Deadpool Badder Blood #3 (Of 5)(Cover A Rob Liefeld), $4.99
Deadpool Badder Blood #3 (Of 5)(Cover B Rob Liefeld), AR
Deadpool Badder Blood #3 (Of 5)(Cover C Rod Reis), AR
Death Of The Venomverse #3 (Of 5)(Cover A Bjorn Barends), $4.99
Death Of The Venomverse #3 (Of 5)(Cover B Gabriele Dell’Otto Connecting Virgin Variant), AR
Death Of The Venomverse #3 (Of 5)(Cover C Gabriele Dell’Otto Connecting Variant), AR
Death Of The Venomverse #3 (Of 5)(Cover D Mark Bagley), AR
Death Of The Venomverse #3 (Of 5)(Cover E Philip Tan), AR
Death Of The Venomverse #3 (Of 5)(Cover F Ryan Stegman Venom The Other Variant), AR
Death Of The Venomverse #3 (Of 5)(Cover G Rod Reis Design Variant), AR
Death Of The Venomverse #3 (Of 5)(Cover H Gerardo Sandoval), AR
Elektra Black White And Blood TP, $17.99
Fantastic Four Epic Collection Volume 9 The Crusader Syndrome TP, $49.99
Giant-Size X-Men #1 (Facsimile Edition)(New Printing), $7.99
Incredible Hulk #3 (Cover A Nic Klein), $3.99
Incredible Hulk #3 (Cover B Frank Miller), AR
Incredible Hulk #3 (Cover C Frank Miller Virgin Variant), AR
Incredible Hulk #3 (Cover D Federico Vicentini Stormbreakers Variant), AR
Invincible Iron Man Omnibus Volume 1 HC (Adi Granov Direct Market Cover)(New Printing), $100.00
Invincible Iron Man Omnibus Volume 1 HC (Gerald Parel Book Market Cover)(New Printing), $100.00
Invincible Iron Man Omnibus Volume 1 HC (Jack Kirby Cover Direct Market Cover)(New Printing), $100.00
Marauders By Steve Orlando Volume 2 TP, $29.99
Marvel Age #1000 (Cover A Gary Frank), $9.99
Marvel Age #1000 (Cover B Francis Manapul), AR
Marvel Age #1000 (Cover C Ryan Stegman), AR
Marvel Age #1000 (Cover D Greg Land), AR
Marvel Age #1000 (Cover E Javier Garron Marvel Icon Variant), AR
Marvel Age #1000 (Cover F George Perez), AR
Marvel Age #1000 (Cover G George Perez Virgin Variant), AR
Marvel Age #1000 (Cover H Frank Miller Wraparound Hidden Gem Variant), AR
Marvel Previews Volume 6 #24 (September 2023), AR
Marvels Voices Community TP, $24.99
Marvel-Verse Ironheart TP, $9.99
Moon Knight Annual #1 (Cover A Leinil Francis Yu), $4.99
Moon Knight Annual #1 (Cover B Creees Lee), AR
Moon Knight City Of The Dead #1 (Of 5)(2nd Printing Cover A Rod Reis), $4.99
Moon Knight City Of The Dead #1 (Of 5)(2nd Printing Cover B Alex Maleev), AR
Ms. Marvel The New Mutant #1 (Of 4)(Cover A Sara Pichelli), $4.99
Ms. Marvel The New Mutant #1 (Of 4)(Cover B Elena Casagrande Women Of Marvel Variant), AR
Ms. Marvel The New Mutant #1 (Of 4)(Cover C Elizabeth Torque Team Homage Variant), AR
Ms. Marvel The New Mutant #1 (Of 4)(Cover D Stanley Artgerm Lau), AR
Ms. Marvel The New Mutant #1 (Of 4)(Cover E John Tyler Christopher Action Figure Variant), AR
Ms. Marvel The New Mutant #1 (Of 4)(Cover F Luciano Vecchio Team Homage Variant), AR
Ms. Marvel The New Mutant #1 (Of 4)(Cover G Betsy Cola Homage Variant), AR
Ms. Marvel The New Mutant #1 (Of 4)(Cover H Lucas Werneck Homage Variant), AR
Ms. Marvel The New Mutant #1 (Of 4)(Cover I Arthur Adams), AR
Ms. Marvel The New Mutant #1 (Of 4)(Cover J Stanley Artgerm Lau Virgin Variant), AR
New Avengers Modern Era Epic Collection Volume 1 Assembled TP, $49.99
Punisher Volume 2 The King Of Killers Book Two TP, $24.99
Scarlet Witch By Steve Orlando Volume 1 The Last Door TP, $19.99
Spider-Man India #3 (Of 4)(Cover A Adam Kubert), AR
Spider-Man India #3 (Of 4)(Cover B John Giang), AR
Star Wars Bounty Hunters #37 (Cover A Marco Checchetto), $4.99
Star Wars Bounty Hunters #37 (Cover B Alex Maleev Jango Fett Variant), AR
Star Wars Bounty Hunters #37 (Cover C Alex Maleev Virgin Variant), AR
Star Wars Bounty Hunters #37 (Cover D Ryan Brown Kligson Variant), AR
Star Wars Bounty Hunters #37 (Cover E Chris Sprouse Return Of The Jedi 40th Anniversary Variant), AR
Star Wars Bounty Hunters #37 (Cover F Giuseppe Camuncoli The Clone Wars 15th Anniversary Variant), AR
Star Wars Doctor Aphra Omnibus Volume 2 HC (Joshua Sway Swaby Direct Market Cover), $75.00
Star Wars Doctor Aphra Omnibus Volume 2 HC (Valentina Remenar Book Market Cover), $75.00
Star Wars The Mandalorian Season 2 #3 (Cover A Steven Cummings), $4.99
Star Wars The Mandalorian Season 2 #3 (Cover B Concept Art Variant), AR
Star Wars The Mandalorian Season 2 #3 (Cover C David Baldeon), AR
Star Wars The Mandalorian Season 2 #3 (Cover D Terry Dodson), AR
Ultimate Invasion #3 (Of 4)(Cover A Bryan Hitch), $5.99
Ultimate Invasion #3 (Of 4)(Cover B Daniel Acuna), AR
Ultimate Invasion #3 (Of 4)(Cover C Alan Quah), AR
Venom Modern Era Epic Collection Volume 4 Agent Venom TP, $44.99
Wolverine #36 (Cover A Ryan Stegman), $3.99
Wolverine #36 (Cover B Leinil Francis Yu), AR
Wolverine #36 (Cover C George Perez), AR
Wolverine #36 (Cover D George Perez Virgin Variant), AR
DK PUBLISHING
Avengers Assembled The Origin Story OF Earth’s Mightiest Heroes HC, $30.00
DYNAMIC FORCES
Daredevil Black Widow Abattoir GN (Jim Starlin Personal File Copy Signed By Jim Starlin), AR
Marvel Comics Blank Variant (Ken Haeser Signed & Remarked Spider-Boy Sketch Edition), AR
Rampaging Hulk #4 (Jim Starlin Personal File Copy Signed By Jim Starlin), AR
Silver Surfer #37 (Jim Starlin Personal File Copy Signed By Jim Starlin), AR
Spider-Gwen Shadow Clones #1 (Cover G Pink Blank Variant)(Ken Haeser Signed & Remarked Edition), AR
Strange Tales #181 (Jim Starlin Personal File Copy Signed By Jim Starlin), AR
MARVEL PRESS
Spidey And His Amazing Friends Electro’s Gotta Glow SC, $5.99
Merchandise
Marvel Graphic Comic Box Daredevil, AR
Marvel Graphic Comic Box Predator Vs. Wolverine, AR
Marvel Infinity Saga EAA-121 Captain America Action Figure (Deluxe Version), AR
Masters Of The Universe Animated Core Action Figure Wave 5 Assortment, AR
Max Venom DS-065SP Captain America D-Stage 6 Inch Statue (Special Edition), AR
Max Venom DS-066SP Iron Man D-Stage 6 Inch Statue (Special Edition), AR
Max Venom DS-067SP Spider-Man D-Stage 6 Inch Statue (Special Edition), AR
Max Venom DS-068SP Little Groot D-Stage 6 Inch Statue (Special Edition), AR
Medieval Knight Spider-Man DAH-051 Dynamic 8-Ction Action Figure, AR
Spider-Man No Way Home Iron Spider S.H.Figuarts Action Figure, AR
Spider-Man Noir Framed Print, AR
Spider-Man Venom Pose Framed Print, AR
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onipanda379 · 1 year ago
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i hate feeling like this. like something i once enjoyed was just ripped right out of my hands. but... that's basically whats happened.
i just can't play 14 anymore. at least not right now. just logging in makes me feel like literal garbage. but i also invested so much time and money in it. i dont want to totally give it up. i still feel great fondness for the game. but... people really fucked me up.
i keep thinking about just doing small things to try and distance myself from what caused me to not want play anymore. from changing my character's name and look, to moving to another dc. but i don't know if that would work. since that's basically where i started when i first moved to mateus.
plus, the name is so iconic, i would never get it back if i just tossed it.
i also have a stupid little house. i would really regret losing that after all the effort of getting it. so i have been paying my sub and logging in long enough to save the house.
so i just... don't know what i should do now. i genuinely feel so unhappy about this game lately.
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collectorscorner · 2 years ago
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CC New Arrivals @ Collectors Corner : WEDNESDAY - 5/31/23. #NewComicsWednesday
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PUBLISHER/TITLE/PRICE
AMERICAN MYTHOLOGY PRODUCTIONS Rawhead Reborn #1 (Cover A Roy Allen Martinez), $3.99
ARCHIE COMIC PUBLICATIONS World Of Archie Jumbo Comics Digest #130, $9.99
BOOM! STUDIOS Expanse Dragon Tooth #1 (Of 12)(2nd Printing Cover A Christian Ward), $4.99
COMIC SHOP NEWS Comic Shop News #1867, AR
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architectuul · 2 years ago
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Charlotte von Moos (ed.): Miami In The 1980s
Verlag der Buchhandlung Walther und Franz König, Köln, 2022
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First things first: that book is cool. The graphic design, in mint green and dusty pink is clearly an homage to its subject – the architecture from postmodern Miami. But not only it respects on glossy paper the colour code of an era and style, it’s full of new drawings (plans and façades) that allow us to understand buildings we knew as images in depth and to consider their architectural qualities. As it must be the book starts with screenshots from the main title of the TV-Series Miami Vice (1984-89) that reminds us that – for the first time in history – architecture had become a real protagonist in storytelling. Remember: two undercover cops dressed in Hugo Boss suits hang around Miami driving a white Ferrari Testarossa, they pretend to be drug dealers to catch the bad guys enjoying the sun of Florida. This criminal society meets and lives in houses that fit their lifestyle and the neo-modern villas from Arquitectonica are not only the decor of their life – they tell us about the taste, the habits and the dangers from those people. Michael Mann was the creator and executive producer from that series and if you’ve seen any other of his films you’ll know one thing: he loves the visual power of architecture and understands the role it can play in storytelling (so was Alfred Hitchcock ‘s review).
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Many of us know the images from Miami Vice and if, like me, you were born in the early 1970s and watched too much TV – you looked at them as an adolescent and became an architect because of them. I did. But the genius of the book is to reveal us the context, the ideas and concepts that were around at that time and who brought a generation of architects to the invention of a very unique and local style. For sure, as post-moderns, they wanted to play with history, to mix Adolf Loos or Le Corbusier with ornamented porticos à la Aldo Rossi (the buildings of Duany Plater-Zyberk are a perfect example from this approach). But one should not forget that the iconic Spear House (1976-78) was the child of a project developed by Laurinda Spear and Remment (not yet) Rem Koolhaas in 1974, at the peak of his obsessions with Surrealism, Constructivism and the Berlin Wall. Last but not least, they all understood the power of colour and refused the dogmatic boredom of white plaster. The essay from Charlotte von Moos unfolds all those references, brings unknown archives to life and fascinates with its enthusiasm. The whole book makes it clear: those buildings were not just a set for TV-series but true architecture with its successes and mistakes.
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The in-depth essay is followed by short introductions with archival or new photographs (and drawings) of 19 projects made my S.O.M, Philip Johnson & John Burgee, Mateu Architecture, Duany Plater-Zyberk, Isamu Noguchi and – of course – Arquitectonica. It’s like eating a pistachio, raspberry, mint and vanilla ice cream: you know you shouldn’t like it and that it’s gonna make you sick, but you cannot stop. Still, and that’s probably the goal of the book: many of those buildings are now in danger – the taste of the inhabitants has changed, downtown Miami craves for densification and the constructions are too young to become historical monuments (think about the IBA87 in Berlin). A whole visual chapter is allocated to the demolition of The Babylon (1981) by Arquitectonica, and alerts us that it might be our last chance to visit those buildings believing we are undercover cops driving a white Ferrari.
Now comes a spoiler, like in movies, but I’m gonna tell you how the book ends (so stop reading here if you don’t want to know)… The final spreads are dedicated to fashion shoots that were done in the Spear House for GQ or Vogue. The legs of a lady in a bikini enjoy the swimming pool, a young man in pyjama stares into our eyes, other people sunbath on the terrace or jump into the water. They pose with their perfectly clean clothes and rather impossible haircuts (too much hairspray involved, much too much – but that’s the 1980s). What becomes clear, looking at those images, is that architecture – here, is more than a decor. It’s a part of a lifestyle that includes nice cars, expensive watches and shiny garments, making the American dream a kitsch and unattainable Gesamtkunstwerk. A total work of art.
- Thibaut de Ruyter
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alienstage · 4 months ago
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answer questions 1-5 YAY
YAY OK :D
character name? my main character is k'sil meera!! he wasn't the first character i made but hes the one that i stuck with!!!
data center? i'm on mateus! rp center :D
favorite class? PICTOMANCERRRRR its sooo much fun oh my god.... i wanna get a tattoo of the pictomancer symbol
favorite expansion? ENDWALKER MEANS DA WORLD TO ME......
favorite scion? URIANGERRRRR I LOVE HIM his potato sack era is so iconic to me
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s6ojn · 2 months ago
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— Eu viajei no seu olhar
No teu sorriso, nos teus segredos …
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kenzonet · 9 months ago
Video
vimeo
WE MOVE AS ONE - Six Invitational 2024 from Histeria! on Vimeo.
Six Invitational is coming to São Paulo for the FIRST time in history! As the diehard fan runs through the streets of São Paulo, Rainbow Six legends breach reality itself, bringing the best memories and histories of SI to life until all converges at the iconic Ginásio Ibirapuera!
We were thrilled to be invited by Ubisoft, BLAST, and Rainbow Six Esports to create this INSANE animated film! High-tech visuals, grunge urban vibes, a mix of action and motion, and the best of São Paulo's street culture - it's all packed with the best track "We Move as One" by Ego Kill Talent (ft. Andreas Kisser and Rob Damiani)!
RB6 2024 - Six Invitational Theme Song “We Move as One” Ego Kill Talent (ft. Andreas Kisser and Rob Damiani)
Client: Ubisoft / BLAST Game: Rainbow 6 Event: Six Invitational 2024 Clients: Marcio Soares, Nelson Garcia, Lucas Reis, Leandro Estevam, Victor Niergue, Faye Marlborough, Chrystina Martel, Stig Debois, Matt Bundy
Produced by Histeria!
Director: Jan Xavier Story by: Jan Xavier and Ubisoft Executive Producer: Marcelo Moreno Producers: Tatiana Sato and Lívia Quintanilha Social Media: Sibelle Lobo
Art Directors: Igor Muniz, Victor Tchaba Art Supervisors: Igor Muniz, Victor Tchaba Concept Art: Igor Muniz, Victor Tchaba, Gabriel dos Anjos, Guilherme Lascasas Storyboard/Animatic: Tony Neto Concept Character: Victor Tchaba, Jeff Biglia, PJ Kaiowá, Shun Izumi e Flávia Passos (Estúdio Casa Locomotiva) Layout Character: Victor Tchaba, Jeff Biglia, Fábio Perez, Guilherme Olivieri, Marcos Kenji Uchima, Rodrigo Yokota Layout FX: Jeff Biglia, Mateus Pitta Design: Igor Muniz, Jeff Biglia, Rafael Nascimento (Escaphandro), Victor Tchaba Layout 3D: Jan Xavier, Igor Muniz 3D Generalist: Carol Fiorito, Cláudio Marques, Igor Muniz 3D Lookdev, Light and Comp: Cláudio Marques, Igor Muniz Background Simulation: Cláudio Marques Matte Painting: Gabriel dos Anjos, Guilherme Lascasas, Igor Muniz, Jeff Biglia
Animation Directors: Jan Xavier, Felipe Simões Rough/Tiedown/FX Supervisor: Felipe Simões Clean Up/Color Supervisor: Mila Queiroz 2D Rough/Tiedown: Breno Licursi, Bruna Santana, Catarina Niéro, Geovani Angelo, Lena Franzz, Lucas Franci, Matheus Fernandes, Robb Reis, Rodrigo Yokota, Thiago Geremias, Ton Presley, Viviane Guimarães 2D Clean Up/Color: Carol Caporrino, Denis Bargos, Francine Gonzales, Giovanna Jahjah, Juliana Gouvêa, Louise Bonne, Lucas Franci, Luiz Alvares, Mila Queiroz, Pedro Spaolonzi, Ton Presley, Viviane Guimarães 2D FX: Lucas Franci, Natália Faria Cardoso, Mateus Pitta
Post Production Director: Gabriela Zaneti Motion Graphics Supervisor: Gabriela Zaneti Compositing Supervisors: Gabriela Zaneti, Renato Montoro Motion Graphics: Gabriela Zaneti, Samantha Oda, Vinícius Ricardo, Ricardo La Bella Simonetti Compositing and Post Production: Gabriela Zaneti, Renato Montoro, Samantha Oda, Vinícius Ricardo, Ricardo La Bella Simonetti, Saulo de Castro, Tamires Campos
Audio
Musical Director: Samuel Ferrari Music Producer: Samuel Ferrari Original Music by Ego Kill Talent, Rob Damiani & Andreas Kisser Electric Guitars: Theo Van Der Loo, Niper Boaventura Electric Bass: Raphael Miranda Drums: Raphael Miranda Surdos: Raphael Miranda Vocals: Emmily Barreto, Rob Damiani Synths: Samuel Ferrari, Niper Boaventura Music Programming & Beats: Samuel Ferrari Alfaias: Samuel Ferrari Electric Guitar Solo: Andreas Kisser Anvil: Glauber Coelho Choir As One: Lucas Reis Pereira, Maria Paula Bonino, Jeniffer L. Ramlov, Mayara Abou Jaoude, Maite Fernanda Lorente Henrique, Lucas Miguel Cunha Silva, Diego Chagas Corrêa, Heitor Augusto Coelho Galceron, Maria Eduarda Maccagnan Avella Recording Engineers: Hugo Silva, Otavio Bonazzi and Cauê Del Grande at Dissenso Studio PreProduction: Clovis Vilela, Samuel Ferrari Vocal Production: Steve Evetts Mix: Steve Evetts Master: Maurício Gargel Executive Production: Samuel Ferrari, Glauber Coelho SFX Film: Glauber Coelho Produced at mdois Studios (mdois.tv)
Making of
Making of Produced by: Rockfilmes Production: Lucas Rocha Director: Lucas Rocha Director of Photography: Felipe Bezerra Audio operator: Willian Sassano
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dispatchdcu · 1 year ago
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Icon Vs. Hardware #5 Preview
Icon Vs. Hardware #5 Preview #icon #hardware #rocket #iconvshardware #rocket #iconandrocket #milestone #DCEU #dccomics #comics #comicbooks #news #dcu #dcuuniverse #art #info #NCBD #comicbooknews #previews #reviews #amazon
  Icon Vs. Hardware #5 Preview: It all ends here as Icon and Hardware’s battle against Brainiac sets these two titans on a surprising new course…with implications for every character in the Milestone Universe! Their world just got a lot bigger—and a lot more dangerous! Written by REGINALD HUDLIN and LEON CHILLS Art by DENYS COWAN Cover by RAHZZAH Variant cover by MATEUS MANHANINI 1:25 variant…
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crvgedits · 1 year ago
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icons vasco
like se salvar
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