#master Katara deserved better

[the-badger-mole]

You know, I really think that 60-70% of success in winning against the Nation of Fire is solely due to Katara. I really don't understand why she doesn't have a statue in literally every nation??? Seriously, from the fact that she was the one who split that block of ice where Aang was sleeping, to the fact that the defeated Azula. All her struggle, her kindness and support, her desire to never give up, her anger at injustice, defending her rights, saving the life of an avatar, and even cooking for the whole team, all this is her merit, and at the same time the fandom terribly belittles her merits, or reducing her simply to a loving interest, or to "annoying mommy." While she's probably one of the strongest women on screen and that's at 14 years old.

I've said it a thousand times, and I'll say it a thousand more; every last member of the Gaang (with the possible exception of Suki) would be sooo many flavors of dead without Katara. For her not to get a statue is such a slap in the face, I wouldn't have been able to take LoK seriously on that alone.

[sapphic-agent]

"Katara was an old lady! You can't expect her to fight!!"

😐

Do people not understand what Katara being completely non-combative in LOK says about her? Zuko became active again to protect his daughter from the Red Lotus. Toph became active again to save her daughter, son-in-law, and grandsons from Kuvira.

How many times were Katara's children and grandchildren in danger? And she was nowhere to be found, not once. Genuinely, how the fuck do you think that makes her look compared to Zuko and Toph (one of which is older than she is)? Are you going to look me in the eye and tell me there's nothing wrong with that? Are you going to try and tell me that this is Master Katara of the Southern Water Tribe?

Nope. Not buying it. That is not the Katara I grew up with. That is not the Katara I looked up to my whole life.

Stop defending her treatment in LOK. There's no excuse for what Bryke did to her. They completely assassinated everything that made Katara who she was. If you think differently, you never understood her character

[stardust948]

I don't think people realize what a power move it is for Katara to become Queen of the nation that nearly succeeded in wiping her people out.

[ecoterrorist-katara]

I am so sick of people using “girlboss feminism” to put down Katara fans who don’t like her LOK arc

Wanting a female character to be a badass warrior is not girlboss feminism. Capitalism is not yet a force of oppression in Katara’s youth, so there is no way for Katara to be a girlboss unless she joins force with Cabbage Man, pioneers industrial agriculture, and begins exploiting the labour of Earth Kingdom farmers.

I think it’s very disingenuous to mobilize the anti-capitalist critique inherent in the term “girlboss” to put down a Girl Power fantasy. The issue with girlboss feminism is not, and has never been, that women want power, or money, or recognition. The problem with girlboss feminism has always been that exploiting other people, especially other women, for your own gain is not feminist.

I honestly miss when fandoms would call female characters Mary Sues, because at least back then we didn’t pretend that women wanting power was an inherently bad thing.

[starlight-bread-blog]

Katara is More Patient Then We Give Her Credit for

Katara has been getting a lot of flak for supposedly being hot headed and getting angry at very minor things. Even those who love Katara seem to accept this as the truth. But it's not. In reality, Katara is simply a female character who owns her rage. And I feel like there are two main components that debunk this notion.

Warning: Long, long post.

1. In the instances where Katara is angry it's either justified or makes sense in context.

The Waterbending Scroll

Katara stole, wouldn't you know it, a waterbending scroll. She practices before giving it to Aang, and fails hard. Then Aang who she's supposed to be teaching, gets it right and explains how to do it. Katara has an outburst.

Katara: Will you please shut your air-hole! Believe it or not your infunite wisdom gets a little old sometimes. Why don't we just throw the scroll away since you're so naturally gifted!

Why is Katara that mad here? Why did she have an outburst? Because she was carrying the burden of being the last waterbender of the Southern Water Tribe her whole life. Because her waterbending is the reason Kya died. Because she have been independently studying waterbending her whole life. And now her student is having it all easy and is trying to teach her.

And wouldn't you know it, she realized what she did immediatly. Literally, a second later.

Katara: Oh my gosh Aang. I am so sorry. I don't know what came over me. But you know what, it won't happen again. Here [the scroll] is yours. I don't wanna have anything to do with it anymore.

She even apologized to Momo. Katara had an isecurity rooted in trauma and pressure. When Aang try to teach her she hit a breaking point and lashed out. And not one second later she's already apologizing.

The Waterbending Master

Katara and Aang are going to see Pakku, the waterbending master. But when Pakku sees she's a girl, he says he won't teach her. This is why Katara gets angry. She flew across seas just to get rejected due Pakku is being a sexist freak. I think we can all agree that being denied something because of sexism is a good reason to get angry. And when Katara realized Pakku won't teach Aang if she'll keep insisting, she drops it abd tells Aang to drop it too.

However, that doesn't mean she won't study in secret. She deserved to learn waterbending and she knew it. She took the consequences into consideration and decided to not make a fuss.

But of course, they both get caught. Pakku says he will no longer teach Aang, the Avatar who absolutly needs to study and still refuses to teach Katara because he's still sexist. Only then Katara challenges him to a duel. Only when they have nothing to lose. She challenged a sexist prick to a duel, one who shamelessly denied her oppretunity because of her gender.

The Chase

At the start of the episode Katara gently hints Toph to help unpack a camp for the night. This is when she's not tired yet, and shows patience.

Katara: So Toph, usually when setting up camp, we try to divide up the work.

Toph: Hey, don't worry about me. I'm good to go.

Katara (still calmly): Well, actually, what I'm trying to say is, some of us might fetch water while someone else might set up the fire pit or put up the tent. *smiles* Even Momo does his fair share.

Toph (slightly irritated): Katara, I'm fine. I can carry my own weight. I don't need a fire. I've already collected my own food. And look. *earth bends a tent* My tent's all set up.

Katara: Well, that's great for you but we still need to finish-

Toph (loudly): I don't understand. What's the problem here??

Katara: Never mind.

Katara then goes to apologize. While also attempting to make sure her and Toph are on good terms by having her acknoledge that she wasn't 100 absolutly in the right.

Katara: Hey Toph, I wanted to apologize for earlier. I think we're all just a little tired and getting on each other's nerves.

Toph: Yeah, you do seem pretty tired.

Katara (slightly irrutated): I meant all of us.

Toph: Well, good night.

Katara: Good night.

By all means, Toph is in the wrong for the sheer refusal for communication. At first Katara calmly explained to her what was needed without even spelling it out. Toph was being passive, so she dropped it. And then she apologizes after doing nothing wrong just so they could be on good terms. Toph was the one being passive agressive. And Katara pretty much let it slide.

This is Katara. The patience she showed right here is her natural, normal self. The rest of the episode is under the context of sleep deprivation and how it's making them all hostile to each other. Including the pacifist Aang. Who's outburst leads Toph to leave. After she does, both Aang and Katara express remorse.

(Side note: I heard people take issue with the line "The stars sure are beautiful tonight, too bad you can't see them, Toph". It's been interpreted as Katara making fun of Toph for being blind, but it's just another instance in the recurring joke of the Gaang forgetting Toph is blind, and listed as such in the official A:TLA Youtube channel).

The Runaway

Update: This section, especially, is majorly outdated.

The episode has a silly opening where Aang is trained by Toph and Katara. Toph misses and accidently hits Katara with a big rock. After Toph doesn't apologize, it leads into a fight which is absolutly not to be taken seriously, that ends with Aang pointing out that it was supposed to be training.

It doesn't work as an exapmle for supposed hot-headedness because the reason this whole thing started because Toph hit Katara with a rock and refused to apologize.

But moving on to the real conflict of these episode, Toph scammed someone and Katara makes it clear that they shouldn't do it again, it'll draw attention to them. Aang promises her it won't happen again but.. um.. you know what happened.

Katara, being responsible, told them to quit because they'd potentially get exposed. Toph didn't reach well, telling her to lighten up. Katara rightfully gets angry, because they really might get exposed and Toph is dismissing her like her concerns are nothing. They have a short argument and Toph storms out.

This is why Katara was angry this episode. Her reasoning for being upset is the Gaang potentially exposing themselves for easy money. That's the conflict.

The Painted Lady

In this episode Katara sees a starving Fire Nation village but Sokka won't allow them to stay due to time limits. So she faked a disease for Appa so they could. Sokka confronts her. At first, she gives up and packs to leave. But since she destroyed the factory that's been polluting the villages water and taking their medicine, the people in charge assumed it was the civilians, and were coming to attack. Sokka and Katara get into a small but intense argument. Important to note, that she doesn't react intensively until Sokka does.

Katara: Well, what was I supposed to do?

Sokka: Leave! Do nothing.

Katara: No! I will never, ever turn my back on people who need me.

Her anger here doesn't highlight hot-headedness, it highlights compassion. Compassion is one of Katara's core traits. She's angry because she's being angrily demanded to see people suffer and stand by. And she will not tolerate it. She will never, ever turn her back on people who need her.

2. In reality, Katara is defined by her patience and compassion.

What I did here was listing off times where Katara did get angry. But Katara is generally a caring, kind person. Rather if it's cheering up Sokka, going shopping with him after he admitted to feeling useless; if it's pulling Aang out of the Avatar state, putting herself at risk when he's out of control; if it's helping deliver a baby of a stranger; or if it's freeing prisoners of the Fire Nation. She demonstrates impressive patience throughout the show.

The Deserter

In this episode Aang was asked to just control fire. Aang gets irrutated himself at this, but Katara assured him that it's probably for a good reaso. But when his master left, he firebent. He was being extremely careless with his new found Fire Bending and burned Katara's hands.

Did she...

A. splashed some water at him.

B. Yelled at him.

C. Ran away crying.

Yeah, she didn't express anger at all. Sokka was who's angry at Aang.

The Desert

The sand benders stole Appa and the Gaang is suck in a desert. Katara demonstrates her patience a lot this episode.

Toph and Aang are arguing about Toph not stopping them.

Aang: You just didn't care! You never liked Appa! You wanted him gone.

Katara: Aang, stop it. You know Toph did all she could. She saved our lives.

Sokka: Who's gonna save our lives now? We'll never make itout of here.

Aang: That's all any of you guys care about, yourselves. You don't care whether Appa is okay or not.

Katara: We're all concerned, but we can't afford to be fighting now.

Aang accused the Gaang of something horrible. Katara told him to stop, but still understood his anger and calmly explained to him that it's important not to fight in a life threatening situation.

Aang then storms out to look for Appa. Katara's response?

Katara: We'd better start walking. We're the only people who know about the solar eclipse. We have to get that information to Ba Sing Se.

She didn't get angry, she was rational and thought about the greater good.

After Aang comes back, Katara suggest they should try sleeping, gives the Gaang all of her bending water without drinking herself. And then finds a way to get to Ba Sing Se using the locations of star systems.

The Gaang spots a cloud and mistakes it for Appa. But Katara realizes the potential in a cloud. She tells Aang to fly and bend the water from the cloud so they could drink.

Katara (disappoibted): Wow, there's hardly any in here.

Aang (intensively): I'm sorry, okay? It's a desert cloud, I did all I could. What's anyone else doing? *Points at Katara* What are you doing?

After dealing with everyone's tireness, Sokka's high nonsense and Aang's attitude, carrying everyone, thinking of possible solutions to ensure they'd all survive, how did she react to Aang accusing her of not doing enough?

Katara: Trying to keep everyone together. Let's just get moving. We need to head this direction.

And after everything she did for everyone, she pulls Aang out of the Avatar state when he's raging, out of control.

Katara is not so hot headed.

She's sweet, nurturing and caring. She demonstrated incredible patience and perhaps even saved the Gang's life in The Desert with her resilience. Katara's compassion is her defining trait.

But that doesn't mean she's not a human being – she's allowed to be flawed, and in the moments where she does, she's very remorseful. And in the moments where she doesn't, people will still hold her accoutable for simply feeling a justified emotion.

Does it make you oh-so-hot headed to stand up to a sexist denying her opportunity? To make sure your friends don't destroy your chances to win a war? To not tolerate being told to see people in need and do nothing in a middle if an argument she didn't start? Of course it doesn't.

And other characters are allowed to express anger, to be flawed, in ways that are way worse than Katara without being labelled annoying hot headed by the fandom.

Katara is widly known to be irrational, letting her anger get the better of her, but it's simply not true.

[linnoya-writes]

“Stop criticizing Katara’s adult narrative just because she primarily chose motherhood. Raising kids is an honor, and she raised the Avatar’s kids!”

Every time I hear someone say this about Katara, I imagine it in the tone of fans who believe big career goals and motherhood cannot coexist, and that that a woman choosing motherhood is forfeiting their big career goals (sometimes even their identity) to focus all of their energy on the kids, and that still wanting those big dreams for yourself is selfish when you have kids to take care of.

I also imagine that people who say this are fans who saw Katara as the character always helping Aang with his physical/mental/emotional struggles as well as other people everywhere she went, and so she would easily transition into full-time motherhood as an adult because she was so naturally gifted with it already. These are the fans who tend to overlook the emotional labor Katara had to internalize due to her being “that mature voice” and “pillar of inner strength” for so many people at such a young age… not really having someone who understood her darker side or helped validate her feelings. Let’s just leave Zuko in The Southern Raiders and shipping out of this.

What I want to discuss… is why is Katara the only character praised by fans for choosing to raise kids in her adult life rather than for other things she accomplished?

Toph, for example, grew up as a single mom, raised two daughters of separate fathers, and she STILL managed to take her bending abilities to whole new levels by opening a metalbending academy and becoming chief of police for the entire Republic City well into her 50s. She was still active and involved in her career and served in criminal trials while still having two girls at home (Katara was not even present in Yakone’s trial, despite that he was being tried for Bloodbending… a crime Katara herself had deemed illegal.)

Zuko also took parenthood seriously, raising at least one daughter (whether or not a mom was in the picture is still TBD) and even in his elderly80s, he definitely seemed to show up to big events with his daughter and was protective of his daughter’s safety in the world. And oh yeah. Zuko was also the FireLord, who spent time reconstructing an imperialistic country and changing the views of so many generations of his people… he raised a dragon named Druk… and was active in overseeing Republic City.

Let’s also not forget that Aang was a father to the same kids he had with Katara, and yet he isn’t praised for choosing fatherhood over anything else he did. LOK tells us that in fact, he actually favored Tenzin over the non-Airbending kids, and the other airtemples didn’t even know Avatar Aang had other children outside of Tenzin. Did Aang dedicate time to raising Tenzin when they went on all those field trips? I like to believe so, but Aang also had lovely and willing Air Acolytes everywhere he went that would probably tend to Tenzin while he did important Avarar work. The narrative here doesn’t give us much of a positive outlook on how Aang was a dad, but that’s okay… because we as fans like to praise the other bigger important things Aang did like build Republic City.

While Aang, Toph and Zuko were continuing to build their legacies through their character strengths, sense of worldly knowledge, and incredible bending talents… in LOK, we only hear about Katara’s focused on healing (something she certainly didn’t want to be known exclusively for), despite the fact that The Greatest Healer in the World failed to heal Korra (twice!). We also hear how Katara was determined to make bloodbending illegal, and yet in LoK, bloodbending is still running rampant and elderly Katara doesn’t seem to be bothered by that. The Katara we see in the SWT (who’s just as elderly as Toph and Zuko) is a person who’s thrown in the towel, chosen a reclusive quiet life rather than attending big events (such as her own granddaughter’s Airbending ceremony), and letting the world deal with its own problems. It’s as if she trained the next Avatar in waterbending and she could finally retire; her work was done.

What makes Katara’s adult narrative so diminished isn’t because she was seen primarily as a mom, but because we as fans don’t see much fruit of her labor (both within motherhood and outside it). Yes, she raised Tenzin, Bumi and Kya, but even as middle-aged adults, her kids talk about how they were culturally divided as a family. They don’t visit their mother in the SWT unless it’s deemed necessary. Outside of Kya, we also don’t really see the kids (or grandkids) really connecting with the WaterTribe side of their heritage either. We definitely hear a lot about Katara’s healing abilities, but where is the proof of that? Where are the grand state-of-the-art healing hospitals in Republic City with her statue welcoming everyone, where it’s shown that Katara dedicated her time to train other healers and master new healing techniques? We also hear how she made bloodbending illegal, so why are people like Yakone still making it a problem? Why wasn’t Katara there, making a public statement next to the president regarding this cruel bending technique and making more an effort to monitor all Waterbenders in the SWT and NWT to make sure kids weren’t being trained in that cruelty? All we hear about Katara’s greatness is in side-commentary from other characters in LOK, but compared to Aang, Toph, and Zuko, there isn’t really much we get to see from that greatness.

We can’t even say that Katara brought the next generation of Airbenders, because in LoK season 3, Airbenders randomly come back all over the world.

So, I’m not saying that Katara choosing to be a wife to Aang and mom to the Avatar’s kids in her adult life was a disservice to her character. What I’m saying is that the things she accomplished outside of those roles didn’t really amount to much in the later narratives of ATLA. Katara could’ve changed the world, but her character was reduced to serving the Avatar’s narrative instead.

[lovegrowsart]

there are rly ppl that sincerely defend the treatment of katara's character post-atla like i'm sorry,,,but you will never catch me giving br/yke that much credit and benefit of the doubt lmao

[aangarchy]

My little cousin (15) finished atla yesterday, y'all know the drill by now but here's her opinion of the characters after the s3 finale

Aang: "that's MY Avatar. The GOAT."

Katara: "amazing stunning wonderful beautiful powerful badass gorgeous talented-" this went on for a bit

Sokka: "the creators can't hide that he's bisexual."

Toph: "i couldn't get over the feral chihuahua energy i'm sorry"

Zuko: "... fine he's hot now happy?"

Azula: "i mean if my brother came in to ruin my coronation i would try to kill him and his little girlfriend too so"

Suki: "i wish i could kill people with a fan but alas i can only kill them the non cool way" Me: "the non cool way?" Her: "just stabbing."

Mai: "she deserves so much better than Zuko"

Ty Lee: "she joined the Kyoshi warriors, a group comprised of only women.... interesting."

Uncle Iroh: "i was really expecting the old man to bite it ngl i'm happy he stuck around tho"

Firelord Ozai: "we waited two seasons for his reveal and he's just some guy." Me: "yea that's kinda the point, that he's just a normal man" Her: "i could run him over with my bike."

The Old Masters: "the Okra bus got lost in Ba Sing Se lol" (for context okra is a belgian seniors organisation, like for the elderly to go on trips and such)

[katarasmomsnecklace]

I wanna talk about all my fav ATLA ships cuz being a multishipper can suck sometimes

I wanna look at ship tags and not see hate for another ship in them

SPREAD THE LOVE

KatAang: Classic friends to lovers. Couples who commit ecoterrorism together stay together

TAang: She was a punk He did ballet what more can I say. But like actually they're so fun to analyze with what we have in canon, they legit give soulmate vibes.

ZuTara: SHOT THROUGH THE HEART another fun one to analyze, opposites attract/enemies to lovers it's a good time

KaToph: They're defined by overcoming their "weaknesses" Katara fought for her right to be a master despite her gender and became one of the most powerful benders because of her will to fight. Toph literally invented a whole new bending style BECAUSE of her blindness. Love them

MaiLee: Bad bitches deserve bad bitches, we love a sunshine and sunshine protector. Their fighting styles compliment each other as do their personalities

MaiKo: 'I love Zuko more than I fear you" will never not be the hardest line in the show. *doesn't care she got pickles* "HOW FUCKING DARE YOU SHE SAID NO PICKLES"

Ty Luki: I just want Suki to show TyLee the ropes of being a kyoshi warrior. They have so much they can teach each other also if you like the Airbender! TyLee headcanon there's something poetic about her unlocking her powers with kyoshi's fans

YueTara: MOON AND OCEAN NEED I SAY MORE

ZUe (I actually don't know their ship name) we in rare pair hell but SUN AND MOON NEED I SAY MORE also applies to Yue x Azula you guys come up with the coolest scenarios that put either of the fire siblings in the north pole, this fandom is so creative

ZuKKi: Let Sokka pull lol but actually a King and His Guard and King and his Ambassador, it's like Sukka is great but make it better

Mai TyLee and Suki should be a bigger ship cuz I swear I'm the only one that sees it (help me name them)

Tell me about your favorite ATLA ships I freaking love these characters and I love when they love each other

[friedoats]

Shit in the atla fandom we need to talk about more

Azula is a victim of abuse just like zuko and deserved better than what happend in the comics (she's younger than zuko and was groomed by her father)

Aang is not one dementional, he's not all sunshine and rainbows, hes not all naïve

Iroh, we can always talk more about iroh, lets never stop talking about him

Holy fucking shit these young teenagers and kids were masters. Toph is 12 she is a master before we even meet her, aang is (1)12 he is a master before we meet him. Katara is 14 she is a master. Azula is 14 she is a master. Zuko is a master at 16. What the fuck did they feed these kids. What were you doing when you were 16? Huh?

Kyoshi was 230? When she died?????? Wtf? She was "taught" Immortality? And she probably just decided to die? Ig? Wtf

[the-badger-mole]

Something I enjoy in post-war atla fics is when Katara discovers who she doesn't want to be. Breaking up with Aang sucks, but it's growth for both of them. Canon Katara is tragic, and I'm so glad for fanfics where she is allowed to exist outside of being the Avatar's girlfriend.

Oh, I love a good Kataang break up. One of my favorite scenes I've ever written for an ATLA fic was the break up between Katara and Aang in All the Things (of course, Aang doesn't really understand it's a break up, but still). But I absolutely agree that I love and appreciate fics where Katara gets to escape life in Aang's shadow. I don't really care what happens to Aang after that (although, in those fics, he does tend to get his own growth). I'm all about Katara living her best life.

[sapphic-agent]

Why & How Katara is the Strongest Waterbender

The ATLA fandom is funny. Because if there's one member of the Gaang whose skills are continuously doubted, it's Katara's.

No one hesitates in saying that Toph is the strongest Earthbender in the world. Aang has always been maintained as a natural prodigy. Sokka's strategic intelligence and cleverness are never in question. Most people are positive that Zuko would have beaten Azula if she hadn't targeted Katara and hail him as a swords master.

But for some reason, it's always Katara whose proficiency is either called into question or severely downplayed.

Some are skeptical about the legitimacy of her becoming a master in a short time. Others are certain that her victories are due to plot manipulation. Both of these arguments that ATLA is a kids' show which pushed it into giving her the win.

(Funny how ATLA is the greatest piece of media ever read until it comes to anything pertaining Katara's character lmao)

So I wanted to take a minute to talk about the progression of her waterbending skills and how she became Master Katara.

Pre North Pole

The first time we really see Katara practice waterbending is in The Waterbending Scroll when she decides to show Aang her limited very skill set. She noticeably has a difficult time with her bending, whereas he seems to pick it up rather quickly.

As we know, Katara has never met another waterbender before. She has no idea what their bending is supposed to look or feel like. And that's reflected in the moves she shows Aang.

I want to draw attention to Katara's stance here. She's stiff, even a little awkward. She's standing where more like an Earthbender. We see this repeated when she's practicing the Water Whip.

Even later when she does perform the Water Whip correctly, there are still traces of this.

You know how Iroh learned to redirect lightning watching Waterbenders? Well, my assumption (at this point I'm 80% sure it's meant to canon) is that Katara learned most of her bending by watching Aang and the Earthbenders they met around the world.

It makes sense, right? They would have been the closest thing to Waterbenders she could have learned from. She even asked Aang to teach her in the first episode. So the start of her bending began with incorporating the forms of Air and Earth.

And we see the results of that in her fight with Pakku.

Fighting Pakku

Katara's fight with Pakku is a great demonstration of his visually. He's a master, so he's already proficient at "push and pull." Katara is not. She's done it before, but it's not her go-to style when she's fighting. And we can see it in this fight.

Again, her stance is firm. She either blocks his attacks or bats them away. She doesn't reinforce and redirect them like he does hers. She isn't fighting like a Waterbender, she's fighting like an Earthbender.

Not to say this is a bad thing. Pakku himself even admits that she's good even though they both know she can't beat him.

Why am I bringing this up? Because one thing about Katara that's overlooked is her adaptability. When she didn't have a waterbending teacher, she made do with observing Earthbenders. She picked up Pakku's teachings even better than Aang had. And going forward from here it really begins to shine in her bending.

She completely dominates Pakku's other students and Zuko (twice). Why? What makes her so special compared to men who have been training their whole lives?

Because water is the element of change. By being so proficient in adapting (not just in her bending, but openly embracing different things and experiences and people), Katara unknowingly embraced the mentality of her element.

(It's actually a funny twist of fate because you could make the point that the North held its other Waterbenders back by being so bound to and unflinching in their traditions. It would explain why none of Pakku's students even stood a chance against her)

If you think about it, you could draw parallel to Yue explaining the history of Waterbending to Katara to the Sun Warriors explaining fire as an element to Zuko. In both cases, you can see that they're able to see and understand their element in a new light. Although it's more of a realization moment for Katara as she already knew about pushing and pulling and it's more of a lesson for Zuko who was taught something completely different.

Katara vs Azula (Round 1)

You know how I said people attribute her wins due to plot manipulation because ATLA is a kids' show? Well it seems like Katara vs Azula is the scene they focus on the most for that.

But let's be real, this isn't a fluke. The show purposely draws attention to Katara prowess and skills during this fight.

Azula is someone who's always in control. She's someone who goes into fights with full confidence. But she is completely thrown off by Katara's abilities here.

And this is something that persists throughout the entire fight. Katara completely overpowers her. At no point during the fight did Azula have the upper hand against her.

And remember, this is Azula's fight. She's the one who imprisoned Katara and Zuko. She's the one who attacked Katara and Aang to begin with. Sure, she was probably counting on her manipulation of Zuko working and him backing her, but there was no guarantee that he would be able to get away from Aang long enough to help her.

And right after this, Aang really struggles against Azula. He doesn't own the fight nearly as well as Katara does.

So, we know it isn't a fluke. The creators intentionally made Katara outclass Azula here. She's canonically the superior bender between the two of them. And that's not a small feat by any means. Azula at this time is one of the best Firebenders alive, probably fourth (after Ozai, Iroh, and Jeong Jeong (she could possibly be above Jeong Jeong)).

So what was the reason for this? Why was Katara able to outclass Azula so effortlessly?

Well here's where Katara's mastery of the meaning of her element comes into play again. She understands and excels in the concept behind water. Always changing, always adapting. She embraces water to its fullest capabilities (which also includes incorporating other elements into it; water would actually be the best element to do this with). The entire fight, she's switching stances and forms and keeping Azula on the evade. Whatever Azula throws back is dealt with without an issue.

And as we know, Azula (and most Firebenders) misunderstand fire as an element. She uses it solely as a destructive force, but it's also energy, life, and passion. This is also part of the reason Zuko lost so easily in the Northern Water Tribe; he also had the same issue. Katara's proficiency in water as not just a weapon, but an element, gave her the advantage over Azula she needed.

Katara vs Hama

A debate that comes up a lot is who's the better bender between Katara and Amon. To that I have always said Amon was taught Bloodbending, Katara just did it.

Let me reiterate: NO ONE TAUGHT KATARA BLOODBENDING. Hama explained the concept to her, yes, but never actually taught her. In fact, she did not expect her to pick it up without guidance. In her own words, "You should've learned the technique before you turned against me."

This was a technique that took Hama decades to learn. Tarrlok and Noatak were trained relentlessly. And Katara just... Did it. No guidance and no build up. This supports that Katara's adaptability and versatility in her bending is unmatched. She's able to comprehend and perform advance concepts with no training or teaching.

Now that we got that out of the way, this fight is so comprable to Katara vs Pakku. This is the second time she's fought a master and we can see how much she's improved. So much so that she doesn't even struggle against Hama.

At this point, she's mastered "push and pull." She's able to take everything Hama throws at her and send it right back with little to no effort.

But she takes it a step further.

Instead of redirecting, Katara completely stops Hama's onslaught. This undoubtedly is something she picked up from Earthbenders. It certainly isn't a Waterbending technique, yet somehow she made it into an effective move.

Look at Hama's face. She's completely thrown off by this. This was not something she ever expected out of any Waterbender. She was completely unprepared for Katara to be able to outmatch and overpower her.

Katara completely surpassed her, solidified by using the technique she invented against her.

I was going to talk about Katara and Azula's second fight, but there isn't much to add there. I already compared the difference in their skills talking about the first fight, and the Agni Kai is an escalation of that. The outcome of the Agni Kai was already decided and confirmed in the catacombs.

And that my friends is how and why Katara is the best Waterbender in the world

[zvtara-was-never-canon]

The double standard Zutara shippers have towards Mai vs Katara is absolutely icky. I saw a post a while ago (don’t remember the user) and screenshotted all the Mai can’t vs Katara can points. I’ll paste them here:

- Katara threatening Zuko if he dares to hurt Aang is a sign of reprimanded sexual tension, but Mai joking about Zuko never daring to break up with her again it's her being controlling.

- Katara screaming at Zuko that, to make her forgive him after he proved to have changed and be a better person to everyone else, he'll need to bring back her dead mother, as if 10 years old Zuko is responsible for Yon Ra killing Kya, is fair. Mai screaming at Zuko to leave her alone after he made a scene insulting her in front of a crowd is abusive, violent and toxic.

- Katara treating Zuko badly after he saved her from being crushed is legit and deserved. Mai slapping Zuko's hand away from her in two separate occasions because he wouldn't stop invading her boundaries after a highly emotional moment is harsh, undeserved and abusive.

- Zuko mocking Katara and telling her that he'll save her from the pirates is cute. Zuko being actually cute with his girlfriend is cringe and obviously something he didn't want to do.

- Katara splashing Zuko when he was kneeling down in the southern air temple episode is justified. Mai throwing a SHEET OF PAPER at him after he broke up with her and ghosted her is abusive and violent.

-Katara touching Zuko's scar in the catacombs to heal him is cute and a moment of trust. Mai touching Zuko's scar multiple times and him not being bothered by it in the slightest (even burying his scar in her hair) is a breech of trust and consent.

- Katara having many guys who have a crush on her throughout the series means she has rizz and that she's a catch. Mai having one boyfriend other than Zuko makes her a slut.

- Mai and Zuko being childhood friends to lovers is cringe and an overused trope, but then you'll go on the Zutara tag and find multiple fanarts of childhood friends Zutara AUs

- Katara establishing boundaries and making her stance on breeches of trust well known with multiple characters is good writing. Mai breaking up with Zuko after he lied to her multiple times means that she isn't worth sticking around, and is so selfish that she'll leave Zuko in a moment of need.

- Katara had three children while Mai only had Izumi, which means Katara is a better woman (yes, I've actually come across this kind of disgusting comment.)

- Zutarians claim that Katara is apparently reduced to a housewife and child bearer with no agency as Aang's wife (she is a well known master, wonderful healer AND politician as she made bloodbending illegal in canon), and would be better off as the fire lady (????), but at the same time Mai is nothing special because she is just the fire lord's wife while Katara is a master. Like, make it make sense. Being a fire lady is either "demeaning" for both or for neither.

+ Zutara fans making Izumi Zuko and Katara's daughter, and then proceeding to make a rant on how Mai is NOT Izumi's mom despite her looking exactly like Mai and Michi PLUS having "fountain" a significant name in Maiko's love story, in her name.

I’ve been silently reading all the anti zutara here and thought of sharing my piece. I would like to hear what you think too

God, the Izumi one pisses me off the most because:

1 - Neither Katara nor Zuko would EVER just refuse to raise or even acknowledge a child of theirs. Katara's whole trauma is about having to grow up too fast after her mother's death. Zuko's whole trauma is growing up with an abusive father that kicked him out of the house. They would NEVER abandon a child of theirs.

2 - Neither Katara nor Zuko would ever forgive a former partner if said partner had a kid with them and then abandoned said child, again, because of their own traumas.

But also HOLY SHIT, zutara's brand of "feminism" never ceases to shock me. "A better woman has more kids"? Seriously? And here I thought the worst take I'd ever see from them was "Zuko needs to marry a woman of a different race because his genes are bad, but he is one of the good ones, and Katara could fix his defective genetic that makes his kind more likely to be violent - no, I never heard the term 'eugenics', what's that?"

And yeah, funny how they're constantly going on and on about how being Fire Lady would totally "empower" Katara, but the second Mai is the one to marry Zuko, suddenly that role is oppressive and disrespectful towards a woman.

[ecoterrorist-katara]

“Katara deserves a quiet life after the war, so becoming a healer (who made no contributions to the field) is actually a good arc!”

It is already bizarre to me that in ATLA, Katara is this confident & combative & ambitious girl who LOVED to fight and wanted nothing more than to help as many people as possible…then comics!Katara and TLOK!Katara showed neither her previous personality traits nor a career commensurate with those traits…

but it’s even more bizarre to me that ATLA fans would defend her trajectory as if it were some kind of progressive story of recovering from war trauma.

I’ve seen multiple takes like this. “Katara is not a YA heroine, she’s not a bloodthirsty girlboss who loves fighting so it’s actually a good thing that she doesn’t have to fight anymore” “after everything she’s been through she deserves a quiet life and a loving family”

For Katara, fighting in the war was actually empowering. It didn’t burn her out. It didn’t disillusion her. It didn’t take more out of her than she can give. Katara is not Katniss Everdeen, who needed to step back and discover her own agency and a sense of peace after fighting in a war she never chose to start. Katara’s war trauma largely happened before she took an active part in it. After she chose to be a part of the war, she became a waterbending master, made close friends, found her father again, got closure for her mother’s murder, defeated the Fire Lord, and met the love of her life. If Katara were a real person, maybe she’d be traumatized, but nowhere in the text of ATLA does she exhibit the sign that she’s tired of fighting on behalf of the world. If anything, she just got started.

If you take her post-ATLA arc at face value (vs as bad writing), it’s a tragedy of a woman who has learned to minimize her own relevance and her own power. In The Promise, she begins deferring serious decisions to Aang. She doesn’t even express a strong opinion about the fate of the entire colony of Yu Dao, or the fate of her friend Zuko. In North and South, she accepts Northern encroachment of the South in the name of progress. In TLOK we see her not as a politician or a chief, but rather as “the best healer” — albeit one who apparently never established a hospital, or trained acolytes of her own, or done anything to help people at scale, which she has always wanted to do. It’s even more egregious when you remember that in Jang Hui, she was not satisfied to simply heal the sick as the Painted Lady. She wanted to solve the root of the problem, so she cleaned the river and committed full-on ecoterrorism. Just because the war is over doesn’t mean she wants to stop helping people. In fact, the problem she addressed in Jang Hui is exactly the type of problem that would become more prevalent after the war ends, judging by the rapid industrialization between ATLA and LOK.

In the original ATLA, I think Katara is about as close to a power fantasy as you can get for a teenage girl, because she gets to be messy and goofy and powerful, even though she also had to perform a whole lot of emotional and domestic labour. But post-ATLA, she doesn’t get power and she doesn’t get to make a change. She gets love and a family. That’s it. And her grandkids don’t even remember her. Her friends and peers, on the other hand, were shown doing all sorts of super cool things like, you know, running the world they saved.

It’s not feminist to say that a female character deserves “rest” when she’s shown zero inclination that she wants a quiet life. Women who want a quiet life deserve to get it — I think Katniss’ arc is perfect — but women who want power deserve to get it too, especially when they’re motivated by compassion and a keen sense of justice. There’s nothing feminist about defending the early 2010s writing decisions of two men. Like just admit that they fucked up! It’s fine! Maybe they’ll do better in the future!

[sharpredclaws]

Katara.

Ugh. Ok, let's get these thoughts out of my head before I scream.

Katara could be a frustrating character in the original show. She was bossy, overbearing, and controlling. But those traits all stemmed from the same source: her desire to protect others, and to change the world for the better.

When talking about her personality, the word often used is "angry". But I think there's something more to that, the real heart of her character.

Katara is passionate.

Passion, by nature, is a hard emotion to control. It is an intense emotion that compels action. She was angry about her mother's death, angry at her father for leaving them, angry at herself for not being able to master her bending, angry at the Fire Nation for everything it took from her. But more than that, she was driven to do something about it.

From the very first episode, she takes no shit and refuses to let anyone get in the way of doing what she sees as the right thing. Everything she feels, she feels intensely, and she struggles to control that intensity and what it drives her to do. And the show allows her to make mistakes. She trusts the wrong people, bosses the group around, lashes out at them. At its very worst, her passion turns to cruelty, and she’s good at being cruel. If you know how to heal, you also know how to cause pain. Being empathetic and compassionate also means you know exactly how to hurt someone’s feelings. 

Water turns to blood. 

The live action version of the show has stripped that away completely. This Katara is passive, meek, and lacks autonomy. When she does speak up for herself, it falls flat, because it lacks any show of backbone at any other point in the show. She can't even bend on her own until she meets Aang, a change I can't forgive. She deserved that moment to herself. 

And you expect me to believe that this girl will learn to bloodbend? 

Bloodbending is every flaw she has taken to extreme. It’s absolute control, turning people into puppets, the ability to bend and break a body however you please. It’s passion turned to domination, to hatred, to vengeance, to destruction. 

Katara was a great character because her choice to be loving, nurturing, merciful, and in many ways traditionally feminine challenged the notion that those things are in some way easy or weak. They aren't. Loving people is terrifying, forgiving your enemies fucking hurts, that shit costs you. Caring so much you smother the very people you’re trying to nurture and protect, feeling so strongly you can’t act in moderation, was a compelling, logical arc for her. 

I don’t understand what they’re trying to achieve with this new version of her character at all. The actress is doing her best with what they're giving her, but they're giving her nothing to work with.

[sokkastyles]

Hi, I’m finding it difficult to wrap my head around your (and some other meta writers) take on Sokka’s sexism and how writing a nonsexist society would be braver?

Why is it more brave to write a story without bigotry than one overcoming it?

Defensive Writing Section Where I Respond to What I Imagine You Could Respond With: 1) I know the original series did not succeed in, or even really try, empowering its women. 2) I know sexism is baked into the show and its romances. 3) I know Katara deserves better (but, this might be where we diverge, I don’t feel served by a reality/story where we pretend women’s domestic, unappreciated labor isn’t a pillar holding society up. Tbh it feels kinda disrespectful to keep that offscreen and media tends to downplay it as is). 4) I know the show isn’t out yet and we’re all guessing. I am picking your brain on your guess cause it confused me. 5.) Sokka’s arc is about maturing manhood and leadership, I’m afraid removing his sexism dodges an opportunity to explicitly deconstruct its toxic expressions. Again, I know the show was unsatisfactory with this the first go around.

Fan Mail Section Where I Attempt To Convey I Meant No Harm: Love your blog! Again, just confused.

First of all, I did not say that writing a nonsexist society would be braver or that the story should not have bigotry in it. What I said is that the story should have more adult women in it.

For example, I do enjoy Katara's story of struggling against feeling like she needs to take on a motherly role because of her gender. I think it's realistic because it's a conflict many girls face, and watching her fight against that can be cathartic. But what's harder to reconcile is the way the narrative goes out of its way to justify forcing this role on Katara. Not all of this can be chalked up to a sexist world. Kya being dead before the story begins was a decision the writers made, for example. I'm not necessarily saying that should be changed, but it is a common trope in media and it's a problem that women are disproportionately killed off to serve fictional narratives this way. Compare, for example, the way the story explains Hakoda's absence without killing him off entirely, and the fact that we know a heck of a lot more about him as a character than we do Kya. His absence is still used to characterize the heroes, to explain the struggle they face in a war-torn world, but he gets to be an active agent in the story, too.

Another example is that although a lot of Sokka's sexism stems from a lack of understanding of Katara's waterbending, which can be explained in the narrative by the fact that the FN has nearly eradicated southern waterbending, this does not explain why Katara wasn't taught more about her bending by her grandmother, who is both from the northern tribe and present when Hama and the other benders were taken. In the flashbacks in "The Puppet Master," we see that there were many women who used combat waterbending, and apparently waterbending healing was not even known in the south so there was no gendered division like in the north. There's no real reason why that should change so quickly in such a short amount of time to the point where the southern water tribe all of the sudden becomes this hugely sexist society where only men are known to fight.

Katara and Sokka are presented with opposite ideas about gender, but we don't have any real sense of where they got these ideas. I like to headcanon that Katara got her feminism from gran-gran, who fled the southern water tribe because of sexism, but it's strange then that Katara doesn't even know this story. Why is Kanna such a complete nonentity in the narrative, when her story is so important to the story the show wants to tell about Katara?

We get more backstory on Sozin than we do a lot of the adult women in the story, when they even show up. Zuko's mom is fridged just like Katara's, and although I love how this serves as a bonding point between them, it would be less glaring if Iroh's and Azulon's and Sozin's wives were also not nonentities in the narrative.

Someone commented on this post that the live action might be giving us Suki's mom. So let's look at how even this small change might effect the story. Even keeping in Sokka's sexism. Let's say that it does play out like in the original, and when they get to Kyoshi Island, Sokka is shocked - shocked! - to be beaten by a bunch of women. We're supposed to think Sokka is wrong. And he does get proven wrong. But the Kyoshi Warriors are still the exception to the rule. Sokka doesn't so much learn that women deserve respect as much as he learns to respect some women because they can kick his ass.

But, if we bring in Suki's mom, then suddenly Suki doesn't have to be the sole named character responsible for teaching Sokka not to be sexist. The story becomes less about how Sokka should respect women because some of them are cool and he'll get a girlfriend out of it, and more about how all women deserve the same respect, because we see more women just present and living in the world of the story.

I'd also like to ask everyone to take a step back here, because to my knowledge, the show never said it was taking out certain arcs or presenting the characters without narrative flaws. This all seems to stem from the young actors themselves saying merely that the show took out some "iffy" moments.

So what did they take out that Ian and Kiiawntio might be referring to? Maybe some of the anachronistic and, frankly, racist moments such as, for example, Sokka and Katara calling Zuko and Sokka's cultural hairstyles "ponytails." Which would make sense, considering that the show probably feels like they can trust their audience to accept hairstyles that might appear different to Americans moreso than the writers of the original show did, considering that this is not a show airing on American kids' cable in the early 2000s, but a modern show with a global and much more globally aware audience. These are the kinds of updates that I would expect from a modern live action series. And that is a very good thing.

I also trust the young actors of color playing these kids to say "hey, these kids would not actually talk like that!" More than I trust white writers and execs.