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Beyond the Fog (2023)
Dir. Daichi Murase
#beyond the fog#movie#film#drama#japan#asian cinema#cinema#japanese film#asian film#japanese#slice of life#melancholic#japanese countryside#village#mountains#daichi murase#shuri miyake#masaki miura#shinzo hotta#asami mizukawa#film stills#coming of age
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Live-Action Blue Period Film Gets A New Trailer, More Cast, And A New Theme Song
Live-Action Blue Period Film Gets A New Trailer, More Cast, And A New Theme Song #ăă«ăŒăăȘăȘă #manga #BluePeriod #anime #WurtS
Warner Bros Japan is creating a new piece of artwork with the live-action adaption of Tsubasa Yamaguchiâs Blue Period Manga, which could be a masterpiece. In a new announcement, a brand-new visual, trailer, and cast list additions were released for the upcoming film. The new theme song for the film, NOISE will be performed by WurtS. Image Credit: Warner Bros. Japan Joining the cast will beâŠ
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#Anime#Art#ăă«ăŒăăȘăȘă#Blue Period#Coming of Age#Drama#Hiroko Yakushimaru#Ikuho Akiya#Katsumi HyĆdĆ#Kodansha#Manga#Masaki Miura#Noriko Eguchi#Seinen#Sena Nakajima#Tsubasa Yamaguchi#WurtS#Yasuhide Aiki
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Dragons of Wonderhatch Trailer
Nagi is a girl living in the "real world" of Yokosuka who doesn't feel like she belongs. She can visualize colors when she hears sounds. "Dreaming of one day being able to fly, Nagiâs life is turned upside down when a dragon rider called Thaim and his dragon Guphin suddenly burst out of her bookcase. Tasked with saving his home world of Upananta from collapse, Thaim and Nagi begin to work together to find a solution, uncovering a shocking secret that connects their two homes along the way." (Hulu)
Dragons of Wonderhatch stars Sena Nakajima (Nagi), Daiken Okudaira (Thaim), Mackenyu (Akuta), Rena Tanaka (Hana), Masaki Miura (Taichi), Riko Narumi (Ayana Nijisaki), and Sumire (Saira). The series is directed by live-action director Kentaro Hagiwara and animation director Takashi Otsuka. The series is produced by Production I.G.
Dragons of Wonderhatch premieres on Hulu on December 20, 2023.
#dragons of wonderhatch#sena natajima#daiken okudaira#mackenyu#rena tanaka#masaki miura#riko narumi#sumire#kentaro hagiwara#takashi otsuka#production i.g#hulu#TGCLiz#Youtube
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Dragons of Wonderhatch
Dragons of Wonderhatch (Serie 2023) #SenaNakajima #DaikenOkudaira #RenaTanaka #MasakiMiura #RikoNarumi #Sumire #KentaMiyake Mehr auf:
Serie / ăŻăłăăŒăăă -ç©șéŁă¶ç«ăźćł¶- / Wonderhatch: Soratobu Ryu no Shima Jahr: 2023- (Dezember) Genre: Anime / Action / Abenteuer Hauptrollen: Sena Nakajima, Daiken Okudaira, Rena Tanaka, Masaki Miura, Riko Narumi, Sumire, Kenta Miyake, Jun Fukuyama, YĂ» Shimamura, Emma, Shimba Tsuchiya, Mackenyu, KenjirĂŽ Tsuda, Shunsuke Takeuchi ⊠Serienbeschreibung: Ein modernes MĂ€rchen zwischen den Welten. Nagi (SenaâŠ
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TOO WEAK ON MY KNEES đ€§
The "ikemen" of Japan w/ this trend = a must!!! đŻđ„đŻđ”
( đ„ : New edit w/ my kindred )
Incomplete list~ if only we could fit all of them đ
#Ikemen#Japanese Actors#Japanese Artists#Takumi Kitamura#Jun Matsumoto#Oguri Shun#Ikuta Toma#Hiro Mizushima#Haruma Miura#Takeru Satoh#Yamapi#Tomoya Nakamura#Ayano Go#Mackenyu#Shuhei Nomura#Yuki Furukawa#Yuki Yamada#Suda Masaki#Ryosuke Yamada#Mamiya Shotaro#Hirano Sho#Ryo Yoshizawa#Shunsuke Michieda#Kamio Fuju#Ren Nagase#Ryusei Yokohama#Kento Yamazaki
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Drive My Car (2021)
dir. Ryusuke Hamaguchi
#asian cinema#haruki murakami#japanese film#japanese movie#films#movies#film caps#film stills#cinema#hidetoshi nishijima#toko miura#masaki okada#reika kirishima#japan#cinematography#book adaptation#film blog#movie blog#jmovie#ăă©ă€ăă»ăă€ă»ă«ăŒ
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Reika Kirishima in Drive My Car (2021)
Director:Â Ryusuke Hamaguchi
#cinematography#drama#movie#director#thriller#screenplay#filmmaking#movies#cinema#film#drive my car#reika kirishima#japan#japanese#japan girl#japanese culture#chinese#thai#ryusuke hamaguchi#amazon#prime video#hidetoshi nishijima#toko miura#masaki okada#sonia yuan#beautiful women#beautiful#hot#cute#beauty
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Motherhood æŻæ§ (2022)
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Study Time
It's the last quarter moon once again!
T; 1k Mizuki, Masaki/Hotaru, (Adam/Sayaka)
A walk in the park gives Mizuki an unexpected glimpse into fondness and warmth, a pattern that brings back old memories closer to her own - sweet and long lost, echoes of another life, but never forgotten.
Written for my (second this round) @gywo Build-a-Bingo board, for the prompt: flashback
#Kagen no Tsuki#Last Quarter#Masaki x Hotaru#Adam x Sayaka#Mochizuki Mizuki#Miura Masaki#Shiraishi Hotaru#Adam Lang#Kamijou Sayaka#flashback#outside POV#Kalira writes#Kalira writes; Kagen no Tsuki#Kalira writes; Masaki x Hotaru#Kalira writes; Adam x Sayaka#getyourwordsout#GYWO build a bingo 2024#Study Time
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Currently Watching
DRIVE MY CAR [ăăă©ă€ăăă»ăă€ă»ă«ăŒ] RyĂ»suke Hamaguchi Japan, 2021
#watching#Ryûsuke Hamaguchi#Japanese films#Hidetoshi Nishijima#TÎko Miura#Reika Kirishima#Masaki Okada#2021#playing
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Rabbit on the Moon (2007)
Dir. Chihiro Ikeda
#rabbit on the moon#movie#film#short#drama#japan#asian cinema#japanese film#cinema#asian film#japanese#short film#slice of life#loss#grief#coming of age#sairi ito#chihiro ikeda#momoka omori#makiko watanabe#masaki miura
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DVD review: âDrive my Carâ (2021)
âDrive my Carâ (2021) Drama Running Time: 110 minutes Written by: Ryusuke Hamaguchi and Takamasa Oe Directed by: Ryusuke Hamaguchi Featuring: Hidetoshi Nishijima, TĆko Miura, Reika Kirishima, Park Yu-rim, Jin Dae-yeon, Sonia Yuan, Ahn Hwitae, Perry Dizon, Satoko Abe and Masaki Okada KĂŽshi Takatsuki: âBut even if you think you know someone well, even if you love that person deeply, you canâtâŠ
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#Ahn Hwitae#Drive my Car#Drive my Car dvd#Drive my Car dvd review#dvd#dvd drama#dvd new zealand#dvd review#DVD reviews#DVDReviews#Hidetoshi Nishijima#Jin Dae-yeon#Masaki Okada#Park Yu-rim#Perry Dizon#Reika Kirishima#Ryusuke Hamaguchi#Satoko Abe#Sonia Yuan#TĆko Miura
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â ïžMUGENâ ïž
Miura Tatsuomi {Kohaku} + Takamura Tsukumo {Tsukumo}
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Kohaku
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Kohaku and Tsukumo
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Kohaku (only when he wants to be)
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Kohaku and Tsukumo
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Tsukumo
đ¶ïžAMAMIYA BROTHERSđ¶ïž
Amamiya Takeru {Takeru} + Amamiya Masaki {Masaki} + Amamiya Hiroto {Hiroto}
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Takeru, Masaki and Hiroto
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Takeru, Masaki and Hiroto
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Takeru (đ€), Masaki and Hiroto
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Takeru and Hiroto
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Masaki
đ§ĄSANNOHđ§Ą
Hino Junpei {Cobra} + Kurosaki Teppei {Tetsu} + Asahina Yamato {Yamato} + Kataoka Chiharu {Chiharu} + Harada Noboru {Noboru} + Dan Kazuya {Dan}
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Cobra, Yamato, Noboru and Dan
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Cobra, Tetsu, Yamato, Chiharu and Noboru
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Cobra, Tetsu, Yamato, Chiharu, Noboru and Dan (đ€)
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Cobra, Yamato, Chiharu and Noboru
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Cobra (đ€), Tetsu, Yamato, Chiharu and specially Dan
đŠŻWHITE RASCALSđŠŻ
Mutsugi {Rocky} + White Rascals
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: White Rascals and sometimes Rocky
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Rocky and White Rascals
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: White Rascals and sometimes Rocky
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: White Rascals and Rocky
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Rocky
đŠOYA HIGHđŠ
Yoshiki Murayama {Murayama} + Hideto Furuya {Furuya} + Kotaro Seki {Seki}
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Murayama
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Murayama, Furuya and Seki
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Murayama
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Murayama, Furuya and Seki
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Furuya and Seki
â«ïžđ€OYA HIGHđ€â«ïž
Yosuke Todoroki {Todoroki} + Yosuke Shibaman {Shibaman} + Tsuji
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Shibaman and Tsuji
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Todoroki, Shibaman and Tsuji
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Shibaman and Tsuji
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Todoroki, Shibaman and Tsuji
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Shibaman and Tsuji
â«ïžOYA HIGHâ«ïž
Takajo Tsukasa {Taukasa} + Hanaoka Fujio {Fujio} + Nishikawa Yasushi {Yasushi} + Shohei Nakaoka {Nakaoka} + Dai Nakagoshi {Nakagoshi} + Yokoyama Kiyoshi {Kiyoshi} + Rest of Oya High ||
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Tsukasa, Fujio, Nakaoka, Nakagoshi and Rest of Oya High
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Tsukasa, Fujio, Yasushi, Nakaoka, Nakagoshi, Kiyoshi (đ€) and Rest of Oya High
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Tsukasa, Fujio, Nakaoka, Nakagoshi, and Rest of Oya High
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Tsukasa, Yasushi, Kiyoshi and Rest of Oya High
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Fujio, Yasushi, Nakaoka, Nakagoshi, Kiyoshi and Rest of Oya High
đąRUDE BOYSđą
Smoky + Rude Boys
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Smoky and Rude Boys
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Smoky and Rude Boys
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Smoky and Rude Boys
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Smoky and Rude Boys
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Rude Boys
â©ïžDARUMA IKKAâ©ïž
Norihisa Hyuga {Hyuga} + Kato Shuu {Kato} + Rest of Daruma Ikka
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Hyuga (when he is sleepy), Kato and Rest of Daruma Ikka
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Hyuga, Kato and Rest of Daruma Ikka
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Rest of Daruma Ikka and Hyuga when he wants to be
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Hyuga, Kato and Rest of Daruma Ikka
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Kato and Rest of Daruma Ikka
đ„ĄDARUMA IKKAđ„Ą
Norihisa Hyuga {Hyuga} + Daruma Babies
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Daruma Babies
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Hyuga and Daruma Babies
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Daruma Babies
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Hyuga and Daruma Babies
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Daruma Babies
âïžMIGHTY WARRIORSâïž+đKURYU GROUPđ
ICE + Tatsuhito Ryu (Ryu) + BERNIE + PEARL + JESSE + PHO + DIDDY + ARK + GLOCK + 9
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: BERNIE + PEARL + JESSE + PHO + DIDDY + ARK
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: RYU + BERNIE + PEARL + JESSE + PHO + DIDDY + ARK
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: BERNIE + PEARL + PHO + DIDDY + ARK
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: ICE + RYU + JESSE + PHO + GLOCK + 9
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: ICE (đ€) + BERNIE + PEARL + JESSE (đ€) + PHO + DIDDY + 9
đ·đ€DOUBT+SENOMON HIGHđ€đ·
Hayashi Ranmaru {Ranmaru} + Hirai + Takano Masato {Masato} + Amagai Kohei + Suzaki Ryo + Amahisa Sabo {Saboten} + Tsudanuma
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Kohei + Ryo + Saboten + Tsudanuma
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Ranmaru + Hirai + Masato + Kohei + Ryo + Saboten + Tsudanuma
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Kohei + Ryo + Saboten + Tsudanuma (when they want to be đ€)
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Ranmaru + Hirai + Masato + Ryo
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Hirai (đ€) + Masato (đ€) + Kohei + Ryo (đ€) + Saboten + Tsudanuma
đKAMASAKA HIGHđ
Himuro Reiji {Reiji} + Kazushi Iwatsugu {Gandhi}
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Reiji + Gandhi (when they try their best)
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Reiji
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Reiji + Gandhi (only when they want to be đ€)
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Reiji + Gandhi
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Gandhi
đEBARA HIGHđ
Shoji Sameoka {Sameoka} + Kazami Jin {Fujin} + Uenari Masato {Raijin}
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Sameoka + Fujin + Raijin (when Fujin and Raijin are not after Todoroki)
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Sameoka + Fujin + Raijin
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Sameoka
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Sameoka + Fujin + Raijin
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Fujin + Raijin
đ©¶đ€HOUSEN ACADEMYđ€đ©¶
Ueda Sachio {Sachio} + Sabakan + Sawamura Shoji {Sawamura} + Shida Kenzo {Shidaken} + Eimei Jinkawa {Jinkawa} + Odajima Yuken {Yuken} + Tokuyama Monji {Monji}
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Sachio, Sabakan, Sawamura, Shidaken, Jinkawa, Yuken and Monji
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Sachio, Sawamura, Shidaken, Jinkawa, Yuken and Monji
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Sachio, Sabakan, Sawamura, Shidaken, Yuken and Monji
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Sachio, Sabakan, Sawamura, Shidaken, Jinkawa and Monji
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Sabakan, Sawamura, Shidaken, Yuken and Monji
đŠââŹSUZURAN HIGHđŠââŹ
Misaki Mario {Rao} + Kansuke Seta {Seta} + Takehiko Mashii {Mercy} + Kamui Ito {Kamui} + Miyauchi Kozo {Binzo} + Yamaguchi Magoroku {Magoroku}
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ” đđžđŸ, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Rao, Seta, Mercy, Kamui, Binzo and Magoroku
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đŹđȘđ· đȘđŹđœđŸđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Seta, Kamui, Binzo and Magoroku
đđžđžđŽđŒ đ”đČđŽđź đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”, đČđŒ đȘđŹđŸđœđȘđ”đ”đ đȘ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”: Rao, Seta, Mercy, Kamui, Binzo and Magoroku
đđžđžđŽđŒ đ”đČđŽđź đœđ±đźđ đŹđȘđ· đŽđČđ”đ”, đŹđȘđ· đȘđŹđŸđœđȘđ”đ”đ đŽđČđ”đ” đđžđŸ: Rao, Seta, Mercy, Kamui, Binzo and Magoroku
đđČđ”đ”đŒ đœđ±đźđ¶đŒđźđ”đżđźđŒ đ«đ đźđȘđœđČđ·đ° đœđžđž đ¶đȘđ·đ đŹđČđ·đ·đȘđ¶đžđ· đ»đžđ”đ”đŒ: Seta, Kamui, Binzo and Magoroku
(That is it for now! If I remember to add more I will, so I will post just to be safe, however I will edit later)
#incorrect quotes high and low#mighty warriors#cobra and murayama#incorrect quotes#incorrecthighandlow#kuryu group high and low
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The rules of the game are to write one song for every letter in your url, and then tag as many people as there are letters in your url.
tagged by @ginkashino! literally my fave kind of tag let's gooooo
S - Sayonara Elegy by Suda Masaki
T - Treasure from Princess Princess D
I - Inherited System from Kamen Rider Kiva
C - Candy Shop by okano_skywalker
K - Kagiri Aru Hibi by Sakurada Dori
E - Escape by Miura Ryosuke
R - Ready Go by GENIC
S - Sing'n Step by Kishi Yosuke
O - OVER by Joker
N - Naimono Nedari by Mystear
A - Absolute Pride by Sphere
L - Loveâmaker by Cocoa Otoko
A - Albino by Katou Kazuki
P - Pendulum of the Captivity from Trump Lilium Grand Guignol
T - Treasure Sniper from Kamen Rider Decade
O - Odore Dance by Pimm's
P - Psycho Breaker by WIN=W1N
who wants to guess the theme lmao
tagging: @skajador @rosemirmir @doomednarrative @snapple-man and anyone else who wants to blame me! (not tagging THAT many people lmao)
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Giant of Light Playlists
Inspired by some posts I saw, I put together a playlist of music for the GoL experience. Then I split it in two, because of the duality built into the game. They might not be perfect for background music, since they're a bit lyric heavy in a way that might distract from the table, but there are some connections I'm happy with. Also, they work on shuffle, but the order is intended to make a rough sketch of an Episode of play from either perspective. They're on Spotify:
Side A: Heroes
Side B: Kaiju
And of course you can buy the game here.
If you don't use Spotify (I don't blame you), there's a track listing below, along with commentary, because I love to explain myself.
Side A: Heroes
-Goshowa Kudasai Ware no Na wo! (Endo Masaki)
This is the opening theme to Ultraman Z. Obviously, I was going to include some music from the franchise, but I didn't want it to be the whole playlist. I chose this one because the title and opening line translates to "I ask that you chant my name," which is a wonderful bit of poetry asking for faith.
-The Legend of Chavo Guerrero (The Mountain Goats)
This is about that faith from the other side, a song about having a hero. "The telecast's in Spanish, I can understand some / and I need justice in my life, here it comes," devastates me every time.
-Starman (David Bowie)
Maybe a bit obvious, but all the same, Ultraman is full of visitors from space whose differences from humanity leave them alienated, but still capable of seeing the beauty and value of the Earth.
-Hands (Oishi Masayoshi)
Theme to Ultraman R/B and my personal favorite theme in the whole franchise. The leads in this series have no experience or training and are thrown into the deep end and I like the way this track reflects the drive to stay positive. "These are the things we shouldn't have to protect."
-Pump it Up (Elvis Costello and the Attractions)
This represents the rising tension in the "Episode" happening here. The thumping, elegant bass line and lyrics about matching intensity always begged for an action scene in my mind.
-Brave Love, TIGA (Kagaku Tokusoutai, not the original version, this is a group that does covers of tokusatsu songs)
This is the ending theme to Ultraman Tiga and it's a bit of a parallel to Legend of Chavo Guerrero, since it's a plea to the title character. It's a child, asking their hero, please, do the things I can't. Protect the world. Show me how to be brave.
-X Gon' Give It To Ya (DMX)
Am I guilty of coming to the same conclusion as the writers of the Deadpool movie? Yes. But as a Millennial, I defy you to find a track that more powerfully says that shit is about to go down.
-Veridis Quo (Daft Punk)
Something wholly without lyrics to depict the final fight. I've always thought that the melody of this song implied a situation that's rapidly becoming more complicated.
-Dare (Stan Bush)
Come the man, cometh the hour, this is the personal theme of Hot Rod from The Transformers: The Movie (1986). Hot Rod is the chosen one, even if he doesn't know it until the end, but his theme is all about being brave enough to become the person needed. Also, the sample character Ultraman Giant Hero Cadmium is a direct reference to Hot Rod, including the piece of character art he's in.
-Gimme! Gimme! Gimme! (A Man After Midnight) (ABBA)
I think the transition from the last track to this one is the best thing I do in either playlist. Again, this is a song about who you want around when things get bad. Also feels final, like the fight can be won here.
-BRAND NEW WORLD (Miura Jam BR)
This is the opening theme to my favorite arc of One Piece (Enies Lobby), but that's incidental. Here, the track represents the "new world" created by the Main Characters in saving the day, and the moment of joy together after it happens.
-Ultraman 80 (Kagaku Tokusoutai, again a cover)
"He came to us from the stars." Nothing more than a moment of gratitude for this immense power that joins together with us to protect our world. Ultraman gets a bit religious (by design, the life of the original creator Tsuburaya Eiji was often defined by faith). Also a relaxing end to represent the "end credits."
Side B- Kaiju
-Trigger (Sakuma Takao)
This side's less optimistic, more conflicted, but I still wanted to open with a theme, this time from Ultraman Trigger. It's a bit more aggressive, all about letting loose. Doesn't connect to that show much, but it's exactly what's happening here.
-When You're Evil (Aurelio Voltaire)
Being self-consciously "evil" is mostly the provenance of teenagers, but there's a sort of immaturity to a lot of the Kaiju Users I took inspiration from when writing the game. There's a certain kind of person who says to themself "no, I'm bad, really, I'm dangerous, watch out!"
-Wolf Like Me (TV on the Radio)
Another approach to playing a Kaiju User is to have werewolf vibes: "this is something inside me and when I let it out, you should run." This is a good song to depict prowling around town, looking for trouble.
-Life on Mars? (David Bowie)
An intentional parallel to Side A, another Bowie track using aliens as a metaphor for alienation. This one's a bit grittier, more critical of society, and more explicitly Queer, which is why it's on this side.
-Werewolf Gimmick (The Mountain Goats)
Like I said, this vibe is strong. The theme of performance (and taking that performance too far) is also a good link to the way a Kaiju User might play with their public image.
-V: The Stand (Man or Machine) (The Protomen)
This song ruled my college years. With a fight imminent, two people who would rather not fight argue, proving why they have to. In your games, the primary Kaiju User can even be either side of the fight, depending on how you've built things up.
-It Has To Be This Way - Platinum Mix (Jimmy Gnecco)
Meme music it may be, but this is great for being the next phase of that argument as the fists start flying. It's only from one perspective, which is fun, because the speaker might be completely off-base about the similarities between the two fighters (which is the case in the game it's written for, a lot of the memes and such overlook that).
-Foreign Object (The Mountain Goats)
Kaiju Users are often at a disadvantage, and this song really captures the spirit of fighting uphill because you're meaner and even if you can't win, you'll make your opponent regret it.
-KARATE (BABYMETAL)
This is the song for the main fight here, picked mostly for sheer kinetic energy. BABYMETAL's trademark pop idol/heavy metal contrast here is the symbol for the fact that a lot of Kaiju may be city-destroying beasts, but people on the internet will still look at them and say "what a good dog!"
-Light Up The Night (The Protomen)
Sometimes, winning means being willing to burn yourself up.
-Hero (The Verve Pipe)
The mirror spot to When You're Evil for a reason. This is the truth at the core of that facade, that underneath the way they scorn humanity and embrace their outcast status with mischief, they really long to be accepted. And something that GoL tries to say is that you can be, even if your powers are scary and destructive, you can still be a hero, no matter what your self-loathing says.
-ZERO to INFINITY (Miyano Mamoru)
Another track from the franchise, this is the theme to the web series Ultra Galaxy Fight: The Absolute Conspiracy, which is mostly a big crossover punch-em-up. But here, I like the optimism of saying you can get to the end of your path as long as you keep pushing, which can be applied to Kaiju Users of many different moral orientations.
Whew! So I started out trying to not repeat artists at all, let alone on the same playlist, but it couldn't be helped, Beat The Champ by The Mountain Goats is the best album about wrestling ever (not a high bar, mind, but it's very good), and the parallels between pro wrestling and tokusatsu are very deep. Anyway, have fun, let me know your thoughts on the listening experience, and play the game!
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