#master Katara deserved better

[the-badger-mole]

You know, I really think that 60-70% of success in winning against the Nation of Fire is solely due to Katara. I really don't understand why she doesn't have a statue in literally every nation??? Seriously, from the fact that she was the one who split that block of ice where Aang was sleeping, to the fact that the defeated Azula. All her struggle, her kindness and support, her desire to never give up, her anger at injustice, defending her rights, saving the life of an avatar, and even cooking for the whole team, all this is her merit, and at the same time the fandom terribly belittles her merits, or reducing her simply to a loving interest, or to "annoying mommy." While she's probably one of the strongest women on screen and that's at 14 years old.

I've said it a thousand times, and I'll say it a thousand more; every last member of the Gaang (with the possible exception of Suki) would be sooo many flavors of dead without Katara. For her not to get a statue is such a slap in the face, I wouldn't have been able to take LoK seriously on that alone.

[the-badger-mole]

...heavy. But accurate.

“for somebody i thought was my saviour / you sure make me do a whole lot of labour”

- labour, paris paloma

[sapphic-agent]

"Katara was an old lady! You can't expect her to fight!!"

😐

Do people not understand what Katara being completely non-combative in LOK says about her? Zuko became active again to protect his daughter from the Red Lotus. Toph became active again to save her daughter, son-in-law, and grandsons from Kuvira.

How many times were Katara's children and grandchildren in danger? And she was nowhere to be found, not once. Genuinely, how the fuck do you think that makes her look compared to Zuko and Toph (one of which is older than she is)? Are you going to look me in the eye and tell me there's nothing wrong with that? Are you going to try and tell me that this is Master Katara of the Southern Water Tribe?

Nope. Not buying it. That is not the Katara I grew up with. That is not the Katara I looked up to my whole life.

Stop defending her treatment in LOK. There's no excuse for what Bryke did to her. They completely assassinated everything that made Katara who she was. If you think differently, you never understood her character

[stardust948]

I don't think people realize what a power move it is for Katara to become Queen of the nation that nearly succeeded in wiping her people out.

[ecoterrorist-katara]

I am so sick of people using “girlboss feminism” to put down Katara fans who don’t like her LOK arc

Wanting a female character to be a badass warrior is not girlboss feminism. Capitalism is not yet a force of oppression in Katara’s youth, so there is no way for Katara to be a girlboss unless she joins force with Cabbage Man, pioneers industrial agriculture, and begins exploiting the labour of Earth Kingdom farmers.

I think it’s very disingenuous to mobilize the anti-capitalist critique inherent in the term “girlboss” to put down a Girl Power fantasy. The issue with girlboss feminism is not, and has never been, that women want power, or money, or recognition. The problem with girlboss feminism has always been that exploiting other people, especially other women, for your own gain is not feminist.

I honestly miss when fandoms would call female characters Mary Sues, because at least back then we didn’t pretend that women wanting power was an inherently bad thing.

[starlight-bread-blog]

Katara is More Patient Then We Give Her Credit for

Katara has been getting a lot of flak for supposedly being hot headed and getting angry at very minor things. Even those who love Katara seem to accept this as the truth. But it's not. In reality, Katara is simply a female character who owns her rage. And I feel like there are two main components that debunk this notion.

Warning: Long, long post.

1. In the instances where Katara is angry it's either justified or makes sense in context.

The Waterbending Scroll

Katara stole, wouldn't you know it, a waterbending scroll. She practices before giving it to Aang, and fails hard. Then Aang who she's supposed to be teaching, gets it right and explains how to do it. Katara has an outburst.

Katara: Will you please shut your air-hole! Believe it or not your infunite wisdom gets a little old sometimes. Why don't we just throw the scroll away since you're so naturally gifted!

Why is Katara that mad here? Why did she have an outburst? Because she was carrying the burden of being the last waterbender of the Southern Water Tribe her whole life. Because her waterbending is the reason Kya died. Because she have been independently studying waterbending her whole life. And now her student is having it all easy and is trying to teach her.

And wouldn't you know it, she realized what she did immediatly. Literally, a second later.

Katara: Oh my gosh Aang. I am so sorry. I don't know what came over me. But you know what, it won't happen again. Here [the scroll] is yours. I don't wanna have anything to do with it anymore.

She even apologized to Momo. Katara had an isecurity rooted in trauma and pressure. When Aang try to teach her she hit a breaking point and lashed out. And not one second later she's already apologizing.

The Waterbending Master

Katara and Aang are going to see Pakku, the waterbending master. But when Pakku sees she's a girl, he says he won't teach her. This is why Katara gets angry. She flew across seas just to get rejected due Pakku is being a sexist freak. I think we can all agree that being denied something because of sexism is a good reason to get angry. And when Katara realized Pakku won't teach Aang if she'll keep insisting, she drops it abd tells Aang to drop it too.

However, that doesn't mean she won't study in secret. She deserved to learn waterbending and she knew it. She took the consequences into consideration and decided to not make a fuss.

But of course, they both get caught. Pakku says he will no longer teach Aang, the Avatar who absolutly needs to study and still refuses to teach Katara because he's still sexist. Only then Katara challenges him to a duel. Only when they have nothing to lose. She challenged a sexist prick to a duel, one who shamelessly denied her oppretunity because of her gender.

The Chase

At the start of the episode Katara gently hints Toph to help unpack a camp for the night. This is when she's not tired yet, and shows patience.

Katara: So Toph, usually when setting up camp, we try to divide up the work.

Toph: Hey, don't worry about me. I'm good to go.

Katara (still calmly): Well, actually, what I'm trying to say is, some of us might fetch water while someone else might set up the fire pit or put up the tent. *smiles* Even Momo does his fair share.

Toph (slightly irritated): Katara, I'm fine. I can carry my own weight. I don't need a fire. I've already collected my own food. And look. *earth bends a tent* My tent's all set up.

Katara: Well, that's great for you but we still need to finish-

Toph (loudly): I don't understand. What's the problem here??

Katara: Never mind.

Katara then goes to apologize. While also attempting to make sure her and Toph are on good terms by having her acknoledge that she wasn't 100 absolutly in the right.

Katara: Hey Toph, I wanted to apologize for earlier. I think we're all just a little tired and getting on each other's nerves.

Toph: Yeah, you do seem pretty tired.

Katara (slightly irrutated): I meant all of us.

Toph: Well, good night.

Katara: Good night.

By all means, Toph is in the wrong for the sheer refusal for communication. At first Katara calmly explained to her what was needed without even spelling it out. Toph was being passive, so she dropped it. And then she apologizes after doing nothing wrong just so they could be on good terms. Toph was the one being passive agressive. And Katara pretty much let it slide.

This is Katara. The patience she showed right here is her natural, normal self. The rest of the episode is under the context of sleep deprivation and how it's making them all hostile to each other. Including the pacifist Aang. Who's outburst leads Toph to leave. After she does, both Aang and Katara express remorse.

(Side note: I heard people take issue with the line "The stars sure are beautiful tonight, too bad you can't see them, Toph". It's been interpreted as Katara making fun of Toph for being blind, but it's just another instance in the recurring joke of the Gaang forgetting Toph is blind, and listed as such in the official A:TLA Youtube channel).

The Runaway

Update: This section, especially, is majorly outdated.

The episode has a silly opening where Aang is trained by Toph and Katara. Toph misses and accidently hits Katara with a big rock. After Toph doesn't apologize, it leads into a fight which is absolutly not to be taken seriously, that ends with Aang pointing out that it was supposed to be training.

It doesn't work as an exapmle for supposed hot-headedness because the reason this whole thing started because Toph hit Katara with a rock and refused to apologize.

But moving on to the real conflict of these episode, Toph scammed someone and Katara makes it clear that they shouldn't do it again, it'll draw attention to them. Aang promises her it won't happen again but.. um.. you know what happened.

Katara, being responsible, told them to quit because they'd potentially get exposed. Toph didn't reach well, telling her to lighten up. Katara rightfully gets angry, because they really might get exposed and Toph is dismissing her like her concerns are nothing. They have a short argument and Toph storms out.

This is why Katara was angry this episode. Her reasoning for being upset is the Gaang potentially exposing themselves for easy money. That's the conflict.

The Painted Lady

In this episode Katara sees a starving Fire Nation village but Sokka won't allow them to stay due to time limits. So she faked a disease for Appa so they could. Sokka confronts her. At first, she gives up and packs to leave. But since she destroyed the factory that's been polluting the villages water and taking their medicine, the people in charge assumed it was the civilians, and were coming to attack. Sokka and Katara get into a small but intense argument. Important to note, that she doesn't react intensively until Sokka does.

Katara: Well, what was I supposed to do?

Sokka: Leave! Do nothing.

Katara: No! I will never, ever turn my back on people who need me.

Her anger here doesn't highlight hot-headedness, it highlights compassion. Compassion is one of Katara's core traits. She's angry because she's being angrily demanded to see people suffer and stand by. And she will not tolerate it. She will never, ever turn her back on people who need her.

2. In reality, Katara is defined by her patience and compassion.

What I did here was listing off times where Katara did get angry. But Katara is generally a caring, kind person. Rather if it's cheering up Sokka, going shopping with him after he admitted to feeling useless; if it's pulling Aang out of the Avatar state, putting herself at risk when he's out of control; if it's helping deliver a baby of a stranger; or if it's freeing prisoners of the Fire Nation. She demonstrates impressive patience throughout the show.

The Deserter

In this episode Aang was asked to just control fire. Aang gets irrutated himself at this, but Katara assured him that it's probably for a good reaso. But when his master left, he firebent. He was being extremely careless with his new found Fire Bending and burned Katara's hands.

Did she...

A. splashed some water at him.

B. Yelled at him.

C. Ran away crying.

Yeah, she didn't express anger at all. Sokka was who's angry at Aang.

The Desert

The sand benders stole Appa and the Gaang is suck in a desert. Katara demonstrates her patience a lot this episode.

Toph and Aang are arguing about Toph not stopping them.

Aang: You just didn't care! You never liked Appa! You wanted him gone.

Katara: Aang, stop it. You know Toph did all she could. She saved our lives.

Sokka: Who's gonna save our lives now? We'll never make itout of here.

Aang: That's all any of you guys care about, yourselves. You don't care whether Appa is okay or not.

Katara: We're all concerned, but we can't afford to be fighting now.

Aang accused the Gaang of something horrible. Katara told him to stop, but still understood his anger and calmly explained to him that it's important not to fight in a life threatening situation.

Aang then storms out to look for Appa. Katara's response?

Katara: We'd better start walking. We're the only people who know about the solar eclipse. We have to get that information to Ba Sing Se.

She didn't get angry, she was rational and thought about the greater good.

After Aang comes back, Katara suggest they should try sleeping, gives the Gaang all of her bending water without drinking herself. And then finds a way to get to Ba Sing Se using the locations of star systems.

The Gaang spots a cloud and mistakes it for Appa. But Katara realizes the potential in a cloud. She tells Aang to fly and bend the water from the cloud so they could drink.

Katara (disappoibted): Wow, there's hardly any in here.

Aang (intensively): I'm sorry, okay? It's a desert cloud, I did all I could. What's anyone else doing? *Points at Katara* What are you doing?

After dealing with everyone's tireness, Sokka's high nonsense and Aang's attitude, carrying everyone, thinking of possible solutions to ensure they'd all survive, how did she react to Aang accusing her of not doing enough?

Katara: Trying to keep everyone together. Let's just get moving. We need to head this direction.

And after everything she did for everyone, she pulls Aang out of the Avatar state when he's raging, out of control.

Katara is not so hot headed.

She's sweet, nurturing and caring. She demonstrated incredible patience and perhaps even saved the Gang's life in The Desert with her resilience. Katara's compassion is her defining trait.

But that doesn't mean she's not a human being – she's allowed to be flawed, and in the moments where she does, she's very remorseful. And in the moments where she doesn't, people will still hold her accoutable for simply feeling a justified emotion.

Does it make you oh-so-hot headed to stand up to a sexist denying her opportunity? To make sure your friends don't destroy your chances to win a war? To not tolerate being told to see people in need and do nothing in a middle if an argument she didn't start? Of course it doesn't.

And other characters are allowed to express anger, to be flawed, in ways that are way worse than Katara without being labelled annoying hot headed by the fandom.

Katara is widly known to be irrational, letting her anger get the better of her, but it's simply not true.

[akiizayoi4869]

I can't fucking believe this is actual canon script.

"tHiS iSn'T fAiR😡😭👶" "wHaT iS iT wITh YoU" What is it with YOU, Zuko? What kind of person would behave this way with their VICTIM? You know what's really not fair? The long list of traumatizing shit you've pulled against these kids for months. Tone-deaf brat.

The amount of entitlement that he had in this episode is what kills me 😭

[linnoya-writes]

“Stop criticizing Katara’s adult narrative just because she primarily chose motherhood. Raising kids is an honor, and she raised the Avatar’s kids!”

Every time I hear someone say this about Katara, I imagine it in the tone of fans who believe big career goals and motherhood cannot coexist, and that that a woman choosing motherhood is forfeiting their big career goals (sometimes even their identity) to focus all of their energy on the kids, and that still wanting those big dreams for yourself is selfish when you have kids to take care of.

I also imagine that people who say this are fans who saw Katara as the character always helping Aang with his physical/mental/emotional struggles as well as other people everywhere she went, and so she would easily transition into full-time motherhood as an adult because she was so naturally gifted with it already. These are the fans who tend to overlook the emotional labor Katara had to internalize due to her being “that mature voice” and “pillar of inner strength” for so many people at such a young age… not really having someone who understood her darker side or helped validate her feelings. Let’s just leave Zuko in The Southern Raiders and shipping out of this.

What I want to discuss… is why is Katara the only character praised by fans for choosing to raise kids in her adult life rather than for other things she accomplished?

Toph, for example, grew up as a single mom, raised two daughters of separate fathers, and she STILL managed to take her bending abilities to whole new levels by opening a metalbending academy and becoming chief of police for the entire Republic City well into her 50s. She was still active and involved in her career and served in criminal trials while still having two girls at home (Katara was not even present in Yakone’s trial, despite that he was being tried for Bloodbending… a crime Katara herself had deemed illegal.)

Zuko also took parenthood seriously, raising at least one daughter (whether or not a mom was in the picture is still TBD) and even in his elderly80s, he definitely seemed to show up to big events with his daughter and was protective of his daughter’s safety in the world. And oh yeah. Zuko was also the FireLord, who spent time reconstructing an imperialistic country and changing the views of so many generations of his people… he raised a dragon named Druk… and was active in overseeing Republic City.

Let’s also not forget that Aang was a father to the same kids he had with Katara, and yet he isn’t praised for choosing fatherhood over anything else he did. LOK tells us that in fact, he actually favored Tenzin over the non-Airbending kids, and the other airtemples didn’t even know Avatar Aang had other children outside of Tenzin. Did Aang dedicate time to raising Tenzin when they went on all those field trips? I like to believe so, but Aang also had lovely and willing Air Acolytes everywhere he went that would probably tend to Tenzin while he did important Avarar work. The narrative here doesn’t give us much of a positive outlook on how Aang was a dad, but that’s okay… because we as fans like to praise the other bigger important things Aang did like build Republic City.

While Aang, Toph and Zuko were continuing to build their legacies through their character strengths, sense of worldly knowledge, and incredible bending talents… in LOK, we only hear about Katara’s focused on healing (something she certainly didn’t want to be known exclusively for), despite the fact that The Greatest Healer in the World failed to heal Korra (twice!). We also hear how Katara was determined to make bloodbending illegal, and yet in LoK, bloodbending is still running rampant and elderly Katara doesn’t seem to be bothered by that. The Katara we see in the SWT (who’s just as elderly as Toph and Zuko) is a person who’s thrown in the towel, chosen a reclusive quiet life rather than attending big events (such as her own granddaughter’s Airbending ceremony), and letting the world deal with its own problems. It’s as if she trained the next Avatar in waterbending and she could finally retire; her work was done.

What makes Katara’s adult narrative so diminished isn’t because she was seen primarily as a mom, but because we as fans don’t see much fruit of her labor (both within motherhood and outside it). Yes, she raised Tenzin, Bumi and Kya, but even as middle-aged adults, her kids talk about how they were culturally divided as a family. They don’t visit their mother in the SWT unless it’s deemed necessary. Outside of Kya, we also don’t really see the kids (or grandkids) really connecting with the WaterTribe side of their heritage either. We definitely hear a lot about Katara’s healing abilities, but where is the proof of that? Where are the grand state-of-the-art healing hospitals in Republic City with her statue welcoming everyone, where it’s shown that Katara dedicated her time to train other healers and master new healing techniques? We also hear how she made bloodbending illegal, so why are people like Yakone still making it a problem? Why wasn’t Katara there, making a public statement next to the president regarding this cruel bending technique and making more an effort to monitor all Waterbenders in the SWT and NWT to make sure kids weren’t being trained in that cruelty? All we hear about Katara’s greatness is in side-commentary from other characters in LOK, but compared to Aang, Toph, and Zuko, there isn’t really much we get to see from that greatness.

We can’t even say that Katara brought the next generation of Airbenders, because in LoK season 3, Airbenders randomly come back all over the world.

So, I’m not saying that Katara choosing to be a wife to Aang and mom to the Avatar’s kids in her adult life was a disservice to her character. What I’m saying is that the things she accomplished outside of those roles didn’t really amount to much in the later narratives of ATLA. Katara could’ve changed the world, but her character was reduced to serving the Avatar’s narrative instead.

[aangarchy]

My little cousin (15) finished atla yesterday, y'all know the drill by now but here's her opinion of the characters after the s3 finale

Aang: "that's MY Avatar. The GOAT."

Katara: "amazing stunning wonderful beautiful powerful badass gorgeous talented-" this went on for a bit

Sokka: "the creators can't hide that he's bisexual."

Toph: "i couldn't get over the feral chihuahua energy i'm sorry"

Zuko: "... fine he's hot now happy?"

Azula: "i mean if my brother came in to ruin my coronation i would try to kill him and his little girlfriend too so"

Suki: "i wish i could kill people with a fan but alas i can only kill them the non cool way" Me: "the non cool way?" Her: "just stabbing."

Mai: "she deserves so much better than Zuko"

Ty Lee: "she joined the Kyoshi warriors, a group comprised of only women.... interesting."

Uncle Iroh: "i was really expecting the old man to bite it ngl i'm happy he stuck around tho"

Firelord Ozai: "we waited two seasons for his reveal and he's just some guy." Me: "yea that's kinda the point, that he's just a normal man" Her: "i could run him over with my bike."

The Old Masters: "the Okra bus got lost in Ba Sing Se lol" (for context okra is a belgian seniors organisation, like for the elderly to go on trips and such)

[katarasmomsnecklace]

I wanna talk about all my fav ATLA ships cuz being a multishipper can suck sometimes

I wanna look at ship tags and not see hate for another ship in them

SPREAD THE LOVE

KatAang: Classic friends to lovers. Couples who commit ecoterrorism together stay together

TAang: She was a punk He did ballet what more can I say. But like actually they're so fun to analyze with what we have in canon, they legit give soulmate vibes.

ZuTara: SHOT THROUGH THE HEART another fun one to analyze, opposites attract/enemies to lovers it's a good time

KaToph: They're defined by overcoming their "weaknesses" Katara fought for her right to be a master despite her gender and became one of the most powerful benders because of her will to fight. Toph literally invented a whole new bending style BECAUSE of her blindness. Love them

MaiLee: Bad bitches deserve bad bitches, we love a sunshine and sunshine protector. Their fighting styles compliment each other as do their personalities

MaiKo: 'I love Zuko more than I fear you" will never not be the hardest line in the show. *doesn't care she got pickles* "HOW FUCKING DARE YOU SHE SAID NO PICKLES"

Ty Luki: I just want Suki to show TyLee the ropes of being a kyoshi warrior. They have so much they can teach each other also if you like the Airbender! TyLee headcanon there's something poetic about her unlocking her powers with kyoshi's fans

YueTara: MOON AND OCEAN NEED I SAY MORE

ZUe (I actually don't know their ship name) we in rare pair hell but SUN AND MOON NEED I SAY MORE also applies to Yue x Azula you guys come up with the coolest scenarios that put either of the fire siblings in the north pole, this fandom is so creative

ZuKKi: Let Sokka pull lol but actually a King and His Guard and King and his Ambassador, it's like Sukka is great but make it better

Mai TyLee and Suki should be a bigger ship cuz I swear I'm the only one that sees it (help me name them)

Tell me about your favorite ATLA ships I freaking love these characters and I love when they love each other

[friedoats]

Shit in the atla fandom we need to talk about more

Azula is a victim of abuse just like zuko and deserved better than what happend in the comics (she's younger than zuko and was groomed by her father)

Aang is not one dementional, he's not all sunshine and rainbows, hes not all naïve

Iroh, we can always talk more about iroh, lets never stop talking about him

Holy fucking shit these young teenagers and kids were masters. Toph is 12 she is a master before we even meet her, aang is (1)12 he is a master before we meet him. Katara is 14 she is a master. Azula is 14 she is a master. Zuko is a master at 16. What the fuck did they feed these kids. What were you doing when you were 16? Huh?

Kyoshi was 230? When she died?????? Wtf? She was "taught" Immortality? And she probably just decided to die? Ig? Wtf

[the-badger-mole]

Something I enjoy in post-war atla fics is when Katara discovers who she doesn't want to be. Breaking up with Aang sucks, but it's growth for both of them. Canon Katara is tragic, and I'm so glad for fanfics where she is allowed to exist outside of being the Avatar's girlfriend.

Oh, I love a good Kataang break up. One of my favorite scenes I've ever written for an ATLA fic was the break up between Katara and Aang in All the Things (of course, Aang doesn't really understand it's a break up, but still). But I absolutely agree that I love and appreciate fics where Katara gets to escape life in Aang's shadow. I don't really care what happens to Aang after that (although, in those fics, he does tend to get his own growth). I'm all about Katara living her best life.

[zvtara-was-never-canon]

The double standard Zutara shippers have towards Mai vs Katara is absolutely icky. I saw a post a while ago (don’t remember the user) and screenshotted all the Mai can’t vs Katara can points. I’ll paste them here:

- Katara threatening Zuko if he dares to hurt Aang is a sign of reprimanded sexual tension, but Mai joking about Zuko never daring to break up with her again it's her being controlling.

- Katara screaming at Zuko that, to make her forgive him after he proved to have changed and be a better person to everyone else, he'll need to bring back her dead mother, as if 10 years old Zuko is responsible for Yon Ra killing Kya, is fair. Mai screaming at Zuko to leave her alone after he made a scene insulting her in front of a crowd is abusive, violent and toxic.

- Katara treating Zuko badly after he saved her from being crushed is legit and deserved. Mai slapping Zuko's hand away from her in two separate occasions because he wouldn't stop invading her boundaries after a highly emotional moment is harsh, undeserved and abusive.

- Zuko mocking Katara and telling her that he'll save her from the pirates is cute. Zuko being actually cute with his girlfriend is cringe and obviously something he didn't want to do.

- Katara splashing Zuko when he was kneeling down in the southern air temple episode is justified. Mai throwing a SHEET OF PAPER at him after he broke up with her and ghosted her is abusive and violent.

-Katara touching Zuko's scar in the catacombs to heal him is cute and a moment of trust. Mai touching Zuko's scar multiple times and him not being bothered by it in the slightest (even burying his scar in her hair) is a breech of trust and consent.

- Katara having many guys who have a crush on her throughout the series means she has rizz and that she's a catch. Mai having one boyfriend other than Zuko makes her a slut.

- Mai and Zuko being childhood friends to lovers is cringe and an overused trope, but then you'll go on the Zutara tag and find multiple fanarts of childhood friends Zutara AUs

- Katara establishing boundaries and making her stance on breeches of trust well known with multiple characters is good writing. Mai breaking up with Zuko after he lied to her multiple times means that she isn't worth sticking around, and is so selfish that she'll leave Zuko in a moment of need.

- Katara had three children while Mai only had Izumi, which means Katara is a better woman (yes, I've actually come across this kind of disgusting comment.)

- Zutarians claim that Katara is apparently reduced to a housewife and child bearer with no agency as Aang's wife (she is a well known master, wonderful healer AND politician as she made bloodbending illegal in canon), and would be better off as the fire lady (????), but at the same time Mai is nothing special because she is just the fire lord's wife while Katara is a master. Like, make it make sense. Being a fire lady is either "demeaning" for both or for neither.

+ Zutara fans making Izumi Zuko and Katara's daughter, and then proceeding to make a rant on how Mai is NOT Izumi's mom despite her looking exactly like Mai and Michi PLUS having "fountain" a significant name in Maiko's love story, in her name.

I’ve been silently reading all the anti zutara here and thought of sharing my piece. I would like to hear what you think too

God, the Izumi one pisses me off the most because:

1 - Neither Katara nor Zuko would EVER just refuse to raise or even acknowledge a child of theirs. Katara's whole trauma is about having to grow up too fast after her mother's death. Zuko's whole trauma is growing up with an abusive father that kicked him out of the house. They would NEVER abandon a child of theirs.

2 - Neither Katara nor Zuko would ever forgive a former partner if said partner had a kid with them and then abandoned said child, again, because of their own traumas.

But also HOLY SHIT, zutara's brand of "feminism" never ceases to shock me. "A better woman has more kids"? Seriously? And here I thought the worst take I'd ever see from them was "Zuko needs to marry a woman of a different race because his genes are bad, but he is one of the good ones, and Katara could fix his defective genetic that makes his kind more likely to be violent - no, I never heard the term 'eugenics', what's that?"

And yeah, funny how they're constantly going on and on about how being Fire Lady would totally "empower" Katara, but the second Mai is the one to marry Zuko, suddenly that role is oppressive and disrespectful towards a woman.

[sapphic-agent]

Rewriting the Gaang in LOK

Basically how I would have written the adult Gaang. Pretend the comics as they are don't exist.

Katara: Breaks up with Aang sometime post-finale to do some soul-searching. Travels the world on her own and sees how people are struggling after the war. After talking (beating) some sense into a few government officials, she realizes that the best way to help people post-war is through politics. She becomes an (unofficial) ambassador, helping and negotiating aid for small villages that tend to get overlooked and does this for a number of years. She joins up with Zuko and Aang after they found the United Republic of Nations and becomes Councilwoman Katara, representative of the Southern Water Tribe. She eventually gets voted chairwoman due to her passion to improve the lives of the citizens (and because her fellow council members are too scared to vote against her). She heals on the side when she needs to, but only out of obligation since she can't stand to see people suffer; she puts much more effort into getting raising funds for a hospital full of healers. A few years later, Haru moves to Republic City and is just as awestruck by her as he was the day they met (the pornstache has been removed by divine intervention). They meet up a couple of times; for drinks after work, walks around the city, and they even attend a few galas together. They eventually start dating and get married two years later. They have their first daughter Kya (who's an earthbender), a son- Tyro (who's a nonbender), and another daughter Suma (who's a waterbender). They live a happy, peaceful (if you could call Katara stopping the occasional criminal before the police peaceful) life together where their children are well-loved and as part of the Southern Water Tribe as they are the Earth Kingdom. Aang's death hits their family hard, but they all come together and support each other. Katara personally mentors Korra, even convincing her family move to Republic City so that the Avatar knows the people she's meant to protect (the White Lotus protests, they fail❤️). She teaches Korra Waterbending, but also teaches her empathy and appreciation for other cultures (and that sometimes, selfish world leaders need a good punch to the face, a lesson Korra took to heart even though she absolutely wasn't supposed to see it).

Aang: Is torn up after Katara breaks up with him. He's hurt and confused and doesn't know what to do with himself. He retreats to Ba Sing Se where he talks with Iroh and learns that he unfairly pushed his feelings onto Katara. Wracked with guilt at hurting someone he cares about so much, Aang realizes that he has a lot of growing up to do. He focuses on his job as the Avatar, working closely with Zuko, Kuei, and the other leaders to heal the world after the war. The first time he sees Katara again is when she arrives to help with the United Republic of Nations. He apologizes to her and Katara forgives him, promising they'll always be best friends. His role in Republic City is more or less the same, though at some point he develops feelings for Toph. But he fears doing to her what he had done to Katara, so he tries to ignore them. But Toph, never one to beat around the bush, point-blank asks him if he's ever gonna man-up and confess to her. They start dating, and Lin comes a few months later as a surprise. They have their hiccups- Aang especially needing to reconcile with the fact that there's a chance she might not be an Airbender- but they manage to resolve them. Lin is an Earthender, of course, but Aang loves his little girl to pieces (which is good, because Toph would kill him if she suspected otherwise). Tenzin is born three years later, an Airbender, and Su Yin is born two years after that as an Earthbender. Lastly there's Bumi, a nonbender. There's always the urge to favor Tenzin, but Aang knows he can't. They're all his children and they deserve to be treated as such. So he teaches them all about their culture, takes them all on trips. The kids fight, but Aang is always quick to help resolve it (as it turns out, getting Lin and Su to stop fighting is a lot harder than getting the four nations to get along, go figure). Aang loves his wife and kids and wouldn't trade any of them for the world. He dies peacefully at age 66, surrounded by his children and the love of his life.

Sokka: Fucking hates politics. He'll leave the negotiating and speeches to his sister, thank you very much. If the room of government officials isn't a war room, he wants no part in it. After the war, he spends most of his time in the Southern Water Tribe. He works with his father to rebuild and relearn their culture, and writes frequent letters to his sister. Though, something about his life in the south is unfulfilling. Maybe he misses Suki, but there's something about inventing that calls to him. He can't do much of that in the south pole, so he leaves for the Earth Kingdom, helping villages struggling with heat, agriculture, transportation, etc. In the United Republic of Nations, he becomes lead engineer of the city, utilizing bending to make quick technological advances. He and Suki reunite in Republic City where Suki becomes the police chief. They get back together and have a daughter, Lian. The three of them live a simple life together, until Suki gets gravely injured in the line of duty when Lian is twenty. They decide to retire to the Southern Water Tribe where Sokka takes over for Hakoda as chief and prepares Lian to take over for him.

Toph: When Toph hears that Twinkle Toes and Sparky finally started that fancy new city, she thinks it's the perfect opportunity to cause a little chaos. Closing her metalbending school, she decides to relive her days as the Blind Bandit by founding pro-bending (thanks @ecoterrorist-katara for the idea!). Zuko's a hater and tries to shut it down because "safety," but finds no help in Aang who really, really loves the idea. He goes to every one of her matches and Toph feels both smug pride and... Something else. But she tells herself it would never happen, Twinkle Toes likes girls like Sugar Queen and she was the furthest thing from that. But she isn't totally oblivious, she can feel his heartbeat pick up when he's around her and how he's started to stutter when he's talking to her. So she bites the bullet and they start happily dating. But the arrival of Lin uncovers issues she didn't even know were there. Lin cries loudly and for Toph who relies heavily on her sense of hearing, it's hell. She was also unprepared for how much her body would change. She finds herself not wanting to be around her daughter. But Aang realizes this and urges her to talk to someone. After some arguing, she does. Aang is attentive, so Toph can take breaks when she needs to and Katara and Suki are always ready to get her out of the house when she's overwhelmed. Things with Lin get better and when Tenzin comes around she doesn't suffer nearly as much. Su Yin is similar. It's hard with Bumi because she's older, but Aang and her friends are there to support her. Toph can be distant with her children- her closely monitored childhood always present in her mind- but sees how Aang can be doting and allow their kids freedom. She follows by his example, trying to find a balance between hovering and absence. Aang's death is the worst day of her life- she was there, she felt his heart stop- and she retreats into the swamp for a while to grieve. But she returns to Republic City when Katara begins to mentor the new Avatar. Not to be outdone by Sugar Queen, she becomes Korra's second teacher. It's hard to be around Korra sometimes, but she likes the girl's spunk and attitude, even if she is a brat.

Zuko: Zuko struggles after the war. The obligations of the Fire Lord are crushing and daunting and the fear of turning into his father feels like it's constantly looming over his head. Mai doesn't understand why he's struggling so much and he can't figure out how to explain it to her, so they break up. She goes to Kyoshi Island to spend time with Ty Lee and figure out what she wants in life. Stressed, burnt-out, and heartbroken, Zuko asks Aang to kill him if he ever starts to act like Ozai, but Aang steadfastly refuses, berating him for even suggesting it. Aang assures him that he'll never turn into his father and that he has his friends to rely on. He follows after Aang to Ba Sing Se, working in his uncle's tea shop as a much needed break. He opens up to Iroh about his fears and Iroh affirms that even having these worries proves that he'll never be Ozai. He spends time in Ba Sing Se working in the tea shop and negotiating with the Earth King when he meets Jin again. She's as carefree as she was back then and Zuko is both envious and in awe of it. But he knows he can't have a relationship with her, he can't burden her with his problems. But Jin is gently persistent, lending an ear when he needs one and assuring him that he isn't burdening her. When she asks him if he wants to be with her, he confesses that he does- more than anything- but also admits that he has no idea how it'll work. She tells him that if they want to be together no one should stop them. A year later, they're married and she's crowned Fire Lady Jin. There are some protests to their relationship from traditionalists, but Ambassador Katara (Zuko is so sure that she was never actually given that title, but he can't prove it) is quick to shut them down citing that the Fire Lord marrying an Earth Kingdom girl is a sign of unity. They have their daughter, Izumi, and she's Zuko's entire world. Zuko's greatest fear is that his children will end up like him and Azula, so he refrains from having more kids. Jin respects this, but urges him to talk to Azula. So he does; his sister curses him out, but seems to enjoy his company in her own way. They'll never have a good relationship, but Zuko doesn't want her to feel alone so he makes time at least once a week. It's shortly after Aang's death that Zuko relinquishes the title of Fire Lord to Izumi, his grief over his lifetime friend far too painful. Eventually, though, Katara and Toph bully him into training the new Avatar. It's not a role for a retired Fire Lord, but Zuko knows that the world needs Korra to be strong and it's his responsibility to make that happen as much as he can. And so, he becomes Avatar Korra's third teacher (if you told him 60 years ago that he'd become the Avatar's most sane instructor, he'd think you were high on cactus juice. But with Katara punching dictators in the face and Toph breaking every rule ever written, someone has to be a good influence).

Occupations if you missed them:

Katara: (Unofficial/Self-proclaimed) Ambassador of the Southern Water Tribe, United Republic of Nations Councilwoman and later Chairwoman, Healer (on the side), Waterbending Master to the Avatar

Aang: Avatar, United Republic of Nations Councilman

Sokka: Engineer and Inventor, Chief of the Southern Water Tribe

Toph: Pro-Bender, Manager of the Pro-Bending Arena, Earthbending Master to the Avatar

Zuko: Fire Lord, Firebending Master to the Avatar

Suki: Police Chief of Republic City (I'm sorry I didn't make a detailed background for her I got lazy, I promise I don't love her any less😭)

Defending my ship choices:

Harutara: Come on, y'all know what I'm about at this point. They're my everything, how could I not have them together? Plus, there's something really poetic about Haru falling for her as an adult the way he did as a teenager: watching her inspire those around her. I headcanon that he's enamoured with the sound of her voice because it's the voice that liberated him and his people and he attends all her speeches

Taang: I actually wasn't sure about this one. I'm not an active Taang shipper, but I do think they'd really balance each other out. Toph is the hard ass Aang needs to challenge him and Aang would bring out the softer side in her. Toph would never let Aang favor one kid over the other and Aang wouldn't let Toph neglect their kids. So looking at it like that, I felt them being together would be best for the story

Sukka: It's not as perfect in canon as people make it out to be, but I still love them. I wouldn't want any different for them

Jinko: This one actually made more sense than I would have thought. Jin is very different from Mai, so I can really see her being what Zuko needs considering where he would be mentally. I like Mai, but I feel Maiko really made her way more one dimensional so her living with Ty Lee and finding herself feels like a better end for her (and if they start dating, that's no one's business). And we've already seen Zuko go out of his way to make Jin happy so it's not like we're getting another Kataang situation. I'm happy with this for them

The Kids:

Yes, I purposely made Kya an Earthbender. And yes, Katara still gives her her mother's necklace. Because that's her firstborn daughter no matter what element she does (or doesn't) bend. One thing I hate is that Bryke made the Kataang kids primarily part of the culture that they bend. That's such a slap in the face to biracial kids, not to mention poor Bumi who doesn't seem to belong to either for some reason until he ends up an Airbender. So yeah, all of the Harutara kids are part of the EK and SWT. Suma is a name I made up because it sounded pretty

I know it's weird to think of Lin and Tenzin as siblings, I felt so odd writing it. But I love them both so I couldn't just not write them. I made Bumi the youngest so he could be spoiled because he deserved better in canon. Su and Lin have a better relationship, but they still butt heads because they feel the need to one-up each other due to them both being Earthbenders (and later Metalbenders). Lin still becomes a cop, but their big fight never happened because Su was never neglected to the point of becoming a criminal. All four kids are taught Air Nomad culture and traditions and taken on trips because Aang is a decent father

I named Lian partly after Yue, since Yuèliàng means moon in Chinese. One of my gripes with LOK is that Katara and Sokka's family are meant to be the leaders of the SWT. Kya or Bumi should be the chief in canon, but Bryke just... Didn't do that for some reason. So fuck it, Sokka's daughter is chief now

Nothing really changes about Izumi, although I'd say she's a little friendlier. I contemplated giving Zuko more kids, but I actually think his decision not to have more kids was one of Bryke's better choices. It makes sense, so I didn't feel the need to change it

Other notes:

The Gaang teaching/helping raise baby Korra is something I live for

The Red Lotus is swiftly dealt with by Katara, Toph, Zuko, Suki, and Sokka when Korra is a kid. They never stood a chance. I was actually going to have Sokka still die during the attack in the SWT and Suki kill Zaheer in revenge, but eh I decided not to off Sokka

The Civil War still happens, but differently. I don't have the patience to go into that, just know that Katara is HEAVILY involved

Welp, that's everything in my brain

[sokkastyles]

Hi, I’m finding it difficult to wrap my head around your (and some other meta writers) take on Sokka’s sexism and how writing a nonsexist society would be braver?

Why is it more brave to write a story without bigotry than one overcoming it?

Defensive Writing Section Where I Respond to What I Imagine You Could Respond With: 1) I know the original series did not succeed in, or even really try, empowering its women. 2) I know sexism is baked into the show and its romances. 3) I know Katara deserves better (but, this might be where we diverge, I don’t feel served by a reality/story where we pretend women’s domestic, unappreciated labor isn’t a pillar holding society up. Tbh it feels kinda disrespectful to keep that offscreen and media tends to downplay it as is). 4) I know the show isn’t out yet and we’re all guessing. I am picking your brain on your guess cause it confused me. 5.) Sokka’s arc is about maturing manhood and leadership, I’m afraid removing his sexism dodges an opportunity to explicitly deconstruct its toxic expressions. Again, I know the show was unsatisfactory with this the first go around.

Fan Mail Section Where I Attempt To Convey I Meant No Harm: Love your blog! Again, just confused.

First of all, I did not say that writing a nonsexist society would be braver or that the story should not have bigotry in it. What I said is that the story should have more adult women in it.

For example, I do enjoy Katara's story of struggling against feeling like she needs to take on a motherly role because of her gender. I think it's realistic because it's a conflict many girls face, and watching her fight against that can be cathartic. But what's harder to reconcile is the way the narrative goes out of its way to justify forcing this role on Katara. Not all of this can be chalked up to a sexist world. Kya being dead before the story begins was a decision the writers made, for example. I'm not necessarily saying that should be changed, but it is a common trope in media and it's a problem that women are disproportionately killed off to serve fictional narratives this way. Compare, for example, the way the story explains Hakoda's absence without killing him off entirely, and the fact that we know a heck of a lot more about him as a character than we do Kya. His absence is still used to characterize the heroes, to explain the struggle they face in a war-torn world, but he gets to be an active agent in the story, too.

Another example is that although a lot of Sokka's sexism stems from a lack of understanding of Katara's waterbending, which can be explained in the narrative by the fact that the FN has nearly eradicated southern waterbending, this does not explain why Katara wasn't taught more about her bending by her grandmother, who is both from the northern tribe and present when Hama and the other benders were taken. In the flashbacks in "The Puppet Master," we see that there were many women who used combat waterbending, and apparently waterbending healing was not even known in the south so there was no gendered division like in the north. There's no real reason why that should change so quickly in such a short amount of time to the point where the southern water tribe all of the sudden becomes this hugely sexist society where only men are known to fight.

Katara and Sokka are presented with opposite ideas about gender, but we don't have any real sense of where they got these ideas. I like to headcanon that Katara got her feminism from gran-gran, who fled the southern water tribe because of sexism, but it's strange then that Katara doesn't even know this story. Why is Kanna such a complete nonentity in the narrative, when her story is so important to the story the show wants to tell about Katara?

We get more backstory on Sozin than we do a lot of the adult women in the story, when they even show up. Zuko's mom is fridged just like Katara's, and although I love how this serves as a bonding point between them, it would be less glaring if Iroh's and Azulon's and Sozin's wives were also not nonentities in the narrative.

Someone commented on this post that the live action might be giving us Suki's mom. So let's look at how even this small change might effect the story. Even keeping in Sokka's sexism. Let's say that it does play out like in the original, and when they get to Kyoshi Island, Sokka is shocked - shocked! - to be beaten by a bunch of women. We're supposed to think Sokka is wrong. And he does get proven wrong. But the Kyoshi Warriors are still the exception to the rule. Sokka doesn't so much learn that women deserve respect as much as he learns to respect some women because they can kick his ass.

But, if we bring in Suki's mom, then suddenly Suki doesn't have to be the sole named character responsible for teaching Sokka not to be sexist. The story becomes less about how Sokka should respect women because some of them are cool and he'll get a girlfriend out of it, and more about how all women deserve the same respect, because we see more women just present and living in the world of the story.

I'd also like to ask everyone to take a step back here, because to my knowledge, the show never said it was taking out certain arcs or presenting the characters without narrative flaws. This all seems to stem from the young actors themselves saying merely that the show took out some "iffy" moments.

So what did they take out that Ian and Kiiawntio might be referring to? Maybe some of the anachronistic and, frankly, racist moments such as, for example, Sokka and Katara calling Zuko and Sokka's cultural hairstyles "ponytails." Which would make sense, considering that the show probably feels like they can trust their audience to accept hairstyles that might appear different to Americans moreso than the writers of the original show did, considering that this is not a show airing on American kids' cable in the early 2000s, but a modern show with a global and much more globally aware audience. These are the kinds of updates that I would expect from a modern live action series. And that is a very good thing.

I also trust the young actors of color playing these kids to say "hey, these kids would not actually talk like that!" More than I trust white writers and execs.

[ecoterrorist-katara]

“Katara deserves a quiet life after the war, so becoming a healer (who made no contributions to the field) is actually a good arc!”

It is already bizarre to me that in ATLA, Katara is this confident & combative & ambitious girl who LOVED to fight and wanted nothing more than to help as many people as possible…then comics!Katara and TLOK!Katara showed neither her previous personality traits nor a career commensurate with those traits…

but it’s even more bizarre to me that ATLA fans would defend her trajectory as if it were some kind of progressive story of recovering from war trauma.

I’ve seen multiple takes like this. “Katara is not a YA heroine, she’s not a bloodthirsty girlboss who loves fighting so it’s actually a good thing that she doesn’t have to fight anymore” “after everything she’s been through she deserves a quiet life and a loving family”

For Katara, fighting in the war was actually empowering. It didn’t burn her out. It didn’t disillusion her. It didn’t take more out of her than she can give. Katara is not Katniss Everdeen, who needed to step back and discover her own agency and a sense of peace after fighting in a war she never chose to start. Katara’s war trauma largely happened before she took an active part in it. After she chose to be a part of the war, she became a waterbending master, made close friends, found her father again, got closure for her mother’s murder, defeated the Fire Lord, and met the love of her life. If Katara were a real person, maybe she’d be traumatized, but nowhere in the text of ATLA does she exhibit the sign that she’s tired of fighting on behalf of the world. If anything, she just got started.

If you take her post-ATLA arc at face value (vs as bad writing), it’s a tragedy of a woman who has learned to minimize her own relevance and her own power. In The Promise, she begins deferring serious decisions to Aang. She doesn’t even express a strong opinion about the fate of the entire colony of Yu Dao, or the fate of her friend Zuko. In North and South, she accepts Northern encroachment of the South in the name of progress. In TLOK we see her not as a politician or a chief, but rather as “the best healer” — albeit one who apparently never established a hospital, or trained acolytes of her own, or done anything to help people at scale, which she has always wanted to do. It’s even more egregious when you remember that in Jang Hui, she was not satisfied to simply heal the sick as the Painted Lady. She wanted to solve the root of the problem, so she cleaned the river and committed full-on ecoterrorism. Just because the war is over doesn’t mean she wants to stop helping people. In fact, the problem she addressed in Jang Hui is exactly the type of problem that would become more prevalent after the war ends, judging by the rapid industrialization between ATLA and LOK.

In the original ATLA, I think Katara is about as close to a power fantasy as you can get for a teenage girl, because she gets to be messy and goofy and powerful, even though she also had to perform a whole lot of emotional and domestic labour. But post-ATLA, she doesn’t get power and she doesn’t get to make a change. She gets love and a family. That’s it. And her grandkids don’t even remember her. Her friends and peers, on the other hand, were shown doing all sorts of super cool things like, you know, running the world they saved.

It’s not feminist to say that a female character deserves “rest” when she’s shown zero inclination that she wants a quiet life. Women who want a quiet life deserve to get it — I think Katniss’ arc is perfect — but women who want power deserve to get it too, especially when they’re motivated by compassion and a keen sense of justice. There’s nothing feminist about defending the early 2010s writing decisions of two men. Like just admit that they fucked up! It’s fine! Maybe they’ll do better in the future!