#materials: first pic - ink + digital coloring

[circus0shifter]

[blairaptor]

What art supplies do you use for coloring in your sketchbook? It looks amazing

Hey there! Thanks so much! Sorry if this feels like a trick, but I actually just draw lines/inks in my sketchbook and then I add color in Photoshop. I'll do a little explanation of how I add color though in case anyone finds it helpful!

Details and pics under the cut!

First I take a photo of the sketch:

This one was done in 2023 so he's in pencil, but so far in 2024 all my sketchbook drawings have been with a ballpoint pen. Anyway I adjust the contrast how I like and sometimes I nudge things around if they were asymmetrical or if the head was too big, for example. In this image if you look closely at his neck you can see a "seam" where I had used the lasso tool to make an adjustment.

Then I add a bit of warm tone and cream background to everything:

Then I do the the colors on a "multiply" layer that's on top of the lines. I end up with this:

I could definitely stop here if I wanted to, but I like to do an "overpaint" layer on top of everything where I paint with a simple circle brush to bring out some details:

So in the final version you can see that I cleaned up his eyes and put the little sparkle of life in there, and I painted the shine on his armor. I also outlined his jaw so the contour wouldn't get lost against the neck of his black. On this drawing in particular I was really happy with the tiny highlights on his brow, nose, and the corner of his mouth. I thought it did a lot to put more life in the sketch!

Years ago most of the art I posted was sketchbook drawings with color added digitally. I had really missed doing that so I'm glad I'm back to it and that people seem to enjoy it. I think having the texture of the traditional materials is really appealing.

Thanks so much again for your ask!

[cushfuddled]

Hello Rab, I just wanted to say that your art is huge inspiration to me. There just isn't many artists out there who work with color pencils, and your artworks with them are absolutely charming. If you have any tips along the lines of "things I wish I knew", I'd definitely be interested! (no pressure, of course !)

I'm sorry I'm so late in replying to this! This ask has made me so happy; thank you <3333

Things I wish I knew:

Sometimes expensive things are worse, but Prismacolors are GLORIOUS. Other colored pencils feel like working with tree bark compared to the pillowy-softness of Prismacolor wax.

I've tried soooo many different types of paper over the years. The more tooth (texture) to a piece of paper, the more layers of color you can pile up. I prefer less tooth because it requires less time to fill in those pesky white gaps you get while working with textured paper...but "good" paper like Bristol is actually TOO smooth for me. It took me like ten years to find this paper, which is my current favorite (not so smooth that you can't build up a couple layers of color, but not so toothy that you get white patches). It's not archival AT ALL though, which sucks.

I used to struggle a lot with line art, since the pencil wax would cover the lines. Here's my process now:

- I sketch on your average sketch pad, then use a LightTracer (light box) to ink my sketch onto Xerox paper. The nice thing about this method is I never lose the sketch, so if I mess up with my brush pens (which happens VERY OFTEN) I can just restart on a new piece of Xerox paper.

-Once I'm done with my line art, I scan the page. THEN I color my line art. Once I'm done, I scan the page again. Next I overlay the two scans in Photoshop via auto-align, and set the line art to "multiply" to create clean dark line art. I'm not sure whether the auto-align tool is available on other programs...I'm pretty sure you can do it on photopea, though. If you use colored pens for your line art, you can also use the hue tool to change your line colors.

Pic without separate line art layer:

With line art layer:

Don't be afraid to use a pencil eraser to lift some color off the page. An eraser won't get rid of a color, but I regularly use erasers as damage control for areas that get too dark or muddy. Erasers can also be used to add texture.

Be aware that pure black can flatten or muddy a scene. You'll often see me "deepen" my black areas with colors like tuscan red, process red and indigo blue (or avoid black altogether).

On that note, don't be afraid to go dark! It can take courage to rip off the bandaid and put down a dark layer of color, but you gotta do what you gotta do to get some contrast. When I remember to play by the rules (heh), I color the light parts of my work first, then lay down a layer of indigo blue or dark green or tuscan red over all the dark areas to sort of force myself to stay dark.

Don't let anyone convince you traditional art is unmarketable, or that you'd be "smarter" to work digitally. Work with whichever materials or programs you want.

It's okay if you work slower than other artists. This is the lesson I'm still trying to learn! But it's true: You can't expect yourself to work "quickly" with colored pencils. As much as I love colored pencils, they're slow and can be very boring lmao. Don't burn yourself out with grand expectations.

[printoncd-blog]

Limited Run CD Printing: Making the Discs and Presentation

how to print on a CD

Printing the CDs for the Short Run CD Producing Project

There are three primary methods that may be used to pic a short run involving Compact discs. If you're undertaking them on location then a person will most likely become limited by the first solution which is electronic (inkjet) printing. A professional publishing company will usually get display screen printing and lithographic stamping services on present too. Every single CD making process possesses its benefits and weaknesses and many of us will enter more aspect here:

how to print on a CD

Digitally branded Computer games

A digital CD producing machine uses a identical publishing method to your own personal standard desktop computer inkjet printing device. In fact, a lot of modern-day home printers feature a COMPACT DISC tray that allows an individual to weight an ink jet printable COMPACT DISK into the idea and run the item via the same printing brains that would normally printer upon paper. A specialized digital DISC printer is usually more of a focused machine that is fixed up in order to print just onto Compact disks and features an automated loading as well as unloading system for the actual vertebrae. This system signifies that the machine can easily print up to 190 Cd albums unattended and, while stamping with these products tends to be rather slow, they can end up being left to be able to print even though others elements of the task are dealt with.

This CONCEPT ALBUM printing course of action is simply really suitable for a small amount of CDs as this is certainly the slowest of the a few major methods. The process rate is not helped by simply the idea that after the particular printing is done, right now there is still a require for your application of some sort of clear lacquer layer for you to protect the printed exterior from moisture when taken care of. There are inkjet computer Compact discs on the market place that claim to have got a water resistant finish any time paper but they are generally still not as powerful and don't look seeing that good as a new colored disc. On the and also side, this process could be used to print out very high resolution graphics plus the finished item can certainly appearance fantastic when accomplished appropriate. There are additionally no fixed established charges with digital COMPACT DISC making which is great in case you only need 50 cds.

Monitor printing

CD display producing is a really popular, widely used practice for printing CDs. The task is an adaptation connected with the monitor printing procedure used for decades to help print onto papers merchandise and, indeed, it offers been taken to let printing onto many surface types to produce branded goods such as mugs, tee shirts and also USB memory supports. For the reason that name suggests, typically the process consists of the make of publishing screens by which each is employed to printing a different color on top of the disc. Some sort of COMPACT DISK screen printer provides your five printing stations and also applying a disc that possesses been in the past printed using a base coloring, that is possible to generate a print having some different colours included. Typically the machine is basically the twisting platen and because each shade is used at each stop, often the disc passes underneath any UV light that solutions the ink prior to up coming colour is utilized.

This kind of process can only always be used in order to print regions of solid colouring along with is not ideal with regard to stamping photographic images or maybe simple colour gradients. Exactly where art work has been exclusively designed to use this particular printing technique, though, the effects can be truly spectacular specially with the availableness of fluorescent in addition to material UV sensitive ink. Often the use of super excellent nylon uppers screens means in which the pic is well-defined, crisp and contains an remarkable texture to it. Any time set, the ink is incredibly robust and waterproof which is not easily damaged by means of rough handling of the actual dvd.

When it happens to short run DISC printing and using the particular tv screen printing technique, at this time there are set costs engaged, namely typically the screens as well as the films employed to help make the screens. Therefore, it's not the ideal process to be able to use at under 100 disks if price is a issue with the job. However, the more dvds which might be screen printed, often the lower the unit expense gets, plus there's additional bonus that once the actual window screens are made these people can be reused regarding reprints.

Lithographic (Offset) making -

This is yet another quite popular method for limited run CONCEPT ALBUM printing jobs. A lithographic printing unit doesn't have some sort of spinning platform like the display screen printer; instead it features turning cylinders. The tube this applies the printer on the CD has a new rubber baby blanket wrapped all-around it which usually rolls around the CD and also airport transfers the ink on to the particular disc surface. The actual lithographic printing method is simply perfect for printing complex photographic photographs onto a disc plus for printing images which may have subtle colour gradients, but it really is not ideal intended for printing pictures with significant areas of sturdy color as attempting to keep a consistent solid coloring spanning a large area may result in the patchy appearance on the concluded print.

As with display producing, there are repaired costs a part of lithographic publishing as stamping plates will need to be made upward for for every set of a muslim used. Work opportunities requiring a lesser amount of than 100 vertebrae can easily work out to possibly be more expensive each device than if the electronic digital printing process was employed alternatively. But, once far more, as the work range increases, so the product cost will fall in case a re-print of typically the career is required after that the printing discs could be kept and re-used.

Printing the Paper Areas

When it comes for you to printing the document components for a short manage CD printing project, invest your time and accomplish it thoroughly, it is definitely possible to produce a few extremely professional looking styles. The printer quality associated with a relatively affordable pc inkjet printer is often fantastic.

Printing CD Gem Event Paper Parts

You may buy accurately sized templates on the web to get making paper parts to travel into CD jewel circumstances, or you can merely buy several high good quality A4 size semi-gloss image paper or ink computer silk paper commodity with about 150gsm. The bonus along with buying templates for that rear end tray card usually are which the spine edges are going to be scored to make these people better to fold but this specific is something you can certainly do yourself if you aren't mindful. The front pamphlet can be a folded away sheet printed on each isn't stable to make way up 4 webpages and just about any more pages might be extra if required along with stapled along the spine. Providing you take your time together with the cutting (using any guillotine and not scissors) and are careful using the stapling then generally there is no reason precisely why avoid being able to appear up with something incredibly appealing.

There are a several of things to consider when printing paper elements for a CD gem situation, such as:

The particular front booklet may comprise of 2 pages should you print on both tips of any single panel which often is 120mm square, in addition to 4 web pages if anyone print on both edges of a double -panel 240mm x 120mm which will is and then folded. Soon after this, the book offers to consist of diversifiés regarding 4 pages credited to the technique they will are constructed. Take some sort of look at a new COMPACT DISC jewel case guide via your CD collection where there more than 4 internet pages and you will probably see why. A single booklet page 240mm times 120mm collapsed in fifty percent, makes 4 websites, nevertheless to add another linen where the spine is actually stapled, you must increase another some pages. Typically the content is generally fashioned with this requirement in head.

The back tray card can easily be imprinted on the two sides but then you will want a clear CD possessing rack in your circumstance to be able to help see the print out upon the inside. Also, often the flattened spine strips tend to be very slender and the idea can be difficult in order to about the quality folded border with out carefully scoring the actual inside initial. Any wording printed down the spine demands to be small plenty of to fit and centrally located for the ideal quality appearance.

Publishing COMPACT DISK Card Wallets

Yet again, you actually can buy templates to be able to make your CD credit wallets that can be printed as well as then "popped out" involving the template as the particular perimeters are partially pre-cut for yourself. You can furthermore print your own in 250 - 300 gsm silk or semi-gloss A4 size card. The navigation bars can be scored, creased / folded and also glued using the strong stuff to create perfectly good results.

[ileoasher]

What is the Purpose of Custom French Fries Boxes?

Custom French Fries Packaging Boxes

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As all, we know that fries are the most delicious food and everyone likes to eat this. French fries boxes are used to store the fries and keep this protective. French fries boxes available in the market in different colors, shapes, and printing but the customize French fries boxes cause to interact the more customers attention. Custom French fries boxes are user-friendly. Users easily mold this into their required shape and size that’s why everyone prefers custom French fries boxes. Our company is the best and high demand company and we offer you a variety of customization opportunities that make your custom boxes more flexible. For getting your customized French fries boxes than you can call us and tell us all specifications that you want. Our staff follows your all desires and manufactures your custom boxes according to you.

Customization Leads to Perfection

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Reference

[ainudraws]

Yo hey u fab artist u, I gotta a question. Um, I kinda want to start an artblog but I don't really do digital art, and I think not all of ur art is digital, so how do u get good quality pics of traditional art? When I try to take pictures it looks fuzzy, and u can't really see the lines that well, or its just bad quality and then I don't want to post it. Any tips on how to fix that?

Hey you, fab anon!

It’s great that you want to start your own art blog. I think every artist should do that, even if they think they’re not good enough, because, after a while, your followers and even yourself will be able to see how much you’ve improved and the best part is that they can be witnesses of your growth.

As you said, most of my art is traditional; I love black and white drawings with ink and coloring with comic markers, and, to be honest, it’s a huge challenge to get the digital image to look as good as the original piece.

I don’t usually “take pictures” of them. I use a scanner connected to a pc or a laptop where I edit them using photoshop. I you use photoshop, it’s important to know how to use the infinite editing options that the program offers.

Start with the image adjustments and play with the options there; learn what each of them do to your piece and think of how do you want to turn out. Do you want to change the colors? Or do you want to look as much as possible as your original piece?

An usual problem is that the whites aren’t as white as the paper so you can use ‘levels’ to fix that, even to darken the colors as much as you want, making the contrast more visible. 

To fix the colors (if they’re not as cool as on your original piece) use 'selective color’ to fix each color separately: reds, yellows, greens… even neutrals, blacks and whites. Be careful to not to change them too much, being subtle is better.

 If you see that your image is too yellowish or too blueish use 'color balance’ to fix it (remember to use the complementary color to do it).

If you’re not happy with the results, I encourage you to keep playing around with the options! If you’re inexperienced I assure you that you will improve in no time.

It is true that some times I take pictures of them, the stickers I make, for example. If you don’t own a scanner you will have to use a camera to show your art to the rest of the world. My first advice: don’t try to use it as a scanner, don’t try to take pictures to make them look like you scanned them, all straight and from above the piece. For aesthetic purposes, you can set the materials you used to create your art next to it, like pencils, pens, markers… 

The key is to try to make your pictures as bright as possible and the colors vibrant. If you can get to make the picture clear enough to to make the strokes of the pen, marker or brush, visible, even better. Because that is what is so cool about traditional art, that you don’t have to fake the texture of the paint or the paper.

The most important things:

Light! Take the picture during day light. Use a lamp if you feel like you need to to fill the shadows from the opposite side of the window, but have in mind that natural light will give you a blueish color on the paper while the bulb light will add a yellowish one.

Editing! If you use your phone to take the picture I’m sure you will have some apps to edit pictures. Try to turn up the exposure and the contrast to make the whites even whiter and the blacks even blacker xD

Filters! If your drawing is a black and white piece you can alway try to use a b/w filter!

And the most important thing: CLEAN THE LENSES before taking the picture! It has happened to me before that the camera was filthy and it took me a while to realice why my pictures were so shitty lmao.

Sadly, in the end, the quality of your camera has a lot to do with the final results.

I hope this will help you! And if you start your art blog, don’t forget to send me the link because i will love to follow it!!

[aarondinglestan]

If you had to compare digital art with painting with materials which one you would say is easier? Is digital art more time consuming and cheaper? Cheaper I bet it is because oil paint, colour pencils and charcoals are fcking messy and expensive. And last question when you draw in a realistic way the faces in the computer do you do it by memory or with some reference/guidelines? (I'm scared of analogies in human bodies/faces. Especially in a fcking canvas)

well depends on what u mean by easiest! i’ve a feelin’ that this is gona be fucken long so art talk under the cut

like moneys wise obvs the costs 4 digital art are high at first--u gotta have a good enough computer, drawing board, and photoshop or summat. but after that it’s smooth goin until ur computer like drops or whateves.

doing Real Life art (i dunno what else 2 call it lmfao) is expensive all the time lmao. material-wise, dependin on what u paint & on what, it varies, and obvs depending on ur technique-how thick u lay paint on, so how quickly u go through a tube etc. like back when i still painted wiv oil colors, i had 2 sets: a cheap one and an expensive one. cos the more there is “filler“ in the paint and less of the actual color, the duller the paint is and also a lot less expensive. cos color is expensive. the expensive set i had was lil tubes that cost A Lot and also weighed A Lot butt u could def see the difference to like, fucken winsor & newton colors. so it’s expensive and gets more expensive the better quality shit u want. add onto the colors, actually good brushes, and like, those ready-made canvases are Shit, all artists make the canvas/board themselves, so then it’s also all the material/work 4 the canvas, all the protective gear (breathing mask etc) so u’re not breathing in That Much Shit, and u’re goin up there in numbers and using up more the more u Art, and pray that someone will buy the damned things lmao

also 4 digital art u don’t need a workspace, just a place for ur laptop or whatever, u don’t need to pay for storage to store all ur crap, and also u don’t need to breathe in the toxic odors from the turpentine and oil colors and shit. i’ve actually become allergisized to all that shit and can only work with watercolor and inks nowadays so hallelujah. srsly being an artist is shit and nobody should do it.

but then also with digital art it’s such a 2D, flat, on the surface experience, like i’m interested in working the surface, at first makin the painting board slightly absorbant by adding chalk into the mix, so the colors really go into it and like it has that depth, it’s ductile, and if i feel like it, i can wash it, scrub it etc. like that kinda feeling that one can never get from something when looking at a screen. well that’s my opinion anyways!! so i def prefer Real Life Art butt it’s often more convenient to make stuff on the computer. but this is just a personal opinion as they are such different ways to make art and in the end can’t really be compared IMO!

and god no i don’t have like, photographic memory lmao! my memory SUX. i def use references all the time when i’m workin on something realistic. so i’ll choose one pic i really like and then probably some others from a similar pose if i want a better close up of the eye or whatever. like my process usually looks like this when i’ve been goin for a while and yes i feel like my screen is way too small!!! crowded it is!!

tbh i much prefer drawin’ someone who’s standing right before me, butt that’s the kinda education that i got, so i’m always probs gonna be partial to it. and i much prefer not makin realistic art most of the time, cos i’m Really not a portrait drawer by default or schooling, and it takes a lot of effort and discipline to make things realistic, like the last things i’ve done in real life have been expressive landscapes and a series of faces. when i, like, real life paint, i never have references cos i want to keep my head clear of all distractions so i can produce what i truly want to produce, like i don’t think it’s possible to translate a feeling into shapes and colors etc. if i’m staring at some picture at the same time, not in the way i want, it takes too much away from my freedom and kinda gives the whole thing too much control?? and then it can become too stiff and like, full of mannerisms, but that’s hashtag just me an how i feel about it

butt maybe that’s why i then do get a kick outta goin for realism at times, and also do get a kick outta saying F u to the whole pressure i had @ school to not use references (they weren’t expressly forbidden but there was an atmosphere, def), to do something that Is like, fucking rubbing at a tiny detail for hours cos i find that’s also interesting to do!! (and i was def steered away from that direction @ school.) butt i think, probably quite largely because of the kinda schooling i went through, i don’t consider it to be the thing i’d wanna do for real. (and this is just like talkin for myself, like there’s so many fucken amazing, expressive, realistic and hyper-realistic artists out there that are able to do that and translate such emotion and purpose into the works so like!! i’m not trying to compare the two in a general way, just a personal way)

i’m not sure what u mean by the analogy thing, like hyper realism freaks u out? which, same. maybe that’s also one reason why i’m fascinated by it! FUCK this is long asdgfdg ignore me.

[tooiedraws]

Inktober Tips!

I've seen quite a few people over on twitter complaining on twitter about Inktober. Mostly going on about how you can do it digitally if you want, and I agree with that. I understand that Inktober was technically created to be done traditionally, but if you can't/don't want to do that, then don't. No one is going to force you to stop participating if you do it digitally. I mean, the official inktober site has a partner with a digital sketchbook app, so whatever.

But I've seen a few people who think it's near impossible to complete a drawing every single day. Inktober is supposed to be a challenge, it will be difficult to complete. But it's not impossible.

The first year I tried Inktober, i didn't finish it. I maybe got like 2 weeks into it and then stopped. Last year, however, I was able to complete a drawing every day and even do a few extra ones! So I figured I would write out a few tips to help you have a 'successful' Inktober.

1. Have a plan

Here is the official Inktober prompt list and info. You can either use that, make up your own, or search for other drawing prompt lists. There are tons out there! I highly suggest drawing something that you have interest in, that you like and that you want to draw. That way you stay motivated and don't lose interest too quickly. Also, have a general idea of how you want your pictures to look. Are you just doing lineart or are you going to shade/color your drawings as well? What materials do you want to use? Figure out as much as possible now so you don't get too stressed out later.

2. Get organized

I don't have many tips for digital artists, except maybe make a new Inktober2017 folder on your computer, but if you’re doing this traditionally, get your pens, pencils, paper, etc. all together and ready. Gather your supplies you want to use and keep them where you are going to draw. Or put what you are going to use in a separate pencil bag. Print or write out the prompt list you are going to follow and keep it with all your stuff.

I used a brush pen and marked it with a sticker so I knew that it was my inktober brush pen.it was the only one I used for my challenge. I kept my markers rubber-banded together on my desk. I also had my paper all pre-cut to size and had extras in case I did mess up and needed to redo one (I maybe redrew 2 pics last year). I wrote down each prompt on the back of the paper and what day it was, as well as keep my official list in a document on my computer. I had my references bookmarked on my computer so I could easily access them.

3. Keep it manageable

I cut all my inktober paper to about 4.5"x5". Its a much more manageable size imo than trying to fill up an entire 8.5"x11" paper. But, pick a size that is comfortable for you. If you draw big, you might want to use the whole page. Cutting my paper smaller and limiting my drawing area helped me a lot. It also made me think about the composition and framing of my drawings more. If you're doing it in a sketchbook, maybe make a template for the size you want and trace it onto the page. If you go outside of it, that's okay. I can't tell you how many times I had to re-sketch something to get it to fit on the small paper. But it was worth it. The first year, I really just did a bunch of prompt doodles in ink on a couple of pages in my sketchbook without much other planning.

4. It's okay to cheat a little bit

I'll be honest, I sketched all my drawings a week in advance. That way I only had to focus on the actual inking part for that day. This definitely saved me a lot of stress and time. If you can do this, I can’t recommend it enough!  I am a fast sketcher though, so I only had to set aside an extra hour or so one day to get 7-8 small sketches done for the next week. Or, if you're able, you can sketch digitally, lower the opacity and print it out. Then either ink overtop or use a lightbox to ink traditionally. And I don't really consider sketching in advance 'cheating' because you still drew it, and if you ink it that day then yay! 

5. It's okay not to finish.

Inktober is hard. Drawing everyday, especially if you are not used to it, or if you have a million other things going on, is really hard. But that's why it's a challenge. You are trying to better yourself! If you miss a day or don't finish, that's okay! Don’t stress out about it. Do what you can and draw what you enjoy! Try to do better than you did last year. You can always make your end goal 31 finished drawings and take however long you need to. Every artist is different with how they draw, how much they can do, and what they are comfortable with.

Remember to take care of yourself while doing Inktober. Take breaks, stay hydrated (don’t spill your drink on your art though), stretch your arms, wrists, and back. Good luck everyone! Have fun! 

-tooie 

[akwardclarinetplayer-blog]

Celebrate valentine's day by sending a quality gift to your sweet hearts!

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Captivating print on canvas is a brilliant gift for your pricey ones, as it's far very superb. And it's miles the pleasant manner of turning first-rate grasp-pieces or simply your personal private pics, digital photographs or simply negatives at any size right into an extraordinary piece of artwork. Your pictures are your e book of memories a memory that recollects the warmest and treasured moments of your lifestyles - seized emotion, movement or sight that could never manifest again as your image at the beyond. Canvas is fabricated from such floor and dense fabric that imitates material portray. Canvas includes natural foundation that lets in implementing excessive- first-rate canvas paintings. Due to high -magnificence inks, quality fabric and current generation you get qualitative, waterproof product. All canvases are stretched over a wood body, geared up to grasp on the wall and create a pleasant ecosystem bringing a tasteful detail to your own home decoration.

Pictures and styles.

Why no longer have your personal photo and special message positioned onto canvas? It'd be a brilliant gift for your girlfriend, a canvas work radiating happiness and love. To the candy kisses and honest smiles on the image you may upload some high-quality phrases like together all the time, I really like you, to my love or you're the sunshine of my existence. If you have discovered a white and black wedding image of your mother and father- switch it onto canvas, and it'll reap new and vibrant colors. Your mother and father will be very much amazed! Beautiful snap shots of your beloved ones turn into a clearly excellent characteristic to the entire circle of relatives mood.

Birthday pictures and holiday snaps are the appropriate canvas photographs. Canvas artwork works are awesome; you may area them everywhere whether or not it is a bed room, canteen, living-room and so forth. Canvas prints can be labored in various hues, shades and styles like color, black and white, sepia, coloration splash, university, triptych, blow up, example, panoramic, three tones, dots, photo, Warhol, pop art. This listing may be endured on and on. Just one element to think about is the indoors of your design as canvas must in shape it perfectly.

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Note: you can also check out the best presents for girlfriend.

[tantoknives]

hey it’s a commissions post

hey so there’s a thing that i want really bad (it’s this)

and i want to earn it through my own work instead of dipping into my savings because i want to prove something to myself i guess

anyway! here’s the downlow:

character pencils: $5-10 for head, $10-15 for bust

character inks: $10-15 for head or bust

character ink: $20-30 for full body (depending on the complexity of the character ofc)

character digital: $15-20 for bust, $25-35 for full body *will add simple bg (see middle pic) for free

wanna add some color?: additional $3 for head, $5 for bust, $10 for full body traditional, $15 for full body digital 

of course not everything will come under the umbrella of ‘character’ commissions, so i am open to price negotiation! 

what i will do:

your favorite show character

your oc

tattoo designs

character sketch sheets

if it isn’t explicitly on my ‘no’ list feel free to ask

what i will not do:

nsfw (i’m just not feelin’ it lmao)

kink/fetish related stuff (especially pedo stuff)

possibly gore but i’m open to discussing it

my email is at magnumformer@gmail.com but I would rather you messaged me on here first if at all possible! also please be prepared to give me reference material if you’re wanting me to draw your oc or your fursona or whatevs

thank you guys for your time! 

-mango

[loriglessner]

Awestruck, we found ourselves face-to-face with the rising sandstone cliffs of the Capitol Reef. The only comparable vista that I have ever seen is at the site of Petra, in the land of Jordan. However, the Capitol Reef is not only much vaster — extending over a hundred miles; unlike Petra — where Man had a major role in carving out its topology and architecture — the Capitol Reef owes its unique landscape and incredible array of multi-colored sandstone canyons, castles, pinnacles, and buttes — some of them reaching right up to the sky — to Nature’s rich endowment of evolutionary forces. Here, over eons, the rain, the snow, the sun, and wind have converged, employing all of their might to render a grandiose and unforgettable landscape.

Terry Tempest Williams

What A Desert Artist Retreat: Exploring Landscape Through Encaustic & the Mark Limited to 8 participants! 3 Spaces Available! Level: Intermediate to Advanced $755 includes most materials (see below) For Registration, Please Contact: Lorraine Glessner, lorigles@earthlink.net

When August 21-25, 2017, 10am-4pm each day

Basic Description Utilizing the natural luminosity, textural and layering possibilities of encaustic, participants will experiment with innovative materials, drawing and marks to depict the spirit and essence of the land. Easy to moderate hikes exploring the high desert landscape of Torrey, Utah are led by Jeff and Lorraine and will provide the inspiration for which to develop ideas and provide areas of focus for series based work while also developing your personal artistic voice. Considerations of the use of the grid as a conceptual and compositional tool as well as its direct relationship to landscape will also be discussed. Optional individual critiques with both instructors will be offered to all participants.

 SCROLL DOWN TO SEE the images below of student work and fun scenes from hikes and studio during last year’s Torrey Retreat, 2016.

Where Jeff Juhlin Studio, in beautiful Torrey, Utah located just outside of Capital Reef National Park in the heart of the southern Utah Red Rock country. (pictured above: Jeff Juhlin’s Torrey, Utah home and studio)

SCROLL DOWN TO SEE the pics below for more of Torrey’s amazing landscape and Jeff’s studio, as well as additional blog posts related to the Torrey landscape here, here and here.

Who A collaborative teaching venture with Jeff Juhlin & Lorraine Glessner

Jeffjuhlin.com Jeff’s work is about discovery, the hint of possibility. It’s about the layers or strata of things substantive, imagined, physical and implicit. He accumulates layers of material, images and color that make up the whole of a painting, then goes back in and to explore, excavate, expose and obscure. The end result is a non-literal visual form, a translation of that experience and process. Jeff uses various materials and mediums to create these works however encaustic incorporated with mixed media including paper, ink and oil paint are most often the primary mediums. Encaustic’s luscious luminosity; physical presence and translucent quality seem the ideal medium to explore this process. Jeff has completed Residency/Fellowships at the Virginia Center for the Arts and VCCA France, Moulin Au Neuf, Auvillar France. He has been Artist in Residence 2010-2015 at the Hui Art Center in Maui, Hawaii. His work can be found in numerous private, corporate and public collections as well several public art commissions. Jeff holds a BFA degree from the San Francisco Art Institute. He maintains studios in Salt Lake City and Torrey Utah. He teaches Regularly at the Hui Art Center in Maui, Hawaii, the Kimball Art Center in Park City Utah and at his Studio in Salt Lake City.

lorraineglessner.net Lorraine Glessner’s love of surface, pattern, markmaking, image and landscape has led her to combine disparate materials and processes such as silk, wood, branding, rust, paper and more in her work. Lorraine is an Assistant Professor at Tyler School of Art, Temple University, a workshop instructor and an award-winning artist. She holds an MFA from Tyler School of Art, Temple University, a BS from Philadelphia University, and an AAS in Computer Graphics from Moore College of Art & Design. She has a diverse art background with skills that include painting, sculpture, graphic design, interior design, textile design, photography, digital imaging and much more. Among her most recent professional achievements is a Second Place award in Sculpture from Art of the State at the State Museum in Harrisburg, PA, a recently completed artist residency at Jentel Foundation and an acquisition by Kelsey-Seybold Cancer Center in Houston, Texas. Lorraine’s work has been exhibited locally and nationally in galleries, craft centers, schools, libraries, universities, and more. Like her work, Lorraine brings to her teaching a strong interdisciplinary approach, mixed with a balance of concept, process, history, experimentation, problem solving and discovery.

What Else?

Color relationships, composition, application, content, proportion, scale as an effective foundation for other painterly information.

Learn how to use encaustic’s strengths (layering, transparency, luminosity) to tell your story.

Mark-making exercises geared toward making simple or complex marks to generate a personal language.

Individual consultation/critique discussion with each participant. Bring a piece of work, a question, a concern, a problem and discuss it with Jeff and Lorraine.

Daily hikes and meditations relax and open your mind and spirit to the land and to your own creative voice.

A slide talk with examples of contemporary artists whose applies the concepts discussed in the workshop is offered for inspiration.

Student work and other fun stuff from Torrey Retreat, 2016

Materials Included: the following is a list of materials provided for the student

All encaustic paints, extra medium, tools and equipment

Graphite paper, sumi ink & other misc. drawing media

Misc. drawing papers

Paper towels/rags

Extra encaustic brushes

What to bring: the following is a list of materials for the student to bring to the workshop

Sketchbook/notebook, pencil or pen for note taking

Smock (optional)

Closed toe shoes for safety in the studio

Lunch and beverage each day

6-10 wooden painting panels (your preference of 8×8 or 10×10, but no larger or smaller, please) Experimentation is great! You must bring the wooden painting panels, but other suggested substrates are: stiff card, paper, masonite, board, plexiglass, etc. (nothing coated in acrylic or acrylic gesso!!) wooden panels will also be available for sale in the studio during the workshop.

2-4 actual or images of your work

5-10 natural hair brushes in various sizes for encaustic painting (1 brush will be designated your medium brush, so it must be free of color if you are bringing used brushes)

a variety of basic encaustic colors will be provided, however, if you prefer certain colors, please bring them. (containers provided)

a variety of pigment sticks will be provided, however, if you prefer certain colors, please bring them.

drawing media of your choice (pencil, pastel, conte charcoal, oil pastel, Crayon, graphite, felt pen, etc.)

any tool or material for any technique that you normally employ while working with encaustic

iwatani torch with extra butane (optional)

textured objects and/or sharp ended tool for pressing into/incising/writing/drawing into wax.

1 lb encaustic medium (containers provided)

 Hiking Equipment Recommendations

Sturdy hiking shoes/boots

butt pack or small backpack

comfortable clothing

light rainwear

Hat

water bottle

Digital Camera or smart phone or point and shoot camera or DSLR

bag for collecting found materials

For Registration, Please Contact: Lorraine Glessner, lorigles@earthlink.net

Payment Payment of 50% of the workshop fee + materials ($377.50) is due at the time of registration with the remaining 50% ($377.50) due on the first day of the workshop. Please contact Lorraine for payment details.

Cancellation In the event that you need to cancel your workshop, please notify Lorraine at least 30 days prior to the start of the workshop and your deposit will be refunded. No refunds will be available for cancellations occurring less than 30 days from the start of the workshop.

Accommodations  THERE IS ONE OPENING FOR THE CABIN AVAILABLE. CONTACT JEFF FOR DETAILS. (Pictured below) The large cabin next to the main house and studio is walking distance to the studio and is available for $100 per night with each person an additional $25 (up to 6 people) and a $100 deposit. It includes one bunk bed (two beds) Rear bedroom, two single beds in a middle bedroom and one double bed in the other middle bedroom, (see images) one full bath, full kitchen. A group of friends could take the whole cabin or 3-6 people could stay there for very little cost. Please contact Jeff jeffjuhlin@yahoo.com if you are interested in renting the cabin on the Torrey property.

Cabins and hotel rooms in town (less than 10 minutes away) Start at $60 and up. There is a tent camping and mobile home park in Torrey also. Please see the web sites below or contact Jeff for more information.

torreyutah.com airbnb

Food Filtered water will be available for drinking and tea, however, you may want to bring other preferred beverages. There will be no food served during the workshop, you must bring lunch and snacks each day. There is a full supermarket 25 Min away located on Loa, Utah and a small market right in Torrey with local meat, some vegetables and basic food items plus a Deli that serves breakfast and lunch. Contact Jeff jeffjuhlin@yahoo.com if you have specific food needs and questions.

A Desert Artist Retreat: Exploring Landscape Through Encaustic & the Mark Awestruck, we found ourselves face-to-face with the rising sandstone cliffs of the Capitol Reef. The only comparable vista that I have ever seen is at the site of Petra, in the land of Jordan.

[itastelikefilm]

I need to draw a comic like this