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You said that if you dated Peter or Wade it would make you miserable. Which– Okay fair, Wade does have a history of purposely hurting the people he loves.
But what about Peter? Why do you think dating him would make you miserable?
because I’ll always know I had the option to climb a 6’8 cyborg and I passed that up for a sweaty little twunk that I perpetually have to remind to bathe (sorry peter)
#I don’t know. I don’t think peter is good boyfriend material. I think his insecurities would get exhausting.#Wade has bottomless patience. me… I don’t know. I don’t think I could. I’ve got my own stuff going on. I don’t want a Project.#peter is definitely a project. and he needs someone with shed loads of patience and perseverance.#me I just. I wanna have a good time. so. come to me my big beautiful time traveller. whisk me away.#take me to the beach. you can disappear after I don’t mind I’m not needy. just spend a beautiful romantic week with me.#sci speaks#I don’t really know what kind of person I’m compatible with really actually.#all my relationships have been. pretty short.#and I don’t think it’s any fault of my own really. and I don’t feel any loss over them at all. like at all. I wish I did. but I don’t.#a sci has so very thankfully never felt heartbreak.#but it makes me kind of question what kind of person I am when it comes to this sort of thing.#because I really don’t know.#I don’t know if I want commitment. I don’t even know if I want sex these days.#I … weirdly… am so devoid of yearning these days. like I feel content right now on my own. I don’t even feel lonely.#I used to yearn but I think I’ve moved past it. and I kind of just want to have a good time.#and that doesn’t even . involve a relationship or anything anymore. like I don’t think I want one actually. it feels like I’m Over it.#it’s kind of great because I’ve never felt so calm in a long time. all because I decided that I don’t. actually Need anything.#I don’t need anything more than what I have. and that’s brought me rest after So Long being restless.#but if a massive time traveller came and whisked me away on sexy adventures how could I say no
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You posted about getting married young, and I just wanna say thank you? I got really lucky and met THE woman when we were 17, and engagement is in the horizon for us at 22, 23. Sometimes it gets to me when people say we're wasting our youth, it's nice having someone batting for us
Also love the pfp, carmilla fans are still alive and well and if you've got any fanfic recs lmk
Congrats! I hope it works out for you. (I would say "girl" at 17, not "woman," but I assume it's just a random word choice since it sounds like you're the same age, so not a big deal.)
While I of course don't advocate for child marriage- ie marriage below age 18, and really I think 20+ is wiser -the whole "date around or you're Wasting Your Youth!!!" narrative pisses me off, like I said. I grew up with that shoved down my throat to the point where I believed my own desires to just meet the right girl and stay with her forever were just youthful romanticism; that I'd "mature" and want to date more people instead of wanting to settle down. (And for some people that is the trajectory! And that's fine! Just...not everyone.)
When your mother got so lost in the Swinging Sixties sauce during her own teen years that she goes too far the opposite way of most parents, I guess?
Yeah, someone might regret a young marriage. But they might regret ANY marriage- that's just a risk you take when you get married. Trusting people to know their own minds in relationships that present no actual red flags is important, even for teenagers. Teaching young people not to trust their own (harmless) emotions and desires for their lives because it doesn't match what you'd have them do seems horribly backwards to me. It's a dangerous precedent to set for them.
When I was 16, I thought I'd be perfectly happy if I married a girl I met at that age- when we were older, of course. Now I'm 30, and guess what? I still think that. I would have been satisfied. Hell, I wish that had happened. It's not right for everybody, but it would have been right for me.
I hope things work out for you two!
#ask#anon#relationships#romance#the problem with abstinence-only sex ed and purity culture is not 'people not sleeping around' guys#it's the shame and guilt and ignorance and lack of CHOICE#(now I do think waiting to have sex until after marriage is a bad idea if you intend to have sex. you should know if you're compatible)#(before legal vows are taken)#(we're not living in the 19th century anymore where non-virgin women are considered Fallen and suffer material consequences)#(at least not in the US where I am)#(make sure you like sex with this person before you vow to have sex with only them forever)#(*monogamous marriage)#but that's not the same thing
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actually the concept of ludgercasey purposely torturing each other with romantic gestures knowing that its gonna make the other person cringe out of their skin is just pure hilarious.
#file this one under ludgercasey aromantic marriage materials as well#its what they do when they have a beef with each other. bonus points if its over something extremely petty#also its canon compatible with the fact that they almost always act like elementary students whenever they are together#aro ludgercasey propaganda#selmore's undercover husband
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second time i’ve gotten an ad with the worst fucking art i have ever seen for GIOVANNI’S ROOM BY JAMES FUCKING BALDWIN i groan so loud each time Please
#this style could not be less compatible with this material. get a GRIP#idk if billy porter playing baldwin in a movie is worse or this
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Everytime I face a new character limit on a website that didn't have them before/used to have really long ones... AUGHHhhh the modern social media world was not made for people like me (lovers of details, rambling, elaboration, thorough explanation, and nuance)
#twitter and other short form shit and everything being a Phone App On Small Screen instead of a Proper#Computer Website i feel like has just ruined the format of literally everything for me. Thoughts just keep getting more and more condensed#with detail and nuance taken away. everything over simplified into only the basics. blah blah blah. I've already probably rambled about thi#all before but it's just SO frustrating. I literally just CAN NOT talk that way!!! even if I try!!! I took multiple advanced placement#english & language arts classes in school and I literally never made below an A on any assignment EVER except for ESSAYS#where I would legit get almost failing grades just because I cannt express myself concisely. I took an english placement test thats made to#like evaluate your competency in a subject and out of the 102 multiple choice questions I only missed TWO of them. almost a perfect#score. But for the 5 open response questions (about articulating thoughts succinctly) I did not get a single one of them lol#I only got partial credit on 3. It's like I OBVIOUSLY understand the material and I know how Words Work and how to analyze and interpret#meaning and etc. etc. But it's just when I have to express myself CLEANLY I can't. It's always ''well you have very good points and you#get around to the idea eventually and I think it's very insightful - but it just needs to be shorter/the side tangent needs to be removed/#etc.'' I've always wondered if it has something to do with being on the schizophrenia spectrum and how that can cause disorganized#speech sometimes hmm..ANYWAY.. But I just naturally express myself in a very particular way which is lengthy and I can't rea#ly seem to control it. So it's basically like just.. being gradually pushed out of every place that won't accomodate people with different#ways of like perceiving and expressing or etc. Everything cannot ALWAYS be 100% 'Short and Snappy and To The Point' or a quippy one#liner or the Bare Minimum of information being provided or etc. Some peoples brains just do not work like that!!!!! Sorry I operate#in detail and elaboration lol. ANYWAY.. I still sometimes use random ''dating sites'' like OKCupid to look for platonic friends since#I never leave the house so it's hard for me to just meet friends naturally. And I just realized today that they added a RIDICULOUSLY small#character limit to their messaging system (2000 words?? augh). And also took away answer explanations (when you answer a compatibility#question you used to have a space to give detail and explain why you answered the way you did) and removed a few other features and it's ju#t like.. how the fuck is any of this actually helpful in terms of judging compatibility? take away ALL nuance and anyting that actually#is meant to tell you anything about a person? Bumble's character limits for your profile description are even more fucking insane and so#is every other disgustingly minimalistic place I've seen like.. OKC used to be superior BECAUSE it allowed for a TON of detail. like back i#2016 or something there was SO much data you could look at. long form question answers. personality trait summaries. etc. Now you have#SOO little to judge off of when evaluating compatibiility it's like. You'd have better luck just throwing a dart in a crowded street and#talking to whoever it hits. Why are people so fucking allergic to reading anything longer than 3 words and providing DETAILS!! It just seem#harder and harder to find any place to meet platonic friends where you have any amount of actual data to go off of and it isnt basically#just random 'speed dating' set up shit. AARGH. &I know 'oh just join a club& meet ppl irl' 1. erm..covid. 2.I mostly want to meet ppl#in places I'd like to move so I already know ppl when I get there. You kind of HAVE to do that online. bc I am not there yet.. WISHING for#Complexity.Com where ppl can upload full 900 page psychological files of themselves. MINIMUM profile character limit 30k words lol
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My first Kris drawing from last night
I decided to experiment with wax pencils. It didn't workout as I wanted so I just said "fuck if" and started smudging everything 😅
#the materials I used weren't that compatible 😅#joker out#joker out kris#kris gustin#kris guštin#joker out fanart#fanart
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also like okay it's not like The Worst Thing In The World but I am disappointed that I found a book by a Mizrahi Jew that seemed like it'd be a very interesting read ("The Wrong Kind Of Jew: A Mizrahi Manifesto") because the Jewish world can be EXTREMELY Ashke-centric from what's considered stereotypically Jewish features to the Jewish branches (largely an Ashke thing, Mizrahim & Sephardim AFAIK don't really have branches) to traditional Jewish foods etc, and I googled the author (Hen Mazzig) to learn more about him and he's a a pretty hardcore Zionist who also pushes information not based in reality and like... again I'm not saying this is the worst thing in the world, but like... it's disappointing you know?
#noah.txt#idk I feel silly for being like... ''it's disappointing trying to find educational material related to my religion/ethnicity that#also isn't coming from someone whose beliefs directly impact my Palestinian loved ones AND Palestinians I don't know but care about#because I'm a human being who knows right from wrong and also knows that a country's existence is not more important than human life#which is ALSO congruent with Jewish philosophy/teachings so NO z*****t belief is NOT Jewish belief''#and like... it's also disappointing feeling alienated in religious Jewish circles b/c z*****m is treated like a fixed part of Judaism#it's not!!! it's fucking not!!! and it's like... how are RABBIS out here acting like absolute fucking CLOWNS#when they of all fucking people should know Judaism and Jewish belief/teachings! z*****m is NOT compatible with Jewish belief/teachings!#and like is this the first time people have misappropriated religion (even their OWN religion) to support their beliefs?#not at all! not at fucking all! but it doesn't change the fact that it IS disappointing and upsetting when your religion/ethnicity#(whether it's Judaism or Islam) is misappropriated by people/groups who twist it to support their beliefs
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[rushes towards you with a clipboard]
so, the island quadruples sperm count and sawyer came inside kate, that is a fact, they fucked in that cage and theres no way they had condoms (and don't you say "pull out method" to me, not only is it ineffective, but sawyer aint doing that). and let's assume sawyer was a standard healthy level of virile even before the island cast Bless Your Balls. and yet! despite that utter cataclysm of sperm in her uterus, kate didn't get pregnant. they had a little intrigue about it but no. no babby. therefore i submit to you that kate austen has the most acidic pussy known to man and god
#that or kate and sawyer aren't very genetically compatible. some couples it takes several tries to get it to work#in my headcanon kate and jack conceive a son. so jate wins again kjhfskhfs#the island's fertility magic vs kate's hazardous material pussy. FIGHT
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Aluminium flexible duct un-insulated
All sizes
( 4,5,6,8,10,12,14 )
Condition : New: A brand-new, unused, unopened, undamaged item in its original packaging
Type : Ventilation > Ducting, Venting & Accessories > Ducting & Venting
Color : silver
Material : Aluminium
Length : 7.7mtr
Region : UAE
Flexible Duct, For Nominal Duct Diameter 7 in, Wall Thickness 0.125 in, Maximum Temperature Rating 500 Degrees F, Minimum Temperature Rating -100 Degrees F, Insulation Value Not Applicable, Color Silver, Overall Length 15 ft, Duct Material Aluminum, Maximum Pressure Rating 6 in wc, Maximum Air Speed 5, 000 fpm, Vapor Transmission 0.05 Percent, Material Aluminum, Insulation Material Not Applicable, Inside Diameter 7 in, Product Type Non-Insulated Flexible Duct, Compressed Length 30 in
Aluminium flexible ducts, un-insulated, are versatile and essential components in HVAC systems, suitable for various applications across residential, commercial, and industrial settings. These ducts are crafted from lightweight yet durable aluminium, ensuring both flexibility and longevity. Designed to efficiently channel air, they maintain optimal airflow throughout heating, ventilation, and air conditioning systems.
#alramiz#hvac#machines#wholesale#rewinding materials#thermostat#heater & element#tools & safety#are#acsparta#Ducts#ThermalInsulation#CompactSolution#Ventilation#AirHandling#InstallationNeeds#SpaceConstraints#Environment#SizeVariety#Compatibility#HVAC#Efficiency#BuildingDesign#IndustrialDesign#Engineering#Construction#Airflow#EnergyEfficiency#Maintenance#Insulation
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more info, via a couple of reviews:
"Is this the best, most exhilarating, most close-to-perpetual dancing ever to grace the Goodspeed Opera House stage?
It certainly could be.
The new stage adaptation of “Summer Stock” at the East Haddam theater has plenty to recommend it in terms of the canny script and the hummable songs. But it’s the dancing that leaves the biggest impression.
The show is jam-packed with choreography from Donna Feore, who also directs, that is thrillingly executed by the cast.
We’re talking: Gravity-defying kicks. Head-spinning turns. Male dancers lifting and tossing and catching the female ones. It runs the gamut from Cossack-dance athleticism to soft shoe grace, tap precision to Lindy hop energy.
How the cast manages to sing after executing these (literally) breathtaking numbers, I have no idea.
And how do they make it through two performances on some days? Amazing.
Also amazing: the fact that they do all this on Goodspeed’s small stage without making the space feel cramped.
So, yes, the dancing is phenomenal. But there’s more to the show than that.
This stage version of “Summer Stock” — which is enjoying its world premiere at Goodspeed — is inspired by the 1950 MGM movie starring Judy Garland and Gene Kelly. Writer Cheri Steinkellner, though, has reimagined the piece in many ways, making it better, stronger and propelled by a more modern sensibility. (Steinkellner’s writing credits range from “Cheers” to the Broadway adaptation of “Sister Act.”)
The foundational story, though, remains the same: A no-nonsense young woman named Jane is trying to save her family farm. Her actress sister (named Gloria in the version at Goodspeed) brings her compatriots to the farm to rehearse a show. Jane first spars with and then starts falling for Gloria’s beau Joe, the production’s director.
Steinkellner has also changed up the score, to great effect. While some tunes from the movie remain, she has pulled others that are in the public domain (such as “Accentuate the Positive,” “Paper Moon” and “It Had to Be You”), and she has woven them perfectly into various plot points and important emotional moments.
As director, Feore makes sure the whole enterprise has a dynamic spirit. It’s a story and a production that brims with optimism and cheerfulness.
Leading the cast is Corbin Bleu, who became famous with his work in “High School Musical” and has gone on to star in several Broadway shows, as Joe. Bleu is a true, and truly talented, triple-threat. He has a warm, welcoming presence as an actor; he also brings an authority to Joe so you believe he’s someone the actors respect and will follow. Bleu’s singing is strong and lustrous, and his dancing — particularly his tremendous tap ability — is … wow.
Arguably the biggest scene-stealer here is Veanne Cox, as the wealthy, snooty owner of huge property surrounding Jane’s. The way she trills dialogue can turn anything into a punchline. She can wave her arms about as her character repeats “l’amour” and generate audience laughs. When her character falls for the egoistic actor Montgomery Leach (played by J. Anthony Crane with Barrymore flair), Cox burbles with girlish romantic giddiness.
Danielle Wade does her own take on the Judy Garland role. She gives Jane a swagger and a tough façade that reveals a more human self during the course of the story. Wade’s most important feature is her voice, which is potent whether she’s finessing a ballad or powering through a big number. While she can’t compete with Garland’s renowned version of “Get Happy” (who could?), Wade does a good job in the number — choreographed and costumed in an homage to the original — that serves as the culmination of the production.
Arianna Rosario gets to play an interesting arc at Gloria. At first, Gloria seems to be a blithe, self-centered actress, but she later shows that she is quite the problem-solving producer. Rosario makes the transformation believable, as if Gloria is finally letting her real self come through.
The scenic design by Wilson Chin suggests the various elements of a Connecticut River Valley farm in the 1950s while still allowing room for the cast to burst into all of those big dance numbers. And the costume design by Tina McCartney provides a fun and functional take on country clothing of the era.
I will say that the second act could be tightened up (we don’t need to see so many beats of the rehearsal process), but, in total, this “Summer Stock” is sensational." [source]
(hooray for most directly explaining gloria's overall arc)
and the next review:
"A throwback to the golden age of Broadway and movie musicals, "Summer Stock" is a timeless, inspiring song-and-dance tale of good deeds, fairy tale showbiz, classic romance and backstage intrigue played out to such dazzling effect, you want to freeze frame it, take it home with you and watch it over and over again for pure fun and a let's-put-a-smile-on-your-face endorsement. This is Goodspeed Musicals at its best - old-fashioned musical entertainment designed to deliver by the bucket's load, stir the senses, rhythmically intoxicate you and dance up a continual storm of good cheer that's guaranteed to leave you breathless.
Animated. Airborne. Magical. Sweet-natured. Fresh-faced. Dance happy. It's all here, wrapped up in shiny gold ribbons and signature colors that complement and complete the picture with a technicolor flourish, a big bang and an internal logic that flows with appropriate style, stamina, full command and intent.
Adapted to the stage by Cheri Steinkellner, "Summer Stock" replays that popular let's- put-on-a-show conceit where everything rests of the big opening night, the box-office intake, the big kiss between the leading man and the leading lady and how a complete unknown saves the day right before the final fadeout. Here, struggling Connecticut farmer Jane Falbury decides to let her actress sister Abigail and her actor friends from New York use the family barn as a rehearsal space for their brand-new Broadway bound musical in exchange for doing the daily farm chores to raise enough money to keep the business from going completely under. One slight problem. During rehearsals, Jane finds herself falling for the show's handsome director, Joe Ross, who, happens to be engaged to the show's leading lady - her sister Abigail.
Staging "Summer Stock," director Donna Feore ("Chicago," "Billy Elliot," "A Chorus Line"), who doubles as choreographer, creates a loveable, intoxicating show that reels you in, grabs hold of you until the final curtain and lets you fall in love with every little detail, surprise, plot twist, joke, visual gag, one-liner and tilt of her jolly agenda while she articulates every element of this musical story with thrust, warmth, spin and splendid articulation. Directorially, she pulls it off spectacularly. No wrong moves here as "Summer Stock" catches fire with a spark, a gusto, a shine and a 1950s mentality infused with plenty of imagination, originality, style and flair. More importantly, the production never loses sight of its origins, its functional plotting and its love of musicals of yesteryear despite well-intentioned doses of kitsch, takeaway humor, giddy backchat and story arcs right out of the MGM library of backlot moviemaking. Feore, free spirit that she is, fuels the musical with a sharpened wit and sentiment that works especially well as does her decision to let "Summer Stock" remain rooted in the period from whence it came in terms of staging, development, expression and interaction.
Moving from screen to stage," "Summer Stock" retains only four songs from the 1950 MGM musical. The addition of several new songs to the original version of the score turns the two-act musical into more of a showstopping event and adds clarity, luster and vintage spin to its already proven material, its let's launch into another song and dance routine blueprint and its firm grasp on characterization, story evolution and its happily ever after conclusion. At Goodspeed, there are 28 important, recognizable, smartly placed musical numbers. They are: "Get Happy," "Happy Days Are Here Again/I Want to Be Happy," "Accentuate the Positive," "I'm Always Chasing Rainbows," "Always," "Always (reprise)," "It's Only a Paper Moon," "The Best Things in Life Are Free," "Dig for Your Dinner," "Me and My Shadow," "Howdy Neighbor, Happy Harvest," "Red Hot Mama," " 'Til We Meet Again," "You Wonderful You," "June Night," "Some of These Days," "Joe's Dance," "I'm Always Chasing Rainbows (reprise)," "It All Depends on You," "Always (reprise)," "Everybody Step," "Lucky Day," "How Ya Gonna Keep 'Em Down on the Farm," "Hinky-Dinky Parlez Vouz," "It Had to Be You," "Get Happy (reprise)" and "You Wonderful You (Finale)."
Musical director Adam Souza ("42nd Street," "Cabaret," "Next to Normal," "A Grand Night for Singing," "Because of Winn Dixie," "Rags") grabs hold of the "Summer Stock" score and allows it to breathe, gesticulate, excite, envelop and rhapsodize with the golden age sentimentality of MGM movie musicals and the timeless, larger-than-life spirit of old Broadway. Here, every song matters. Every song is important. Every song travels down memory lane. Every song is tuned to the max with sweet, centered, warm-heartedness. Every song fulfills its intended purpose. All of this is complemented by the strong, flavorful sound of Souza's orchestral team, all of whom share his tremendous sense of theatricality, musical interlude, impassioned communication and delight of the actual musical itself. They are: David Uhl (bass), Sal Ranniello (percussion), Liz Baker Smith (reed 1), Andrew Studenski (reed II), Travis Higgins III (trumpet) and Matthew Russo (trombone). As with other Goodspeed musicals, Souza doubles as conductor and keyboardist. As "Summer Stock" zings and pops, pretty music every song unfolds with a contagious orchestral musical glow, matched by the splendid musicality of the entire cast who address the catchy, homespun music and lyrics with perfect harmony, rhythm, phrasing and nostalgic commitment. These elements heighten the on-stage mode of the production, its progression from Act I to Act II, its send offs, its pastiche and its electrifying, barn-raising influence and thwack.
As with any big stage musical, choreography is key to a production's success, its fluidity of form, its artistic expression and its accompanying dance routines. Here, Feore, as choreographer, gives "Summer Stock" a highly personal touch of invigoration and speedy excitement that is tipped and generated with wonderfully elongated inspiration, stamina and determination. This is star quality choreography that peaks, shines and tilts with clever build ups, catchy dance steps and bold, concentrated rhythms, moves and beats that joyfully celebrate 1950's musicals in all their technicolor glory. As storyteller and dance interpreter, she brings great dimension and scope to the piece using techniques, styles, descriptions and an enriched canvas of thoughts and ideas that make their mark most engagingly. Everything that happens on the Goodspeed Musicals stage has been beautifully blocked, rehearsed and staged with such thrust and individuality, no two dance numbers are alike. In fact, once "Summer Stock" catches fire, there's no stopping it. Creating a freshly minted fusion of moods, tableaus, lifts, twirls and swirls, Feore pays homage to the actual vintage look and mindset of the musical, its dance-friendly art form and its free-flowing feel of excitement and exhilaration. Hands pop. Arms move heavenward. Dancers smile and glisten as they passionately ignite into joyful visions of sweetness, passion, frenzy and syncopation. Everyone is lost in the moment illustrating the traditions, the conscience and the power of musical theatre, giving and getting the most out of Feore's phenomenal, ovation-worthy choreography. Trained, drilled and confident, they each get a chance to shine - and shine they do - all making strong impressions that will live long in memory.
Making his Goodspeed Musicals debut, Corbin Bleu, as Joe Ross, a character originated by Gene Kelly in the 1950 film version, creates a "Wow!" song-and-dance-man factor chock full of charm, personality, self-confidence and full-beam, champagne delightness that astounds, cajoles and sparkles with leading man gait and luxury like no other. No matter what he does, he's a proverbial triple-threat (i.e., a player who excels at acting, singing and dancing) who makes everything that happens on stage feel fresh, spontaneous, real, raw and very much in the moment. It's in his eyes. It's in his moves. It's in his expressions. Exhibiting a sweet, contagious rapport that extends far beyond the footlights, it's the performance of the year and one that Bleu exudes with a Gene Kelly/Fred Astaire aura of showbiz savvy, knockabout whimsy, graceful athleticism and sterling encapsulation. "Joe's Dance," a solo dance number in Act II performed by Bleu only furthers that notion.
In the role of Jane Falbury, a role made famous by Judy Garland in the original "Summer Stock" MGM musical, Danielle Wade lights up the Goodspeed Musicals stage with a breezy, intuitive musical comedy performance of real warmth and spirit that is a constant joy to watch. Veanne Cox, cast in the role of the wickedly devious Connecticut farming magnate Margaret Wingate, is jaw-dropping brilliant, using humor, music, dance and melodrama in divinely daft and glorious ways that prompt applause and laughter whenever she's in the limelight. It's a scene-stealing performance so seamlessly entrenched in glee and fiery abandon, Cox, would be the ideal choice to play narcissistic Broadway diva Dee Dee Allen in the 2024 summer presentation of "The Prom" at Playhouse in Park in West Hartford. I'll personally deliver the contract. Other memorable performances are delivered by Arianna Rosario (Gloria Falbury), Stephen Lee Anderson (Henry "Pop" Falbury), Gilbert L. Bailey II (Phil Filmore), Will Roland (Orville Wingate) and J. Anthony Crane (Montgomery Leach). A musical escape brimming with delightful songs, engaging performances and full-beam dance numbers, "Summer Stock" is not only a bubbly tonic for theatergoers of all ages, but one that kicks nostalgia into high gear with uncomplicated bliss, fizz and vintage sparkle. It sings. It dances. It pops. It dazzles. Like "42nd Street" which played Goodspeed Musicals last season, it overflows with Kelly/Astaire lightness, punch and precision, sunny vibes and well-played exactitude. The energy displayed here is fast and furious with first-night exhilaration and thrill paired especially well with Corbin Bleu's charming star turn, Danielle Wade's joyous "Get Happy" abandon and Veanne Cox's well-prepped, icy cool villain. This is musical theatre of the highest order - infectious, irresistible, glorious. Its leave-your-troubles-at-the-door/Let's-put-on-a-show mentality accelerates with sparkle and cherry pie goodness. And boy, do we need it now!" [source]
(the reference to jane's sister abigail uses the film's names: abigail becomes gloria in this production, which is the name of abigail's actor in the film, which also mirrors how the role of herb is now phil, also the name of herb's actor in the film)
(also shoutout to providing A Full, Chronological List Of Songs. noting that according to another interview, intermission would be between "you wonderful you" and "june night")
#summer stock#dearth of peak relevant info for our purposes otherwise lol but hey#pressing f for danielle wade's performance Tending to be juxtaposed w/either corbin bleu's or judy garland's#which in fact doesn't always mean their going ''eh comes up short Relative to that comparison but good enough'' but yknow#also that role just isn't gonna be designed to be the most thrilling lol...let's get those character(tm) parts babeyyy#further photos of that preview performance do suggest there's more like midshow conflict b/w jane & gloria vs Only getting along great....#and intrigued here if it's like yeah gloria can be written to have Flaws kiiinda like the film dunking on her though not as much as it#(though not as much as it might've; parallel to orville; relevant to their compatibility lol though in this show it indeed just might not#go for ''conveniently gloria's also always already liked him & orville's just glad someone's being nice to him'' lmao. & in fact yes the#material already in the film was like hm sure could be the queer readings in these ''so you're doing cishettery wrong'' roles here#and going aw man wrt the comedy boys herb/phil & orville/orville not getting to interact more#herb getting to make One reference to kinda being the outsider/misfit even amongst the troupe like hey more abt that? what's your job also#meanwhile yeah you can do something like ''oh gloria has this idea re: being The Star but isn't actually as interested in that Process''#but that then instead of that Just being her at odds w/jane & her coming up short she can have her own arc still#finding out what behind the scenes work she Does want to do; jane & gloria of course ending up being mutually supportive one imagines#rather than jane Just being freer from Dealing With her lesser sister or what have you; whom can graciously enough accept this#and ofc we don't Need the partner swaps for everyone's guaranteed happiness communicated through ''they're not single''#whilest the lack of [oh this backup relationship was here the whole time kind of] does make your potential love triangle trickier then lol#hence perhaps some more significant conflict if you're like kissing your sister's date or what have you & she can't Just(tm) have yours#but then being The Lead can't be the ultimate of All [doing theatre]; having kissing status w/a guy isn't the ultimate of all Arcs/Life#(though noting tim wasn't Relieved if another ostensibly straight romance; a cliche in the modern musical; wasn't shoehorned in there...)#(also the awkward notes about Male Dancers and The Female Ones like alright? supposed relevance Where?)#long post ///
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What are your innate character traits?
tagged by :: @mirrordread (ty~!) tagging :: @gnarledbite (curious as to their compatibility according to this), @the-blackened-dove, @sanguine-salvation and anyone else who wants to do this!
#𓋹 party games#𓋹 ooc :: CULT LEADER MATERIAL??? LMAO#𓋹 ooc :: and ofc he and rorschach are the least compatible
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I guess I'm switzer-Cameron?
[ post by Downstar @downstar_ao3: Just a reminder that fictional characters aren't real people that need to be held accountable for their actions. They are vehicles to tell a story. Their flaws and contradictions are a feature not a bug. And appreciating the role they play in the story is not a moral failing. ]
#dead poets society#I forgot which fandom an old fandom of mine took this tagging system from—but due to very polarizing characters in the source material#there'd be (duh) anti-Character and pro-Character or Character Apologism tags#that delineated space for people to rave or vent about a character as their personal preferences and emotional biases drew them to#and then the Switzer-Character tag is supposed to be for people that enjoy examining and discussing all sides...#...which is actually possible to do with a fictional character...because a fictional character is a narrative construction...#And it's all well and good to want to forget that if you relate a lot to a specific character#or love/hate something else about them that is not central to or even compatible with the mindset of analyzing a narrative construct#fandom sure does make spaces for personal preferences and emotional bias#that practically IS fandom#but I also like analyzing themes and plot structure and directorial/actor decisions and the historical context that produced the work#stuff like that#that...i think blorbo-stanning and anti-Character venting etc sometimes doesn't leave much room for
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Material Compatibility of Common Aerospace Metals in MMH/MON-3
This article is from the 2024 Technical Update. The NESC evaluated material compatibility of some common aerospace metals in monomethylhydrazine (MMH) and nitrogen tetroxide (MON-3). Previous work had identified a lack of quantitative compatibility data for nickel alloy 718, 300 series stainless steel, and titanium Ti-6Al-4V in MMH and MON-3 to support the use of […] from NASA https://ift.tt/WN4FUef
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the tfwiki does this thing where they refer Optimus and Elita (G1) as brother and sister because Alpha Trion rebuilt them from the same material and I don’t like that
#personal#like…i kinda get why they think that but i don’t see it that way???#they’re just rebuilt from old models using new materials#that doesn’t make them actual blood relatives to me????#trion literally made them compatible soulmates don’t make it weird
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Celestial Tough Case(Samsung+iphone)
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